#and has learned that power is the ONLY way to protect herself

[sunandmoonseisai]

I noticed that there's a lot of overlap between l*bru shippers and the "you can't call the touden party a found family they don't even like each other!" crowd. It's like they need to dismiss the growth between laios and his team to make kabru more important to him by comparison. Like the argument that laios learnt to embrace his humanity thanks to kabru. I mean... I don't deny that their little convo had an effect on laios, but his arc towards accepting being human started way before he was even aware of kabru's existence.

It started when he revealed his true self to his team in the first chapter. When they still followed his lead, by obligation at first and eventually by genuine trust. When he bonded with his new companion senshi thanks to their mutual interest for monsters. When prideful chilchuck admitted, with tears in his eyes that he doesn't want to lose him. When marcille was teaching him magic, washing away his inhibition about physical closeness in the process. When his unique knowledge culminated in him defeating the bigger threat they ever had to face. When they all congratulate him for it. When marcille, smiling so bright, told him how proud she is and how much he has grown. It was their interactions, it was their teamwork, it was the meals that they shared that made laios understand that he can be himself and also be loved. That not all of humanity will reject him.

Marcille's smile is such a comfort to laios. The squeamish marcille that never hide her disgust. The one that wear her heart on her sleeve. She know him now, she know how much of a freak he is and yet she still smile so brightly in his presence. Same goes with chilchuck. He wasn't bond by any contract after they found falin, so why did he stay? Because behind every abusive remarks is his strong desire to keep his teammates safe despite the little power he has. Because he can't protect them so he's trying to shame them into being less reckless like a parent. Senshi see the team has his children that he need to look after. Izutsumi learnt that she won't live a good life doing nothing but what she wants. She learnt that she need to take care of herself to not worry those who care about her.

Where was I again? I got sidetracked but all to say that when laios dreamed of falin leaving him after his leg was bitten off, he was distraught. And yet he let her leave so casually at the end, because she isn't the only person who love him for who he is anymore. He has a whole support system by his side now.

(And dungeon meshi is a story about a group of people learning to live without their mutual moral support, and said moral support being finally able to live for herself now that she isn't as needed but that's a story for another time).

[faerune]

i just love nelia so much i love that she's a hero not because she's necessarily a good person (she tries ok she gets better) but because she's too arrogant and stubborn to take any other route

like of course she's going to take on insurmountable odds and save everyone she's nelia fucking surana

[cursed-spirit-manipulation]

thinking Abt Suguru autism and struggling bc I have forgotten 1. Everything Suguru has ever done 2. Every symptom of autism ever and then I remembered Suguru fucking. Knows every curse he's swallowed. And it's like y'know what maybe I don't have to make an airtight case for this

[cl-0v3r]

Mel is alive, but at what cost

Mel was nearly killed TWICE, her mother began being a struggle, she'd been thrown aside and trying her best to stop her, her boyfriend is not doing well, neither is anyone else (can't blame them) and the fact that she hadn't cried or spoke much about this situation to anyone a single time?? She IS upset about every single thing, yet she stays strong and enduring every bit of torture. The most she did was tell Jayce that Ambessa put her palm on the table, and let him know that she is going to push for hextech. That's it, nothing remotely related to her feelings.

The fact that she was constantly looking at Caitlyn, being able to understand her grief and knew she was in pain?? Mel knows this feeling. She'd went through it.

And in the end SHE has to pay the price of her mothers incompetence.

The intro is very much foreshadowing, we know the hands represent black rose/LeBlanc.

This is what happens in act one, she gets kidnapped by them. The lyrics do correspond to the characters as well (not just Mel, everyone.)

"Tell you you're the greatest" plays as a petal of the black rose floats down the screen, I think it adds significance to the power this organization holds, possibly the Medardas greatest foe.

"But once you turn, they hate us" both Ambessa and Mel were present in this line, I think its foreshadowing for when Ambessa switches up for whatever reason and goes against both Piltover AND Zaun. And Mel WILL go through change as well, a change that could hurt her relationship with others, and receive interest from others too.

"They hate us" could be read individually too, I feel like its a sort of "realization" ?? Perhaps Ambessa WASN'T the one that switched up, maybe Piltover switched up on them, and maybe Mel JUST got out of wherever she's taken to, and saw the mess Ambessa had done to her city??

I think this represents ACT TWO.

The hands pull away and it sort of looks like Mel is fighting back, a "get away from me" type of scream. you know what this reminds me of??

Don't mind me just pushing my Jinx/powder-Mel parallel agenda

Here is when i think Mel truly learns about LeBlanc/BR, she curiously and slowly goes to grab the rose, she learns about the history between her Mother and them, Kinos death, and most of all, learns about HERSELF. The lyrics speak otherwise.

"Pray away, I swear

I'll never be a saint, no way"

This feels like a parallel to caitlyn of sorts if that makes sense. Caitlyn had done everything to try and stop the council from attacking the Undercity, she kept her mouth shut when Jayce asked about Jinxs grenade, she was willing to protect Vi and the undercity, but how many times has she been tossed around? She'd been burned, exploded, kidnapped (god knows what happened during that time) and hit in the face by the same person, her MOTHER died because of the same person. She has every right to go insane. And she is hunting ONE person, which is Jinx. Although she is harming the people around her along the way.

What if Mel goes through a similar situation? Her mother pushed for war in her city, she dragged the enemy along with her even if she didn't mean to, she manipulated everyone around her INCLUDING Jayce, she LITERALLY got Mel hurt from the chembarons attack and killed so many people during a MEMORIAL to get her hextech weapons, Elora is most likely DEAD, not to mention whatever happened in the past between them. And the thing is, this will NEVER end throughout the entire season.

And what if she learns what she is? That she's 'blessed' by Kindred? The fact that the wolf is quite literally in her blood?

I feel like the "ill never be a saint, no way" also sort of indicates Mel will realize she'll never be able to push for peace and mercy like she always hoped for no matter what, and she comes to accept that as much as it hurts. But not like how ambessa accepted the wolf, but she sort of realizes she needs to push a little violence, towards nobody but the one and only, Ambessa "fine, if you want me to be like you, I guess I'll be like you towards YOU." Type of acceptance.

I think its also related to Mels new outfit too, she's dressed like her mother, in red and all of that. I will still stand by the idea that she has plans to decieve, but she will do something she doesn't want to do.

Mel was left with no choice, that lyric sounds like realization, acceptance, but also like a plea at the same time, an "I'll never be who I wanted to be" because in the end, she's still a Medarda, she's still her mothers daughter, she still has violence in her veins, she will never not suffer from the weight her name holds, and she will never escape it either, its like a shadow.

The Characters won't be themselves at their core this season. And those vital parts of their characters that represent them are no longer there in the intro, they all have given up what makes them, THEM design wise. (e.g.) Vi without her tattoo, Viktor hiding his identity with the mask. And the thing is, they did that to themselves because they do self-harm, they're changing themselves because THEY want to, they're forcing themselves to do that, they think they're undeserving and they're erasing their past selves.

But Mel? Mel doesn't have her gold accessories, Jewelry, or her Armor, she'd been stripped bare and hidden away because of the brutality of her name. She pays the price her mother brought to HER city. She's forced to change herself against her will, because nobody is giving her a chance to push for her ideals.

This entire theory never ends, and with all of this? I kinda do see Mel actually committing Matricide, it lifts the "Ambessa will die" theory further.

[eldragon-x]

Top three insane and concerning Odile dialogues to me. Like the obvious reading here is that her problems will be solved because the King is going to kill her. And I do wonder if, aside from being pessimistic/trying to be realistic, she was straight up prepared to sacrifice herself.

As soon as she joins the party she expresses that she doesn't like the idea of leaving the fate of the country up to Mirabelle and Isabeau because they're younger than her. She says she's willing to do horrible things to protect the party on a family quest route. She learns some kind of craft that stops Siffrin from looping in Act 5. I don't think it's straight up Time Craft, which - as a reminder - could kill the user, but I can imagine it's still dangerous seeing as it's powerful enough to interact with Time Craft. And in the tutorial event, she puts herself between Siffrin and the rest of the party.

I don't think her potentially expecting to die against the King is her just throwing the towel either. She keeps emphasizing how the party has to be prepared and in top condition for the battle. It's more of a "if someone has to die, I'll take the bullet" kinda scenario.

That being said there's still the "One way or another part." which makes me wonder. Assuming she lives, her problems still extend beyond just the party splitting up. But going throught her friend quest, I guess she kinda accepted that trying to find closure in Vaugarde isn't going to be as fulfilling as she hoped and trying to make sense of her ties to it and how it informs her sense of self is going to be more complex than she expected.

