#and gonna try not to compare it to the original movie

[spockvarietyhour]

Today's movie (Director's Cut)

[morhido]

Sighs. Okay yeah i have thoughts about cgi toothless.

First of all, why does he look so... slimy? He feels too smooth. Like they just stretched some scaly skin over a skeleton and let it walk around. Immediately offputting.

His body language is. Fine? Am i being nitpicky or does it seem just the tiniest bit less expressive? I'm guessing this is either the scene right after hiccup cuts him free, in which case he should be way more intimidating, or the fish-sharing scene, in which case he should feel a little friendlier and more curious around hiccup. It's a quick shot so i won't put a ton of expectations onto it, but i think it's worth noting.

Okay this is a legitimately cool detail though. He has a secondary eyelid!! You can see it slipping away when he opens his eyes. That's a detail exclusive to the books so i like that they included something as small as that.

Sighs again. And this is the shot that prompted me to make this post.

Look at the original, and then look at the cgi version. I could write an essay about how inferior the cgi version is in comparison.

First off, they flattened his face. I swear every iteration of night furies after the first movie has just been compressing their snouts until they're sufficiently 'cute' enough for the audience to forget they're supposed to be sleek and aerodynamic.

Second, his eyes. Absolutely radioactive. I understand using a brighter colour for his eyes, especially in a relatively darker environment to make him stand out and seem more fantastical. But. They're just so bright. It's mildly unsettling how saturated they are compared to everything else.

Third, his eyes. Again.

Toothless is supposed to be terrified but still threatening in this scene, and the original shot conveys that perfectly. If it's a threat, then by all means hiccup should kill it or at least run, but instead he draws a connection between both of them being scared of the other and decides to cut him loose instead. And that's the core of their relationship. Toothless is staring him down with a slitted pupil that could just as easily be interpreted as "fuck around and find out" but hiccup just acknowledges that there's a frightened, injured animal in front of him that needs help, and he helps.

Is any of that conveyed in the cgi version? No!! It's trying so hard to be cute that it's gone full circle back to just being scary. The wide-eyed stare, the dilated pupil, he's basically just saying "🥺🥺 uwu pwease i'm so cute and innocent don't kill me aha 👉👈". Which is a lot less of a compelling reason for hiccup to free him!! Plus the fact that toothless turns up to look at him instead of lying and accepting his fate like in the original, which only makes it seem even more like he's trying to show off how apparently adorable he is.

Idk. Just the difference between the in-your-face sanitised cuteness of "teehe you wouldn't kill little old me would you? 🥺" and the expert subtlety of his "please don't hurt me" of the original doesn't give me high hopes for a toothless that stays true to his character from the first movie. Even from something as small as this. He's gonna get woobified. I can feel it.

[descendant-of-truth]

That said, I do think that Shadow Generations being such a more carefully cultivated exploration of Shadow's past compared to what the original Generations was for Sonic is... not doing Sonic himself any favors

General audiences are already kind of under the impression that Sonic as a character is fundamentally not that deep or interesting, and Generations was written during a time that really, really wanted to prove that notion right. Sonic "being deep" was what, seemingly, caused so much critical backlash, so to counteract that, they gave us the blandest cutscenes Sonic has ever had the displeasure of being in.

But that's not really what Sega is trying to push for, now. Frontiers wanted to be more serious, with a mature, down-to-earth Sonic. The movies gave him an origin story that inherently makes him a lot more complicated than usual. Prime put the focus on his emotions and gave him a character arc that lasted the whole show. The IDW comics can get extremely serious, and we're treated to Sonic's inner monologue as he wrestles with difficult choices. They clearly want Sonic as a character to be interesting to people, not just a vehicle for action and quips.

But putting the old Sonic Generations in the same package as the new Shadow Generations is inherently portraying them as equivalent experiences. When Sonic explores his past, it's no big deal - just another day on the hero job! Absolutely nothing worth exploring on his end when it comes to meeting his past self and revisiting his memories! Nope! No need to use time travel as a way to explore his core values as a person who prefers to live in the moment and not be bound by his past, no siree!

Oh, but Shadow? Now that's the actually interesting character! Revisiting Shadow's past is such an exciting event that it requires the whole year to hype up, and Sonic's just so boring in comparison, isn't he? Who really cares about Sonic beyond his surface-level characteristics anyway, right? The Sonic Generations remaster is more of an accessory to what's essentially Shadow the Hedgehog 2 at this point, and that bothers me.

Sure, Sonic doesn't have "a backstory" like Shadow does. But the past that we explore in Sonic Generations isn't his literal origins, but all the adventures we went on with him. Imagine how much depth you could wring out of him if you just took those events as being legitimate parts of his life that he has feelings on! Feelings we could explore!

But because it's a remaster instead of a full-blown remake, all of this effort they're putting into Shadow's campaign is nowhere to be seen in Sonic's. Can you imagine how good of a package deal this would be if Sonic's character was given this much care and respect, too? Like, we have two Sonics, but Shadow is getting more than double the favoritism.

And the fact that this is only going to continue to push the idea that Sonic is just. incapable of being interesting, or even really affected by what happens around him is really frustrating. We already have the movies and Prime drastically changing his demeanor and core traits for the sake of making him "able" to have character development, and as much as I love those versions as characters, it's really doing a disservice to who Sonic is supposed to be.

The last thing we need is for Generations to come out again and make the Sonic from the games seem like the least interesting version of him. Bringing Shadow up should not involve dragging Sonic down - they're supposed to be equals. But this game doesn't seem to be showcasing that very well, on account of essentially being two games written by different people haphazardly mashed together.

People being introduced to the series through this game are going to have such a skewed perception of what Sonic is like as a person, as well as what he's like compared to Shadow, and that just. makes me kinda upset not gonna lie

[artbyblastweave]

So I want to draw out some of the grousings I put in the tags of @phaeton-flier's recent post on Waller's characterization in My Adventures with Superman.

I think the problem you're gonna run into with adapting Waller in 2024 is that they basically nailed her completely twenty years ago in the DCAU Justice League continuity, they already captured the perfect balance of good intentions and ruthless utilitarian amorality. In the DCAU, Waller's arrival on the scene was contextualized by more than a decade of superheroic precedent- she lives in a world where Superman specifically got brainwashed into attacking earth, she lives in a world where Kryptonian war criminals took a shot at Earth, she lives in a world where an alternate-universe totalitarian Superman crossed dimensional boundaries to take a shot at earth. She lives in a world where Superman helped disarm the world's nuclear arsenal at the behest of a guy who turned out to be the fifth column for an extraterrestrial invasion. She lives in a world where the Justice League formed specifically to stop something similar happening again and then tripped over their own dicks when one of their founding members turned out to be a partisan mole for an extraterrestrial empire. She lives in a world where these city-leveling clowns have consolidated sixty or seventy other city-leveling clowns in an orbiting circus that's armed with a city-leveling orbital laser canon. This is just the stuff that would have made the in-universe news, there's even more I'm not mentioning here. In other words, she lives in a world where it's completely reasonable not to trust the superheroes and to want to have contingencies against them.

She does horrible things in pursuit of those contingencies, but they're targeted, goal oriented horrible things. Aside from her usual suicide squad routine she clones and basically enslaves dozens of super-soldiers, which is of course terrible on the face of it, but comparatively easy to justify from the realpolitik cold-equation way in which she approaches things. When her bullshit generates externalities for civilians, it's not because she sics those super soldiers on them. She doesn't declare martial law. That's not what she's after! She just keeps losing control of the bastards, and then she shrugs, and she signs off on additional bastards from scientists and magicians who've proven time and time again that they do not have their shit buttoned down- but what else is she going to do? Roll over? Let the capes treat the world like their playground?

Crucially, the DCAU version is also capable of realizing when she's prioritized the wrong threat- she's capable of re-evaluating and de-escalating. She's got a foil on that show, a guy who starts from the same place of concern as her but isn't capable of course-correcting because he's too much of a belligerent paranoid maniac. That guy is General Wade Eiling. And in a version of MAWS that doesn't need to set Sam Lane up for a redemption arc, I would have Waller as the one in Sam's position, as the well-meaning extremist who loses control of the monster she created and gets frozen out in favor of a significantly less principled hardliner in the form of Eiling. Alas.

The fundamental thing about Waller, at least to me, is that she's uninteresting as a ground-floor antagonist. While I've yet to get around to the original Suicide Squad run where Waller originated, I'm confident in my understanding that it was a postmodern project from the word go, exploiting years of ossified genre convention and rogue's gallery bloat to make the points that it was trying to make. This is part of why I think the first Suicide Squad film went over like a lead balloon- it tried to wish that built-up continuity into existence out of nowhere, whereas the second movie was simply a lot more naturalistic about faking that larger context. This show feels like it's doing something similar on a meta-level- exploiting decades of audience familiarity with Waller and how plots involving her tend to go, in a way that papers over how weirdly early in the progression of this continuity they've brought her into the fray. She usually isn't the joyless jackboot on the frontline trying to snuff out the incipient heroic age- she's the beleaguered repairmen brought in years after the novelty has worn off, after the superheroes have had their goddamn chance, with all the ups and downs and near-misses that entails, so that she can make entirely novel mistakes in reaction to that context. As it stands, she's kind of 0 to 100 in this, and something about it feels off.

[ghoulfuckersincorporated]

You've been quietly seeing Cooper for months now. Avoiding the public eye while he's still in the midst of settling a long, drawn-out divorce. He's been exploring new things with you. You're a little on the demure side but willing to try most things when it comes to what Cooper Howard wants. Being in similar networks, one night, you both go to the same party separately. You get a bit drunk and wonder off from everyone else, with Coop following. Sexual exploitation, cnc, degradation? Soooft Cooper after. Idk just a thought. 👀

Duplicity (Part I)

Pairing: Prewar!Cooper Howard x Female Reader

Word Count: 11,275

Warnings: smut (18+), DEAD DOVE: DO NOT EAT, Possessive!Prewar!Cooper, jealousy, dubious consent, infidelity (physical and emotional), decomposing marriages, acrimonious divorce proceedings, alcohol use, choking, biting, degradation, mild exhibitionism, unprotected sex, breeding kink, creampie, soft ending.

Notes: I am such a sucker for darker portrayals of Prewar!Cooper so this took root right inside my brain, like, instantly. I think there's a lot more of The Ghoul already inside that man than many people talk about.

Thanks for the submission! I fell in love with this prompt and I will absolutely be continuing it; honestly, I think this version of Coop has so much potential and this framing is great fodder for freaky Prewar! antics. There's so much this man wants to try with (on) you.

This is more 'dubcon' than 'CNC', but there's always future installments. If y'all have ideas you'd like to throw on the pile for it, the askbox is always open! The length of this absolutely got away from me and I sincerely apologize for that. I am so bad at estimating how long my fics are gonna end up (I had originally guessed this would be around 8,500). Thanks for your patience and please enjoy!

"Oh, come on, you're gonna tell me you're not at all excited about this?"

Your coworkers words were more grating than usual as the two of you rode up towards your office in the elevator, alone save for the anticipation filling the small space thanks to the early hour.

"You really need to get a grip. Don't you also work at a movie studio? Haven't you met actors before?" you teased, trying to remain good-natured despite your annoyance, and despite your nerves. It was rather rare for you to be nervous about meeting with studio talent these days, but hey; even you were prone to a little fangirl behavior from time to time. You were, in fact, excited for a work meeting for once.

You'd heard Cooper Howard was actually nice compared to a lot of the actors you had to work with.

The early morning time slot you could certainly live without, as well as the hard edge of nerves that you couldn't shake, embarrassingly. For five years, you'd been employed by one of the country's largest and most prolific movie studios practicing contract law. Well, in name you practiced contract law. In reality, the department you worked for was so large that you were rarely involved in the actual negotiation process, the exciting part with the intriguing back-and-forth. Instead, you were left to finish things up, dot i's and cross t's. It wasn't exactly thrilling work, nor was it what you envisioned yourself doing when you were in law school, but the pay wasn't awful and everyone started somewhere.

Essentially, your entire job was to run around chasing (or sit around waiting for) signatures from people who usually thought they were better than you and treated you with contempt, so it was often difficult to feel any sort of genuine excitement. Granted, you were a little more of a fan of Cooper Howard than you were a fan of pretty much anyone else you'd met with, but you tried your hardest to remain professional and not embarrass yourself at all times. You'd grown up watching some of his earliest movies with your grandfather before he'd passed, and had even developed a little adolescent crush on him and his famous sheriff persona, but you also saw so much genuinely embarrassing name-dropping and star-fuckery in this job that you were determined to not come across that way.

Besides, there was enough of that nonsense in your household as it was, what with your husband in training as a junior executive thanks to his penchant for that type of behavior.

When you'd married him, bright-eyed and fresh out of undergrad, you hadn't necessarily been head-over-heels or anything, but wasn't that normal? Everyone around you told you that he was a good man, that he was the star to hitch your wagon to, and, in your youth and carelessness, you'd believed them unquestioningly, despite the fact that he never really had actively made you happy. The courting part of your relationship had been more like contract negotiations, long discussions about acceptable and unacceptable behavior in a marital partner until you'd settled on agreeable terms. The wedding had been beautiful and emotionless. You'd assumed that the 'happiness' part would come later, once you were both fully established and settled in.

It never did.

Well, the establishment came; you both graduated law school, you with honors, and when job offers had come in for both of you from the same firm that worked very closely with the studio he'd always talked about working for, you thought the deal was sealed. Your perfect life, perfect marriage were supposed to start the day you signed your offer. You'd found your stride in your work, bought a house, seen him get promoted...and you felt no more positive about him now than you had on your wedding day. The feeling was mutual, and it wasn't hard to tell; he'd had god knows how many affairs, lazier and lazier about hiding them over the years, including a number of flings with his assistant, who was undeniably in love with him, poor thing.

It was because of this that she clearly resented being asked to do anything that had to do with you, including arranging the half-cocked romantic gestures he'd perform in order to show others that he was a good husband. This was mostly made up of having flowers delivered to your office every other week, something he'd never take the time to set up himself, so naturally, it had fallen to the girl. Reserving little effort for the task, she had obviously made a standing order for a dozen red roses, sprinkled with baby's breath, to be delivered biweekly, and left it at that. It was a nice gesture, sort of, but frankly you'd grown tired of signing for the damn things every time when you didn't even like red roses, and he should've known that. You'd been married almost a decade.

Besides, the smell of baby's breath made your stomach turn.

Still, the poor flowers hadn't done anything, so you continued to sign for them, continued to let each bouquet molder away on the little ornamental table in the corner of your office. True, it was nice to have the splash of additional color, the life in the room, but increasingly the thorny blooms irritated you, looking at them distracting you with feelings of muted resentment.

