#and events of state are discussed more

[historyartthings]

the first trailer for book one of CJ Sansom’s ‘shardlake’ series (Dissolution) is out and…

Is it just me or is this marketed as if it’s an action thriller? Down to the editing, the music, the fonts used. Which is frankly bizarre since it’s supposed to be a murder mystery. It’s set almost entirely in a monastery! It’s not a big sprawling epic…

[iamfuckingsorry]

"Do you know where we are going next?" I asked ART.

Y'know what, I think maybe I don't need any more Murderbot books. I think maybe ending things here is fucking perfect and as much as I love Wells's writing I'm genuinely not sure it can get better for me.

Like, so much of the books are about MB learning how to be a person, about becoming okay with being a complete individual with everything it entails. The first thing it does once it's actually allowed to decide on its own is it runs away from it all (admittedly to go on a mission to confirm some things about its past, because it genuinely just wants to be *good*). It shoves all its emotions away as much as it's able to. Then shit happens, and it makes its first friends, makes decisions based on these friendships, goes through a lot of emotionally intense situations...

And we get to this point here. MB having zero doubts about going with ART says a lot about its relationship with ART, but it also says a lot about its relationship with its humans - it knows that wherever it goes, when it comes back, the humans will still be there. Its humans actively acknowledge its struggles with being a now-free SecUnit and MB is willing to entertain the discussions to an extent and share information about its deeply personal experiences. Hell, System Collapse ends with MB admitting it might be somewhat broken, but that's okay as long as it can keep doing its job, and agreeing to basically do counselling - this is the guy what would rewatch its favourite TV show again and again in order to avoid acknowledging it even had Emotions a couple books back.

Reading this, I know that MB will be okay. It has hopes and goals and genuinely believes in itself and it has an amazing support system that its willing to lean on for the first time in its life. I'm convinced it'll go on to do great things with ART. And that's really the only thing I need to know.

[wickmitz]

How do you think about Frepper? I'm neutral about this ship, but the fans Frepper attitude towards confuses me, Ivy and Freckle have only been dating for a week and know each other superficially, but everyone already thinks that by the end of the comic they will get married, I think differently, I think that in the end they will break up with each other because they are too different personalities, I literally can't imagine that both of them will be happy with each other in marriage, Ivy is assertive and active, on the other hand Freckle is passive and just agrees with Ivy, this is not a guarantee of a healthy relationship where a partner completely dominates the other, plus to all that, I will not forget how their relationship started, Ivy just decided that they were dating, and without asking Freckle's permission, she just KISSED him, again without his permission, Frepper fans think that it's cute, but when I saw it, I thought "what the hell did I just see?", in general, it's strange for me that Frepper fans are okay with such things, of course later Freckle shows attraction to Ivy, showing that he likes her in some way too, but I still won't forget how their relationship started and how Freckle used to try to escape from Ivy when she squeezed his hand tightly and forced him to her …

I'm not against Frepper, but I don't understand his fans who don't see these issues and who treat other points of view on their relationship (like mine) as … um, as nonconformity? Fans from reddit are just obsessed with Frepper, I don't know about other networks but that's how it is on reddit, I think there are people who have my opinion but are afraid to say it because of fans, of course, I met Frepper fans there who normally accept such an opinion, but still there is a feeling that such a opinion cannot be told

Simply put, Ivy and Freckle are a couple that will eventually break up with each other unless there's an event between them in the comic that changes my opinion of this couple, but that's how I feel about Freckle for now. I didn't plan to express my opinion, but it happened that way, I hope you don't mind it

first and foremost, i don’t mind seeing someone express their opinion in my inbox! you and anyone else are free to do so, even if i may disagree. this blog’s entire existence was made for me to share my opinions ( and love! ) for lackadaisy, as well as engaging with other fans, because what else is the point of a fandom blog? and as far as i’m aware, this is unpopular opinion central! most of my thoughts aren’t exactly the ones with the most voice behind them i’ve found, so i welcome all manner of different views. every fan is entitled to their own perspectives and opinions, and should be allowed to share them as they please! but with that disclaimer out of the way, i’m more than willing to discuss frepper in its entirety.

for me, there’s little confusion i carry where it concerns this ship’s popularity amongst the fandom. freckle and ivy, if we are to strip them down to their bare essentials, are a rather stereotypically ‘cute’ relationship : people enjoy opposites ( see zibwick or vikdecai for example ) and there’s an endearing quality found in puppy love dynamics. seeing ivy wear the pants and drag a shy freckle around by his ankle makes for quality content in a way! think the ‘excuse me, but he asked for no pickles!’ meme … ivy and freckle very much fit that sort of mold, and it helps that most fans are too scared to ship them with other characters in the cast too, due to what they perceive to be a lack of options. thus, frepper is an extremely ‘safe’ ship! you cannot get in trouble for enjoying something that is not only canon, but is relatively adorable ; and so i don’t believe a lot of the fans are actually thinking too deeply about the likely endgame of it all. most don’t! it’s fun to ship, and that’s all they really need i think. it’s also very easy to dismiss ivy’s forwardness as a quirk of being a young girl who’s of her temperament, recklessly boycrazy although still carrying sweet intent. this behavior is easier to hand wave when neither ivy or freckle are experienced at the dating scene as well … freckle due to his extremely religious upbringing and hermit nature, and ivy because of viktor’s constant meddling, which would hold her back more than you’d think. with that said, i don’t think any of this is excessively complicated. some shippers are rather simple minded and do not care for details and characterization all too deeply. enjoying dynamics is, at its core, supposed to be fun -- which makes simple ships like frepper prime targets for a very vocal and tight knit fanbase. there are other things i could speculate about why these two may hit so pleasantly for others, like how there’s an underlying queer theme to it ( what with ivy being the pursuer and freckle the shy, blushing flower ) or that it’s tropey enough to hit the right spots for others … though it all boils back to mere speculation. perhaps they still have time to escape this gangster lifestyle and live happily ever after? and that appeals to the lackadaisy fans who still want some sort of happy ending? it’s all a combination of frepper being easy, i think, and containing two young cats who still haven’t done anything particularly ‘unforgivable’ yet action wise. this is a ship you can root for without an ounce of worry in your heart, and so on and so forth.

but although i understand why others are so vocal about them, i don’t exactly agree with fanon’s views either! while i heavily enjoy frepper, i enjoy them as they are, and that includes their looming flaws and inevitable tragedy. they are bound to break each other’s hearts a lot on their current path ; even if they were entirely perfect for one another, this lifestyle isn’t kind to anyone, meaning if they don’t separate, they could always be forced apart via bullets and such anyway. they are young and woefully inexperienced in a manner of things, the last thing they need is the stress of a rumrunner life driving their every action, you know? i know people see them getting out together, and that is likely on the table! i do see that in many ways, but i’m also of the opinion that ivy and freckle will diverge onto different paths at some point and temporarily call it quits. from where the comic currently stands and given my view on ivy’s arc, i see her growing disillusioned with where she is and the honor and fun she saw within it as a royal spectator will fade ; she will become wary, fearful, and her resilience will die … meanwhile freckle will embrace it, similar to his cousin, fully understanding what it is and what he’s getting into ( like rocky, again ) but being unable to leave his refuge. i know lots of people think freckle will leave the lackadaisy first, but given his old concepts and former title as one of mitzi’s ‘trouble boys’, i think he will become lost in the sauce for a myriad of reasons. frankly i enjoy that twist on their relationship! since i believe ivy’s character development will revolve around maturing, changing as time stretches forward, because her character is ever growing, what with her entire schtick being the fact she’s everything a 1920s girl was during those times. she embodies that unladylike youth and manipulative sweetness, so i’d imagine a lot of her path is falling from such naive thrill seeking and stumbling upon a harsh reality. she will mature, and the very thing that should make their relationship stronger will be what divides them indefinitely. everything they have is founded on this bloody, varnished soaked ground after all … they are young adults who are experiencing what closeness feels like outside of family or platonic friends for the first time, so naturally they will overindulge in their own amateur games ; find respite in the boogie and kiss like couples do on the silver screen, laugh about it, talk about everything and nothing at all … relish in each other’s warmth and stupidly loyal protection. i’m sure frepper will grow closer before any falling out, because as it stands, it’s one of the few things they have in such a scary situation that feels comforting and kind. they will impact each other in the fundamental ways first relationships do and, to move towards your biggest gripe, do things they’ll regret or allow things to happen to them that they’re not entirely okay with.

ivy is very forceful with freckle initially, albeit in her typical saturated way ; and i can see why that would be hard to parse! especially when freckle spends a majority of their first scenes together squirming away and hiding, trying to duck her affections and bolt for it. there is a lot of boundary crossing between them! but not in a necessarily malicious way … like most things with frepper, this circles back to their mutual inexperience and how, in a lot of ways, this is their first ‘serious’ romantic relationship ever. and it’s rather common for such firsts to involve gray areas, since neither party is entirely sure of what their own boundaries are just yet! while freckle did appear frightened by ivy at first, it’s important to note that tracy’s mentioned him having a flight response whenever girls flirt with him … he is prone to run away instinctively, which if you consider his extremely religious upbringing, isn’t exactly a surprise. nina would no doubt look down upon freckle engaging with girls his age due to what most girls his age are currently doing in the roaring 20s they’re living in. sneaking out and engaging in illegal activities, dancing in a way that would disgust most of the more traditional and older generation, casually engaging in any manner of sexual activity before marriage, etc etc. and this isn’t even listing freckle’s cagey nature due to an incident we know was bad enough to send rocky packing for years, and fundamentally changed freckle himself at such a young and impressionable age. he is … very troubled! and rather scared of himself and the world around him … at this stage in life, freckle is perpetually unable to make any progress towards anything he may want, and so i have little problem myself with ivy mostly taking the lead. when left to his own devices and allowed to choose outside of influence, freckle did in fact sneak out of his mother’s house to go to the lackadaisy, surely well aware that ivy’s intention had been romantically inclined. so, to me, he has always liked her ; perhaps found her cute, in a shallow way, saw her eccentric behavior as endearing and frightening in equal measure, and while he’s still wading into this whirlwind pool unsteady and shaken, he -- wouldn’t mind it if ivy pushed a little more, or moved him around to her ( and what she perceives to be, their ) liking. perhaps this dynamic is familiar enough to him that it becomes comforting, since rocky was very much the same way in their adolescence. tugging freckle around and pulling his tail for whatever rocky wanted them to do, with little care for whatever his baby cousin desired at the time, ignoring his protests and chasing him ; nobody’s at fault here either, kids are extremely self absorbed and this is a flaw they’ll usually mature past, and while ivy and freckle are adults during the comic, i don’t think ivy’s outgrown this linear view on things just yet. she is extremely entitled! she is used to being the apple of everyone’s eye at the speakeasy due to her jazz baby status as atlas may’s goddaughter, and this gangster connection excites and awes the ladies she attends classes with at her university too. ivy pepper is used to getting her way and this has only fueled her determined attitude, her ‘pull it up by the bootstraps’ mindset, and in many ways, this is something of a flaw for her. it’s not bad to be confident and headstrong, although when you add that into a dangerous mix of rumrunning and gunslinging, it may become a problem rather quickly. but i digress! point is, ivy and freckle are hardly at fault for the awkward way they handled the start of their relationship, when it’s so new and fresh to them both.

