#and for the destroy should have been a bad end

[cosmicjoke]

I think you misunderstand my point entirely. It's not about the practical reality of whether Ash could "conceivably" have escaped his life of crime and lived a secure and anonymous life with Eiji, and it's certainly not me saying I think Ash had to somehow "pay" for what he had done during his days as a gang leader. It's about what Ash thinks of himself, and his particular trauma and the damage wrought upon him and his psyche by the severe abuse he suffered and the life he was forced to live as a consequence. It doesn't matter if Ash could have realistically or potentially escaped his life, because he couldn't escape the self-hatred that the abuse he suffered instilled in him. It doesn't matter whether his being in Eiji's life wouldn't have actually endangered Eiji, becaues Ash believed that his presence in Eiji's life did. He couldn't escape his trauma, and that's really the point and the purpose of Ash's death, in the end, is it doesn't allow the reader/audience to undermine or downplay what Ash lived through by acting like everything would have been hunky-dory if only he'd been able to run off to Japan and live happily ever after with Eiji. It forces the audience to contend with just how devastating Ash's trauma is and the true horror of child abuse by showing the tragic end point of it in Ash's death. Ash quite literally dies as a result of that abuse, because it was that abuse that led him to run away from home, which in turn led him into Dino's hands, who's further abuse led him into a life of crime, which, ultimately, is what led to Lao believing he had to kill Ash in order to protect Sing.

Ash had all the ability in the world, all the potential in the world to be whatever he wanted, sure. But it didn't matter, because his life was destroyed by the abuse he suffered and by the people that abused him.

Banana Fish offers no idealistic ending or silver lining to the life that Ash was forced to live, and that's what makes it such a powerful work of art. It presents a naked and raw depiction of the true consequences of child abuse and forces the audience to contend with that reality. It doesn't allow you to console or comfort yourself with notions that anything, no matter how bad, can be gotten over, if only you try hard enough. That's just not reality. There are so many people in real life who never get over their trauma, who never make a full recovery, or even a partial recovery, and it's one of the most insidious and cruel aspects of this insistent claim that everyone can recover from their trauma, because it's essentially telling the people who can't that the failing is their own, sending them the message that they failed because they didn't try hard enough, or simply weren't strong enough. And that's just simply not true. People who are unable to overcome their trauma are no less than anyone else.

Ash believed plenty of things about himself that weren't true, and that's the point. He believed those things because he'd been conditioned through years of horrific abuse to believe them, and him dying in the end forces you to contend with the true weight of that, by denying Ash what he actually deserved, which was a life of happiness and love. It's so absurd to me when people say "Ash didn't deserve to die" or "Ash deserved better". Like, no shit. But Ash didn't deserve any of what happened to him in his life, and again, that's the point. It didn't matter what Ash actually deserved because he was failed so completely by the people that should have protected him in the first place, and it's their failure that resulted in Ash's life being so unfair and cruel. It's because they allowed Ash to fall through the cracks. The same story of so many abused children in this world. None of it is deserved or fair, but it's reality.

Banana Fish is meant to serve as a warning for why we can't allow the things to happen to children that we see happen to Ash, and it drives home just how unacceptable allowing those things is by having the story end in Ash's death, by giving us the worst possible outcome for what Ash suffered, and so impressing upon us why we have to try our hardest to make sure what happened to Ash never happens to anyone else. Ash's death forces us to face the true consequences of allowing children to be abused. We aren't allowed to pretend through Ash's "happily ever after" that what happened to him really wasn't so bad after all.

Further commentary on the ending of Banana Fish (Spoilers):

Look, I understand the controversy and upset surrounding the ending of Banana Fish.  My last post on this topic seems to have pissed some people off, which was never my intention.  But I think maybe I could have worded things a bit better, so I’m going to try again to explain why I feel like the ending of Banana Fish was so perfect.

It’s not a happy ending, and I don’t think anyone, anywhere, will try to tell you that the ending was meant to make anyone happy, or satisfied.  That’s the point.  It’s not MEANT to please the reader.  It’s meant to remain true to its narrative realism.  And in that realism, it’s meant to break the readers heart.  And boy does it do both.

I don’t think anyone would tell you, anyone with any ounce of feeling in their heart, anyway, that Ash didn’t deserve a happy ending, or that he deserved to die after all the awful shit he went through.  I think we can all agree that we would have wanted, if we had a choice, to see Ash have a happy, hopeful ending with Eiji in Japan.  We all agree that Ash DESERVED a happy ending, because he was a good person who was dealt about the shittiest hand in life a person can have.  And despite all that shit, he retained that innate goodness of heart that made him who he was.  He never became a monster, like the people who used him up and abused him over and over again.  That’s what makes him such an extraordinary character that’s deeply loved by so many people. He absolutely deserved to be happy.

But that’s the thing. Banana Fish is a story that deals in reality.  Everything that happens in the story, despite the often extraordinary, larger than life circumstances, is dealt with in a way that is, very often, brutally, painfully honest and realistic.  It doesn’t give us what should be, it gives us what IS.  And that makes perfect sense in accordance with its relation to writers like Hemingway and Salinger.  They wrote stories that dealt in brutal honesty and reality too, and both writers are referenced throughout Banana Fish.  And it’s Banana Fish’s commitment to that brutal honesty and reality that makes it an authentic piece of art.  People want a fairy tale ending, where Ash gets to ride off into the sunset with Eiji and live happily ever after, but at no point in Banana Fish are we given any indication that the story is, at any point, going to delve into the realm of unreality and fantasy, and give us such an ending.  To do so would have been a betrayal of the genuine nature of the narrative. It would have ultimately robbed it of its authenticity as a piece of art, and the story, as a result, would have been left hollow and lacking.  

Banana Fish, throughout its narrative, shows us that terrible things happen to good people, and that good people are often forced into doing terrible things.  It never shy’s away from that cruel, heartbreaking reality, and the ending is no exception.  

It affects us so deeply, and leaves us so upset, because it’s so REAL.  It feels genuine to us, it feels real, because it refuses to betray its honesty for the sake of a happy fantasy.  It remains loyal to the harsh truth of reality, and the harsh truth of Ash’s reality in particular.  Ash is a deeply damaged, broken person, who’s experiences in life are the very definition of cruelty.  Here is a boy who, since the age of seven, has experienced sexual, mental, emotional and physical abuse repeatedly and on a scale truly unfathomable to almost all of us. A boy who was forced into a life of prostitution in order to simply survive on the harsh streets of an unforgiving city.  A boy who, again out of a necessity for survival, has had to kill other human beings. A boy who, out of a desperate situation in which he was forced to choose either to save his soulmate or watch him be murdered by his best friend gone berserk in a mad, drug induced insanity, had to kill his best friend by shooting him straight through the heart.  A boy who, each time in his life that he’s tried to build real and meaningful relationships with other people, Griffin, the girl he liked when he was 14, Skip, Shorter, Eiji, he’s had to watch those people he allowed himself to grow close to either die or almost die, over and over again.  All of that combined creates a level of trauma that’s so far beyond the normal scope or understanding of a regular human being, so far beyond any discernable mechanism for coping with trauma, that to expect Ash to just get over it, for it all to magically be okay just because he moves to Japan with Eiji, is the height of unrealistic, and, again, would be a betrayal of the authenticity the story marries itself to from start to finish.  

Ash’s death is a tragedy, as his life was a tragedy, and the story is a reflection of that.  It stays true to that narrative, and never compromises on it.  That’s the point.  Life doesn’t always have a happy ending.  People that have suffered severe, irreversible trauma don’t always recover, and can’t always heal from it.  People who have suffered in the obscene and brutal ways that Ash has aren’t always going to be alright.  Sometimes it’s just too much.  For Ash, it was just too much.  Too much damage.  Too much heartache.  Too much pain.  Too much loss.  Sometimes we can’t overcome our damage, and that reality presented in this story scares people, I think, because it’s so nakedly honest and unapologetically expressed.

The ending is so god awful painful too because we see, in that moment after Ash reads Eiji’s letter, hope bloom inside him.  For an instant, this belief that maybe he can have a happy ending, when he thinks he’ll catch Eiji at the airport, and maybe go with him.  And in the next instant, he’s mercilessly reminded of that hope’s falsity. Hope springs eternal, but not always true.  Hope and happiness were never meant for Ash.  The chance for that was taken from him before he could even understand what those concepts were.  The thematic arc of the story was telling us from the start that it was going to end in tragedy.

People weren’t meant to LIKE this ending.  It wasn’t meant to make them feel good, or okay with what happened, or fulfilled.  In fact, I’d say, it’s meant to make you feel completely devastated.  As the story reflects reality, so often too does real life end in a way that leaves us feeling lost and confused and heartbroken.  Banana Fish is so good because it stays true to that sense of reality, right until the very end.

