#and has the same director as kinnporsche

[pharawee]

YYDS (I Feel You Linger in the Air) announced the cast for their next Project "My Stand-In. The iQiyi exclusive based on a popular novel about past lives (and stuntmen? idk, I haven't read the novel and the blurbs are kind of confusing) will star Up Poompat, Poom Phuripan (Bake me Please), Inntouch Naphat (My Engineer), Billy Possathorn, Mek Jirakit & Porsche Tanathorn (You're My Sky).

[respectthepetty]

10 Anticipated BLs for 2024

Since I'm excited for ALL the GLs (Pluto, 23.5, Sunshine in the Wind, Chaser Game, Be Mine, y todo!), I'm making my list of the 10 BLs I'm excited for this year with brief reasons why I'm looking forward to them. In my normal fashion, I cheat my way into having more. All except one is Thai because Thailand loves to tease series three years in advance, then never make them, but I strongly believe these are coming:

The Next Prince

Zee continues to never play a poor person, and a trailer is supposed to drop in the first quarter of this year. I never knew there was so many fencers on BL Tumblr, so I'm looking forward to everyone's commentary on how well the characters poke with their sticks or whatever fencers do.

Jack & Joker: U Steal My Heart

It's a heist BL. It has YinWar. It has Prom x Mark. It has Bonz. It's Dee Hup House (we got beef). It's Director Tee and probably Cinematographer Jim. It might have color coding. There is not one thing I can find wrong with this series. It's perfect on paper, and I'm praying that translates well to the screen.

Spare Me Your Mercy

Like that lady in Titanic, I've been waiting 80 years for this series (give me a minute to cry about MaxTul), and it's finally near! I'm getting JJ & Tor in a Dr. Sammon piece, who I feel writes "Be Gay, Do Crime" very well, so I'll be forgiving any of these two gays' wrongs including murder, attempted murder, contemplating murder, and murdering each other in the bedroom (ahhhh!).

Wandee Goodday

Golf from The Eclipse is directing. It's about Muay Thai. It has an older doctor and a younger boxer who start off as bed friends (and I think one is actually a virgin). It has color coding. It has me already seated and waiting with popcorn, and I think it might be the first offering that will be delivered from GMMTV's 2024 lineup.

Sequels: Choco Milk Shake 2, Unintentional Love Story 2, My Doctor

Is Choco Milk Shake 2 gonna finally give me poly? Probably not, but I hope My Doctor brings the same heat the side couple did in Be Mine, Superstar, and the side couple getting the spotlight in Unintentional Love Story 2 will also make my side-couple-supremacy heart very happy this year.

Live in Love

It looks color coded. That's it. That's the reason. Keeping my expectations low because it might not get made since this is Thailand's favorite game.

Red Peafowl

The character reveals were absolute chaos, so I'm hoping that chaos transfers over to the actual series because it can either be a mess or a masterpiece, but it cannot be mediocre with Max, Cooheart, Boun, Mek, and Yacht as supports. Plus, it has color coding and a bird that is quickly becoming a Tumblr god.

Love Upon a Time

Even though it is a historical queer series, which means it could be sad, I think Domundi will keep the sass, so James' character won't be crying in the 1600s club but instead eating fruit seductively to encourage Net's character to put his homosexual skills into practice instead of simply theorizing about them, which is something I need more of. Plus, it has color coding.

Love Puzzle

This is one that might not get made because . . . Thailand. It's connected to Chains of Heart, but I don't care because the cast looks good and Poppy is gonna finally get to kiss a homie. If this doesn't get made, I will cry thug tears. It's 2024. Poppy deserves to kiss a man already.

My Stand-In

I don't understand the plot, but it doesn't matter because Pepzi and Khom are directing, and in case that means nothing, those were KinnPorsche's directors! Then, it has Up and Poom as the leads, plus a stacked supporting cast. I'm here. I'm queer. And I'm ready to be served.

Honorable Mention: Peaceful Property

It's about los espookys and features Tay and New. Will it be a QL? The streets are saying no, but all the characters are color coded, and all's I'm saying is what would be the point of color coding them if I ain't getting a BL main couple and a GL side couple? It's already canon to me.

Bonus: MosBank & JoongDunk

MosBank had like eighty projects announced for 2023, and I got NONE! Big Dragon 2, Big Dragon: The Movie, SunsetxVibes, where you at?! Y Journey: Stay Like a Local and Club Friday do not count. I don't want to watch their horror movie, but gosh darnit, if that comes out before everything else, I just might.

And I am a JoongDunk fan first, and a human second. Give my boys a gym BL already, GMMTV!

[telomeke]

4 MINUTES – COUNTING DOWN

We're now just shy of the mid-point in 4 Minutes (three eps down with five more to go) and I've been avidly watching, but getting quite confused at the same time by all the twists and turns.

Part of that confusion stems from not being able to watch the "Sultrier" version at first, despite getting Viu Premium. (How do they come up with these euphemisms though? Remembering that KinnPorsche also had a "La Forte" incarnation. 🤣) The sanitized 4 Minutes was annoying, not just because the sexy bits were cut out, but also because we missed important, informative parts of the narrative.

For example, Korn and Ton Kla's Ep.1 sex scene was actually an in-your-face illumination of their relationship dynamics, and also a parallel with Win and Ton Kla's own Ep.3 turn in the sheets later, that revealed so much about their characters in the vein of show-don't-tell.

Ep.2's tryst between Korn and Fasai was also missing, as was (inexplicably) the conversation between Korn and a smoking Great in Ep.1. I can only presume it was Great's cigarettes that caused that scene to be snipped, because other scenes also had alcohol and ciggies all blurred out. Highly annoying, but anyway – I finally found out what was going on with Viu Premium, so if anyone else is having trouble finding Sultrier, I will share some tips in a different post.

And with that out of the way, I finally got to watching the unbutchered 4 Minutes – and I'm finding it smart, sexy and oh-so stylish in the mold that we've come to expect from Be On Cloud. Sumptuous cinematography and visuals are now quite a BoC hallmark, that started with KinnPorsche and continued in Man Suang – and 4 Minutes so far has been a delight to take in, a cinematic and super-twisty supernatural thriller overflowing with signs, symbols and scenes (possibly) pregnant with hidden meaning, so much so that the fandom is all a-flutter, me included.

Directing (and editing) has been taut, and I think Director Ning Bhanbhassa Dhubthien does much better when given free rein (unsaddled by screenwriting duties, and P'Pond maybe! 🤣) My take is colored by Man Suang – its huge potential for intellectual engagement (all that historical drama and political intrigue!) was unfortunately not developed to a satisfying extent; its most potent elements were given insufficient screentime, watering down what could have been a truly juicy experience for the viewer. Perhaps it might have done better as a mini-series with a longer timeframe for the developments to unfold, but that's a remake for another day perhaps.

Anyway, back to 4 Minutes. They've been really stoking the furnace with clues to the truth underlying the narrative, and fan theories abound as to what it all might mean while we breathlessly await revelation.

So I can only guess at some of the stuff, and nod at some of the visuals. But here's some of what I've picked up on.

The title 4 Minutes (especially with so many references in Ep.1 to cardiac arrest) is quite likely a nod at the widespread belief that when the heart stops beating, you only have four minutes to start resuscitation before the process of brain death begins to set in. (I'm seeing a lot of different opinions about this online, with some sources insisting the window of time is much longer. But there are enough mentions of the four-minute deadline in more than a few Thai sources that I think this is probably the intended significance, especially since screenwriter Sammon is also a medical doctor who would know of this notion's currency in popular culture. Here's an example in Thai media: CPR กู้ชีวิต ก่อนสมองตายใน 4 นาที/CPR saves life before brain death in 4 minutes.)

After the four minutes are up, it is too late to save the stricken patient – so there is a sense of urgency underlying the notion. (For another work that plays on this, see Madonna's song 4 Minutes where the urgency being messaged is about saving the planet instead.)

But with cardiac arrest, the premise is that even when corporeal death is signaled (cessation of the heartbeat being the traditional marker of this), a person's life-force still has that small window of time for human intervention to make a difference, a sort of ultimate last chance beyond the final frontier, if you will.

This aligns somewhat with what we're seeing of Great's do-overs, each time he is thrust back four minutes into the past. But I think there's also a bit more to it, based on what we're seeing in Episode 3.

Among all the fan theories online, this one by @myezblog caught my eye: Theory - plot is pretty much revealed.

Now, whenever Great is alone, we see that his clocks reset (and Great is aware of this too, by Ep.3). In Ep.1, his clock showed 11:00am (at timestamp 05:00, after his call with Title). And in Episode 2 we were shown Great's clock turning to 11:01 at timestamp 35:06, and in Episode 3 it went to 11:02 (timestamp 41:37).

But the ominous 11 o'clock actually put in an appearance even before these instances. Looking back, at the start of Episode 1 we were shown that the patient in the Emergency Department Resus bay basically flatlined at 11:00 – that was their time of death.

If it's really Great whose heart stopped on that Resus trolley in Ep.1, what we appear to be seeing is a flashback of events playing in his head, leading up to the time of his cardiac arrest (11:00).

And what his clocks are showing him (and us) whenever he's alone during that flashback is basically a countdown of the four minutes that he has, before he is brought back (hopefully) or is gone forever (I hope not – it wouldn't be much of a series then!).

So in the coming episodes, we should be watching for Great's clocks to tick up to the 11:04 mark – that is likely the time horizon when Great is jolted back to the present, hopefully having learnt some lessons reviewing his past that will be key to solving his conundrums in the present and the future.

[poomphuripan]

Professional Body Double // My Stand In - a Masterpost

Series Title: My Stand-In (ตัวนาย ตัวแทน)

Director: Pepzi Banchorn Vorasataree (KinnPorsche The Series)

Action Director: Khom Kongkiat Khomsiri (KinnPorsche The Series)

Producer: Yuan Wan Thabkrajang (I Feel You Linger In The Air)

Executive Producer: Poppy Parnsuk Thongrob

Episodes: 12

Aired: Apr 26, 2024 - Jul 12, 2024. Every Friday 8.00 PM.

Original Network: iQIYI

Original Novel Title: Professional Body Double (职业替身)

Author: Shui Qian Cheng (水千丞)

Genres: Adult, Drama, Mature, Romance, Supernatural, Tragedy, Showbiz, Angst

Content warnings: Abusive lover, noncon, house arrest

--------------------

Official Synopsis

Joe, the stunt man of famous actor Tong, happened to meet Ming. Having developed a deep relationship, Joe didn’t realise that Ming had always seen him as Tong’s replacement. When the truth is revealed, Joe has to take work on a foreign set where an accident takes his life. When he wakes, Joe’s in the body of a young man named Joe who’d met with an accident on the same day. With help, he’s soon living the same life as he was before—with the same people—and he meets Ming once more. In this life, Ming wants Joe back at his side as before and Joe doesn’t know why. Ming, who’s kept all memories of the old Joe, tries to find the truth about Joe’s continued life in order to return Joe to his side and give him the explanation he never had the chance to.

