#and epic views of my character's back

[selseasong]

I'd planned to finish anniversary drawing but it didn't work out so I found old screenshots from my very first save and it brings so many memories...

Happy 13th anniversary!

[chaptersleftunwritten]

Bite my lip just for the taste

nonnie request here

Blurb: Eddie isn’t only good with his hands. He worships the ground you gracefully walk on and he is determined to satisfy you in every way that he can. Your pleasure is his pleasure and thanks to your mutual friend Steve, he might just have a chance to give you what you deserve.

Pairing: Older!Mechanic!Eddie x Reader

Warnings: 18+, lust at first sight, rough!dom!Eddie (careful what you wish for, right?), oral (m receiving), p in v sex, sloppy kisses, naked bodies and underwear description, reader referred to as girl, pet names, praise kink, unprotected sex (wrap it before you tap it!), alcohol, characters are of ages 25+ and 30+

-

divider by @cafekitsune

Not only was Eddie Munson phenomenal with his hands when it came to mending cars and tinkering around with bolts and nuts… but he knew a trick or two with his strong muscular tongue and his long skilled fingers; and they weren’t associated with playing guitar or singing a epic chorus.

Eddie knew how to fuck— and he was fucking great at it.

But he couldn’t just come out straight with it and tell you that— he had to ease into it. It was like a dark lustrous dance of longing and need and he didn’t mind if he were in it for the long run.

Eddie wanted you but he knew that perfection took time.

It all began on a sweltering summers day. The metal head was very well educated on how car batteries and engines reacted to intense heat— but no amount of study could have prepared him for the way your car trundled into his garage.

Wiping the sweat from his thick brow he watched how you swung open the door with a tired groan and a chesty grumble. Full of merciless rage as you rattled your hands against the metal plating of the evidently old vehicle. Swearing like a sailor on a sinking ship, “Piece of shit!! I hope they crush you!”

Eddie couldn’t control the way his jaw nearly hit the dusty courtyard floor as your heeled foot struck against the cars front tire multiple times. Your rage wasn’t what surprised Eddie— he was accustomed to watching customers let out their pent up rage onto their dying automobiles. But what stunned him was you. You presented yourself in a way that made Eddie question why you decided to bring your car all the way down to this side of town when you clearly could afford to go elsewhere.

Not to toot his own horn, but Eddie was one of the best mechanics this town had to offer. However, he did hold a reputation that much of the community did not agree with. He had a look that made people uncomfortable— that made them run away.

But not you.

You charged toward him fiercely and determined. You made Eddie shrink in his boots.

“Hi, I’m looking for Eddie? Eddie Munson? I’m told this is his place.” Your sugar coated tongue had Eddie’s mind reeling. The contrast of your actions and your personality made him want to laugh aloud— but he managed to keep his humour to himself. For now. You hoop your keys around your index finger, swirling the metal so they would clank and chime against one another.

“You’re looking at him, princess,” He wipes his large oil covered hands against the dark denim of his jeans, toying with the chunky silver rings that graced his fingers as he drank you in further— having a better view of you now, “How can I help?” He briefly glances over to your car, his two front teeth puncturing his bottom lip as he recalls the way you were attacking it just moments earlier.

“My friend Steve said if anyone can fix this hunk of shit then it would be you.” You offer Eddie a tight lipped smile, your hands resting comfortably on your hips as you also gaze back over at the rust bucket your father gifted you 4 years prior, “She isn’t much to look at, but she meant a lot to my old man so… I sort of have to keep her around, Y’know?” You roll your eyes comically and Eddie hums in acknowledgment, crossing his heavily tattooed arms over his plump chest that is clad in a tarnish white tank top.

“I get it.” He grins and winks at you, walking over to where you had abandoned your prized possession, “I hope Harrington put a good word in for me, his car would’ve been scrapped last year if it weren’t for my talent.”

“He said you were the best… alongside some other things that I best not mention if you wanna keep your friendship with him on good terms.”

Eddie laughs as he leans against the bonnet of your car, his wandering eyes flickering from your skirt that is stretched across the fullness of your thighs and up to your face and all over again. He couldn’t seem to pull his attention away from you.

“It’s unlocked, if you’d like to have a look inside.” You gesture toward the hood of the car which the metal head is leisurely draped on and Eddie’s cheeks warm at the inkling that he was caught gawking at you.

“Yeah, I’ll pop it open. It might just be the heat…”

It was now your turn to rake your eyes over Eddie’s frame as he peers into the organs of your nearly dead vehicle. He was only older than you by a couple of years and yet he seemed much more experienced in life than you did. The tattoos against his pale skin had you nibbling on the plush flesh of your bottom lip. His jeans hung loosely on his hips, held up by a studded black leather belt and above the hem you could see the waistband of his boxer briefs peering out at you.

One thing Steve had failed to mention to you before your arrival was how smoking hot Eddie ‘the freak’ Munson was. If you had known sooner, you would’ve dressed up a bit more— maybe you would’ve gotten changed out of your PA office attire.

But still, your tight fitted blouse and shiny black heels would just have to suffice.

“What are you doing right now?” Boldly you move around to meet Eddie’s line of vision. His eyebrows knit together in slight confusion and he flicks his fingers toward the open hood of the car, “No, I mean, after this. What are you doing? Do you.. have plans? Maybe going home to a girlfriend, perhaps?” You weren’t very subtle, but screw it! You saw the hunger in his eyes when you first showed up— he wanted you just as badly as you wanted him and you hadn’t been taken care of in a long time.

You were needy. Desperate. And Eddie may as well have been served up to you on a silver platter!

“Plans? Oh uh… no. Not at all. I uh… I was going to go home and have some shitty wine,” His pink lips perk up into a toothy smile, a knowing smile, and you bite the inside of your cheek to suppress your own, “Does that maybe interest you? You don’t seem like a shitty wine girl.”

You shrug your shoulders and a transparent smugness settles deep into the apples of your cheeks, “I like shitty wine.”

“The good thing about being your own boss is that you can finish whenever you want.” He slaps the bonnet of the car shut and dusts his large hands against one another, “How about I look at this tomorrow and we can take my car back to mine? Or would you like to check out my ass for a bit longer?” He slyly winks at you and your face tilts toward the ground as you make a feeble attempt to conceal the blazing fire that was torturing your skin.

“Hmmm that depends— can you guarantee that you’re not some psycho and that I won’t end up on the front page of the paper tomorrow?” For someone whose body may as well be a ferness with how hot it is, you sure are making Eddie work for what you both want. Something about him made you brave, but it also made you… timid. Quiet… obedient.

And boy oh boy, Eddie was enjoying every second of the power he had over you.

“How about I let you drive? You have the keys… you have the control.” His husky voice drops an octave as he takes a few steady strides toward you. His gaze penetrates yours and his dangerous eyes have an addictive allure. Captivating and intimidating. Revealing little but knowing much… it was exciting. He excites you.

“That could work…” your voice betrays your facade of confidence and Eddie grins wider at the soft falter in your tone. He could read you like a book. Your inviting body language, the blown darkness in the centre of your glossy eyes and the way you don’t back away from him as he stalks even closer to you. You were his prey… and he was the hunter set on a target.

One of Eddie’s rough calloused hands gently takes yours. He positions your palm flat out toward the sky so he could drop his keys onto it all while his focus on your face remains unwavering, “The keys to the castle.”

“Fitting, since you called me a princess earlier.”

“Maybe I orchestrated this from the beginning?” An entertained eyebrow perks up behind his stringy damp bangs.

“Is that so?” The sound of your hushed voice echoes back at you and your lips part longingly at Eddie’s close proximity. He is close enough to kiss— tasty enough to devour. A banquet of all of the most desirable and finer things in life.

“I saw you in those heels and with those legs… I couldn’t resist. They don’t call me a Eddie the freak Munson for no reason, princess.” There is a clip to his voice, a new intensity piercing through his words like a pin to a voodoo doll.

“You might just have to show me how freaky you really are then, Mr. freak…”

-

Eddie was right. The wine did taste like shit.

You were currently draped across Eddie’s large sofa, the soft suede fabric welcomed the mould of your body as you sunk into airy cushions and you sipped hesitantly from your stemmed glass. Smearing your dark lipstick across the pristine rim as you did.

Eddie was perched on a chair across from you which was cut from the same material as the couch. His feet were planted to the floor and his legs were spread wide; like a King on his throne. There was a coffee table separating the two of you and part of you questioned why he was so far away.

You and Eddie locked eyes, a welcoming and long stare. It was comfortable, patient but growing. Neither of you looked away, but none of you made the first move, either.

Eddie was assessing you. He was trying to figure out how this would go. How it would play out. Who was going to be the dominant one and who was going to submit?

You wanted it to be him. You wanted him to know that you needed your decisions made for you tonight.

You bring your glass of wine back to your mouth, taking a small drink and proceeding to lick and bite your lip afterwards. An unspoken invitation that Eddie silently accepts.

The warm light that glows from the table lamp next to you illuminates Eddie in a gorgeous orange hue, darkening his tattoos and brightening the metal around his fingers and his neck. You envision how he would look above you— glistening in sweat with his necklace shimmering as it dangles atop of your face. The image nearly causes you to whine aloud.

Nearly.

You surveyed your surroundings, “This is a nice place you have— very cozy.” You place your wine glass on a coaster, coming back to snuggle into the pillows of the sofa and Eddie hums, pleased.

“It’s no bachelor pad but it’s home.” He tilts his nearly empty glass toward you and a mischievous smile toys with the edges of his lips, “Thank you.”

He finishes his drink with one swift movement before he is leaving his post from across from you. You watch him with blown eyes, eyes that are bright and eager. He settles his lean and sturdy physique against the door frame that leads into his kitchen space.

Your heart rate quickens with anticipation and your hips squirm beneath you as you try and remain confident under his abysmal and sinful demeanour.

You were overly aware of the lewd events hurtling toward you and the excitement of it causes your face to flush with colour.

“I’ve never fucked a girl in heels before… I think you should keep them on.” He prowls toward you, his body language animalistic and focused.

He’s been wanting to pounce on you from the moment you stepped foot through the door— but Eddie is a gentleman and gentlemen take their time.

Eddie was in front of you now. His eyes such a deep shade of chocolate brown that they seemed to swallow the light rather than reflect it. They were adorned by long dark eyelashes that you were envious of and strong clean eyebrows that framed the chiselled structure of his face. He looked like a painting. Like he wasn’t real.