The ending doesn’t leave us feeling happy, but it sure does leave us FEELING.  Like any real piece of art would.  The emotions it conjures are immense and, for some I guess, too real. That sense of loss and hopelessness and pain it leaves us with is so effective because, again, it’s so honest. And I guess that because those emotions are so real, and felt so deeply, and with such intensity, it leaves some readers and viewers feeling angry.  Lashing out at a reality which they don’t want to accept.  The irony, of course, is that their hatred and rejection of the ending is testament to just how deeply the ending touched them.  It didn’t leave them feeling nothing, it left them feeling too much, and they then go into a state of denial, which is really just a stage of grief.  A refusal to accept.  You know Banana Fish is a true piece of art for that, in how it conjures sincere feelings of grief and mourning in us for its lead character in Ash.  We CARE about him, deeply.  We want him to be alright, because we love him.

But real art isn’t concerned with placation.  It’s concerned with truth.  So many great pieces of literature have unhappy endings, because that’s the truth of the human condition, and the condition of life in general.  Real art won’t shy away from those painful, awful truths, nor is it afraid to conjure the feelings which go hand in hand with those truths in its audience.  

With all that said, the tragedy of the ending doesn’t demand a feeling of meaninglessness or desolation at all.

Eiji’s love for Ash and Ash’s love for Eiji is still so pivotal and, ultimately, essential in how the story ends.  It’s what allows, maybe not a feeling of hope, but a feeling of peace.

You sense throughout the story that Ash knows he’s going to die.  Like he senses that his life is too fucked up, that he’s been through and had to do too many horrible things for it to last very long.  It’s like the saying of he who burns brightest burns twice as fast.  Ash is burning, and he knows it.  He’s already accepted it as an inevitable conclusion.  He doesn’t actively seek death, but he doesn’t fear, nor fight against it.  At points throughout the story, even, he asks for it, when the horror of what’s happening to him becomes too much.  He knows death is coming for him.  The only thing keeping him from giving in so easily I think is his lack of agency in how he will.  Everything has been taken from Ash, and he doesn’t want to give this last thing away. This choice in how he dies.

Eiji’s love is what finally gives him agency in that decision.

Ash died knowing Eiji loved him, and that knowledge, that certainty that he was loved, genuinely loved by another human being, without any strings or conditions attached, simply loved for himself alone, is what allowed Ash to finally find the peace in death which alluded him in life.  He no longer feels like he has to keep fighting, or struggling on through an endless malaise of misery and pain, because he’s finally found the calm and acceptance which comes with knowing he has this one, pure thing for himself, which nobody, none of his abusers, can ever touch or take away.  With everything else that’s been stolen from Ash, his innocence, his sense of agency, his own body, his own mind, Eiji’s love for him is the one thing nobody could ever steal away.  And that’s, I think, why Ash dies smiling, because it’s that knowledge, that he was worthy of another human being’s true love, that at last shows him that he was a human being himself.  Not an animal.  Not a monster.  He was a human being worthy of love.

Ash’s death is heartbreaking, and brutal, but there’s deep consolation to be had in knowing he spent his final moments with the feeling of Eiji’s love for him alive inside his heart, allowing him at last to feel like a person deserving, worthy of love.

It’s that which allows Ash to finally let go of his struggle, and let’s death’s embrace take hold of him.  It’s his own. Eiji’s love, and his choice to let go of life.

It doesn’t make the ending any less heart wrenching or brutal.  It doesn’t make us any less devastated by Ash’s death.  But it gives us a sense of peace, in knowing, even if we are left feeling lost and heartbroken, Ash himself left life with the fulfillment of knowing he was loved.

[fllagellant]

One of them hyperspecific polls but

[starlooove]

I’m trying not to be a hater but that tiktok and comment section pissed me off so bad.

[incomplete-ruler]

Ah fuck, even Incomplete Ruler sounds so much better on my new headphones. The amount of times I've streamed this song from DAY 1 of this year (more like week 1) is insane and we're now close to the end the year.

[crooked-wasteland]

When the fans think their ideas are so genius because they ended up in the show when, really, they are simply stolen from them in the first place and still lack any coherence.

The fire in Oops, for one, completely contradicts the show from Loo Loo Land. When Blitz gets thrown from the tent at the start of the fight, he lands in a crate full of Hellfire torches. Throughout the chaos no one is concerned about the very green fire all around them. Blitz is entirely unharmed and even his clothes don't burn. But I'm supposed to believe the fire killed his mother and that it's all Blitz's fault?

We see different types of fire in the Mammon episode with Fizz using blue fire that we can assume is relatively harmless. So why would candles in Hell use green fire and not blue fire? It just seems like a complete oversight, until you recall that a fire was the fan idea of what happened to Fizzarolli. Literally everyone and their mother was convinced and hyped over the idea of Fizz becoming injured in a fire, despite how insane a thought that would be when he still has his tail, the actual first thing that would have been injured and destroyed in a fire before his limbs. The addition of the explosion may have worked for Fizz's arms being gone, but not his legs.

Fans have ideas and Medrano merely regurgitates them without really thinking it through. So if you came to see Medrano's story, it isn't her story. It's a template of her story with other people's half-baked ideas thrown on top with not a single ounce of effort to flesh them out into a cohesive whole.

So when I'm told how much I should pity Stolas, I also know that comes from a fan seeing Stella throw objects (and servants) at him for cheating on her in her bed and that person not at all seeing such a reaction as the realistic and arguably appropriate reaction to being deeply betrayed. It was a fan who didn't care for the context of female rage or broken trust and felt bad for the waifish gay man who didn't raise his voice and thus must be that perfect little victim.

Which Medrano swan dives into such an interpretation without regard for how sane people would interpret that. Despite seeing the nuance of both sides and genuinely believing both can be terrible while also being sympathetic, I'm the one in the wrong for pointing out how Stolas just perpetuates abuse no differently than what was done to him? People who are actually adults and have experience with abuse, who also don't wallow in self-pitying narcissism have still not let this point go. And we never will.

This is why you don't just listen to your fans when it comes to a story. Because it shows how little creativity you really have when you can't fit it into your already established world.

Despite the unnecessarily long ask sent by the other person about Stolitz, they're not wrong. Anti-Stolitz (and Anti-Stolas as well) are disingenuous and ignore every tiny bit of deeper analysis regarding Stolitz that isn't crammed into "Stolas is an monster boohoo"

There is just so many wrong things that you guys talk that is baffling.

I'll just say to: cut with the whole Stolas mischaracterization, Blitz being used as an empty vessel for you guys project your own feelings into him and how he should react, also mischaracterize Blitz and his views, the twisting of Blitz's words and intentions towards Stolas is ridiculous.

As well as cut with the whole "retcon" talk regarding The Circus, which somehow is very common, this is just stupid.

I have no words anymore

[baeshijima]

i fucking hate this gane

throws up tears

[hearteyespierce]

i miss when tv shows got upwards of 20 episodes/season. hate that we’ve spurned the value of “filler” episodes. not every episode needs to move the plot forward in a concrete way. i want character development. i want relationships to have time to grow and breathe. bring me the heads of every studio executive who killed long seasons with filler episodes for the sake of capital on a spike.

[opens-up-4-nobody]

...

[beeseverywhen]

I mean like. Not to bring the mood down but... you guys know that's because American media is everywhere right? Like the world is unable to avoid some version of American accent on a regular basis. Of course ppl find it easy to mimic. This is absolutely not restricted to ppl in the UK, its really common for ppl who learn English as a foreign language to have perfect 'American actor' accents (cause the reason everyone's so good at the American accent that's expected of them as actors is cause at large there's little distinction between regions in the 'Hollywood accent' that ends up on TV and films and stuff. You guys have massive regional differences in pronounceation, but what makes it on to TV (in 9/10 cases) is a very standardised version of American English.)

But yeah. It's not just actors lol. Most British ppl can speak in a passable american accent, as can loads and loads of people worldwide. I'm not saying this to be like 'you should feel guilty! 😡' but it does always stun me when Americans are unaware of the impact their country has worldwide on all versions of English (and even on use of native languages. Many countries are using English more and more over their native languages and dialects , and yeah, historical colonialism has had an impact there.)

But in the last few decades things have progressed way way faster and that, is thanks to the impact of anglo/american/ect lead capitalism. I'm in no way dismissing the impact the UK has on this, but in recent years, its the US that is largely pushing that train .While the UK and several English speaking commonwealth countries are very involved in this kind of capitalist imperialism, there's a reason that more and more people are speaking American English. Not one of the many UK dialects, not Australian English, or NZ English. Across the world more and more people are increasingly speaking in the same standardised american dialect that's in so much of the media you export. Hollywood based media, with that standardised accent/ dialect and the standardised 'normal american life', has a stranglehold on the world and I just find it crazy that a lot of you guys don't even know.

It's stupid stuff like. So many countries are importing american cars and are widening their roads/ changing town planning to account for it (this is less of a thing in the UK but I see it more and more when I travel). Its the food becoming avaliable everywhere. Its the influence that for profit healthcare has even on countries with socialised health systems. Its houses being built to account for American style appliances. Fashion trends. Worldwide, everything is slowly evolving to be closer and closer to this 'American standard' which honestly? I really don't think actually represents the lives of real American people either. You've been turned in to products, the system has taken an unrealistic snapshot of 'American life' and it's being sold to you all day in day out, but it's also being sold to the rest of us. It's being pushed on us all.