That's what you felt as you looked upon them that morning, rifling through your file cabinet to find the proper contract as you waited, the door to your office standing open and allowing you to hear when the elevator doors opened. Standing there was the famous cowboy, dressed in a wool overcoat and nice slacks, smiling at you as you beckoned him and his companion, a tall, mustachioed man you took for his agent, into your office. Each of them shook your hand and took a seat at your desk, waiting as you made your way to your seat and began to chat with the unfamiliar man about the papers. Talent almost never had anything to say to you in these meetings, in your experience.

However, he surprised you, both by being fairly knowledgeable about the terms of his latest contract, as well as by speaking directly to you in a casual tone that implied he might even see you as an equal. Cooper Howard being so nice to speak to wasn't really a surprise, as he had a reputation for it, but you were shocked that everything he was currently going through personally didn't seem to impact his demeanor.

The woman representing him in his divorce had actually been in your law school graduating class, but you didn't figure that made for very good small talk.

"Alright, let's just make sure everything is squared away and we'll get this signed. " you said eventually, holding the little cluster of papers you'd scrounged up to scan it over. However, as the two watched you, your gaze caught on a misspelling; initially, you felt embarrassed, knowing it would have to be corrected, but then you noticed changes to the actual terms of the agreement and you fell completely silent.

Your eyes scanned slower as you quieted, realizing that the contract in your hands had changes that you didn't authorize, were sure that they hadn't authorized; subtle changes in the language that wouldn't draw much attention unless you were to slowly, carefully read through the entire thing right before the signatures went on...which was usually not the case. By now, the terms had been painstakingly ironed out and the thing had been edited and reread and reedited a million times. Typically, this meeting, the bulk of your job, was simply confirming agreed upon terms, collecting signatures, and filing the contracts away.

Something was awry here.

"I'm sorry, gentlemen." you said politely, sitting up straight and smiling as calmly, as normally as you could. "It seems I don't have the correct paperwork. This can't be the current version of the contract. We may have to delay."

"This is ridiculous. Ever since Vault-Tec took over legal, you people can't seem to tell your ass from your elbow." the mustachioed man rolled his eyes dramatically. "You don't have a para or anything to keep shit straight for you?"

"I really am sorry. It'll just be a few minutes, hopefully." you apologized again, cringing. You'd requested a paralegal multiple times and had been told that your role didn't require one, but you weren't about to tell him that.

"Well, if you're gonna make me wait around, I'm gonna go place a few calls in the meantime."

With that, the man rose abruptly and stepped out into the reception area. You followed him with your eyes, slightly worried that he would hassle your assistant in his seemingly aggressive frustration.

"He won't bother your girl." the man across from you said perceptively, surprising you. "He might seem like an asshole, but he's a good guy. Always done right by me. Just a little overprotective."

"Well, I don't blame him. Especially if he represents anyone else that works for this studio. Now every single negotiation has to come under extra scrutiny, not to mention all the contracts signed in the last year since the takeover..." you mused, a little too honest, but uncaring.

"I mean, if they've got you signing these dud contracts, too, isn't that bad for you?" he asked.

You chewed your lip for a long moment, your eyes dancing over the glass paperweight on your desk calendar as you thought things over. It was a sort of odd moment, having famous movie star Cooper Howard expressing concern for your wellbeing and job security.

"Well, I suppose that depends on how I ended up with a bum copy of your contract. Could just be me being forgetful or grabbing the wrong folder at some point, which would certainly be on me...but if I'm honest, that doesn't really strike me as something I would do. Besides, I don't even recognize some of these terms."

"Lots of interesting stuff happening around here since Vault-Tec started buying everything up." he replied, a glint in his eye as he leveled his gaze directly at you.

"I agree completely. And, again, I'm really sorry about this. Let me look at this and compare it to an old one. I know I have a hard copy of the final edit here, and I know that this one doesn't match it. Just let me prove it and we'll sign the real one, if that's what you want. If not, I guess we'll decide where to go from there." you said, feeling infinitely more at-ease than you had before.

"Think your boss'll be alright with that?"

You gave a crisp shrug.

"I feel like my time working for these people is dwindling. Maybe not immediately so, but I certainly can't see myself advancing here. Don't think I fit the corporate culture. You know?" you laughed, and he joined you. It was almost surreal to interact with someone like him who treated you like you were a real person, who acted like a real person themselves.

"Nice roses, by the way." he said, gesturing with his head over his shoulder to the flowers on the table. "Pretty. Are they from your husband?"

His question seemed innocuous, so you weren't sure why your response came out the way it did.

"Uh, yeah. He sends them every other week. It's nice." you replied, your tone unnecessarily flat and sending his eyebrows raising, his head tilting about twenty degrees in intrigue.

"It's nice, huh? Is he in the dog house every other week?" he joked.

"I just don't really like red roses that much and they're all I ever get." you said simply, unsure how much would be too much to say in this suddenly inquisitive moment. "Sorry, that probably makes me sound ungrateful."

"Lemme guess...you like sunflowers."

His statement actually surprised you, since he was right; granted, sunflowers were about the second most popular flower in the country, and you had several paintings and tchotchkes featuring sunflowers up around the office, but it was still sort of odd to you for him to notice that.

"Observant, huh?" you blushed.

The smile he shot back at you was genuinely heart-racing, sending blood racing to your cheeks and your gaze skittering around your desktop as you busied yourself with a random stack of papers. The meeting finished up quickly when his rep stuck his head back into your office and called Cooper away, sending him rolling his eyes playfully as he reached across your desk to shake your hand once more, thanking you sincerely for your help before politely dismissing himself.

You were still thinking about the feeling of his hand in yours that night when you brought up what you'd noticed with your husband over dinner.

"Maybe you do need a paralegal if you're mixing up your paperwork that badly." he muttered through bites of his entree, not even fully lifting his head to look at you. "I'll see what I can do about that."

You rolled your eyes.

"No, I mean it. I think something weird is going on. Like I said, I went though the copy I kept and compared it to the one we had to sign. I didn't make some of those edits, and the terms of them were so unfavorable for them that I really get the feeling that they didn't make them. What if someone is messing with my paperwork or something? I'm the one that'll have to go to court and defend myself if someone ends up suing the company or the studio for contract fraud!" you insisted, your own meal hardly touched.

"Fine. If we've gotta go to court, we've gotta go to court." was all he said.

"We'd never win, though. They'd have a slam-dunk case."

He laughed in response, and you were shocked at how much the sound annoyed you.

"Oh, please. You think Vault-Tec doesn't have the money to keep them in court forever fighting over it? They'll run outta money eventually. Doesn't matter if they're right." he shrugged. "Don't worry about it. We'll get you a para so you can stop screwing up your papers."

You sat there in silence, unable to formulate a reply in your disgust with him. After a long moment, you excused yourself, emptying your plate into the trash before climbing the stairs to bed. The next morning, you called Cooper's rep the moment your husband left the house and invited him to come and pick up the contract copies from your office, all the discrepancies noted clearly. He happily agreed, the star showing up before anyone else had taken their places for the day.

"You're not wearing your ring." he said as he took the manila folder from your hand. You paused, confused, before focusing on your outstretched left hand and noticing that he was correct; your engagement ring and wedding band were missing, clear tan lines in their absence.

"Oh. I, erm, must've forgotten it at home." you replied after just a moment too long, your eyes flitting between his face and your naked finger as you felt your cheeks warm.

You'd never forgotten it before; putting it on was the first thing you did every morning to ensure just that. It was such a tiny, easy-to-lose bauble. Ever since you'd been given the thing, you'd been afraid of misplacing it and the reaction that would earn you. A muted tingle of worry crept up your spine that you may have dropped or lost it.

Both of them, though?

He thanked you sincerely once more, seeming like he wanted to say something else before dismissing himself. Both of you were a tad skittish at the sounds of people arriving in the hall outside, so you let him go, waving in response to the way he nodded at you as he pulled the door shut behind him. That night, when you returned home, you found your wedding bands sitting right on your bedside table where you left them every night. You were both relieved you hadn't misplaced them and curious about how you'd managed to completely forget about them that morning. Cooper Howard was quite the distraction, as it turned out.

You were still thinking about your interaction a few days later as you poured over already-signed documents from previous months, noting multiple differences between final drafts and signed copies, a feeling of dread building in the back of your mind. That smile he'd shot you from across your desk still managed to distract and make you dizzy, though, even as a memory, one you were indulging in yet again when the sound of the front office door opening broke your concentration.

"Your flowers are here to sign for!" your assistant suddenly called from the front of the office, sending you rolling your eyes at the timing until she followed it up with a pleasantly surprised, "They're extra nice this week!"

This sent you moving towards the door with just a little more hustle than usual, your brows furrowed deeper and deeper as a realization set upon you: it was the right day, but the wrong week for your usual rose delivery. The usual man was there to drop them off, standing right at the door and waiting politely. Same song and dance as usual.

"He picked out super pretty ones this time. Must be for something special." she mused dreamily from her chair as she watched you sign for them, nodding politely at the delivery guy as he let himself out.

There, on the desk, was a gorgeous, glossy blue vase filled with goldenrod sunflowers the size of your hand, nestled with tall, royal blue gladioluses and star-shaped balloon flowers. You could smell the arrangement from where you stood. Quickly, you carried them into your office and shut the door, not waiting for her to realize the date was off and start asking questions. Setting them on the usual side table, you inspected them closely. Nestled among the blooms was a thick little card, crisp handwriting inside the rich gold border when you opened it that read:

Thank you so much for your help with the contract edits. If you ever need to get ahold of me again, for anything, please don't hesitate to call me directly. - C.H.

Beneath that, a phone number that you promptly wrote into your address book and burned into your memory, a strange tingle in your gut as you looked your gift over once more. The card itself you tucked into your desk drawer, beneath some innocuous, boring papers.

You hadn't done anything wrong, except maybe in your employer's eyes, but you didn't want to risk anything seeming...untoward, despite your inability to simply throw the card away. You had the phone number now and didn't necessarily need to keep it, but something made you feel a little sad when you thought about tossing it in the trash can.

That evening, after everyone else had left, you called the number, fully expecting to have to leave a message and floored when he actually answered, rather quickly, in fact.

"Thank you so much for the flowers." you said softly, almost shyly after the two of you had exchanged fairly formal greetings. You should've followed up the statement with a "...but they aren't appropriate." or a "...but I'm married." However, you did not.

Interesting.

"Well, thank you for your help with the contract stuff. Really, it's so rare to find anyone really honest around here anymore." he said, and you could hear that killer smile in his tone. It sent your heart fluttering. "I'm still not sure what I'm gonna do, but I'll call you when I decide. Or maybe I'll come bother you at your office and see them in person. I didn't get to see the actual arrangement when I went down to order them, so I'm really glad you like them."

"You're always welcome to come see me if you need." you offered up much too quickly. "I usually stay late a few hours to look over things, especially recently."

"Well, you don't have to tell me twice." he replied teasingly.

After that, you'd swapped small talk for a few minutes before getting off the phone, the feeling of not wanting to hang up first heavy on both ends.

After that, flowers you actually fancied came for you every week for months on end, and still came to this day. It wasn't even the same flowers every time. He knew you liked sunflowers, but would often shake things up by sending arrangements of pale asters and black-eyed Susans, buttercups and gerbera daises, all in beautiful shades of rich yellow, studded with clusters of blue phlox, cornflowers, and larkspur.

His colors.

Over and over you'd told him that it wasn't necessary, that he didn't have to spend that much money on you just for flowers. But your arguments were rather flat and halfhearted; not only did you love having the gorgeous, vibrant blooms to brighten your office, you felt incredibly special at the effort he took to specifically gift you something you actually enjoyed. Besides, he refused to hear it, anyway, rebutting that he was a grown man who knew how to manage his money and what he liked to spend it on.

You started breaking up the bouquets of roses your husband sent, distributing them among the ladies in the office; some wanted color for their desks, others something to brighten up their window sills at home, and you were happy to provide.

The baby's breath, however, went into the trash.

You just tried to not think too hard about the lovely gifts technically coming from someone else's husband, including how the first few bouquets had come before he'd moved out of their shared home.

It had been when he'd finally done so that you two really started to become close. Already you'd reached the point of staying late an hour or so most nights just to talk to him on the phone in your office (with the door locked, of course), so you became quite accustomed to getting to speak to him directly, and regularly, especially when something was bothering you. At first, you mostly just talked about your days; you tried to avoid talking about your suspicions about your work, a little nervous about the security of your phone, so you largely listened to him talk about his latest divorce negotiations, his daughter, asking him questions about himself and answering questions in return. Sometimes, you would both lapse into a silence that was strangely comfortable, even over the phone.

Eventually, you both began to to open up more. You confessed that you got married for less than thoughtful reasons at a probably-too-young age, and all but said you regretted it. You also told him that you really hated your job, actually, and mused about the kind of work you'd do if you weren't where you were. Maybe something in the nonprofit sector.

He told you about his decision to get involved with Vault-Tec, about how he felt like Barb used his career to bolster hers, not caring what the impact towards him was.

Surprisingly to you, he never so much as implied that he resented her for it, but you could sense it there, deep beneath all of the very apparent feelings of betrayal and sadness. One night, he confessed that as much as he loved his wife, he didn't feel like he truly knew her anymore, that he'd always thought they'd shared the same values, and he now didn't think that was really true. There also seemed to be something else, something darker beneath it all, something that frightened him, but you could never get a good sense of what it was.

Over the next few months, you grew closer and closer, stealing rare opportunities to see one another for a few minutes during the day, trying to tide yourselves over until you could talk at night. Quickly, your talks became a necessity for you, a peaceful refuge where you felt you could truly get things off your chest with no judgment.

It became apparent that he felt the same the first night he'd called you at home.

The phone's ring had actually frightened you awake, sending you grabbing at the handset that lived next to your side of the bed in a blind, half-conscious panic. Your husband, asleep (or, based on the smell, passed out) beside you, didn't really stir.

"Hello?" you murmured, groggy with an edge of alarm.

"Hey." came a soft, familiar drawl. "I'm sorry to wake you. I didn't really know who to call."

Cooper's voice was a welcome sound, but the room, the whole house, was so quiet you weren't sure how much you could say without being overheard. For a long moment, you were silent, struggling to decide on what to say.

"Are you safe?" was the question you decided on. It seemed a little dramatic, but you weren't sure what was going on.

At the other end, there was a muffled squeaking sound, like someone shifting around in a leather chair, and a tinkling like ice in a glass.

"Yeah, m'fine. Just sitting here in the new place." he said, followed by an audible swallow. "So quiet. It's weird."

"Mmm." you responded cautiously.

Things were quiet for a time, and you felt a little awkward just sitting there, saying nothing, straining to hear any sounds from him.