neither of them have boundaries at this moment, as they either have no clue what those are or simply haven’t realized they should set them. so, in turn, there are things that the other may do that could cause their partner discomfort … and it’s mostly done out of obliviousness and good intentions and your classic dose of intense affection. doesn’t mean it isn’t messed up to a degree, but i think it’s rather realistic, and is a hard truth that comes with many first relationships of that sort. sometimes you don’t know how to say ‘no,’ or you agree and regret agreeing later, or perhaps you simply don’t understand there’s certain things you aren’t ready for or genuinely just don’t like. again, it’s a very muddied area, and the two of them are vaguely navigating what is mostly foreign to them. they’re bound to mess up! so i ivy some slack here, and applaud tracy on the realistic writing more than anything usually. young love also happens to be a great device to use for inexperienced characters finding themselves, through the good and bad of their relationship, and frepper is all about that. maybe freckle will inevitably bring up how he feels like he would’ve preferred it had ivy asked him out properly, or gave him time to court her in a traditional fashion … and she will be surprised ( and a little wounded ) by this, since she had never considered it before … too used to her way of things to realize there’s another path they could take. i think this aspect of the relationship is important, and i can understand wishing that more frepper shippers would view it as such, or comment on it's morally gray nature without just calling it ‘cute’ and leaving it at that.

tldr : they will most certainly break up at some point, maybe even multiple times! tracy has said before that they both have some serious maturing to do if their relationship is to be long lasting, and i doubt that maturing will happen to them both at once … since they have different things to work on emotionally. but they will probably strongarm some major personal development within each other, as well as love one another with a fierceless abandon that most kids do. i could see them getting married, i could see them not, but i agree that if they were to be wed happily, they’d have significant hurdles to overcome. but personally, frepper is something i adore mostly due to the impact they’re bound to cause each other, and even if they are to separate and find someone new and more fitting, they’ll always remember one another -- perhaps fondly, and sadly, and with some anger. a time they’d like to forget, but a person they’d like to remember … which is my cup of tea overall! they much more interest me as they presently are anyway, where i can fiddle around with their budding romance and friendship bonding. and as lackadaisy grows in popularity, i do hope there’s more frepper fans who see their complexity and flaws and explore them with all of it in mind.

anyway! i hope this was coherent, and that it was obvious that i agreed with you for the most part. i haven’t really talked about frepper before with anyone so many of these thoughts sort of burst out of me! and i feel like i have more to elaborate upon, but for the sake of simplicity i kept this short. oh well! surely this is enjoyable and informative regardless.

[neonphoenix]

Hate the number of people I know who just want to leave the US because of xyz political issues that don't exist in the imaginary other country they hope to move to. Not One of these people ever puts in the leg work to make the world around them better (at least one isn't even registered to vote) and it is literally the height of privilege to think you can just go live somewhere else where someone else has made everything work without doing anything to participate in your community first.

[cogbreath]

eek these past couple days has activated a section of my brain im not exactly happy about

[illegal-prime]

This is a terrible and flat out wrong interpretation of how U.S. elections work.

Whether you have congressional representation in the U.S. is determined by whether or not you live in a state. There is no legal difference between a U.S. citizen living in Puerto Rico, and one living in any of the several states.

The difference lies in their residency; a U.S. citizen living in a state is represented in congress by at least one representative and two senators, they also vote in the presidential election, in which their state has at least three electoral votes. A resident of Puerto Rico is represented in congress by a non-voting Resident Commissioner (making the claim that residents of Puerto Rico can't vote in federal elections incorrect).

Puerto Rico does not have full federal representation because it is not a state, if it were to become one it would be granted at least one representative, two senators, and at least three electoral votes in presidential elections. There is no such thing as a Puerto Rican citizen, they are simply U.S. citizens who do not have full federal representation because they do not reside in a state - if they were to move to a state, they would gain representation as a resident of that state.

There are two exceptions to this rule. Washington D.C., where I currently live, has a specific exemption carved out in the constitution (23rd amendment, passed in 1963) granting it three electoral votes in presidential elections. D.C. residents, even if born in D.C., are U.S. citizens, and would be entitled to full voting rights and representation if they relocated to a state.

The other is American Samoa, where residents are U.S. nationals, but not U.S. citizens. The reasons for this are complex, but my understanding is that indigenous Samoan social structure conflicts with U.S. law, so many indigenous Samoans did not want to be U.S. citizens. Someone from American Samoa will have to clarify this further, however.

What is being described in this proposal for Palestine, however, is completely different than the situation in Puerto Rico. My understanding is that people born in Palestine would be Palestinian citizens, and not have voting rights even if they moved to Israel. This means that citizenship is determined by ancestry and ethnicity, rather than simply by birth. And representation determined by differing levels of citizenship based on which territory you originated from, rather than representation simply being based on residency.

These are two very different situations which SHOULD NOT BE MISCONSTRUED.

it can always get worse

[mytalkingraccoon]

i think the only people that should be exhibiting "nice guy" behavior should be math teachers. now that im older i realize how shitty people treat math teachers. they will l i t e r a l l y bust their asses making hot chocolate for kids, filling their classrooms with stuffed animals, basically sleep in the school just in case a kid comes in to ask a question, etc and the best theyll get is "eh, miss so and so is mid" versus the history teacher that does the bare minimum gets worshipped

we get it, you suck at math, your brain struggles to grasp the concept. but you know its bad when youre stuck with an abusive history teacher in elementary school vs the math teacher would spend hundreds of dollars on activities for their kids and yet the history teacher gets school-wide praise

[mashpotatoe]

im a white jew, i was born in israel,

ive lived there all my life and was brought up in an environment that fosters racism driven by nationalism, nationalism driven by racism.

in israel, they teach you jews and muslims (though usually, they just say arabs) have always been enemies, the same way the US deems the entire middle east as a inherent war zone, ridding them of the responsibility for perpetuating war in thst region.

they tell you "were the fair and humane side who strives for peace! its the arabs who never accept the offer!"

i remember the first time i began doubting that sentiment was in fourth grade, when we were having a discussion in class about the character of Saul from the Torah. the teacher was talking about how Saul, the first monarch of the Kingdom of Israel, used to fight the Philistines, and when she added that the Philistines were the natural enemy of the Israelites, she asked the class what group of people is their modern equivalent to which everyone very eagerly replied "Arabs!" and nevermind that there in that same class sat two arab boys, one of whom sat next to me, who i looked at and thought "but he isnt my enemy? hes just a boy in my class."

they teach you to hate arabs. sometimes they say it outright. sometimes they say it more carefully, or make a distinction between good and bad arabs, those who are with us and those who are against us.

in a state based on the idea of (white) jewish supremacy, they teach you jews are naturally superior. they use the conspiratorial narrative of "jews controlling the world" to their favor, giving their own watered down explanation for why antisemitism exists, saying that it must be driven by jealousy.

the zionist movement always used antisemitism to its advantage, either for reinforcing the notion of jewish supremacy or appealing to the real pain and trauma of generations, people who survived the holocaust, connecting them to stolen land where they are "guaranteed" safety ergo granting "justification" for the suffering of others.

its using peoples real pain that makes fear mongering so effective, and when the israeli population grows up being told all of their neighboring countries want to kill them, they quickly get defensive of the "only land where they can feel safe", but the only explanation ever provided for Why these neighboring countries are considered enemies is because theyre arabs.

and when it comes to palestine, it isnt even recognized as a country, nor identity. just a threat. ive talked to many people who are genuinely unaware of the occupation, and they arent willing to believe it either, because the media narrative has successfully shifted the blame on hamas. because "how could it be us? we want peace! its the terrorists who make us look bad! and their children, they grow up to be antisemites*, might as well get rid of them too!" they never stop to think what environment these children must grow up in to develop these "radical" ideas.

* what they mean by antisemite is really just antizionist, but the term anti/zionist isnt practiced in local dialect, being a zionist is treated as a given

any jew who stands against israels oppression is dubbed a self hating jew, but the biggest contributors to antisemitism is the people in charge of an ethnostate, because at any moment they could decide who is not white enough to be jewish, who is too jewish to be white, who stood against the current coalition government and who is an obedient dog.

israelis arent a monolith, but many of them have been won over, convinced its an "us v them" situation, when in reality it could never be the "us" that "loses"

the israeli government was waiting for an event like the massacre on the seventh of october to declare war, to have the so called "right to defend itself", so they could initiate the final steps of an ethnic genocide and displace, if not kill, all remaining palestinians. under the guise of bringing peace.

it isnt too late to call for a permanent ceasefire, to end the occupation.

please contact your representatives, attend protests and rallies if you are able. palestine will be free, and the flowers will rise again.

[stackslip]

fujimoto is the absolute king of creating a world where mass death is a regular occurrence and yet every single time it feels singularly devastating. i've seen people say his work is nihilistic, that people die over nothing--i profoundly disagree! again and again, it is made clear that the deaths and horrors in chainsaw man aren't random acts of god, and that the people who die aren't random faces in a crowd but people who are willingly sacrificed in the name of social cohesion and the comfort of a few. the people killed by the gun devil all had names, lives, ages that were inescapable and their deaths are just as bad of a tragedy's as aki's. asa's mom's death might have been forgotten by all, and yet it has a profound impact on asa's own life and outlook. the people convinced to commit suicide by falling had long discussions about their everyday life before they fell off their balcony. it is power and nayuta's deaths--people who mattered little to makima and to barem, who were simply seen as tools for an end--that utterly crush denji and awaken pochita. himeno lost her partners, one by one, and every time she got more and more depressed. these are real people, all of them! their lives mattered! death is a normal occurence in chainsaw man, but the loss of a life is a tragedy every time

most importantly; most of these mass death events, as normalized as they are, are not random or natural. they're the result of devils being used as tools, of the powerful using those that they consider belong to them as payment for their comfort or to further their goals. in chapter one, denji got murdered after a lifetime of abuse as payment for his abuser's eagerness for power. the president of the united states pays for the gun devil to fight makima with one year from each american's life. the japanese government pays for makima's every death with the death of a citizen. public safety regularly sends its employees to cut their throats for a devil to wipe out a building. the german government contracted santa claus and gave her children in return. the chainsaw man cult used its desperate, scared child members to gain an army.

and now, foreign children are given citizenship simply so they can be gunned down coldly and used as blood and payment to use chainsaw man and make scared, rich old men live longer. idk how much more explicit you can be here. look at these kids! do their lives mean nothing? they're drawn in loving detail. they're real people being sent to be butchered!

death in chainsaw man isn't meaningless. far from it! this isn't saying "this world is absurd and has no meaning". this is about exploitation. chainsaw man has always been about exploitation and abuse, at its very core. these people mean something. these are real human beings, being fed to the grinder, again and again. they're being fed to it BY the rich and powerful, by their governments, by their employers, by their abusers. hell, yoru has fed her own children to this grinder, just to get a little more. ownership and greed, this is the core of what's happening. this is murder, not random acts of violence!