“I… I can keep them on.” Your face tilts toward your feet as you try to remind yourself of the appearance of the shoes that you chose to wear that day however Eddie is quick to tensely grab you by the flesh of your cheeks and snatch your attention back to him.

“Eyes on me.” His voice is a hushed purr as his nose teeters on the edge of brushing yours, “I wanna see your pretty face.”

His grip remains tight and it forces your lips into a cute pout which Eddie coos at, “I wanna kiss you. Is that okay?” You nod your head feverishly. Without wasting a single second your lips finally met, tinged with impatience. His lips were magnificent, full and defined and soft. His tongue tastes of alcohol and mint and you moan at the contact of his wet tongue wrestling against yours. His teeth nip at your bottom lip and your eyes are lidded as your fingers touch the exposed skin of his shoulders with a feathery graze; causing goosebumps to arise on Eddie’s inked skin.

“I need to know that you want this…” He breathes heavy laboured breaths, “That you want me to take control. I like it rough, baby, so we need to have a safe word… okay? Safe word is Cherries. You got that?” His domineering mask slips for a quarter of a moment as his black hues sweeten. You nod again, your mind clouded with lust and desperation.

“Repeat it back to me.”

“Cherries is the safe word.”

“Clever girl.” Without a beat Eddie is dragging you up and onto your feet. You are wobbly on your legs for a moment but you are fast to regain composure. As Eddie goes to lead you through to his bedroom you stop, your body set alight.

“Eddie can I… can I taste you first?” You are a blushing mess as the words drool from your lips. You hadn’t stopped thinking about it since you seen him man spreading in front of you in his armchair earlier. You wanted to dip down between his thighs and make his cock twitch with need, “Please.”

The metal head looked bewildered for a moment however he quickly welcomed the request. How could he possibly deny such a sweet girl when she asked him so politely?

He walks the both of you over to the comfortable chair, sitting himself down and allowing his hands to have free roam of your ass and hips, “Ask me as nicely as that and I’d give you anything you want, princess.” The pet name was now tainted with naughty intention as it rolled off of his slick tongue and your knees weaken at the sight of him gazing up at you.

It was nice to be able to study a man features without any shame or embarrassment. You were so used to stealing glances at attractive men but the visual feast sitting in front of you was enjoyed without any guilt.

You offer Eddie an intoxicated smile as his eyes venture over your face, your neck, your breasts and your exposed legs. You weren’t worried about the way your body looked— there was something so calming about Eddie that struck a match of confidence within you and he seemed to like what he was looking at.

“Such a pretty thing, aren’t you?” He rips down your skirt from around your waist, letting it pool around your ankles and leaving you stood in the pile of bunched fabric. His hands work quickly on your blouse and Eddie growls at the sight of you. Nothing to you but your matching lace underwear set and your heels.

Your nipples peak at the change of temperature in the room and the sly man pinches them with the tips of his slender fingers, rolling the buds mercilessly and smirking devilishly as he does. The action causes a soft whine to emit from your throat and Eddie’s lips perk into a grin at the sound. He was obsessed with you.

“Kneel.”

And you do. The bones of your knees meet the floor with a pathetic thud and Eddie smooths the palm of his hand across the softness of your hair; enticing you that he will be gentle at first but he yanks the strands seconds later, causing you to yelp.

“Open up. I wanna see if I’ll fit.”

Bracing yourself with your hands on his jean clad knees you unhinge your jaw, opening wide as Eddie slots two of his fingers onto your tongue and they slide deep in the crevasse of your mouth. They tickle the back of your throat and your thighs clench together at the thought of him fucking of your face.

“It’ll be a tight squeeze, but I’m sure you can handle it. Right, hon?”

“Yes. I can take it. Please…” You babble around his digits.

There you are again with your manners and your begging bambi eyes. It awakens something within Eddie— something that had been sitting dormant but has now stirred from its slumber. A darkness. A line he had never crossed but he was so close to it now. He wanted to own you. He wanted you to belong to him… to be his and only his.

“Go on then, baby. He’s waiting.” He winks at you and your adrenaline shaken hands find the zipper of his jeans. Eddie’s thick bulge strains against the stiff denim and you chew on your bottom lip furiously as his long and full shaft springs from his boxer briefs.

Your mouth salivates at the sight and you look to him for permission, which Eddie gives, before you are popping his throbbing tip into the hot cave of your mouth. A vibration travels down Eddie’s cock and reaches his balls as you moan around him. He felt so good— so natural to have him in your mouth. Like sucking on your favourite treat.

“Fuck— that feels so good.” Dark curls spill onto the back cushion of the chair and Eddie’s hands fist your hair into a ponytail, guiding your slobbering mouth up and down the length of his aching cock.

Your mind was blank of anything except for Eddie’s body and the way he felt inside of you. He hadn’t even penetrated you yet and your panties were dampening with slick more and more with every passing bob of your head.

“Shit—“ Eddie seethes through clenched teeth, his hips rocking up to meet your sloppy movements and he punctuates each thrust with a rewarding moan. “I need to feel you.” It was abrupt, the way he ripped your mouth away from him— but you understood. You needed to feel him too. You hadn’t felt this desperate for anyone before; this sultry and seductive. This needy and submissive. You didn’t want this night to end.

You cant contain the soft pants that leave your throat, a mixture of excitement and arousal as you climbed onto straddle Eddie’s thighs. His body felt hard and masculine beneath your touch and you shivered at the way he laid a harsh spank to the meaty flesh of your ass.

“As innocent as you look, you really are just a dirty little slut, huh?” He slaps you again, this time harder than the last and you nearly collapse against his chest. Eddie laughs mockingly, forcing you to sit upright as his fingers plunge down into the soaking fabric of your panties.

You gasp, your already primed body becoming slippier as his fingers thrust softly into you— testing the waters.

“Such a wet pussy, all for me…” His fingers twitch inside of you and you release a sound which can only be described as a moan combined with a helpless whine. With his free hand Eddie rips your breasts from the confines of your bra, allowing the skin to spill free.

His tongue bathed your breast while he used his teeth, giving you peppered bites that shot pleasure through your body like a lightning bolt. He drew your coiled nipple into his mouth and he let his teeth roughly drag over the tip. You moaned loudly. He leaves your breast and looks up into your face.

“Tell me how badly you want my cock.” His voice is a clipped and cool demand.

“I want you to fill me up so bad. I need it, Eddie. Please… fuck, I want it more than anything.” Your hips grind against his fingers and your words must’ve struck Eddie in a pleasant way because before your brain has any time to catch up to his ever changing movements, his fingers are pulling your panties off to one side and his cock is teasing and toying with your dripping hole.

The eye contact between the pair of you was intense as Eddie’s entire length slowly slid inside of you. Your breathing catches in your throat at the stretch of him. Before long, Eddie settles inside of you and your eyes remain shackled to one another. Sex with a stranger shouldn’t be this intimate— so you screw your eyes shut.

Big mistake.

“Open your fucking eyes,” He snarls, his hand grabbing your throat harshly as he pulls your body down toward his, “I want you to watch me as I fuck you.” Your eyelids snap open and Eddie’s features are slack but intimidating as he looks at you. The feeling of being brutally and totally full was almost too much for you to stand. Too much for you to handle. He pulls back from you and begins to thrust.

“Wait—“ You plead and your hands find Eddie’s chest as you support yourself on top of him, “I just need a moment to adjust… you’re so big.” You squirm at the pulsing of your walls around Eddie’s shaft and he grins egotistically up at you.

“Perfect thing to say.”

He repositions his grip onto the back of your thighs, slowly readjusting himself beneath you and easing himself in and out.

“Okay,” you breathe with a soft nod, “You can fuck me now.”

Eddie sensed that your body was ready for his size and he then started to brutishly slam his body into yours. Unbelievably erotic sounds hit your ears as you feel and hear his hips slapping against yours. Sticky skin meeting sticky skin.

“Feels like someone is fisting my dick.”

“Wettest little pussy I’ve ever fucked, yknow that?”

“Shit, I could cum from just the sight of you.”

“Listen to that, baby. You hear how much your pussy is loving my cock?”

“Keep those stunning fucking eyes on me.”

Eddie’s deep grunts and moans mixed with his dirty commentary only heightened the erotica. You’re gentle to take his hand into yours, timidly welcoming two of his fingers back into your mouth as you bound up and down to meet the crack of his hips against yours. Eddie’s eyes gloss over from the view of you above him and his thrusts get snappier and more intentional. Harsher. Quicker. Deeper.

As his cock fucks your sweet hole, his fingers are busy fucking your mouth as well. He took note of how much you liked to have him in your mouth— no matter what part of his body that may be. Eddie got an inkling that this would be the first of many nights together. And he wasn’t mad at the idea— he was actually thrilled by it. It spurred him on.

“Rub your clit for me, sweet girl.” It was as if you were in a trance and the only thing you were able to do was obey Eddie’s every beckon and call. Your finger tips find your sensitive bundle of nerves and you sigh out in complete bliss at the euphoria that shocks up every vertebrae of your spine.

“That’s it, baby. I want you to cum so fucking hard. I’m getting so close— want you to cream all over my cock.”

The speed in which your fingers circled your clit increases and your eyes fight to stay open. You could feel the desperation punctuated in every one of Eddie’s quickened thrusts and you feel that familiar build coming to build in your tummy.

“Fuck— I’m gonna cum. Keep rubbing that clit, baby. You’re being such a good girl for me.” His tired pants fill the air and your mind whizzes and bubbles as you whine out loudly.

“Oh fuck, oh fuck, of fuck!” Your mouth gapes open wide, mirroring the sweaty sex symbol below you and your eyes widen as your orgasm floods your every cell. Shaking your body from head to toe. You feel Eddie’s cock swell inside of you— causing your high to continue

“Shit!!” A yell breaks past Eddie’s swollen lips as his orgasm hits. You watch as his face contours as he cums inside of you. His eyes squint shut and his mouth is pulled into a grimace. The veins on his forearms bulk and tense. It was the sexiest thing you had ever fucking seen.

Your heart paced rabidly in your chest as you both breathed heavily, trying to control the heaving of your chests as you both came down. You’re relying on Eddie’s body to keep you from collapsing and Eddie is wise to this. His strong arms wrap around your body as he pulls himself out of you, bringing you to rest on his chest.

Too tired and sated to do anything else, you press yourself against Eddie’s bare and empty sack, grinding lightly down onto the tender flesh of his balls and the noise that leaves Eddie’s throat is indescribable.