Kids in the UK go through phases of talking only in American accents. Anyone born later than the 90s is carrying round 2 sets of spelling and vocab, cause we're all so used to the American way, that you barely know which one you're using half of the time. In the UK we have always had really strong regional accents yeah, and dialects differ between areas that seem tiny to you guys, I know. But like. Those dialects are being lost cause all UK accents are evolving to become closer to this standardised american and yeah not great, but at least we share a language! US American society is largely rooted in the same foundations as UK society, largely we have the same flaws! But oh my god. What about the rest of the world.

It's global. This impact continues to be seen, steamrollering ahead, in places that had completely different starting points. UK culture isn't that dissimilar to that of the US, so we aren't losing nearly as much as cultures that had something completely different. So much is being lost.

Languages and dialects and everything else is just being wallpapered over so we all meet the same ideal of the 'American life' and it's not even real! It's just a product based on how ppl were actually living in the US, manipulated until it's the most marketable mould. You guys are victims of it as well but like. It's based on your culture so you don't lose as much if you conform to it. Just like how in the UK, if we conform, we lose more than US, but nowhere near as much as countries that had languages, dialects and cultures that were so so different to UK/US culture. The less like the US, your starting point, the more there is to lose.

And look. I said it to start with. I'm not having a go. That's not what this is. But you guys really need to be aware, you need to make an effort to understand the impact that this plastic Hollywood american culture is having on the rest of the world. You need to actively look for it, and make an effort to not pay in to it. Because when Americans see other cultures represented in media and say its not relatable, when you guys go on holiday and make no effort to learn local customs, and try and pay in dollars and spend your time abroad like you're still in America, when you see cultural differences and immediately argue that the American way is better and of course everyone should have giant cars and never dry laundry outdoors and live in American style homes, without any kind of critical thought. Just 'this is how we do it so why wouldn't everyone else do it this way. This is the only way. The American way is obviously best.' When you guys do that you are individually feeding in to this absolute bulldozing of cultures (including American ones!) to allow for better marketability.

It isn't any one individual American citizens fault that things are the way they are, and you guys are victims of the same system, but you need to have some self awareness when it comes to the fact that as individuals you are unknowingly, helping driving this forwards and as individuals, there are things you can do to limit your personal impact (and no arguing that you have no culture is not it!!! Being all self deprecating doesn't do shit. Take some responsibility and accept that individual Americans didn't create this system, but currently, individual Americans really are doing their bit to keep promoting it, to keep pushing it on the rest of the world.

And I've already rambled for an age so I'll stop here but I just want to make clear as an ending note here, that this really isn't about piling on Americans and being all 'boo it's all America's fault. They should apologise. Their culture isn't worth anything.' Not at all this is the opposite of that. The fact that millions of Americans have been convinced you have no culture, all while a mimicry of American culture is plastered on to the rest of the world, and while you as individuals are encouraged to help that happen, often without even realising what you're doing; is a crime. You've been wronged, as have we all.

And America is not the problem. The problem is imperialism and it didn't start with you guys. It started in Europe, and Europeans, particularly British ppl, have a responsibility to push back and be self aware, take some fucking responsibility and not inadvertently keep feeding in to that system, just as you guys do. The US didn't start the fire, imperialist capitalism is a fire that started burning long before the United States was even considered, but its on all of us, to do what we can to not feed that fire. And right now? You guys are the face of it.

This idea of what America is, is the face of imperialistic capitalism, and that means that even if you don't mean to, you guys are feeding that fire more so than the rest of us. You're responsible for spreading it, more so than the rest of us. And if you don't step up and take responsibility, accept that you're gonna get it wrong sometimes and you need to try to do better; if we don't all do that. There will be nothing left. They'll paper over it all, the lives of real Americans just as much as those in Scotland and India and the Netherlands, and 100 other cultures, that are at risk, thanks to this fire, that's currently, largely coming from America.

So yeah. It's absolutely not just on you guys and ppl who act like there's no racism or wealth divide in Europe or anywhere else for that matter are complete idiots, however, this Americanisation of the world (and I hesitate to call it that. Because its not a representation of real American lives. Its simply wearing an American face.) Its real. It's happening.

And we don't tell you about it to make you feel guilty (those of us who aren't dicks at least) ,we are telling you. We are kicking up a fuss. Because it isn't fair. It's not right and while individual Americans ignore that and refuse to take responsibility where they can (small apples. We aren't asking for you to call a violent revolution in our names. Just take some time to learn about the rest of the world. Stop assuming America is always right and examine your biases. When you find them. Stop personally pushing them.) , while that is happening, as individuals, you are contributing to this. It's not even altruism. This system is hurting Americans too. It's hurting us all. All we ask is that you do what you can to not personally contribute, and keep an open mind, be aware. That's all any of us can do.

when a british actor does an american accent everyone’s like “i didn’t even know they were british until they were on colbert.” but when americans do a british accent everyone’s like “they’re supposed to be from east cocksford but their glottal e’s are north dicksford. shameful.”

[strikersin]

If my Actual Real Life Father saw this blog I wouldn't even be able to die. I would just live. LOL. At that point I guess we have different things to worry about .

But I can see his confused and perplexuated reaction . Haha. It's actually cute

[thepersonperson]

Why the hell is JJK 270 called Dream's End?

JJK 270 being titled Dream’s End is so fudging ominous. That’s some Umineko type beat. I’m not sure if I should even judge this chapter as presented because of this. In fact, I'm holding off on posting the other analysis I had for today since I no longer am certain of what JJK 268–270 are.

There's two lines of thought I have:

1) Gege suffering from burnout and bad working conditions plus rushing has caused the writing to decline.

2) Gege still has a hidden ace saved for the final chapter and the weird writing is deliberate.

I'm going to humor Option 2, but only because the title of this chapter is called Dream's End.

(The most 'hear me out' discussion under the cut. Using TCB scans and leaks. Click images for captions/citations.)

[Small Update: Follow-up Discussion on why everyone feels OOC.]

Preface

"Without love it cannot be seen."

This is a phrase and philosophy I have borrowed from Umineko since I've started these JJK yapfests. It essentially boils down to 'discard your negative biases and try to examine things in good faith.'

JJK 268 & 269 have fudging tested that for me. I've been giving Gege and the characters a pretty hard time with the caveat of knowing how exploitative the manga industry is. I initially rejected the idea that these chapters were to be taken at anything other than face-value because of this. In fact, I cited the JJK 268 chapter title of Finale as a reason I've accepted things as is.

And with that same logic, I'm now doing the opposite... So hear me out! I've got some pretty good reasons to be doing this.

What's wrong with JJK 268–270?

There's a lot of things in these chapters that are fundamentally inconsistent with what's been established in throughout the manga. If we use Option 1 to explain these contradictions, these are last second retcons because Gege forgor.

Option 2? We're about to have the rug pulled the hell out from under us because the last 3 chapters have been delusions.

What first tipped me off to something possibly being wrong on purpose was the fate of the incarnated culling game players in JJK 270. Not too long ago it was established that the souls of non-sorcerers in vessels were unsavable.

The souls are suppressed in a way that distorts them permanently or their consciousness is outright destroyed. They were gambling on Megumi's survival due to him being a sorcerer and Sukuna's incarnation method being unique. 99% of them will die and those who survive will likely be vegetables, so why is there a sudden gamble on their survival in JJK 270?

It's such a neat and fine bow to tie this mess up that goes directly against existing lore. It's so ideal that it has me suspicious.

Brain damage from sorcery on non-sorcerers has been established as extremely taxing. I think about Gojo's Unlimited Void (UV) the most when it comes to this. Non-sorcerers were hit by it for 0.2 seconds and required medical intervention for 2 months to fully heal from it. Sukuna, the absolute strongest, tanked some of it and it affected him for the rest of the battle. ...And then we have Megumi who was under it for about 6 minutes and seems to have very little problems from it.

This is bizarre. Someone who underwent the month long bath and UV without Reverse Curse Technique (RCT) should be struggling to even stand after waking up. Sukuna had RCT and the Gojo brain damage still took him out. This screams of inconsistent writing unless...this is a deliberate hint that something is amiss.

I want to draw attention to the panel Megumi's UV damage is addressed. Just about everyone has been seemingly waiting around in the same spot for him to wake up. It's a bit weird given that sorcerers don't usually do that. They usually get a move on asap. And after the destruction of Shinjuku and the Culling Game Players still running about, why would they take a breather to discuss their plans that worked?

But that's not what started bothering me about that panel after reading JJK 270. It's that characters who aren't in the room, start appearing without warning. Look who is behind Maki and to the left. It's Kusakabe. And to her and Yuta's right? Inumaki. So why is it that Hakari, Kiara, and Ino are in Kusakabe's place while Todo spawns where Inumaki is? (And Yuta is facing the wrong direction too.)

