#and he loves nature just as much as I do :)

[egophiliac]

I don’t think we’ve ever seen you draw knight of dawn before 🤔 what are your thoughts about him? Or take?

I've drawn him a couple of times, just really little/in the background. but I should draw him more, I love this guy a lot! I have many, many thoughts about him and the way he parallels Silver...and also I think it is extremely funny that his ghost is stuck in a ring. especially considering where that ring has been for the last 16-ish years.

[chaos-bringer-13]

I've seen a lot of people writing Danny as a space ancient and Dan and Dani as ghosts with moon and sun cores, being sort of parts, versions of Danny and therefore weaker. Now, consider: Dan and Dani are both powerful ghosts with really cool cores and stuff but Danny is just some guy™

Dan, who came from an alternate timeline and is kind of from the future but also not, is Clockwork's apprentice and will eventually become an ancient of time. He probably only agreed to have some lessons with Clockwork to understand better what happened to him, but he enjoys his apprenticeship now.

Dani, with her love of travelling, loves seeing all the different places the world offers to her, and that includes space and different planets and maybe even parallel universes, and she accidentally ends up being an apprentice of the space ancient. For now she's probably a baby ancient of freedom or something like that, but she might become an ancient of space in the future.

We can also have something like Dan having a core of destruction or Dani being the Speed Force if you want it to be dcxdp, or any headcanon of yours about their cool powers.

And then there's Danny. And yeah, everyone knows that he's super powerful, but also he's just some guy.

It can go different routes. Does everyone know that Danny is just Danny? Or do they think that with siblings (well, technically a clone and an alternate version, but whatever) so powerful, he must be even stronger? Is Danny actually something terrifyingly eldritch and ancient and strong, almost a god, but he just doesn't know himself? Or is he just really some guy?

Now, because it's obvious that I have a dcxdp brainrot, have a regular "JL summons/meets a powerful ghost" but its Dan and Dani, and they keep mentioning their original/brother who won a fight against them at some point. The JL is very concerned about Dan and Dani's godlike powers, and they can't imagine what Danny is like. And then they meet him (in his human form), and it's just a young adult in casual clothes, very friendly and helpful, with no evident powers. Imagine the confusion. Imagine Dan and Dani, radiating power, in their eldritch ghost forms, admitting that fighting Danny for real is the dumbest thing to do and not even they would succeed... And then there's Danny is jeans and silly t-shirt, waving shyly.

[bunnieswithknives]

Thanks.

Prev

[twinstxrs]

idk if this is accurate but i’ve felt like in previous seasons riz & gorgug have been one of the inter-bad kids dynamics we’ve seen the least of & this season has been so great in that aspect. gorgug having helped make some of riz’s magic gear. riz helping gorgug with his studies. the shared birthday party. gorgug’s gift to riz being something he himself made to protect riz. riz’s gift to gorgug being something he illegally grabbed to protect gorgug. gorgug who utilizes rage to put his body on the line for his friends & riz who will take deep levels of mental stress for his friends. even though it was within the context of a joke, riz calling gorgug an “absolute sweetie.” like yea they might not be in a band together or both part of a presidential campaign team or owlbears teammates, but they’d go to war for each other, because they’re best friends.

[turtleblogatlast]

I think a lot about Leo’s tendency to push his way into the spotlight despite clearly being a natural in the shadows. Hell, you could argue that his worst moments are when he’s forcing himself onstage, and his best are when he does things no one notices until it’s already been done.