[shitpostingsapphic]

Why I don't feel disappointed by Vi's arc, but you might

I usually have pretty strong and polarizing opinions when it comes to my takes on Arcane, but this is one where I wanna open up the discussion a bit more and invite people to my perspective, and it's fine if you don't see it this way.

I think there are two primary reasons why people feel disappointed by the arc of s2 Vi. The first, being that Vi had stronger voiced concerns about the state of Zaun in the first season. The second, being that she spent the whole show wanting to be with her sister and she didn't end up getting that.

Why I actually feel fulfilled in Vi's arc has to do with these two points, and I invite you to sit with what I have to say next.

Both of these parts of Vi have to do with her fatal flaw: her neglect of self.

We know two things based on what the creators have said about the show: the theme of Arcane is the cycle of violence, and the entire show was written together, instead of season 2 being written after season 1 production. From this, I can then ask: what do the creators want to tell their audience about this message, knowing they wrote it all out together, knowing the events of season 2 were very purposeful, using Vi as a conduit for that message?

If violence is a cycle, can one person defy it? No, of course not. At the start of Vi's arc, she wants to be a person that breaks it, though. She wants to change things in Zaun, wants a better life for her sister. As season 1 continues on, she wants to pick up where she left off with Powder without truly processing the gravity of the years between them. She thinks she can hold the world on her shoulders and fix any problem that comes her way. She thinks she can use her fists to make progress, thinks she can physically reach out and create change, but it only contributes to the cycle. And that's not because she's morally in the wrong when she does so, but she doesn't grasp yet that her fists can't fix everything. Vander tries to tell her as such in act 1, and it's a lesson that goes beyond just the literal application.

Vi's tendency to try and fix everything around her leads to her neglect of self. Inevitably, when you try to change things you have no control over, it leaves wounds. It leaves a person feeling like something is deeply wrong with them. And we watch Vi go down this spiral. I actually find myself really brokenhearted watching Vi in the first 2 acts, because I think she represents a lot of us: we see pain and devastation around us, but we don't know what the right thing to do is. We try different tactics and try to fix things and are left wondering why things feel worse than how they started.

I think that's something a lot of viewers could benefit to reflect on: I think in watching a show with strong political messaging, we yearn for a message that tells us the answers to these big problems. Truthfully, most of us don't have a fucking clue what we're doing. We want change but don't know how to see it through. That includes the writers. This isn't a show about the solution to political strife. It's about the cycle of violence. It's about not knowing how to change something that's been continuous throughout history in some form.

If we put ourselves in Vi's shoes, it would eventually take a toll on us to try and change something that isn't within our ability to change. Vi can't fix the problems in Zaun. Vi can't change the way time and distance and pain has warped her sister into someone else. In season 2 act 1, she's still trying to take responsibility for things that are outside of her control. She blames herself for the way Jinx has changed and has to tell herself that the only way to fix it is to end the cycle with her own fists. She teams up with Caitlyn because she's convinced herself it's the only way she can help. She sees how violence has devastated not only Zaun but innocents in Piltover as well, and she feels responsible for it.

BUT SHE IS NOT AT FAULT. And she cannot fix it any more than she could have created it.

Perhaps people may feel Vi's arc is lacking because they wanted to see more of her involvement in the revolution of Zaun. They wanted to see her be able to change the situation with her sister and for them to live happily together. But because of the circumstances surrounding both, for Vi to do so, she would inevitably lean into her fatal flaw. She cannot do either of those things without neglecting herself. That's not who she is.

The whole point of a character arc is for someone to be a changed person from beginning to end. If Vi starts out as someone passionate about enacting change to the point of self-destruction, what would a resolution for a character like that look like?

Vi needs to choose herself. Vi needs to release herself of the responsibility of changing the world. She can't do it. There are ways to contribute to positive change that don't involve putting the world on your shoulders, and Vi has yet to put herself first in any situation. Vi choosing love is how she does it.

Amanda Overton, one of the main writers that contributed to Vi's character and the Caitlyn and Vi dynamic and relationship, said about Vi: "If she has no one left to protect, she would fall in love". If Vi finally lets go of this crutch of hers to protect, to fight, to take responsibility for things that aren't her burden to bear, she would fall in love. She would finally be able to choose something for herself.

This is why I find her arc fulfilling. I feel like it's not an arc we really see a lot. It's not every day we have a character that starts out like the classic anime slash marvel protagonist, and instead of being the person that saves the world, they accept they're not a superhero and it's okay to choose love and personal happiness.

If it applies, and you're reading this, I want you to ask yourself: are you perhaps disappointed with her arc because you expected her to be the superhero? And would you be okay with accepting that she isn't and doesn't need to be? That it would be better for her to choose herself?

[evergone]

Sleepless

Rindou Haitani x Reader

Warnings: 18+ content (allusions to sex), swearing

Description: The reader can't sleep because the Tenjiku members are being far too loud.

You had tried so hard all night not to disturb your boyfriend and his friends as they celebrated their recent successes in your lounge room, but as your eyes fluttered open for the fifth time that night, you knew you had to go and ask them to be just a tad quieter. Of course, you felt terrible because Rindou was being so considerate already. You couldn’t even hear the crappy rap music they were playing, just the echo of the bass through the walls, and both of the times that you were woken up by their chatter you heard Rindou frantically scrambling to hush them.

With a yawn and a small stretch, you pulled your throw blanket over your shoulders and shuffled across the carpet until you found your ugg boots in the complete and utter darkness. After a pained “fuck” slipped past your lips as you hit your knee on the edge of your bedframe, you slowly opened the door and stepped out into the lounge room.

It wouldn’t have taken more than a second before the boys noticed your meek, sleep-deprived frame cringing at the power of the lights while your eyes took their time to adjust. Most of them were strung out across the three grey couches in front of the television which was tuned into an MMA fight on mute, while the younger members (that Kisaki kid, his friend Hanma, Kokonoi, and Sanzu) were awkwardly sitting around the dining table behind them. Madarame offered you a short wave to which you responded with a tired frown, then you finally caught sight of Rindou sitting in the corner of the middle couch with his hand outstretched towards you.

“Rinnie…” You whined as you made your way into his lap with his arm lazily draped over your waist. Ran, your brother-in-law for all intents and purposes, snickered at the nickname, and the tone of your voice which was laden with exhaustion.

“Sorry, did we wake you up?” Rindou asked quietly, and then turned to the rest of the group, “I told these fuckwits to keep it down.”

Rindou wasn’t ignorant of the fact that you were wearing nothing but his shirt as pyjamas, and he knew well from the night’s earlier — and more private — events that your underwear were the barely-there kind. So, he was cautious to make sure that one of his hands was sitting firmly under your bum at all times, holding the shirt against your skin.

“If you guys stayed quiet I would’ve made you pancakes for breakfast as thanks,” you teased. Mocchi’s shoulders tensed in clear disappointment at your words. While all of them were fond of your cooking, Mocchi was always the biggest eater.

You pressed your lips against Rindou’s neck while they continued their discussion. His voice vibrated into each kiss you bestowed upon his neck and collarbone with a kind of intimacy that made you feel as though you were melting into one another. After a while of this, you began to doze off, your mind stuck in the in-between state of being oddly aware of everything around you, but not quite awake.

Rindou took one glance at the state of you, nearly asleep despite the volume of the room, and hooked his arms under your thighs to carry you back to the bed you shared. He folded the throw neatly at the end of the mattress, then placed you down on your preferred side, and admired the irritated look on your face which was made possible to see by the slightly open door.

As he made a movement to leave and rejoin his friends in the lounge room, you groaned, grabbed the cuff of his shirt, and pulled him back towards you. He was much stronger than you, strong enough not to be even slightly moved by your pull, but he was never the kind of boyfriend to fight your affection. He knelt down on the floor beside you with his hand rubbing circles on your cheek, already feeling terrible about how you couldn’t get to sleep because of him and his friends.

“What’s wrong, N/n?” He said lovingly.

“Come to bed. It’s cold. I want you in here with me.” You saw how Rindou’s eyes flicked back to the light emanating from the doorway, so you pouted in the sexiest way you could given how tired you were. “I’ll make it worth your while.”

The sleeve of the shirt you were wearing had — at some point, unbeknownst to you — fallen from your shoulder to reveal the lacy strap of a new bra Rindou had bought you. It reminded him of your underwear. Of how nice it felt to take them off earlier…

“You’re too tired for any of that, babe. Just go to bed, and I’ll come join you in no time, promise,” he said as he shook the images from his mind, knowing you were one blink away from falling asleep again.

“You hate me,” you huffed, and turned away from your boyfriend before adding, “You’re just gonna end up passing out on the couch like you do every time they come here. I’m gonna wake up all alone. You’re such a bad boyfriend.”

Rindou smiled softly, “Are you trying to guilt-trip me right now?” You turned back to make eye contact with him and nodded. “Fine.”

For a moment, he disappeared into the lounge room. You could hear Ran making fun of him for being “absolutely whipped”, and Izana telling him to “man up”, but you were already beginning to feel your eyelids getting heavier, so you didn’t care much to go out and defend him. When he returned, he took off his shirt and pulled on a pair of trackpants, and then crawled into bed beside you.

Content to have gotten all you wanted from Rindou, you traced the tattoos on his torso until you were so exhausted you could no longer hold your hand up.

“I will make it worth your while,” you yawned as you rested your head on his chest and let him run his hands over your hair, “Just… In the morning when I’m rejuvenated.”

You closed your eyes and Rindou felt your heartrate slow down along with the frequency of your breaths. You were snoring ever-so-gently, and he stifled a laugh at the irony of the fact that he wouldn’t be able to get even a second of sleep because of it.

[sundrop-writes]

Meddle About

Sub!Spencer Reid x Dom!Fem!Reader

‘Cause it's not just a figure of speech - you got me down on my knees.

It's gettin' harder to b r e a t h e .

Summary:

You hate it when Morgan teases Reid. So when Morgan says that you are Reid's 'Mommy' - you verbally fire back without even thinking about it.

Reid vastly overthinks it.

So much so that he ends up calling you Mommy by mistake. And you definitely don't hate the sound of that word coming off his lips.

Sub!Spencer Reid x Dom!Fem!Reader. Co-Workers to Lovers. Smut. Set during Season One.

Word Count: 6,300

Criminal Minds Masterlist | AO3 Link

Detailed warnings and author's notes below the cut.