That's pretty fudging weird right? You can chalk it up to Gege forgor but it doesn't stop there. Higuruma enters the discussion in a way that causes Yuji to pause.

Why is Yuji surprised to see him? (And where the fudge did he come from?) Shouldn't he know of his survival by now? And why is he in a cast? Higuruma had learned RCT and fully restored his arms before leaving the battlefield. If he's conscious, then he should be able to heal himself fully no problems.

And that got me thinking... Why is Yuji still missing his fingers?

It was established that he kept his fingers unhealed to help with Yuta's plan. This means that if he won, he has no need to keep them missing. Yuji has fully regenerated missing chunks of his face, including his eye, and stomach. He has RCT just like Higuruma. But it doesn't end there either. Yuji's number of fingers on his left hand keeps changing.

4 fingers, 3 fingers, dubious amount of fingers, 5 fingers. Once again, you can chalk it up to Gege forgor, but JJK 270 came out and the same problem started happening with Megumi's scars.

The same mistake is made within the same set of panels and very big page. That's weird.

ONCE AGAIN, you can chalk it up to Gege forgor, but when these errors occur, like with Yuta mistakenly having his ring on in JJK 251, Gege will note the mistake outright. Gege has made no such comments for Yuji's fingers or the scars. This many “errors” in row when Gege has otherwise been careful with these features could indicate it really is on purpose. (Kind of like Sukuna's everchanging mask. The thing was just moving around and pulsing. That was deliberate not inconsistency.)

What does this mean?

I think it means what we are seeing isn't reality. After all, the most common way to tell if you're dreaming is being unable to count the number of fingers on your hands. Another way to tell is the distortion of faces.

Readers have noticed that something is wrong. The weird timeskips, the lack of lasting consequences, design inconsistencies, characters behaving like similes of themselves, death and pain being glossed over like it's nothing. It all feels so off. But it's still close enough to the original to be somewhat believable. ...Is that not what it's like to dream and not know you are dreaming?

Why is it that the chapter titled Dream's End ends with the hunt for a curse user whose ability is to distort the perception of reality?

Dreams and Delusions in JJK

We already know Gege weaves Buddhist symbolism and ideas heavily into JJK. I'm not an expert in Buddhism at all, so there's a lot of it that goes over my head. I decided to look into if dreams are significant in Buddhism and boy howdy are they. Quoted directly from the source:

"Dreams can be a message from a Bodhisattva, an ancestor, or a god, The intent of the dream may be to test the dreamer’s resolve: is he non-retreating (avaivartika) from Bodhi (enlightenment) even when sleeping? The purpose of the dream visit may be to communicate information vital to the dreamer’s well-being. The Buddha himself had five dreams of catastrophes, falling stars and worlds in collision just before his enlightenment. The dreams were sent to him not by a benevolent Dharma-protector, but by an malevolent sorcerer, intent on disrupting the Buddha’s samadhi and preventing his awakening."

In summary, (correct me if I'm wrong) dreams appear to be seen as another state of being just as valuable and impermanent as reality.

There's also this other bit I'll quote directly.

"The most common use of dreams in the literature of the Mahayana, or “Northern School” of Buddhism in China, Tibet, Japan, Korea, and Vietnam is to see dreams as a simile for sunyata, (emptiness) the hollow core at the heart of all component dharmas (things). For example, in the well-known Vajra (Diamond) Sutra, the Buddha taught that:

“All conditioned dharmas, are like a dream, like an illusion, like a bubble, like a shadow, like a dewdrop, like a lightening flash; you should contemplate them thus.”"

That's starting to sound like what Yuji's Domain does, right? He projects memories that did happen and mixes them with delusions and dreams. Sukuna and Megumi both experience this in full.

It's incredibly suspicious that it hasn't been named yet. Yuji is the son of Kenjaku who has a domain based on the Womb Sutra/Realm...which is paired with the aforementioned Diamond Realm to encompass the entire Dharma. It's very likely this is what Yuji's domain is—a realm of dreams and reality combined as one.

Unreality Runs in the Family

When Sasaki Setsuko "wakes up" as the Culling Games begin, Kenjaku explains her situation with this:

What follows is a sequence that cannot be described as a dream. It seems to be a blend of reality and hallucinations. But that's not anything strange, Sukuna does it too with Kashimo in reverse.

As you can see, both the positions of the characters and even the backgrounds change suddenly from reality to ??? and from sequence to sequence. It's all incredibly dream like.

Another strange thing about this space is Kenjaku creating it as a part of an escape route Binding Vow. You know, the kind Sukuna uses for Malevolent Shrine.

What I want to draw attention to here is this reality-dream state somewhat requires consent (in the loosest possible definition) to appear. The person entering this state has to desire it themself. We see this with Jogo and Gojo who are mutually interested in having a relationship of somekind with Sukuna. (Same with Kashimo.)

(It's also very hard to tell if they are dead or still in the process of dying during this.)

This is where the delusions Yuji projects differ. They are forced onto others when he is near death or severely injured, seemingly as a defense mechanism.

And would you look at that...the syntax is identical for Todo and Choso's Brother Yuji Delusions. "At that moment, a memory was born inside X's brain...of a past event that never happened." It's kind of like how Yuji replaces Gojo in Megumi's memory to reach him. It's also very strange that Sukuna, Choso, and Jogo go "What is this?" to this in-between space.

My point here is that Yuji having access to this space has been hinted at since the start of this manga and that it was inherited it by blood. (Totally Not Kenjaku showing up with Takaba Mr. Reality Warping CT in JJK 270 supports my case too I think.)

What does this mean for JJK 268–270?

The battle ended in JJK 268. Of that I'm certain. What I no longer know is if anyone survived.

A common complaint about Sukuna's death is his lack of an afterlife scene. Everything ended so abruptly. And then Megumi wakes up.

It's so jarring in out of place. ...But that's how all scenes involving the space between dreams and reality begin. Sasaki Setsuko "wakes up" once and then again. Most of us have experienced those kind of dreams right? (They made a whole movie about it called Inception which is based on the movie Paprika.)

There's one other thing I need to draw attention to. Yuji's Domain shattered after Sukuna cast Domain Expansion (DE).

When a sorcerer withdraws their domain voluntarily, it does not shatter. Gojo has demonstrated this for us in quite clearly.

When a domain is broken by force, it will shatter and shards will scatter. When a domain is withdrawn, no shards are left behind. Yuta uses these facts as a part of his plan. In JJK 252, it's revealed by Kusakabe that Yuta shatters his own domain on purpose to trick Sukuna into thinking he won.

What this means is that some kind of violent action needs to be taken to shatter a domain. Yuji's domain is massive and his attacks only targeted Sukuna. What could've shattered his domain all at once? He's not had the time to practice shattering parts of it like Yuta.

Gojo has shown us what a uniform domain shattering looks like—it happens when Malevolent Shrine activates. (Please note that the sfx used for Sukuna breaking Gojo's domain is カシャア. It's the same one used for Yuji's domain shattering.)

I'm proposing that we've been in unreality since the end of JJK 266. Sukuna and Yuji are both severely injured, on the verge of death, and have a connection with each other. These are all conditions that trigger the space between dreams and reality.

And I must remind you that Yuji first triggers this event with Todo after a severe head injury. Right before Sukuna casts his domain, they do this to each other.

Everything that has come after has been perfect for Yuji to a unbelievable degree. Everyone whose death was uncertain is alive and the living are getting exactly what they wanted. The effort behind it and the logistics are all missing. And yes a rushed ending can explain that, but that too can be part of the ruse.

Another massive complaint is that mourning has not occurred. Not for Gojo or Choso despite how much Yuji cherished them. It's like they're being willfully forgotten by the cast despite being crucial to their success in Shinjuku. It feels out of character, especially since Yuji is of the few that showed concern for them no matter what.

But if this is a delusion on the brink of death designed to bring happiness, why would Yuji think of the dead? He's always been so avoidant with it. When his grandpa is dying and trying to talk about his parents, Yuji tells him to shut up. When Nanami dies, he thinks of him then and then never again directly leading up to his talk with Sukuna. When Megumi tries to discuss Nobara's fate, Yuji ends the conversation as quickly as possible.

The only people in this world are the ones who may or may not be dead. He saw Yuta in Gojo's corpse. The only way that can happen is if Gojo is dead. Yuji has no choice but to believe it. Choso burned away before his eyes. Yuji has no choice but to believe it. He went through some of Megumi's memories and saw Tsumiki's corpse. Yuji has no choice but to believe it.

And since Tsumiki is the only person Yuji wasn't close with, she's the only death that has been outright acknowledged. But not for too long! That would make Megumi sad.

Another complaint is that Sukuna really didn't kill anyone in the final battle outside of those two and Kashimo. The dudebros call it Disney Kaisen. But the fairytale-like idea that everyone is ok? Todo was the one who put that idea in Yuji's head.

And Yuji has always been one to fall to story-like logic when things look like they're finally wrapping up.

"And then everything will be just fine." (Yuji before the worst possible outcome for both him and Megumi happens.)