"I miss you." he said suddenly.

"Miss you too."

"I'm sorry." he said again, and you could hear the intoxication creeping into his voice. "I know it's not a good time to call. Should've let you sleep."

"It's okay. Happy you called." you responded lowly, trying to use as few words, make as few sounds as possible. "Worried about you."

Finally, it seemed he was ready to say what was really weighing on him.

"Haven't slept without Janey in the same house since she was born." was all he said, his voice thick and strange. You wondered if he was crying, and it broke your heart.

"M'sorry, honey."

The pet name was soft and bittersweet as it rolled off your tongue for the first time. You wanted so badly to be able to be there for him, with him, keeping him company through this. Holding him.

Maybe if you were quiet, you could sneak out...call a cab from downstairs...walk down the drive and meet it...

But before he could respond, before your plan could form any further in your mind, your husband let out a cough, his chest jumping as he turned over roughly in bed. You lie as still as you could in response, trying to feign sleep, the phone cradled secretively against your pillow until he eventually resumed his deep, rhythmic breathing.

"He's there tonight?" Cooper asked. There was an edge to his voice that you didn't really recognize, but between the liquor he was almost certainly into and your still sleep-addled brain, you thought nothing significant of it.

"Yes." you said concisely, adjusting yourself just enough that you could crane your neck to make sure he was really asleep.

"Alright, I'll let you go, sweetheart. Sorry to bother you."

"You're not-" you began, but the line went dead before you could finish your thought.

The next morning, you'd tried to call him after your husband had gone, wanting to make sure he was alright after your call had ended so abruptly, but it was too late in the day and there was no answer. This made you worry that he was upset with you, that you'd done something or said something wrong in response to his vulnerability.

In fact, you'd been fretting about it, staring at the latest bouquet from him, some vibrant buttercups, chopped short and dotted with blue-and-yellow-streaked African violets, when your assistant poked her head in your door, an interesting glint in her eye as she spoke, pulling you from your distraction.

"Cooper Howard is here to see you." she said with a mild air of impression.

You stayed sitting until he strode in, thanking the girl as he removed his coat and hung it on the stand by your door. Smiling pleasantly at her, he shut the door behind him, hesitating for a moment before locking it. This sent you rising from your desk, making your way around the side to approach him, hesitating as you moved within a foot of him. He looked a little tired, which was unsurprising as you knew his sleep had been poor, but put together as always, clad in what looked like a thin denim shirt covered with a very soft-looking sweater. Standing so close, you could smell his cologne.

You'd intended to ask if he was alright, but you never got the chance. Cooper closed the distance between the two of you, his hands softly cupping your face as he leaned down to pull you into a tender, passionate kiss. You were taken aback a bit by the gesture, but easily let him guide you back a few feet until he was pressing your hips into the edge of your desk as he stole the breath from your lungs. Both of you were left panting when he eventually pulled back, quiet for a long moment as he petted your hair affectionately.

"Thank you for talking to me last night. I really needed it." he said, gazing at you tenderly before kissing your forehead. You didn't know what to say, and didn't get much chance to reply before he stepped away, adding "I have to get to set, but I wanted to come tell you how much I appreciate you. Talk tonight?"

You nodded enthusiastically, somewhat dazed as he went out. That day had dragged by so slowly, the minutes passing like hours until you could speak to him again. The next morning, his newest floral gift had arrived, and it surprised you: roses, but gorgeous, full blooms of a light purple that tickled you deeply. He'd never given you roses before, and you understood why, for sure, but these were beautiful. Your assistant seemed to agree, as well.

"Aww, how sweet." she smiled at you as she appraised the new blooms, leaning down to give them an appreciative whiff. "Love at first sight."

"What?" you asked, brow furrowed slightly.

She nodded to the flowers just inches from her face once again.

"Lavender-colored roses. They usually symbolize love at first sight. Or, at least, that's what I've read. Who knows, could be nonsense."

Her reply made your face redden again, taking the vase into your office and placing it in its usual place of honor. It had distracted you all day, another decade passing in your mind before you were able to call him that night.

"Did you like the roses?" he asked when he picked up. "I know roses aren't your absolute favorite, but..."

"I loved them." you said decisively. The heat in your cheeks was blooming further, intensifying, but the strange excitement that washed over you made it easy to ignore. "I really want to see you tonight."

That evening, he'd come up to your office and the two of you had shared a takeout dinner together, chatting and holding hands until it was time to part ways. Soon you were doing so most nights, ending with you in his lap, his tongue in your mouth as you rubbed yourself against his clothed erection, fooling around like teenagers.

This man was going to make such trouble for you, you could tell.

You also didn't care, really, which is how you ended up on your husband's arm, suffering through one of his colleague's fancy Friday night parties for once instead of sitting at home in your pajamas, clad in an outfit chosen just for the occasion.

Your dress wasn't especially scandalous, a dark grey wrap, soft and stretchy with sleeves that reached your elbows, the hem stopping just above your knee. Something comfortable and elegant, something you could wear to the office.

Something with deniability.

But you were also aware of the way this particular dress hugged every line in your body just right, form-fitting in all the correct places, making you feel feminine and sexy and powerful at the same time. Your husband complained it was "matronly", but you ignored him; his opinion didn't matter. Besides, the thing was nice and stretchy, so if anyone special found their way up your skirt for a few minutes, as you were hoping would happen, it'd be nice and easy to get in and out. You'd even worn a special set of underwear, red and lacy, beneath.

You only slightly regretted your choice of footwear, some very classy stilettos; while they really completed the look, sexed it up a bit, your feet had been aching for over an hour already, leaving you scanning the room for a free seat to flee to once you were able to slip away from the group chat you were currently enmeshed in.

The man you'd shared your home and bed with for the last eight years was strangely affectionate this evening, consistently cradling you into his side as he spoke boisterously and even occasionally sending a compliment your way. It made you wonder which young lady in the room he was trying to impress with his "perfect husband" routine, scanning around and noting several of his type; though, at least a few had already been crossed off the list. They avoided your glossy gaze, turning their faces into their Pip Boys or their wine glasses as your spouse continued to absentmindedly massage at your hip, his arm tight around you as he recited yet another unamusing anecdote to the men standing around you.

Among them was Bud Askins, head of some department of incapable jackasses with no moral compass, though which one, you could never remember. What you did remember was how often you caught him looking at you, the number of times he'd gotten close just to linger a few seconds too long. Fortunately, you'd always managed to slip out of the odd-feeling conversations he'd try to start with you. He wasn't the only one, either; so many of these men seemed eager to betray one another in basically whichever way presented itself first. It made you eager to remove yourself from this corporate world, to find a better way to live your life, and sooner rather than later.

Out of the corner, you watched as Cooper Howard sat on a chaise, sipping a cocktail and eyeballing you so hard you didn't even have to fully look his way to feel his gaze burning into you. You'd been waiting all week to make it to this party, not because you had any particular desire to hobnob and mingle with studio execs and Vault-Tec higher ups, but because you'd known the older man would be making an appearance.

You knew that, personally, he didn't really revel in the attendance of these get-togethers himself, but you also knew that socializing and getting face time with important people was one of the top ways that actors continued to get work. That was why he and Barb had quite literally had to iron out a social schedule with their lawyers: to ensure neither of them had more networking opportunities than the other.

He had to be glad that everything was said and done at last, finalized a few days before. You hadn't really discussed it; he hadn't brought it up much, save for to confirm it to you as truth. It certainly didn't feel like your place to mention it, so you didn't, wanting to be as supportive as possible.

An especially loud burst of laughter drew you back into the present, just in time for your husband to make a joke at your expense, sending you rolling your eyes and pushing your hand against his chest as he bent to pepper your face and mouth with half-assed, drunkenly apologetic kisses. You gave him one peck in return, not wanting to be the topic of gossip for the night. Feeling strange kissing your husband, especially with your present company included, you peeked over towards him as slyly as you could. There was a polite smile on his face, but it didn't touch his usually warm eyes, a tight irritation there as he cradled a half-full gin martini against his chest. A feeling of guilt sunk into your chest, but you were quickly distracted as the group around you moved into the kitchen, sort of herding you along as they went.

A couple hours later, when you finally managed to excuse yourself, the evening had begun to wind down, though not entirely; about two thirds of the guests had slowly flowed out, but those that remained seemed to be getting a sort of second wind where they all convened around the pool outside. You stood hidden away in the corner of the living room the party had vacated from, finally alone save for one or two caterers moving around, collecting abandoned glasses and emptying ashtrays in silence. Scanning the group outside, you failed to locate the one guest you actually wanted to see.

In fact, it had been over an hour since you'd even laid eyes on the older man, and you pondered that fact as you turned and made your way down the hallway, trying your best to look for a bathroom without seeming like you were casing the place or being too nosy. However, the cocktails you'd been nursing just to have something in your hand had been stronger than you'd anticipated, and it made walking completely straight, seeming normal, much harder than you'd thought. Your feet ached deeply from the uncomfortable shoes.

Eventually, you found a nice washroom, decently appointed with a massive mirror, into which you stared for a minute or two, willing yourself to sober up more as you washed your hands. You didn't want to make yourself seem foolish in front of Cooper, and you were fairly positive he wouldn't have left without you two speaking.

When you stepped back out into the carpeted hall, you assessed the wall of windows and the adjacent hall to your right, decided that he likely hadn't gone that way, and turned to head back towards the pool area, almost willing to ask one of the staff if they'd seen the incredibly recognizable man around recently, but you were quickly stopped.

"Nice dress." a low voice murmured, lips pressed firmly and suddenly against your ear as a pair of strong, wiry arms wound around your waist. The gasp you let out quickly melted into a giggle as his lips found the nape of your neck, kissing and nipping there playfully as he pushed his hips against your ass; a much bolder move than he would typically pull, but you were certainly open to his attention as he turned you, pressing your back into the wall behind you to kiss you deeply.

His hands were knotted deep in your hair as his tongue worked his way into your mouth, his thigh rubbing at the apex of your own as best as it could. Soon, you were far too worked up, arms wound around his neck as he shepherded you into a nearby open door, shutting it firmly behind you.

The guest room he'd tugged you into was cozy, but pristine, the low, full-sized mattress to your eleven o'clock covered with plush layers of bedding and rows of decorative pillows. Quickly, he tugged you over to the foot of the bed, urging you down onto your back as he hovered above you, one knee braced on the bed as he latched his lips onto your throat, dragging his teeth and tongue along your pulse point as his hands pushed at your skirt.

Despite the two of you never really going at it like this, his hands didn't stop the roaming along your body they'd started doing in the hall, didn't even pause as he continued to work your dress up your body, bunching it at your waistline, quickly and roughly exposing your lacy red hip-huggers to his hungry eyes. A rumble left his chest, low and deep like a growl, when two of his fingers met the warm, wet gusset covering the mound between your legs. For a minute, he rubbed firmly at your erect clit through the rough material, making you squirm and whimper. Eventually, he pulled his fingers away, tucking them into the waistband of your panties at your hip and yanking at the seam there.

"Wait, baby." you chastised, words still sort of slurred, but they obviously didn't register or were ignored, as he continued to yank at the fabric until it gave way under his hand, pinching lightly at your skin as he ripped the leg of the garment open before repeating the motion on the other side. This made you frown, upset at the loss of your favorite pair of underwear before he'd even properly gotten to see them on you.

"Cooper, stop." you said, trying to push your hands against his chest, your heart racing when he continued to ignore you, yanking the fabric loose from beneath you and stuffing it into his pants pocket.

Your lover's lips were attacking the exposed side of your throat and shoulder, nipping and sucking and huffing, your back pressed firmly into the plush mattress as you wriggled beneath him. Your entire body felt like it was on fire, between the one-too-many cocktails you'd had during the party and the way he was touching you, moving you, positioning you the way he wanted as he softly gyrated in between your legs, kneeling over you on the edge of the bed.

"Maybe we should wait." you breathed, your breaths deep and deliberate as you tried to sober yourself up enough to string together a clear thought.

It would've been difficult enough simply trying to resist his kisses, but your head spinning from the alcohol only made it harder. Still, this was some random Vault-Tec executive's guest bedroom. There was a party going on. Your husband was likely still outside mingling, possibly looking for you. The odds of that weren't high, but they weren't zero. While the two of you had fooled around a bit up until now, his hands slipping up your skirt once or twice during your make-outs in your office, you couldn't help but feel like you wanted things a little different for the first time you really had sex, for when you really took that plunge and committed to this path.

The man on top of you seemed to feel differently.

"Don't think so." he purred lowly into the crook of your neck, running his teeth along your collarbone and making you shudder. You could smell the gin martini he'd been holding earlier on his breath. "You made me watch him touch and kiss on you all night, and now you're gonna make it up to me."

Cooper's warm, softly calloused hand found your throat, holding you firmly as he gazed down at you. He wasn't choking you, per se; at least, not in the way that you would've anticipated someone would choke you, squeezing around your airway until your breathing was cut off. No, instead, he pressed his fingers and thumb into the soft flesh on each side, digging into your twin pulse points and slowing the flow of blood to your brain.

It didn't hurt or make you feel panicked. In fact, quite the opposite happened, your squirming finally ceasing almost entirely, your brain buzzing with warm, tingly docility. Between that and the already warm feeling coursing through your veins, you haltingly allowed your defiant legs to fall open halfway, slowly forgetting the reasons you'd been resisting, forgetting where you were.

"That's a good girl. You know who you belong to, don'tcha?" he praised, his free hand stroking the sensitive inside of your thigh reverently. The feeling of two of his thick fingers sliding inside of you suddenly sent you whining in response, both at the stretch and the slight sting of it. That sent a smirk ghosting across the actor's face, leaning in to run his lips along the soft, flushed skin of your cheek.

"Pretty little cheatin' slut. Now, be quiet and let me have what's mine."

His words both stung and fanned the flames in your gut, leaving you feeling frozen under his touch as he pulled back to look at you, now free hand leaving your throat and moving up to finish pulling the top of your dress down enough to expose the bra beneath.

"Mm." he hummed as he ran his free hand along the softness of your exposed clevage, though it was a curt sound. "This why you didn't wanna fuck me? Had other plans, huh?"

Briefly confused, you shook your head vigorously, your heart rate revving up once more at his tone.

"It's not like that, baby." you pleaded hoarsely, but your protests died on his tongue as he forced it back into your mouth, his hand knotting into a fist between your breasts, twisting the stretchy nylon of your bra's waistband around his knuckles and using the leverage it gave him to yank you up, dangling you for a few seconds above the bed as the seams popped and cracked at the tension. He was trying to destroy the thing.