But then, maybe the reason she expected her problems to be solved "one way or another" soon is because she expected she'd finally have the courage to ask the party to keep traveling together without worrying about the King?

The game keeps bringing up how the party has only known each other for a short time but a few months is long enough to get attached, especially if you've been by yourself for a long time like Siffrin or never quite found your place in your usual life like Mirabelle.

Maybe Odile doesn't even have that much to go back to in Ka Bue. Before it's revealed that everyone would like to stay together, Mirabelle seems content to stay on Dormont despite feeling insecure about her percieved lack of progress living in the House. Odile says once everything's over maybe she'll go back to Ka Bue but she isn't neccessarily eager to. Isabeau is the only one who really expresses wanting a change in his life once the King's defeated but even then it's kinda assumed he goes back to his town.

Bonnie is a little bit of an outlier here because of course they'd want to go back to their sister, but they still prefer that she comes along with them once they party makes it to Bambouche.

Maybe all Odile really wants right now is to not be left behind again.

[long-live-astronerd-ghost-king]

DPXDC prompt ~ Honor to Us All ~ Gotham as one true the most haunted city edition

~~~~~

Instead of a welcoming banner in front of a city was an old column, so familiar to a boy, with a warning inscription:

"To outsiders mad enough to attack Gotham: You will be forced to understand that dead soldiers will also go into battle. And having risen to protect, they will be ready to perish all again, So no one of the living would die near them."

Danny smiled with love. 'I��m home, Mother.' Ghost whispered into the void. And Gotham answered.

~~~~

Danny: My Lady, I brought you the crown of Pariah Dark. And The Ring of Rage. They’re gifts to honor the Gotham family. Lady Gotham: The greatest gift and honor is having you on my side, child.

~~~~~

Danny Fenton was born in Gotham and lived here until his parents decided to move. The city didn’t accept them.

'When I die, I want to be one of the Gotham Knights.' Little Danny with pride and eagerly reported to his parents after visiting the Battle Glory of Gotham Museum on a school trip. This evening, Danny learned that not all his plans should be told to his parents.

Danny know his parents are crazy about ghosts. and that all ghosts are "bad". But obviously, the ghosts they talk about, and his, or rather Gotham's, ghosts are completely different creatures. The spirits of the defenders are those who, even in the darkest of times, make the shadows of the Gotham a protection to the citizens.

But that knowledge is his little secret for now. Because if he starts arguing he’ll be punished and he won’t be able to run off to the roof where he’s arranged to meet Robin. Robin’s cool! He works with one of the 'still-living' knights. And he knows more about the city than anyone. Danny doesn’t want to offend his friend.

~~~~~

Mr Lancer doesn’t understand why the lecturer about ghosts, Constantine, after seeing Danny, said something about the bloody gothamites and their inability to stay underground. It wasn’t nice at all. Mr Lancer doesn’t blame Mr Fenton for smiling at the man a little aggressive and viciously. Poor boy probably didn’t know how to respond to his behavior. Danny moved to Amity Park a long time ago and did not stand out at all. So what was this man’s problem?

Danny only half dies because Lady Gotham blessed him when he was a child. So when Danny sees snow-white hair and glowing green eyes in the mirror, he is not frightened but surprised that the Lady protected him even though he is not living in Gotham now.

~~~~~

Danny knows gothamites don’t consider that Gotham is a part of the USA. Even their Metropolis neighbors are just pathetic cowards, unable to withstand the hardships of life. No, really. Why the hell would they be patriots of the country that thinks they’re its dirty secret? This opinion is shared by old ones and children, rich ones and residents of Crime Alley, heroes and villains.

Danny loves Gotham. And he likes local jokes about how if one of their supervillains ever took power enough to threaten the government, he would be obliged to release them from that citizenship. Otherwise, he would be shamed and ridiculed by the inhabitants.

Phantom is not a villain. But for Gotham? For their common purpose? He is ready to pretend to be.

~ A ghost can bring his city ~ Great honor in one way ~

Gothamites remember that the child of mad scientists was the only person Boy Wonder was willing to call a friend. They remember how boys' laughter was heard from rooftops and from alleys on particularly dark nights. And they know whose restless spirit has returned to mourn the death of the second Robin.

The boy’s parents must be fools. Many outsiders are. They call their blessing a curse. People die in Gotham. And not all of them come back. Residents know that these ones are chosen by Lady Gotham herself.

The public enemy of Amity Park number 1? What nonsense. He is not theirs anything! In Gotham they will accept the Phantom as a guard, as a silent shadow, as a villain or a hero. In any kind. Because he belongs here. He should be part of their dance between life and death. He should be amidst dark alleys and acid rains, gliding between fear and laughter in the air.

Even local villains experience strange yearning. Like something’s wrong. Like a piece of a puzzle that’s lost. Therefore, the local abandoned observatory is empty, and none of them is in a hurry to call it their territory. Because it will be in demand, it will be loved and needed. It’s only a matter of time.

Let the spirit of Gotham guide you home, child. Dead gothamite is still gothamite. Which means there will always be a place for you.

~~~~~

When Danny first enters his favorite cafe in his Phantom form and with a wound on his leg, he doesn’t expect a cleaning lady to yell at him immediately for the blood on the floor. With a mop in his hands and with already bandaged leg, Danny feels as if all his worries had gone. They are not afraid of him. Of course. No one in Gotham would avoid him because of glowing eyes and sharp teeth. And that’s nice.