You shoot up to look at him and it’s now your turn to smirk and it’s Eddie’s turn to flush a shade of bright red.

“Ignore that.” He coughs to clear his oesophagus, followed by a light hearted chuckle as you come to lay back against his limp body and a knowingness fills your mind.

This wasn’t just going to be a one night stand… and this wasn’t the last time you were going to be laying on top of Eddie ‘the freak’ Munson.

This was just the sweaty, sexy beginning.

-

taglist: @colorful-white-ideas @littlered0000 @ali-r3n @daisy-munson @serenadingtigers @rainybloo28 @munson-enthusiast @godcreatoreli @littlefreckles4 @what-the-jams @tlclick73 @ameliapond1995 @thepurplelovewitch @somethingvicked @costellation-hunter @munsonzgf @emxxblog @ingridvasquez @sadbitchfangirl @im-julessssss @munsonburn3r @unclecrunkle @cierra222 @ziggeddie @yarafae @sidthedollface2 @kellsck @your-nightmaredoll @purplewitchcauldron @jasminelafleur

[yuomizuu]

♡ | open arms ── kinich x reader !

synopsis: a bit of kindness can go a long way. at least, that was what the elders in kinich’s clans would often say. though in a land where war with the abyss is at a constant, he finds it difficult to truly believe such a notion. perhaps meeting you simply had the sole purpose of erasing those doubts that shrouded his mind.

additional: w.c 899 ⸝⸝⸝ content includes . . .gn reader, implied friends to lovers, character study www

( 💌 ) yuomi’s note: slowly but surely reverting back to my musical kid phase ty mr. jorge for creating epic and what better way to commend that than doing some kinich brainrot ^w^

natlan — a nation of eternal oaths and converging fires. where the sacred flame burns brighter with each chant of the epic hymn that echoes from land to sea, bringing back valiant warriors, now deemed heroes, anew.

yet beyond those blazing flames of ardent also lies a resplendent nation full of color and life. made up of magnificent gorges and valleys that stretch as far as the eye can see, vibrant fields where the saurians roam free, and rejuvenating springs that ease the weary, you'll find a unique beauty reflected within it all.

for most of his life, kinich had often found it difficult to view his homeland through the lens of the latter. since a young age, misfortune has always seemed to follow him wherever he goes, like a relentless beast chasing down its prey that's slowly becoming more and more exhausted. where no matter how far he soars, the shackles of a brutal reality always drag him back down. eventually, such experiences would sometimes render the lone saurian hunter an austere individual, whether intended or not. in his eyes, the world was but a tapestry of unbridled battles.

it was only after meeting you that, slowly but surely, kinich would gradually learn to appreciate the more charming aspects of life and even gain a sense of tenderness towards it. however, that still doesn't cause him to lower his guard completely.

"kinich, you're doing it again," you mused, the lush grass below softening your footsteps as you and your companion tread through the forest. the occasional murmur of wild animals hidden within the trees or nestled away in burrows echoes throughout.

hearing this, the male ahead of you briefly stops in his tracks to glance back at you with a puzzled look. "doing.. what exactly?"

stopping beside him, you motion at the weapon held in his hand. "gripping onto your sword so tightly that the tips of your knuckles are turning white. i swear… it's like you're expecting us to get ambushed out here any minute."

in response to your sigh though, he simply shrugs. "perhaps we will be."

"kinich, we barely took on this commission not that long ago, and we aren't even at our intended destination yet. i doubt we'll find ourselves walking into trouble so soon."

"better to be prepared for catastrophe before it strikes when you least expect it."

an air of laughter escapes from you then. "catastrophe," you repeat to yourself, head shaking in slight amusement. "we aren't exactly tackling the abyss here you know."

"no, but if we were, your lack of attentiveness would surely lead us to such." in between his pause, you catch sight of the subtle curl of his lips. "not even ajaw would be so heedless, and that certainly says something."

"you little…!"

balling your hand up into a fist, you immediately go to throw a punch on his arm that ultimately does not land when the now chuckling male catches it effortlessly. not that such a punch would've hurt him in the first place, but kinich is all for finding the humor in evading your poor attempts at attacking him. plus, you've managed to land a good punch or two on him before, although he blames ajaw for distracting him during those moments.

before you can pull your hand away from his grasp and unwillingly accept defeat this time, kinich intertwines his fingers with yours, holding your hand firmly. without saying another word, he turns to continue walking along with you at his side now.

due to your good-natured sense of self, it's often left kinich to be roped up in more conflicts than he'd usually expect: said conflicts are getting you out of trouble.

but even in the face of danger, you never cease to look for the good in others. while many have considered this trait of yours to be a display of naive foolishness, it felt like a breath of fresh air for kinich. while he was also considered to be different from those of his tribe concerning certain viewpoints and beliefs, you were an oddity that transcended beyond his own novel ideals. if you had not been born and raised in natlan, kinich would've surely mistaken you for being an outlander. even you had once jokingly said that perhaps you were actually a child of the anemo god, barbatos, that the wind had accidentally blown too far from home.

because, unlike the fierce fires that dwelt within the spirit of every warrior in natlan, your flame was akin to that of a candle: a gentle yet comforting light that simply wished to share its warmth with the world around them and kinich would do anything to keep that light of yours burning for evermore.

he'll never admit to you aloud, but he secretly thanks the anemo archon every day for sending him a beautiful soul such as yourself. your presence alone was as calming as a gentle breeze, and his love for you a sweet, sweet melody.

"speaking of ajaw, where is the little rascal anyways?" you ask, breaking the silence as you look around to find the creature that has strangely gone quiet.

"i sent him to scout ahead for a bit. he'll be back soon enough."

a soft smile creeps onto your face. you spare the male one more glance before giving his hand a light squeeze.

"of course you did."

[ilions-end]

i finished statius' ACHILLEID. thoughts thoughts thoughts:

i knew going in it was a VERY short unfinished epic, but i didn't know it would be FUN?? if i ever get that time machine, FIRST THING i go back and find one publius papinius statius, i lock him in a room, and i'm NOT letting him out until he's finished the achilleid!

achilles is statius' BLORBO in a way neither homer, quintus nor virgil have blorbos. statius likes achilles to be strong and pretty and graceful, but most of all ENDEARING even when he fails. and he fails a lot, because this is him still figuring out how to be an adult, not to mention a prophesied legend literally everyone is waiting for to step up

the one thing that gets tiring is just how many prophecies permeate the achilleid. nothing's left to chance, there are so few unknowns. even ODYSSEUS was aware that from peleus' wedding there would come a child destined to be a central warrior in an upcoming gigantic war.

as it stands, the achilleid is more of a... thetisiad? she is very centered in the narrative (we spend more time looking at things from her point of view than achilles') and there is SO MUCH SYMPATHY for her, oh my gosh!! she loves ONE person, her son, the only worthwhile thing she got out of a traumatizing marriage, and she despairs that he's fated to die young in a silly human war.

also i'm a deidamia defender forever now. so three-dimensional, so clever!

aughhh i love how much characterization statius puts in, even in the small scenes! my favourite example is odysseus and diomedes as they walk up to lycomedes' place (literally just moving characters from A to B). diomedes teases odysseus, and odysseus is delighted to be teased. that night we're told odysseus CAN'T SLEEP because he's too excited about showing off his plan the next morning!

the unveiling of achilles is completely different from the chagrined defeat/"achilles is a fucking idiot" ways i've heard it retold! i love that it's collaborative, it's a mutual triumph. it's just as much achilles (who's been suffering in gender dysphoria hell for a year) longing to be exposed as it is odysseus LIVING for showing everyone (especially diomedes?) how clever he is. it's not just the shield and the spear and the bugle, it's odysseus playing the part of the siren, whispering in achilles' ear that he knows who he is and describing how glorious he will be on the trojan battlefield. it's achilles' grateful relief at being ALLOWED not to pretend anymore as he rips off his own dress even before the bugle calls

also it's very important to me that the moment he's no longer hunching over trying to make himself look small and inoffensive, we're told achilles is taller than both odysseus and diomedes

i KEEP IMAGINING how good statius would have made the rest!! especially because as book ii ends, achilles regards odysseus as a cool uncle; he's the guy who rescued him! i want to think statius would have put in the big mystery quarrel achilles and odysseus are said to have had early in the war, something to drastically change that affection. i want to know how statius would have handled troilus, and the gods. augh statius you roman BLUEBALLER

an assortment of story beats still revolving in my head:

chiron is such a sweetheart!! he's SO gallant with thetis, he's so affectionate with achilles. he HIDES HIS TEARS when achilles leaves, awww

statius writes out phoinix completely. as a phoinix stan i object. sure chiron can raise young achilles, but i NEED phoinix to tend to him as a baby

i enjoy how achilles EXPLODES into a mess of teenagerly hormones when he first sees deidaima. it's so funny that thetis is looking on (and we get my favourite simile of the achilleid, of a herdsman delighting in a young bull snorting and foaming at a beautiful heifer) like "aaaaand there's my son's sexual awakening. i see! well, we can use that" and THAT explains why achilles is so willing to commit to the female disguise

(listen. listen. few things mean more to me than the love between achilles and patroclus. but achilles is a teenage boy at the age when a fucking breeze will give him a boner, and deidamia is the most beautiful and the cleverest of her sisters. i really enjoy a story where achilles and deidamia are neither "fated eternal true love" or one's a sneaky opportunist. it's much more compelling that they're both knots of budding emotions and bodily feedback)

i notice that statius never uses the name pyrrha, he doesn't seem to have a fake name at all, just "achilles' sister"

lycomedes is SO honoured and proud that thetis is entrusting her daughter to him. i feel sorry for lycomedes, he seems so earnest and hasn't done anything to get tricked

the one thing i can't forgive statius for is that after spending SO much time establishing that achilles and deidamia (who knows he's a guy) are genuinely into each other, it feels like statius goes OUT OF HIS WAY assuring us that their first sexual encounter is rape. sure they talk right after, deidamia forgives him, AND i understand there are social rules that makes deidamia more "honourable" and "worthy" when she resists, but like. sigh.

aLONG with the previously mentioned interplay between odysseus and diomedes as they walk up to lycomedes' court, there's a simile where they're both starving wolves on the hunt. so sexy it's almost illegal

the feast scene is SO FUNNY omg. all of achilles' careful feminine training dissolving because odysseus and diomedes are there with their boundless masculinity for him to feed off of. deidamia practically WRESTLING achilles back down on the couch every time he forgets himself and behaves too much like a man. odysseus chatting with lycomedes SPECIFICALLY trying to rile up achilles, and then after the women have left (achilles dragging his feet and looking back, YEARNING for their male company) odysseus specifically praises the maiden's "almost masculine" beauty (because ohh he suspects. he just needs to prove it in the morning. he can't SLEEP for it)

when they depart, achilles earnestly swears to deidamia that no other women shall ever bear his children. i find it interesting as a reminder of the social rules of its era. neither of them expect achilles to be sexually exclusive, just not fathering potential heirs. which again makes me wonder about the contraceptives in ancient greece

on the ship towards aulis, diomedes begs achilles to tell them all about his feats and training with chiron, and achilles is so shy about it! who can blame him! diomedes has a WAY more impressive track record

odysseus is SO good at firing up achilles' outrage at paris even as he's just catching him up on what the war's about. and he's so pleased at how easily achilles' outrage can be directed! you KNOW that would have developed in such an interesting way AUGH THE REST WOULD HAVE BEEN SO GOOD.