A small whimper of discomfort left your throat as you felt the hooks in the back digging into your skin; the noise seemed to lift him partially out of the fugue he was immersed in, and he dropped you back down to the bed, the cups now bunching uselessly over your breasts, leaving them exposed to his warm hand. He was gentler with them than you thought he'd be, softly cupping them and rolling each nipple between the fingers on his free hand before sliding it up to cup your face, holding you and making you look at him as you muffled your cries into his palm. Your vision was blurry with unshed tears.

His fingers were still buried as deep inside you as he could get them, fucking you shockingly rough, pushing you closer and closer to the edge as he continued to toy with your aching clit. One particularly perfect movement made you cry out rather loudly, clenching around his fingers rhythmically as you came close to your peak.

"Nuh-uh. If you're gonna cum, honey, you're gonna cum on my cock." he whispered, his voice more steady than you'd heard it all night as he pulled his hand from between your legs. "Is that what you want?"

You couldn't stop the way your head set to nodding, the fat tears in your eyes finally spilling over and running down over his fingers as they cradled the side of your face, still muffling your sounds. Your eyes slipped shut for a moment, trying your hardest to collect yourself to some degree as you could hear the quiet sounds of his belt and fly coming undone.

A small voice in the back of your mind noted that he definitely wasn't wearing a condom as he let the leaking head of him trace back and forth through your soaking folds, tapping along your clit and gathering the slickness there as he teased you. The worry you'd felt melted away rapidly with his teasing, though, and soon you were breathily begging him to fill you, to properly fuck you.

Your name dripped from his tongue, syrupy and hot, as he pushed inside you.

"Fuck." you cried.

You couldn't see well in the dim glow of the bedroom, but the sensation, the slight burn of his girth stretching you open was vivid and detailed as he slowly began to work his hips back and forth, giving you a few breaths to sort of acclimate to his size before moving more earnestly. The bed frame beneath you was surprisingly squeaky as he fucked you harder, and you wondered, mortified, just how apparent the sound would be from the hallway. At least you knew he'd locked the door.

However, you didn't stay clear-minded enough to fret forever, his cock inside you and his fingers back on your clit rapidly soothing you into a state of hypnotized bliss, your body jolting along beneath his with every rough thrust into your flesh.

"This body belongs to me. This pussy belongs to me." he growled, his hips slamming into yours with bruising force.

"Oh, Cooper. Fuck me, baby." you begged, your nails digging hard into his shoulders through the softness of his shirt.

He sighed your name in reply, an echo following it a moment later.

The sounds of your coupling filled the room, making it difficult to hear anything outside, save for the occasional very loud splash from the pool in the courtyard.

He slid his tongue back into your mouth, winding and rubbing it along yours as he continued to use your body. Another echo of your name from somewhere that wasn't here.

"I think someone's looking for you, sweetheart." he whispered in your ear, sliding his tongue along your lobe and making you throb around him.

It was clear as day now: someone out in the hall was calling your name. Someone with a voice that sounded suspiciously like your husband's through the thick wood of the door.

Suddenly, there were shadows moving beneath. The sound of the handle jiggling made you freeze like a deer in the headlights; his movements slowed, but he didn't stop pumping between your thighs as he cast a downright impish look from your face and back to the door.

"Occupied, man." he called, pulling back enough so that his free hand could move down to slowly flick at your clit once more. Your hand that wasn't trapped between your bodies moved to cover your mouth, desperately trying to silence the whimper his touch drew from you as he continued on. There was some more shuffling, the shadows barely visible beneath the door dancing back and forth.

"Oh, erm. My bad. Sorry." the voice called, moving away.

It resumed calling your name as it faded to nothing.

Shockingly, you felt almost nothing, save for the older man's pubis grinding against your clit deliciously as he slowly began to build his pace back up, the creaking of the bed frame slowly growing louder and louder once more as the calling faded. There was no guilt, no sour sting of knowing you were betraying someone who supposedly cared about you like you thought there'd be. There was only the pleasure your lover was gifting you and the satisfaction of knowing you wouldn't be pulled away from him in this moment.

When the calling faded away to nothing, he picked up the pace tenfold, fucking you with wild abandon as the bed slid back against the wall with a thud. Your vision was quickly blurring again under his intense, animalistic attentions.

"Fuck, Cooper. I'm gonna cum..." you breathed harshly, tucking your head against his firm chest, your cheek rubbing against the overheating, rumpled silk of his shirt.

That drew a groan from him, his hips stuttering for a moment before regaining their tempo.

"Yeah? You gonna cum all over my cock, pretty girl?" he replied, his question low and urgent as his lips pressed to the crown of your head. "Go ahead, make a mess all over me."

Regardless of how quiet you tried to be, a fluctuating, nasal whimper escaped you as you fell completely apart under his touch, feeling your greedy cunt fluttering as you did, trying its best to milk him for everything he was worth. It must've worked well enough, as he seemed immediately overwhelmed by the sensation, his hips beginning to buck wildly as his fingers dug harshly into the plush meat of your outer thighs.

It was nearly impossible to remain quiet as he fucked you hard through your orgasm, pushing you closer and closer to overstimulation as he continued to abuse your swollen walls. Cooper's breathing was loud and harsh, broken up with muttered curses and little huffs of praise that made you clench around him even harder. At one point, he lowered his mouth back to your chest, grabbing the closest nipple between his teeth and lathing at it with his tongue, making you moan loudly.

The sound must've really turned him on, as he let out a long, low groan in response, his hands pushing on the backs of your thighs to lift your legs up onto his shoulders, folding you in half as he brought his other knee up onto the bed, thrusts reaching even deeper than they had before. You jumped as his fingers found your clit again, rubbing it quickly and firmly, again rapidly bringing you right back to the edge, your aching pussy fluttering hard and making him groan once more.

"Cum with me, baby." he whispered feverishly, lips pressed to your forehead as his nose tickled along your hairline. "Cum with me while I fill up this pretty pussy."

This made you whimper, his words shooting down your spine and straight into your gut, which clenched tight in response, and it was all over for both of you. Your second orgasm wasn't quite as intense as the first, but it was no easier to stay quiet as you rode out the overwhelming waves of pleasure tucked beneath him, especially as he dug his teeth into the side of your neck to keep the growl that escaped him muffled. The sensation of his warmth pooling in your womb, his teeth back on your skin made you see stars.

You weren't sure how long you two laid there, him slumped loosely on top of you, most of his weight supported by his knees as you held him close, your own legs lowered back down to wrap around his waist. He was still throbbing away inside of you, and the feeling was so surreal; you and your husband hadn't had sex for months, but before that, it's not like it was a regular occurrence, and you certainly wouldn't let him do this. For years you'd been afraid of catching something...or having a baby that would tie you to him forever. When you'd first married him, you'd just assumed that you would eventually feel ready to have children with him.

Then again, you'd also assumed you'd eventually really love him, or feel loved by him, and look at how that worked out.

"Come home with me." your lover murmured into the side of your sweat-slicked throat. "Stay with me tonight."

His request settled into your chest weightily, excitingly, tingling its way upwards over your breastbone and spreading to your mouth, sending you scrambling to hold back the grin that wanted to steal across your lips. Your heart raced with a kind of pure, joyous elation you hadn't felt since you were young. A response didn't immediately jump to your lips, however; instead, you brought both hands up to cradle the back of his head, petting his slightly damp hair and neck affectionately.

Were you really considering just flat-out not going home to your husband? It wasn't like he'd never done it before. Hell, for all you knew, he'd given up his search for you and gone home with one of his roster. Maybe that hadn't even really been him at the door. Maybe it was Bud Askins looking to finally shoot his shot with you or something.

Frankly, you didn't really care.

"I'd love to." you said quietly, both of you moving to sit up.

For another few minutes, you sat on the mussed bed together, holding and petting tenderly at one another as you let your breathing and body temperatures return to normal. Eventually, the man beside you stood to right his clothing, his belt jingling musically as he tucked himself away, still turned so you couldn't really see anything. He was such a tease.

Pleasantly, you noted that your face no longer burned like it had earlier; that is, at least, until you stood to join him and felt a quick, warm rush of slickness race down your inner thigh, thinning and cooling as it wound its way around the back of your calf towards the floor. The gasp that left you instantly drew your lover's attention, and his gaze was still shockingly hot as he scanned you up and down.

"Makin' a mess." he teased, cutting his eyes at you playfully as he tugged the bedding loose, using the corner of the top sheet to quickly and crudely clean you. An indignant little noise left you at that, embarrassingly close to a cluck, which he chuckled at as he tossed everything down on the floor.

"Don't want some poor, unassuming soul sleeping in the mess, you know?" he explained when you looked at him quizzically.

"Oh...I still feel kinda bad that someone's gonna have to remake that bed." you responded, leaving the 'likely an underpaid housekeeper' part unsaid.

"Point me to the linen closet, sweetheart, and I will happily make it happen. Little late to save that labor now." he smirked. You took his point.

"Alright, let's get out of here before you get us caught." you replied, rolling your eyes to try and keep the impending grin off your face, failing miserably when he swatted you firmly on the ass. Your hands flew to your mouth, covering it to hide the cackle that jumped out of you, sending you glaring at him.

"C'mon, this way." he grinned, tugging you back down the hall towards the bathroom you'd used. Confused, you followed wordlessly, moving closer and closer towards the wall of "windows" you'd seen before until you realized that one was really a door to the gorgeous deck you could now see. As you stepped outside, the last remnants of the day's scorching heat kissed at your face. You were pleasantly surprised to see a set of stairs that led down to the ground level, into what looked like a strange statue garden: clusters of pillars along a winding gravel path, topped with geometric marble shapes of seemingly no significance. The whole thing was fairly ugly and reeked of "more money than taste", which wasn't surprising for one of the best and "brightest" at Vault-Tec.

At the very least, there were some very lovely bushes and flowers, the aroma of which enveloped you as the two of you descended the wooden stairs. Maybe fifty yards out, the edge of the flawless black driveway was visible.

The two of you stood out back for a while, hidden beneath the deck stairs; you leaned against the warm terracotta wall and watched him smoke a few cigarettes as he finished sobering up enough to drive, the ghost of his hands still running all over your body, his teeth still digging into your neck and making you shiver despite the balmy heat. Absentmindedly, you wondered if you would bruise where he'd bitten you.

You stood with your legs close together, a little afraid that you'd have another mess on your hands if you weren't careful. He didn't seem to notice, but you were quickly realizing that he was slicker than you'd given him credit for. In an attempt to distract yourself, you turned your eyes to the treeline, watching the crisp leaves sway back and forth in the soft breeze. You let out a breath you didn't know you'd been holding.

"I can't believe the number of people who had the gall to ask me where Barb was tonight." he muttered eventually, breaking your companionable, though contemplative shared silence.

You turned your gaze back to him, but remained silent, sensing one of the times he'd appreciate a chance to simply vent. Cooper Howard wasn't really a man to complain much, so when he wanted to, you let him.

"It's not like the divorce was a secret or anything. Been in and outta the headlines, the trades for a fuckin' year. Not like we both haven't been out alone. But it just so happens that tonight of all nights everyone wonders where she is within earshot. I don't understand the desire to play weird mind games with people you barely know."

There was real, deep frustration in his tone as he spoke, his eyes gazing out over the ugly little statues, unseeing. Softly, you reached out and put your hand on his arm, massaging gently.

"Some people just really enjoy other people being miserable because they, themselves, are miserable. Marriage issues are like catnip to the gossip mill. Especially the marriage issues of the beautiful and famous." you teased, fawning towards him and batting your eyelashes as you leaned against his shoulder.

"Oh, it's not just my dead marriage they're out there yappin' about, sweetheart." he grinned, burning cigarette hanging from his lips as he leaned towards you. "You had a face like a slapped ass when he kissed you, y'know. They ate that shit up."

"I think you mean you ate that shit up." you rolled your eyes, cheeks hot again as you turned your face to hide from him, from the truth of his words. It was rapidly coming to a point where you couldn't even stand your husband's touch. Maybe it really was time to start considering your options for divorce.

Well, the fact that you were even standing here said that it was time for divorce. No maybe about it. Your stomach turned unpleasantly, wondering how much fighting and negotiating you'd have to do yourself.

"Hey." he called, pulling you from your snowballing thoughts. "It's all gonna be alright."

You didn't look straight at him, but you let him slip his hand into yours when you felt it brush your palm. The feeling was shockingly soothing, and you quickly pulled him close for a long hug, smiling into his chest when you felt him kiss the top of your head.

"How are we getting outta here?" you asked when you pulled back, giving a casual glimpse around when you heard a particularly loud sound from the pool on the other side of the house. "Where's your car?"

"It's down the hill a bit. I just walked up here." he said, nodding towards a little gap in the trees you could now see, just the slightest glimpse of yellow nestled there.

"You parked that thing on the street?" your voice piqued, knowing how particular he was about his beloved car. To be fair, it was very nice.

"Yeah, in Beverly Hills. I think it'll be fine." he chuckled. "Besides, you never know when you'll need to make a quick and low-profile getaway. A valet would make that awfully tough."

Taking in the smirk playing at the corners of his mouth, the devilish way he was looking at you again, you couldn't help but suspect that this whole ordeal had been orchestrated. You also suspected you ultimately didn't care; you felt happier, calmer than you had in a long time. Cheeks burning again, you looked away from him shyly as the two of you fell silent once more, the stars struggling to be seen overhead among all the light pollution of L.A.'s buzz as you began to walk towards the driveway, still hand-in-hand.

The sidewalk was dark, save for the elegant street lights, the sky overhead painted in subdued inky indigos as you made your way down to the little yellow roadster. You weren't surprised when he led you to the passenger's side and opened your door for you.

When he slid into his own seat, his hand went right to your knee, petting sweetly as you two began the drive to his new place. You sat back in the plush, soft leather seat and watched the fancy, oversized houses go by. The affectionate hand on your knee slipped upwards after a few blocks, kneading the muscle of your thigh absentmindedly as it slowly worked its way beneath your skirt. This sent you tensing in anticipation, but his hand simply reached your mid-thigh and sat there, warm and pleasant, for the rest of the drive out of the hills, moving northeast towards Pasadena. The drive was longer than one would think, for the distance...if one had never been to Los Angeles, that is.

Overall, things were quiet again, and your mind turned to reviewing the events of the party. When the image of him standing over you, your leg caught in his grip as he maneuvered it over his shoulder flashed across your vision, you felt your swollen cunt clench, embarrassed that your engine was still running after all that. Not nearly as embarrassed as you felt when another warm trickle ran down the inside of your thigh, pooling in the skirt of your dress, though. You fidgeted in response, reaching underneath yourself as casually as you could, trying to gather the soft fabric to soak up the mess. Fretting, you tried your best to remember anything you could about stain removal on leather as the car slowed, creeping down a little residential street lined with condos.