Main characters

Joe (Zhou Xiang/周翔)

Height: 181 cm

Birthday: October 20

Age: 29

Zodiac: Libra

Occupation: Actor, Stuntman, Martial Arts Body Double, Martial Arts Instructor

Personality: Gentle and generous, optimistic and open-hearted, mature and considerate. Independent. Easy going, not very ambitious, caring towards people around him. His parents and sibling passed away when he was 8 years old.

Ming (Yan MingXiu/晏明修)

Height: 188 cm

Birthday: September 6

Age: 24

Zodiac: Virgo

Occupation: Actor, President of a Mechanized Heavy Industry Company

Personality: Haughty, selfish, lacking in patience, stubborn and persistent towards things he has decided upon. Extremely attractive, cold, indifferent. Youngest of the three Yan siblings. Comes from a wealthy, prestigious family with millitary background.

Supporting characters

Sol (Lan Xi Rong): Young attractive popular actor who was once close to Joe. Sol likes Joe. Played by Porsche Tanathorn.

Tong (Wang Yu Dong): A popular action movie star. Tong is Ming’s crush. Tong is dating Ming's sister, May. Tong eventually marries May and becomes Ming's brother-in-law. Played by Mek Jirakit.

Wut (Paradorn Vesurai): Joe's brother-like close friend, who's also his boss.

Jim (Jiang Yuan): Ming's personal secretary and right hand man. Played by Billy Possathorn.

Mike (Yan Mingsu): Ming’s older brother. Played by Inntouch Naphat.

May (Yan Ming Mei): Ming’s older sister. May eventually becomes Tong's wife later on. Played by Shu Nunnicha.

--------------------

Where to read the novel

Chinese raw

English translation

Indonesian translation

Vietnamese translation

--------------------

Where to listen to the audio drama adaptation

Season 1

Season 2

Season 1 & 2 on YT with Vietnamese subtitles (Note: OP gonna private this video once the series has finished filming, so if anyone wishes to grab a copy/listen to it, now's the time 🤗)

--------------------

Production

Director Pepzi and Executive Producer Yuan first posted a photo captioned "Our new series project" hashtagging the Chinese novel title on 16 February 2023 so pre-production starts around February 2023. Yuan tweeted that My Stand In is the series that took longest to cast (8 months). 6 October 2023 was the fitting for My Stand In. Production begins filming on 16 October 2023.

--------------------

For latest updates on My Stand In series, you can follow YYDS Entertainment on Youtube, Twitter, Facebook, IG, Tiktok.

--------------------

Source

[nattaphum]

KinnPorsche The Series as a case study of a successful Thai BL series abroad.

The Economy segment, ThaiPBS News (07/17/2023)

K'Siwat's Sawasdimaneekul (New), director and executive of Studio Wabi Sabi and Dr. Chakrit Pichyangkul, director of the Creative Economy Agency (CA) raised "KinnPorsche The Series" as a case study for Thai BL that became successful in foreign countries as it breaks all the rules that have ever been made.

Breaking out of the framework of plot that is only within the university setting to the mafia world makes it a success and is an example of how to make content differently.

Dr. Wit (Host 1): I would like to talk about a case that is successful in the ThaiBL industry, overseas, in terms of the plot because many viewers at home may not have been following much bl shows. They might have been following some… but which of them we should learn from, so that we can branch out? let's start with New first.

New: At the moment, it would be Kinnporsche The Series, we can clearly see that, I can say it since the moment I've been part of the industry, KinnPorsche The Series is a show that is tremendously successful, extraordinary, of a world-class level, honestly.

Dr. Wit (Host 1): Because?…

New: It's..

Dr. Wit (Host 1): Because we have many shows, right?

New: Yes, yes...

Dr. Wit (Host 1): So why does that show has the charm/power it has in drawing the audience?

New: One reason could be because it's different in terms of the plot. It came in a time when lots of people/shows have not been set outside of the university backdrop as much. And it's a mafia-esque world, it also has a very masculine vibe, and it has a beautiful production as well. Including the acting of the actors that are well-balanced too. Many of the elements complement, all of it complement each other to make the show a great success.

K'Watcharathit (Host 2): Can we say that it's one of the masterpieces within the ThaiBL industry?

New: Very much so

K'Watcharathit (Host 2): Really?

New: Very much so, and i believe that they, the production team, really put in their effort and commitment towards the show. No matter if it's the production itself or the financial investment that we can just tell that there's a lot of financial investment to produce that show... frankly speaking they just put in their all with that show, so, yeah, it's great, the result is what it should have been.

Dr. Wit (Host 1): The output is worth the input, right?

New: Correct

Dr. Chakrit: *replies to the same initial question* I would say KinnPorsche The Series as well, I think this show is a good case study because it's on the iQiYi platform, a large streaming platform that reaches audiences both in China and overseas. There's a lot of viewers, and a show, it's one of the first shows that can adjust, evolve the content from the norm that is within the university and university students or highschool, to a mafia world. There's action, as well. And a mix of comedy. So, when there's action-thriller added to a show like this… companies need to find new products, and this is the new product of BL series that came out in a style that is not traditional, with light-hearted humor, nor confined within the school or university setting. But it's set within the real world that more people could relate to and has action-thrillers that people didn't not expect that could be included in a BL series. I think this is an important aspect, that it could be done, and the financial income, I think there could be a collaboration with iQiYi as well, and with the larger number of viewers that is exponentially high, it's clear that the two male lead actors, both Mile and Apo are well-received at the world stage, right now with lots of fans. I think it's a great case and an interesting one. And I think that from now on, we'll see BL series that have other dimensions. It might be within another career, there might be a fantasy genre, or ghost, etc., we don't know what the future holds, so it could happen. There are many things to do and explore. There's another aspect that BL series could explore that doesn't have to be a light-hearted humor purely anymore. This is just the beginning.

K'Watcharathit (Host 2): Period, historical ones, right?

Dr. Chakrit: There'll be more...

New: Yes... this year has a lot of period BL shows... yes, both films and tv shows

K'Watcharathit (Host 2): Oh..

Dr. Chakrit: The person who did KinnPorsche The Series, is also doing a period piece, 'Man Suang' that opened in Cannes already.... it's showing around the end of August, right?

New: end of August, yes

Dr. Chakrit: In August it'll be released in Thailand. It’s another film that is worth watching, and is played by the same actors, Mile and Apo. Which I think, from the trailer, oh wow, they really were determined/put in the effort in producing it. Like the filming set looks like it's around the reign of King Rama III...

Translation by mileapo SP

Video here

[haeseolar]

the gaze of the angels

guild hunter au - kinnporsche / archangel!kinn, hunter!porsche

rated G, 2.7k words

twitter

based on a scene from the first book in the guild hunter series, angels' blood. for context, angel's create and handle vampires as they work under them. porsche as a hunter tracks any unruly vamp who has escaped and brings them back to their 'owners', in this case, the arch/angels.

----

“Give me one good reason I should be talking to you on my day off.”

“Well, hello to you too, Porsche,” Arm, the director of the Hunter’s Guild, says, his voice no less sarcastic even through the phone line.

Porsche snorts, kicking off his boots into a heap by his front door. He’ll fix that later; right now, he has one thing on his mind: to relax.

“I’m waiting,” Porsche replies, clicking his tongue in annoyance. He’d never hang up on his best friend-cum-boss, but the temptation grows as he wanders into his apartment - his haven, his sanctuary - and feels in his gut that whatever Arm is about to tell him won’t be anything good.

“Well,” Arm begins and then goes so quiet Porsche has to check to make sure they’re still connected. “Your holiday is being cut sh-"

“No fucking way!” Porsche cuts him off, coming to stand in the middle of his kitchen.

The marble top island is more cluttered than he’d like it to be, but he’s been nonstop working for the past 3 weeks on one of the hardest hunts of his life. A rogue vampire had gone insane, slaughtering more people than he could count on his fingers. Despite being a crazy lunatic, the bastard had been smart, and led Porsche on a wild chase until he finally caught up and sent him back to his angel owner for her to deal with. He’d barely had time to sleep, let alone clean.

“Porsche,” Arm’s voice is hard - stoic and with no room to argue, taking the tone that the director of the Guild should have. This wasn’t a friendly chat - this was a business one through and through. “You’ve been requested.”

Porsche scoffs, “That’s nice, but -”

“By an archangel.”

Porsche feels his whole world go quiet. “It’s not April Fool’s Day, Arm,” He says shakily.

“I know, and I’d never joke about this, but…” Arm sighs, and it’s a frustrated one. “We’re between a rock and a hard place. I tried to deny his request and said you’re off duty for the foreseeable future, but he wouldn’t take no for an answer.”

Fucking archangels, Porsche thought, the voice inside his head spiteful. He’d never be able to say it out loud without dire consequences, but in the privacy of his own brain, he’ll curse them out as much as he wants. They’re selfish creatures, living in their high-rises to look down upon all mortals, ruling over the cities they claim as their own without a care in the world. As long as they’re happy, nothing else matters.

“What does he want?”

“They wouldn’t say. His lackeys who called up were very secretive, even with me,” Arm grumbles something under his breath with the same amount of disdain Porsche feels. The archangels are famously hard to work with. “I’m really sorry, and I will do all I can to make this up to you - but you have to meet him tomorrow.”

“Which one?” Porsche asks, mind going a hundred miles an hour. He went through all the ones he knew - the ones he’d already worked for. He’s had to clean up more of their messes than he can count, but of course, they do nothing but deposit a grand sum of money in his bank account and go about their day without even a simple thanks.

“Archangel Anakinn.”

The name cut off all of Porsche’s internal ramblings. That name had fear instilled into it, each letter dripping with the promise of death if you defied him. The archangel of Bangkok wasn’t exactly known for his niceties; even Porsche, who had fought rogue vampires twisted with bloodlust beyond any form of rationality, who stood up against anyone or anything not caring about the consequences, starts to feel anxiety creeping in.

“Fuck me,” Porsche let out, leaning against the counter to keep him up. His knees felt weak. “Let me guess, I’ve gotta go on my own, too?”

He could feel the wince through the phone as Arm answered, “Yep.”

Double fuck, Porsche curses. “Ping me the time and location.”

“Porsche -” Arm began, but Porsche hung up before he could finish, not in the mood to talk anymore.

He glances around his apartment, at the warm woods and white accents, at the trinkets and paintings spread around that he’d collected in his travels, and breathes in the scent of incense to try and ground himself. There’s no use in avoiding the inevitable, so he looks outside his window at the hotel situated opposite his apartment building. It towers above him, each window lit with shadows of activity behind them. It’s a building that never sleeps, with all sorts of goings on happening in the secrecy only immortals had the pleasure of knowing.

Porsche’s phone pinged with the details of his meeting for tomorrow.

Director Arm:

Tomorrow, Theerapanyakul’s Hotel, 09:00 am sharp.

Memorising the information immediately, Porsche knows that if he takes a few steps forward, he’ll be able to see the rooftop of the hotel - the Theerapanyakul’s Hotel. It doesn’t have any railing or safety bordering it, as there would be no point. It’s a landing and takeoff point for angels, and they could fly, their giant wings sprawling outwards so wide that even to this day, Porsche finds himself pausing whatever he was doing to stop and watch. He’d spent countless hours since he’d moved into this apartment spying on them, watching them come and go, equally fascinated as he was repulsed by their royalty in society.