[yeonjune]

Yeonjun about the strain he felt while preparing for his debut solo project ✙ "GGUM" MAKING FILM

[s0fter-sin]

one of my favourite aspects of supernatural that you very rarely see in paranormal shows is that sam and dean are already versed in the world they live in. there’s no sudden discovery of ghosts and demons and now they have to learn about them along with the audience; they are born into it and already know all about it. it allows the audience to follow their personal story instead of also trying to figure out this new world and its rules

the first season is full of knowledge we never see them learn; “w*ndigoes are in the minnesota woods or- or northern michigan. i’ve never even heard of one this far west.” […] “great. well then this [his gun] is useless.” (1x02), “you don’t break a curse. you get the hell out of its way.” (1x08), d: “it’s a god. a pagan god, anyway.” […] “the annual cycle of its killings? and the fact that the victims are always a man and a woman. like some kind of fertility right.” […] s: “the last meal. given to sacrificial victims. d: “yeah, i’m thinking a ritual sacrifice to appease some pagan god.” (1x11)

almost every episode in the first season is a monster they’ve faced before that they then explain to the audience in a way that should feel patronising; like it’s the same speech given over and over again but instead, the audience almost feels included in the knowledge. it’s stated with such an innate confidence and comfort in said knowledge that it feels like we already knew it too; “spirits and demons don't have to unlock doors. if they want inside, they just go through the walls.” […] “the claws, the speed that it moves; could be a skinwalker, maybe a black dog.” (1x02), “it's biblical numerology. you know noah's ark, it rained for forty days. the number means death.” (1x04), “no no no, not the reaper, a reaper. there's reaper lore in pretty much every culture on earth, it goes by 100 different names.” […] “you said it yourself that the clock stopped, right? reapers stop time. and you can only see 'em when they're coming at you which is why i could see it and you couldn't.” (1x12)

they already know and, at least in the first season, already have what they need to kill whatever they’re hunting; already know to salt and burn bones for spirits, fire for a w*ndigo, exorcisms for demons, a silver bullet to the heart for shapeshifters. there’s only three times in the entire first season that they run into something new to them; 1x14 when sam gets his first vision that leads him to another psychic, 1x16 when dean calls caleb for help on the sigil he put together and he tells him about daevas, and 1x20 when they find out vampires are real- and they only don’t know that bc john thought they were hunted to extinction and not worth mentioning

(there’s also technically two half instances if you count one of them knowing something the other doesn’t - sam figuring out the tulpa in 1x17 and dean already knowing about the shtriga in 1x18 - but those still rely on sam and dean having prior knowledge)

even when they’re uncertain about facing something, it’s not bc they don’t know what it is; it’s precisely bc they know what it is and acknowledge that it’ll be a difficult hunt (“i don't know, man. this isn't our normal gig. i mean, demons, they don't want anything, just death and destruction for its own sake. this is big. and i wish dad was here.” 1x04)

so much of the tension in paranormal shows typically comes from the main character(s) not knowing what is happening to them/the people around them and having to find out how to resolve it. supernatural is unique in that it operates more like a police procedural. the tension comes from solving the clues and identifying patterns to figure out who (what) the killer is and intercepting before they can take another victim

it’s such a different tone to go for when compared to other shows that came both before, during, and after its run. it sets sam and dean on even footing with each other since they both have the same knowledge going in, and it puts them in a place of authority usually reserved for an outside character

the shows i compare spn to most is charmed, buffy and teen wolf; every main character in those shows are brought into the paranormal world knowing nothing, putting them on the same level as the audience, and they have their mc interact with others already knowledgeable about that world in order to overcome their problem/monster of the week. the audience organically learns about this new world as the characters learn about it. it’s a sound writing strategy that prevents “as we already know”-style exposition but something that complicates it is if your world building isn’t unique or intriguing enough, this slow introduction can become boring

we’ve seen shows like these before; sitting through the same tropes of characters learning to use their powers, struggling with no longer feeling normal/relating to the regular world around them, and not knowing how much they can trust the people already involved in this new world gets repetitive. all three shows eventually reach the same level of comfort with their new world that spn starts with but if the characters aren’t enough to draw you in, you can end up dropping it before they reach that point (and often, before the overarching plot can really kick in and evolve the show beyond the villain of the week format)

it’s the superhero origin movie in tv format; dragged out and overplayed. dropping the audience into an established world of course comes with its own problems but you also have the benefit of pre-existing established character dynamics that let the audience slot in like they’ve always been there instead of just getting to know all the characters while the characters also get to know each other

sam and dean already knowing about the supernatural lets the audience immediately get to the core of the story; the conflict between sam and dean, the search for their father, and the mystery of what killed their mother

[starry-bi-sky]

Clone^2 - Separation Strikes

"Why do I have to go?" Damian asks, surly and accent-thick, it sounds more like a demand and a whine at the same time. Sitting on the kitchen table with his arms crossed, in a green t-shirt that Danny bought him at a whim when he was at a thrift shop, and black shorts, he's never looked more like a kid. There's a little backpack leaning against the table leg, Damian begrudgingly picked it out when they went shopping.