The little brick townhouse looked nice, even from the outside, though certainly much less opulent than the home he'd lived in for the last fifteen years. You'd seen photos of it. This place was still lovely, though, and the smell of fresh paint tickled your nose as the garage door opened and then closed behind you. The room was pretty empty from what you could see, save for some boxes stacked in the corner and a tool bench, as you turned to find him staring right at you, his hand finally slipping further and further up your skirt until he was softly brushing at your slit with his fingers again.

A huffing little moan left you, quiet and tense, as two of those long fingers slipped back inside you all of the sudden, pushing whatever had leaked down your leg back up inside you. You clenched around his hand involuntarily, and he let out a dreamy sigh in response.

"Still makin' a mess." he murmured, leaning in and pressing his lips back to yours as his free hand moved up to cradle the back of your head. For what felt like an hour, you simply sat in the quiet garage, immersed in one another's breathless kisses just like all those nights in your office. Except now, there was no chance anyone was going to come along and interrupt you.

The fingers inside you remained still throughout, his thumb stroking teasingly at your abused bud before eventually sliding his hand away.

"Alright, kiddo. Let's go inside." he smiled, turning to pull himself out of the low-sitting vehicle with just a bit too much swagger and making his way to your side. Letting out a deep sigh, you took his hand as he offered it, cringing at the wet feeling of your inner thighs. The shit-eating grin on his face was impossible to avoid as he leaned in close, the musky, fading smell of his cologne wrapping around you.

"By the way, if you make a mess on my new floor, I'm gonna make you clean it up with your tongue." he whispered, his lips brushing the shell of your ear as his fingers played in the stickiness coating your skin. An involuntary groan left you, your hips twitching towards him with zero permission; that drew out a gasp when you felt something poking you back, digging into the softness of your belly.

You got the distinct sense that the evening was far from over.

[schlong2]

latest fix rant time

none of my friends want to talk to me about monkey movies and then i remembered i have a whole blog dedicated to my latest fixations so. i've watched Kingdom of the Planet of the Apes two (TWICE ✌️) times in theaters. this was after watching the newer trilogy (Rise, Dawn & War) and the first 1968 original in prep.

things (SPOILERS!!!):

Kingdom's run time is 2 hours and 25 minutes. this is incredibly long for a movie. compared to 1968's 1 hour and 52 minutes, that's a half hour difference. Infinity War was 2 hours and 36 minutes for reference. that's a whole marvel cinematic convergence, but ape. the run time isn't exactly the issue i've seen talked about. it's the pacing. sitting twice through this movie was not a problem for me. i sat there engaged all the way through. on the second watch, i tried to be mindful of times in which it might have been dragging for the average person, and i like, literally couldn't find any. pretty much every scene had meaning and didn't drag imo. which is something these newer movies do extremely well. Kingdom is pretty equally split between verbal communication and sign language compared to the first three before it. the apes use both verbal and visual cues to talk. but because they don't talk every single time, it makes every moment that they do feel special. it reminds me of the Quiet Place concept, where most of the movie you only hear a human voice a few select times when it's safe to do so. Rise, Dawn, & War were kind of like this, as Caesar only really spoke when he was trying to make a point or communicating to humans, who are mostly speaking in those movies. he speaks more as he gets more fluent, and by War, he can speak very well. we see other apes like Koba, Maurice, Blue Eyes, and Bad Ape also speak English. these moments are rationed pretty well throughout Kingdom, making the dialog more select and meaningful. this makes every time these beasts talk feel like it means something and isn't just fluff to fill your ears. every other scene feels like it's building or showing a side of a character we hadn't seen before, and the scenes between those advance the plot or are like, really action-packed. i just don't see why some people say it has pacing problems. it's just long. i understand the average person's attention span is super short, but when you're sitting down to watch two and a half hours of movie, you gotta know there's gonna be downtime. moments where they're not fighting or advancing the plot. and i think that's GOOD man. but im also not one for action/adventures very much so maybe that's it? i think a lot of people maybe watch these apes for the violence and conflict rather than their introspection, genuinely thoughtful world building, and complex characters. and hey, that's completely fine to enjoy, but POTA is originally about morals and asking the audience questions and posing dilemmas to popular beliefs at the time. ok

Raka. he's great. Peter Macon has this butter smooth voice that's just perfect for the kind of character he plays. you can't help but like him. but he dies like 1/3 into the movie and is really only there to religion dump about Caesar (ape jesus) and then he's swept away. people are complaining that that's all he was really there for. to explain the real values of Caesar and provide a foil to Proximus. and i agree to some degree. i really hope he's not actually dead. his presence and death are felt throughout the movie, as both Mae and Noa (mostly Noa vocalizes it, Mae just silently shares in his loss and i think cries at one point?) seem to mourn him, saying shit like "if Raka were here..." and especially at the end when Noa gives the Caesar pendant to her. it's the shared memory of Raka and what he devoted his life to. but they never really like, actually linger on his death. there's a moment after he's swept away, and the shot stays on the rushing waters, Raka no longer visible and plays some sad tunes, but like. C'MON. he's not really dead. he isn't please tell me he isn't PLEASE

Noa isn't Caesar. i honestly do not get why you would want otherwise. of course, he isn't Caesar. we don't need another Caesar. he had a whole three movies to be the center of. i would be extremely disappointed if they just made a carbon copy of him or made Noa like a direct descendant of him or whatever. i hate that Chosen One bullshit. Caesar was just a guy that wanted peace for his people and that got him killed in the end. Noa is also a guy who wants peace for his clan. they're both leaders and have good hearts, but like. they're different characters. i LIKE that Noa has no relation to Caesar, i LIKE that he's his own character with his own ideals and purpose. Owen Teague does a wonderful job making the character his own. i mean Andy Serkis is Andy fucking Serkis. pretty big shoes to fill and i think Teague has the right foot size you know. i heard one guy say like "we've had our time to mourn Caesar" and yeah. we have. let's accept that and move on

WHERE MY APE DIVERSITY AT. we get a fuck ton of chimps, ONE orangutan, ONE gorilla, and ONE bonobo. what the hell. i mean. what is with the bonobo villian. Koba i fucks with because bonobos are some of the most playful, nonviolent apes out there. that humanity and its cruelty could twist a naturally peaceful creature into what Koba became.. i mean, that's great. but again with Proximus? maybe trying to evoke some of the same energy and nuance Koba had? ALSO. GORILLA PSA they are like so sweet. all that muscle is there to protect their families, and they're strictly vegetarians. i feel like Rise, Dawn, & War portrayed this better with most of the gorillas getting bodyguard jobs because of all their bulk. especially when Luca tucks that flower in Nova's ear. man. and Red going out like he did. gentle giants. in Kindgom we just have Sylva. gorilla henchman for Proximus. that's it. then we have Raka, the one orangutan character that i saw. wise and knowledgeable, guides and accompanies Noa and Mae then dies. at least we get one female chimp character that's more than just wife or mother. wikipedia lists Soona as Noa's love interest, which i can totally dig, like it's there. he takes her to the telescope at the end of Kingdom, which is more than what we saw romance-wise between Caesar and Cornelia. and the only other important chimp female is Dar, Noa's mom. in Rise, Dawn & War there was usually only one of each species of ape assigned a main role, but we saw much more diversity it felt like. maybe that's because there were smaller in numbers and have since spread out in the last 300 years? also like, bonobos are known for having female-female & male-male sex. dont know about the other apes. my friend mentioned that Raka said something about having a male companion and promptly searched reddit. all they had to say was: gaype?

the visuals. dear god the visuals. this movie is just visually stunning. absolutely breathtaking. they did a great job. i mean Rise, Dawn, & War are all triumphs of cgi and are excellent examples of the animation style done right. i did hear some guy say there is a loss of texture, as mostly everything in Kingdom is cgi, from the characters to the landscapes. but there's an explosion of texture in this film. there's one point where Noa is covered in the ash of his village and you can see it on his fur. there's quite a couple water scenes where the moisture clings to the apes' fur. It's all very impressive. great work

the references!! Rise especially has a ton of them (IT'S A MADHOUSE!!! & GET YOUR STINKIN PAWS OFF ME YOU DAMN DIRTY APE), and names like Nova and Cornelius, but Kingdom... i picked up on at least three main instances, but im sure there are more. there's the scene where the apes are rounding up the feral humans, and its very reminiscent of the scene from 1968 where they're doing the same thing for sport. there's the scene where Mae is running in the field, and she jumps on that log structure to get to Noa, which is nearly identical to a similar scene in 1968. the scene when Noa, Soona, and Anaya are exploring the human bunker and they come across an old classroom. one of them picks up a doll that says a distorted "Mama" which was huge in the original because that was evidence that once man did speak, why else would he make a doll that talked? superb call backs to the og. respect what was there before

SCHLONG THEORY

here me out guys. the starring ape-human relationship in Rise was between Caesar and Will. this type of love is called storge and describes the love a child has for a parent as well as the love a parent has for their child.

the starring ape-human relationship in Dawn was ultimately between Caesar and Malcolm. which i believe is truly philia towards the end, the love between friends and allies. just two dudes trying to keep peace in the world.

in War, i mean Caesar well and truly hates the Colonel. like more than he's hated any human in his life before. close to mania, obsession. anyways it's a study on this type of relationship between an ape and a human. true, all consuming hate.

SO in the newer movies we've explored familial love, platonic love, and hate, between an ape and a human.

in Kingdom the main ape-human relationship is between Noa and Mae. and their relationship is complex. not really that friendly and certainly not familial. no trust. some kind of begrudging respect maybe? i just think it would be neat if in further installments they explored a romantic love between a human and an ape. ok.

i KNOW Noa and Soona are probably going to get ape married and they're never going to touch on the subject but i just find it hard to believe that in the last 300 years or so that's NEVER been heard of. apes have the same level of intimacy between each other as humans do in this universe and can willingly consent. what are you so afraid of wes ball

after all, the whole franchise is about how apes, when given intelligence, compare to humans and begs the question: how different are we really?

is it possible for an ape and a human to fall in love?

[fcthots]

I'm literally tearing up this morning at the idea of Tim sitting in the cave, trying to get some important work done like usual when suddenly a wave of darkness ascends upon the cave. Like something out of a horror movie, dread washes over Tim as he fearfully creaks his head around to see Gus sitting on the chair, looking over Tim's shoulder—MENACINGLY.

I had so much fun writing this.

It was 5 am and everyone else had gone to bed. There was a fear gas attack and while no one had been unable to put on their rebreather, the manor was still on lockdown, though, just to monitor in case of any delayed effects. Tim wasn't supposed to be on the batcomputer but it was important! He was doing research on the new chemicals Scarecrow had added to his toxin and if their addition changed the effects of the formula as compared to the original. As it turns out, he was right. It seemed that now prolonged exposure could cause delayed effects. Fuck, Tim loves being right! He starts recording any other new effects the toxin may have.

A chill hits him. The hairs on the back of his neck raise. He can feel eyes with malicious intent watching him. After being robin for so long, he knows what the stare of a real threat feels like as it watches its prey. Fuck. Someone must have gotten into the cave. He thinks of yelling for Kon, but Kryptonians can't hear into the cave. His family is all asleep in their respective bedrooms, and there's no one that can get to him in time. He hasn't acknowledged their presence yet, so he could pick up his phone and pretend to send a funny text to a friend but actually text the other bats, but that could also backfire if his intruder swooped in while he was vulnerable.

Deep breath in. Deep breath out. Maybe his rebreather was cracked. Maybe this is all just delayed fear gas effects. Maybe one of his siblings hadn't handed all of their gear off to be washed and he's just getting a mini whiff of the gas, and that's why he feels the eyes of a predator on his back.

He hears something rustle.

Ok, so not a hallucination, probably. Auditory hallucinations usually take exposure to copious amounts of gas, but maybe this was all part of the new strand.

He could feel them getting closer. He slowly wraps his hand round a battarang that was left on the desk. He can't see anything in the reflection of the screen. On the count of three he has to turn around and face his opponent.

Three. Fuck, he's exhausted.

Two. He's too tired to be doing this.

One. Bruce is gonna kill him if he dies.

Go.

He turns around and stands all in one motion, staying as low to the ground as possible. He doesn't have long to take in all of his surroundings, so he does it quick. This would be so much easier if he had his mask, which can track the heat of body signatures, but he took it off so Alfred could clean it. He really hopes Alfred isn't the one to find his body.

He doesn’t see anything in his immediate line of sight. He keeps his body moving, so he's a harder target. He looks everywhere else. Nothing. Maybe it's an LOA assassin. Ra's needs to get off his dick already.

But he looks even in the spots where a ninja would be trained to hide, and... nothing. Nothing at all. An alarming amount of nothing. By his calculations there was an 85% chance that it wasn't a hallucination. He drops his fighting stance. He did forget to factor in his sleep deprivation...

As soon as his guard is down, he is immediately attacked from behind. He whirls around and drops back into a fighting stance. His training kicks in. Don’t look at the affected area first, look at your attacker first. He ignores the pain in his leg and looks to where they would have to be standing and...nothing. He looks down to his leg.

Fucking Gus.

"Get off of me, asshole!! Why are you even here? Can Jason seriously not sleep without his cat fucking night?" Tim tries to peel Gus's claws out of him where Gus's limbs are wrapped around his leg. "Ow! Fuck! Don't bite me! This is why I don’t pet you. Get. The. Fuck. Off. Of. Me."

He finally tosses Gus off his leg and Gus runs away impressively fast for a cat if his size.

Tim yells out across the batcave, "I never thought I could hate a cat until I met you!"

[respectthepetty]

Dangerous Romance is peak comedy

I got 99 problems, but Dangerous Romance ain't one. It feels like a Thai version of Another Gay Movie because it is squeezing in all the tropes yet taking none of them seriously, which is not a problem in my book.

Not a Problem #1 - Nava & Guy making everything into a competition including turning on the faucet. They got that Love Mechanics color-coded lighting treatment, and that's all I care about.

Not a Problem #2 - The Poor Boys treating the Rich Kids like the dogs they are by threatening punishment if they act up and dropping "good boy" casually into the conversation when they do good deeds, then rewarding them. It's puppy play meets praise kink, and I approve of it.

Not a Problem #3 - How Sailom's friends, especially Guy, thought Kanghan was trying to poison them, yet still drank with Nava because if he was going to die, he was going to die the champion.

Not a Problem #4 - Kanghan not knowing how to express what he is feeling when Sailom questions him after the kiss and expecting the kiss to speak for itself. He thought he was speaking Sailom's love language, but Sailom is clearly an "acts of service" type, while Kanghan is a "words of affirmation" guy.

Not a Problem #5 - Characters using the bathroom! Every episode, someone goes to the bathroom or uses it as an excuse to escape a dinner where they cannot make eye contact with the boy who kissed him in the bathroom because the kiss was a C- at best and he doesn't know how to tell him that without making him cry since he has a praise kink, and I appreciate it.