The waitress throws a tray of food on a table next to him: Welcome dinner for the wandering son of the alley. Red Hood said it's your usual order. He’ll be waiting for you on the gargoyle. You should know which one.

~~~~

If parents listened to his childhood stories about good ghosts, they would know that the Phantom is not special. He is not an anomaly of ghost nature and not a mistake. He is one of many who always were and will be defenders of the city. Danny stands in front of the costume that he admired years ago. He's ready to take another shift at work. The remains of his colleagues can rest quietly this night. Lady will wake them only when in dire need.

[flamingpudding]

Substitute City Ghost

Clockwork had a plan. Their young king needed to learn how to take care of people without the kind of hero like fighting he did in Amity Park. There was a lot to learn for the young halfa and his king classes could only cover so much. Thus he had found a plan that would give his king the perfect learning expirence while also helping out his recently new friend. Well not that new since his friend was quite an old ghost of their own. But he had only recently made direct contact with her.

Lady Gotham was an old and powerful ghost. Born from the beliefs of her city and strengthened by the once living and protecting it. But she was stretching herself thin. Managing her city, helping the dead find their way, looking out for the shades, and protecting the weaker entities, was already a lot of responsibilities for a city ghost. But Lady Gotham has added more to her plate, supporting those that protect her city. Mortals that she called her knights. Aiding them by controlling the shadows, guiding those that need help toward them, or the other way around, guiding her knights to those that needed help. She was strong, but even a ghost like her could grow exhausted. His friend needed rest and recharge. Surely Lady Gotham wouldn't say no if he invited her to a vacation to the Realms, and in that same invitation, he would direct his king to his new hands on training.

The bats and birds knew something was different about Gotham lately. It was strange and slightly unsettling. The change felt like it had just happened overnight. They were suspicious, wondering if they were sensing one of their rogues planning something big. Jason and Duke appeared to sense it the most.

At first, it didn't appear to be too big of a problem, but then strange things started to happen. Their rogues started tripping over, seemingly nothing. And if that wasn't enough it appeared like their rogues were a whole lot more inattentive to their surroundings. Now the Bats and birds were good at sneaking, but they had human limits. Yet there were times they snuck up on them like they weren't even seen.

Dick swore that one of the goons had stared at him and didn't see him, even though he had tried to pull the tap their shoulder and greet them before punching them act. The guy had turned around and stared at him before looking around like no one was even there until he punched the guy anyway.

And that wasn't even the weirdest part. Bullets, throwing knives or anything aimed and thrown at them never hit their marks. Not for the lag of them dodging but for the things they were sure they shouldn't have been able to react in time for. Tim espacially had pointed out that a bullet should have hit him once but it never even graced him. Yet when he checked the place after the arrest. There had been a clear bullet hole in the wall where he had been.

They weren't sure if it was a blessing or a curse. They had even tried to get a member of the Justice League Dark to look into it. But strangely enough Constantine had refused to even set foot into Gotham for once, and even insisted that the other do not either.

To say that Batman was not amused would have been a very big understatement. The man was brooding. And of course Dick had to jinx them too. The eldest bat kid had to mention that it at least wasn't getting worse.

And don't you know it. It got worse. Like weirdly alarming strangely worse.

Because, how else would you define it when you're in the middle of a briefing with your patrol partner for the night when suddenly a Lazarus Pit look alike portal opens below your feed swallowed you up and the freaking drops you into the middle of a crime scene or mugging.

It was only thanks to their training that they were able to react quickly enough after a bound of disorientation. But fuck did that gave them all a good damn heart attacks when that happened the first time to Damian of all people.

Something was definitely wrong with their city. Thankfully they had some sort of hint, because the first time the Pit portal happened to Duke, he claimed that he saw a white haired figure right before it had swallowed him hole and spit him out at a bank robbery.

Danny was honestly believing he was doing a good job as substitute city spirit while Lady Gotham was enjoying her vacation. Sure , he still had trouble with some things, but he was sure he was getting the hang of the whole supporting the cities vigilantes gig Lady Gotham had going on. The whole managing the shades and the dead spirits was still up in the air, though. But at least he had figured out a way easier way to guide the vigilantes towards the once that needed help.

Now he just needed to figure out what was wrong with that one guy in the red helmet and he was sure that both Clockwork and Lady Gotham would be proud of him and how he had managed her city during her vacation.

[namisweatheria]

I feel like we don't discuss Nami's relationship with gender enough. Her entire character is so deeply informed by being a girl in a male-dominated pirate world and it's so interesting and so worth talking about.

The background creepiness of Bad pirate crews, which are most of them, how they tend to not have any female crew members at all, how they beckon any pretty young woman around to come play with them and join them. It's real bad. It's also like, a totally 2 dimensional portrayal of evil that is reserved for the most background of background characters.

However I think their ubiquity says a lot about how piracy is meant to be perceived by the public in One Piece, and is one of the strongest indicators of how prevalent misogyny is in-world.

It's very normal in One Piece for regular island inhabitants to have never met a Different class of pirate in their life. There's no reason for them to withhold judgement that maybe these pirates won't be like every crew that attacked before, and to wait and judge them by their actions. I mean frankly that would be irrationally weak self-preservation.

There are people who live peacefully under the flags of Yonkos who protect them, and feel loyalty and gratitude to them for it, but that seems to only be thing with very big name pirates. The East Blue, being the weakest and least populated, has no such plethora of powerful people and resulting turf wars.

So. Nami. Is very clearly implied to have never met any Different pirates before. I'm thinking about what that means. About how every group of pirates she stole from were creepy, dangerous men. How she started going out stealing when she was still a young child. How she didn't have a mother anymore to guide her or comfort her. How Arlong would grab her chin inappropriately, talk about her as a "human female", as property, and god knows what else.

How all the men in Arlong's crew treated her patronizingly, pretending they're all friends, teasing her and playing at respect when really not a single one of them ever stuck up for her or hesitated to accuse her of betrayal. Who were always ready to kill her if she refused to cooperate. Who grabbed her and intimidated her when they felt like it.

That's what she had to come back to after a close call with stealing from other predatory men, instead of the relief of home there was a dark, cramped room filled with endless hours of misery and isolation and blood. Where any one of her captors could barge in and demand new maps, work faster, where did you go, you took too long again this time. Endless threats and incursions.

I'm thinking about that her fight scene in Alabasta, where she tumbles and rips off her cape and uses it to catch her enemy's spikes, before leaping to her feet and running out the back door, all in one moment. How it makes her enemy reconsider her and think, "so the girl's not a total novice at fighting after all." What that implies about her experiences as a young thief. The times she wasn't fast or clever enough and had to fight and claw her way out. Why she always carried a staff and a knife. Why she was the only one before Chopper who had any medical knowledge or experience.

You know she was stitching herself up. And the weapons, how do you think she learned to use those? If any of the Arlong Pirates helped her it wasn't out of kindness and it wasn't gentle.

Then I think about Nojiko, and Bellemere's memory, and the only softness in a hard life. How easily Nami connects to every young woman experiencing hardship that she meets. How completely she dismisses the struggles of men unless they mean something to her and are going through something terrible. The way that Nami only has sympathy for women and children is easily noticeable in-text, but it's also something confirmed in those words by the author. And it's clearly because of the life she lived, the men who had all the power and only abused it, who saw her as nothing but a girl to take advantage of, without anyone aside from her sister clearly knowing and caring about any of it.

Nami clearly isn't bitter, she doesn't think the world owes her recompense, on the contrary she knows she is far from the only person in the world to suffer the things she has suffered. She is endlessly reaching out and kind, but only to those that she isn't sure would get help without her. Certainly, before Luffy, Usopp, and Zoro, no man ever reached out a hand to her without an ulterior motive.

I think when she sees a girl in trouble, a girl biting her lip to hold in a scream of grief, a girl running in the woods away from a monster, a girl captured by pirates, she sees someone who no one is coming for. Who no one will stick up for. A person without allies in a world against her. Whether it's actually true in this case or not, she runs straight for that girl anyways every single time.

[keytomind]

The right woman isn’t going to pick an argument with you for game or sport. She has had her fill of that bullshit and she is tired of it. If she picks an argument with you, it’s because she wants to teach you something important. She wants you to grow as a person or she wants the two of you to grow as a power couple. The right woman isn’t here for a fight. She is here to love you.

The right woman doesn’t need a boy; she needs a man. She needs a man who is capable of elevating himself, a man who does not mind being corrected if it is going to make him a better person. She needs a man who points the finger at himself before he dares point it outward at anyone or anything else. She needs a man of confidence who will inspire her to do better for herself and her family. The right woman no longer has any patience for boys, except for her sons (and even that wears thin).