His English has grown in leaps and bounds since Danny found him -- er, or more accurately; since Damian was spat out in front of him. -- and very little did they have to use the translator on Danny's phone these days.

Which meant one thing: Damian can start attending school comfortably now. And 'go' was the Amity Smiles Child Care Center. Danny and Jazz went as kids until they were twelve, and Mom and Dad actually managed to convince the center director to let Damian enroll for the summer.

And it was summer; Damian starts today.

"Because," Danny says, trying and failing to hide the smile pulling on his face, his heart warm and soft, and also laughing at Damian's expense; "being cooped up in the house all day isn't good for you, and you're starting school in the Fall. And, in Jazz's words: you need to have interactions with other kids your age for the benefit of your social development. And besides, it's only for the morning."

Damian's nose scrunches up, and his eyes roll so violently that for a moment, Danny thinks about joking that he'll get his eyes stuck like that. He holds his tongue; his little brother already looks like he's five seconds away from committing an act of violence.

"I don't need social interaction." Damian sneers, his cheek in his hand; a neverend pool of pride. "I am--"

"The Blood of the Demon Heir, better than everyone else." Danny cuts off, waving his hand in dismissive circles, his voice mockingly deep. Damian's brown skin darkens in embarrassment, and he scowls at Danny. "I know, bud. But Jazz is right, -- don't tell her I said that, -- you should be around kids your age."

Especially when he starts First Grade in the Fall. Honestly -- Danny was a little nervous to send him to the center. Damian's long since cut the habit of trying to kill or otherwise maim people, his palms ache-burn with gentle reminder, but his tongue was as sharp and as cutting as his sword. He still struggles with trying to quell it when he's upset. Vicious child-weapon that he once was, and will never be again.

Danny knows that it comes from a place of fear and defense, that Damian lashes out because that's what he's been taught. That at the end of the day, he doesn't really mean what he says, and he's learning to express himself better. But the other kids don't know that, and kids can be unforgiving and cruel.

Danny just...

His slow beating heart sighs, melancholy settles behind his lungs.

He doesn't want Damian to be outcasted. He doesn't want him to be alone.

Not like he was.

Damian sneers again, but says nothing, his shoulders crawling up to hide his ears like a turtle receding into his shell. Danny watches him silently, leaning against the kitchen counter with his own arms crossed. The clock hanging on the wall ticks in their ears -- it's almost time to go.

He watches Damian, careful, and so he sees it when his little brother's stone-shell pride and petulance shudders, and cracks. The darkened furrow of Damian's brows weakens, and for a moment, slants back.

Ah, Danny thinks, his own shoulders slumping. Epiphany washes over him, and his sad-heart soothes in warm understanding. So that's what it is.

His head tilts, and his hair spills over his shoulders, messy and fluffy, tickling his neck. Some of his bangs fall into his face. "Hal 'ant easabiatan ya habibi?" He asks, voice low and soft. Just as Damian's English has improved, so has Danny's Arabic. He still stumbles over himself some days, and Damian says his accent is trash, but they can have whole conversations now in Damian's mothertongue.

(Danny was incredibly proud of himself for it.)

Damian's face darkens, his blush spreading across the rest of his face, and he ducks his head down. Grown-out curls, black-brown and springy, falls over his eyes. "La!" He yells, loud and indignant, and not at all convincingly. "La 'asheur bialtawaturi!"

He was nervous. Danny can see it now, in the hunch of his shoulders and the tightness of his face, and faintly, he can feel it too. In the ecto-rich air of the Fentonworks House, it thrums, barely-there, like a hummingbird behind his lungs.