Each angel had their own set of wings, and no two were the same. One pair had caught his attention the most out of all he’d seen, and he’d seen plenty at this point. Porsche recalls ones that were so wide that they had almost blocked out the entire sky, so dark in colour that it seemed as if a black hole had opened up in their place, if not for the red tips of the feathers that were visible even from so far away. Porsche has never met Archangel Anakinn - but he knows him. He’s seen him, watched him, studied him the best he could from afar as he admired each descent and take-off from flight, the beauty of his wings too tempting to look away from even for a second.

Porsche walks forward, eyes rising upwards until he can finally see the rooftop, hoping to catch a glimpse of them. To his dismay, the rooftop is empty, so instead he imagines what it’ll be like when he is up there tomorrow, and if he’d survive the meeting long enough to continue admiring the view of the angels he so frequently indulged in

-----

“Alright, alright! I get it, no need to push,” Porsche says, wrenching his shoulder away from a heavy-handed vampire. 

The impudent thing just glares at him, his fangs poking out, just begging for the hunter to act up within the hotel. Everyone knows that you behave when in a general radius of an archangel, let alone when you’re in one’s territory. The vampire looks young, but the smell radiating off of him could only mean age - and Porsche doesn’t mean a few years, but hundreds. He looks overly serious, with his perfect ponytail and miserable atmosphere, which only makes Porsche want to prod at him even more to see if he can get a reaction out of him instead.

“Get in.” The vampire orders, shoving Porsche into an open elevator. 

“Does your boss not teach you any manners?” Porsche mutters under his breath, nose scrunching up in distaste at the vampire’s scent now clinging to him. 

Each one smells different, much like each angel’s wings - it’s part of their DNA, their defining feature. This one smells sour, his scent warped with internal rage and something sad, almost as if he’s left it so long that it’s gone off, twisted and rotten. It’s clear that he hates Porsche, so much so that it’s leaking out of every pore.

“What did you say, guild hunter?” The vampire snaps, eyes narrowed in malice.

“I said, did your boss not teach you any manners?” Porsche repeats, enunciating each word clearly, not caring about the consequences. 

“Why, you -” The vampire begins through gritted teeth until the elevator doors open and let in a gust of wind so strong it threatens to knock him off balance.

Porsche blinks, his eyes drying out immediately as he takes in the scene before him. He hadn’t even noticed they’d made it to the top, caught up in the brewing fight. The vampire grabs his arm, dragging him out and practically throwing him forward. Porsche’s senses are all going off, each one struggling to acclimate to a slew of incoming smells, sounds, and feelings. 

“Khun Kinn, he’s arrived.”

“Thank you, Big. You may go,” A voice replies, so smooth and luxurious that Porsche’s stomach clenches. 

He watches as the vampire - or Big, he supposes - bows and takes his leave, looking like nothing more than a trained puppy in front of his master. Porsche holds back the urge to sneer, but he reigns it in.

 

Even though he’s completely open out here, the wind is strong and loud, it’s warmer than he expected, the sun shining directly into his eyes. He squints, trying to gather his bearings as he looks out across the expanse of the roof, focusing on a shadowy figure at the opposite end. Even without fully seeing him - Porsche knows who it is. 

Archangel Anakinn.

There’s no doubt in his mind, no second guesses, as his mere aura alone is enough to suffice. The great span of his wings flutters, rising and blocking out the harsh glare of the sun, bringing everything back into focus. Porsche blinks, black spots dotting around his vision as he adjusts until he can finally see who he is truly facing.

His breath catches in his throat, eyes widening without his permission as he takes in the archangel. Anakinn’s hair is perfectly styled, not a hair out of place except the purposely left-out strand that catches on his eyelashes, even with the harsh winds that are whipping Porsche’s clothing and hair around relentlessly. It’s as if the earth has stopped moving, stopped existing, covering Anakinn in an eternal peace where he’s untouchable. Porsche’s eyes carry on moving, desperate and wanting to take the man in. They follow his masculine brow bone and down the gentle slope of his nose, cataloguing each mole and curve, straight angle and harsh cut of his jawline. 

Even hidden, Porsche can sense the sheer amount of strength hidden within his body. It’s not all physical, although he doesn’t doubt that he is just as strong in that sense as he is in any other, but the archangel naturally exudes such a vibe that Porsche feels dizzy. Anakinn’s clothes are simple - a white shirt that stands out starkly against his black wings and is open enough to show off the cut of his pecs, along with a pair of tight slacks. He mustn’t feel the chill, either, as any sensible person would at least wear a jacket up here.

 

Porsche’s eyes flicker back up to meet Anakinn’s, and where they are a natural brown colour, there’s nothing normal about them. It isn’t just one shade, but hundreds, maybe even thousands, that meld and entwine amongst each other in his irises, glowing almost golden with how rich they are that Porsche fears if he looks for too long, he will lose himself forever amongst them. 

“Done looking, Hunter Porsche?”

Porsche visibly jolts at the address, shuddering back into reality as he snaps out of whatever daze he is in.

“It’s not often I find myself face-to-face with an archangel,” Porsche retorts, willing the heat on his cheeks at being caught to fade away.

Anakinn smiles, barely a tilt of his lips, and yet Porsche feels he’s being treated like a child. It’s humouring - demeaning - like the angel opposite him sees him as nothing more than a toy to entertain himself with. It wouldn’t surprise him if that’s exactly what was happening, but it pisses him off either way. 

“We’re a private bunch,” Anakinn replies simply, gesturing to the table to the side. Porsche follows his hand to the breakfast spread laid out for them. “Shall we have something to eat, and then begin?”

Porsche shrugs, too stiff to be casual, but it at least forces his muscles to loosen, “Sure.”

Anakinn waits until Porsche moves first, and even with his back turned, he can feel eyes following him with each step. Before he can drag a seat out for himself, Anakinn asks from right behind him:

“Did Big treat you well on your way up?”

Porsche spins around, not having felt or heard anyone creep up on him. His heart is in his throat, his hand on the knife that was hidden in his jacket sleeve, the blade peaking out as he’s ready to attack. It’s lucky he just about caught himself from stabbing the archangel, too on edge from nerves.

Anakinn glances down, catching sight of the knife, “I see you weren’t checked for weapons.”

“I was,” Porsche replies instantly, and even though it’s delayed, he finally gets a waft of the archangel’s scent. His mouth waters - it’s not like anything he’s smelled before. It’s sensual, sweet, and musky - cloying and addictive. “Your people just underestimated me.”

“Oh?” Anakinn’s eyebrow raises, and it’s so unfairly attractive that Porsche feels a pulse of violence rise in him. “I assure you, no one in this building would dare do such a thing.”

“You don’t need to flatter me,” Porsche says cuttingly, sliding the blade back into its rightful place. “I know you chose me for a reason, and I’m damn good at my job, whatever it may be.”

Anakinn hums, eyes appraising as they trace over his face and down his body, and back up again. Each bit they cover leaves hot trails behind, burning his skin even through layers of clothes. “What if I wanted to flatter you?”

Porsche’s heart seizes, his throat clicking as he swallows. “Just add a couple thousand onto my pay check, and we’d be good.”

Anakinn steps closer, boxing Porsche in, pushing his lower back into the chair behind him. It digs in at an uncomfortable angle, precariously balanced on something that could move and leave him unmoored and unstable in his stance. Their chests are almost touching, and Anakinn’s scent gets stronger, sweeter, and more enticing. Porsche can see Anakinn’s wings out of his peripherals, and the feathers look even softer than he could’ve ever imagined. He wants to reach out and touch, but he doesn’t dare.

“Only a couple thousand, hunter?” Anakinn tilts his head to the side, deceptively innocent, “I think you’re worth more than that.”

“You haven’t even tried me yet,” Porsche replies, and he’s not sure what he’s talking about - whether it’s the hunt he’s about to be debriefed on, or something else. Even worse, he’s not sure which one he’d rather be discussing.

“We can change that,” Anakinn says, voice low, words rich and honeyed, as his eyes drop to Porsche’s lips. 

They linger, only for a moment, and then they’re gone, along with Anakinn’s presence. Porsche gasps in shock, turning back around to face the table, where the archangel is now sitting down, poised as if he’s on a throne and not a garden chair. 

“So, you’re not a cheap worker, hm?” 

Porsche drags his seat out, watching as the screeching sound of the metal against the concrete doesn’t make the man flinch. He flops down onto it, relishing in the plush softness of the cushion beneath him. 

Folding his arms over his chest, Porsche replies: “I’ll rinse you dry, but I’m worth every penny.”

Anakinn’s eyes search him again, this time more intense, not even bothering to hide the roaring desire and attraction in them. “Then I suppose I look forward to working with you, Hunter Porsche.”

Porsche smirks, shifting in his seat, leaning into the warm bubbling sensation caressing his skin at such a gaze directed at him, the base of his spine tingling with it. He can’t wait to see what Archangel Anakinn has in store for him.

[hamliet]

It's A Boys' Love Story, Your Honor: Be Gay, Do Crimes

This review is often satirical and sometimes facetious. Or is it?

Anyways I got dragged into watching HIGH&LOW, a Japanese action show full of pretty boys punching each other. Aside from me wondering how all of them don't have CTE and screaming CHEST COMPRESSIONS when one character codes and the nurse like... walks away (he's ok the power of friendship is stronger than any defibrillator), it turned out to be a surprisingly excellent, enjoyable, and even poignant watch.

The plot is vibes at best and the narrative ideas are less formed than, say, those of Kinnporsche. But, what it does have down pat is characters. Pretty much every character is compelling from their introductory scene (except for the Mighty Warriors who exist purely to suck). The characters may not necessarily be the most complex or psychologically challenging, but they come across as intriguing enough, flawed enough, to carry series on their own. Like, I would honestly watch a full series based on any one of them.

To be honest, this show does more to establish who a character is, what they want, and make them interesting within a character's first 30 seconds than some high-brow directors do with three hours of film. I would honestly recommend it to anyone trying to understand how to characterize.

Also, it's basically a yaoi but with fighting instead of f*cking. It's just dripping in homoeroticism that they infuse with just enough plausible deniability that insecure straight guys can watch it too!

Although, being straight in this 'verse is pretty much a misery sentence for everyone except Kizzy and Kaito. I haven't seen such flagrant use of bury/break up your straights since Togashi.

But:

It's not a yaoi! you say.

To which I shall respond with numerous examples of what the f*ck is this then? The power of (b)romance?

Doubt. (Heh ifkyk.)

Cobra + Murayama

The same episode we get a girl having a crush on Murayama he's shown as completely disinterested because he's too hung up on Cobra. This leads to him seeking Cobra out. And also to him having realizations about himself. He's then kind to the girl, but not romantically interested. The framing of this Cobra-Murayama realization about himself with the episodes opening with a girl pining and ending with his kindness to her is clearly to get the audience thinking about romance and the other interactions in light of that.

Murayama embarrassingly asks to join Cobra in front of all the other gangs.

Murayama calls him Cobra-chan and sides with Cobra when all the other leaders of SWORD refuse. All three others have left but Murayama still tells Cobra he has his vote, even though it's not going to do anything, just so Cobra knows Murayama's on his side.