The right woman wants to suffocate and drown herself in your masculinity. It makes her feel warm, loved, safe, and protected. By providing her with your masculine energy, you are creating an environment that allows her to radiate her own feminine energy, which is something that every man truly needs. He needs her loving warmth in order to balance himself out and to become the best version of himself. His voice, his mind, and his body will all be able to relax from the wars that he fights every day. The right woman is not threatened by toxic masculinity as she understands that the only thing toxic about masculinity is the absence of it in a man.

The right woman does not hide behind her man. Although she often wants him to lead and to assert his masculine energy appropriately, she will fight alongside him like a warrior Queen. And even though he would rather she stayed out of harm’s way, she would even stand in front of him and take a bullet to protect him. She goes to battle next to him whenever necessary and she safeguards his darkest secrets under lock and key. The right woman does not run away; she plants her feet like roots and she weathers the storm right next to him.

The right woman does not make excuses. She knows that she is not perfect and that there is still much that she can learn. She possesses the raw emotional intelligence to know that she isn’t always correct. She loves for him to teach her new things without belittling her or making her feel unintelligent. She takes accountability when she is wrong and she does her best to take action whenever possible. She is a true Goddess to the world who craves to be soft and little in the arms of the deserving man. The right woman is a force to be reckoned with.

The right woman learns his love language without asking, although there is no shame in asking in order to learn better. She studies his every move - what does he like, what does he want, what does he need - what turns him on, what makes him happy, what does he hold close to his heart.. what does he fear… she wants to know every single detail so that she can love him correctly. And the right woman should only expect the same reciprocity for herself.

The right woman understands that we are a team and that he is not a punching bag. Men are conditioned to be protective and to be strong, but men also fall weak because the human body can only take so much abuse, and some of our greatest battles are fought in our minds. This is not a sign of a lack of strength but rather it is an indication that he must rest as he is exhausted from fighting certain battles alone. While he would rather she did not engage in certain battles, he needs help dressing his wounds, protecting his body, and relaxing his mind so that he can safely remove his armor. The right woman will spring to action without having to be asked as nurturing him to health is her greatest reward.

The right woman doesn’t need to fight other women if they show you favorable attention. She knows to handle such battles with grace and she does not need to clench her fists. She instead will walk right into view, grab you by your tie, kiss you like it might be your last night on earth, and cling to you like a lifeboat while making eye contact with her newfound enemy, letting her know who won the battle without firing a single shot. Again, the right woman is a masterful Goddess who claims her territory appropriately.

The right woman comes in many different forms. She varies in shape, size, color, beauty, attitude, and much more. She will have her heart broken, probably more than once, by a man who did not value her for looking differently on the exterior. This will wound her temporarily, but in time, the right woman rises from her ashes and she learns her worth. If another man doesn’t value her for any such reasons, then she dodged a bullet because, ladies, I fucking promise you that there is a man out there, perhaps many men, who adore you exactly the way you are. If you aren’t his cup of tea, so be it, and if he doesn’t want you for you, the right woman knows when to say “fuck em”.

The right woman deserves absolutely nothing less than the right man, for without the right woman, that man is nobody and nothing. She makes him whole. She gives him great purpose. She gives him life and energy that had evaded him for years before they met each other. He would die for her as she would die for him, and it will be hell when the day comes that they are forced to live without each other. She may bless him with a family one day, but if not, they will make their home warm and full of the love that they both need to enjoy their time spent here in this life.

The right woman is absolutely fucking priceless. Fight for her and, when you do, the right woman will fight for you.

[syrupfog]

Maybe in another world the poison Sanji’s mum took didn’t work on Sanji, or at least not in the same way. 

A child with black hair and dull eyes, and like his brothers he’s made to be a solider who follows orders. 

The difference is that he follows his mum’s instead of Judge’s. 

She’s distraught that the poison wasn’t enough, but she raises Sanji as best she can to be someone free, even if he can’t really be. 

He learns to cook because she asks him to (she wonders if she’s fooling herself when she sees just a glimmer of excitement in his dull eyes).

He guards her like a dog as she grows sick, this six year old who can’t even see over the counters. But he’s strong and can fight and all he knows is that what his mum says is what he does. 

And when she’s dying, she tells him to run. Says whatever happens, get away from Judge.

And when she dies, that’s what he does. Because he’s an emotionless machine, but he’s following her orders. She told him to be free from Germa, and to seek friends. He doesn’t understand the second part (“friends are a weakness” Judge had said) so he ignores it, but he goes.

He finds the Orbit at age seven and he already has cooking skills (and he’s super powered— he’s good at what he does). They’re creeped out by him, most of the cooks just try to ignore him or slink around him, this terrifying little kid who can dice hundreds of onions in an hour.

He doesn’t interact with them either— his mum said to be free, and he assumes this is “free”. He assumes these aren’t “friends”, at least they’re not like in the books she read him. No one has fought for him or offered to share their things with him, so these must not be them.

And then, of course, the Orbit is hit by pirates, and then hits a storm. Sanji ends up stranded with Zeff on that cliff. Why’d Zeff save him? Maybe it was the way he stood emotionless in front of him with those dead eyes. Said he had to get back to cooking like nothing mattered.

Maybe it was the way everyone else looked at him like they were scared of him, this little ten year old unaware of his effect. 

Maybe it was the almost imperceptible way he flinched when another cook came near him, like he was waiting for the next attack. 

It doesn’t matter now.

What matters is that Sanji’s on the island with Zeff and they’re starving, but Zeff gives him food. Zeff loses his leg for Sanji. These things are adding up, Sanji thinks this might be what his mum wanted him to find. 

He’s not sure. 

Uncertainty doesn’t fit well with him.

But his mum said to find a friend and Zeff fits what he knows, so he devotes himself like a soldier. When they get off the island, Zeff can’t get rid of him no matter what he tries (he doesn’t try too hard). 

They get a restaurant. 

Sanji works like a machine in the kitchens.

Zeff puts him on food prep for years and Sanji does it without complaint. No one is as good as him at finely dicing, at weighing and measuring to the letter. He even does the dishes when they’re behind, and only breaks one before he figures out not to grip with all his strength.

Zeff makes him a full fledged chef at fifteen. 

He always feels a little… conflicted about making Sanji work. The boy doesn’t have friends and doesn’t seem to desire them. He doesn’t have emotions. It feels wrong to make him work when he doesn't have the fight to object.

But Sanji’s his responsibility for some reason, and he’s accepted that. 

And once, just once, when Sanji is seventeen, Judge comes down in the middle of the night to find a full five course meal prepared. It’s nothing the Baratie makes. It smells of unfamiliar lands.

He doesn’t mention it to Sanji, and there’s no trace of it the next day. 

He wonders, though. 

When Sanji is nineteen, Luffy arrives with a cannonball through the wall. 

Zeff’s not too happy about that, but Sanji’s on red alert. He goes after Luffy with a vengeance.

Because that’s ZEFF, and if Sanji knows one thing it’s that he has to PROTECT ZEFF. 

Luffy’s enamoured with him immediately. He wants Sanji. He wants this man who cooks and fights with his feet (Zeff taught him that, Sanji added it to the rules— no hands, be free, find friends).

Sanji’s dull eyes barely blink as he tells Luffy no, that he’s here for Zeff. 

But then Luffy says the magic words. 

He introduces Sanji (who stopped fighting at Zeff’s directive) to his crew and says, “this is my new friend Sanji! He’s going to be our cook!”

It’s confusing in a way few things are. Sanji lives in black and white— but Luffy says they’re *friends*. His mum told him to find friends. But he can’t leave Zeff, who is also a friend. 

Sanji stumbles a little. 

And then the green haired swordsman mocks him for it. The smallest flame of anger lights in his belly, a single momentary spark. 

But that doesn’t matter because right now in this moment Sanji is processing having TWO friends. 

That processing comes to a halt when Zeff yells at him to leave. 

It’s simple again. 

He follows orders.

He joins the Straw Hats. 

He cooks. 

He fights. 

Luffy talks all the time about being free, and Sanji doesn’t get it but he figures Luffy will tell him when they manage to become “the most free”, something he has no metric of.

Also, Zoro is there. 

Zoro is a complication. Sanji’s not sure if he’s friends with everyone or just with Luffy. He THINKS it’s everyone. He doesn’t like living in greys. 

And Zoro likes to fight. 

He tries to rile Sanji up, every time. Makes comments about his food or eyebrows.

Sometimes it… well it doesn’t *work* but it makes that little spark hit deep inside of him again, and for a split second the world is brighter. And then it’s gone. 

Then Zoro pulls out his swords, which means they’re sparring, and Sanji is good at sparring.

They add more crew members. They go from island to island. Sanji protects his friends because that’s what he’s supposed to do, and he cooks, because he’s supposed to. 

And then some time around Water 7 he starts to dream. 

He’s never dreamed before.

He dreams of his mum and her warm smile. He dreams of his sister and her complicated expressions that he could never understand. 

He dreams of Zoro and the grin that stretches over his face and the way his earrings dance. 