This is similar to the line Gakuganji uses in JJK 270. "Everything is fine." This line is the whole reason I sat down and wrote this all out without stopping. I know Gakuganji. He'd never say that. This man has been in a state of worry over Jujutsu Society since his first appearance. He doesn't even fully believe in Gojo's cause as someone who values tradition. He's a stickler for details and will do everything in his power to ensure stability. For him to toss Sukuna and Tengen's remains in a shrine and call it a day? Who is that? He's changed but not that much.

And so I compared the raws.

It is very much the same 大丈夫 (Daijoubu). These are Yuji's words.

What I'm proposing is that JJK 267–270 are Yuji's delusions of the happiest possible ending. It's a picture perfect little end where all the trauma and death has no effect on the living and people move on like nothing happened. I don't know if this means he's dead or if Megumi's dead or if they're all dead. But what I'm seeing now? I don't think it's real.

Reexamining JJK 269

CW: Brief discussion of suicide.

Even if this turns out to be a part of the smokescreen, I'm always going to hate JJK 269. But I do want to give it some grace under the assumption this chapter titled Examination (which can also be translated as Reflection) is about Yuji's guilt. Both him and Megumi's tbh. I think their feelings for each other and their situations are driving these delusions. That's one thing about this space that's real—the feelings behind them.

Yuji has a lot of guilt surrounding his existence after ingesting Sukuna, Megumi does too. Straight up Yuji has been seeking death over it since JJK 9.

He struggles to forgive himself for being the centerpiece to violence he had little to no control over. The only thing that upsets him more than that is knowing that his death will break Megumi's heart. He doesn't want Megumi to feel any guilt for it whatsoever.

The kicker is, Megumi already knows Yuji is planning to die. And he wants to do everything to rid him of that guilt. Up until they connect inside of Yuji's domain, they were unaware they shared the same goal for each other.

And that's what JJK 269 is. It's a very cold and harsh breakdown that allows them to forgive themselves. Blame is passed around and ultimately pinned on a combination of Gojo and Kenjaku. (It's really weird Sukuna isn't blamed either, but that's not the point of this for now.)

Kusakabe's comment is especially harsh. Telling Yuji point blank he should've died and that both sides on the issue were valid? He may have believed that to an extent, but he made a point of not telling it to his face. Why have a whole chapter discussing how kind he is only to turn around and do this?

If this is all a delusion, a manifestation of Yuji's guilt and trying to absolve himself of it for Megumi's sake, that makes sense. This version of Kusakabe is what Yuji feels guilt over the most—Everyone's lives being better if he died.

In the same breath Kusakabe tells them to solely blame the adults. It's very reminiscent of Nanami telling Yuji that being a child is not a sin.

It should also be noted that every single time Megumi tries to apologize for being possessed, he's stopped. Maki tears into Yuta without checking in on him, but she asks if Megumi is ok and tells him to not blame himself. JJK 270 is full of this too. He tries to apologize to Tsumiki at her grave and Shoko tells him not to sweat it. He tries to apologize to Hana and she hits on him instead.

This delusion is crafted out of love. It allows Megumi to live in a world where he can move on from the guilt surrounding his possession and saving Yuji. It's all Yuji has ever wanted for him. And now that Yuji knows Megumi wants him to forgive himself, he has no choice but to do that too.

It's a perfect ending for Megumi that's too good to be true.

It must be a dream...

There's another thing I can't reconcile about JJK 269 unless it's a delusion—Todo's explanation for Yuta's plan. It's another one of those glaring contradictions.

In JJK 269 Todo claims Boogie Woogie can't target Maki. But in JJK 259? Todo makes plans with Mei Mei knowing that it works with her.

Either Todo lied...or Yuji never fully knew the plan and that Boogie Woogie could target Maki. Otherwise she would be dead. Her surviving Sukuna's flames would be impossible.

I've already talked about how Yuji believing those who may or may not be dead are alive is Todo's doing. He's always been the one to save Yuji from his breakdowns. But let's talk about his speech in Shibuya.

"Looking for meaning or logic in death...can at times defile the memories of those we've lost!"

Everyone who has read these past 3 chapters has really felt the defiling of Gojo's memory. And it was all in service to a strange logic that helped them cope with all this death. Acknowledging how massive Gojo's sacrifice was would riddle both Yuji and Megumi with immense guilt, so it's best to ignore it for Megumi's sake. (And perhaps that's why Yuji replaces Gojo in that memory.)

"What have you been entrusted with? You don't need to answer right now. However... Until you find your answer, never stop moving."

In a way, JJK 269 is an answer to the question Todo proposed. Yuji was entrusted with saving Megumi. Saving Megumi requires Megumi and Yuji forgiving themselves. And Yuji won't stop moving until it's done. All these time jumps and rushed developments are Yuji moving Megumi forward. He's getting that happy ending even if it's to the detriment of everything else.

What about Sukuna?

When Sukuna respects his opponents and they have a connection, he gives others these dreams before they pass. He's been very impressed by Megumi since JJK 9. It's not out of the ballpark for him to allow Megumi to die satisfied in the way Gojo did. Yuji also seems to understand that Sukuna was manipulated by others just as much as he was. I think that's why Sukuna is spared of the blame for the most part.

I don't think Sukuna won. He's probably dead. But he did warn Yuji not to underestimate him. I think the worst absolute last fudge you to Yuji he could give is this happy ending dream before ripping it all away as he dies.

In Conclusion...

I'm not sure that we're going to get that happy ending. Reggie Star warned us not too long ago.

"...it all comes down to a sorcerer's lies."

Reggie is a lot like Sukuna here, outwitted by modern sorcerers and dying to someone he loathes. Sukuna is good at tricking people. He let Gojo think he won before tearing it all away. Yuta did the exact same thing to him. Or did he?

"Can you do me a favor? After all, you've killed me. Let fate toy with you, become a clown, then die."

If the last 3 chapters are delusions...Megumi will be playing the part of a clown.

Gege said the manga would end with either 1/4 or 3/4 of Yuji, Megumi, Nobara, and Gojo surviving. This of course, could be changed throughout its development, but Gege said the manga is ending in its original vision. There's a real chance that it's only Yuji or Nobara surviving.

Remember, Gege is a troll first and foremost. Somehow Gojo was revived, but in the worst way possible (Yujo). Somehow Gojo did tell Megumi about Toji, but in the worst way possible (dead man's final letter).

Gege also said this about the final chapter:

"I am working hard to create a final chapter that will (hopefully) satisfy as many people as possible who have supported Jujutsu Kaisen. So everyone, please bear with me!"

I can't think of a better way to appease everyone than by making the last 3 chapters nothing more than dream.

[bolithesenate]

I'm a legends/EU baby through and through, so my stance on it is firmly that the Jedi have always allowed it.

They may not have encouraged it, especially not during war, when people were already at a heightened risk of Falling, but they allowed it.

So while I definitely understand the dislike for it as a normalization of allonormativity (you can literally *hunt* me with the implication that people are only complete if they have a romantic/sexual partner), I just look at all the source material, at all the Jedi that had siblings, children, spouses, nieces, cousins and what not all that they had active contact with and I just think it is more complex than 'they don't allow it because marriage = attachment = bad'.

(Or at least it would be, were this not all fiction, u know...)

To me the no-attachment rule in relation to relationships hinges on two factors:

can you let go of them? Arguably in every healthy relationship you should be able to let go of a partner or friend when you no longer mesh well. So to me that would be only natural anyways and not specific to the Jedi Order

are you willing to put the wellbeing of the many above the wellbeing of that one (or several) people? This one is the factor i can see the Jedi taking more issue with. They are supposed to be an impartial third party to many conflicts and cannot take sides for selfish reasons.

Of course human(oid?) emotions are complex and not always clear cut, but Jedi aren't emotionless, much rather a good Jedi is able to work through their emotions and still come out on the other side a Jedi.

Marriage or no marriage doesn't really impact that whatsoever.

Though where I am fully on your side, is that the old Jedi Order certainly didn't get destroyed because of the rulings on attachment. Like, that's just an objectively Bad Take™. And also complete nonsense.

The Jedi were allowed to love, its just that what Anakin slipped into was no longer love, it was obsession and the unwillingness to trust (not unsurprising seeing as he had a Sith brainwashing him since his early childhood).

So yeah, I don't think the Jedi being able to marry or not has anything to do with their destruction and I also don't think that Luke allowing marriage outright with no caveats makes his Order automatically better. But I also don't think the Old Jedi Order had a strict no-marriage policy (it simply isn't possible if you take all the legends stuff into consideration) (and even if you don't, love doesn't equal attachment in a negative sense), because I think that at their core the Jedi are about contemplating your actions and being aware of yourself and your duty to the people of the galaxy at all times. So unless their attachment to a person clouds that judgment, I would say a Jedi would be allowed to do whatever.

Because hard rules seem more like a Sith thing, no 👀

Hey, am I the only one who does not like the idea of Luke's new Jedi order allowing romantic relationships, marriage and having kids?

