Leida Mothma and the struggle for identity
Mon Mothma says about her daughter Leida practicing traditions: "It's weird. It's stronger here than it is at home." And I can't stop thinking about Leida Mothma and her portrayal as a very privileged yet uprooted kid with a migrant background being unusually traditional.
Growing up away from the culture and the people she is supposed to be part of, is challenging and confusing. It is hard to find identity as a teenage migrant, culture and personal access to her people's traditions when removed from it. And it is not surprising that Leida seeks out the most overt and uncomplicated access she can find to her culture and heritage, even if those are conservative and regressive. Those practices are a lifeline for her, simply because she has or knows of no other options.
As someone with a fairly similar background IRL I sympathise deeply with her character. It is a failure of the society she lives in to include her as she is in a way, that would not drive her into dogmatic traditionalism for identity. And it is worryingly normal for kids to feel like they have to hyper-conform in one way or another to have access to their migrant families background or the societal expectations of the place they live in now. It's as if we still haven't figured out how to be inclusive of those we don't understand. And the most vulnerable are the collateral of that.
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I finally finished reading the fourth volume of svsss in full, and thing is--the first time through I only read the bingqiu content because I was ravenous for more of their happy ending.
Turns out that was a perilous mistake.
Because I started reading the airplane extras. And I swear to god. MXTX is trying to kill me
What do you MEAN demon lord Binghe was sitting on his big fucking throne. All stoic and forbidding. Surrounded by his demon generals who don't know shit about human courtship. Asking them what he should do, fully demoralized by constant rejections from sqq, only to have airplane tell him to act more pathetic and needy. Which is already hysterically funny and insane, UNTIL LBH'S RESPONSE IS THIS, KILLING ME INSTANTLY:
LUO BINGHE. WHY DOES HE SAY IT LIKE: "I already tried that, didn't work--nothing works :/ not mean, not maidenly, not housewife, not spicy, not capable disciple. Is doubling down on clingy really all it will take? What's a born hater with only one love in his life to do????"
The dichotomy of him sitting there like 'how can I reach the unfathomable depths of shizun's heart?' A HEART HE'S ALREADY WON OVER, MIND and then in the Holy Mausoleum solving the puzzle without blinking and being like 'oh yeah you just have to hit the acupoints, no sweat.' Literally the comedy writes itself I'm so--
How am I supposed to be normal about this. MXTX understands the juicy quintessential queer joy of a person with the world's power at their fingertips wishing only for love. Willing to do anything to earn that love, when unbeknownst to them it's already been freely given. Totally not screaming and yelling and clawing at the walls
And that's not even touching airplane's uproarious account of events. The way he's like 'lol what's next, lbh and sqq are best friends now? smfh' only to see lbh TACKLE SQQ LOVINGLY. FOR SQQ TO BE BASHFUL ABOUT IT BUT SO SO FOND OF THE LITTLE SCAMP. This when we've been experiencing sqq's constant inner monologue of 'I'm so cool and so dignified about my role, truly the epitome of propriety and poser-level fortitude.' Meanwhile, in their universe:
Airplane constantly flaming???? Sqq and lbh in his observations????? His absolute bewilderment and confusion????? Legendary. No notes every single second of this shit was hilarious.
Airplane's comment that sqq + older adolescent lbh traveling together was just watching a couple in their honeymoon phase. OR the fact that lbh is exceedingly petty and refuses to share their food in the wake of airplane's interruption of their time together, until sqq relents sheepishly and insists airplane eat what's left (ONLY AFTER PLACATING LBH WITH MORE FOOD FROM HIS PLATE, SOBBING)
Watching airplane salivate over Mobei-Jun and acting like that's totally normal behavior. Finding out mbj and airplane got together first. Finding out sqq encouraged airplane. LIKE THIS. WHILE HE IS STILL IN DENIAL ABOUT HIS OWN FEELINGS:
Mobei-jun clearly thinking their arrangement is a forever thing, heartbroken his human abandoned him with all the hapless fury of a scorned wife swept away by false promises of fidelity. Airplane writing demons to be the type to beat up their crush lovingly and still unable to connect the dots about mbj's feelings. Mbj letting him go and respecting his wishes, only relenting when there's indication airplane was poorly processing his own feelings and didn't actually want to leave. Mbj caring for him and listening to him as soon as airplane voices what he needs directly and with clarity. None of these gays are functional and it's everything to me
Unrelated, but I physically can't hold this information in anymore:
I'm still reeling from younger lbh having his sexual awakening from the image of sqq wrapped in the immortal binding cables. Condemn me as you like he was so, so real for that.
And no I will not be taking any comments about how luo bingge couldn't bear to see luo binghe cherished in ways he never got to have and all the haunting implications of that. I will also not be taking any comments about luo binghe's instinct to look for sqq in that alternate universe, only to be shaken to the very core to be unable to find his shizun anywhere. The unspeakable and latent horror of his relentless mind likely piecing together what happened, but unable to say it; to suspect what is true, and live with the harrowing confusion of his double's actions. To blame himself, to assume that he had let his anger get the better of him in that world and result in unspeakable folly...
I also refuse to talk about how heartrending it is to hear Tianlang-jun weakly say "In the end, I really can't bring myself to hate humans." The implication that the foolishness of that hope and bright-eyed fondness--the very thing that put him through such unspeakable agony--couldn't be beaten out of him entirely. To discover that his faith in Su Xiyan hadn't been misplaced, to the contrary: his beloved hadn't scorned him at all, but rather fought to the miserable end to protect the fruition of their genuine feelings of love when she couldn't protect tlj or herself.