He doesn’t get it. There’s no point to dreams.

What does it, what finally lights the spark inside of him, is Thriller Bark. It’s “nothing happened”. Zoro pushes him out of the way, stops him from doing the one thing he’s MADE to do, and then Sanji wakes up and realises what’s happened. 

And a whirlwind alights inside of him.

The world has colors and depth it didn’t before, as he’s flooded with ANGER, that Zoro would do that, WORRY, that Zoro won’t make it, PAIN and HEARTBREAK for his mum, and a new sort of loyalty, deep and unending, for his crew. 

He watches Zoro sleep as he processes.

And when Zoro finally wakes, when that worry abates a little, he YELLS at him. SCREAMS that he was a SELFISH ASSHOLE and HOW DARE HE and he’s IMPORTANT. 

And through it all, Zoro stares at him, wide eyed and probably high on pain meds.

And then, when Sanji finally exhausts himself, Zoro grins. That same grin from Sanji’s dreams, and he says, “I knew you’d make it.” 

Which is DUMB and makes Sanji EVEN MORE MAD because what does that fucking MEAN and he YELLS SOME MORE and by that time all the Straw Hats have gathered in shock outside the infirmary door. 

“Welcome to the crew, Curls,” Zoro says and Sanji wants to KICK HIM but he’s on death’s door already and Sanji knows how strong he is. 

So instead he collapses onto him and weeps, his emotions a confusing mess inside of him.

And eventually the door creaks open and Chopper slips in because he HAS to check Zoro’s vitals and then Luffy BOUNDS in and wraps his arms around Sanji and says “SANJI, MAKE ME MEAT” and Sanji SNAPS that he’s BUSY and Luffy LAUGHS and says “Okay but AFTER YOU’RE BUSY, MEAT.”

And later that night, after he’s made a MISTAKE in the kitchen because he got EMOTIONAL chopping vegetables, he sits in the infirmary again, forcing Zoro to drink broth. And he says, “I don’t know what happened. It’s like there’s too much of me inside me now.”

And Zoro says yeah. “That’s what living feels like,” he says. 

“I don’t like it,” says Sanji. 

“You ever disliked something before?” 

“No.” 

“Then congratulations.” 

Then Zoro reaches out and grabs his hand. His grip is weak still, shaking.

He says, “this is the point. You have to find things to live for, now.” 

And Sanji thinks. “I’m supposed to live for friends,” he says. “And freedom.” 

“The you’re on the right ship,” Zoro says. “What else?” 

And Sanji remembers a book his mum used to read. A long time ago.

“Have you heard of the All Blue?”

[ozzgin]

Yandere! Yokai Harem Headcanons

Meet your (6) monster boyfriends!

Since the story will take a while to unfold, I decided to speed things up and properly introduce you to the characters. A little time skip to Reader becoming an onmyōji herself and renewing the bonds with the yokai men, this time at their request. They cannot bear the thought of separating from their darling and since she has reneged her life as a regular human being, someone has to keep her company. And so the days are spent exorcising evil spirits both in modern and feudal Japan, with a pack of demons following close behind.

[Main story] [Character Guide]

Content: female reader, monster smut, NSFW, obsessive behavior, reader is a monster hoe again but feigns mild reluctance

Kiritsubo

Kiritsubo is your very first yokai encounter and he almost immediately falls for you. He's always been at the receiving end of his master's wrath for not being able to use his powers, so much that even after Nakamaro’s ‘death’ he couldn’t sleep without being plagued by horrid nightmares. His back is covered in thick scars from the frequent punishments. You first begun to suspect his background when you jumped in to protect him from an incoming blow and he froze in terror, unable to look up and awaiting the anticipated discipline.

Needles to say that when he learns you're not like the previous onmyōji he becomes extremely clingy and needy. He can only rest if you're next to him and will often hug you for reassurance. You've shared a bed before there was any hint of romance, simply because he found your presence so soothing. That's not to say he relies on you for everything. In fact, he unlocks his nearly unmatched abilities purely out of his desire to protect you. He’s found his purpose in serving you, someone who showed him kindness when he needed it most.

As you go out into the world, he begins to question his exact feelings for you. An example of his intense musings: he's asked you, perplexed, whether he can kiss you like the people he's seen on the street. He's spent his entire life being trained by Abe no Nakamaro, so he struggles to understand how relationships work. He will be utterly oblivious to other people flirting with him (it happens every now and then, he is a handsome demon after all), but simultaneously worry that everyone is out to have you. He’s already very salty about the other yokai joining your side and will frequently remind them he was the first to accept you.

When you complete your transition as an onmyōji, the priestess warns you that you may no longer partake in any kind of bonding with your fellow humans. Kiritsubo, seated next to you, responds almost instantly with eyes sparkling in excitement: "Well, that doesn’t extend to yokai, does it? I can still make you my wife.”

Kiritsubo is very clumsy when being intimate with you for the first time, but it doesn’t take long for him to become rather addicted to the feeling. You often have to scold him to behave and in return he’ll be pouting and fidgeting until you finally give in to his pleading gaze. He’s very vocal and touchy and will leave you covered in scratches from all the pulling. Towards the end he’s a drooling mess, mumbling about how much he loves you and begging you to never, ever leave him.

Murasaki

Murasaki is very cold and sarcastic on the surface, but you soon realize he is the most caring and responsible of the group, always looking out for everyone and trying to keep them out of trouble. In fewer words, he's almost like a tsundere mother hen (he won't hesitate to put you in a headlock if you mention it, though). He goes along with your wishes and will politely listen to anything you tell him, but to others he remains stoic and even rude. You’re sometimes reminded of the preferential treatment when witnessing his aggressive way of dealing with his suitors, shooing them away with the utmost disgusted scowl.

“Huh? Why can’t I be nicer to others? Bold of you to assume my tolerance is not, in fact, a limited resource spent entirely on dealing with you.”

He's been your guardian from the day you met him. He taught you how to use a sword and how to properly cast spells and seems to have a solution for all your troubles. When you introduced the yokai to the modern world you assumed he'd struggle to adapt, but he was extremely quick to learn and is, to this day, accumulating knowledge at a dizzying pace. One wouldn't be able to tell him apart from a regular city dweller. Murasaki is the concrete definition of a jack of all trades, excelling in whatever he sets his mind on.

Given his status and skills, the other yokai have always been rather jealous of him, including Kiritsubo. Ironically enough, by the time Murasaki accepted his infatuation towards you, you'd already gotten close to Kiritsubo. Which resulted in a lot of unexplained jealous bouts from a yokai too prideful to admit he loves you just as much. (You eventually get him to confess and reach the agreement to distribute the wealth among workers.)

He will occasionally be in a good enough mood to share with Kiritsubo, but it frequently results in a bizarre competition between them as you awkwardly squirm underneath, overstimulated. More often he prefers to pull you aside after you've done the deed with another yokai and aggressively fuck you as a way to assert his dominance. "Oh, was he that good? Then why are you moaning much louder now?" He'll demand with a firm grasp around your throat. Sadly his extreme competitiveness extends to this area as well.

Suma

Among the yokai, Suma is the most easygoing one despite his intimidating appearance. Most evenings he’ll have a drink in hand, eager to chitchat and ramble by the campfire, with his relaxed laughter resounding across the place. He is very loud and blunt and will often need to be reminded of the colossal power imbalance between him and regular humans and demons. Although after accidentally dislocating your shoulder (he was terribly amused by your joke and gave you a friendly pat), he’s gotten much better at adjusting the amount of force he uses, especially with you.

You’ve only witnessed him serious on two occasions: first one is a recurring event, when he’s training alone. When you’re together, he’s always in a merry mood, letting you try out moves and spells on him and frequently praising you even after failures. His whole demeanor changes when he’s by himself, swinging the spear with a calculated, focused gaze that remains unperturbed until the end of his session. The second case is when you get hurt. Now, he does encourage you to fight, and your confidence in battle is what caused him to fall head over heels in love with you. He will immediately put a stop to it, however, if the opponent ends up harming you. Seeing your lips curl in pain is enough to set him off and send him into a full blown rage.

Suma is destructive in all the ways you can think of. Given his massive size, as much as he’d love to, having his way with you is not something that can happen spontaneously. Borrowing his powers can of course help your frail body to not immediately tear apart, but depending on how much self control he has (or lack of), you might end up needing urgent healing from Sakaki. Suma will be extremely apologetic for nearly fucking you to death, but you’d be lying if you said you didn’t enjoy it. A more common approach is riding his hand, as one or two fingers are enough to make you dizzy. He’ll be satisfied just hearing your needy whimpers. He also adores watching you whenever you give him handjobs as your little, delicate hands struggle to hold onto him. You’re insignificant compared to him and yet you persevere, feisty and horny. His precious, tiny warrior.

Yuugiri

Yuugiri is by nature a manipulative, masterful liar, so it comes as no surprise that you had a hard time trusting him in the beginning. His habit of teasing you certainly didn’t help, as you could never tell whether he’s serious about something or not. Perhaps the greatest irony is that even when he tries to be honest, it comes out crooked. Such is the fate of a deceiving demon, although most people are only familiar with fox spirits. On his end, he loves that you’re so transparent and obvious, even occasionally naive. And so it took a lot of awkward pleading to convince you to renew a binding contract with him, given everyone was suspecting him of ulterior motives.