In End of Sky Murayama literally going behind Cobra's back to get Hyuga to agree to join Cobra's alliance to protect him, at personal risk to Murayama, even though Cobra will never know what he did for him, when even those most loyal to Cobra have abandoned him, is literally a romance trope as old as time. And it's literally set to inspirational music.

Murayama calls him Cobra-chan and sides with Cobra when all the other leaders of SWORD refuse. All three others have left but Murayama still tells Cobra he has his vote, even though it's not going to do anything, just so Cobra knows Murayama's on his side.

At the end of the movies, Murayama gets a motorcycle and is implied to join Sannoh eventually with clever color symbolism as @eatprayworm points out.

As if we didn't get it, The Worst literally shows us Murayama calling Cobra-chan on his phone and tells us that he frequently drunk calls Cobra by having him say that he's not calling about bikes... this time. This phone call shows 0 narrative purpose besides reminding us that Murayama's endgame is with Cobra.

Chiharu + Yamato

Yamato saves his life and then is told he has to "take responsibility for" Chiharu, which is totally not a reference to the common idea of a guy taking responsibility for knocking a girl up--

except it is explicitly because even Yamato's mom directly asks if he knocked someone up when she hears that he has to "take responsibility" for someone.

When they finally reconcile after Chiharu confesses to drugs Tetsu tells them "you look good together."

Chiharu then takes a bullet for Yamato. I mean, not actually, because it was a blank, but no one, not even the person firing the gun, knew it was a blank.

Tetsu + Dan

Whenever Dan expresses interest in a girl Tetsu gets mad at him and when Tetsu cuts off his dreads to be more appealing to girls Dan gets mad at him. They're in love your honor.

They'll leave a gang for one another.

They exist only in proximity with each other.

Tatsuya/Kohaku/Tsukumo

These old men are so gay. They started the fall. And by old I mean they're supposed to be like 26 but they are clearly played by actors in their mid-40s and so I'll just pack off and head to the Villages then.

Smok(e)y + Hiroto

Ah yes when you're wandering around Nameless Street looking for your older brother and he's not there so you and your other brother decide to leave but then! then! a sickly man wasting away everywhere but his hair (which remains luscious) walks in front of you, barely glances at you, and you instantaneously walk away from your brother and your life to go follow the twink. Much straight.

Rocky + Koo

Here.

They also use "anata" for one another. Which means "you," but also is frequently translated as "dear" because it's what married couples often refer to each other as.

The manga also implies they live together.

Yasushi + Kiyoshi

Everyone in canon refers to them as "Yasukiyo." They exist in a state of symbiosis with weird hair and insanity.

If anyone implies Yasushi was involved with drugs Kiyoshi will fight to defend his honor.

"He sacrificed himself for me!" ?????? That's a love trope, Your Honor. Don't worry, though. They're gay, so Kiyoshi survives his sacrifice.

Odajima + Todoroki

Fellas is it gay to spot a man across a battlefield and be so in awe you run over to him right away?

Is it gay if you then ask said man "you're different from the others. Want to play with me?"

Tsukasa + Fujio

Tsukasa mopes around like Bella after Edward left after Fujio moves away for like a week.

Tsukasa takes a bus ride across the country for the chance to fight his BFF again in the rain (wet, what is symbolism) and then tells him "I'll be waiting for you." And also "I should move here because it's boring without you."

Tsukasa might be held as a hostage but he knows Fujio will come for him. In fact his relationship with Fujio is explicitly paralleled with Amagai and Suzaki's.

Amagai + Suzaki

The redemptive power of love, as beautifully written by @eatprayworm here.

I mean Suzaki literally can barely stand and limps over to protect Amagai when Amagai is experiencing the consequences of his actions and then saves Amagai from himself.

At the end of the day all he wants is to be boyfriends with Amagai.

Probably my favorite ship because it's everything I love, meaning one of them is too good for this world and one is a bastard.

Nakagoshi + Nakaoka

Nakagoshi sacrifices himself for Nakaoka even in a parallel to Yasushi and Kiyoshi (don't worry, they're gay, so they live too).

Tsuji + Shibaaan

Do I even need to comment here?

And I didn't even get into Sachio's sunset conversation with Fujio, in which you visibly see the twink fall and then they, not knowing who the other is, subsequently meet and recognized each other on the battlefield like Mr and Mrs Smith.

Themes Too!

High&Low isn't exactly an uber-deep thematic exploration of what it means to be gay and do crimes, but the themes it does do it does pretty well.

One of those is indeed the redemptive power of love, which involves being seen and known. Y'know, that mortifying ordeal. Because love itself leads to freedom. It's true for Chiharu, it's true for Noboru, it's true for Arata.

Rocky and Kizzy/Kaito's story is kind of one of the best examples of the redeeming power of (platonic) love leading to freedom, and it takes like... 3 minutes? of the story. And it's not left unexplored; it's just succinct. Kizzy and Kaito are trafficking women and Rocky comes to stop them, and when fighting, notices that Kizzy is actually a transwoman. He stops the fight and says that he doesn't fight women. That's enough for Kizzy and Kaito to follow Rocky, giving up their life of cruel crime and atoning--truly atoning--by spending the rest of their lives doing exactly the opposite of their crimes: fighting to free women from traffickers and protect them.

The significance of that moment is that by seeing Kizzy as she really was, Rocky pointed out to Kizzy that she was engaging in self-harm, keeping herself trapped (symbolically) and never able to live as she could. But for Kizzy, to be truly free to be herself means helping other women also be free. It's also, even if unintentional, a good twist on the transphobic trope and conservative talking point of a transwoman trying to harm women (cough, she who shall not be named).

Kizzy also never styles herself super feminine even after gender confirmation surgery (as implied by Rocky that she received), but she still is a woman, and her being herself leads to redemption and freedom for everyone around her. We stan Kizzy and her loyal boyfriend (husband?) Kaito in this house.

Another theme, and connected to the idea of self-discovery and freedom and love and all that, is how to handle the past, a question everyone is always asking because as long as we're alive, we're evolving. Obviously we see that with the Amamiya brothers and the Mugen backstory, and we also see that in the present with Murayama and Todoroki. But we also see this most sharply highlighted in the conflict between Cain and Smokey.

Cain is not subtly named after the first murderer in the Bible, who kills his brother. Cain, of course, kills Smokey in cold blood, with Smokey asking him "did you come here to kill me?" and Cain affirming that he did indeed because if he doesn't, he won't be able to completely erase his past.

But the thing is, you can't kill your past without killing yourself. You have to embrace it and let it live. And something as precious as a life won't be so easily destroyed. To live, you have to live with all of yourself, the past and the present and the hope of a future. It's a struggle, it's a fight--but with people beside you, it's worth it. Almost like the fights in the series are a metaphor for struggling through life or something.

And then we have gentrification. Let's just say the horrors of it are not exaggerated. Smokey's death--and life--offer poignant social commentary on what happens when people treat others like they don't deserve to live, like they are forgotten, like they don't exist. Because they do exist, because they love.

When Cain kills Smokey, Smokey tells him--in all sincerity, despite being abandoned by his parents, living in a homeless slum, and being terminally ill his entire life because the rich poisoned the people in the slum--that he lived "the best life." Why? Because the scenes flash back to him meeting his adopted sister Lala, caring for Eri, meeting his gang. He had a family, and he loved them, and they loved him. When he dies, he's buried in that same slum and Takeshi comments that "to Smokey, this [place] is heaven." And it is, because heaven is love.

(Also, the "rich poisoning people by being careless because these people don't matter" is hardly unrealistic. Bhopal would like a word with you, Dow Inc, you sh*theads.)

In Conclusion

Things you'll have to endure: multiple Mighty Warrior music videos.

Things you get to enjoy: Hyuga being a Barbie girl in a Barbie world who shows up to fights with all the Durama Ikka and planned choreography and bespoke songs.

Things you get to enjoy: multiple twinks needing rescue from being dragged into the drug trade to save their loved ones only to get whumped in true hurt/comfort fanfic fashion before sobbing in the arms of their friends who welcome them home.

Things you have to endure: Noboru trying to convince Cobra et al to join the Mojo Dojo Casa House Kuryu Group.

Things you get to enjoy: The power of friendship saving Noboru from himself, Rocky from dying alone, Smokey from having no meaning to his life, Amagai from himself, Murayama from himself, Todoroki from himself, Arata from himself, setting captives free, and rich bastards who trod all over the poor getting what they deserve.

Things you have to just not think too hard about: gangs seeing drugs as the biggest taboo which I'm pretty sure is not usually the case but hey, hoodlums have standards, and also the evil guys keeping their secrets in a folder literally stamped with the label TOP SECRET.

Things you have to endure: Smokey dying. I'm not over it. Someone fight me to bring him back. But also it's one of the most beautiful death scenes in fiction.

Things you get to enjoy: Generally no one, unless you're Smokey, straight (Takeru), or yakuza (no one cares).

Things you have to ignore: why no one ever studies at these high schools and why they all look like they're in their 30s-40s.

Things you get to enjoy: pretty great rep of a trans woman that directly counters some of the most harmful tropes.

Things you have to endure: Noboru being resurrected by the power of True Love's Handholding, because the nurse literally RAN AWAY from a coding patient to "get the doctor" but it's okay, his friends beg him to live and he does.

Things you get to enjoy: a series that founds its premise in action and violence that offers a surprisingly wholesome, kind message on relationships, humanity, redemption, and love... whether that love is platonic or romantic.

But, I mean, Final Mission literally ends with the gangs defeating the evil corporation with a rainbow-colored smoke that takes over the sky of the city. So it's gay.

[waitmyturtles]

Turtles Catches Up With Old GMMTV: Dark Blue Kiss and Our Skyy x Kiss Me Again Edition

[What’s going on here? After joining Tumblr and discovering Thai BLs through KinnPorsche in 2022, I began watching GMMTV’s new offerings -- and realized that I had a lot of history to catch up on, to appreciate the more recent works that I was delving into. From tropes to BL frameworks, what we’re watching now hails from somewhere, and I’m learning about Thai BL's history through what I’m calling the Old GMMTV Challenge (OGMMTVC). Starting with recommendations from @absolutebl on their post regarding how GMMTV is correcting for its mistakes with its shows today, I’ve made an expansive list to get me through a condensed history of essential/classic/significant Thai BLs produced by GMMTV and many other BL studios. My watchlist, pasted below, lists what I’ve watched and what’s upcoming, along with the reviews I’ve written so far. Today, I’ll cover Dark Blue Kiss and Our Skyy x Kiss Me Again, and the start of the creation of Aof Noppharnach’s universe of singular BL tropes and themes.]

Let me say this: 2019 was an insane year for BLs, right? To have He’s Coming To Me, Dark Blue Kiss, AND TharnType coming out in the same year seems almost overwhelming to me (even though I know that HCTM was mostly buried for years). 

My very good luck over the last three (THREE!) weeks has been in just enjoying an INDULGENCE of past and current work by Aof Noppharnach. Studying his work is a major goal of this Old GMMTV Challenge project, as I’ve been seriously destroyed, personally, by the layers and implications of his work as an Asian director and screenwriter, with me as an Asian-American viewer watching his shows that I can relate to on basically almost every level of my existence, while not being queer. 