Warnings: general smut fic - porn with some plot; dom/sub dynamics (but this isn't a pre-discussed dom/sub relationship, the characters just fall into these roles naturally), Spencer is submissive and the reader is dominant; the main theme is Mommy kink - Spencer discovers that he has a Mommy kink after a joke that Morgan makes, referring to the reader character as Spencer's Mommy; Spencer calls the reader 'Mommy' and the reader also refers to herself with that title; the reader uses she/her pronouns and has a vagina (and breasts); it could be interpreted that the reader has larger breasts/is plus sized (but I think anyone of any size could enjoy this fic); the reader is part of the BAU; this is meant to take place during season one (baby Spence my beloved) but there are no other major canon events mentioned and the case being discussed is one that I have made up; some very background typical elements of Criminal Minds - murder, killing, systemic vicimization of women/violence from men towards women (passing mention of bodies being consumed by wild animals); the reader and Spencer fuck while on a case (but they aren't endangering anyone's lives from lack of their attention, so it's fine); mentions of potential injuries from a car accident (theoretical - doesn't actually happen during the fic); very slight threads of Morgan x Reader (mentions of Morgan being attracted to the reader - it could be one-sided); very passing mention of Reid having breeding kink (doesn't take place during the fic, just one of his thoughts); for the actual smut section: this could be interpreted as virgin!Spencer but that's not explicitly stated here (at most, this is just inexperienced!Spencer) (the reader is definitely way more sexually experienced than him); praise kink (we all known Spencer is so eager to be praised); mentions of breastfeeding - Morgan makes a joke about the reader breastfeeding Reid, which later turns into faux breastfeeding kink (the reader doesn't actually lactate, but she lets Spencer suck on her tits and calls it breastfeeding); the reader calls Spencer: 'baby', 'good boy',; descriptions of subspace - but it's not specifically called 'subspace' in the text; thigh humping - Spencer humps the reader's thigh; cumming in pants (Spencer); multiple orgasms/overstimulation (Spencer receiving); handjob - the reader jacks Spencer off while he is sensitive after his first orgasm; using lube as cum; dumbification kink - the reader calls Spencer 'dumb baby' and generally enjoys seeing his intellect drop the more turned on he becomes (Spencer also likes being called this); technically the reader doesn't get to cum, but she gets turned on from treating Spencer like the good boy that he is (and this is more about him). I think that's everything.

A/N: This was directly inspired by the scene from Reid's birthday party, where Morgan says 'Mommy to the rescue!' (talking about JJ) and then Spencer says '...Mommy?' and it seems like he is discovering his Mommy kink in real time. Especially because he is then trapped between Elle and JJ and he makes direct eye contact with their boobs, and he just has such a look of scared kink realization in his eyes. I considered copying that moment exactly and just replacing JJ with the reader character, but this seemed like more fun lmao. I had so much fun writing this and I think this is one of my best fics in a while. I hope you guys enjoy it!!

...

Generally, you hated being stuck with grunt work. 

You knew that it was all part of the job - an important part of it. Paperwork, side interviews, background checks. Sifting through someone’s apartment looking for aspects of what kind of person they were based on their everyday life. 

But you thrived more on being right in the middle of things. You preferred interacting with suspects, chasing people down, harsh confrontation. 

Gideon said that you were overly controlling, impatient, brutally honest - that you had an ‘abrasive personality’ that put most men off. But that was why he often brought you into interrogations with male suspects. Many of the people you caught - men with superiority complexes who targeted the weak to make themselves feel powerful - they hated that you weren’t intimidated by them. That aspect of abrasion between you and the suspects often brought out a lot of information - things they spewed out trying to intimidate you. 

But you weren’t needed on that front today. 

No - instead, you were doing grunt work. The kind of work that made you impatient and generally aggravated. 

The only upside was that you got to do it with Spencer. 

He was one of the only men that voluntarily worked so closely with you so often, because he wasn’t intimidated by you. He took orders from you very well and naturally fell under your authority, bringing a natural chemistry to your partnership when you worked with him. Plus - his seemingly endless stream of ‘fun facts’ was like listening to the radio, which did help to soothe your boredom during these kinds of mindless tasks. 

You were on a case in Texas. Five women raped and tortured before having their bodies hung from a tree and consumed by cotoyes that the UnSub knew lived in the area. Since police had closed in on him, he had gone on the run. He had killed three more women since fleeing, while leaving no clues as to what his ultimate endgame would be or where he would be going next. 

Hotch sent you and Reid to find that out while the rest of the team worked victimology and profiled the scenes of the most recent murders, following the trail he was leaving. 

After spending hours sifting through the suspect’s house, looking for any small clue about where he might be going - you came up empty. When you touched base with Hotch, he told you that you and Reid would be going to visit the suspect’s ex-wife - who lived four hours away. You needed to interview her to see if she could give you any further insight to the man, and perhaps - beat him to the house if she was the ultimate target. 

(A lot of the victims looked like her, and it couldn’t really be a coincidence.) 

You knew that lives were at risk, and it was juvenile of you, but all you heard was: long, boring drive. Boring day. You hoped that Reid would be good company through it. 

Now, you were waiting outside of the police station in the bureau-issued SUV, waiting for Morgan to come and give you the file with the ex-wife’s address and contact information. 

“Did you know that over forty-six percent of Texans own a gun? Texas is second only to Montana in registered gun ownership, where over sixty-six percent of citizens proudly tote their right to bear arms.” Reid told you, continuing to look over the case files that were sitting in his lap. 

When you looked over toward him to reply to this odd factoid, your mind got caught up on something else. 

“Reid, come on, take your feet off the dashboard!” You told him, reaching over to gently smack his knee, trying to encourage his legs down from the awkward position. 

It bothered you for several reasons - the idea that he would leave shoe prints on the dashboard, which was minor and cosmetic, but still annoying. And the fact that if the car did happen to get hit head-on, the air-bag would explode out and push his knees into his chest, causing his shattered leg bones to pierce his organs and possibly kill him. (At the very least, he would never walk again.) 

Speaking of which: 

“And put your seatbelt on!” You barked, now noticing that he wasn’t wearing it past all of the files he had piled into his lap. “You of all people should know how many deaths are caused by not wearing a seatbelt.” 

Spencer opened his mouth to spout out this exact statistic, but before he could get the words out, another voice entered the conversation. 

“Aw, Reid, listen to your Mommy.” 

You were almost startled by Morgan’s voice coming from the open driver’s side window so suddenly. His appearance there as if out of nowhere was so jarring that you couldn’t get caught up on the way he had called you Reid’s Mommy. Your head whipped toward Morgan so quickly that you didn’t notice the flash across Spencer’s features - worry, dawning. You didn’t take note of the way he rushed to comply with putting on his seatbelt. As if he was rushing to please you, even unconsciously. 

“I bet if you’re a good boy, she might even breastfeed you when you get there.” 

Morgan then pursed his lips and made loudly suckling noises, clearly imitating breastfeeding in what he thought was a comedic way. 

Again - glaring at the muscled man through the open window, you didn’t see Spencer’s reaction. You didn’t see the way his large, glassy eyes flickered to your breasts (only emphasized by your own seatbelt crossed over the center of your chest) before he forced himself to focus on the files in front of him so that he wouldn’t feel so caught.

“Shut up.” You told Morgan, your voice so commanding and firm that his simple order was enough to get him to stop his antics. 

���And give me the address already.” You held out your hand expectantly, and Morgan handed you the file, which you placed onto the center console. 

Then, you turned back to him for one last point, determined to have the final word in the conversation. 

“Besides, we both know that you’re the one who’s got an obsession with my breasts, anyway. Just because you stare while wearing sunglasses, doesn’t mean I don’t notice. My eyes are up here, pal.” You told him sharply. 

He let out a scoff at this, and rolled his eyes behind his dark frames - but he made no clever comeback. 

You had successfully bested him. And with that knowledge, you rolled up the window and left him standing dumbly in the parking lot as you sped off. 

… 

You pulled over later to put the address into the GPS system, and you let out a long-winded groan when you found that it was more than four hours away. Four hours and twenty five minutes. 

So you pulled over again to get gas and stocked up on snacks, and you were surprised that Reid wasn’t giving you some lesson about the colloquial use of ‘soda’ and ‘pop’ (thinking that you hadn’t listened the other ten times when he had gone on the same rambling point about linguistics and how language evolves). 

He was being far too quiet for your liking. 

But he was keeping his eyes glued to the files, and you guessed that he was churning over something in that big brain of his, like he usually was. 

You were entirely surprised when the next time he spoke - it wasn’t about the case at all. 

“How - how do you know that Morgan likes your breasts?” He asked, his voice low and mousy, looking straight ahead as he fidgeted with his hands in his lap. 

“What?” You gaped, the word flying out of your mouth as your brain was utterly slow to process what he had just said. 

Hearing Spencer use the word ‘breasts’ was jarring, but somehow utterly adorable. You found it stirring a slight heat within you. Especially because he was still so shy. The whole thing made you want to pin him down and force the shyness out of him. 

Spencer felt the need to further explain himself. 

“When - when you were talking to him, you said: ‘we both know that you’re the one who’s got an obsession with my breasts.’” He said, repeating back what you had said, word for word, using that perfect memory of his. 

You wondered if that’s what he had been doing, sitting there in his seat so silently for the past hour of the car ride - going over the conversation again and again in his head, trying to make sense of it. And because he couldn’t make any sense of it by himself, now he was consulting you. 

Again, you found it so utterly adorable. 

“Morgan didn’t deny it. So - was it a hypothesis based on something, or did you just call him out hoping that you weren’t wrong?” Reid continued, sparing only a singular glance in your direction, a look that you caught out of the corner of your eye with your gaze still mostly focused ahead on the road. 

You found it intensely cute that he was using the word ‘hypothesis’ in this situation. You wondered if he ever turned it off - the textbook big words and the intellect that he always carried himself with. You wondered if you could make him turn it off. You wondered if there was any situation where Spencer Reid could be as stupid as any other man - chasing a bone, desperate to get his nut off. 

For the first time ever - you imagined Spencer Reid underneath you, blabbering nonsense, begging for release with your hand around his cock as you pumped him, red and aching, so slick in your palm. Desperate, empty-headed, beautifully stupid. 

(See, this was what happened when you were forced to do grunt work. You got bored. And when you got bored - you had to entertain yourself somehow.) 

“It was a pretty well-informed hypothesis.” You replied. Now that Spencer had brought the topic up, you certainly weren’t going to shy away from the discussion. “Morgan often brings up my sex life, and wants to engage in detailed discussions about my sexual encounters with me. So I assume that he spends a fair amount of time thinking about me in a sexual way.” 

Reid let out a choked-off noise at this. 

You continued. 

“Plus, he’s always staring down my top. He’s not exactly subtle.” 

“You - you actually notice that kind of thing?” He chirped, his voice becoming a few octaves higher as worry flooded him. 

You bit your lip, suppressing a grin. 

Of course, you had noticed the times that Spencer stared at your breasts as well. He was even less subtle about it than Morgan was. You didn’t mind it when he did it, because you knew that Spencer wasn’t exactly casanova. He didn’t have a different girl every other week like Morgan did, so taking a glance down your shirt when he passed you a morning coffee was probably about as much action as he got. 

Secretly, letting him get away with it was your gift to him. 

“Don’t worry about it, baby.” You told him, the pet name slipping out mindlessly as you reached over and gently patted his knee as a form of reassurance. 

This movement unintentionally drew his eyes toward your chest, especially in his desperation to look anywhere but your face, not wanting to make eye contact with you. But he found his eyes glued to the swell of your breasts once again - hating how perfect they looked, even through the simple cotton shirt and plain bra that you wore. 

“Sorry, Mommy.” The word slipped out before he could even consciously process it. “Sorry!” 

Spencer raised a hand to smack his own face at lightning speed, and slumped down into his seat in embarrassment. 