For Yuugiri, being part of such contract is the most vulnerable offering he could've given you as proof of his love. As your souls become connected, you can perceive his feelings in ways otherwise impossible to achieve. He willingly allowed you to be able to read his heart, and thankfully it worked. It was his last, desperate resort to get you to understand his affections. Do you finally see the earnest adoration he harbors for you?

He is the best choice if you're looking for a best friend to gossip with. He enjoys listening to your stories and pays great attention to every detail. He's also frighteningly vengeful, especially when it involves you. So if you ever complain about someone to him, know that he will remember it forever and will make sure to continuously get back at the offender in the worst possible ways and will only stop when you tell him to.

Now listen, I’m about to be quite crass but it is what it is: as a serpent demon he has a long, forked tongue and let’s just say everyone in the household can tell if he’s eating you out because it will be loud. It will be followed by the walk of shame, when you eventually have to come out of the room red-faced and sore-legged, with Yuugiri donning a devilish grin for the rest of the day. You always swear to keep it in next time, but within moments you’re tightly gripping onto his horns, mumbling his name in a feverish, drunken haze. Naturally, he can read you like an open book and this truth stands for more intimate matters as well. Leave it to Yuugiri to know what his darling likes best.

Sekiya

Sekiya has been fascinated with you from the moment you stepped into the ancient Tomb. To see the anxious, quiet Kiritsubo happily wag his tail after you and the stern, irritable Murasaki readily at your service…It was a sight most unfamiliar to him and he wondered how a mere human like you managed to whip them into this kind of submission. He refused to believe you’d be stronger than Abe no Nakamaro himself, yet after the battle - from which you emerged victorious - it suddenly occurred to him that it wasn’t fear or obedience coming from the two yokai companions. Just honest, unadulterated love. He felt his chest tighten with envy, all the resentment of being sealed in with an evil, hateful sorcerer finally erupting its way to the surface.

So when you offered him and Sakaki to join you (“What else is left to do among these ruins?”), he couldn’t agree fast enough. To think he, too, could be spoiled with the affections of someone like you. On the other hand, Sekiya is an insecure, nervous wreck of an overthinker and he felt like he couldn’t offer anything worthy in return. He’s a demon that casts barriers. Nothing more, nothing less. He doesn’t have Murasaki’s genius, or Kiritsubo’s raw power, or Suma’s brute strength…What use could you possibly find in him? Hence the constant need for reassurance. He will need you to pull him out of his melancholy every now and then, just a small nudge from the savior he so worships.

It’s an extremely rare occurrence, but Sekiya can get cheeky if his ego is stroked properly. So, for example, he’ll take advantage of the fact you’re both alone in the modern world and show you the handy usage of his barriers: a crowded intersection overflowing with people, and yet no one can see him greedily thrusting into you right in the middle of everything. It’s the high of sprawling you out in public without actually being seen. It’s also one of the reasons you no longer take him furniture shopping. Last time you asked him to help you pick a new table from Ikea and were confused by his requirement of it being “high enough”. Before you could ask for further explanations, the immediate vicinity started twirling into a blur and his heavy arm bent you over the surface. “Let me demonstrate”, he purred in your ear. Sure, no one saw you dripping with his cum, nonetheless scanning the items with your clenched legs and deep crimson face was humiliating enough.

Sakaki

Despite his gift to heal and revive, Sakaki is a terribly miserable demon, often plagued by gloom and death. He is especially receptive to negative emotions, and given your souls are connected, he is the first to detect any change in your mood. (You had to learn to block out the persistent throb of jealousy that tugs at your heart whenever the yokai is particularly insecure.) He takes great pride in the fact that he can understand your sadness better than anyone. The second you feel down, he’ll be right behind you: “Worry not, we shall suffer together. Such is the fate of lovers.”

The first time he joined you back into the modern world, you’ve perhaps mistakenly introduced him to classic literature you assumed he’d like. He indeed became infatuated with authors like Poe, Baudelaire, Rimbaud, Shelley, Hoffmann. For the first time in his long life, Sakaki felt understood, and you’re glad to have played a role in his new interest. Yet you can’t help the shivers running down your spine whenever you become the target of his overflowing, renewed inspiration. Grim, ghastly paintings, deplorably obsessive poems…You’ve unleashed an authentic Romantic poet whose only muse is you.

He’s a master of eerie awkwardness, more so now that he has access to modern entertainment. You were excited when he asked you out on a picnic date, only to discover you’ve been taken to a foggy graveyard. He enthusiastically explained his choice: you can scout burial plots in case one of you dies (he’ll die with you, no worries), it is a stunning reminder that his love for you is eternal, and you might even find potential names if you ever want children. Another time, when you rented a boat during a sunny day at the lake, he cheerfully wondered how you’d look if you were to drown (still as beautiful as ever, he’s certain). Ah, but he does not dwell on dark things only. He recently took you to see the famous Cirque du Soleil and he was equally mesmerized by all the light and colors. It was Corteo: the story of a funeral cortège for a clown.

Sakaki does not like sharing and prefers to hang out with you alone, without the other demons. In fact, he’ll spend the day holed up in his room, writing or painting, or go out on lone walks if he knows you’re messing around with someone. He’d rather not hear anything that would cause him turmoil. The only exception is Sekiya, as they spent decades in isolation together within the sealed Tomb, and they both share a similar lack of confidence. In this case he won’t mind laying you on him and offering the above position to his friend, or casually joining your fun if he sees you together with Sekiya.

[chocostrwberry]

Sentimaggedon!!

Sentimonster designs I came up with bc I was thinking about Argos’s debut in my AU! Bc I’m dumb and I haven’t thought too deep about him as a character to the story yet-

They were originally suppose to all be based on the seven deadly sins, especially Gasumptious (gluttony) and Elvy (envy). But I also wanted to branch into maybe Felix’s other hidden emotions, like his deep love for Kagami and his fear of being replaced by Adrien (Bride and Athazagora).

Argos becomes an official enemy when Dragonbug tells him they need to be destroyed. He defends them, saying they’re just “infants” and can learn how to behave properly with time. But a frustrated and exhausted Dragonbug she tells him they aren’t like humans and are created for one purpose: to serve and destroy. This hits home with Argos, and he develops a fear and hatred for Ladybug and swears his loyalty to Madame Morphisa afterwards in order to take her down and prove just how monstrous he can be.

I’m still kinda trying to find a way to make this concept work in my au. He promised to serve her in exchange for the peacock miraculous, and she wants him to use it to take Ladybug’s miraculous. In a novice attempt, he might have just starting creating multiple sentimonsters that he thought were harmless enough (something she did NOT expect), but they quickly spiraled out of control. It’s much easier to make sentimonsters based on others emotions, because you can predict which one you will create it off of. But instead, he chose his own, which makes it more difficult to tell how the sentimonster will act. I think it would show the aspect that these creatures do have a mind of their own, compared to previous Mayura sentimonsters who were easily controlled by their akumas!!

Red Moon

Red Moon is obviously already canon, but her power is instead hypnosis. If you get caught in her light, you stop whatever you are doing to stare at her. The streets of Paris become like a statue exhibit: countless of unlucky citizens are bathing in her glow, staring at the beauty of the red moon.

Gasumptious

As he devours, Gasumptious grows bigger and bigger. He’ll eat anything, so beware! After finishing most of the city, Gasumptious sits atop the Eiffel Tower and gnaws on its metal posts.

Elvy

Elvy lives in the sewers. She can control water and uses it to drain you of happy memories, which she keeps in floating green orbs and guards for herself.

It’s so silly to me how the manifestation of Felix’s jealousy of Adrien is fought and defeated by Chat Noir, who is Adrien ehehehheeh.

She also sounds like a Pokémon!! Probably like a Lapras, or the one that trills really pretty

Athazagora

A timid creature, Athazagora took over the catacombs, and hides in the shadows. You can hear the creaking and rattling of its wooden limbs in the dark as it stalk you. If you can’t escape, it envelops you in its cloak of darkness, never to be seen again.

Bride

The supposed advisor of Argos. She never leaves his side, and is always whispering something in his ear. To protect Argos, she showcases her ability to turn her arm into a long spear/sword, incredible strength and mobility, and that her body is made of an indestructible crystal.

Plus, he can make multiple sentimonsters bc he’s a sentihuman himself (Other people can’t. You can only make one, kind of like how the Butterfly miraculous can only Akumatize one person at a time, unless they share an object. Current excuse I’m going with that makes semi-sense HEHEHE) . So Lila totally wants to use that to her own advantage!

Ofc he fails, but she’s impressed with his resolve (and the lengths he was willing to go, albeit unintentionally), especially after sharing her goal of destroying Ladybug. Lila was feeling the effects of unification and now has a willing minion to do her bidding whenever she pleases.

If I decide to go with this plot, Lila has to end up forgetting Felix because of the curse. But she doesn’t care: all she really needs is Argos. I might need to retcon her revenge against Felix because of this but idm! It wasn’t very important to the plot anyways!

I was considering having Dragonbug in this episode, since she could use Perfection to snipe Red Moon out of the sky! The lucky charm would be like a wand that creates a sticky translucent web to keep the sentimonsters secure so they can go find their amoks.

And a sentimonster I never ended up including, Ava. I just didn’t have a reason to put her in there but I liked the yin and yang style of her design!!

[sophietv]

Everything you need to know : Failed Coming Out 2019

This is an answer to an anon I've received.

I typed it all and Tumblr said there was an error when I went and tried to published it. So I had to type it all again but lost the anon....