Danny can't stop the little, fond smile that forces itself across his lips and upticks the corner of his mouth. "It's okay to be nervous, little brother." He says, he sounds like Jazz when he says that. He doesn't think she'll mind him borrowing the nickname.

He pushes himself off the counter, and Damian refuses to look at him, hiding behind his hair and in his shoulders. It takes three long strides for him to reach the table, and Danny turns, plants his hands on the ledge, and hoists himself up. Right next to Damian.

Damian leans into him easily when Danny's arm wraps around his shoulders and tucks him close to his heart. He can feel his ear against his ribs. Danny hunches over him, resting his chin on Damian's head. "It's so okay to be nervous, actually. I was nervous, Jazz was nervous." He tells him, scratching the blunt edge of his nails across his scalp. "Everyone gets nervous."

"'Ana last aljumiea." Damian mumbles, as small and feeble as he was the night on the OPS Center balcony, realizing that his mom and the League weren't coming for him. Realizing that he was replaceable.

Danny's half-working heart squeezes; in grief, in rage, and his faucet eyes sting. He breathes in carefully, and presses his nose into Damian's hair in a loving faux-kiss. "You're right, you're not everyone." He says, steady and strong, because if he's not a pillar for his family, who else is he?

He can feel Damian's eyes flick up to him, and Danny smiles into his black-brown curls. Tilts his head to squish his cheek against him instead, hand dropping to thumb below Damian's lashes. "You're Damian Fenton," Because the adoption went through a few weeks ago, and he's still riding that high, "You're my baby brother. O' Artist Extraordinaire, Kickass with a Sword, Vegetarian and Wonderful Co-Ghost Hunter."

Damian tries to stifle a smile, and fails. Score! Triumph gathers in Danny's gut, his smile grows wider. He squeezes Damian tight, and only releases him so he can look him in the eyes. "And if anyone gives you a hard time at school, and I mean anyone--"

Danny has bad memories of the teachers looking the other way when the other kids were bullying him, all because he was a Fenton.

And Danny, bleeding heart, bleeding hands, loves his family more than he will ever love himself, will never let Damian experience the same injustice. Not if he can help it.

His eyes narrow, and the buzzy-film of ectoplasm covers his eyes, making them glow, "--You tell me. And as your awesome great big brother-and-technically-dad-but-only-biologically, I will handle it."

Damian, wonderfully made, full of light, his little brother Damian, giggles weakly at him. A sound that's worth it's weight in gold. The scary eyes dissipate, and Danny matches the sound with a cock-eyed, impish grin, dragging Damian into a soul-crushing, too-tight hug. The kind that only annoying older brothers can give. "Got it?"

That gets a proper, if short, laugh out of Damian. He wriggles in Danny's arms, trying to break free. But Danny does calisthenics, his arms are as big as Damian's head, so it doesn't work. "Understood, now, daeni 'adhhab ya 'akhi!"

Danny laughs, loud and bright, and loosens his hold just a smidge, only so he can adjust his grip and hop off the table with Damian still in arm.

"Never!" He crows, hoisting Damian slightly. One eye flick at the clock, and in one quick move, he secures Damian under one arm like a football, and hooks his foot under the strap of his backpack. Kicking it up, he tosses it into the air and catches it with his free hand, and slings it over his shoulder. "Now, to the car, my boy! Before we're late and Mom and Dad get charged."

Damian groans, childish and dramatic and long, but his face is all squished up with a wide grin and glee. Danny can taste his joy beneath his tongue.

"And, if my little pep talk didn't encourage you," He says, reaching the door to the garage, flipping Damian up onto his hip instead. "If you have a good day today, I'll make you bal mithai when you get back."

Like all kids at the promise of sweets, Damian's eyes widen and glitter. Danny loves seeing Damian be a kid, it's his favorite thing in the world. "I will!"