You bit your lip to suppress a grin. It stirred a filthy heat in your belly. But you knew that Spencer likely needed a while to sit with this and wouldn’t want to talk about it - not yet. So you reached over and turned on the radio, letting the music fill the space so that the silence wasn’t so awkward and gutting. 

…

Spencer didn’t talk for the entirety of the rest of the car ride, which didn’t surprise you. 

When you finally arrived at the ex-wife’s house, his hands were shaking with nerves as he tried to unlatch his seatbelt. You probably should have just left him alone to struggle, but an evil spark, likely fueled by the boredom of the day, flared up inside of you. You couldn’t resist the urge to lean over the console, very purposefully showing off your breasts as you gently pushed his hands away and undid the belt for him. 

“Here, let Mommy get that for you.” You said, distinct teasing on your breath as you mumbled the words into his ear. 

Spencer huffed out a deep sigh and collapsed back into his seat, and pushed his hair out of his face in frustration. But he didn’t say anything more as you gathered the files in preparation for the interview. 

He only spoke when you moved to get out of the car. 

“Look, I-” He began a half assed explanation, and you easily cut him off. 

“You let Morgan get in your head too much.” You told him with a chuckle, opening your door and getting out. 

But as he forced himself to follow you with numb limbs - he knew that this definitely wasn’t all Morgan’s fault. 

… 

The ex-wife didn’t know much. 

She described the marriage as hell - the suspect exhibited all the typical behaviors as a husband that they would have expected. He hated women, and he wanted full control over his wife at the time, which eventually led down the path of divorce. They had to sell the house they had bought together, but neither of them had moved out of Texas since. But he hadn’t contacted her in years. 

She had two young kids from a new relationship, and when the woman stepped out to take a call, you picked one of them up to soothe his cries, hushing him gently while you rubbed his back. 

Because of this, Spencer found himself even more dizzy and confused. 

He knew that it was Frueadian - some deep, misguided part of his psychology - something broken and missing inside of him because of his own fractured childhood. 

But seeing you being so sweet with a kid, especially after the day he’d had - he wasn’t sure if he wanted to be your baby, or if he wanted to shoot his cum so deep inside you that it would ensure he could give you one. 

(Ultimately, he knew that it was likely both - and that didn’t answer any questions for him. It just gave him far more questions.) 

… 

Even though the ex-wife couldn’t give you guys much more than you already knew, Hotch wanted you and Spencer to stay close by in case the suspect decided to make his ex-wife the end game. The two of you would be able to make it to her first if she called for help. 

So you and Spencer had dinner at a random local barbeque place off the highway and Spencer still didn’t talk much through it, other than posing some theories about the case. Even though he was a bit more talkative, he still refused to look at you - he stared down at his plate the whole time. Though whenever he did look up, you noticed that his eyes lingered on your chest - and he still wouldn’t look you in the eye. 

By the time the bill came around and the two of you were ready to leave, you knew exactly what you had to do. 

… 

Spencer waited by the car with his bag while you checked in and got a motel room (needing to stay in town, you got a room for the night). When you came back, you handed him the room key and then moved to get your bag out of the car. 

“Do… you already have yours?” He asked quietly. 

“Hmm?” You hummed in reply, slinging the strap of your go-bag over your shoulder before you closed the back door and used the remote to lock up the car. 

“Your room key?” 

You suppressed another grin. 

“I only got one room.” You told him. “You don’t mind sharing with me, right?” 

You gave him a purposeful look - looked at him through your lashes, bit your lip slightly, and subtly squeezed your breasts together with your upper arms, emphasizing them. You knew exactly what you were doing to him, but hopefully it seemed subtle. 

“I - uh - no.” Spencer stuttered. “It’s fine. We can share.” He gave a grin, not wanting to appear upset, even though his entire body was racked with nerves. 

Spencer followed you to the room and he fumbled with the key with shaking hands for a moment before he sighed and then handed it to you. 

His insides quaked when he saw that there was only one bed. 

He wasn’t sure if he should say anything about it. The two of you had slept in the same room before, but you had never shared a bed before. Sure, you had slept near each other before. He had accidentally fallen asleep on your shoulder on the plane or vice versa. But you had never crawled into bed together with the intention of sleeping together. 

And yes, just the entendre behind it made Reid’s head spin. 

He had a heavy knot in his gut, and hatefully - a distinct stirring in his crotch. He could only imagine how embarrassing it would be for you to wake up and see him compromised in some way. Or god forbid, if you caught him moaning in his sleep because of unconscious dreams that he couldn’t stop - for you to think that he was some kind of dirty sex pervert because of it. 

He felt an overwhelming need to clear the air overtake him. He had no clue how to broach the subject, but he knew that he wouldn’t be able to spend the night like this. He wouldn’t be able to sleep with this anxiety hanging over his head. 

He studied you carefully as you sat down on the edge of the bed, ditching your bag off to the side and heaving out a tired sigh as you began taking off your shoes. 

Spencer put down his own bag and then stood there, fidgeting nervously as he searched for words. 

“I - uh - I am sorry about earlier.” He mumbled out the beginnings of an apology. “What Morgan said was stupid, and I-” 

“I don’t think it was stupid.” 

You let out a chuckle, and reached up the back of your shirt. Spencer found himself frozen, his eyes tracing your every moment as you unhooked your bra underneath your shirt and then moved to maneuver the straps out from your short sleeves while you kept talking. 

“I think he had a point.” You added on. “Good boys should get a reward. And I think you were fairly good today. You didn’t eat all your veggies at dinner, but you kept your feet off the dashboard and you were quiet during the car ride. You definitely get points for being patient during such a long trip, baby.” 

Your voice smoothed into a soothing tone, that word - baby - melting like butter over your tongue in a way that made Spencer’s knees wobble. He hadn’t known it until right now, but you calling him a ‘good boy’ and listing off such mundane things he had done that made him worthy of a reward fired off sparks inside of his brain. 

A breath choked off inside of his throat as you stood up off the bed and peeled your bra completely out from under your shirt. Somehow it was one of the sexiest things he had ever seen, revealing the hard peaks of your nipples and the beautiful natural teardrop shape of your breasts to him through the cotton fabric. 

Spencer wanted to speak, but his tongue felt so heavy and dry inside of his mouth. He knew that he was staring at your chest so blatantly now, but he couldn’t peel his eyes away. He couldn’t even feel ashamed anymore. 

That dull tingle in his crotch had turned into a full on stinging interest, and he unconsciously pulled at the fabric of his pants, trying to loosen some of the tension that was growing, not even considering how it might look to you - him dumbly reaching for his crotch to make it look looser when his hardening bulge was becoming more obvious by the second. 

It was one of the most ‘caveman’ things he had ever done in front of you - standing there with his mouth hanging slightly agape, pulling at his crotch without caring how it looked. You definitely wanted more, wanted to see how dumb he could get. How far you could make him devolve. 

“So what do you say, baby boy?” You hummed, stepping close into his personal space now, causing him to get a whiff of your perfume - something that was only a dull trace after such a long day, but still smelled so good. “Do you want Mommy to breastfeed you? Do you wanna suck on my tits as your reward?” 

You gently ran a thumb across his cheek, and paired with the words, Spencer’s brain short-circuited. 

He knew realistically that you weren’t actually offering to breastfeed him. There was no evidence in your life to say that your body could actually support the production of milk currently - but you were offering to let him play pretend. To suck on your tits with a very sexual air, to call you Mommy without the teasing humiliation behind it that Morgan had hinted at (or maybe Spencer liked that humiliation, he wasn’t even sure). (He hadn’t even known before this morning that he liked the idea of calling you Mommy, but here he was). 

All he could conjure in response was the dumbest, non-human sound. 

“Nngh.” 

It was a grunt from the back of his throat - too much blood swelling to his cock all at once and too much direct attention from you making him dizzy. 

You giggled quietly. 

“Come on, baby. Just say the word. And Mommy will give you everything you need.” 

Spencer inhaled sharply. At this point, he was desperate to get some oxygen to his brain. 

His mind was racing, chanting out: 

‘Yes! God, yes! I want it so badly, Mommy! I want anything you’ll give me. I need you. I need you so badly.’ 

But all his lips could form in the wake of such dizzying lust was: 

“Please.” 

“Good boy.” You sighed. 

You used a hand on his chin to tilt his face up to meet yours, and you consumed him in a kiss - he was hungry and eager to meet your touch, moaning loudly into your mouth, his hands racing to touch you now, rushing up to grip on your hips in the most utterly needy way. He balled the fabric of your shirt in his fists, like he couldn’t get enough of you - like he was afraid you would dissolve away if he let go of you for even a second. 

It was cute, to say the least. 

You only let the kiss last for a moment, though. You pulled away to a disappointed whine from Spencer, which you quietly hushed. 

“Hey, it’s okay baby.” You soothed him. “Come here. Mommy’s gonna take good care of you.” 

You lead him toward the bed, getting rid of his tie in the process, and Spencer stepped out of his shoes along the way. You slid onto the bed and laid up on the pillows on your back, Spencer clumsily following you, crawling on all fours. The two of you had barely started, but he was full-on panting now, racing to catch his breath while his blood hammered through his veins. 

He watched on with eager curiosity while you got comfortable, fluffing the pillow under your head before you then reached down and pulled up your shirt. You pulled the fabric to sit up under your chin, finally revealing your gorgeous breasts to him. 

If he was lost for words before, then he had receded back to a total neanderthal now. 

His mouth fell open and his salivary glands started working overtime as his eyes raked hungrily over your chest - enjoying the pure beauty of the fatty mounds, striped with zig-zagging stretch marks and completed by your hard peaked nipples. 

“Here, come on, baby.” 

You had to remind Spencer what the goal was, guiding him into place with a hand on the back of his head. You helped ease his body to lay on top of yours as he relaxed into you - and his mouth finally found its rightful place on your breast. He became greedy, suctioning hard on your nipple as though he might actually get something out of it. 

Truthfully, he did get something out of this. 

It definitely wasn’t any form of nutrition, but it was something that drove him lustfully insane and made his head fuzzy and warm in the best way. This was the only time in his entire life that he didn’t have ten thousand thoughts running through his mind like the news blasting on television in the background. This was the only time since his first conscious memory that he had actually known his mind to be quiet. 

He felt intensely thankful for it. Intensely thankful toward you for giving him this feeling. 

In that moment, without all the noise, all he knew was the comforting feeling of your fat tit under his mouth, the heat of your body under his own as you cradled him. The soothing firmness of your hands through his hair and down his back - and the distant, sweet purring of your voice in his ears. 

“Good boy.” You hummed, loving the feeling of him moaning around your nipple - so constant and so greedy now that you were sure he didn’t even know that he was doing it. “Such a good boy for me. Such a good boy for Mommy.” 

Your cunt was humming between your thighs, aching so hard at seeing Spencer like this. The usually composed, intelligent, practically robotic Doctor Reid reduced down to a blubbering, moaning, needy mess just because he wanted to suck on your tits. 

Just because you had called yourself Mommy a few times in his presence. 

It was so utterly beautiful, and you wanted more. 

(You didn’t think that you could ever let him go after this. You probably wouldn’t be able to stand the idea of another woman touching him after this. But you would have to think on that more later.) 

