#and going to ask him out

[morriscribbles]

i just think this kind of dynamic is really funny

Grisvaldt and Azir belong to @erezar-zaral-rezanova

[pangur-and-grim]

one thing that took me embarrassingly long to learn is "sometimes when people say things, they will not be true."

I used to tell people about this revelation and they'd be like yeah.....duh.....but like, why wouldn't my base assumption be that you're communicating to me in a straightforward manner. anyway, I get scammed a lot.

[noodles-and-tea]

How does Ford react to Fidds taking Stan with him on a creature hunt? A sea based hunt at that.

He gets a lil jealous

[hinamie]

spiraling

[daisybell-on-a-carousel]

Being someone who read Under The Red Hood and came out with the firm belief that, for Jason, it's not about killing Joker, it's about Jason wanting proof Batman would choose him over the Joker (bc shelia chose the joker). Makes seeing any other media where it's all about just wanting the Joker dead is a teeny bit frustrating. to be honest

Jason could've killed the Joker himself, really, really easily. Jason kidnaps the Joker before the confrontation. I can't open my comic for a reference right now, but it felt like he had the Joker for quite a bit before the confrontation. He had him. He beat him up with a crowbar. He had every single opportunity to kill the Joker himself, but he didn't because that wasn't his goal. Make no mistake, he did plan for the Joker to be dead by the end of it, but do you see what im trying to say here

Edit: If I knew this post was gonna get 1000+ notes I would've tried to word it better or something, this was a rant I made on the way to the grocery store 😭

It's not about making Batman kill either. When Batman says he won't kill, Jason adjusts and goes, 'Let ME kill the Joker or kill me to stop me' instead. The test is all about Batman choosing him. The whole final confrontation is Jason's first death again. The parent, The Joker, and the explosives. It even ends with Jason unable to move as a bomb goes off right next to him again because the parent didn't choose Jason. And instead tried finding an option that'd benefit them and (consequencely) letting the Joker walk, again, lol, lmao <-in agony

[suja-janee]

I’ve been losing my mind over these guys recently

[choccy-milky]

@foundthatoldzeppelinshirt what did u do to me...what in the wattpad is this... i only planned to do a few doodles but then i kept getting more brainrotted and things got out of hand LMAOO (and ofc i HAD to draw hockey player seb at SOME POINT bc its my duty as a canadian citizen🫡🍁🍁 O CANADA!!!)

[umblrspectrum]

part 4 of a lot funnier in my head than on paper

[lucabyte]

On autonomy, and what it means to be Obliged to Help.

Bonus:

[sp0o0kylights]

Grass is green, water is wet, and Jonathan Byers does not like Steve Harrington.

These are known facts in the universe.

Computers were going to take over the world, a “mobile” phone was being invented, and Steve Harrington had lost most of his hearing.

These were unknown facts--rumors even, if you will. Eddie had never seen even a grain of truth to support any of them. 

(Well, maybe the computer thing, but only because Grant and Dustin both had made a couple of convincing arguments.) 

So he doesn’t think about it, when his freshman gang up on him. 

Doesn’t even factor the “can’t hear well” thing in, when he was tasked (demanded, whined, bitched and moaned at) with helping them explain to Steve why going to the release party of the new D&D box set, located at a hobby store only a mere 2 hour drive away, was important.

Eddie’s not even sure how the little shits got him to agree to do it until he’s standing in the parking lot in front of the former King himself. 

“The store’s leading up to the release with a handful of one-shots.” He’s explaining, unsure whether to pull out the bored act or play up his court jester persona, and thus mixing and matching on the fly. 

He does not care if Harrington doesn’t know what a one-shot is. 

“They’re releasing the set at midnight. You have to be there to get it though, you can’t have someone else pick it up for you because they only got a certain amount in.” 

Harrington’s frowning (no surprise) but it’s not until Eddie is well into his spiel about how his van is already full with the elder members of Hellfire, and thus has no room for the freshmen, that he realizes Steve isn’t quite looking at him. 

Is in fact, looking over his shoulder.

Eddie stops. Follows Harrington’s gaze.

Parked across from Steve’s Beemer, is Jonathan Byer’s barely working clunker car. 

A handful of steps in front of it, and thus nearly right behind Eddie, is the man himself.

His hands are still moving, mouth shaping words silent as he goes, his gaze locked not on Eddie or the kids--but on Steve. 