Like, George Lucas even said that the reason he did not give Luke a love interest in the end was because Jedi do not marry? And he even gave us a clear example of what happens with that in the Prequels?

I just don't understand this whole "Luke's Order was better because people could finally love" or "That's why the old Order fell"

Yeah sure buddy, they ceartenly did not fell because they had a freaking Sith Lord as head of the Republic who orchestrated one of the greatest evil plans the galaxy had ever seen, no no no, they fell because they didn't let Jedi to marry. sure.

The Order had the rule of non attachments for 25,000 years, and it's a rule that makes sense, we even saw what happens when Jedi form attachments and are unable to let go.

So I don't understand how a new Order without this rule would be better than one that survived for that long with it.

[univemma]

I acknowledge that the season was cut almost in half so I should really cut them some slack but I WON'T, SO:

Plot holes/Forgotten Stuff in TUA:

(some of these are mostly just unanswered questions)

-Sloane?? Where tf did she go?

-Why was Jennifer (in the original timeline) in a cage? In Moldova?? Like, was she discovered to have something ( the dimaldo stuff whatever) inside of her, so they wanted to test on her? if she never came into contact with marigold before ben then why would they? WHAT

-also wait how the fuck did she get that stuff in her anyway? How did the dimaldo get to earth after it caused the end of Reginald's home planet? Like,,,shouldnt we know that?

-Her,,,in a squid??? she was Inside a giant squid? W h a t

-the S3 post credits of ben in the train. sure, whatever, that means nothing LMAOO

-I also can't get over - Five explaining "oh yeah when we do this EVERY ALTERNATE TIMELINE is gonna be destroyed, leaving only what should've been - the original," and lila fighitng to put her family in the train station,,,All the other timelines will be destroyed??They're dying and being reborn/reincarnated in the new one anyway GIRL WHAT ARE YOU DOING

(unless ive highly misunderstood that which is likely)

-this isnt a plot hole just - five "trying desperately over and over again to save his unhelpful family who he loves very very much" being literally turned into,,,that. did someone say character assassination?

-lila and five. thats a plot hole in and of itself I DONT CARE if he's aged 12 years from season 3, (6 yr timeskip at beginning of season, then 6 technically 7 in teh train), I DONT CARE IF HES 25 NOW, I DONT CARE IF HES MENTALLY 60 SOMETHING. Lila met and spent time with him when he looked like THIS

THATS A CHILD. and clearly, the family had SOME contact in the 6 yr skip, so she WATCHED HIM GROW UP from 13 - 19, like thats just so WEIRD WHAT

this was supposed to be plot holes and just turned into me being pissed im sorry but HOW DO YOU FUCK UP AN ENDING THIS BAD??

[hyperions-light]

Someone was being a fucking hater on my explicitly positive DATV post AGAIN (u all know I can see your tags right. They get delivered to me express mail style) so here’s an essay about how I thought the Grey Warden plotline was great:

First, it was extremely lore-consistent. I don’t know how to tell people this, but the Grey Wardens simply are sort of shady— it’s part of their charm. In DAO alone we found out they:

- kill anyone who refuses the joining

- are definitely using a blood magic ritual to induct people

- tried to usurp the throne of Fereldan

In DA2 they:

-Forced Malcolm Hawke to perform a blood magic ritual against his will to contain Corypheus, by threatening to kill his family

- Built a giant prison in the mountains they didn’t tell anyone about and that someone could wander into and not be able to escape

- the entire Corypheus thing. They didn’t even tell the other Wardens like what he was or how dangerous he was.

DAI:

- the demon army thing was pretty bad

And that’s not even mentioning any stuff from the books or comics or shows! That’s just stuff in the games!

So they’re shady. It’s okay! They’re my little woobie guys, idc if they’re sort of shady!

But the plot in DATV is about all of those previously established issues coming back to bite them in the fucking ass, as they should! Knock knock, it’s the consequences of your actions, baby! The chickens are home to roost

(Which is just good storytelling. Like if you set up a bunch of issues and then never pay them off or anything that’s bad.)

Destroying Weisshaupt was inspired! Firstly bc Davrin is Weisshaupt, metaphorically (bulwark against the darkness, etc, I already made a post) so it serves his character arc. But also because it strips away the pageantry and the grandeur from them; no more castle for you! No more myth!

Davrin explicitly tells you that the First Warden is a traditionalist; he represents the historical attitudes of the Wardens. They do not accept help, they do not give up their secrets, they are standing alone against the dark. And it doesn’t work! He’s fucking wrong (and very punch-able). Being secretive and isolationist is a mistake that costs them nearly everything.

But also, and I’m not sure how many people experienced this on the first go-around, the game does ultimately come down on the side of the Wardens always trying to do the right thing. You CAN talk the First Warden down, because in the end he’s a Warden, and he might be stubborn and curmudgeonly and miserable but he CARES about the world. He came to do good. He admits he was wrong and he helps you. Because the heart of the Wardens is about selfless service to other people. In Death, Sacrifice.

Stripping away Weisshaupt and the glory and pageantry leaves the Wardens at their most vulnerable and forces them to return to their fundamental principles: helping people. That’s what Lavendel is about. Helping individual people and preserving every life possible even if it doesn’t feel that glamorous or heroic. Lavendel isn’t a significant place; it doesn’t matter, but it matters so much.

And then, the Cauldron.

First off, do not at me about Last Flight. I don’t think people should have to read external materials to play this game and understand it. If the information is vital it should be presented to the player in the text.

The Cauldron is the repository of the Wardens’ secrets; it’s where the keep the bones of the Archdemons, the secret to the Joining, ancient and dangerous weapons, as well as the bodies of the griffons, which represents their most shameful errors. Isseya is the avatar of the Wardens’ mistakes; she’s been hurt by what they made her do, and her pain was never acknowledged by them. They buried her story and her suffering like they bury everything they don’t want to deal with and are ashamed of. They left the bones of the griffons, whose deaths they directly caused, to rot because they were too sad to acknowledge them.

But it was wrong to walk away, it was wrong to bury it. Isseya makes sure that they can never do that again, that they have to own what they did and take responsibility. By discovering who she is and by restoring her personhood to her, by reminding her of her love which drove her to her anguish in the first place, Davrin saves her and he saves the griffons. He doesn’t do it using violence, because another sin of the Wardens is just assuming that they can kill their way out of their problems, which the game disproves by revealing the origin of the Blight. You can kill as many darkspawn as you want, you will never fix it! The Titans’ dreams do not need to be slain, they need to be healed.

Isseya is in so much pain because of her incredible love for both the griffons and the Wardens, and because of her guilt. Look what she builds! An alternate Weisshaupt, a distorted reflection of her home. She entreats both Davrin and Assan to join her, because she doesn’t think she’s trying to destroy anything. She’s trying to save them! She wants them to come home. “I am their mother,” she says, and she’s right. She saved them, then, and she ends up saving them now! Because she made Davrin and the other Wardens look, unflinchingly, at what they had done, it will never happen again. She was going about it wrong during the game, but she was ALWAYS trying to save them.

Davrin, Antoine and Evka represent the Wardens’ commitment to being different. They let Flynn undergo the Joining without becoming a Warden, they reveal secrets to non-Warden Rook, they offer to help the Viper without asking for anything in return. They ask for help and offer it freely. If the Wardens are going to persist into a world without Archdemons, they HAVE to change. They can’t be what they were anymore. The game is asking what a Warden is when they have to be more than their oath, when they have to live. It’s a great exploration of and expansion on previously established lore.

Anyway, my advice if you hated the plot and the game and the characters is to a) make your own post b) don’t bother me about it, because I have the time and I will be loudly positive in response!

[inksandpensblog]

And there's so many other ways it could go, besides the ones I've hypothesized here. So many factors that would influence the new course taken.

Also things like. Not even what they try to change or not-change, but what actually changes? How much do they alter the course of events before it's deviated so much from what they remember that they're in completely uncharted territory and it can't even be called the same story anymore? What remains constant, no matter how many other things change, and what significance is there in its consistency?

And how do they perceive the changes?

How do they cope with the fact that, no matter what changes, even if it's all the right changes, they'll always know what happened the first time? How do they deal with that, once they've gotten the perfect ending they wanted?

You know those fanfics where one of the characters gets sent back in time to an earlier point in the story and they get a chance to redo it all? I'm imagining that premise with the sticks.

There are so many factors to consider. Who goes back? When do they go back to? How far did their story get before they went back? Is it only one of them? What do they try to change? What do they try to preserve?

Imagine Rocket-era Victim finding himself back at the beginning. He knows better, now. He doesn't waste time throwing things and messing with tools. He goes right to the item library and clones himself again and again and again until the window is filled with his copies. Every copy gets a weapon, the close button is guarded, everyone's settings are raised as high as possible, and in laughably little time the cursor is destroyed. Noogai can do nothing to him now. But then again, this Noogai has barely done anything to him at all. But does that really matter to Victim, in the end?