You noticed Spencer canting his hips, unconsciously seeking friction against his hard cock while he continued to suck on your breast. With his eyes closed blissfully, drool gathering around his lips where they met your skin in the most utterly adorable way. You couldn’t help yourself - you scooted your knee between his thighs. You then used a hand to help his hips into place, adjusting him so that he was getting good friction against your denim-clad thigh. 

“There you go. There you go, sweet boy.” You hummed, feeling another jolt through your body when he let out a sharper moan against your tit, and began humping your leg in earnest. 

You were quick to encourage him, putting both hands on his hips and helping him along while he greedily hung onto you. He had on your hip, the other hand slipping up to cup fingers around the bottom of your breast, making sure you didn’t escape him while he moved his body against you so frantically. 

“That’s just what you needed, isn’t it, baby?” You moaned out, your voice wavering slightly as the pleasure of it all thrummed through you. “Just a dumb little baby who needed Mommy’s tit.” 

The term ‘dumb little baby’ came flying out of your mouth before you could stop it. Though you knew exactly why it happened. Seeing such a brilliant genius reduced down to this truly did something to your ego. And apparently hearing those words from you did something to him, too. 

He whined sharply against your skin and his hips stuttered abruptly. You knew it wouldn’t be long before he came in his pants, his cock throbbing against the friction of your thigh. And this thought alone caused your mouth to run off without restraint. 

“Such a needy little thing.” You sighed. “You love being Mommy’s dumb baby, don’t you? Not a single fucking thought between your ears, just sucking on Mommy’s tit without a care in the world.” 

Spencer moaned and it sent another jolt through your body - another harsh pang through your cunt. You loved how much he needed you. You loved how much he was clearly eating this up. 

You didn’t even care if you got to cum tonight; you just wanted to exhaust him for all he was worth. Because he was so fucking pretty like this. 

“You gonna cum for me, baby boy? You gonna cum for Mommy? Come on, baby. Cum for me.” 

These words were what ultimately sent him over the edge. Well that along with your strong hands on his hips, encouraging him along while he was mindless and busy mouthing on your breast.

His jaw dropped open, finally loosening that desperate suction on your now slightly sore nipple as he began to pant frantically over your now spit-soaked skin. He moaned hotly while he humped you in an entirely adorable, almost distraught manner - absolutely desperate to have the most friction on his cock while his orgasm overtook him. 

You could feel his needy cock throbbing against you, trapped inside of his pants, shooting off hot ropes of cum that quickly soaked into his underwear and even then, seeped into the fabric of his slacks. You grinned and bit your lip as you felt that wetness even beginning to soak into your jeans, knowing he must have set off quite a big load. 

Spencer soon collapsed on top of you, gulping in air as he tried to catch his breath. 

Any normal person would have taken pity on him (seeing as he was clearly nervous and inexperienced) and wound things down to end the night here. Anyone else would have likely let him rest. 

But again, you felt devilish temptation overtake you. (It was a feeling that seemed to be much more ripe around Spencer Reid.) 

You just felt thankful that your temptation and inclination toward chaos came in the form of lust, rather than something more violent, like the people you studied every single day. Everyone around you should be thankful for that. 

You used your leverage (and the fact that you weren’t nearly as exhausted from the experience) to flip him over onto his back. He let out a surprised sound as his back made contact with the mattress - blinking up at you with shocked, glassy eyes as you moved down his body slightly. 

“Wha-?” He mumbled out the question, only getting out part of the word before you reached for the zipper on the front of his now wet pants. 

“Hey, shh, baby. I just wanna see you.” You told him quietly, causing him to stare down the length of his own body at your hands as you worked. 

You got the button and zipper undone quickly and you let out a quiet ‘fuck’ as you peeled back the wet fabric of his grey slacks to reveal the sight of his simplistic (very Reid) white cotton underwear slightly transparent and stuck tight to his cock, coated in wet, sticky cum. 

“So pretty baby.” 

He only whined in response. 

You couldn’t help yourself - you reached up and pulled down the waistband of his underwear, feeling more lust pricking through you as he was truly revealed to your eyes. He was perfect. Glossy and wet with his own release, his cock pinky red from the exertion and friction, still half hard. You pulled the clothes down over his hips and he lifted his body to help you, clearly glad to be rid of the mess, and the second you untangled the fabric from his ankles and ditched everything aside, you were back on him. 

You skimmed the tips of your fingers oh-so-lightly up his shaft where it was sprawled across his pelvis, and his hips jolted. He let out a bitter gasp - as though cold water had been splashed across him. 

“You said-” He choked on the words as you ran your thumb right underneath the crown, gently pressing into the head, causing him to choke on a moan while his knees quaked. 

You sat on his knees to keep him still and his head became so fuzzy once again. 

‘You said that you only wanted to look.’ 

The sentence died off in his lungs somewhere, and truthfully - he didn’t want to protest. He didn’t want you to stop. 

“Sens-sensitive.” He whined. “Too much.” 

“But you’re so pretty, baby.” You replied, your voice turning smooth and warm like butter again, melting over his whole body, causing all of his muscles to go soft and pliant for you. “Your cock is so pretty. I need to touch you.” 

He let out another strangled noise when you cupped your hand and took him fully in your grip this time, giving one good tug across his cock from root to tip. When you did this again, faster this time, his lungs seized inside his chest - trying to take in oxygen so quickly, as though he were drowning on dry land. 

“You gonna be good for me, baby?” 

“Yes.” He gargled back in response. “Yes, Mommy.” 

He was already so wet from cumming in his pants, and he let out a pathetic dribble of precum as you continued to move your hand - so it was an easy, slick slide. One that sent harsh shockwaves through him from overstimulation. Against his own will, he soon ballooned back to full hardness - becoming painfully swollen in your hand while you sped up your touch and closed your fist tighter around him. It caused the most wonderful hurt between his legs, and made a downright filthy wet sound as you pumped your grip faster along his needy cock. 

Spencer heard wailing and felt the soreness against his throat before he realized that he was the one making those desperate sounds. He distantly wondered what it might sound like to someone else, if the rooms on either side were occupied, if the motel would receive a noise complaint about some frail woman getting fucked to death by her husband next door - because that’s what he sounded like in his own ears. 

But any of those half-thoughts were chased out of his brain the second you flicked your thumb up over the head of his cock and your dirty mouth filled his ears once again. 

“Gonna milk this pretty cock, baby.” You told him, your voice firm. “You gonna show Mommy how much you can cum for me? Gonna show me what a good boy you are?” 

Spencer let out another pathetic sound, his body singing with pleasure at his pure need to prove to you that - yes, he was a good boy. 

He felt tears wet on the side of his face before he realized that he was crying, but it was all too good to ask you to stop. 

You used your other hand to cradle his balls and you swooped down to capture his gasping mouth in another kiss (a very messy, open mouthed kiss that Spencer could barely pay attention to). Spencer screamed into your mouth while he painted his stomach with cum once again.

You only stopped jerking his cock once you had truly milked every last drop from him, his hips seizing up off the bed and your hand almost slipping off him completely from how sloppily wet it was with more of his cum added to the mix. 

He was purely exhausted then. His eyes blinked heavily, struggling to stay open. He vaguely remembered you cleaning him off and tucking him into bed - but he definitely enjoyed falling asleep curled up next to your warmth. 

…

The next morning, Spencer felt hungover. 

He wondered if that’s what good sex always felt like - the combination of endorphins rushing through your body and physical exertion tackling you over. His legs were sore, as though he had run several miles. (Which wasn’t even something he could make a bold comparison to anyway, because he didn’t exercise nearly as much as he should for someone with this job). He woke up starving, grateful when you drove to a diner down the road after checking out of the motel and planted him in one of the booths before going outside to call Hotch in order to touch base with the rest of the team. 

You came back with a small grin on your face. 

“Turns out that tip the ex-wife gave us about their first house in Arlington was pretty solid.” You told Reid. “They caught the guy on his way there. He had another girl in the trunk. They got her back mostly unarmed, and took him into custody.” 

Spencer nodded. “That’s good.” 

When he moved to grab another sugar packet out of the caddy on the side of the table, three of them already open and empty beside his cup of coffee, you grabbed him by the wrist. 

“That’s enough, baby.” You told him. 

His stomach curled, that distinct feeling running through him again. And against his will, that word slipped out - again. 

“Yes, Mommy.”

...

A/N: This is a standalone oneshot. There won't be a sequel or a continuation, so please do not ask for one. If you liked the fic, please comment about the body of work that has been written, or consider reblogging to show your appreciation. If you want to see more Spencer Reid fics that I have written, you can check out my Criminal Minds Masterlist, or you can check out my Masterlists for other fandoms to see if anything catches your eye. Thank you for reading!

[felassan]

EuroGamer: 'BioWare knew the deepest secrets of Dragon Age lore 20 years ago, and locked it away in an uber-plot doc'

Original creator David Gaider on how "some of the big mysteries are being solved".

Rest of post under a cut due to length and possible spoilers.

"As I write about the secrets hidden in Dragon Age's mysterious Fade, and as I uncover some of them playing Dragon Age: The Veilguard, one question keeps rising up in my mind. How much did BioWare know about future events when first developing the series more than 20 years ago? That's a long time, and back then BioWare didn't know there would be a second game, which is why Dragon Age: Origins has an elaborate and far-reaching epilogue. Why lay so much lore-track ahead of yourself if you don't think you'll ever get there? But look more closely at Origins and there are big clues suggesting BioWare did know about future Dragon Age events. There are obvious signs in the original game, such as establishing recurring themes like Old Gods and the Blight and Archdemons. But there's also Flemeth, Morrigan's witchy mother, who's intimately linked to events in the series now - more specifically: intimately linked to Solas. Does her existence mean Solas was known about back then too? There's only one person I can think of to answer this and it's David Gaider, the original creator of Dragon Age's world and lore. We've talked before, once in a podcast and once for a piece on the magic of fantasy maps, where we discussed the creation of Dragon Age's world. And much to my surprise, when I ask him what he and the BioWare team knew back then, he says they knew it all. "By the time we released Dragon Age: Origins, we were basically sure that it was one and done, but there was, back when we made the world, an overarching plan," he says. "The way I created the world was to seed plots in various parts of the world that could be part of a game, a single game, and then there was the overall uber-plot, which I didn't know for certain that we would ever get to but I had an understanding of how it all worked together. "A lot of that was in my head until we were starting Inquisition and the writers got a little bit impatient with my memory or lack thereof, so they pinned me down and dragged the uber-plot out of me. I'd talked about it, I'd hinted at it, but never really spelled out how it all connected, so they dragged it out of me, we put it into a master lore doc, the secret lore, which we had to hide from most of the team.""