[aurorawhisperz]

little romance documentary

contains: swearing, fluff, use of y/n and a whole lot of dumb things.

tom!peter parker x stark!reader

a/n: the long-awaited rory comeback! and i’m in my spiderman phase so..the ethan landry stuff will have to wait.

summary: (based off the video diary scene in homecoming) a compilation of all things you’ve done with peter :3

“What are you doing?” You poke at the camera, causing it to shake a little bit. “Please don’t tell me you’re going to show that to the rest of the world.”

Peter shakes his head, “What? No, it’s a little behind-the-scenes thing. Video diary, documentary..” He tries to find the right word.

This is probably why you thought your father hiring someone your age was a bad idea.

“Right, who are you gonna show it to?” And all you can do is stare into the camera while he keeps on recording whatever’s happening in the fancy car.

“Oh, it’s just for me. For memories!” Peter moves the camera away from your view and makes it look like he’s in the spotlight instead.

You’re quite overwhelmed, so you give him a smile in return. “You can do a little introduction.. if you want.” He says with a grin as he makes the camera face you.

“Okay,” You clear your throat, fixing the way you looked. “I’m Y/N Stark, we are going to Germany, currently being driven by my trusty servant, Happy Hogan!”

Happy quickly interrupts the process, “And I’m not too happy with how you have the nerve to call me your trusty servant.” You roll your eyes at his words. “Whatever.”

“And I’m here with uh..Spiderboy!” You continue after a short while, Peter laughs, turning the camera back to himself before correcting the name, “It’s Spiderman, actually..”

The car speeds along the road, and everything felt okay. You were staring into the sun, enjoying and relaxing, Peter was recording you as you were doing so. Admiring how he was able to work with a really cool person..and his daughter.

Reporters and even influencers were calling you a privileged pretty girl, but he didn’t believe those people at all.

You look back at Peter, who’s quick to move the camera in Happy’s direction. You knew what he was doing and all you hoped for was that he didn’t capture a bad angle.

“Okay, okay, let's do this properly,” you say, taking the camera from Peter. “I'm Y/N Stark, the brains and beauty behind this operation. And this,” you turn the camera to Peter, “is Spiderman, our main character and friendly neighborhood hero in Queens.”

Peter gives a mock salute to the camera. “I’m here to save the day or, at the very least, make some pretty cool memories.”

Happy shakes his head, a small smile tugging at his lips as he focuses on the road ahead. “Just don't get yourselves into too much trouble, kids.”

“Trouble? Us? Neverrrr~” you say with a smirk.

This was also the start of a great friendship.

-

The camera flicks on and Peter’s face fills the screen as he grins mischievously. “Alright, we’re going to pull the ultimate prank on Happy. Wish us luck.” He whispers into the lens.

You appear next to him, just as excited, holding a box. “We’ve been planning this for a while. This is going to be EPIC.” You whisper.

The two of you sneak through the hallway of the lavish suite, making sure you aren’t attracting any attention. Happy was inside his room, absorbed by a movie, completely unaware of what’s happening as usual.

“Ready?” you ask Peter, who nods to the camera.

You press a button on a small remote, activating the surprise. Suddenly, the speakers hidden around the room begin to play the song “WHO LET THE DOGS OUT?”

Happy’s movie is long gone when it’s replaced by a compilation of embarrassing moments such as Happy looking into the fridge at three in the morning, him slipping on the floor, Happy trying (and utterly failing) to dance and getting scared by jumpscares.

He looks up, startled at first. “What the hell..?”

And that was your cue.

You and Peter burst into the room, laughing hysterically. “GOTCHA!” You shout, holding up the camera to capture his reaction. Happy was trying to suppress such levels of anger behind his crossed arms. “Really, kid? You’re involving the boss’s daughter OR SHOULD I SAY THE DEVIL’S OFFSPRING in your shenanigans?”

You both grin sheepishly. “Happy, relax..it was all her idea. I was just the accomplice, I was cool.” Happy shakes his head in disgust. “You’re lucky I have a sense of humor.” He says, holding up a finger as he walks to the bathroom. “THIS MEANS WAR!” Happy yells out.

“Bring it on, grandpa.” You tease. “You’ll never top this.” You and Peter high-five. “Think we need to wrap this up before he gets any other ideas..” Peter scratches his head as you turn the camera back to yourself.

Peter put on a cowboy-ish accent, “Until next time, folks. We are now signing off.” He tips his invisible hat, still grinning.

-

You’re on a plush couch next to the famous Tony Stark, sitting across from Peter who has the camera in his hand.

“Hey, nonexistent audience, welcome back to our comedy club! We’re here with Mr. Stark since this is a special episode.” Peter leans over at the camera, making him look like he’s upside down.

He pans the camera to you and Tony. Your father looked slightly bewildered and you were enjoying the spotlight.

“Thank you so much for joining us, Mr. Stark.” Peter settles down in front of the two of you. “First off, Y/N—how does it feel to be the daughter of Iron Man? Is it all..uh, glitz and glamour?”

You laugh, glancing at your dad. “It has its pros and cons. I still wanna sue that reporter for calling me a bitch.” Peter laughs at your words and focuses the camera on you as you go on and on about trying out the latest tech before it even reaches the world.

Tony raises an eyebrow at Peter and then looks back at you while you ramble about being a Stark.

“That’s a bit odd,” He places a hand on his chin, probably showing off his goatee. “My daughter likes to do solo projects, so it’s odd seeing you two of all people working together for this..video diary but if you’re out of trouble and it keeps Y/N happy, who am I to complain, right?”

You smirk, “At least Dad’s on board.”

Peter smiles, moving on to the next question. “Y/N, what’s one thing people would be surprised to know about Mr. Stark as a dad?”

You think for a moment, then grin. “He’s actually a big softie. He pretends to be all tough and serious, but he’s the first to offer a hug when you need one. And he makes the best pancakes.”

Tony chuckles, shaking his head. “You’re ruining my tough guy image, kid.”

Peter chuckles but doesn’t remove the camera’s focus from you. “And Mr. Stark, what’s one piece of advice you’d give to Y/N as she navigates her way through life?”

Tony’s expression turns sincere, his tone softening. “Always be true to yourself, buttercup. It’s easy to get caught up in what people expect of you, but at the end of the day, it’s your own integrity and heart that matter the most. And remember, you’re stronger than you think.”

You smile, touched by your dad’s words. “Thanks, Dad.”

Peter glances at his notepad, then back at the two of you. “Alright, final question. Y/N, what’s next for you? Any exciting projects or plans?”

Tony raises an eyebrow, he definitely caught on Peter’s not-so-secret intentions by now. “Well, I’ve got a few ideas in the works,” you say, smiling at the camera. “But you’ll have to stay tuned to find out. Can’t give away all my secrets now, can I?”

Tony leans back. “You know, Peter, you seem very interested in Buttercup’s plans. Any particular reason for that?”

Peter stammers slightly, his cheeks turning a bit red. “Oh, I just think she has some really cool ideas, Mr. Stark.“

You laugh, leaning towards the camera. “And you can bet we’ll be documenting every step of the way in our video diary.”

Peter grins, wrapping up. “Well, that’s it for today’s episode. Big thanks to Tony Stark for joining us. Until next time, keep watching for more adventures.”

As the recording ends, Tony shakes his head, smiling at the two of you. “You know, this might actually be a good thing. Just don’t let it go to your heads.”

You leave the room and the first thing Tony does is head over to Peter. “I’m not the kind of father to tell boys to stay away from their skanky little daughters but..don’t lay your..spider hands, spider legs, eight legs, whatever spiders have on my daughter.”

-

Peter sits on the edge of his bed in his hotel room, bouncing slightly with excitement despite the cuts and bruises covering his face. The adrenaline from the fight still runs through his veins. He can't help but giggle as he replays the battle in his mind.

There's a knock on the door, and before he can respond, you step inside. “Peter? You in here?”

“Y/N! You won’t believe what just happened, I met Captain America and I took his shield and I was like..” Peter puts on a deep voice as he runs his mouth even faster, “Hey, what’s up, everybody? I’m Spiderman from Queens and—”

“Okay, okay, you’re talking too fast.” You stop him but you can’t help but laugh at how enthusiastic he is about everything. “You probably looked impressive out there, Spider-boy, but are you okay? I mean-”

Peter’s grin widens and he interrupts, “I’m more than okay! IT WAS INSANE! I was out there with Iron Man, Black Widow, Captain America, Hawkeye and a bunch of new guys and I..” He stops when he sees how genuinely worried you are. “But yeah, I’m fine..really. Just a scratch.”

You can’t help but smile. “Alright, let’s see those ‘few bruises’ then,” you say, sitting down on the bed and patting the spot next to you.

This was the moment where you realized you were falling in love with him.

Peter sits beside you, still bubbling with excitement. “Okay, so there was this one moment where I webbed Cap’s shield and—”

“Wait, you webbed Captain America’s shield?”your eyes were wide. “Yeah!” His face lit up. “And then he’s like, ‘You got heart, kid,’ and I’m thinking, ‘Did Captain America just compliment me?’”

You laugh, shaking your head. “That’s incredible, Peter. But seriously, are you sure you’re okay?”

Peter nods, his expression softening a bit. “Sore, but good. It was just... so surreal. I’ve never been in anything like that before.”

You reach out and gently touch one of the bruises on his cheek. “I’m glad you’re okay. You did great today, Peter. Just don’t forget to take care of yourself too.”