Who turns back around as Harrington’s eyes slide right back to him. 

“And this is taking place next Friday?” He says, in that sort of annoyed but resigned way parents aim at their children. “After school?” 

“I’d like to go during  school, but the freshmen insist you wouldn’t let them ditch out.” Eddie tells him. “They had two separate arguments about it.” 

Loud ones, that had interrupted the game and given Eddie a migraine. 

Once again Steve’s eyes slide away from him, to Jonathan. 

“They’re not skipping school.” He says suddenly, a glare forming and Jonathan makes an annoyed noise. 

“They argued about skipping, they’re not going to.” He says aloud, and finally steps up so that he’s next to Eddie instead of behind him. 

“Munson slow down, I can’t sign as fast as you’re talking.” He adds, in the hang-dog grumble he’s notorious for. 

Eddie stares at him. 

“Can he seriously not hear me?” 

“No.” Steve and Jonathan answer together. 

“I can kind of still hear,” Steve adds, gaze returning to Eddie’s face. “But its more loud music or noises. I can lip read, but you’re also talking too fast for that.” 

Without pausing, he turns back to Jonathan and says; “Why can’t you take them?”

“It’s Friday.” Byers deadpans. 

Eddie’s not an expert on sign language, but his hands somehow looked deadpan too. 

He’s not sure how Jonathan did that. 

“So?” Steve snarks back. 

What follows is an argument that Eddie is not, at all involved in, mostly because he’s too busy handling the fact that Jonathan Byers has learned sign language, for Steve Harrington, apparently, and given the tone the argument is taking they still don’t even like each other.  

Eventually the argument ends, Steve throwing his hands in the air and demanding that Jonathan owes him. 

(Eventually Eddie will corner the ever so quiet Will Byers and ask why the hell his brother learned sign language for someone he clearly fucking hates.

“Oh they don’t hate each other.” Baby Byers would say, in that shy, quiet way of his. “I think they’re actually friends now?” 

“You think?”

“Well--you’ve seen them.” Will shrugs. “I think being mean to each other is kinda their thing.” 

‘What the hell.’ Eddie would think, right up until he stumbled across one of the kids sign language books. 

Byers the Elder, he decides, isn’t the only person who should learn sign language to chew out Harrington properly.

The pay off is immediate. 

Or at least, the pay off of watching Steve’s shocked face the first time Eddie signs something vulgar at him is, anyway.)

[poorly-drawn-mdzs]

In the world of heavy metals, love is denser than hate!

[hawkinsbnbg]

"Is it true that you and Harrington are friends now?"

Steve paused outside the drama class' door and lowered the hand that was about to push it open. He didn't expect to eavesdrop when he came back to retrieve his jacket, but he decided to make an exception because those people were clearly talking about him behind his back even when it was in the form of drilling Eddie about their sudden friendship.

And Eddie's friends were right to be suspicious about it. Because had it not been for the Upside Down, the two of them wouldn't have become close at all. Or maybe, they would eventually with their shared custody of the kids. But he was well aware that Eddie was too cool to be seen with a failure like Steve Harrington.

Without the shared traumas, they had nothing in common. And sometimes, he thought Eddie only saw him as an inconvenient cousin that he hated but had to tolerate for the sake of their family.

It hurt to think like that, but every time Eddie blushed and stammered in embarrassment when someone asked about him, Steve couldn't help but believe it was true.

So now, he wanted to know what Eddie's answer would be without him there. If Eddie had been genuine about being his friend this whole time or if Eddie would scoff and prove his worst fear right.

"Yeah, Eddie, what's the deal with Harrington? Has he been bothering you or something?"

Steve grimaced. Had he been such a douche in high school that everyone would always assume the worst of him even now?

"Nah, he's really sweet once you get to know him," Eddie chuckled, sounding fond and warm. "He's a good guy. And the world's best mom, apparently. Like I already knew our sheepies worship the ground he walks on, but I only understood why it's clearly a given when I finally met him. He's just... incredible, man."

Steve's cheeks burned at the transparent affection in Eddie's voice. He could see the way Eddie pulled a strand of hair to hide his blush behind it. God, he was a bad friend for doubting Eddie in the first place.

"Gross, you sound lovesick, dude."

"That's homophobic, man."