[transsongtaewon]

I think the way baby Yoohyun cried is sooo cute, especially since it was all crocodile tears. Here is this tiny little guy deciding to get his way by crying because he saw it on tv and then his hyung, also a tiny little guy, starts crying too because he was so startled and itty bitty Yoohyun never anticipated that reaction so he just sort of stops crying so hyung will stop crying and this was never meant to end this way.

[molinaesque]

"You went against your word and defied our contract! In doing so, you brought the chaos of your world into mine! I will not abide it!" - Raphael (Baldur's Gate, 2023)

[i-dreamed-i-had-a-son]

Look I am all for trauma-fueled deeply unhealthy relationships between male leads but I feel compelled to say (with absolutely no malice) that that is not what is happening in Squid Game. In-ho is being deliberately manipulative in every instance in which he interacts with Gi-hun. He doesn't refrain from killing him at the end because he can't bring himself to shoot him, but because the whole point of playing in the games is centered around breaking Gi-hun down mentally. And while In-ho is certainly deeply invested in doing this to Gi-hun, his framing at the end of Episode 7 is intended to serve as a wake-up call: for as nice and understanding as this guy has made himself seem, almost everything we see from him is a lie. He was never going to have a change of heart. To fail to recognize that is to make the same mistake Gi-hun did, but even more willfully since we actually know In-ho is the Frontman. And that's exactly what the show wants us to do!

From the beginning, Gi-hun has served as the audience stand-in. We empathize with him, we root for him, we share his beliefs in the possibility of change. But we are given information he doesn't have; we know that In-ho is the Frontman. And even though we know this, we know this guy is able to shoot his own brother, we want to like him! We want to believe in him, to think that maybe something about Gi-hun or the reality of the games can change his mind! And the show weaponizes this intentionally. Through his character, the show does to us what In-ho himself does to Gi-hun: punishes us for our optimism. It wants us to feel silly for ever believing that In-ho would change, just as In-ho's point is that Gi-hun should have known the games would end the same.

So for as much as I usually love reading doomed yearning into character dynamics, I don't think it works here. In-ho doesn't have any particular love for Gi-hun--the show just wants you to believe he might.

[cannibalcreeps]

Looking at me with them big ol' eyes

[cementcornfield]

I just told [Tee] we stuck for life now....all i said was 'we locked in for life'...we gonna be on trips the offseason now, he gonna see me on the regular.

[gingermintpepper]

Day 4: Aristaeus

Interpretation notes and trivia below the cut!!

All rise for the entrance of my president !! Honestly, of all the figures and characters that were up for debate when I first started thinking about this story and who I wanted leading the charge Aristaeus was not one of them. Originally, I'd always known that Asclepius and Orpheus would be worked in somehow - they've always been favourites of mine in terms of children of Apollo (even if Orpheus as the child of Apollo and Calliope is less popular classically) and I expected my pick for the third child of Apollo to be involved to be similarly mortal like Iamus or Tenes but the more I looked into Aristaeus the more I fell in love with him! Ultimately, he's meant to be both a foil and a reflection of his father - a boy who grows up thinking his father's footsteps would always be warm only to realise that following in them would lead to death and destruction. While his status as a rustic and hunting god is still important here, Aristaeus' interpretation is much more focused on his connection to the Etesian wind and his quelling of the dog star Sirius which is why his hair in particular is so long and spiralling. All in all, more than any other figure I've chosen to interpret and represent in my work Aristaeus is the god I hope more people get interested in and research! I think there are a lot of important stories in his various myths and travels and I definitely want more people to discover and fall in love with them as I have!

Some fun trivia:

Apollo's firstborn son. Because he was born mortal on account of his very mortal mother, Apollo immediately took him to Olympus to eat ambrosia to begin his transition into divinity. Apollo would continue to feed Aristaeus small amounts of ambrosia and nectar for the next ten years until the child fully shed his mortal skin and was reborn as a god.

Due to the nature of making mortals deathless (namely the fun part of the process where they are completely remade and lose their mortal memories) Aristaeus spent most of his early life with his mother and siblings where they all pitched in to reteach him his family, his hobbies, his favourite things and ultimately how to live and love. Aristaeus was very attached to his maternal family because of this and his early acts of ingenuity were mostly born from his wish to make things easier for his family.