“I will, I PROMISE.” He gives you a little pinky promise, both of you linking your small fingers together. His excitement gave way to a more relaxed, contented smile.

As Peter finished talking about everything that happened at the airport in detail, you lean in and press a gentle kiss on his roughed-up cheek. “Goodnight, Pete.”

Peter’s eyes widened in surprise, nearly all of his blood rushing to his face. “Aww, thanks.” A blush creeped up his face.

As you stand to leave, Peter's gaze shifts to the table where the camera is.

His cheeks flush even deeper as he realizes the camera caught your goodnight kiss. He quickly reaches over to turn it off, Peter can't help but smile as he replays the moment over in his mind until he drifts off into sleep.

This was also the moment he realized he was falling in love with you too.

-

The two of you sat side by side on Peter’s bed, watching the footage from his laptop.

Suddenly, the scene transitions to the part where you kissed Peter goodnight. Peter shifts next to you, scratching the back of his head. “Um, so..that was uh, unexpected!”

You nod as well, “Totally unexpected.”

Peter clears his throat, his eyes darting around the room, looking anywhere but straight into your soul. “I mean, not that it wasn't nice! It was... really nice. But, um, I just didn't expect it.”

You chew on your lip, trying to find the right words. “Right, yeah. I mean, it's not like I planned it or anything. It just... happened.”

There's a long pause when the awkwardness decides to stay forever. Finally, Peter breaks the silence. "I... I have to tell you something. Ever since we started this video diary, I kinda..uh, liked you. Not like a ‘you’re cool’ like but yeah! I..like-like you. More than just a general..likeness.”

You were caught off guard. “Oh, wow, that’s um, even more unexpected.”

Peter winces, his cheek turning as red as his suit. “Yeah, I know, it’s kind of out of the blue..sorry. I didn’t wanna make things weird because I work for your dad of all people.”

“No, it’s not weird..uh.” You shake your head, trying to find the right words to say. “I don’t feel the same way but uh-“

Peter’s eyes widen, “Oh, that’s alright, I mean, I wasn’t forcing you to like me back but—”

“NO! NO! NO!” You sit up and look down at Peter, “I do feel the same way, I uh..like-like you too but it feels like I care a lot more than you do..like I like you a lot more than you like me. Shit like that..”

“Really?” He breathes out, “You do?”

You nod, fixing Peter’s messed-up hair. “Yeah, I do.”

Before either of you can say anything else, Peter gets up, places the laptop on the other side and leans in hesitantly, his lips mere inches from yours. He looks at you, and all you can do in the intensity of the moment is nod. Peter closes the gap and captures your lips in a soft kiss.

He grabs you by the waist and has you straddling him as you try to deepen the kiss. Peter, considering your father, probably thought you had some experience but you didn’t. You, on the other hand, were thankful for the playboy genes kicking in so this wouldn’t turn out horrible.

It's awkward, clumsy, and completely perfect in its imperfection, just like how any other first kiss two people have should be.

You both pull away, breathless and wide-eyed.

Suddenly, a loud knock on the door breaks the moment, causing you both to jump apart in surprise. Aunt May's voice calls out from the other side, oblivious to the lovey-dovey moment within.

“Peter, dinner's ready!”

You share a sheepish smile, Peter realizes he’s not alone in his embarrassment. “Guess we'll continue this later,” you say, your cheeks still flushed.

“She makes terrible meatloaf, I just wanted to tell you.” He says as you get off his lap.

You look at the laptop next to Peter and laugh at the sight of Peter blushing and gushing like a fool after you kissed him that night. “I think we turned your video diary into a little romance documentary instead.”

“At least I’ll have something to show people when they ask how we met.” Peter shrugs and closes the laptop.

“You still can’t show that to anyone else, man..” You groan as you stand up, grabbing Peter’s hand to help him up.

[deadpresidents]

On the cliffs of Normandy, in a small holding area, the President of the United States was looking out at the English Channel. It was only six weeks ago, on the 80th anniversary of the D-Day landings, and President Biden had just finished his remarks at the American cemetery atop Omaha Beach. Guests had been congratulating him on the speech, but he didn't want to talk about himself. The moment was not about him; it was about the men who had fought and died there. "Today feels so large," he told me. "This may sound strange -- and I don't mean it to -- but when I was out there, I felt the honor of it, the sanctity of it. To speak for the American people, to speak over those graves, it's a profound thing." He turned from the view over the beaches and gestured back toward the war dead. "You want to do right by them, by the country."

Mr. Biden has spent a lifetime trying to do right by the nation, and he did so in the most epic of ways when he chose to end his campaign for re-election. His decision is one of the most remarkable acts of leadership in our history, an act of self-sacrifice that places him in the company of George Washington who also stepped away from the presidency. To put something ahead of one's immediate desires -- to give, rather than to try to take -- is perhaps the most difficult thing for any human being to do. And Mr. Biden has done just that.

To be clear: Mr. Biden is my friend, and it has been a privilege to help him when I can. Not because I am a Democrat -- I belong to neither party and have voted for both Democrats and Republicans -- but because I believe him to be a defender of the Constitution and a public servant of honor and of grace at a time when extreme forces threaten the nation. I do not agree with everything he has done or wanted to do in terms of policy. But I know him to be a good man, a patriot and a president who has met challenges all too similar to those Abraham Lincoln faced. Here is the story I believe history will tell of Joe Biden. With American democracy in an hour of maximum danger in Donald Trump's presidency, Mr. Biden stepped in the breach. He staved off an authoritarian threat at home, rallied the world against autocrats abroad, laid the foundations for decades of prosperity, managed the end of a once-in-a-century pandemic, successfully legislated on vital issues of climate and infrastructure and has conducted a presidency worthy of the greatest of his predecessors. History and fate brought him to the pinnacle in a late season in his life, and in the end, he respected fate -- and he respected the American people.

It is, of course, an incredibly difficult moment. Highs and lows, victories and defeats, joy and pain: It has been ever thus for Mr. Biden. In the distant autumn of 1972, he experienced the most exhilarating of hours -- election to the United States Senate at the age of 29. He was no scion; he earned it. The darkness fell: His wife and daughter were killed in an automobile accident that seriously injured his two sons, Beau and Hunter. But he endured, found purpose in the pain, became deeper, wiser, more empathetic. Through the decades, two presidential campaigns imploded, and in 2015 his son Beau, a lawyer and wonderfully promising young political figure, died of brain cancer after serving in Iraq.

Such tragedy would have broken many lesser men. Mr. Biden, however, never gave up, never gave in, never surrendered the hope that a fallen, frail and fallible world could be made better, stronger and more whole if people could summon just enough goodness and enough courage to build rather than tear down. Character, as the Greeks first taught us, is destiny, and Mr. Biden's character is both a mirror and a maker of his nation's. Like Franklin Roosevelt and Ronald Reagan, he is optimistic, resilient and kind, a steward of American greatness, a love of the great game of politics and, at heart, a hopeless romantic about the country that has given him so much.

Nothing bears out this point as well as his decision to let history happen in the 2024 election. Not matter how much people say that this was inevitable after the debate in Atlanta last month, there was nothing foreordained about an American President ending his political career for the sake of his country and his party. By surrendering the possibility of enduring in the seat of ultimate power, Mr. Biden has taught us a landmark lesson in patriotism, humility and wisdom.

Now the question comes to the rest of us. What will we the people do? We face the most significant of choices. Mr. Roosevelt framed the war whose dead Mr. Biden commemorated at Normandy in June as a battle between democracy and dictatorship. It is not too much to say that we, too, have what Mr. Roosevelt called a "rendezvous with destiny" at home and abroad. Mr. Biden has put country above self, the Constitution above personal ambition, the future of democracy above temporal gain. It is up to us to follow his lead.

-- "Joe Biden, My Friend and an American Hero" by Jon Meacham, New York Times, July 22, 2024.

[m4rs-ex3]

the visuals for the last like 20 minutes of atsv are my favorite things ever

specifically: the color theory

earth-42 is obviously striking on a whole nother level

we tend to automatically think of red as the color of danger, but that's loud and passionate and angry. this haunting, sickening green feels more conniving and threatening and apocalyptic.

(if you think of color in disney movies, all the scariest, most cunning villains--maleficent, scar, ursula, evil queen, facilier, gothel--have either palettes or grand moments or motifs heavily utilizing green)

and something i always notice is that rio 42 looks just a little off, and it's because they reflect so much green in her eyes they look almost entirely green

and, if this is your first time watching, you have no idea why the environment is made to be so deeply unsettling. let's look at gwen's dimension for a sec

being home is a really bad thing to gwen. while miles was doing everything he could to get home, gwen was literally dragged there--because gwen views her dimension as unsafe (ignore the trans parallels ignore the trans parallels ingore the tra

it's dark. it has the same ominous rain. but you can tell it's 65. that bisexual lighting is unmistakable

i can't even go into the colors of gwen and george's argument because there is an image limit and i am lazy. but we know it's insane. the emotional peak of the scene is also where we see the colors most vibrant and changing the most abruptly

and when they have their beautiful lil moment, this is what happens

not only is it blindingly bright and trans colored all of a sudden, but the characters don their "true" coloring

and even after gwen leaves, the scene is still bright, and familiar

miles should be safe in his dimension. but we know he's not.

back to earth-42. well i mean we have these absolute visual bangers what do i need to say u get it

and then there's this absolutely incredible moment where i would say miles is at his emotional peak (manic peak as well; i mean spot's hands and the infamous revenge line...yoikes.) and just like with gwen, the emotional high is where we see the most dynamic colors so coincidence i think not

this next sequence is just one of the coolest fuckin chase-esq scenes i've ever seen. like the mumbattan one slapped but the pacing and direction and elements and epicness together here are just immaculate

another thing--miguel/ben's post is heavily shrouded in red. he's supposed to be ominously looming over exactly where miles is headed. buttttttttt~ when miles first crash lands, there is quite a bit of red, and as he gets closer to home, the city gets bluer and bluer with less and less red, bc yk he's not actually headed towards miguel/ben. woah. i make sense guys. i am a fart smella. i mean smart smella. i mean fart fella. i mean fart smella. i mea

[xbomboi]

yapping about Briar. fellow Briar enjoyers assemble.

okay okay i don’t make it too obvious (or maybe i do, i wouldn’t know) but briar is my personal favorite character. i think about where the stories of all the characters would go and what their arcs would be a lot, but hers in particular is really important to me.

so i wanna talk about it.