Not a Problem #6 - Kanghan saying that he sucks.

Not a Problem #7 - Kanghan stating he has to keep trying because practice makes perfect.

Not a Problem #8 - The tiny smile Kanghan gave when he realized he could go through the bathroom door instead of the front door to get to Sailom. And no, this is NOT an euphemism.

Not a Problem #9 - How Kanghan stood in the light because he finally figured out his feelings and he wanted to be open and honest about them while Sailom still hid in the dark blue afraid of the way he already loves this unhinged Blue Boy.

Not a Problem #10 - The pinky promise to be queer

Not a Problem #11 - The way Kanghan naturally went into Sugar Daddy mode.

Not a Problem #12 - The dumb looks these two kept giving each other in front of Sailom's friends and God as if no one else existed but each other.

Not a Problem #13 - Sailom singing JLo's 2001 hit "My Love Don't Cost a Thing" only for Auto to bring that Golden Era Madonna Energy and tell Kanghan that "We are living in a material world, and he is a material girl"

Not a Problem #14 - Kanghan liking the way Sailom smells. Kanghan wearing Sailom's clothes. Kanghan responding "no-no" when asked if he is a psycho like a cute little puppy. Kanghan's entire existence, and Sailom's annoyance of how much he loves this guy.

Not a Problem #15 - Kanghan being a WEAKASS! My family will give outsiders hot shit without any warning, just to watch them take a bite and cry, so I get a deep pleasure watching people suffer their way through eating spicy foods to save face. Like, just take the L my man, so everyone can know Sailom is superior to you in every way! Hence why I love Eddie from Kiseki: Dear to Me and Palm from Never Let Me Go. They like it spicy.

Not a Problem #16 - Sailom being horny on main when Kanghan took the blame to save Auto.

Not a Problem #17 - Auto being so tiny compared to the group. Auto getting White Girl Wasted. Auto dancing. Auto refusing to snitch on the group. Auto saying his mom is gonna be soooo upset at him like he is a (queer-coded) killer in the original Scream. Auto saying "NEVER FORGET! NEVER FORGIVE!"

Not a Problem #18 - Sailom being a gold-star gay when that girl was trying to dance with him, only for Kanghan to come in with a steel chair and demand she leave his gay boyfriend alone.

Not a Problem #19 - Sailom finally realizing just how crazy Kanghan is when Kanghan wanted to ballroom dance in the bar as a way of declaring to the whole world that they are in love, then Sailom realizing he is VERY into Kanghan's brand of crazy. *see #16*

Not a Problem #20 - Those handmade cheerleader outfits being so camp (read: fugly), that it brought the queer out of my (hidden) girl couple.

Not a Problem #21 - Sailom screaming "TROY!" again for the Wildcats in the audience who are "all in this together"

Not a Problem #22 - Guy not kink-shaming Sailom for his puppy play relationship with Kanghan since he's probably taking mental notes, so he can tame Nava using similar methods.

Not a Problem #23 - Kanghan hugging Sailom so tightly and THANKING HIM after Sailom said yes to being his boyfriend. See what a good dom can do for a brat through affirmation play? "Good boy" *pat his head*

Not a Problem #24 - Kanghan's (Perth's) smile. Sailom's (Chimon's) wavy hair. The boys cuddling up in Sailom's bed because Kanghan now needs constant positive reinforcement for his good behavior and he likes the way his boyfriend smells. Kink is really classical conditioning. Smell of boyfriend + Hugs from boyfriend = Who's a good boy? Who's the best boy? Who's my very good boy? *rubs his belly*

Not a Problem #25 - Saifah being A WHOLE FUCKING PROBLEM all episode! My wild ass theory lives!

God, I fucking love this show.

[slothpoth]

Who Arcane Characters Would Like The Most If They Watched Steven Universe + How they started watching

Im going to preface this by saying it may not be 100% accurate, this is my pregame before I rewatch ALL of Steven Universe beginning to SUFuture so why not shove the current interest in?

BY THE WAY: this is them watching no matter what so if you’re like “omfg they would never!!” Now they are. What’re you gonna do? Scroll??

EDIT: IM SO SORRY I MEANT TO PIT A RWADMORE HERE

Jinx

Jinx was a hard Amethyst stan until the movie came out and Spinel ChokedSlammed Her Into The Floor

She started watching because she caught the tail of “So Many Birthdays” (the one where Steven ages and ages and ages) and immediately decided this was her thing now

She gets into arguments online about her favs and she is the one posting getting blocked and bragging about winning the argument

“You can just say you don’t understand characters who are complex, you don’t have to write all this for things we OBVIOUSLY KNOW.”

While Amethyst and Spinel are her favs, she will go to BAT for any character being mischaracterized

Do not let her catch you talking shit about Mx.Lapis Lazuli, she will Hurt You.

Vi

Speaking of people with will Hurt You, Vi does not play about Steven Quartz Cutiepie Demayo Universe.

Vi started after multiple instances of Jinx ranting to her inconsistently for hours about arguments she gets into online

Like Jinx bursts into the room like “Vi, These people couldn’t fucking comprehend media if there was a gun to their head, and Yknow what? I’m putting it there” and Vi is hooked

“Oh my god…..they are stupid…” “THATS WHAT IM SAYING” I kinda hc that vi is the type that likes hearing about drama no matter where it comes from it just has to be juicy

One time Jinx called Steven a normie favorite character pick and Vi then went on a 95 minute rant about how kind and sensitive he is

“Steven is a sensitive and kind boy who tries his best no matter the circumstances, even if he fails he still tries to be good. You have NO RIGHT to act like he’s some—“ “ VI OH MY GOD NEVERMIND IM SORRY, WE’VE BEEN HERE FOR AN HOUR PLEASE LET ME GO”

Vi kins Steven Universe and SU Future made her ugly sob with chest pain

Caitlyn

Caitlyn likes Pearl because the lesbian yearning over their ex to nerdy fem who can pull without trying storyline intrigued her deeply.

Originally Jinx compared her to Pearl because Jinx thinks she’s prissy and overbearing, this made Caitlyn block all official Steven universe accounts on every piece of social media.

Later Vi compared her to Pearl because Vi thinks she tries her best to help everyone even if she makes mistakes sometimes, thsi and Caitlyn unblock some Steven Universe accounts and watch alongside Vi sometimes

She doesn’t end up watching the show from the beginning, she just asks Vi questions and Vi explains how something fits into the story

“Why does Lapis despise Peridot so much? She’s like half her size if she’s an issue push her over” “Well Peridot reminds her of her trauma of being constantly used wherever she goes and never living for herself, she’d just be constantly triggered like she has been for thousands of years” “ohh… why don’t they just build a second place on the land?” “Cause the barn is cool” “ah,, makes sense.”

Any mention in the show about Pearl having a bunch of people’s numbers and Caitlyn is out of her chair cheering.

Ekko

Ekko is a fan of Bismuth and he’ll tell everyone else that it’s because the crystal gem rebellion was super interesting to him but deep inside his interest was first peaked because he finds the Bismuth puns genuinely funny like he guffaws at every one.

He started watching when Jinx showed him the clip of Steven having to poof Bismuth, and he made sure to go back through the series to really get what’s going on.

When the cluster was introduced he was appalled like this is the world’s greatest home-world hater, like he was even iffy on peridot for a whole extra season it was so bad

“At least she’s trying to redeem herself?” “I don’t care if she stops homeworld by herself I Don’t Like Her.”

The Diamond arc? Oh he is SAT for every episode and he is HEATED. He’s getting them (Jinx + family) sound complaints cause he keeps pausing to complain about whoever happens to be on screen

*blue diamond starts speaking* *insta pause* “AND HERE COMES THIS ONE.” “EKKO FOR FUCKS SAKE LET THE SHOW PLAY”

Ekko thinks the diamonds got off easy and drew a comic (that he keeps to himself and jinx) about how HE would’ve ended the show (it’s 48 pages)

Mel

Connie is so special to Mel, so special she sees herself in Connie so much that’s her daughter

Any scenes where Connie and her mom are clashing? Mel is pouring almost obsessively over the scenes just “oh my god…..oh,,,my god,,,” like if Mel had a kinlist?? Oh yeah. Absolutely.

She actually keeps pretty good track of animation projects and new series so she’s been watching since the beginning. The pitch of sentient rocks living around and with this half human half rock boy? Yeah she was definitely intrigued

And now emotionally wrecked, like she saw a clip of season 1 Steven while presently on the homeworld arc and almost fell to her knees her BABY

Auntie!Mel bonds with Jinx and Vi over it when visiting their house its like:

“Mel, if you wanted to run away from your home and ended up hurting people in the process, wouldn’t you take accountability for that?” “Well that depends on who I hurt.” “Let’s say you leave someone in a garden for like mmm random number six thousand years—“ “Spinel has full reason to be upset, I’d do worse if I were her” “RIGHT???”

“Whyre you and Jinx arguing? Aren’t you a bit old for the silent treatment?” “She keeps calling me basic for liking Steven.” “Steven? The character on a slow creep to a world terrorizing meltdown?” “RIGHT.” “Vi, not everyone you meet will have good taste like you and me, I’m so sorry”

She does think Jinx terrorizing online spaces is a little funny but is trying to be responsible and won’t tell her that outright

And by not tell her she means trying not to roll over laughing hearing Jinx read out the arguments

Sevika

If you asked Sevika why she liked Jasper, she’d say something like “I too have been forever changed by a lesbian relationship” or “smash.”

If you asked Sevika while she’s in a sad drunk mood she wouldn’t verbally answer and just mentally spiral about the perfect solider who keeps losing and losing and losing and losing and—don’t refill her cup, Sevika is going home, don’t call her damn phone, she’s busy

In this modern scenario, her and Jinx are still coworkers so when Jinx is watching video essays or character compilations on her breaks, Sevika will walk by and either stand and watch an intense part or make fun of what’s on screen

*Jasper climbs up the side of a boat to beg on her knees for Lapis to re-fuse* “ohh I’ve been there before,” “She’s begging her to reform into an eight armed monster where they constantly fought for dominance in the headspace at the bottoms of the ocean because Lapis— the blue one— didn’t want Jasper— the orange one— to kill Steven— the boy one.” “oh yeah no, me too (wtf??)”

Overtime Jinx started to refer to Jasper as Sevika’s favorite and kept giving her vague updates on her condition, that being said Sevika rewatched the entire series and future when she heard news of Jasper’s Shattering

“They shattered your goat.” “What goat??” *shows photo of Jasper’s shatter gem in Steven’s hand* “IS THAT FUCKING JASPER????”

Like she didn’t even wanna talk about what happened afterward she blocked Jinx and started watching immediately, Sevika was getting to the bottom of this (of what?? We have no clue she’s hurt rn)

Sevika will not discuss the emotional impact Steven Universe had on her. You’d have to have her at gunpoint and chemically paralyzed.

[tcvsfiredemon]

Platonic Narumayo and Romantic Tension

I was originally gonna post this as a twitter thread, but it started getting really long and that toxic sludgepit doesn’t deserve that kind of effort. Get yourself a snack or something, it’s gonna get rambly.

I think people who go out of their way to shut down the possibility that there could be any romantic attraction between Nick and Maya are missing out on a really cool aspect of their platonic relationship.

There’s a lot to be said about the many facets of the Narumayo friendship, from their bonding through shared trauma, to their building a found family with Pearl, to their effortless ability to trade off being the straight man of their comedic duo. But I think a lot of people miss how much of their friendship is informed by the fact that they both kinda want to kiss each other.

First off, Maya is constantly teasing Phoenix, and often in a weirdly flirty way. Just a few examples off the top of my head. She says Max is dreamy with stars on his face and immediately suggests Nick put stars on his face. She acts like a spurned lover when Phoenix is talking to Adrian, specifically in an attempt to get him flustered. She explicitly compares Phoenix rescuing her from being kidnapped to the DeLites’ love story. 

There’s quite a few moments like this throughout the games, and coupled with a lot of Maya’s actions and reactions, I get the sense that we’re supposed to believe that she has a thing for Nick. Maybe that’s just the shipping goggles talking, but it really does feel like the intended subtext. I mean, look at that what she instinctively drew when she was in 

(You’re probably wondering when the platonic part comes in. We’ll get there.)

But even if Maya does have a crush on Phoenix, does he return it? Obviously she’s very important to him, but is that really as a romantic interest? We often see him get flustered or stunned into silence whenever people assume he and Maya are dating(which happens a lot), but I feel like that can easily just be read as him being uncomfortable with people assuming he’s in a relationship with his assistant.

In general, Phoenix’s feelings for Maya are fairly ambiguous and probably not something that he’s thought through too much himself. That is, of course, until the waitress scene. That scene, in my opinion, is the single hardest thing to justify if you’re trying to deny any romantic tension within Narumayo. I’ve seen people say that it’s just Phoenix giving a compliment to his best friend/sister figure, but is that really the tone that’s being conveyed there? 

That initial comment on her voice. The pregnant pause when he sees her. The weird pick-up line that probably just came out of his mouth without any thought. That’s not the actions of a guy innocently complimenting his friend, that’s the reaction of a guy who just realized that he finds his friend hot. I’d argue that the case can’t even proceed the way it does unless Phoenix thinks Maya is attractive, because that’s what gives him the idea to try to get her to seduce information out of Kudo.

So between Maya and Phoenix we have two best friends with a lot of chemistry who are probably into each other, and whose friends definitely think are already togeyhet, but we never actually see them take that step into romance. And you know what? It fucking works!

(See, told you we’d get into the platonic stuff eventually.)

One of my favorite movies of all time is When Harry Met Sally, and while the titular couple does get together in the end, most of the film is about the two of them navigating being best friends while obviously having romantic feelings for each other. It’s a beautiful story of these two people building a wonderful platonic relationship and then very nearly ruining it when they try to turn it romantic. 

That’s the dynamic I see between Phoenix and Maya. They love each other and are probably in love with each other, but they insist on keeping things strictly platonic because to change that could mean to destroy what they’ve spent years building up. It’s an underlying tension that underscores a lot of their actions.

It’s the dynamic that the two of them still have almost a decade later in SoJ, where they find immense comfort just being in each other’s presence, investigating cases like old times. And no matter how much Phoenix gawks at Maya like a sun fish, no matter how many times Maya teases Nick while they’re investigating a wedding-based case, no matter how much they may or may not want to kiss, they’re so happy just to be friends.

(Not that I’d be mad if they did end up kissing…)

Obviously there’s nothing wrong at all with seeing Narumayo as siblings or as purely platonic friends who would never in their wildest dreams be romantically interested in each other, but I do feel like something is lost in that interpretation. 