Aristaeus is the only one of his children Apollo hand raised full time. In those days, Aristaeus adored his father and believed him completely upright and blameless, the true face of a benevolent deity and the kind of man he aimed to be when he was full grown.

They would later have many bitter arguments and conflicts, the first and perhaps most impactful of all being their disagreement over Actaeon, Aristaeus' firstborn son. He wanted Apollo to teach him stating that it was a normal thing for a grandfather to do but Apollo vehemently refused to have any part of Actaeon's rearing, stating that he was not his child and that it was highly inappropriate for him to educate another god's son. When Actaeon later dies, Aristaeus blames a not insignificant part of that on Apollo - something that only worsens when he learns that it was Artemis who cursed the boy and that Apollo was always aware Actaeon would die young.

Spends most of his time travelling from place to place. Doesn't really like Olympus and prefers to spend his time minding animals or tending to fields. Is on wonderful terms with Demeter and Persephone and often makes decadent exchanges of olive oil and preserved meat for exotic flowers and fruit for his bees.

Big fan of wind and percussive instruments. Never liked the kithara because of how finicky it is and far prefers the hand drums and reed flutes of his mother's country. Exceptional dancer.

Will sell prized cattle for high quality and highly unique jewellry. Doesn't much care for gemstones but is an absolute gold fiend and has a massive collection of bracelets, anklets, nose and lip adornments and rings. Has never been north enough to hit India but got a ton of rare and different adornments from his Phoenician in-laws when he was married to Autonoë.

Hates dogs but doesn't mind wolves. Not a big horse fan either

Unlike other winds, he cannot transform into various animal forms. He's close enough to the Anemoi that he keeps up with the gossip but he's only really friends with Notos. Gets along poorly with Zephyrus whose preference for pretty youths has often led to them getting into physical altercations when they were younger. Aristaeus still holds a bit of a grudge about it.

Has a big stupid crush on Dionysus which is embarrassing because Dionysus also put him out of a job. Due to Dionysus' relative youth, he feels a bit conflicted about such feelings - mostly because Dionysus is on extremely good terms with Apollo and Aristaeus doesn't want him to get burned.

Despite kinda despising his father, Aristaeus is a pretty decent eldest brother and regularly keeps in contact with a lot of his siblings. He often delivers mead, flavoured honey and olive oil and uses it as an excuse to chat and catch up. Currently in a bit of a tiff with Asclepius because he's worried about him and his family.

Favourite colour is the rich gold of purified honey, favourite food is lokma and his favourite time of year is winter.

[sysig]

You keep underestimating others and it’ll come back to bite you (Patreon)

[turtleblogatlast]

[ cw: death mention / sibling death mention / isolation / ]

Thinking about how Leo’s portal and teleportation powers have both directly (and in one instance, indirectly) been the cause of him being separated from his brothers at least four times now.

There’s that time in Portal Jacked, where his inexperience leads to his portal being messed with and his brothers ending up in Tahiti.

There’s the Bad Timeline, where Leo’s portaling led to them losing the Key, therefore indirectly leading to the apocalypse and in turn, ending with Leo being the last of his brothers alive (though just for a few minutes.)

There’s him teleporting him and Krang into the Prison Dimension, cutting him off from his family so wholly that the only way to fix this was a literal mystic miracle.

Then there’s the comic, where Leo’s powers act up again and make him lose months of time completely isolated from everyone and everything he knows.

Just, looking at all of this, it’s like the universe gave him the powers of distance on purpose to test him (and his bros), literally seeing if they can overcome unimaginable space and still make it back together. Imagine if it doesn’t stop here, and Leo has to learn to either deal with the occasional complete isolation or deal with time travelers coming back to stop some terrible event his powers (whether directly or indirectly) have caused, events that always lead to separation in some way, shape, or form.

It’s worth noting, too, that his portals often led to accidental separation, but his teleportation was the one power of his that was used to isolate himself on purpose…and was also the one that in any other scenario would have been the most permanent.