"This uber-plot document was only viewable on a need-to-know basis, he says, and only around 20 people on the team had access to it - other senior writers mostly. And even though Gaider left the Dragon Age team after Inquisition, and then eight years ago BioWare altogether, meaning he didn't work on The Veilguard at all, he believes - by looking at the events in the new game - his uber-plot lore "has more or less held up". That's impressive. What's even more impressive, or exciting, is that back then he also envisaged a potential end state for the entire Dragon Age series - a point at which it would make no sense for the series to carry on. "I always had this dream of where it would all end, the very last plot," he says, "which I won't say because who knows, we could still end up there. But the idea that this uber-plot was this sort of biggest, finite... That the final thing you could do in this world that would break it was there as a 'maybe we would get to do that one day'... There was just the idea of certain big, world-shaking things that were seeded in that arc, some of which have already come to pass, like the return of Fen'Harel." You've read that correctly: the idea to have Fen'Harel, also known as the Dread Wolf, reappear, was seeded all the way back then, way before Inquisition - the game in which he does actually reappear. But the concept for Solas, as a character who was Fen'Harel in disguise, was a newer idea. "That spawned from a conversation I had with Patrick [Weekes] and a number of other writers," Gaider says, "as an idea of 'what if you had a villain that spent an entire game where he's actually in the party and you get to know him?' Now, the god version and his larger role in the plot, yes that was known, but not that he would be presented as a character named Solas." Fen'Harel being known about means the other elven gods were known about, which means all of that stuff Solas reveals about his godly siblings - that they're not gods at all but evil elven mages he locked away behind the Veil - was known about back then too. "Oh yeah," Gaider says. "Everything that Solas tells you [at the end of Inquisition DLC, Trespasser]: it's all part of that original uber-lore - that was all in our mind." But why have so much lore if you're not certain you'll get to ever realise it? Well, to create a believable illusion. By creating an "excess" of lore, as Gaider describes it, Origins made Thedas feel like an old and believable place. A place with history, rather than a Western set that was all facade and no substance."

"BioWare also did something canny with the lore it did relay then, too: it shared it through the voices of characters living in the world, making it inherently fallible. In doing this, Dragon Age veiled its truths behind biases. The church-like organisation of the Chantry proclaims one truth, while the elves and dwarves proclaim another. Sidenote: you can experience this yourself through different racial origin stories in Dragon Age: Origins. This way, there's no one, objective, irrefutable, truth. "To get the truth, you kind of have to pick between the lines," Gaider says. So even though elven legends are coming true through the existence of Solas and The Veilguard's antagonist gods, it doesn't mean that's the one and only truth. There's truth in what the Chantry teaches and what the dwarves say, he tells me, which ignites my curiosity intensely. BioWare has also been tricksy in how it's rubbed out the lore the further back in time you go. "In general, the further the history goes back, we always would purposefully obfuscate it more and more," Gaider says - "make it more biased and more untrue no matter who was talking, just so that the absolute truth was rarely knowable. I like that idea from a world standpoint, that the player always has to wonder and bring their own beliefs to it." It leads into a founding principle of Dragon Age, which is doubt - because without it, you can't have faith, a particularly important concept in the series. It's where the whole idea of the Chantry's Maker comes from and with it, the legend about the fabled Golden City - now the Black City - at the heart of the Fade. This is the very centre of the lore web, and, I imagine, it's close to the series endpoint Gaider imagined long ago. All secrets end there. Did Gaider know what was in the Black City when he laid down Origins' lore? That's the question - and it startles me how casually he answers this. "Oh, yeah," he says. "What was in the Black City: that's the uber-plot. I knew exactly. "Was it as detailed in the first draft of the world?" he goes on. "No. I had an idea of the early history because that's where I started making the world. So the things that were true early-early: I knew exactly what the Black City was and the idea of what the elves believed, and what humans believed vis-a-vis the Chantry - that was all settled on really early. Then I expanded the world and the uber-plot bubbled out of that.""

"Gaider shows me the original cosmology design document for Dragon Age: Origins as if to prove this - or rather for the game that would become DAO. The world was known as Peldea back then. I can't share this with you because I see it via a shared screen on a video call, and because Gaider doesn't want me to, mostly because the ideas are so old they're almost unrecognisable from what's in the series now. But I can tell you it's a document that's just over a page in length, and that there's a circular diagram at the top showing the world in the middle and the spirit realm ringed around it. And on that document is reference to the Chantry's beliefs about a God located in a citadel that can be found there. Gaider says BioWare knew about Fen'Harel (the Dread Wolf) 20 years ago when it was developing Dragon Age: Origins, and that he'd one day reappear. The Fade wasn't known as the Fade back then, either, but as the Dreaming, because it's the place people go when they dream - an idea that lives on still. And if that sounds familiar to any fans of The Sandman among you, it should. "I'd say The Sandman series was probably fairly prominently in my head," says Gaider. "I liked that amorphous geography that was born from the psyche of collective humanity. I'd say yes, if I was to point at something specifically, that's probably where the very first inspiration of it took root." It's a lot to take in, but it reinforces the admiration I have for Dragon Age. Just as I have when hearing about the creation of my other favourite fantasy worlds, such as A Song of Ice and Fire, I begin to understand the magnitude - and the deliberateness - of the plotting that went on. I wonder if one day the Dragon Age series will end in the way Gaider first imagined, albeit slightly altered by the many other pairs of hands shepherding it along now. What a curious feeling it must be to know, so many years in advance, where things might go. Where that end is, I don't know, but I do know we'll take a significant step towards it in The Veilguard. After all, we're coming into contact with gods who were there at the recorded beginning of it all. "Yeah - we have access to people who can tell us the truth from first-hand experience," Gaider says, "although again, it depends on what the writers did with it. But if they continued the tradition of Dragon Age, you never know for sure if Solas is telling you everything, or what you're learning is the entire truth. "But yes, some of the big mysteries are being solved. I mean, will they one day definitively tell you about the Maker? Will we crack the big mysteries of the world and just make them answered finally? And does that ruin one of the central precepts that Dragon Age is founded upon? Maybe," he says. "Ultimately, that lore, when you make it big and you hint at it and hint at it and hint at it, it becomes a Chekhov's Gun of sorts. Eventually you got to pony up.""

[source]

[our-happygirl500-fan]

Various pieces of information from the Rise Q&A back in February

It was revealed that there are other Hidden Cities other than the one seen in Rise & there had been plans for the Turtles to visit the Hidden City beneath Tokyo.

2. Splinter was able to use Leo's mystic odachi so easily due to the fact that Splinter had spent a lot of time in the Hidden City & because of this Splinter has a great deal of mystic knowledge, with Splinter also having developed his mystic abilities but he has stopped using those abilities until the events of the series.

3. More information was given about the missing Turtle Siblings & it was stated the Frida, Big Mama's Assistant would have most likely joined her brothers during the future timeline, it was also stated that the other missing Turtle Sibling would have possibly been named Camille after Camille Claudel.

4. When asked on how a Dungeons & Dragons episode would go it was stated that April would be the DM, Raph would be a fighter class, Mikey would be an illusionist, Leo would be an assassin or thief & Donnie would insist on being a scientist since he's sure that there was 'at least one sensible person back then'.

5. The Rise version of Renet could have possibly been used to explore different timelines that might have happened if certain events in the movie had happened differently.

6. After the events of the movie Casey is traveling around the world fighting remnants of the Krang & the Foot Clan.

7. When asked about the Turtle's relationship with Draxum it was stated that in contrast to Mikey who accepted Draxum the most easily, Leo is the most skeptical however it was also stated that Leo would have eventually 'gotten over' his grudge towards Draxum as there were multiple scrapped episodes planned where Leo & Draxum would have been forced to work together.

8. There were plans for the Turtles to eventually go to the Krang's original dimension meaning that it would have been likely for the Turtles to encounter the traditional dimension X/Z stuff such as the Neutrinos.

9. When asked about Casey Junior's relationship with the past/ present version of Leo it was stated that despite it being slightly different due to them being around the same age now Casey Junior can't help but still view Leo as a father figure.

10. It was stated that Splinter has never celebrated the Turtle's Birthdays in the past due to it being to closely related to his negative feelings towards his own mutation however it was also stated that after Splinter's development in the series he would start celebrating the Turtle's Birthday with them.

11. The reason that the Future Version of Leonardo was the one who raised Casey Junior was stated that it was due to the fact that the Future Version of Leonardo had a special affinity for Casey Junior & also felt particularly responsible for Casey Junior after his mother was gone.

12. When asked what the Rise version of Miyamoto Usagi would have been like it was revealed that a possible plan for Usagi was that his home dimension would have been overrun by the Krang causing Usagi to travel to the Turtles dimension for help due to them being the only ones who have ever defeated the Krang.

13. When discussing crossovers between TMNT iterations it was stated that a crossover between Rise & the 1987 cartoon or the 2003 cartoon would have been a possibility due to them also being 2D animated series.

14. April & Sunita were planned to have more 'girls night' episodes together.

It was also stated that Casey would have possibly have developed a dynamic with both April & Sunita so there is also a possibility that Casey would have been included in the 'girls night' episodes with April & Sunita as well.

[devildomwriter]

THINGS THAT WENT UNANSWERED AND MY THEORIES

Why is Diavolo’s dad asleep? Where is he?

• In the game he went into a deep slumber in the bottom layer of the Devildom shortly after the brothers arrived

• I believe this slumber has something to do with age, state of mind, but most importantly the brothers and their extreme power. It brought immediately destabilization of power between the realms and I believe he may have granted his powers between the brothers when he named them—thus enhancing their sins (he split them between the brothers) as a demon without serious power or sin he may be resting to restore this energy over time or to stop the power imbalance that could threaten a war with the Celestial Realm.

What was the event that made Diavolo wish for peace between the three realms?

• In season one Diavolo tells MC that long ago something made him realize that there should be peace between the three worlds. MC supporting Diavolo in the past isn’t an answer as Diavolo already had this idea before meeting them and even before meeting Lucifer.

• I believe that one of the many wars between the Devildom and Celestial Realm happened within Diavolo’s life. The horrors of war are not exclusive to humans, a young idealistic demon like Diavolo would be traumatized into ensuring nothing like this happens in the future. It is mentioned in game that it was his father who first asked for a truce between the Celestial Realm and Devildom but it’s likely Diavolo was still alive in this time period and a war could have happened before all of this.

Will Simeon become an angel again?

• In the final lesson of Nightbringer Simeon is invited back to the Celestial Realm despite previously not having even been allowed back as a guest. They want to discuss his future and Lucifer advises Simeon to have a productive talk. Raphael also mentioned in OG season four that Simeon despite being human was much better at his “job” than he used to be.

• I believe Simeon is certainly becoming an angel again. He might be lowest rank like Luke until he discovers who he is as an angel again or he may be sent back to the ranks of Archangel. I hope he stays lowest rank for a while so he can prove his worth beyond such low ranks and will no longer be stressed by busywork. I believe Raphael will also protect him more from higher ups. I think the good example Simeon set for Raphael and Luke will reflect kindly on his future and whether he can become a seraph again considering who they became under his guidance.

What is Luke’s future as an angel?

• In the game, Michael specifically took Luke under his wing because he recognized his power. Even as a child Luke was allowed to work in the Celestial Palace. Luke came into being shortly before Lucifer and his brothers fell and idolized Lucifer once. Michael sent Luke to the Devildom to learn not to be so judgmental and to face the real world. While on exchange Michael notes Luke would be a good principality while Mammon thinks he could be a seraph.

Lucifer also believes Luke has a good future ahead of him as only Luke, Lucifer, MC, Solomon, and Diavolo noticed when Simeon was no longer demonic, not even the other six rulers of hell.