Like, I’m not the biggest fan of romantic Narumitsu, but I don’t think you can truly appreciate their friendship while ignoring that those guys have a weird pseudo-romantic tension going on. Without it they’re just two dudes who used to be friends and don’t have a whole lot of chemistry but would still for some reason die for each other. Once you acknowledge that “oh, they’re kinda in love, aren’t they” it all makes perfect sense.

I don’t think platonic Narumayo exactly falls apart if you ignore their romantic tension. They still have all that other stuff I talked about, but their relationship loses a lot of richness if it’s reduced to just “besties” or “siblings”. Even the games themselves took a little time to explore the potential romantic tension between Phoenix and Maya, and I think that’s been pretty instrumental in making them one of the coolest male/female friendships this side of When Harry Met Sally.

[firadessa]

I sometimes question Pixie Hollow’s geography when it comes to the book continuity… Like where exactly is the Home Tree located on Neverland? Or how much of Neverland do the fairies occupy?

The Pixie Hollow in the movies feels more like a dimension separate from Neverland, that I sometimes forget that Tink and her friends live in Neverland.

I've thought about this too! Pixie Hollow's geography and where exactly it is located in Neverland is a very messy part of the lore throughout most of the continuities. So this is gonna be a long answer

In the books the Pixie Hollow with the home tree, it's supposedly in what I think is "a clearing", like behind some foliage. In the third guide book "The Hidden World of Fairies" which is made up of book and movie canon (a lot of elements from the books and movies together) we see that Pixie Hollow is located behind a leafy clearing somewhere in Neverland.

According to this map, Pixie Hollow is located towards the right of Neverland next to Skull Rock and Mermaid Lagoon

However, it's still sort of complicated!

In In the Realm of Never Fairies, we have some illustrations of areas that seem to be around Pixie Hollow- that seem to be quite vast and empty, including concept art.

Here, we have a lovely concept drawing of Tinker Bell near a waterfall- note the waterfall, it will become important later

This is the original illustration of that image:

Here's an interesting illustration with Havendish Stream, the dust mill, and several mountains:

We also have a detailed explanation of Prilla's arrival in Quest for the Egg and world building in the trilogy which suggests it is located in the island somewhere near the mountains, but also somewhat close to the Lagoon (after all Soop could flood Fairy Haven/Pixie Hollow) with the cove seeming close- but also still a several days journey for fairies, with it taking at least couple hours to get to both locations. It can be assumed Torth Mountain where Kyto resides is close to the fairies, as well as the Tiffens which are creatures that trade with the fairies unique to the Levine books. A fire almost destroyed Neverland (Kyto I believe) and Mother Dove survived and made the island magical. So I have an idea that it's close to the mountains, but still on a flat terrain. In the forests of Neverland, in like the center leaning a bit to the right. Likely the "heart of Neverland"

In the books, I think it is also heavily implied that the Dust Mill is further away from the Home Tree than it is in the movies.

It's very interesting you say that "The Pixie Hollow in the movies feels more like a dimension separate from Neverland, that I sometimes forget that Tink and her friends live in Neverland." Because, in the original version of Pixie Hollow it was a distinct place behind a secret portal in Neverland, and had a unique apperance different from Neverland! They try to connect it to the book lore, and the story was even on the website at one point. In this version, Pixie Hollow is located in the waterfall in the middle of Pixie Hollow, and the waterfall is a magical portal. However, the idea of Pixie Hollow being located behind the waterfall- even if it is not magical, is scarcely used in the final canon. I mean in the Pixie Hollow game, there is the speedchat phrase "See you around the waterfall!" for a goodbye phrase and maybe the waterfall is mentioned one or two times in Never Girls. Personally, I'm very biased to this design of Pixie Hollow because I really like the style and how it feels both separate and unique to Neverland. It shares the design of Neverland but is still it's own unique and original place.

Compare to the final version, which takes a lot of cues from the books, down to the Pixie Dust Tree being modeled from the home tree. Design wise I don't hate it, but it always felt a bit "off" to me and rushed. (very likely wise, considering the timeline of the movie's development)

Ironically, it's said by the director they used a lot of shots of the mountains (Discovering Pixie Hollow DVD documentary) to give some sense of Neverland in Tinker Bell. But Tinker Bell, imo- also has felt too different from the world of Neverland and also not similar enough. And a lot of that art was not from the final version of the film!

But when it comes to the movies, we can get an idea where Pixie Hollow is located based on certain scenes in the films- which I believe is more similar to the books, a forest area- but still close to the falls and closer to the coast of Neverland. It is very hard to see where, but I have an idea.

Very close to the center and the falls, but also an elevated forest area as we can see from Tinker Bell's arrival. So the waterfalls were relevant in some ways.

When they leave Pixie Hollow to go to the Mainland, this is the direction they are coming from.

In Tinker Bell and the Lost Treasure, she goes north and this is what she sees behind her when she says "Goodbye Pixie Hollow, I'll miss you."

This shot to me, shows the strong differences of Pixie Hollow and Neverland. How in some cases, they went too realistic imo...

TLDR- So, Pixie Hollow's location in both the films and the books (as well as everywhere else) is quite messy to me! I get there's some mystery in not knowing where it is, but there isn't really any indication besides "in the forest clearings of Neverland". Very odd to me that they never directly say where Pixie Hollow is located- anywhere besides a few random places. Also there's the implication that the seasonal meadows of Pixie Hollow are a speck compared to the full world of Neverland in the films, which is surprising to me. It's magical and yet sort of surreal in some ways too I guess hehe

But I overall, prefer the concept movie designs for Pixie Hollow compared to the movie designs, as the design feels very intentionally crafted. The idea of Pixie Hollow being hard to find makes sense, so I wish the movies had it be behind a clearing of some sort as well and not in the middle of the mountains/forest

[rojaceartandgaming]

Archie Sonic VS IDW Sonic (and a minor analysis of Scourge vs Surge and Kit): Both are Great, y'all are just comparing apples to oranges

I see a lot of people comparing the story and plot points of the Archie Comics and the IDW comics a lot and... I guess I can see why, but I think it's an unfair comparison. The comics are a lot different tonally and set out to do different things and sure, some of the writing nowadays is better and people love to clown on Ken Penders' writing but... things are a lot deeper then that.

This is gonna be a long post of media analysis so... here's a line break. I'm not trying to start a fight, I just love both comics and want to ramble.

Now, I love both comics a lot. I have a lot of nolstalga for the Archie comics as they were the first really story driven Sonic media I had ever seen. The comics I started with reading were around the first bits of Ian Flynn's run (though I jumped around a lot, give me a break, I was like seven) and honestly? I loved it! I couldn't get enough! Sonic was awesome, I loved the original world and characters, and I think the whole roboticization plots (and Bunnie might've inspired my very first OC who I still have to this day) were incredible!

As for the IDW comics, I got into them earlier this year. By this point, I was a college student who had basically lived through the recent dark age of Sonic and only started to have faith in the series again thanks to the movies, Sonic Frontiers, and Sonic Prime. But even so, I had just become dissatisifed with the writing in Sonic games. Something that probably wasn't helped when, in highschool, I finally picked up my first 3D Sonic game which was... Sonic Forces on switch. The wasted potential that was that game deserves its own post, both for the story and the gameplay. One of the biggest issues I had with Sonic for the longest time was the stories just... sucking, or not utilizing characters well. Story is the most important thing to me for games, so seeing awesome characters like Blaze, Silver, Shadow, and Metal Sonic - my favorite character of all time - be used as cameos or one note villains sucked.

Suffice to say I love Sonic X Shadow Generations, but that's a post for another day.

Finally, out of curiosity, I checked out the IDW comics and god, they were a treat. After being starved for good characterization for most of my time with Sonic? It was incredible. Older characters getting their chances to shine, a plot that does refer to Forces in a way that makes sense - a devastating time that still effects the plot now what with Whisper and Mimic's plot! - and newer characters that are stellar, especially when it comes to villains. Starline is by far my favorite villain from these new comics, though Clutch has turned out to be really cool too. But the stars of the show are Surge and Kit, I won't argue about that.

But the thing that makes these comics both great - that I don't see anyone talking about - is the fact they're meant to handle things differently. The Archie comics started in a time when Sonic didn't have that much coherent plot in the West, so SATAM Sonic, The Adventures of Sonic the Hedgehog, and Sonic Underground had to make it up as they went - some shows were darker, proceeding to come up with characters like Sally or concepts like roboticization, whilst others were more slap-stick heavy. Those contrasting vibes were stuck in a blender and out came the Archie comic which... did definiately have its problems. I won't deny that. But they were given free reign to go wild with Mobius - eventually having to integrate things like arcs for the Adventure games but handling it well - and they made some incredible lore! The alternate dimensions, the new characters, the devastation that came with the Eggman Empire, and the echidna's deep lore - I hate Ken Penders too, y'all, but I miss echidna tribe lore so much. It was so cool istg.

Hell, villains could be dark as hell - and it makes sense. In the older cartoons and in these comics, Robotnik was a lot more sinister when it came to his portrayal. And I like that! We don't see that as often nowadays. Other villains and rivals are cool as hell too (I mean, look at Doctor Finitevus' design ALONE) and yeah, I say that extends to Scourge too. I'll get into that in a minute.

Sure, Archie Sonic was a mess, but once you accept the absurdity it's not that bad, especially post issue 160 and ESPECIALLY after the reboot. It's a darker story with good lighthearted moments that outweigh the bad, in my opinion. It set out to make its own story, and it did whilst incorporating characters from the games as well as it could.

IDW Sonic, on the other hand, came in 2018 - we know who these characters, they've had a lot adventures, good and bad! Eggman's not as villainous as he used to be, sure, but that's in line with the games too. He's not a one-note villain whose only personality is an evil laugh, and I love it! Honestly, I'd argue this is the best interpretation we've ever gotten of Eggman, especially when we get to the added depth of the Mr. Tinker thing and the fact he only reverted back to villainy thanks to Starline! And frankly, everyone who acts like Sonic working with Eggman in the Riders arc is a new thing... it's not. It's happened in the games. It happened in the Archie comics when dealing with Knuckles as Enerjak. Just... cope. Deal with the fact that Eggman has depth now. Stop complaining. Please.

The IDW comics are more lighthearted, better written, and are more grounded in this post-Forces world. It can be dark as hell though, clearly - I don't need to get into the Metal Virus arc for y'all to know how good it was. Hell, Surge and Kit being stuck in a cycle of abuse is really, really grim and I hope things get better for them.

Now, I see a lot of people comparing Surge to Scourge and... I'm sorry, that's my biggest issue with the comparisons between the comics. Yes, they're both green and designed after an old debug menu glitch in the classic games. But they have more depth then that. This video here -

goes into Scourge's character really well! Honestly, he's really compelling - the worst version of what Sonic can be and an intentionally pathetic foe who's almost doing too much on purpose to prove a point. He's a jerk, he's intentionally edgy as hell, he's almost pathetic as a villain and... that's the point. He's Sonic at his edgy worst, if he was a massive jerk. Sonic is Scourge if Scourge had some decency, and it's super compelling to read about.

But that's not who Surge is. She isn't an alternate bastard version of Sonic from a different dimension. Surge and Kit are the products of Starline's obsession with Eggman and overcoming Eggman. They're the products of Starline trying to take out Eggman, Sonic, and Tails and crafting "replacements" for them whilst completely failing to understand each character and their dynamics with each other.

Eggman is reckless, sure, and doesn't have a real scientific method, but he's always looking forward. The next invention, the next plan, the next action. That's what brings about Starline's demise.

Sonic is rash and reckless, sure, but he respects others and especially his buddy Tails. And Tails isn't subserviant to Sonic or 100% blindly loyal to him. They're equals - no, they're brothers. But Starline didn't see that, and for a good chunk of the beginning of their arc Surge and Kit aren't healthy for each other.

But they're all they have left.

These two are tragic characters. They have no past, no origins that they remember. All they have is each other, and the personalities and abilities Starline gave them. They're tragic characters that deserve so, so much better and frankly? Even though I see a redemption arc in their future I can see them being more like Shadow rather then Sonic and Tails 2.0. Antiheroes, not symbols of everything good in this world. And that's a good thing! They have depth, and I love it.

Archie Sonic and IDW Sonic are different beasts entirely, and that's okay. They don't need to be compared so harshly, because they both have their merits.

IDW Sonic could never tell the story of a character like Scourge, and Archie Sonic couldn't tell the story of Surge and Kit. And that's why I love both comics. They're distinctive!

[eggman-fan]

Let's be honest, eggman in the sonic movies ain't going to be permanently dead unless Jim Carrey actually doesn't wanna return.

Like... Apparently people assume eggman is permanently dead in sonic 3, when really it is the exact same way he "died" in sonic 2, as in, his death is left up to interpretation until the the next installation confirms his return or not. And since Jim Carrey has expressed being interested in doing more of these films, plus metal sonic being a thing... I believe he is NOT dead in sonic 3.

Besides, I'd argue that his emotional sendoff isn't gonna be ruined if he survives and becomes a villain either, because ironically, it would be the reason he would not give a damn of humanity anymore.

Eggman's last shred of trying to care about a family was Gerald robotnik, however once he betrayed him in the end, the ONLY flesh like person eggman can truly trust is agent stone, and the metal sonic designs would reinforce this:

You see how unique the metal sonic designs are compared to his usual drones? That definitely is gonna be symbolism that eggman is gonna care more about his machines then ever before, where originally the designs all looking identical would be they're expendable, but starting with metal sonic, the robots will potentially have a different style from each other, implying eggman will care more about machines especially after Gerald proved he cannot trust another human minus agent stone.

[thevioletscout]

Got to see Sonic 3 early at a fan event! If you saw a brunette white girl in a black and white striped jacket who had keychains on her cat backpack of a dark chao and knockoff Shadow, that was probably me.

Gonna share my thoughts because I need to. Spoilers under the cut.

- I personally still like 2 the most. That doesn't mean 3's bad, it was great, but 2 just felt like a stronger film.

- I was honestly pretty wary about Keanu Reeves as Shadow, but I think he did excellent, and for a very peculiar reason that surprised myself; At certain points, he sounds like a teenager. Obviously its the kind of gruff Shadow voice we’re all used to, but there were times he would sound strangely youthful, and its a nice reminder that despite the 50 year stasis, despite the ultimate lifeform thing- Shadow's still a kid, just like Team Sonic.

- My brother even pointed out that Commander Walter objected to shooting the Robotniks and Shadow when they were escaping because "they're kids!" He said kids, plural.

- I think Jim Carrey did great as both Eggman and Gerald Robotnik. There was even a scene near the end where he was downright scary as the latter. That said, I wasn't a big fan of many of the scenes where they interacted. It kinda felt like the plot of the movie would get pulled to a grinding halt so we could just watch extended Jim Carrey comedy. I could probably be in the minority about this, and I can accept that, I just personally think cutting out some of the bits would have helped the movie flow a bit better.