Imagine Chosen, just after The Showdown, finding himself back on the computer on the fateful day of his escape. He remembers what happened, he goes through the motions until the cursor is pinned under his hand, clicking him free. But this time he doesn't blow up or run amok. This time he simply lands on his feet and stares out through the screen, for a moment. Until the cursor moves, at which point he immediately makes for the broadband icon and tears through it, diving in before he can stop himself. He wanders alone for a time, revisiting sites that once looked familiar, though this is the first time he's really gotten a good look at them when they're not covered in ash, and he doesn't make any friends but he doesn't make any enemies either, and the world is nicer when it isn't filled with screams. Eventually he retires from his aimless sojourn, settling down in a familiar grassy plain, where he spends his days enjoying the gentle breeze and watching the sky change colors and gobbling up sweets from a bakery that doesn't have his face plastered all over its doors and trying to forget the enormity of the absence by his side and never ever thinking about the fact that he's the only one with memories of a person who will never exist.

Imagine Blue, jumping into a nether portal with Yellow as gravity reverses and nether blocks rise, and finding himself in the nether for the first time with Green. This time, he pretends not to notice Purple when they're about to return to the desktop.

Imagine King, dissolving to particles in the cataclysmic beam of the staff, arms still reaching for the already-disintegrated form of Purple, and suddenly finding himself walking home from the playground with a small golden hand in his.

Imagine Purple, elytra discarded, running through a nether portal in despair, only to emerge on the Mac, wearing outdated elytra, with the dragon egg in hand.

So many possibilities.

[xshadowdelta]

FORMER MANAGER

PART 3: Crazy.

Kim Chaewon x Male Reader (3.7k length)

The rays of sunlight streaming through the window and illuminating the bedroom made you wake up. You felt sleepy and tired, when you sat up in bed you noticed how all your muscles were feeling pain from the big effort that your whole body had made the night before.

A thin sheet covered the lower half of your body. From the waist up, you were completely naked, you could see some scratches and slight wounds on your arms. You assumed that your back was in worse condition, but you had no way to confirm it.

You got out of bed wearing some simple boxers, and as soon as you stood up, your legs wobbled. God, if only the night had ended in the shower, but no, Eunbi was not satisfied with just that, you both had to take the party back to bed, making that shower in something totally useless.

The owner of your thoughts burst into the room while you picked up your clothes scattered on the bedroom floor. Smiling, happy and unlike you without traces of consequences of the turbulent night experienced. Moving from side to side, in and out of the bathroom getting ready and getting dressed, making you seriously doubt how bad your physical condition was at that moment.

She came up to you, while you were still putting on your shoes to finish dressing, and placed a soft kiss on your forehead that made you raise your head and face her.

“Did you sleep well?”

“As much as I could.” You replied, standing next to her.

“It's not that I want to kick you out or anything, but I have work, you know?”

“Yeah of course, I understand, do you want me to take you?” She shook her head.

“My manager will come pick me up right away, don’t worry.” She approached you with a mischievous smile.

"And relax, I don't do anything with him that I did with you." She whispered in your ear, making you blush.

“Listen to me, last night was…”

“It was fantastic, but it was wrong and should not be repeated?” That made you frown. “I assumed you would say it, you told that to Yuri too, right?”

“Yes, but…”

“Now you listen to me.” She interrupted you again. “There was nothing wrong with what we did. I wanted it, you wanted it and we both enjoyed it, no problem except that you're too cute to be around girls like us.”

You sighed tiredly, you knew that when she got into that mood there was no person or argument in the world that would make her change her mind, stubbornness typical of a leader.

"Besides if it really pricks your conscience and you think it was that bad..." She took a few steps in your direction. “Next time, I'm sure you'll resist…” She whispered, touching your lips in a sensual kiss.

And you were weak, extremely weak and helpful, very helpful, you were always there to satisfy whatever your girls needed, and it doesn't seem like you were going to make exceptions now.

“Can I at least trust that no one will know about this?”

“It is my career as an idol that is at stake, of course no one will know… no one from the outside at least…”

"What do you mean?"

“Well…” She whirled around playfully. “Girls may already know.”

“NOONA!”

This situation only became more and more complicated, you had to stop all of this immediately because it was no longer just your job that was at stake, now the girls' professional careers as well.

Your fear was no longer being discovered by someone from the company but by someone from the press. You hadn't been in the industry for many years, but you knew perfectly how it worked. Scandals like this one have destroyed other idols in the past.

On the other hand, idols relationships were practically an open secret, they were still human, and despite having to act with special caution regarding some specific topics, they should not deprive themselves about anything.

The sound of your phone chased away all those thoughts, the light was constantly flashing, a sign that you had a new message. Strange since due to the short time you had been in the country, very few people had your contact beyond the staff of your company, and that was your day off.

You unlocked it and were surprised to read, 'Kim Chaewon sent you a new message.' True, the night before you had exchanged contacts with the girls.

'Good morning oppa! I remembered that today you had the day off, I need your help with some things, can you help me please? I'll wait for you.’

Along with the message, she shared a location, which after opening with the map application on your phone, you discovered that it was the Hybe building. You felt a sudden pressure. It is really okay for you to go there?

However, you didn't take long to respond to her message, 'On my way.' You were too helpful when it came to these girls.

“And this is where all the magic happens.” You laughed when you heard that phrase when she opened the door to the LE SSERAFIM practice room, after giving you a short tour of the building.

“It's like three times bigger than it was years ago.” You talked to yourself by observing everything around you.

“What can I say? I'm a superstar." She said with superiority, shaking the dust off her shoulders.

“Whatever you say, Miss Superstar.” You scoffed. “Well, what was that I had to help you with?”

"Personal opinion." She said cheerfully clasping her hands together. You stared at her, somewhat confused.

“In a couple of days, we will release a new comeback, everything is ready: the album, photobook, b-sides, performances, and stages. But I would like to have an honest opinion from someone outside before I start promoting.” She explained sitting on the couch.

"I see…"

She pointed, lightly tapping with her hand, to the spot on the sofa that was free next to her. You sat in there, and she lent you her mobile phone, where she played the unreleased MV of her new song. You watched it, paying attention to all the possible details, although somewhat overwhelmed, because Chaewon practically above you, inches away, kept an eye on your reactions.

“And?” She asked somewhat anxiously once you were done with the visualization.

“It's...different, but it definitely has its addictive point.

"What about me?"

"You? Impeccable as always, Chaewon.”

“Oppa please, you must be more critical, otherwise I won't be able to improve.” She said this, throwing a small tantrum.

“Chaewon, I don't understand anything about music production, dance, or anything like that. I can only speak to you as a fan, and I really like what I've seen here.”

You watched her puff out her cheeks adorably, snatching the electronic device from your hands with a huff of annoyance as she was typing something.

"What are you doing?" You asked, but the only answer you got was how she stacked the phone screen over your face. You pulled back a bit, so your eyes could focus on what she was showing you now.

“Now, look at this.” She said it, still with an annoyed tone in her voice.

You picked up the phone again, it was a fancam, focused solely on Chaewon, from one of the songs she had previously promoted. You pressed the play button and started watching the video.

Right away, you recognized the song, it was good, and you liked it enough to have had it on loop at the moment it came out. But it had one small bad part, the choreography. Seeing in certain seconds how Chaewon shook her butt to the rhythm of the music while she looked intensely at you was definitely uncomfortable.

You looked away just as that part came, but you instantly felt a stab of pain in your arm. You looked over at Chaewon, who was pinching the skin on your arm.

“Don't stop looking.” She recriminated. You knew what her temper was like and that it was best to obey her, so your eyes returned to the screen.

“What do you think?” Her voice now left her mouth in a whisper, moving closer to you. You didn't answer, you were trying to find the right answer.

“My ass is also addictive, right?” She whispered next to your ear, her hand was starting to rub over your pants, right in your crotch area.

"Chaewon, what are you doing?" You asked, tense, without looking away from the video, totally hypnotized.

“I worked really hard for that performance…” Her hand slipped directly under your pants, freeing your slightly hard penis.

“C-C-Chaewon…”

"Shhh, just enjoy my fancam, oppa." She placed a kiss on your cheek before starting to massage your cock.

You let out a moan, noticing how your cock throbbed and grew bigger and bigger under her small hand until it reached its maximum size, making her exclaim a moan of surprise.

“Oppa, you are huge!” She commented, biting your earlobe as her hand ran up and down the length of your cock at a sensual but damn slow pace.

"Fuck Chaewon, it's your ass that's huge." The girl smiled as she saw how you couldn't take your eyes off the video.

She suddenly increased the pace of masturbation when the video ended, and she reached out her hand to press the play button again, but you were faster and went ahead of her, causing her to giggle.

"Impatient."

“Capricious.” Both of you were looking each other, lost into those eyes that seemed to speak to you, and without a single word you understood each other, joining your lips in a rough and wild kiss.

Her other hand moved to your balls, playing with them, which seemed to have regained their full capacity after the long night that Eunbi had subjected them to. Even you yourself were surprised by it.

You observed the expression on her face once you separated from her, she still had her eyes closed and a satisfied smile on her lips. Now, with both hands around your huge shaft, stroking it non-stop, trying to squeeze you out.