first of all, she’s narcoleptic coded, right. we all know that. but her mom on the other hand reads to me, like, an alcoholic mother? and her dad is just willfully ignorant. either way, there’s a huge sense of neglect going on in that family. i mean go figure why briar would be the one doing most of the work raising her brothers. and of course she’s a party girl, because who’s gonna stop her? her parents? see yeah exactly.

so i don’t think it’s unreasonable to say she doesn’t have very strong parental figures in her life, at least not at home. but, and now you have to really hear me out about this one, i think baba yaga could take up a parental role in her life.

i know it isn’t much, but the seeds for her having at least a hint of a connection with baba yaga are there.

in the webisode “Stark Raven Mad”, baba yaga scolds briar for rambling about her party, and then as the commotion picks up she’s still exercising authority over briar in particular.

then there’s thronecoming, wherein, when briar is sulking at the dance, upon noticing the picture on the projector, she asks baba yaga for answers, who provides them.

and then skipping all the way to epic winter, after the girls become a little creeped out by her mannerisms and book it, briar is the one who makes sure to peak back in and give a parting remark.

so i think there’s potential there to be explored. her feeling neglected at home and then finding solace in another adult at school would be neat.

but the fact that it’s baba yaga is important, so just put a pin in that and we’ll circle back to it.

now, i think out of the core four, she was (at least at first) the hardest to actually pin-point what the future of her story could look like. with raven, i think it’s pretty clear her journey is just continuing to combat the prejudices of the world as she fights for change, apple is now pretty much on a path to figuring out her own future as ruler of a kingdom and what that’s going to entail, and maddie is the goofball that’s there to have fun and be supportive along the way.

then there’s briar. and, let me be clear, no, in my mind that girl is not sleeping for 100 years with where things are heading; in the main universe of the story, briar will be free of the sleeping beauty destiny.

but it’s like, if she’s not gonna sleep, what more is there to actually do with her? what direction COULD her life go in? because if she’s no longer fated to sleep 100 years of her life away, then she can’t just party like there’s no tomorrow anymore. she’d need to decide what she actually wants to do with her life.

and i think i have an idea.

i mentioned her narcoleptic coding at the start with intent to bring it up again. see, you might notice that a lot of the fairytale aspects of ever after high can be read as allegories for real-world problems. for example, hunter and ashlynn’s relationship is treated in their world the same way society may look at queer couples or biracial couples. or how raven’s mom being trapped in a mirror is their world equivalent to not paying child support.

with that kind of correlation in mind, i think treating briar’s curse as a condition could open up an interesting opportunity. i think, in their world, curses as a whole could be viewed as a separate branch of medical specialization, with briar spearheading this notion of thought.

we know briar is well-versed in chemythstry already. in the webisode “Briar’s Study Party” she makes note of the fact that she’s been studying forever-after, and she demonstrates enough knowledge in the subject to enthusiastically teach it to her friends, who all end up acing their tests on it as a result.

i think this is something she could potentially make a career out of. i think she could come to the conclusion that she wants to be able to help break curses for people everywhere, and could pursue learning to develop potions and elixirs to do so.

which could happen under baba yaga’s tutelage.

picture this: briar declares her newfound goal, to which baba yaga offers to teach briar all she knows in order to achieve what she’s set her sights on. briar—with an ounce of hesitance—accepts, and baba yaga officially takes her under her wing with the intent of mastering sorcery.

obviously, she wouldn’t lose who she is in this. she’s still gonna be an impulsive, adrenaline junkie who desperately needs a screentime limit on her mirrorphone. but in this process, she’d be rounded out by baba yaga and would in turn mature a bit from the experience. she’d get serious about life, but she wouldn’t let go of who she is at heart.

this could lead to her becoming the resourceful one in the main group. like on adventures, she’d be able to pull out a potion or whip something up (because i’m not going to let raven’s magic make her too o.p. she’s gotta have limitations) as a solution to problems. she could really have a role that proves useful and important to the story.

that’s my ideal pitch for where to take briar’s character.

[dailydragons]

I am not immune to this propaganda…

Do you like long fantasy series, but are tired of authors never finishing them?

Do you like interesting magic systems?

Do you like when characters form intense even psychic bonds with animal companions?

Do you like your heart getting ripped out of your chest and then stuffed back in full to bursting and but then ripped out again to get stomped on but it turns out you like that too uhhh let's call it... intense yearning

Do you like dragons? Of course you do, why else would you be on this blog!

WELL DO I HAVE THE BOOK SERIES FOR YOU!

The Realm of the Elderlings is a 16-book series is comprised of four trilogies and a quartet. All of which have been finished. Yes that's right, Robin Hobb saw other authors who can't seem to finish their multi-book fantasy epics and said "I will finish mine 4 different times to show you it's incredibly easy actually." She also has written multiple other series (some under the pen name Megan Lindholm), set in different universes.

So, where to start?

The components of RotE are:

The Farseer Trilogy

The Liveship Traders Trilogy

The Tawny Man Trilogy

The Rain Wild Chronicles

Fitz and the Fool Trilogy

The three bolded trilogies above are told from the perspective of FitzChivalry Farseer, one of the main/major characters in this universe and my eternal blorbo. The Liveship Traders trilogy and Rain Wild Chronicles are told from several points of view, and happen in chronological order between the series above and flesh out the worldbuilding, lore, history, etc.

For the most complete look at the universe, you can of course read everything. However if you want to stick with just one character, you can read the three bolded trilogies only. And of course, if you don't want to commit to a metric ton of words either way, you can just read the first trilogy and see what you think. Though I do think the levels of joy/pain/adoration increase with each work as you get more invested in the characters, of course.

OR. You can in fact read the Liveship Traders trilogy or the Rain Wild Chronicles quartet completely independently of the others. I actually started with Rain Wild Chronicles because those books have the highest concentration of dragons--it was actually a follower of this blog who recommended them to me, and I decided to jump into those rather than commit to The Whole Series (which at the time was only 13 books not 16). But I loved the writing style and wanted to learn more about the world, so got into the rest, and now I actually think the Rainwilds books are the weakest of the bunch (though I still enjoyed them initially)!

But You're Following This Blog, DailyDragons, So Here's The Part Of The Pitch You're Actually Invested In

Now I will be up front that you don't get many dragons in the first trilogy. There are a kind of dragons that appear at the end but dragons are not the main focus of this one. However Hobb learns from her mistakes about not including tons of dragons in her fantasy world and you get more in the next parts of the series.

The Liveship books deal with sea serpents and dragons in very interesting ways I don't want to spoil, though it's a slow build. But VERY fascinating reveals into the dragon's biology, life history, and magic.

The plot of the later half of the Tawny Man Trilogy revolves around dealing with how the world of this story used to have dragons but they have practically gone extinct. Less direct contact with dragons but still a dragon-centric last book.

Rainwilds is chock full of dragons. Including as POV characters. Can't complain about lack of dragons here at all.

Fitz & The Fool Trilogy is lighter on the dragons at first and then they show up en force at the end. Ta da!

anyway please read these books and join me in my eternal suffering. wait, suffering? nevermind who said that. shhh. it's fine. you will love fitzchivalry farseer. you will love the fool. you will never be the same again.

[androidkisser]

[video description: a clip from the movie Deadpool & Wolverine. the group consisting of Elektra, Deadpool, Gambit, Laura and Blade approaches Cassandra's hideout, passing through flames. the car stops with a u-turn and they step out onto the field, now surrounded by the enemy. the scene cuts to a bird view, before zooming back in on the characters. the focus shifts to the trunk of the Honda Odyssey opening, and the group watches as Wolverine steps out of it and joins them. the scene zooms out and cuts to Cassandra, who smiles and then turns, walking away. the song "Bring Em Out" (Epic Movie Version) plays in the background. /end id]

this scene will never not be funny to me...

he hid in the car. he hid in the fucking car.

he could've gone up to them like, "hey I changed my mind, I'm coming with you" - but no. either at night or at the crack of dawn, he decided to get into the goddamn trunk and he stayed completely silent the entire ride. the others didn't know he was hiding in the car until his dramatic ass stepped out of that trunk.

he is such a drama queen it physically hurts me...

[neostellarjpg]

if you generalize act 6/the retcon arc as "the worst part/narrative decision of homestuck" or genuinely say things like "it ruined the story" or "it ruined x character" or "it only happened to make x ship canon/because hussie likes vriska", you HAVE to smell my farts. obviously its valid to dislike it, and to question behind the motivation behind such a drastic story moment, but it's in bad faith and a huge waste not to even try to understand how it fits with the story's themes.

EVERYTHING matters. even the failures, even the wasted successes, even the things that don't "really" happen. because really, they DID happen. both the readers and the characters can see with their own eyes the ghosts of those lost timelines. "this version of the character is the REAL character." "this event happens in the REAL timeline." repeatedly and deliberately, the classification "real" is called into question; even to the point of tying into subjects like fandom and reader interpretation. characters in homestuck wave off this topic, but the structure of the story demonstrates the idea of "canonicity" to have very little meaning in the first place. there is a possibility of something happening, and the very fact of that possibility harbors its own strength.

the entire purpose of the multitimeline storytelling in homestuck is to frame the story as a single possibility of victory built upon countless failures. in the alpha timeline, an infinitude of bad possibilities are dodged, but there is an equally infinite loss of growth and personal potential.

the characters are trapped inside a story, and they suffer for it. skaia is an unfeeling god with unfathomable plans for its players. it exacts pointless cruelty, but also rewards handsomely: with the gift of existence. there's no throughline in its actions. there's no messaging. a lot of the time, the point of sburb appears to be "personal growth." but for whom? certainly not the billions of innocents wiped out on whatever planet the game appears on. and at what cost? contradictorily, at the cost of many players' lives. if the real purpose was to nurture all players to their personal potential, then surely with its inexplicable omniscience and infinite powers of creation, things would end up this way.

i view homestuck as a very hopeful and pro-human story, but also nihilistic, in a way. deaths are callous, happen casually and quickly (even comedically!), and often have no significance. success doesn't end with everyone happy, or becoming the best version of themselves. outcome is arbitrary and without real meaning. the kids enter this story traumatized, get re-traumatized a billion times over, get chewed up, spat out, and wind up depressed or misguided. the line blurs between existence as a "reward" and as a "burden." it simply is, and no matter what happens next, the characters are stuck with it. after all, it's what they worked so hard for. and after they scrape and claw their way towards survival, once they end up on the other side, they are forced to look back, stunned at the amount of fight and determination that has completely left their spirit, wondering where it came from in the first place, and what it was really all for, in the end.

the retcon comes from the sheer force of will to create a better future. to keep fighting for an outcome where you and your friends are happy, painstakingly continuing to build upon a foundation of infinite failures. accepting that there is always another alternative, that sometimes things go wrong because you trap yourself into a binary way of thinking. and taking in stride that those mistakes, and the hindsight that comes with them, are essential in making the right decisions going forward.

the retcon is epic and it ties together a lot of big ideas of the story in a fascinating way. i am so sick of people casually treating it like this massive evil that has no redeeming qualities. HUFF my shorts

[mask131]

While checking around for my “Roman gods are not Greek gods” posts, I found back this tripartition of mythology, which is actually a fact that everybody should kno about if they want to dabble in Greco-Roman myths (especially Greek myths).