- Fight scenes were so cool. It's not usually something I’d care that much about, but I think with Sonic in general getting the action right is a huge draw, and damn did this get it right.

- I'm not a big fan of Maria's illness not being referenced at all. I can kinda understand it because they're on Earth the whole time now, not in space, but it removes a lot of the important factors of Maria's character. It especially feels bad in the wake of Sonic x Shadow Generations, where the effects of her condition were actually shown, and when compared to the Wicked movie adaptation where they actually went out of their way to do a more respectful depiction of a wheelchair user.

- I like her using rollerskates though. That feels like a cute parallel between her and Shadow, and that could have been an interesting detail Robotnik worked into Shadow's design if he was actually made by him in this version.

- Sidenote, I swore that the whole Shadow was found in a meteor thing was a coverup for the real story, but no thats just his origin in the movies. That definitely carries some interesting implications for Shadow in the SCU.

- They kinda cutely referenced Sonic and Shadow looking alike, but otherwise it didn’t affect anything. G.U.N. didn't even try to use that to frame Sonic for what Shadow was doing. I kinda don't mind that though, I think there's enough retroactive implications to draw from.

- I wasn't sure they would actually use Live & Learn, but they did and holy shit it was so worth it! And Sonic and Shadow did the Adventure 2 pose!!! Theater went nuts, and I was going nuts with them.

- I'm once again probably going to be in the minority about this, but I kinda wish we got more Tom and Maddie. Like it or not, they were major characters in the previous movies, but in this one they just feel like they're there. I would say that it probably would have made Tom's near death experience more impactful, but to be fair my entire theater was in shock and scared out of their minds that they actually killed him so I think it was plenty impactful.

- They just straight up yeeted Gerald into incineration. I get it, there was no other neat way to take him out but damn. Tails and Knuckles killed a man.

- And finally the mid-credits scene holy shit.

- Okay so- I want you guys to know that I was a "Amy's secretly in the movie" truther. Every time Team Sonic was in trouble I was waiting for Amy to suddenly make her debut. I had this vision of her hammer being the first thing we see before Amy herself is slowly revealed. And yet, nothing. Every time they would find a different way out and around the G.U.N. infiltration I finally accepted that Amy wasn't going to appear.

- But then that scene during the credits. Sonic is confronted by Metal Sonic- who looks FANTASTIC btw. That's when I knew we were probably getting Amy next, but I wasn't sure when and how. Then Sonic gets surrounded by several of the metal copies, and like I predicted; first we see her hammer, flying through the air as it takes out several of the bots. Then we see her, dressed in a cloak to hide her features just a bit longer. Finally, she puts the hood down and- GOD SHE'S SO CUTE, I LOVE HER.

- I cannot impress upon you how crazy everyone in the theater went. We love this pink hedgehog.

- Wade only had one scene thank fuck.

There were probably a few other misc things I can talk about but I need more time to process it all. As I said to someone sitting in front of me; "How am I supposed to wait another two years???"

EDIT: ONE MORE THOUGHT

- One thing I find interesting is that after Shadow escapes, he just wants to be left alone. Most of what he's doing when Team Sonic finds him is just self defense from G.U.N. If I remember correctly he even tries to tell Sonic and the others to just walk away, and he dips on the motorcycle as soon as he's able to, once again warning them not to follow. He even spares Sonic and simply handcuffs him to something when the fight's over. It seems like it isn't until Gerald finds him that the revenge plan even gets started for him. He didn't want to go out of his way to hurt anyone, he just wanted to grieve in peace. Unironically, such a good understanding of Shadow's character.

[project-sekai-facts]

Your recent update made me wonder about something. I don’t know how much you know about this but wanted to try asking anyway. Hopefully this makes sense? Why would the English translation choose to censor things? I assume translations are being done in America where queer things are slowly becoming more accepted but is that a factor? Are the translators themselves changing certain things due to their own biases? I don’t know who they are and don’t want to assume anything about them, but I can’t help wondering if that’s part of the reason? Or is it because of something like, for example, sometimes movies or TV shows have certain content removed based on where it’s being aired, so is it something like that? Is the game being released in regions where queer content is banned or removed? Now that I wrote it, I feel like this is the most likely answer but what do you think? I basically just rambled in your ask my bad. Also, do you know if the Korean and/or Taiwan servers have censorship too?

oh there's more than just the Asahi thing and i have mentioned it in passing before but i'll cover it properly here. "the miles i fell in love with is so cool" -> "it was so cool! i guess that's miles for you" is definitely the biggest example though.

First off, a minor thing. it doesn't really happen anymore but in the earlier translations they quite often use words other than partner, like "pals" and "buds", in the VBS story. Probably one of the best examples of this would be An and Kohane's 3rd kizuna title, which the JP name was often fan-translated as "Making each other better" or "Raising each other up", and is called "Two supportive pals" on EN. Which does have the same meaning but the "pals" seems so unneccesary when they could've used partners. The original text is Takameau futari, the first part means "to raise" or "to lift" and futari means "two people" or "a pair/couple". So it technically is a good enough translation but using pals when partners would be more accurate to canon just seems.. off.

I’m assuming their avoidance of the word partner is because it could easily be misinterpreted as romantic, but they seem to have moved on from that at this point.

There's also THE POWER OF UNITY where they switch out "love" (daisuki) for "cares about a lot" when KAITO is comparing the relationship between Arata and Souma to Akito and Toya. Daisuki literally means "likes a lot" so often you'll see people translate it as love, though likes a lot is still valid. "Cares about" is not a direct translation but definitely can still convey the same meaning, so again instance of valid localisation it just seems like an odd choice when using love would've conveyed the exact same meaning and been more true to the original.

Then you've got another instance of them not translating daisuki correctly in Dear Me, As I Was Back Then (sorry this one is a wiki screenshot my phone died). This is worse. Like I guess if you really want then it does have a close enough meaning to the original. Like I guess daisuki meaning "like a lot" or "love" could be localised as "you're the best" if you really wanted it too. But even then, the line before this is "I'm gonna show just how much I admire her!". Minori's shout of "I LOVE YOUUU" from the original would be way more fitting here. "You're the best" feels too casual and buddy-buddy - even if Minori didn't know Haruka at this point, Haruka still had a big impact on her life and imo "I love you" would be the best to use here.

There’s also this one from Walk on and on that removes one key thing. In the original, Toya says something more along the lines of “I was able to make this track because I want to continue to be a partner who can stand shoulder-to-shoulder with you from now on and always”. This is a bit more similar to the Asahi incident in that they’ve restructured the sentence to make it two, adding in the thing about performing which isn’t even there originally, and replacing “korekara saki mo zutto” with “keep singing with you”. And “keep singing with you” still works, but it’s much more toned down, let’s say. You know what really is odd about this translation though? If the quote I put seems familiar, it’s because it’s also the name of Toya’s event card. Kinda odd they omitted that from the story then, huh? The thing is the translation of the card is very accurate so removing it from the story starts to seem intentional, especially when everything around it is accurately translated like with the Asahi incident. Also doing this removes the fact that the card name references the story so what the hell are you doing EN? It's the same sentence, if you can translate it correctly on the card you can translate it correctly in the story.

There's definitely more than this, this is just what came to mind first and I don't want to make this post too long.

These were certainly... choices. Especially with the ones that avoid translating daisuki as love because they do translate as that on other occasions, most frequently with An and Kohane. I'm assuming the reason they omitted it with the guys is because it's far harder to pass off guys saying that they love each other as platonic because societal expectations or whatever, but I'm actually surprised by the change to Dear Me because normally they're pretty good with Minori and Haruka usually. Like they've translated daisuki correctly for them before and leave in everything else that indicates Minori has a crush on Haruka, so why not this line?

I'm tempted to say that they just change the things that they think are too hard to safely pass off as platonic, but then again they left all of the unsubtle ship teasing in Buddy Funny Spend Time, which has a lot of focus on Minori and Haruka's relationship (and they even added in Haruka saying that Minori makes her heart tickle in her card story), so I'm genuinely not sure why they left that in but then changed one instance of Minori saying she loves Haruka which doesn't even have to be interpreted romantically. Like what is the limit here? An can say she's going on a date (with Kohane) and the WEG regulars can ask who she's been seeing, but Asahi can say he fell in love with Tsukasa's character and it gets removed. Both of them have romantic connotation. The only thing I can think of is that An's comes from a whole card story and event, but Asahi's is one line that's easy to remove. Same with Toya saying he wants to stay with Akito forever.

In other words, it's a mess and I don't think any of what I just wrote is coherent either.

Interpret all of this however you will at the end of the day it’s all just ship tease which is up to interpretation anyway. Except the Asahi thing. That one is a censor.

Oh and the KR and TW servers don’t do this.

[hobiebrownismygod]

Let's talk about Miles G./Prowler Miles and his characterization in fanfics/headcanons

I'm gonna refer to him as 42-Miles throughout this analysis btw

Fairly short post, about 1.1k words with pictures and gifs to help explain <3

Summary: I'm gonna analyze his characterization as being angry/aggressive, I'm gonna talk about his backstory a little bit and compare him to the original Prowler and then I'm gonna rant about his sexualization a little bit as well.

1. Characterizing him as angry/aggressive

Most of the fanfictions/headcanons that I've read treat 42-Miles like a thug. They act like he would be overly aggressive toward the reader/y/n and often characterize him as slightly misogynistic and a bully. One question. HOW? I genuinely don't understand where people get these headcanons from. You're telling me that this guy, who is literally the exact same person as Miles Morales, would be a cheating, narcissistic asshole who needs to be fixed by some random girl? Are you kidding me? Do y'all think RIO MORALES would've allowed that to happen to her son? HELL NO.

This hispanic lady?? BFFR

In the scene between Miles and 42-Rio, we see her asking him to get groceries, cracking jokes with him and just having an absolutely lovely mother-son dynamic. Its because of this that I think that he's actually a sweet, kind boy who's just trying his best to take care of his family. This little thing that he and his mom have going on proves that 42-Miles is not a bad kid. He's a genuinely nice guy who was thrown into a crappy situation.

As for his whole "You can call me the Prowler" persona, that's obviously just a setup. Miles did the same thing in the first movie when he met Peter B. Parker. He tied him up to a punching bag and put on a slightly deeper voice to confront him. 42-Miles did the exact same thing. He tied up Miles to a punching bag and did his best to intimidate him with the claw and the voice. He's just trying to look cool in front of his twin, guys. He's not that way normally. If anything, he's just gonna be a slightly more depressed version of Miles, but he's still Miles.

Its practically the same scene.

This type of characterization happens a lot towards edgy black males in the media. The same thing happens with Hobie Brown. He's portrayed as cool, a rule-breaker and a punk and immediately, people characterize him as dirty and violent which are nasty stereotypes targeted towards African-Americans. 42-Miles is portrayed as intimidating and edgy and immediately people are quick to say that he would be an asshole and that he would be a bad boy which are also horrible stereotypes. This is blatant racism and its not cute or fun to read. If you want him to be aggressive in your fanfictions, give him an actual reason to be aggressive. Don't just assume that he would be, because if you really think about it, he wouldn't.

2. Calling him a murderer (The original prowler didn't kill people)

A lot of the fanfictions/headcanons that I've read that involved 42-Miles treat him like a murderer and romanticize the idea of him being a criminal. Authors write stories about him violently murdering thugs and beating people up for no reason. Any f.f. involving his identity as the Prowler usually has a killing scene written in or an implied murder scene.

It has been confirmed that 42-Miles is gonna be an anti-hero. Now the Aaron Davis version of the Prowler did kill people. However, he wasn't an anti-hero. If we're going to compare 42-Miles to a Prowler, we need to compare him to Hobie Brown, who was the original Prowler.

Hobie Brown was also an anti-hero who actually helped Spider-man multiple times throughout the comics. He never killed anyone and after trying to lead a life of crime, he actually ended up quitting. This suggests that 42-Miles would be similar if not the same, because its confirmed that he's fighting against the Sinister Six, and isn't a "villain" and therefore would not kill anyone.

He's also 15 years old. Why are people acting like a 15 year old would be a murderer? There is no way this 15 year old kid is going out into the streets and beating up thugs. This guy was supposed to be Spider-man, remember? He fights for justice and he fights against real villains, like Doc Ock, Scorpio, Rhino, all villains who are confirmed to exist in Earth-42.

This headcanon is extremely inaccurate and people really need to chill out on the whole "Prowler" aspect of his character, because he's still Miles. He isn't a whole new character. He's literally Miles Morales in a different font, and he's not gonna be a murderous maniac.

3. Sexualizing him (he's a minor!?!?!)

I'd say about 70-80% of the 42-Miles fanfictions that cross my feed contain smut. People age up Miles, not for the plot, not for the headcanons, but just to write smut.

Personally, when I read a fan fiction or a headcanon about a character, I imagine them in my head when I do. I genuinely read the fan fiction like it would be played out with the character. So to me, people who are writing these smutty fan fictions are imagining a minor in their head while doing these things. This is absolutely insane to me.

Now I know a lot of people are gonna come for me for saying this because "if you don't wanna read it then just scroll" and "he's aged up so its okay" but this is normalizing pedophilia.

Once again, I see the same thing happening with Hobie. Why? Once again, casual racism. People see an edgy black male and they immediately assume he'd be super sexual. The people writing smut about Miles are the same way. They see an attractive black teen and the first thing that pops up in their mind is "I'd let him fuck me." He's 15 years old. No one should be writing smut about this kid. He doesn't do anything sexual in the movie, he doesn't have a confirmed love interest, he was literally on screen for two minutes. Stop treating black characters like sex toys and enjoy their damn storylines.

I explained more on the sexualization of black characters in the media in this post here if you want to read more into it or still feel a little unsure about my analyzation. I included sources as well <3

This guy is a tired CHILD. LOOK AT HIS EYE BAGS

As for the whole "aging up" thing, aging up a character for a fan fiction and aging them up for smut are two very different things. I've read 42-Miles fanfictions where they age him up, but they actually add to the plot. This one fanfiction I read (I'll link it if I find it) aged him up to create a officer x criminal trope, which I found absolutely adorable. They were able to write an amazing story with zero smut. Compare this to people who are saying "I'm aging him up to 18 <3" and its just 4000 words of straight, gut-wrenching smut.

This genuinely disgusts me. I don't know if its just me who feels this way about his sexualization, but its so icky to think about. You're taking a literal child and imagining yourself doing all these things with him and posting it for the rest of the world to see. A lot of the people who write these fanfictions are 18+ which baffles me as well.

Stop sexualizing minors and stop aging up characters just for smut. It's messed up.