But, hilariously: an INITIAL goal of this project -- I cannot believe I’m saying this now that I’ve already gone through so many shows -- was that, before deciding to get to know Thai BLs historically, I had long intended to watch Dark Blue Kiss as a means of getting to know Tay and New. BECAUSE (cough cough): I am an absolute digging, sniffling, barking golden retriever for Cherry Magic. I LIVE FOR CHERRY MAGIC. I stan so stupid hard for Machida Keita and Akaso Eiji. I own their dumb mugs! I have DVDs, magazines, so much CM shit in my house. LIKE, I LIVE FOR THAT SHOW AND LOVE IT SO MUCH. 

So Tay as Kurosawa and New as Adachi? I needed to know who these dudes were before I watched them in Cherry Magic. (I’m totally giggling about this now.)

OBVIOUSLY, I’ve gotten MUCH WISER, much more HIP to the SCENE, if y’all will, and I understand much better how important Tay and New are as an OG GMMTV ship. And for them to appear in Dark Blue Kiss, after originating PeteKao in Kiss and Kiss Me Again -- I understand the meaning and importance of that in 2019, now, through my watchlist project.

There are a few themes that come to mind as I think about how I’ll review this show:

1) Watching the birth of the singular BL tropes that P’Aof created in Dark Blue Kiss -- t-shirts, picture boards, etc., 2) How he balances and integrates Big Themes in his storytelling, and 3) How he chooses particular actors to buck certain assumptions in Thai society regarding appearance.

I’ve now seen almost all of P’Aof’s major works, save for Still 2gether. And I’ve watched these out of order, although I have chronological rewatches of A Tale of Thousand Stars and Bad Buddy (and their respective Our Skyy 2 episodes) coming up on the watchlist.

So I couldn’t help but see A LOT of proto-BBS in Dark Blue Kiss, which I really enjoyed seeing, as a slavish BBS girlie. I loved seeing P’Aof’s tropes in historical form. The picture posterboard above Pete’s bed. Mork’s and Sun’s matching t-shirts. The birth of the engineering trope in P’Aof’s own oeuvre, with the first appearance of the architecture red shirt on Rain. Finger promises in HCTM and DBK becoming fist bumps in BBS. I love teasing these out and seeing what P’Aof was DOING by creating his OWN platter of tropes that he’d come to leverage and rely on in his future works -- all for creating a lovely sense of universe and intimacy among his beloved couples. (Pat wearing the forest ranger shirt in Our Skyy 2... I’m still laughing and shaking my head at that.)

I understand what P’Aof was doing by teasing out the PeteKao story and kind of slipping it away from the Kiss franchise -- not only do I understand it, I love the subversion of it. And I love that, while he was doing that, he was creating his OWN flavor of BL, complete with HIS own tropes and themes, while leveraging an already-existing property, to draw attention to the show vis à vis Kiss and TayNew. I think, by playing around with the bones of something that already existed, that he could begin to take risks to create an oeuvre that we know, now, in 2023, is utterly unique, and in my opinion, brilliant and important. (And I think it’s important to note this in particular because of how buried He’s Coming To Me was, and I think Dark Blue Kiss was an important move for P’Aof to make post-HCTM for GMMTV and for his career.)

(Tangentially, I think He’s Coming To Me and Moonlight Chicken stand alone as defiers of the BL genre, only minimally influenced by the stereotypical BL tropes, while featuring ONLY P’Aof’s own style of BL in their foundations. And as I’ve said previously -- I believe HCTM was way ahead of its time in 2019. I’ll talk a little more about this in my TharnType review later this week.)

But not only was P’Aof creating his own flavor of BL in DBK, as INFLUENCED by previous BL tropes, I also see that he was beginning to really burst out in establishing his own language of analysis of the macrosystemic issues that face the queer community -- issues that we see repeated and analyzed in his future works, particularly in ATOTS and BBS. In DBK, the major issues he tackles are socioeconomic inequality and internalized homophobia, and how these issues play out, internally and externally, among couples, their families, and their social worlds. 

These two issues crash headlong in the form of Non (played by the cutest-wutest AJ, who was SO! EVIL! but I wub him). Kao has to teach Non -- he must, because Kao needs the money to support his family, and his mom’s job would be at risk if she kept Kao, her son, from teaching her director’s son in Non.

Pete hates Non. Pete KNOWS Non is up to no good, and is after Pete’s man. Pete’s jealous of Non.

The simple equation here is: if Pete and Kao were out, then Pete wouldn’t have to feel jealous, because Kao could tell Non that Kao has a boyfriend. Pete is out to his dad. (BTW: PETE’S DAD IS THE BEST DAD IN BL, BAR NONE. PETE’S DAD NEEDS TO DAP UP WITH THUN’S MOM IN HCTM. P’Aof writes SUCH amazing parents. Gaipa’s mom FTW also.) 

I want to make quick reference to a meditation I wrote last week on pain and suffering in Asian BLs that notes this phenomenon -- what pain could have been either avoided or mitigated if a couple is able to be out. I’m of the belief that in Our Skyy 2 x Bad Buddy x A Tale of Thousand Stars, that Pat and Pran could have possibly avoided their tiff before the trip to Pha Pun Dao if they had been out. If they had been out -- Pat would not have had to fib about their relationship to his engineering bros, and Pran would not have overheard Pat saying that Pran always needed Pat. They could have avoided the confusion all together.  

Pete and Kao fall into the exact same boat -- this is where P’Aof births a concept that will repeat itself in OS2 x BBS. Pete wants Kao to be out to Kao’s mother, so that they can be out together, to everyone. And: Pete has financial stability and security.

Pete’s boxes are checked. Kao has much more tangled issues. Kao THINKS his mom will not be happy to find out her son is gay. AND: HE’S the breadwinner. (I actually thought this was a touch confusing in the show, as Kao’s mom is clearly a teacher -- but relies on Kao as if he’s the breadwinner.) In any case, it’s clear that Kao adopts the role as the male head of the family, while still depending on his mother for emotional fulfillment. 

In other words: Kao has a much more TRADITIONAL background to contend with. To me, that’s à la Pat, à la Uncle Jim, à la Phupha, even à la Ming. All of these men have their backgrounds, their roles, all laid out for them by family and society, through culture and expectation. 

That’s a lot for Kao to break from. Because Pete has confidence through the reality that his life’s needs are squared away, Pete HAS the emotional room and ability to push Kao to be out. And I think that’s why it takes Kao so long in the show to move forward and to meet Pete where Pete was at. 

Here’s my criticism of DBK. I think DBK is a lighter show than P’Aof’s other works (again, without having seen Still 2gether). I think that’s because P’Aof knew that he still had to hew to some of what Kiss and Kiss Me Again had given him by way of cinematography (a lighter and fluffier filmmaking style than his usual serious lighting and camera work) and by tone (much more soapy and a touch more dramatic than I’m used to seeing in his oeuvre). (Oh, but, but: THAT OPENING THEME, YES, FRIENDS, WAS A BANGER. SHEEEEET. THAT THEME SONG! THOSE CURTAINS! THE WIND! THE STARES. KAO’S TEAR. So good!)

And I’m not entirely sure that P’Aof was able to get as DEEP, internally, with Kao as maybe he could have if he himself had been able to write Kao from Kao’s very existent start in fiction. P’Aof was taking this already-established character through an emotional reckoning that still needed to stick with a kind of Kao that had been born in the previous Kiss versions.

It’s a minor quibble, but I think the Non storyline ran for too long. I think it could have wrapped up much more quickly. I think we got a lot more time with Sun and Mork than I could have expected because P’Aof kind of drew out Non to keep the 12-episode bundle together.

Again, minor criticism. However, I *did* happen to appreciate how much TIME Pete and Kao spent fighting towards the end of series. That lengthy disagreement allowed Kao to really begin processing his own internal change to recognize his love for Pete, and to play around with what he’d be willing to risk by way of his family to be with Pete. It allowed Kao to consider that he NEEDED to demonstrate personal responsibility to Pete, and even to his family. I really thought that was in-depth and brilliant, and despite minor quibbles about New’s acting, I thought New carried it very well.

What’s amazing to me, though, is that Kao CLEARLY MISSED that his mom TOTALLY KNEW that he was gay, ha. Kao was SO CONSUMED with concern for what his mother WOULD THINK, that he didn’t see -- with his own two eyes! with Pete at the dinner table! -- that his mom CLEARLY KNEW. Kao’s mom side-eyed that basically from the start of the series, honey.

Despite that, what took my heart out a number of times in this show is that P’Aof showed empathy to Kao, and maybe even to the viewers that may have missed Kao’s mom’s silent acknowledgement before Kao’s coming out at the end. P’Aof was telling all of us this in the end quotes at the end of his episodes -- another unique P’Aof trope that was birthed in HCTM, and that I absolutely loved seeing in DBK and ATOTS.

(As a mom, that first slide makes me LOL so much, because it’s so true.)

Even while I felt that some DBK episodes were a little too long, a little too drawn out, these end quotes brought me back to what P’Aof was working on achieving in regards to revelation: that our human existence is so much more enriched if we’re able to transcend our worldly bullshit, even a little bit.

We see that in Kao with his mom. We see that in PETE, with his willingness to calm the eff down, bruv, and focus on his studies, and focus on managing his anger, for the sake of Kao, and for the sake of his own future. We see that in Sun, as he reorganizes himself and his insecurities to become an even better barista (I LOVE COFFEE IN BLs). We see that in Mork, as he ALSO demonstrates a willingness to calm the eff down, to promise to stop fighting to Sun, and to work on his own internalized homophobia to meet Sun as a partner. 

(I’m not going to spend too much time on Sun and Mork, but I absolutely LOVED PODD AND GAWIN, and I REALLY liked Podd’s portrayal of Sun’s very strong forwardness in his attraction to Mork. I loved his CONFIDENCE. I thought it was sexy, it was rooted in queer love and attraction, and I thought it struck a different and OPEN tone of movement in relationship-building that I haven’t seen in the previous watchlist BLs. Sun reminded me a bit of our fabulous guys in Make It Right -- that kind of almost earnestly honest openness.)

I want to note, in conversations with the wonderful @lurkingshan​, that we realized that in HCTM and DBK, we saw the start of P’Aof making a few other subversive choices in his shows. I wish I were more of an expert on the impact of colorism in Thai media and society, but I can extrapolate enough as an Indian (unfortunately). I couldn’t even SEE that Tay was a shade or two darker than New, but so be it. @lurkingshan​ noted for me (thank you, Shan!) that it was a subversive choice for P’Aof to center Pete’s story of change, from a bruiser to a carer, within a character that was slightly more melanated than his co-lead. I note that P’Aof shows no concern over casting other melanated actors -- Ohm Pawat and Earth Pirapat, multiple times -- in major lead roles with lighter-skinned co-leads. I love these choices and that he’s pushing boundaries across fiction and non-fiction. (And that P’Aof focuses on the quality of the ACTING of these dudes, as well as their looks -- that they should not be overlooked for being melanated.)