• I firmly believe that Luke will become a seraph. His latent power and guidance from Simeon, Raphael, Michael, Barbatos, and Lucifer leaves him as very open minded but firm in his convictions and morality. The timing of his birth being right before Lucifer fell leads me to believe he was created as a replacement for Lucifer and that he will take Lucifer’s place one day to lead the Celestial Realm alongside Michael.

Will Michael join the exchange program?

• In the game Michael hinted to Raphael that he wanted to and Diavolo also wondered if Michael might join one day. The others seem to believe it would be too much a hassle.

• I think Michael is the kind of person who would but wouldn’t do so normally. Maybe a very short exchange so he doesn’t stay away from the Celestial Realm for long. I also believe his presence would cause unrest in the Devildom which he may view as hostile towards the Celestial Realm. This is a great plot point I would have loved to see, especially with Barbatos and Solomon both worrying about war in the future as well as MC’s alliances.

Will there be another war between the realms?

• In Nightbringer it was hinted that things were getting more tense as more demons were trying to disrupt the exchange program and bring harm to the students. It’s also revealed that to have sent Lucifer to Cocytus the celestial realm also had to agree meaning there are also angels who strongly oppose the three worlds as coming together as both sides hold resentment for past wars and see the others as unable to change for the better.

• I believe that in the future there will almost be a war, but Diavolo will be able to prove how strong their bonds can be with MC as a prime example. MC has a connection to each realm, granting them a power so strong they need the ring to contain it which Simeon gave them and Michael allowed. The brothers and angels and others have consistently saved each other’s lives, seen past former beliefs and even a demon like Mephisto and an angel like Raphael, two people extremely loyal to their realms were able to become good friends. I believe Diavolo would use a memory ring or other power to display the greatest most significant moments between them as proof his dream can become reality or at the very least they can remain at peace.

Who is Nightbringer?

• The game more or less confirms it to be Barbatos with the teaser for the game as well as how Nightbringer and his abilities are described. Nightbringer also speaks to Solomon with the same annoyance as Barbatos.

• I firmly believe that Nightbringer is Barbatos. Barbatos brought MC to the past, disrupting the timelines and I believe this is why Diavolo asks Barbatos to never use these powers without his permission.

What happened to Solomon’s childhood friend?

• The game indirectly tells us what happens over several seasons. Solomon is said to have e summoned Barbatos at the risk of his own life as a child desperately seeking to use Barbatos’s power of time. At the time he was not the kind of person obsessed with knowledge and power but was granted power seen as cursed that led him to be hidden in a basement away from everyone but this one friend.

• I believe his friend died whether it was his powers at fault or not and he summoned Barbatos to revive his friend. It’s possible his friend died of natural causes and this is why Solomon wants to better the human world despite it turning his back on him; it’s all so children and humans in general don’t die of preventable things like his friend did.

What did the Little D.s mean when they said they’d take over the Devildom?

• In season two of Nightbringer the Little D,s laugh about taking over the castle and soon the whole Devildom.

• I think they believe they can overcome their counterparts, or at least they used to, and wanted all the power for themselves. I think after thousands of years they gave up on this idea.

Who in the Devildom betrayed Diavolo and had Lucifer sent to Cocytus? And who in the Celestial Realm agreed?

• In the game Diavolo was never able to find the results but in the modern timeline the House of Lords remains a hinderance to Diavolo’s ideas of peace between realms despite the successes he has had thus far. When Raphael asked around in the Celestial Realm he never got an answer despite being a seraph and it’s hinted that they probably know who it is among the higher ups but won’t share that information.

• I believe someone in the Celestial Realm reached out to demons they knew opposed Lucifer and not the other way around. The Celestial Realm is always in the Devildom’s business so must have known about the unrest and helped arrange Lucifer’s imprisonment in Cocytus, then sent an angel closest to him, Raphael, to read his charges as punishment to Lucifer (seeing how it affected his friends) and punishment to Raphael (for still having such a close bond with a traitor.)

Why is Barbatos forbidden from using his powers?

• In the game Barbatos is mentioned to not be able to use his powers without Diavolo’s permission on several occasions. No specific reason is given.

• I believe that when Barbatos (as Nightbringer) brought MC to the past, Diavolo at some point found out he’d caused a destabilization of their reality (but not exactly what it was he did) and ordered him not to use his powers.

Will the others ever find out about the time travel?

• In the final season Solomon tells MC that eventually they won’t be able to play off the brothers’ memories of MC in the past anymore. Barbatos is already aware of the time travel.

• I believe it will come out at some point for sure. They will remember more or come across concrete proof MC was actually there with them.

Why did Nightbringer take MC to the past?

• In the game the denkn claims it’s because it is where MC will find happiness.

• I believe that Nightbringer (Barbatos) lived in a reality much darker and bleaker than ours. I believe the brothers trapped in Cocytus triggered some kind of war or prevented Diavolo from fulfilling his dream so he used his abilities to find a way to correct it.

He sent you into the past before you became an exchange student with visions of the future he saw would happen if he brought you there to help the brothers.

Eventually you were selected as an exchange in the future, fulfilling the visions Barbatos foresaw. This part is tricky to understand but by Barbatos describes time as a thick heavy mud or soup and I believe he sees time running concurrently so even though your future hadn’t yet happened, somebody from that future was able to come help you in the past, Solomon.

It’s hard to explain but time sort of did a loop, MC of the OG was sent into the past to create the future they live in. This means at some point MC was in a very different future and knew a different and worse version of the brothers but their memories of them altered into the happy ones they would make as they changed the past—changing the future into a good one. I don’t have the IQ to explain beyond that, I tried and got lost.

Let me know if you have more questions

[horse-girl-anthy]

Revolutionary Girl Utena: Gender in Context

beneath the cut, I discuss the RGU's portrayal of gender in the context of 1990s Japan.

in Ikuhara's interview with Mari Kotani, he stated that in traditional Japanese society, "prince" meant "patriarch." the same is true in Western societies--there was a time when a prince would be an heir to a royal line. by 1997, this meaning had died out of large parts of the world. even the association between princes and traditional masculinity was fading. Saionji, the weakest, most pathetic man in the show, is a parody of historical Japanese masculinity, with his kendo and his blatantly regressive beliefs about women.

in RGU, prince may still mean patriarch, but in a far more subtle fashion. Ikuhara and Kotani discussed the changing expectations for men in the latter half of the 20th century--it became gauche to fight over a woman with one's brawn, so instead, power struggles were played out in the arena of looks and sex appeal. one can see this reflected in the character Akio, whose power as a prince arises from his ability to turn "easy sensual pleasure based on dependency" "into a selling point with which to control people."

Akio has his moments of showboating masculinity, but when preying on Utena, he operates by making himself seem non-threatening and soft.

not only that, but he purports to want to allow students to express their individuality and thus approves of Utena's masculine form of dress. this is a front--by the end of the show, he's telling Utena that girls shouldn't wield swords. thus, through Akio's character, the show argues that traditionalist patriarchy in Japan isn't gone, but instead has only been papered over with false progressivism.

with all that said, there seems to be more to the character. he's taken the family name of his fiance, Kanae, and whatever material power he has in the school is dependent upon her family. in Japanese society, this is considered a humiliating position to be in, something that only a shameless man would do. the show never gives the audience any insight into how Akio feels about this--is he unbothered entirely, or are his actions against the Ohtori family an expression of his repressed anger? does he harm the children under his care to compensate for his humiliation?

this aspect of Akio's character may seem irrelevant in light of the larger, immaterial social forces at work in the show. however, I would argue that it was included for a reason. Akio, despite his status as ultimate patriarch of Ohtori, is in fact a highly emasculated character, to the point where lead writer Enokido even said that he is driven by an infantile mother complex.

to explain why Akio was portrayed this way, we have to discuss Japanese history. the nation suffered a major defeat in WWII and was forced to accept whatever terms the United States laid out for it. for an examination of how the Japanese have never truly processed those events and have plunged into modernity with reckless abandon, I recommend Satoshi Kon's Paranoia Agent. to sum it up briefly, in a very short period, the nation regained its economic footing, and by the 1980s had the largest gross national product in the world. this economic boom may have allowed Japan to maintain a sense of sovereignty, dignity, and power, but it was inherently fragile.

the infamous "bubble economy" lasted from 1986 to 1991. during this time, anything seemed possible; financial struggles appeared to be a thing of the past, and capitalist excess reached new heights. the ghosts of this period can be felt across Japanese media; for instance, think of the final shot of Grave of the Fireflies (1998), where the two dead children look down on Kobe, glowing an eerie green to imply its impermanence. the abandoned theme park from Spirited Away (2001) is explicitly referred to as a leftover from the previous century, when many attractions were built and then tossed aside in a few short years.

the bubble popped in 1992, leaving an entire generation feeling cheated. the bright futures they'd been promised, which had actually materialized for their parents and older siblings, had been lost to them overnight. economic crises are often accompanied by gender panics. to quote from Masculinities in Japan, "The recession brought with itself worsening employment conditions, undermining the system of lifelong employment and men’s status of breadwinners in general. The unemployment rate was rising, and although it never reached crisis levels, men could no longer feel safe in their salaryman status. Their situation was further complicated by the rising number of (married) women entering the workforce."

with this in mind, Akio's character can be taken as a representation of masculinity in crisis in 90s Japan. he's forced to rely on women for his position in life and has failed to save his only relative, Anthy. he tries to escape his misery through hedonism, perhaps an allegorical representation of how men tried to maintain their old standard of living after the economic bubble burst.

but of course, Akio is not the main character of RGU--the story is about girls. mangaka Yamada Reiji discussed the series in the context of the 90s, stating the following:

while I opened this essay by discussing the prince, the same points could be made about the princess. despite the increasing irrelevance of royalty, princess is still an important concept. how does it relate to the socioeconomic landscape of the 90s?

in Yamada's view, RGU is full of relics of the 80s; for instance, the figure of the ojou-sama, an entitled young woman who never lifts a finger for herself. during the economic bubble, it was increasingly common for women to be entirely taken care of by the men in their lives. Yamada names Nanami as a clear ojou-sama type character: she weaponizes her femininity, demanding to be rescued, doted on, and served.

however, by 1997, the ojou-sama could no longer expect to get what she wanted. from the 80s to the 90s, the percentage of women in the workforce increased around 15%; it was no longer viable for most women to be "kept" by their families. as the men experienced the humiliation of not being able to provide for their wives and children, women were undergoing a disillusionment of their own.

Yamada blames Disney for creating the ideological structure which led women astray. obviously, the company is known for its films about princes rescuing princesses. in Yamada's recounting, during the 80s, the company was infiltrating Japan through its theme parks as well; across the country, Disneylands were opening up, and people were buying into the escapism the corporation offered. Japan, as America, became a country of eternal children. its people were waiting for a prince to appear and save them.

but fairy tales can't stave off reality forever. Yamada claims that RGU embodies the rage of young women who woke up one day and realized that they had been raised on a lie. this anger pervades the work from beginning to end.

though RGU was created in a particular social context, its lessons can be extrapolated to any time and place. as the first ending tells us:

I hope this essay helped provide more context for the series. thanks for reading!