"You know what I mean. So it's true that you're friends with Harrington."

There was a pause and Steve felt his stomach roll with nerve. Despite having known where Eddie's loyalty lied, he still waited with bated breath.

"We're boyfriends, actually," Eddie said calmly.

As the others erupted in surprised noises, Steve blinked owlishly and walked away, forgetting about his jacket. He had so many questions right now, but first:

When did he and Eddie start dating?

[iamlostandinneedofcoffee]

I like to imagine that every once in a while Red Hood just goes off comms for long stretches of time and comes back bruised as shit and exhausted before logging off for the night and the rest of bat brigade is trying to figure out which villain of the week keeps jumping him.

Eventually they, cause communication is a skill no one learned, just start harassing hood’s men to find out whose turf they are invading only to find out they thought the bats were beefing with Red again cause he keeps mumbling about brats.

Now they are trying to find out which one of them is lying about fucking with Jason and no one is owning up, the trackers they keep putting on him are fizzling out, no one as any idea and Jason ain’t saying shit. But like he’s never properly irritated about it or asks for help nor can they find anything out so they let it go for now (read keep trying to track him to no avail).

And then one night Red Robin comes across Red getting chased and then fighting off a feral looking teenager on the roofs of Crime Alley and just when he looks like he is getting the upper hand another drops down from above (how the fuck the nearest taller building is not anywhere near close enough to dive into the fight from what the fuck?!?) and joins the brawl.

Tim is about to rush in to help Jason before the two teens’ heads turn in unison to him with Lazarus green eyes and look like cats when they see a red dot. Jason panics and before he can grab them, they leap and now Tim is in a cartoon brawl dust cloud and all and Jason has joined in and is calling them all brats and how his gunna whop their ass- and there is a foot in his mouth.

And yet through it all Tim never feels afraid. In fact, as he fights he realises they are keeping up and beating him all whilst smiling and punning(?!? They must never meet dick SHIT DUCK) and that won’t fucking do, so he brings out all his tools and tricks and is getting matching by two raccoon twins. 20 minutes later they are all grinning bloody smiles and just as he is about to slam his bo staff up into into the female looking twin, a whistle is blown.

They all freeze and look over in unison as if they all became shining quadruplets at a giant shit house built fucking man. And like Tim has seen big men. Bane is a big mother fucker. Superman is a big mother fucker, and is also shaped like one. Bats is big but this guy even though his is maybe not as large he feels infinitely more terrifying and that’s before you get to the flaming(fucking literally, how does that even work or stay in the pony tail) white hair.

“Alright enough for tonight or foods gunna go cold. Inside.” A voice bellows across the roof before the man disappears??!? At the mention of food the one top of Tim almost starts drooling, gets up and starts dragging Tim’s still prone body across the roof and off of it OH FUCK AND INTO A WALL WHA and they went through it… well

A couple second later Jason and the other dude stumble in. Jason picks Tim up as he is coming down from that mini adrenaline rush at and puts a arm around Tim, half hug half chokehold, saying “say nothing and you get to join once a week. Say shit and you’re haunted.” And walks off to the kitchen and starts bringing out food.

… safe to say the rest of the bats are now confused why Tim of all people is now turning up bruised as well with Jason, cause if it was him to start why has he started loosing all of a sudden??? And he says fuck all but his weapons and fighting style has got more chaotic and terrifying.

Oh and he seems to be eating… well you win some and lose some

[lomlkenji]

༊*·˚ pretty boy | peter parker

main masterlist

for you, peter is the literally definition of pretty. his big brown puppy eyes and his perfectly structured face, his lean but muscular built, his cute little pout when you don’t give him a kiss before he goes patrolling.

he is just so so very pretty.

you don't know know how long you have been staring at him for, but he didn't seem to notice. too busy focusing on his science project, and his concentration is very hot.

his long slender fingers moving carefully and slowly to put the pieces together and your attention only zeroed on them. such, such pretty hands.

the weight of your stare was starting to make peter nervous. peter gets flustered very easily. and with you? you didn't even have to try.

peter suddenly put down the components for his project and turned to you, “i know i'm hot but can you please stop staring at me like that?” he mumbled, as a soft blush appear on his face. his tone was confident but you can sense his nervousness.

he tried focusing on his project again as you chuckled, the kind of chuckle that sends tingles all over peter's body, “sorry pete, but you are just so very pretty.”

wow. okay he didn't expect that.

peter chocked on his saliva, his body hot all over, nearly dropping the pieces of his homework.