Here's the question: could you tell me more about her wanting to come out in 2019? sorry for asking again I'm new on the fandom!

Hi!

It will be my pleasure! This is such an important part of the Gaylor Lore to know and understand, especially when you are new in the fandom.

This theory has been confirmed, but we'll get to it in a minute.

Also, I'm so sorry because learning about what went down during Lover Era is a transformative experiece in the Gaylor fandom, in a very heartbreaking way.

So back in 2019 Taylor wanted to come out with the Lover Era.

June 30th during the New York City Pride wich was also the Stonewall's 50th anniversary, was supposed to be the day it happened.

This date might be familiar to you, because it's the date we learned at the same time as Taylor about her masters being sold to Scooter Braun.

So let's start at the begining of all of this. I won't go through ALL the details because my post will never end. But I'll cover the most important ones.

Right at the begining of the year, insiders were already talking about the fact that Taylor was planing to come out that year in podcasts and blind items.

Then in March 6th (Karlie and Taylor's anniversary)

Taylor does a post hinting at this new era. The very first lyrics we get (We got hints at ME back in February):

Daylight the song is about Karlie. But this line specifically means coming out.

Stepping into the daylight, and letting everyone see the real you.

(Also worth noting the lesbian filter)

Taylor started being really loud in the posts she made from now on. Flagging rainbow, lesbian and bi colors every chances she got.

And flagging Butterflies. Wich is very important thematically in Lover and coming out.

Side note on the Butterfly meaning:

Remembre how in reputation, snake was a really important theme?

And how in Lover it switched to butterflies?

More specifically it switched to Snakes transforming into butterflies?

There's a species of butterflies, that when they are in the chrysalid phase of their transformation into a butterfly, can look like a snake if they feel unsafe or attacked in order to protect themselves.

Then, after the average 13 days waiting period, they transforms into a beautiful butterfly.

Basically what Taylor was doing, protecting herself during reputation with that "personna" like she described.

And now, she was ready to finally transforms and have a new beginning.

Here's a description of what butterflies means:

A powerful beacon of growth and new beginnings, the butterfly signifies the power of transformation and the incredible feats we can achieve when we trust ourselves. We all have the ability to listen to our innate wisdom, guide ourselves through difficult times, and emerge better and stronger than before.

The ME! of it all:

Ok back into the Lover Era timeline!

So all those rainbow posts were leading up to the first single: ME!

Even Taylor Nation was pretty loud about this (number of rainbows = number of days leading to ME! release):

3 days before ME! release, Taylor performs at the Time 100 Gala and it's the first and only time she switched so very clearly pronouns in the song, multiple times:

She sings repeatedly : I want HER midnights

And she even seems to be getting more and more confortable as the song goes on and singing it louder and louder.

She also looks at the crowd while singing it.

Then she releases ME!

That was really the first part of her coming out.

And honnestly, she shouldn't have had to do more than this.

ME! was released on April 26th.

April 26th in 2019 was Lesbian Visibility Day.

And she captionned the release with: ME! Out Now!

A song about how she is unique as a Lover...

That is without mentioning the amount of rainbows everywhere in that MV as well as other references.

Worth noting that in 2019 Lil NasX came out in a MV with the rainbow tower and was annoyed that people didn't get it?

Taylor also probably deadass thought that she made it obvious:

May & June 2019 leading up to the big coming out:

Taylor continues to be as loud as she can.

She makes a very generous donation to GLAAD:

She sings ME! every chances she gets, while flagging the Lesbian Flag.

Taylor Nation also keeps on being really loud:

And releases a song and music video about homophobia and includes herself front and centered in the LGBTQ+ community (represented by the Trailer park, note how Ryan Reynolds, the only straight person in the MV is outside of this park, not in it like Taylor).

With a bi flag wig...

So yeah, she was trying really hard to make people see her.

Christian Siriano and the dress...

Back in April, we learned that Christian Siriano (a fashion designer) was working on a project for Taylor:

In June, he started teasing us about a mistery rainbow dress for an unnknown person:

It was heavily rumored that it would be the dress used by Taylor to come out at the end of Pride Month.

He kind of confirmed it with this post:

Then. June 30th.

The New York City Pride.

Taylor planned to come out at the event.

Employees on site, starts to be warned about this (you can find some comments online).

Taylor learns at the same time as us that her masters were sold to Scooter Braun.

She never makes it to Pride.

And Billy Porter ends up wearing the dress:

But. You can see that the dress was not meant to be worn by him. It doesn't fit well and the "nude" parts shows that it was meant to be worn by a white person.

In 2022, Christian confirmed it by dueting a TikTok talking specifically about this.

He deleted it right after but you can still find it on TikTok: (X)

Last minutes changes to Lover:

We now know that Taylor scrapped two songs from Lover: All Of The Girls You Loved Before and Need.

All Of The Girls is really loud and very clearly talks about a girl. Wich Taylor couldn't afford if she didn't want to/couldn't come out.

London Boy was actually written and added really last minute to the album.

Really interesting, because this is her loudest song about her loving boyfriend. Wich is a brilliant thing to do if you want to limit the public speculation after all the flagging that you did...

We know it was last minute, because Taylor sampled it on Cold War from Cautious Clay. (X)

He was called in the middle of the night and had to approve the sample right away.

Interesting fact: Cold War was featured in Book Smart, a movie Taylor promoted that year.

The song plays during a lesbian sex scene...

The intro to London Boy is actually Idris Elba in a interview where he was talking about a charity where he sold a date with him.

You know, people paid to date him...

The shift in the Lover Era:

After this, you can start to see a shift. Where it was colorful sequin and rainbows everywhere with colorful choreography.

She now dresses in black, is incredibly sad and sings mostly accousting song.

Like her BBC 1 performance or Lover In Paris:

Miss Americana:

Miss Americana was supposed to be her coming out documentary.

It has been confirmed by the director of the project that a lot of footage has been scrapped.

Also, the documentary was supposed to be called : Is It Cool That I Said All That?

This is why the documentary sometimes feels like something is missing and some parts are rushed.

They tried to switch her coming out approach by making it her political activism era.

Taylor confirms it in Anti-Hero MV:

She's pierced through the heart by The Archer.

Her queerness starts showing (she's bleeding lavender glitters).

She tries to cover it up by taking the table cloth.

Her wanting to cover it spoils the dinner for everyone and they leave her.

And while she sings : "Did you hear my covert narcissism I disguise as altruism, Like some kind of congressman?"

She covers her queerness with a sticker : Vote For Me, For Everything

Confirming that the political activism during Lover Era and mostly Miss Americana was in fact really to cover the fact that she was already one foot out of the closet when they had to backtrack.

With this. Take a look at the closing scene of Miss Americana. When The Archer is playing in the background.

It's a montage of Taylor talking to someone and Taylor on the release night of Lover.

Look at what Taylor says...

Queerbaiting Backlash:

This might be the worse part in my opinion.

Since she was flagging so hard to come out.

Sadly, most people didn't get that that was exactly what she was trying to do.

And medias massively accused her of queerbaiting.

And using the queer community.

I'm still so mad and heartbroken about this....

reusing an old Twitter post...

Even queer fans...:

Frankly, speculating about her sexuality would have been way less damaging than this...

Songs about this event:

Taylor wrote a lot about this failed coming out.

The Archer, was her song about her anxiety about coming out. And begging her fans to stay.

I'm not gonna do a full lyrics analysis because this post is already a novel.

But read those lyrics with that in mind and you'll see how loud it is, and heartbreaking.

"I've got a hundred thrown out speeches I almost said to you"

Also. Worth noting that after Lover was released and she was not able to come out, she switched one lyric in that song.

Instead of "Combat, I'm ready for combat" singular (coming out was the combat she was ready to face)

She now sings every time "Combats, I'm ready for Combats", because coming out has turned into multiple battles that she has to face now...

Hoax:

Noticed how she says that all of her heroes die all alone in The Archer?

Her fear that if she comes out, all her fans would leave.

In Hoax she says: "You know the hero died so what's the point of keeping score movie for?"

Because with her Master Heist and everything, she was not able to be one of those heroes herself... The hero that she wanted to be died in that moment because she was unable to come out.

Edit: I messed up the lyrics. But it's even more telling. Because the movie she's talking about is Miss Americana, once she was unable to come out.

Evermore:

This song is litteraly her looking back at what happened and how she managed to process everything and ultimatly heal even though it felt at the start like she would never be able to.

"I've been down since July" - June 30th = failed coming out

"Motion capture, put me in a bad light" - Queerbaiting allegations. And Miss Americana being rebranded.

"Writting letters, adressed to the fire" - Her hundred thrown out speeches that she almost said.

"I rewind the tape, but all it does is pause, on the very moment all was lost" - June 30th...

"Sending signals, to be double crossed" - Her flagging strongly on her way to come out, only to be accused of queerbaiting.

Right Where You Left Me:

The restaurant is a metaphor for the closet.

"Sitting in a corner I haunt, cross legged in the dim light"

Doesn't really feel like a restaurant, but her hiding in the closet.

"I swear, you could hear a hairpin drop. Right when I felt the moment stopped"

Droping hairpins is giving hints that you are gay.

She was doing this very loudly right before she was kept from coming out.