How MXTX has sqq deliberately draw parallels between their situation and that of ygy+sj and tlj+sx; desperately wishing it might not be too late for them. The concept of breaking cycles of abuse and harm pervasive throughout the newly devised story, how it evolves for the better only when love takes the place of power, pride, and domination. How the moment sqq chooses vulnerability instead of saving face, the genre shifts to the so-called "cringe" girly genre where most if not every character is more fulfilled, more true to themselves. How the "male-oriented" former genre was aimlessly sensationalized and sexualized, how it was a sustained performance of aspirational toxic masculinity. How men objectify other men without end. All of the unspoken gendered implications that come with that.
Anyways. Going to go put my head in a sandbox and try to process everything I just witnessed because even a second reading is not enough to find a modicum of closure.
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is there any season that you'd say does the best (or worst) at character development for the gang? personally, i've always thought that season 1 did wonders in helping the audience understand the gang's individual characters (minus frank) right away, but i'm interested in your opinion on the topic
Season 10 absolutely, 100%. It’s my favourite season of Sunny (and one of my favourite seasons of television ever), especially for the fact that it does so much insane character work in its span of ten episodes.
I don’t want to discount seasons before it, there’s an insane amount of foundational work that should be mentioned, but Season 10 being a milestone they never thought they would reach really sticks out as a major turn in the idea that the Gang don’t “develop” as characters by making the Gang face their own devolution. I've written about how Misses the Boat touches on this on the Paddy's Pub Blog, but Season 10 really as a whole just turns a lot more inward to the characters.
Charlie Work rotates around one of the Gang's schemes while having quite literally nothing to do with the scheme at all and everything to do with Charlie's character. This is the perfect example as to how the whole season operates, pushing the characters ahead of the plots, the schemes are just background work to revolve around. (Really, this is how the show operates a chunk of the time, but Season 10 is really really telling you that.)
It's hard to talk about each individual character without spiralling and trying to hit every S10 episode for everyone, but in brief summary: Frank unearths his own childhood trauma and starts to understand he's running out of time here; Dennis is diagnosed and his mask starts slipping more and more as he's forced to face (and attempt to disregard) how he is seen by outsiders; Mac is no longer able to front to himself that he's into women and he destroys his relationship with his father one step further; Charlie really sees he's viewed as less-than by Mac and Dennis and grows much more persistent to (dis)prove Frank is his father; Dee is shown as an even more 'successful' predator than Dennis, though just as pathetic at each turn.
All of this is not only built off what their characters were, but really are the very central parts of their characters that they clearly keep in mind as we push into the later seasons. (Arguably every character is still grappling with these core issues except Mac.)
(Briefly on worst season for character development, I think 13 is kind of the obvious choice. While there are some things I think they did well and are built on later (i.e. Bathroom Problem), episodes like The Gang Wins the Big Game are a prime example of how Sunny does not work well when the whole basis of an episode has nothing to do with the characters and everything to do with the plot. There was really negative character work done there, imo.)
I think it's funny you mention Season 1 for character development, because while I think it’s so so insanely essential to watch (and understand) as a foundation for the show and who the characters become, those versions of the characters are pretty distant from the Gang to me. Season 1 reads very much as Rob’s original idea: these are the worst versions of themselves; characters, but still a little too clearly RCG. Season 2 took those guys and built on them to create actual characters outside of themselves as terrible people, but I don't see the Gang as fully formed individuals until ~S4 (which I think RCG have mostly (?) admitted as much on TASP, lol)
Obviously every season contributes a lot to the characters as we know them, and some do a lot more for certain characters than others, so these are just my personal opinions... But I will argue for the rest of time that Season 10 is that bitch (and the best example of who the characters are).
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How did Luigi react when he realized he died-
well, he thought he was dreaming for sure. it wouldn’t be the first time he’d fainted from fear or passed out from exhaustion in a mansion, so he strongly denied any of it was real at first. but he quickly realized that this ‘dream’ was way too vivid and strange to be a fantasy, and that’s when it started to sink in.
his big giveaway was probably how confused polturpup was? like, the pup was distressed that luigi wasn’t breathing, but the moment he realized luigi was simultaneously up and about, he crashed into luigi’s ghost form happily and luigi INSTANTLY felt something was off. it wasn’t like before when he would pet polturpup and the sensation was similar to the mist off dry ice, while being solid but in a distinctly dream-like way. this time, polturpup has straight up Collided with luigi, and in ways he could not explain, the dog is realer than before [it’s MY au and I get to make up the nonsense rules of the ghostly plane of existence! (and yes ghosts can pass through each other but it’s something that takes focus to do)]
ANYWAY, luigi is so horrified that he probably would have had a heart attack if he had a heart handy. it’s so much to take in at once, and he is overwhelmed to the point of incapacitation for a few minutes. the thing he feared most was ghosts, so actually becoming one felt wrong on all levels. honestly, the only thing keeping him from going completely mad was polturpup’s friendly presence and his mission to save mario.
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Am I burnt out because Ive been playing this game for 10 years
Am I burnt out because I didn't care much for the last expansion
Am I burnt out on MMOs in general
Am I burnt out because Ive lost my entire friend group that I played with and now the game is an empty reminder of good times past
Am I burnt out because I feel like all I do is work eat and sleep and the depression is creeping in again and I can't keep up with taking care of myself
or maybe i just need a snickers, idk.
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