Like I said earlier, DBK was a lighter show than others of his that I watched. It was the first show of his that I watched that had a pre-established universe in the Kiss series. But I still fell in love with it -- I couldn’t help myself. I mean, come awn, Tay Tawan. Holy noodles. 

Could Pete and Kao have had a touch more feral chemistry, à la Pat and Pran and Jim and Wen? Sure, but I’m not complaining. I think, as compared to the PeteKao Kiss BL cuts, that P’Aof got a TREMENDOUS amount more out of Tay and New (especially Tay -- Tay’s Pete in DBK and his process of change was FABULOUS).

And I noted one last connection from Kiss/DBK to BBS, as I closed out my watch with the non-P’Aof Kiss Me Again edition of Our Skyy. I noted that Pete and Kao planted a tree together. 

And then I remembered that P’Aof had beloved Pat and Pran do just the same in Our Skyy 2 x BBS x ATOTS.

Pete and Kao, Pat and Pran, plant a plant together that will grow and grow. The plant lives out in the open, growing tall, towards the sun.

It gives me the chills, a warm and fuzzy happiness, to see these patterns being born, and P’Aof paying attention to them (even if the plant idea wasn’t his originally) -- because these artistic, dramatic tropes end up communicating so much to me about the depth of love that P’Aof is able to render, through his and our beloved couples, in his utterly fabulous shows.

[Welp -- if you’ve been reading my late-night liveblogs, you’ll know that my brain has been IMPALED by TharnType. I finished the series this past weekend in the heat of angst, and I’ll do the rare thing of releasing two reviews in one week -- I’m planning right now to drop the TharnType review on Thursday. If you’re a TT fan, then trigger warning: I have lots of things to say about this show that are the most critical I’ve ever written about any drama. 

On another, MUCH HAPPIER note, after a FABULOUS conversation with the WONDERFUL @so-much-yet-to-learn​, I’ve added GAP the Series to this list. With Saint investing in it, after his whole deal with the PerthSaint and ZeeSaint mishaps, I’m just really impressed that an important figure in the BL world has taken active steps to invest directly in more directly queer content. I think GAP is a must on this watchlist to understand the direction that Thai QL in general is going -- especially with 23.5 on the way later this year. (EEEEEEE!)

With that, here’s the latest version of the list. As ever, I’ll take comments, recs, etc.!

1) Love Sick and Love Sick 2 (2014 and 2015) (review here) 2) Make It Right (2016) (review here) 3) SOTUS (2016-2017) (review here) 4) Make It Right 2 (2017) (review here) 5) Together With Me (2017) (review here) 6) SOTUS S/Our Skyy x SOTUS (2017-2018) (review here) 7) Love By Chance (2018) (review here) 8) Kiss Me Again: PeteKao cuts (2018) (no review) 9) He’s Coming To Me (2019) (review here) 10) Dark Blue Kiss (2019) and Our Skyy x Kiss Me Again (2018)  11) TharnType (2019) (review coming) 12) Senior Secret Love: Puppy Honey (BL cuts) (2016 and 2017) (I’m watching this out of order just to get familiar with OffGun before Theory of Love -- will likely not review) (watching) 13) Theory of Love (2019) 14) Dew the Movie (2019) (not an official part of the OGMMTVC watchlist, but I want to watch this in chronological order with everything else) 15) Until We Meet Again (2019-2020) 16) 2gether (2020) 17) Still 2gether (2020) 18) I Told Sunset About You (2020) 19) Manner of Death (2020-2021) (not a true BL, but a MaxTul queer/gay romance set within a genre-based show that likely influenced Not Me and KinnPorsche) 20) A Tale of Thousand Stars (2021) (review here) 21) A Tale of Thousand Stars (2021) OGMMTVC Fastest Rewatch Known To Humankind For The Sake Of Rewatching Our Skyy 2 x BBS x ATOTS 22) Lovely Writer (2021) 23) I Promised You the Moon (2021) 24) Not Me (2021-2022) 25) Bad Buddy (2021-2022) (thesis here) 26) Bad Buddy (2021-2022) and Our Skyy 2 x BBS x ATOTS (2023) OGMMTVC Rewatch 27) Secret Crush On You (2022) [watching for Cheewin’s trajectory of studying queer joy from Make It Right (high school), to SCOY (college), to Bed Friend (working adults)] 28) KinnPorsche (2022) (tag here) 29) The Eclipse (2022) (tag here) 30) GAP the Series (2022-2023) (Thailand’s first GL) 31) My School President (2022-2023) and Our Skyy 2 x My School President (2023) 32) Moonlight Chicken (2023) (tag here) 33) Bed Friend (2023) (tag here) (Cheewin’s latest show, depicting a queer joy journey among working adults)]

[absolutebl]

Hi I'm new to the BL world, I watched Love in the Air and Secret Crush on You and I don't know what to watch next. I don't like to watch shows with sad endings and the shows that I plan to watch are:

Semantic Error

Cutie Pie

Kinn Porsche

But I don't know what order to watch it in, I've heard that Kinn Porsche is a little on the rough side since it's like a mafia type show so I don't know if I should wait until after I watch my other series or just watch it now. Also do you have any other BL recommendations? Preferably ones with happy endings. I've been debating on watching My Only 12% or The Eclipse but I know there's a lot of angst despite the happy endings.

Sorry for the long ask, any help would be great. Thank you

Did you like LITA & SCOY? Since you mention them, I'm going with yes.

Should I assume you want stuff in that vein? 

So we are talking messy gays, very high heat levels, and no particular need for plot or consent?

Semantic Error is one of my absolute favorites but it doesn't hit... any of that. It's a tight clean little story, lower heat leaves (always from Korea) and not very messy.

Of those 3, I would go:

Cutie Pie

Semantic Error

KinnPorsche

KP is... a lot, it does everything the 2 you mention does though + added fight scenes, kink, and utter chaos. If you end up liking that I have a watching rec list specifically for it since it onboarded so many new BL fans. 

Some others in your wheelhouse?

TharnType (the orig of this style of BL out of Thailand) 

Why R U?

HIStory 4: Close to You

Oh! My Sunshine Night

Big Dragon 

Generally you’ll be looking to Thailand and Taiwan for this kind of BL. 

If you also ended up liking Semantic Error:

We Best Love 

My Beautiful Man 

HIStory 2: Crossing the Line

Lovely Writer

Addicted: Heroin

HIStory Obsessed

My Day the series 

These all have great chemistry but are not high heat. FYI heat and chemistry are not the same, heat has to do with the acts depicted on screen, chemistry with the actor’s abilities to portray physical, emotional, and mental connection with each other.  

Both My Only 12% and The Eclipse are kinda the opposite of SCOY and LITA. They are a lot of story and character development and some angst, but much lower heat levels, and pretty clean narrative structures. They’re heavier: 12% deals with the death of a parent, Eclipse with suicide.  

They do both have very good chemistry though. 

Here’s more stuff on this topic:

Rec Lists 

HIGH HEAT BL 

11 BLs with the BEST Chemistry

10 GREAT Chemistry BLs to Binge right NOW! 

Some of these have not been updated with 2022 content yet. There was A LOT to keep track of this year. 

Explanations & Discussions 

Heat & Angst in BL + Terms Explained 

Giving Good Kiss in BL - Defining Chemistry 

BL Actor Age Dynamics & CHEMISTRY on screen 

Heat Versus Chemistry, Cool Versus Cute 

Workshopping High Heat in BL

Why Such A Limited Range of Sex Acts in BL?

Queer lens (from the director) and chemistry (from the actors) in BL 

That’s A LOT but I hope it helps you. And please once you’ve watch a few more and want more recs, I am always happy to help! 

[minorfamilysupremacy]

literally have only gotten into these dramas within the last month i have been binge watching like crazy but i read your post on BOC and now i am scared ajdjfkfk (am currently on KinnPorsche bc I have been enjoying 4 minutes 😭😭😭) like i feel like i should be more informed but holy shit that reality show sounds fucking awful.

to be honest, anon, thai BL is littered with production companies that range from sus to outright predatory/abusive, so whether or not you value being informed more over all else is really going to influence your ability to enjoy the genre. (at no point am i saying you should/shouldn't be a more informed viewer -- in the grand scheme of things, i'm a fucking nobody and how you choose to live your life and what you choose to watch or not watch is none of my fucking business. not everyone can or is willing to do the deep dive to determine if every single one of their funny ha-ha gay shows is an ethical minefield, and quite frankly, living life watching over your shoulder to see if you've committed an act of internet wrongthink is fucking exhausting.)

personally, i never watched THC or DFF or 4m, and that's because i as an individual don't fuck with BOC any longer. that history is extensively documented on this blog, so i won't rehash it. however, i'm an oldhead and my perspective is going to be colored by a lived history that a new fan can't replicate. nobody who rolled in after all this shit went down is obligated to pick up the collective fandom trauma. how i feel about fellow oldheads continuing to support BOC is NOT the same as i feel about new fans supporting BOC. there are two entirely separate sets of standards that are applied, which is only fair.

ultimately, enjoying art often comes down to a reckoning that doing so has directly or indirectly hurt someone, and weighing the cost of that. that is true of art throughout history -- can't throw a stone in classical music without hitting an asshole; how many of the 'great' film directors were abusive monsters? some of my own faves are rancid pieces of shit whose tyrannical treatment of their costars made for some of the greatest art ever put on screen, but there are other notable names in film history whose similar treatment disgusts me. in the end, to some degree, we're all complicit with enabling monsters by enjoying art. that's the nature of the beast. we all just draw our individual lines in the sand and some of those lines are conflicting and nonsensical and hypocritical, because so are human beings as a whole.

if you enjoy 4m and end up enjoying KP, that's your business. nobody can tell you to enjoy it or not to enjoy it or how/where/when/why you do it. whether the things you learn about BOC put you off from it, or you just decide, hey, you know what, ignorance is bliss, i'm just gonna watch the show -- that's your business. a bunch of loudmouth assholes on a dying social media site (myself included) don't get to dictate anything about your media viewing habits.

[itsbinghebitch]

For the ask game ->🥇🌄💎 :))

thanks so much for the ask 🥰🥰

🥇- your personal no.1 BL of all time

unfortunately that will be kinnporsche the series. i say unfortunately because i'll never get over the emotional highs and lows the drama around the show has subjected me to.

🌄 - your favorite scene of any BL show

to this day it remains vegaspete discussing parental abuse in episode 11. it's honestly a dialogic masterpiece. it reveals a lot about Pete to both Vegas and the viewers while distinctively still keeping a lot away from both. we don't learn much more else about Pete past that, and Vegas doesn't either. the way Vegas then projects his own hurts on Pete mimics the audience's interpretation of the character. essentially: form following themes *coughs blood* motifs... *dies*. (on a recent rewatch with @commonharlotwatchesbl i joked that my mood medication is working overtime to keep me normal about these scenes)

💎 - show you wish people talked about more

everyone! watch!! laws of attraction 2023!!!