We know that, during Antiquity, the Romans and the Greeks thought that there wasn’t just one, but three different types of “theology” - three different views, perceptions and reception of the gods.

The first theology was the theology of the priests and of the state - aka, religion. The Greek gods as perceived and described by religion, as honored through rituals and festivals.

The second theology is the “mythic theology” - what we call “mythology today”. It is a set of legends, folktales and stories that are not part of religion, but rather used and carried by art - it is the gods are seen, perceived and described by the poets, by the epics, by the theater plays.

The third theology is the theology of the philosophers - who used the gods and their tales as images and allegories for various abstract or concrete topics. It is the gods as depictions and description of natural phenomenon, or the myths as a way to actualy exemplify a social fact or explain psychological workings. 

For the classic Greeks and Romans, there was a clear divide between those three very different point of view of the gods. It was basically three different versions of the pantheon. This is notably why you will find texts noting that priests disliked and condemned the poets’ mythological works, due to them being blasphemous and making the gods too human when religion described them as perfect ; and it is also why the philosophers of old dissed on and rejected the literary works of mythology as nonsense only good to feed superstitions, because for them the gods weren’t characters or realities, but rather abstract concepts and rhetorical allegories.

This is something I feel needs to be reminded, because today these three different theologies have been mixed up into one big mess - as literary myths are placed one the same level as philosophical “myths” (actually texts taking the shape of myths), and both considered of outmost religious importance. When in fact, things were quite different... 

EDIT: I was asked if there was a myth that could illustrate the three different theologies, and on the spot I would say “the affair between Aphrodite and Ares”.

This story originates from the “mythological theology”. It is primarily a story, and a good one. It is the story of a husband who discovers his wife is unfaithful and tries to get revenge, it is the story of an extra-marital affair gone wrong, it is typical set of divine shenanigans ending on a grotesque display of divine humiliation - it is an excellent narrative material for plays and poems (and the legend does originates from poems).

The story was also dearly beloved and reused by the “philosophical theology”, because the philosophers adored the idea of the love between Ares and Aphrodite - for them it was the perfect depiction of how the concepts of “love” and “war” , despite being seemingly opposite, attracted each other and were closely tied. For them, this story isn’t to be taken literaly as “a god cheated on another god”, but rather as “this is an allegory showing that love and war are two sides of the same coin, which is why Aphrodite falls for Ares despite being married to Hephaistos”. But for them the whole net part is just poetic nonsense invented to make people laugh ; or maybe they will reinvent them as a moral, cautionary tale that should be used to warn people of the dangers of unfaithfulness. 

And then there’s the “religious theology”, the point of view of the priests - for whom such a story is mockery and sacrilege. You can imagine them saying: “You are making the gods look like fools! Gods don’t cheat on each other, gods don’t get captured in nets while butt-naked, gods don’t even sleep on beds - GODS DO NOT EVEN HAVE HUMAN FORMS IN THEIR NATURAL STATE - what the heck is this bullshit you’re saying, you’re just insulting the gods by turning them into lecherous humans and grotesque clowns for your vulgar story!” (This is a reconstitution and not the actual words of an Ancient Greek priest)

[scoobydoodean]

4.15 "Death Takes A Holiday":

SAM Police say Mr. Jenkins was shot in the heart at point-blank range by a nine-millimeter. DEAN keeps eating, speaking with his mouth full. DEAN And he's not a doughnut? SAM Locals are saying it's a miracle. DEAN Okay. SAM It's got to be something nasty, right? I mean, people making deals or something. DEAN You think? SAM What else would it be? DEAN I don't know.

Dean isn't acting like a partner—isn't bouncing ideas off Sam like he usually does automatically when Sam's found a case and begins engaging with him about it. He isn't offering Sam a single thought in his head. He's just chewing his food—playing the role of the dumb brother Sam so clearly wants him to fall into.

Sam made it very clear the previous episode (under the siren's influence) that he's stronger, he's smarter, and Dean is holding him back. Therefore, the role Dean ought to play is "dumb sidekick" who simply concedes to Sam's views and doesn't get in the way—who's not as brave as Sam (an epic lie) or as smart as Sam is (another lie of epic proportions) and shouldn't act like it by daring to contribute thoughts.

Dean isn't playing into this thinking because Dean believes Sam's nonsense about him, or because he doesn't want Sam to leave. He's playing into it to make it very clear to Sam that the follower/leader relationship he seems to want so desperately—where Dean hangs on his every word and never questions him—isn't what Sam actually wants at all. The partner he's benefitted from all this time is much better than a dumb brute who just eats his burger.

SAM puts his laptop in his bag. SAM Get that to go. DEAN looks down and doesn't move. SAM Come on. SAM stands up, picking up his bag. DEAN doesn't move except to chew. SAM looks at him, swinging his bag over his shoulder. SAM What? DEAN looks up and keeps chewing, then glances away and back. DEAN Sure you want me going with you? SAM Why wouldn't I? DEAN I don't want to be holding you back or nothing. SAM Dude, I've told you a hundred times, that was the siren talking, not me. Can we get past this?

This is exactly what Sam did at the end of 1.10 "Asylum"—after spewing a very similar list of Dean's "deficiencies" compared to him. He simply stated that he didn't mean it, and felt that was enough—and because he so blatantly lied, Dean saw there was zero point in pressing the issue. Dean treats Sam's hurtful words (that he knows Sam meant) the same way in 4.14. There is no point in talking about it if Sam is just going to lie.

This time, in 4.15, it's actually worse—because Sam was the one who pushed and begged for Dean to open up about Hell—saying he just wanted to help... and then in 4.14 "Sex and Violence", he took all the trauma Dean trusted him with and spit it back in Dean's face:

You're too busy sitting around feeling sorry for yourself. Whining about all the souls you tortured in hell. Boo hoo. (x)

This is the second time Sam has taken a closely guarded secret of Dean's and deeply harmed him with it after begging and pleading and saying he just wanted to know so he could help. If I was Sam, and I actually didn't mean what I said in 4.14, when my full faculties returned, the very first thing I would do is reassure my brother that he is NOT weak and pathetic for being traumatized. What we get from Sam in 4.14? Not that at all.

SAM Dean, look, you know I didn't mean the things I said back there, right? That it was just the siren's spell talking?

It's said flippantly—the same tone he'd use after accidentally bumping into someone on the street. Sam's concern isn't sincerely reassuring his brother that his experiences in Hell don't make him weak. He just wants the matter not to be discussed. In 4.15, he worsens it, by making it clear all he cares about is how his own character is perceived—not whether Dean is actually okay or might have absorbed with words (even if they HAD been false). Sam’s sole concern is defending his character from "false" allegations. It's all about him being treated unfairly by Dean (who dares to not believe him... because Sam's been lying about everything) and how Dean is so terribly unfair because he hasn't gotten over it yet... which in of itself, only reinforces that Sam is lying about not meaning it. What he says here reinforces that he thinks Dean is overly emotional and fussy and his feelings are irrational.

I also sincerely doubt Dean asked him "a hundred times". I also doubt any of the times Sam "told" Dean he didn't mean it were any less flippant and self-centered than the first time. I wouldn't doubt Dean's been giving Sam a hard time, because he knows for a fact that Sam has been lying to him (he heard him talking to Ruby, Dean called her unlisted number in Sam's recent calls and she picked up) and Sam still refuses to admit it. Why wouldn't Dean assume Sam is also lying about not meaning anything he said? The very fact that Sam's hiding his contact with Ruby (after Dean worked with her and even attempted to thank her in 4.10 and also saved her life) reinforces that Sam's explanation under the siren's influence was real. He is leaving Dean out, because he thinks Dean is stupid and weak and is holding him back. They both know Dean meant every word he said, and so did Sam. And we'll have it confirmed for us that Sam meant it in 4.21. Saying Dean's asked him "a hundred times" is nothing than further invalidation of Dean's feelings—more assertions that Dean's irrational and his feelings are invalid and unfair and he's just being crazy.

[jamieedlund]

Thesis wip Legends and fairytales

and June's sketchdump! 🤗

lots of young Aaravos stuffs on my mind amongst other things and one of the brainrot I find fun is instead of being afraid or embracing his ""darkness"" the first time he used dark magic, baby Aaravos just...intimidated it into submission. Because I guess dark magic has a different affect on gods I mean startouched elves??? I also think what makes a person insanely strong is not the fact that they give in to their darkness (like all dark mages) or completely reject their own selfishness and view the world as only black and white (the philosophy the show trying to pedal, which I extremelyyy despise) but someone who acknowledged that they have their inner demons; is willing to face them and accept that it is part of them without giving into its every whims. Which they won't do for Aaravos ever I'm sure but isn't that a neat fun thing to think about. Like man rolled a nat 20 on intimidation and proceeded to devoured his own darkness like hah you're part of me now lol I'm a god.

Aaravos reading his TOS, which I stole from that one bit from brennan's genie rules (make some noise episode 4) I wish I had time to draw this as an animation-

Devastation is when the both of them hit you with the 'we're finishing each other sentences because the answer was so painfully obvious' bit. I just thought it would give everyone chills if animated.

things I constantly think about part 103927 and wish was being said in ss4 if they had just let Callum actually squared up and went after Soren so he can have an epic mage duel with Claudia and Terri in which he actually managed to outwitted all of them and got Soren back.