“baby, you can't just say things like that.” he looked at you, eyes wide and soft. and it makes you grin.

“it's the truth.” you shrugged, “you're my pretty boy.” you know you're testing his limits, but it was fun teasing peter.

peter's mind malfunctioned. he's trying to ignore you, but the way you said my pretty boy is replaying over and over in his head.

“damn it.” he quietly swore, putting down whatever left of his project and turning to you.

your eyebrows rose in a teasing manner as a smirk finds its way to your face. “what?” you innocently asked, but you know exactly what you're doing, and he knows it too.

peter chuckled as he walks to where your laying at the bed. the sound send a shiver up your spine and now you're the one who's nervous.

he leaned closer to you, you could feel his breath on your lips as you both took a moment to admire each other. peter was staring at your eyes to your nose and your soft lips, bringing his eyes to connect with yours again and you could feel your stomach doing flips.

“and you're my pretty baby.” he whispered softly before cutting off a whine that rose up your throat with his lips.

his lips were a little chapped, but it fits your perfectly. your hands move to tangle on his hair, giving it a little pull making peter groan into the kiss. he leaned back, his warm hands move to find comfort on your waist as he brings you onto his lap.

peter felt like his heart was about to burst. every single sense of his is override and all he can focus on is you. you. you.

his home.

reblog for a kiss <3

[vaguely-concerned]

thinking about not only the specific people lucanis pulls in to represent the 'locks' in his psyche, but the storytelling that happens in the structure/order of them. the underlying ideas are presented something like:

the lucanis who went into the ossuary never came back out again; he died down there (the boy caterina raised is gone forever) -> you're putting yourself in danger doing this (by being close to me), you should leave because I can't bear it if you get hurt because of me -> it doesn't matter even if we do try this, it won't work anyway (again because of me) ('you know what he's like, you can open the door but he won't walk through it' :'( oofie doofie) -> what if the real secret is that there was never anything but the monster in here from the beginning. you should leave, there was never anything here worth saving in the first place. (implicitly: what if I deserved what happened, all along.)

it runs pretty cleanly from outward-oriented attachment anxiety ('caterina won't even want me back like this, she won't recognize me (the same way I no longer recognize myself)) and gradually deeper inwards until we reach self-image and self worth. or you know, the harrowing basic lack of it lol.

"careful -- they'll know we're not right," spite says in one of their first scenes... but clearly, some very deep part of lucanis has feared or suspected for much longer than that that there's something inherently not right at the core of him, way before any demon entered the picture. and the voice he gives those lines to is the person who should know him better than anyone in the world, who he has loved more than anyone in the world -- and who deliberately chose to hurt him so horrifically anyway. 'It's better if I'm just a monster and deserved what happened than it is to allow for the idea that the brother I love doesn't really exist and maybe never did'. it's better if he's fundamentally flawed in some way that needed fixing to help him survive, and that's why caterina chose to hurt him again and again -- out of love. (this one I think he might have a very sad wakeup call on one day if he ever ends up with the responsibility and care of a child of his own in some way and realizes just how alien the idea of ever intentionally hurting them for any reason is to him. oh buddy. also interesting that he keeps caterina as the outermost lock -- there IS a distance he keeps there that he hasn't with illario. he doesn't resent her 'anymore' he says, but he also keeps her carefully further away from his deepest self.)

as far as I could tell the only note in the mind prison that's fully hidden and needs to be uncovered is the sad painful helpless stupid little truth that even after all this, even knowing what happened... he still loves his brother. is there anything illario could ever do that would make lucanis completely stop loving him, do you think? sometimes the trouble with unconditional love is that it is, well. unconditional, even when some terms and conditions probably would have been in order haha.

that's the pattern you see there again and again; he would rather destroy and abandon and imprison himself at every turn than let go of love, even when it's just scraps, even when there's only ever enough of it to hurt him. it's only when rook shows up and as it were takes his hand and walks along with him that he can entertain the idea of changing the story of what walking out the door might mean in the end.

[chloesimaginationthings]

you draw adult michael like he kisses boys daily instead of taking his meds but teen michael like hes homophobic and you're so real for that tbh

This is such a funny read but you’re sorta right too