"Dust collected on my pinned up hair"

Her hair are still pinned up because she was not able to come out. And dust collected over time that she spent forced in the closet.

Anti-Hero:

AH is really The Archer 2.0, and talks about the same fear of coming out and being abandonned.

The fact that she decided to depict herself as the Anti-Hero is both really interesting and heartbreaking.

Because to her, the hero was the version of herself that was able to come out...

Listen to Change in the perspective of being able to come out and change the face of the industry:

"Tonight we'll stand, get off our knees

Fight for what we've worked for all these years

And the battle was long, it's the fight of our lives

But we'll stand up champions tonight"

They were the Champions.

Side note: she sang this song at the ACMA in 2010, two weeks before Chely Wright's coming out.

When we know that she has knowed and worked with Chely since about 2007.

Then Taylor wrote Long Live one month after Chely Wright's coming out.

Listen to the song with the same perspective as Change now.

"You held your head like a hero, on a history book page"

Chely Wright came out in May 2010. Taylor wrote Long Live in June 2010.

Look at the parallels of both songs.

And now, look at her choice to name that song Anti-Hero after everything that hapenned....

She also wrote Long Story Short and The Great War about that event, but this is for another post and it's about how this event affected her relationship with Karlie.

How she thought she was betrayed but ultimately found out it was not the case.

And how they both made it through.

Ok, I'm exhausted lol.

Sorry for writting a novel.

But this is such an important part of Taylor's history and I really wanted to do it justice (hope I was able to).

If you are still reading...Thank you for your question!

[supershot73199]

Ok so this is a dcxdp prompt/idea I was thinking about.

We love to make Danny op and concern the heroes and while that's fun as @jedipirateking often correctly points out dc has seen pretty much everything Danny can do and while it can be fun to make Danny eldritch or whatever to justify it I had another idea.

Now I want to pull back to focus on the concept of Danny Phantom, that is a single individual standing guard over an area to protect the living from invaders who happen to be dead. You know who is an interesting figure that could potentially see some of themselves in Danny and probably does have a reputation that would make Constantine pause (in a way more similar to wonder woman, powerful but not just raw power), someone who could potentially take Danny under their wing and turn an already powerful teen into a terror for his enemies?

Scáthach, the legendary trainer of heroes who trained the Irish Heracles, Cu Chulain. The guardian queen of the land if shadows who defends humanity from the dead and I think in at least a few versions of her myth a godslayer.

Now as far as I'm aware the actual Scáthach has never appeared in dc comics however her legend shows she is a massive badass and while she may not have the raw power of like superman I would put my money on her having at least a decent chance of beating him as not only is she skilled in martial matters she was also a powerful witch.

How she and Danny meet can be up to interpretation, but I do believe that a trainer of heros would not be able to just tell someone who has so many similarities to herself to just figure it out as such I think Danny would end up being taken on as a student.

My idea on how she cam learn of Danny is when Pariah is released, she prepares to face him in battleshould he try to leave the infinite realms by way of her gateway (maybe that could be the only natural stable portal), not particularly concerned as she had beaten him before (the only reason she isn't ghost queen is that she is an immortal witch not a ghost and thus ineligible) only for her to eventually get word of someone else beating him and sealing him away. She then does her best to keep up with any news about him until the day Danny is forced to take the crown and immediately uses his authority to stop ghosts from invading the land of the living in attempts to harm them inadvertently freeing Scáthach from her duties as a guard allowing her to finally track down Danny so she can train him.

Also as I'm pretty sure Scáthach was the one who crafted the Gae Bulg, the legendary spear of Cu Chulainn, which means she could craft a weapon for Danny.

So yeah long story short the terror of Danny Powerhouse Phantom who has been taught and honed by one of the greatest teachers of mythology is someone I can see causing Constantine to hesitate to mess with.

[sailing-ever-west]

I'm obsessed with Nami in the realm of female character writing, because on the surface her arc is to be saved by a guy/group of guys, and generally with female characters that's used to take away their agency or power and/or support a romance. But with Nami...it does none of that. Her story is about learning to depend on others, but rather than reducing her power in any way, it increases it. The isolation she experienced before wasn't independence, but part of her oppression, so having a family to support her gives her infinitely more freedom.

Luffy is her captain, but the way Luffy does that is never to lord over people, it's to raise them up with him. And, importantly, he waits for it to be her choice. He stays supportively in reach until she asks for his help. The only time he intervenes without permission is to stop her from actively harming herself. And when he does intervene, it's not to whisk her away and keep her somewhere else safe where she's dependent on his security and protection, it's to literally beat the crap out of her oppressor so he's never a problem again and she's free to live her life either way. And although Sanji acts romantically toward her and the rescue follows his grand ideals of fighting for a beautiful lady, there's no expectation that she now owes him anything or has to give him a chance just because he helped her out of an abusive situation. He did it because he cared, not in exchange for anything. They were all willing to fight and bleed for her with next to nothing in return, and that's so vital.

Nami being a woman is definitely relevant to her story (using her beauty and pretend helplessness to steal without suspicion, the fact that she takes after her mom who was tough as nails in the male-dominated marines, the very real isolation and fear of being female surrounded by [fish]men with power over her), but it's important to note that she doesn't need saving because she's a woman, or due to any weakness on her part. She is shown as incredibly strong, brave, and clever, right from the beginning, but she was trapped in a situation with Arlong that would've been impossible for anyone to get out of alone. Now with a crew by her side, she no longer has to.

[makingqueerhistory]

Spooky Queer Books

Since spooky season is starting, I thought I would share a list of my favourite queer books that are great for this time of year.

Some of these links are affiliate links.

It Came from the Closet: Queer Reflections on Horror

Joe Vallese

Horror movies hold a complicated space in the hearts of the queer community: historically misogynist, and often homo- and transphobic, the genre has also been inadvertently feminist and open to subversive readings. Common tropes--such as the circumspect and resilient "final girl," body possession, costumed villains, secret identities, and things that lurk in the closet--spark moments of eerie familiarity and affective connection. Still, viewers often remain tasked with reading themselves into beloved films, seeking out characters and set pieces that speak to, mirror, and parallel the unique ways queerness encounters the world.It Came from the Closet features twenty-five essays by writers speaking to this relationship, through connections both empowering and oppressive. From Carmen Maria Machado on Jennifer's Body, Jude Ellison S. Doyle on In My Skin, Addie Tsai on Dead Ringers, and many more, these conversations convey the rich reciprocity between queerness and horror.

Into the Drowning Deep

Mira Grant

The ocean is home to many myths, But some are deadly... Seven years ago the Atargatis set off on a voyage to the Mariana Trench to film a mockumentary bringing to life ancient sea creatures of legend. It was lost at sea with all hands. Some have called it a hoax; others have called it a tragedy. Now a new crew has been assembled. But this time they're not out to entertain. Some seek to validate their life's work. Some seek the greatest hunt of all. Some seek the truth. But for the ambitious young scientist Victoria Stewart this is a voyage to uncover the fate of the sister she lost. Whatever the truth may be, it will only be found below the waves. But the secrets of the deep come with a price.

The Devouring Gray

C. L. Herman

After her sister's death, seventeen-year-old Violet Saunders finds herself dragged to Four Paths, New York. Violet may be a newcomer, but she soon learns her mother isn't: They belong to one of the revered founding families of the town, where stone bells hang above every doorway and danger lurks in the depths of the woods. Justin Hawthorne's bloodline has protected Four Paths for generations from the Gray--a lifeless dimension that imprisons a brutal monster. After Justin fails to inherit his family's powers, his mother is determined to keep this humiliation a secret. But Justin can't let go of the future he was promised and the town he swore to protect. Ever since Harper Carlisle lost her hand to an accident that left her stranded in the Gray for days, she has vowed revenge on the person who abandoned her: Justin Hawthorne. There are ripples of dissent in Four Paths, and Harper seizes an opportunity to take down the Hawthornes and change her destiny--to what extent, even she doesn't yet know. The Gray is growing stronger every day, and its victims are piling up. When Violet accidentally unleashes the monster, all three must band together with the other Founders to unearth the dark truths behind their families' abilities...before the Gray devours them all.

Tell Me I'm Worthless

Alison Rumfitt

Three years ago, Alice spent one night in an abandoned house with her friends, Ila and Hannah. Since then, Alice's life has spiraled. She lives a haunted existence, selling videos of herself for money, going to parties she hates, drinking herself to sleep. Memories of that night torment Alice, but when Ila asks her to return to the House, to go past the KEEP OUT sign and over the sick earth where teenagers dare each other to venture, Alice knows she must go. Together, Alice and Ila must face the horrors that happened there, must pull themselves apart from the inside out, put their differences aside, and try to rescue Hannah, whom the House has chosen to make its own. Cutting, disruptive, and darkly funny, Tell Me I'm Worthless is a vital work of trans fiction that examines the devastating effects of trauma and how fascism makes us destroy ourselves and each other.