LOA had the misfortune to be a low-heat lakorn running alongside some of the most anticipated gmmtv shows of the year and as a consequence not a lot of people got into it. i am here to rectify that. im on my everyone should watch LOA bullshit. no it's not a cinematic masterpiece, no the ending doesn't make any damn sense and i will perhaps one day discuss the qualms i have with its thematic implications. but for me Worawit Khuttiyayothin's BL work has the distinction of being the only adult themed BL's aside from kpts and moonlight chicken that really felt anchored in a larger world. LOA (like to sir with love by the same director) has a huge cast of incredibly detailed characters with their own backstories and complex motivations in a genre where a lot of BL's, often due to limited budget and short production time, treat supporting characters as means to an end or cardboard cutouts for furthering plot. that's not to say LOA doesn't do that at times.. and unlike MLC, it's not consistent in tone and payoff, but there's something about it that takes hold of ur brain and never lets go. SO YES. everyone watch LOA 2023!! more lakorn BL's 2023!!

ask me bl tropes questions !!!!

[respectthepetty]

Hello. This might seem like a silly question but it's on my mind. What's the deal with the whole "we're talking on a mobile but let's show the characters in the same room" thing. The first time I saw I think it was Gen Y with Mark and Kit even before the whole separation thing. Then it appeared in MSP. And now in A Boss and a babe. And I'm sure I've seen it somewhere else but I can't recall now. To be honest I don't know if I like it or I hate it but for some reason it's nagging at me that it seemed like it came out if nowhere. Again sorry if it's a silly thing .

Also, love your blog, love the color commentary and I too think it's all on purpose and meaningful.

Hiya, Anon! Thanks for the appreciation! Also, I've written this before, but let me repeat it here - There are no silly questions on Tumblr! People created an entire fake movie, and somehow the BL folks convinced others that KinnPorsche was the Thai remake of it.

Now to your not-a-silly question! First, let me list the shows from the past few years that I can remember doing what you are writing about:

I don't file this in my mind's storage room, so if I miss any, someone shout it out.

See You After Quarantine? - Sato x Bo Chun

Hello, Stranger - Mico x Xavier

Gen Y - Mark x Kit

Fish Upon the Sky - Mork x Pi

GAP - Sam x Mon

HIStory 5: Love in the Future - Hai Yi x Johnny

My School President - Tinn x Gun

A Boss & A Babe - Gun x Cher

Bed Friend - King x Uea

I'm going to make an educated guess.

Looking at the timeline, this didn't come out of nowhere, but came out of necessity - a pandemic!

Gameboys - Gav x Cairo

There was a two-year+ period where many of the globe couldn't touch their loved one. The only way to "see" some family was through calls, so I think directors are making a conscious choice to show people in the same space after many years of that not being a realistic possibility.

I'm sure this technique has been used before 2019, but I think it's more of a sentimental choice to reinforce the narrative - people want to be around their loved ones. Technology is great, but it doesn't replace the feel of people sharing the same space and after having to deal with that for the past few years, we want to see people sharing the same space even if they aren't.

I, personally, like it. In HIStory 5: Love in the Future, Hai Yi was in mandatory quarantine when he spoke to Johnny on the phone, and they had several scenes on the phone where they would appear in the same room, yet when Johnny finally saw Hai Yi in person, he was left in awe.

Both were instantly attracted to each other, and it was believable because even though they were just talking on the phone, we saw them interacting.

Another educated guess is these shows are telling us that meeting and talking through the use of technology doesn't dilute the connection between the two people, but makes it stronger. The physical aspect is pushed aside and the emotional connection is front-and-center. King in Bed Friend is showing Uea that he doesn't just want his body, but he wants his presence. Mork in Fish Upon the Sky wanted Pi to know that he had always valued him as a person regardless of how Pi felt about himself. In Hello Stranger, Xavier and Mico would have NEVER gotten to know each other the way they did without the help of technology. Who knows how @dribs-and-drabbles and I would interact in real life, but in these tags, I'm trying my damndest to get in an ethical non-monogamous situationship, and know that my mama didn't raise no quitter.

TLDR: Technology brings people together, and putting them in the same room reinforces that.

[telomeke]

POLL TAG – FIVE FAVORITE CHARACTERS

I was tagged by @lurkingshan (at this post linked here) and @pickletrip (at this post linked here). Thanks dearies! 🥰

‌

Challenge: make a poll with five of your all time favorite characters, and then tag five people to do the same. See which character is everyone's favorite.

‌

I'm sticking to BLs as well, because the field would be far too wide otherwise (can you imagine a poll with Dolly Levi, Buffy Summers, Joe Rossi from Lou Grant, Lady Deathstrike from X-Men 2, any one of the Golden Girls, Erik Killmonger from Black Panther the movie, the Beastmaster and cartoon Aladdin? 🤣).

Anyway, I don't watch all that much BL (not compared to the majority of people here on BL Tumblr, who have watchlists longer than Babe's wig when he was Wansarat in The Sign). So that narrows the field considerably for me – and my list has some likely suspects, including an unbreakable pairing, and also one highly unusual choice. But I'll explain my choices after the poll itself:

Why these characters? Here's my spiel:

PatPran (Bad Buddy)  I've combined these two as a single choice, because obviously they go together (and so well too). But really, I would have loved to have listed them separately, because I have different reasons for loving them. Pat is just an all-round good guy, hopelessly optimistic, generous and so giving; he thinks of others before himself (and if both partners in a couple do that, well, you then have a mutually-reinforcing relationship). Pran I love because I can see so much of myself in him, from his tics and foibles, his interests, to his struggles finding his courage and growing into his own identity.

Li Ming (Moonlight Chicken)  In a lot of ways, what Li Ming was going through in MLC paralleled some of my own experiences when I was a teen his age. If only they'd had MLC or something similar for teenage me to have watched growing up! Li Ming was somehow able to navigate the pressures of becoming someone true to himself (something that Pran, and I too in my teens, struggled with) while dealing with real world issues at the same time (economic hardship in Li Ming's case, while in mine it was general teen angst and family stress). He didn't let life get to him, and he stayed the course, knowing his own self-worth even when others were telling him to scale back his expectations (Uncle Jim and Heart's parents). Lessons in there for all LGBTQ+ teens, and Khun Noppharnach's socially-conscious BLs should be given more credit for the positive role models they portray and how they help the younger set. Plus Fourth did an excellent job bringing Li Ming to life (thanks in part I think to Director Aof's guidance; Fourth's Atom in My Love Mix-Up Thailand is a lot less grounded and authentic, at least from what I've seen in the first couple of episodes).

Porsche (KinnPorsche)  This entry is just for fun. KinnPorsche was a wild ride, whacking us with whiplash at every turn, and Porsche was emblematic of that experience. Cool, sexy martial arts fighter in one episode, total buffoon at the mercy of sprinklers, piss-allergic carp and mermaid costumes in others. Apo gamely played along, and he can do both slick action and slapstick comedy well, so watching Porsche always brought a smile to my face. Whether it was seducing Kinn with pappy supermarket bread, or warding off ghosts with a penis amulet, you never knew what craziness was in store next with this character. Pure entertainment.

Adachi (Cherry Magic)  Adachi charmed the briefs off me the moment the lift doors went CLANG!!! on him while he was distracted with whatever it was that was speedrunning through his head again. Such a lovable doofus, always surprised by whatever situation he managed to stumble into. Eiji Akaso is really good-looking, but he didn't care about image and happily took all the pratfalls in his stride. He somehow managed to imbue Adachi's clumsy clownery with a strange sense of dignity (helped along, I suppose, by the fact that we could also hear Adachi's inner monologue, allowing us to see the innocent good-heartedness within).

Dissaya (Bad Buddy)  This is the odd one out. Pran's mom was hated by so many fans during Bad Buddy's run, who blamed her for ruining Pran's life in many ways. And it's true her own hang-ups wrought havoc on Pran's relationship with the world outside. But for someone with so few scenes, I think she's actually one of the more complex characters in Bad Buddy, with a turbulent backstory that explains how her own relationship with the world got so warped. My read is that everything she did, including sending Pran away in high school, was done out of love for her beloved only son and motivated by a desire to protect him at all costs. She was a smothering, over-protective mother to be sure, but I think the lady just didn't know any better, and the last two episodes of Bad Buddy really do invite us to rethink our earlier appraisals of her. It wasn't easy doing Dissaya's character study based on the fairly scant details we got (write-ups linked here and here), but they were enough for me to glean an understanding of who I think she is. And I think in the end she is someone worthy of respect, so I do tip my hat out of respect for her. It's also obvious Pran loves her dearly, as much as she loves him back. And I think I trust Pran's judgement of character on this one. 😍

‌

Onward tagging:

@neuroticbookworm, @colourme-feral, @airenyah, @wen-kexing-apologist, @solitaryandwandering

I really want to tag more, but this game limits us to five so these are just five people tagged at random. If I haven't tagged you but you'd like to play, please do so (knowing that I want to tag everyone and then some)! And please tag me if you play, so that I can read and vote on your poll too. 😍

‌

[nia26]

A rant on how embarrassingly inconsistent Twitter bl fandom is about sex, purity, nc scenes, and things of the like:

The discourse and pushback I’ve seen on bl Twitter surrounding gmmtv’s 2023 MOCK trailer for Only Friends has been utterly fucking weird and annoying. Especially considering how people have been jumping through hoops this year defending high heat shows like Kinnporsche, Love In The Air, and Big Dragon. Like I’m really confused cause are people now all of a sudden tired of shows with high heat? Even fucking today people have been hyping up and posting all the nc scenes from the LITA special ep so why are people upset about Only Friends when the script probably isn’t even finished?

Listen my first bl was Together With Me in 2017 and even for bl 2022 standards I think it’s still pretty bold and sexually explicit. Even What The Duck (2018) is still very sexually explicit for today. I know I’m missing a couple but my point is that there have always been sexually explicit bl series. I know 2022 was a boom year for more mature and adult bl that everyone has been begging for (2023 looks like that as well) but I mean there’s always been these types of bl shows so why all of the pushback for Only Friends?

What really irritated me to write this rant was seeing the same people who defended MAME/LITA for its sexual content now have criticism for JOJO/Only Friends for its sexual content. Also, people (mainly The Eclipse stans) who’ve been criticizing MAME/LITA for its sexual content have now flipped and are defending JOJO/Only Friends for its sexual content. You see how fucking confused, annoyed, and frustrated I am.

Now I’m not going to defend Mame/ Lita or The Eclipse because I dropped both during the early episodes and I’m not a fan of Mame’s previous work but I’m going to defend Jojo cause IN MY OPINION he’s gmmtv’s only openly queer director/screenwriter who has consistently put out quality, queer, thought-provoking, progressive, entertaining, and well-written series. Just watch Friend Zone 1-2, 3 will be free, and The Player. Jojo does a phenomenal job writing and directing shows about messy queer relationships that have more to offer than just nc scenes. Don’t speak on him or Only Friends if you’ve not done your due diligence and research and watched his previous work.

Anyways, I really find it odd that people who’ve been defending MAME and LITA for its high sexual content are now upset that Only Friends used sex to sell their show in the MOCK trailer . Now I do think there’s a valid critique for how now in 2022/2023 bl producers are using sex to market and sell their shows but this argument is extremely hypocritical coming from people who defend MAME and LITA when that’s how MAME has always marketed and sold all her shows as well. If you’ve sat there and enjoyed Mame’s shows (who IN MY OPINION has relied heavily on chemistry, fanservice, and nc scenes to appeal to viewers cause her writing is weak) but now have “critique” for Jojo and Only Friends well I got news for you the call is coming from inside the house. If anything Mame is the main contributor to now more bl producers using sex to sell cause they’ve seen how popular it has made her shows.