More brainrot about the adventures they could have had together, this one in particular in which they're going into a king's harem to investigate the death of the women there. It's inspire by the plot for the latest mononoke anime about the "Ooku" - aka it's just a - place where women are gathered to breed with the shogun...the real history of it is- very fascinating and cruel. In the blank dialogue pages I couldn't find the right word to express Callum's worries. Basically he already knew humanity can be ugly, he grew up with that ugliness for most of his life and he's worried that he won't like what he finds here. I think it's a perfect plotline to explore both of their characters on so many personal levels.

aand that's all I got! I've been participating in a fundraising event called Artists for Gaza this month so I barely have a lot of brainrot sketches that looks decent enough to post. I'll leave a link to their carrd below if you're interested in checking them out. I wanted to do my part to help Palestine despite dying on my thesis and trust me I am dying-

As always, thank you so much for sharing and supporting my work. I will get to all of my asks when my thesis is over. Check out Artists for Gaza >>here<<

[howlsofbloodhounds]

Anyway here is my aimless, ‘analysis’ on Color and why he lives, why he may seem focused on Killer, but also why that’s just his character to be outwardly focused on others and rarely allowing any bits of his internal self to slip through, likely because he just doesn’t genuinely think of himself outside of anything involving the six human souls and their needs, and doesn’t really expect others to be much interested in him either. He views himself as easily forgettable and replaceable, even as it’s the things he fears and dreads most.

I’m typing as I think so I’ll probably clean it up later if yall don’t understand.

But he also fears failure. Failing to save people, failing to protect them. Saving Killer is something he’d do for anyone, but it also provides a sense of closure for him.

And stuff on my end copy pasted from Discord,

“Also Random kinda unrelated thought but like. maybe like killer, color doesn’t really know what he’s doing with his life either.

I wonder if he expected to die when he absorbed the souls, and then he never expected to get or be free. I wonder how listless he was before meeting killer. was he only living for others.

People say colors character is only about killer but that’s only because 1. Some refuse to look into his AU. And 2. Color didn’t exactly have much of anyone else??

For all intents and purposes his home isn’t his home. He knows them but they don’t know him and he has no reason to live in canon actual animated othertale (where he doesn’t know killer or the epic sanses) besides once again ensuring that they’re all safe from this new threat when we meet him.

(Edited:) It’s even implied he’s only still alive after his last escape attempt, however long ago (since it’s implied that Color has been with Gaster in the Void for like 17-20 years at least), because of Gaster. Either he was trying to kill himself, or he was willing to risk dying.

but once that was gone, what was he going to do. they still don’t know him, anything about him, and he doesn’t know them. They’re so different from how he remembers.

He has no one. They’re alive but they’re not. He’s risked everything for them and he was happy to die doing do so but he didn’t. What’s he supposed to do with himself now. There’s no place for him in the world, and the world doesn’t even seem to want or need him anymore.”

It’s worth noting that Othertale only exists as it does, instead of being normal Undertale, precisely because Sans/Color was kicked out, patched over, forgotten, erased, replaced by Undyne and then it all moved on without him.

So even in my hc that Color leaves Othertale, takes Core Frisk’s offer to join the Omega Timeline, and became Delta’s roommate; he was still at his lowest point, and didn’t even reach anything resembling a high point until meeting Killer.

He can see Killer, but no one else seems to. He wants to help, and he wants to understand. No one else is gonna pursue this, help Killer—those who have tried have failed. He reasons for helping killer are born from moral principles, past experiences, the belief that no one else would (for valid reasons), and even those who don’t even think Killer needs, wants to be, or deserves to be saved.

Similar to Vi from Arcane, who was thrown into prison for her developmental teenage years, coming out not realizing everything has changed, that her sister has changed, and unwilling to accept that powder has grown up and has a new name.

But unlike Vi, who attempts to make everything go back to the way it was, color just..avoids it. Leaves, away from it, goes looking for something new.

His need for something new comes from having spent years in what amounts to basically solitary confinement, where everything was the same over and over, until eventually even the suicide escape attempts and breakdowns became more of the same.

So while Color makes Killer feel wanted, needed, safe, cared for, loved, validated, protected—Killer makes Color feel seen, heard, remembered, important, needed, fascinating, valued. Seen and valued. They make eachother feel understood.

I think similar to Vi, Color is a caretaker, a protector, of individuals and communities he happens to stray into on his wandering trips—he’s terrified of failure, but also craves acknowledgement for what hes always tried his best to do.

If he’s not looking for something new, not wanting to stay in the same place forever, he’s trying to use his life and freedom to give the six kids keeping him alive a second chance at living—he’s not obligated to anyone, unlike Dream is (being a guardian of positivity), he’s just some ridiculously powerful guy. An afterthought in his own story, because it wasn’t his story, but a major part in Killer’s.

He doesn’t help others only because he wants acknowledgement, but also because it’s just what he thinks is right, but having his efforts acknowledged cements that he’s still real, still existing. That he hasn’t been forgotten. And I just think Killer is particularly skilled at making him feel appreciated, and valued.

He’d do it this for everyone in Killer’s place, who asked him for help. He’d help them to the best of his ability, and he wouldn’t ask for or expect anything.

But Killer gives it to him, knowing he’d never ask for it — because he can see Color, and that he likes being seen, and is maybe even suprised that Killer would see him the way he does. And Killer likes seeing Color—would like to see everything about Color. Not just his souls or his code.

Killer makes Color feel like he isn’t just a step outside the rest of world, or like he isn’t a ghost— or more like, killer stepped outside the world with him and joined him there. Color’s eye doesn’t look through Killer, and Killer’s gaze doesn’t drift right over Color.

This is not accounting for the HC that Color and Delta are roommates, of course, which would change some things—mainly in that Delta would’ve seen Color at all his lowest points and would’ve been the one taking care of Color—and a lot of how Color takes care of Killer may even be somewhat inspired by his relationship with Delta, but again that’s hc and im mainly focusing on the bits we have in canon.

I’ll probably expand on this part in a bit, but I think it’d be the Epic Sanses (and maybe even the Abyss Team) that teach Color to live for himself and what he wants—and he goes on to use that to help Killer.

[incorrectmahabharatquotes]

On Mahabharat and the Agency of Women in the epic

If you saw me post the actual reply to this, no, you didn't. I'm so sorry, anon. I accidentally posted the unfinished draft. I will correct my mistake here. I am prefacing all the following words with: That's Just My Opinion, You're Allowed To Have Your Own Opinions.

There's a short answer and a long answer to this ask.

The short answer is: in my opinion, women didn't have a lot of agency. But they were still significant, in the sense that they are so central to the plot that the epic would not exist without the roles they play. If you take any one of them away, the story would be changed inexorably.

The long answer depends on what you would consider as "agency" and what version specifically you are thinking of.

I can talk about Sanskrit text that we have access to and is generally considered as the Original and True version(I don't agree with this and can go on a great big rant about this. In a different post, maybe.)

To lay the groundwork for my explanation, you have to remember how the current Sanskrit text came into being. Originally, the Mahabharat was part of the oral stories told by suta bards(who used to accompany kings into battles as their charioteers and after the battles, would recount the battle and tell glorified and embellished stories about it). It was only written down MUCH later(multiple centuries later) by some brahmins roughly around the time the Yajur Veda were being composed. The oral versions were only one quarter of the length of the written version. So during the writing portion we can assume they added a lot more stuff (which tracks because when you read it, you can clearly see the difference between the story plot beats and the brahminical morality propaganda bits) This context is important. Please keep this in mind.

The mahabharat is a historical document but not in the sense some people would have you believe. It's a document of SOCIAL history at the time it was composed.  It reflects the norms, laws and morality of the culture that they were composed and codified in.

As such, you have a story that is conflicted about how it feels about certain topics. Polyandry being one of them. It was probably a more common occurrence back in the ye old oral storytelling years. We see a lot of instances of women having multiple partners. And these instances are so intrinsically linked to the essence of the story that it's hard to get rid of them. Now we move forward to the time when it was being written down, where polyandry is frowned upon, if not outright forbidden, but you have the issue of Draupadi having five husbands being integral to the story. Hence, you have MULTIPLE attempts to reason it away. The incarnation reason, the five blessings reasons, the regenerating "virginity" etc. Those guys(the aforementioned Brahmin writers) were struggling to present her as a unique situation and make sure that we know that polyandry is NOT acceptable but in this one case, because of Special Divine Reasons, we have to let it slide.

Now we come to the "agency" part. That's a little more difficult because everyone has different mileage of what they consider to be as an active character.

What I can tell you is that we barely get any internality from the female characters in the Sanskrit text. There are a few scenes thrown in sporadically but they have an extreme case of "the writer doesn't view women as actual people". There's also the Stree Parva which, on paper, is all about the women and their grief after the war but even that sort of focuses all the attention on the men, both dead and alive(including their unborn male fetuses).

What matters when it comes to women, according to the epic, are their bodies. Both in the sexual and reproductive contexts. Women are always described by their external appearance(mostly their hips and thighs) and by extensions, their sexuality. (I've lost count of how many times a mysterious wind will strip a woman completely naked so that a bunch of men can stare at her or worse, EJACULATE upon seeing her. They even did that shit to Ganga and she's GANGA. Divine river goddesses are not immune to this shit trope.) Women will often be abducted for marriage and it's just considered as a kshatriya norm of the time. There are multiple instances of being compared to empty containers(bags or fields) for a man's seed(semen). And ironically, they consider the children as copies of the father alone and that there is nothing of the mother in the said children. (This obviously reflects how society at the time was obsessed with the patrilineal lines of succession to maintain patriarchy and control over land and wealth.)

Most of the rare instances of women having some power and agency in the epic come from these two contexts, i.e. having some control over the sexual access of men over their bodies OR having control over their children.

Women didn't typically have rights to succession to the land, wealth and property of their family. In fact, in Chitrangada's case, who does succeed the kingdom after her father this is considered a rare and unique case worthy of note.

This is not to say that the female characters of the Mahabharat aren't interesting or strong. I'm merely telling you how the Sanskrit text narrative treats these characters because of the writers' own biases and viewpoints.

Beyond the Sanskrit text, you have many other versions who will often expand upon the roles of the women. Some regional Mahabharats delete or add scenes according to their own norma. A lot of folk stories breathe life and dimensionality to these women by giving them more to say. Multiple famous plays over the year have given a more gentle and kind touch to the female characters of the cast of this epic.

In the modern contemporary context, everyone is obsessed with writing a feminist retelling(the success of just how feminist said retellings are is a different matter entirely).

If you do find any fault in how active the characters are, the blame often lies at the hand of the storyteller rather than the character themselves.

(P.S. Before anyone gets furious and starts typing an angry anon about how women were "considered goddesses and therefore it means that they had a lot of power", I want to remind everyone that deification often reduces the figure into an inhuman entity and isn't as far from objectification as you would like to think.)

-Mod S