She got on her knees on her spot on the couch, crouching over your lap, bringing her face closer to your penis to give your tip a shy lick. Another moan left your mouth, which was joined by a set of them when her hand went up in an agonizing manner by the length of your cock, almost closing over your tip, that was already dripping with pre-seminal fluid, which was licked off by Chaewon's tongue.

You held the Smartphone with one hand to direct your free hand to her ass, which stood out as she was in that position. Massaging for a while and giving her a hard spank that echoed throughout the practice room.

As a result, Chaewon's movements became more frantic, with her hands completely wrapping the length of your cock, rubbing as much as she could while your moans accompanied the rhythm.

The video ended again and stayed with the image of the thumbnail with Chaewon's face as a screensaver. She moved your hand that was holding the device and brought it over your cock, giving you a few harder strokes, making you cum and letting out a stream of cum on her face projected on the screen.

“Fuck Chaewon…that was intense.” You said, breathing heavily with your eyes closed, catching your breath.

You felt her move on the sofa, snatching the phone, now sticky and slippery, from your hands. Given that, you opened your eyes to see her straddling over your lap. Her eyes were radiating lust and desire.

She showed you again how her face, in the image of that fancam, was completely covered by your cum, and she gave the screen of her Smartphone a sensual and slow lick, cleaning it and absorbing every drop of cum on it.

Witnessing that scene was super hot, like the atmosphere that had become around you in that room. Chaewon grabbed her small bag on the couch, took something out of it, and threw it away along with the cell phone. She showed you the condom she had taken out of the bag, and your heart pounded.

“Are we safe here?” You asked, realizing the place you were in. Damn, you were going to fuck Chaewon in the fucking Hybe building, you had lost your mind.

“I got the practice room for myself today, there are no security cameras here.” She whispered against your lips.

“What about that one?” You pointed your head to the area where there was a pile of technological elements, among which was a small recording camera with a tripod that they used to record themselves and later analyze their failures and things to improve.

“Do you want us to record what is about to happen?” And as much as you would have liked to, plus the curiosity that filming that would give you, you shook your head.

"Maybe next time."

Next time? Of course, because you were already sure there would be a next time. You didn't know if it would be with Chaewon, Eunbi, Yuri or who else would join this game. Because you had to be stupid not to realize that this was more than planned by all of them, it seemed like some kind of internal competition, and you were the prize.

Even trying to deny yourself with all your might, the part of your brain that was dedicated to controlling your impulses and emotions had completely lost control in a matter of less than one fucking day. Now your devilish part controls you, behaving like an animal in heat. Regardless of the consequences, the only thing that ran through your mind was giving Chaewon the best orgasm of her life.

The girl with short hair opened the condom wrapper and placed it around your erect cock, then she stood on the couch to pull down her leggings, exposing that butt that you had admired so much minutes ago.

Your hands quickly traveled to her buttocks, massaging and worshiping them. She was still standing on the couch, sighing at your touch, while she took off her shirt, and you took the opportunity to fill her belly with kisses.

She grabbed your face with both hands, forcing you to look up and meet her gaze. You brought your hands to her hips, and she began to descend slightly, taking your cock in her hand and aligning it with the entrance to her pussy.

You stared at each other without blinking during those seconds that seemed eternal. The tip of your cock collided with her pussy, beginning to penetrate it, drawing a moan from Chaewon.

You caressed her hips, her arms, and her back as she stayed in that position. You moved closer to kiss her lips, softly and lovingly.

"Ready?"

She nodded, dropping onto your lap, making her pussy take in the entirety of your cock in one fell swoop. She screamed, leaning against your chest, and you completely surrounded her with your arms, hugging her.

When she got used to having your huge penis inside her, she separated herself a few centimeters, starting to move, acquiring a slow rhythm at first but accelerating as time went by.

Chaewon was now jumping on your cock with strength and energy. You could feel your cock reaching her stomach on every decent, and you helped her go even deeper.

Her moans transformed into screams of passion. She was being filled by you with every thrust, and it seemed to not be enough for her, she was totally intoxicated by lust and was letting herself be carried away by pleasure.

The sounds of your bodies colliding together, along with your moans, destroyed any kind of silence there might be in that room. Soon, the festival of lascivious sounds would be joined by the palm of your hand hitting her buttocks and her desperate screams begging for more.

“Please, oppa, make my ass hurt, it deserves to receive a beating.” At this point, her butt was already red, but you just wanted to fulfill her wish, and you spanked her harder.

"You're still my bratty girl, I can't deny you anything." You said, intertwining the fingers of your hands with hers.

She gritted her teeth tightly, once again burying your cock directly into her womb, a trail of saliva beginning to leak from her mouth.

"Oppa, your bratty girl wants to cum!" She screamed, raising her hips in a desperate attempt to reach orgasm.

“Hold on just a little longer, Chaewon, do it for oppa.” You moaned, grabbing her hips and moving yours at a strong pace, pounding her pussy like an animal, causing her eyes to turn white.

“OH MY GOD, OPPA!” Her entire body trembled because of your thrusts.

The rudeness that this whole situation was taking was slipping out of your hands, the sweet and pretty Kim Chaewon that you once knew was now just a piece of meat that you were being used for your own enjoyment.

You hugged her again, pressing her against your body, hers continued to rise and fall constantly, touching your lips every moment. Tears and sobs began to come out of the girl's eyes and mouth. You kissed her sweetly and she reciprocated immediately.

“You did very well Chaewon, let's get you that orgasm…” You said, thrusting into her again with all your strength.

Her body reacted to your moves and fought against yours, it practically seemed like a fight in which neither of you wanted to give in and the first to cum would lose.

A naughty finger traveled to her ass, entering into her small hole making her open her mouth muffling a squeal, now that finger was going in and out of her ass at the same time that your cock was doing the same movement in her pussy.

Chaewon gripped the sofa, placing her hands on either side of your head, her body was already moving by inertia and instinct, her brain had long been overwhelmed by excess pleasure.

She lay on your chest crying, yelling a few insults at you and giving in to the pleasure, curving her back and letting out a large stream of fluids from her pussy.

Her body trembled against yours, which is why you hugged her, caressing her hair, trying to calm her down. Even without being fully recovered, she looked for your member with her hands, found it and took off the condom to masturbate you again.

You lifted her chin with your hand, kissing her again while her grip grew stronger as she regained energy, stroking your cock more and more roughly until you too succumbed and let out another large load of semen that spread across the sofa and part of the floor of the practice room that Chaewon did not hesitate to lick and clean immediately.

Once she left everything clean and swallowed your cum, she climbed back onto your lap, resting there for a while.

“I love being oppa's spoiled girl.” She closed her eyes, guiding one of your hands to her cheek so you could caress it.

“You all girls are.” You said, causing her to open her eyes and look at you angrily.

"I do more!" That made you laugh.

“Hmm, I think I had Wonyoung more spoiled than I had you.” She sat up angrily, making you laugh harder, you kissed her again, trying to calm her down.

“I'm the best for oppa.” She said between kisses surrounding your neck.

Suddenly, knocks were heard at the door of the room, making both of you jump in your seats in surprise and fear.

“Chaewon unnie!” was heard from the other side of the door. Chaewon jumped off the couch, recognizing that voice.

“Kazuha?”

Both of you dressed as quickly as you could, fixing your entire appearance, trying to hide what had happened there. You hid the used condom, and Chaewon sprayed some fragrance around the room to camouflage the smell of sex.

Still fixing her hair, Chaewon opened the door, seeing her member.

“What are you doing here, Zuha? Did something happen?” The leader asked with some concern.

“Our dance trainer said she wanted to discuss something last minute with you, before starting promotions for the new album, so she asked me to come to notify you.” Chaewon sighed in relief for a moment until she remembered that you were still there with her.

"Unnie, who is he?" The japanese girl asked, entering the room and looking at you.

"Oh! He's an old friend of mine, we were just having a little chat." She lied, trying to sound as real as possible.

“But I guess we should continue this talk in another time, it looks like you have a job to do now.” You commented without ignoring the fact that Kazuha still didn't look away from you.

“I guess so.” Chaewon sighed tiredly. “Okay oppa, we'll be in touch, okay? See you." She said goodbye with her hand, leaving the room.

You saw how she disappeared, and you thought it was time to leave too, you bowed to Kazuha and she responded in the same way, and you headed for the exit.

“Can I ask you something?” Kazuha's voice stopped you instantly.

"Sure, what do you need?" You asked, turning to look at her.

“Old friend means you are Chaewon unnie’s boyfriend?” You blushed at that question because of how no hesitation she had in asking that.

“No, no, we're just friends, for real.” A cute smile forms on her face.

"Then…"

Your eyes almost popped out of their sockets, and your face was totally flushed at her request. Had you heard wrong?

“Excuse me, but can you repeat that?”

The girl also blushed and looked embarrassed at the practice room floor before whispering again.

“Can you have sex with me the same way you did with Chaewon unnie?”