Another thing that’s annoying me are mainly The Eclipse/FirstKhao stans who complained every day about people fetishizing LITA for its sexual content and 0 plot while claiming The Eclipse was better for its lack of sex and “better” plot have now switched and are defending Only Friends for its sexual content. It’s very clear bl fans will switch their stance on a topic if it means supporting and defending their favs. FirstKhao stans were just championing on how pure, wholesome, and innocent The Eclipse was and how it was better than LITA. Now all of a sudden FirstKhao stans are defending the integrity of the sexual content in Only Friends. Imma be honest, if FirstKhao weren’t in the cast or if MAME was the screenwriter for Only Friends 100% guarantee these firstkhaos stans would not be changing their stance on “purity” and defending Only Friends this much. If you’re going to stand firm on a topic it shouldn’t change based on if your favs are involved or if you hate the people involved. The same energy needs to be kept for everyone. Now all of a sudden Only Friends isn’t selling sex but LITA was? Both shows used sex to market.

Now I understand people having more faith in Jojo than Mame cause of their difference in screenwriting and filmography which I do as well but Jojo does work for gmmtv and they have a track record of fucking up potentially good shows. Also MAME could always improve on her next show which many people who like her work claim she has already which is fine. I think people over criticize MAME as well as she has her strengths cause if not people wouldn’t tune in and love her shows like that do. But like I said before, MAME is one of the main reasons sex sells and marketed in bl look at what the success of TharnType did to the industry. I wouldn’t be surprise if more directors like Jojo followed her blueprint.

As mentioned before, there’s several valid criticisms on the negative effects of marketing and selling shows based off sex and nc scenes to appeal to more viewers. However, some of these criticisms are on the viewers cause producers can statistically figure out which types of scenes are replayed the most and see how fans interact on social media to certain scenes and in turn give viewers more of what they want to make money. If viewers are mad at bl producers sex marketing their shows maybe interrogate how y’all interact with these shows and certain scenes than maybe things will change.

Also, this purity vs sex-obsessed conversation about bl is inconsequential. Purity does not equal a good show and it’s equally not wrong to like like more fluffy BLs. “Sex-obsessed” is not bad especially concerning fictional shows and fictional characters. I mean erotica has been a popular genre for centuries. What’s exactly matters is production, storytelling, directing, character/plot development, acting, etc. Shows can be “pure” or “sex-obsessed” but what makes them good or bad is determined by the things I just listed.

Another thing I want to say is people shouldn’t be complaining this much about thai BLs in 2022/2023 when damn near 30+ different BLs from different countries come out every damn week. People tend to hyper focused on Thailand cause their the biggest contributor in asia but there’s so many other countries that have phenomenal mlm shows. Instead on complaining about Thailand all day broaden your horizon. 

I wanna end this saying I hope gmmtv still lets Jojo tell Only Friends the way he wanted and intended instead of dumbing his work down so he doesn’t come off “sex-obsessed” (which his previous his works never were anyway). Jojo is an openly gay man who has always spoke up about queer rights/issues in his previous works and I don’t expect that to change with Only Friends.

[stormyoceans]

best kisses you've seen in bl in terms of physicality and physical chemistry?

okay, so, just as a quick premise, let me start by saying that physical chemistry and physicality in kissing are two very different things to me: physical (and emotional) chemistry is that spark, that connection between people that yes, actors can definitely work on to improve, but it’s hard to build it from zero if there isn't something there in the first place, while physicality (or ‘surrender’) is an element of kissing that depends on the actors’ performance and that can be directed in specific ways to match the tone of the scene. physicality can also vary between different kisses, while chemistry is more or less pretty constant, and you can definitely have one without the other

that being said, you will have to forgive me because my memory is really bad so im definitely gonna forget some obvious one, but here are some kisses where i think the actors show incredible physicality while also having great physical chemistry:

tan and bunn's hair grab kiss in episode 7 of manner of death. honestly i could have put ANY maxtul kiss here because they’re still unparalleled in terms of physicality in thai BLs imho, but i think this one perfectly shows why that is. it's just the way they're always grabbing and holding and touching each other, matching each other's energy and intensity every step of the way.

shi de and shu yi's confession kiss in we best love: no. 1 for you. once again i could have put any of their kisses here because sam lin and yu are INSANE when it comes to physicality. this one is great because you get a first kiss where shu yi grabs shi de and kisses him to try to convince him about his feelings, and you can see how their bodies are far apart and shi de's arms just hang there, then there's a second kiss, after shi de finally believes that shu yi likes him back, where their physicality has completely changed: their arms are around each other now and there's no space left between their bodies.

pat and pran's rooftop kiss in bad buddy also follows this pattern, but sadly we don't get a wider shot of the second kiss. the way they both hold each other's face during it is still a sign of very good physicality tho.

also, as upsetting as that scene can be, i think the entire shi de and shu yi's drunk kiss in we best love: fighting mr. 2nd is a master class in physicality, in how it doesn't always have to be a positive one for it to work and in how it can change throughout the same scene.

bai lang and jin xun an’s dentist chair kiss in my tooth your love. it’s the same director as we best love and i think it shows. when you have great actors who are comfortable with each other and a good director, then the quality of the work is obvious in the kisses as well. for this one in particular, i LOOOOOVE how tangled together they are on that stupid ass chair.

nuea and syn’s lap sitting kiss in cutie pie 2 you. possibly unpopular opinion.. i think tutoryim have much better physicality than zeenunew and maxnat ;;;;;;; and i like this kiss because it starts with syn’s hands on nuea’s shoulders, and then the more passionate the kiss becomes his physicality matches the intensity of it and he ends up with his arm AROUND nuea’s shoulders.

ji woo and seo joon's first kiss after being reunited in to my star 2. im not gonna lie, i actually have some issues with this second series, but this kiss is definitely NOT one of them. the leaning, the hesitation, the way they hold each other.... incredible amazing showstopping spectacular.

kinn and porsche’s goodbye kiss in kinnporsche. i really wanted to include this one because i feel like very often physicality is equaled to high heat, which i mean.. of course if things gets heated i expect a certain level of physical touch, but even the most chaste kiss has its own physicality: it’s the way the bodies respond to each other and match the tone of the scene. in this case the kiss is full of desperation and that’s perfectly delivered by the way porsche wraps his arms around kinn’s neck and kinn grabs his back.

so, yeah, these are the ones that come to mind just off the top of my head, im sure there are many more i just can't remember or think of rn ;;;;;

bonus because im insufferable: puen and talay's bathtub kiss in vice versa is ALMOST PERFECT but jimmy moving his hand away from sea's face, while allowing full view of sea's neck which makes you understand just how trusting and vulnerable talay is in that position, sadly kinda takes something away from the physicality of it all.

last but not least, i wanted to add that good technique in a kiss doesn't always equal good physicality: two actors can be sucking each other's tongue but if their bodies are miles apart while they do that then it can't really be a good kiss in my book (no shot fired btw, im just.. talking in general ;;;;)

[mushiemadarame]

↳ watch & rewatch drama list

@khaotunq tagged me, my sweet sweet bestie 💖

currently (actively) watching

609 Bedtime Story - technically on pause until I manage to find both final episodes. I was impressed at first and then it kind of lost me as it went on but I gotta know how it ends.

A Boss and A Babe - I hate this show's title but I love how surprising the second episode was for me. Wasn't super excited about it at first because most of the shows I've given up on halfway were by the same director but after episode two, I'm cautiously optimistic.

A Man Who Defies The World of BL - enjoying it a lot more than I thought I would! It's not my favourite, but I'm very curious about how it'll end now.

All The Liquors - Korea?!?! What is happening!!! I love how different this is so far, can't wait to see where it goes.

Bed Friend - this one came out of left field. I was NOT expecting it to go the places it's been going but I am not complaining, holy shit!

Chains of Heart - I understand nothing, I never know what's going on, I absolutely love it. I want it to stick the landing so bad.

Jack o'Frost - I love amnesia storylines, what can I say. Also it's intriguing so far.

Love Syndrome - Jesus Christ. Jesus Fucking Christ. I love garbage.

Midnight Museum - been LOOOOVING the early 2000s supernatural teen show vibes. Gun Atthaphan is always a win as far as I'm concerned and I'm doubly here for the queer vibes.

Once Again - also technically on pause. I took a break halfway 'cause I found out it doesn't have a super happy ending. Will finish it eventually.

Our Dating Sim - AAAAAHH!!!! just AAAAAAAAAAAAAHH! South Korean BLs have burned me so often right at the end, but I wanna believe in this one 'cause the mutual thing going on with neither (or more likely just one) of them not knowing has captivated me.

Past-Senger - too early to comment on quality, but I do love the premise! Let's hope it doesn't crash and burn.

The End of The World With You - why do I keep getting surprised by Japan putting out banger after banger is a mystery. I've been bracing for the emotional devastation of the finale for like five episodes. Can't wait to sob!

The Promise - this show inspires so much faith in me. I wanna believe in it, I wanna give it a million chances, and it hasn't disappointed me this far even though it hasn't been special either.

Tin Tem Jai - I don't want to be rude about it but this is bad. I don't know why I'm still watching.

As you can see, I'm watching an embarrassing amount of BLs at any given time.

rewatching

Love Mechanics

Not Me

Theory of Love

I don't really do rewatches but these three I'm always kind of in the middle of rewatching. And also,

KinnPorsche - I started a rewatch recently and I'm very very slowly working through it.

looking forward to

A Shoulder to Cry On - I saved this ages ago, I don't remember why but I'm excited all the same!

Cherry Magic (Thai version) - the one TayNew show I've seen I hated but somehow I'm unbelievably attached to them so this is exciting to me. Plus, I actually think Thailand could elevate this story which, for me, as far as the show is concerned, wasn't great.

Cooking Crush - I cried when they announced this 'cause I thought I'd missed my window to watch a new OffGun show as it aired. OFFGUN! OFFGUN! OFFGUN!

Last Twilight - I thought Vice Versa was a waste of the JimmySea chemistry, but I wanna believe in this one.

Laws of Attraction - I couldn't get through TSWL because it was too soap opera-y for me, but I heard wonderful things and this immediately caught my eye when I saw JamFilm would be working together again!

Middleman's Love - I was infinitely more excited when it was a Mii2 show but Yim has impressed me so much so far in Bed Friend that I'm looking forward to it again!

Only Friends - do I even need to say anything?? I think this is my most anticipated one this year, yes probably even more than Wuju Bakery.

Our Dining Table - I loved the manga this is adapted from so I'm excited.

Transplant - I believe this will come out eventually. I will believe it 'till my dying day.

Why R U - I loved the Thai version so I'm really curious about what Korea will do with it!

Wuju Bakery - the premise is so ridiculous to me but JeffCode so grhgarhagraghrahgarhgraghgrahgrah

TAGGING: @jeronnamo, @poisoneevie, @dirtygermi, @notme-rainbowfart, @nattawinlove :)