#and do u care this icon border
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pinktief · 1 year ago
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she pout >:c
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smoov-criminal · 2 years ago
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intro
mj/maja
25
black, multigender, bi, and poly
xe/it/she
health stuff
auDHD, OCD, cPTSD
strongly suspected PPMS, fibromyalgia (?), hEDS, POTS, PCOS, and a bunch of undiagnosed shit
crutch, rollator, and wheelchair user
this'll be mainly cripple punk/disability stuff, but expect queer and poc related content as well
i dont really like doing DNI, but th!nspo/pr0ana blogs, trans-id/radqueers, and truscum/transmeds get an instant block. devotee blogs stop fucking following me that's also an instant block. i also support all good faith queer identities, including 'weird' or 'contradictory' labels. also i dont care about syscourse. just dont be shitty basically
minors can follow, just block the nsfw tag (i post very little of it, and it's always disability related)
common tags are on this post, lmk if u need anything tagged!
main: @mj-theskywitch
cane-you-dig-it -> smoov-criminal
ven and cash are both mjthehooman :3c
server for rare/underrepresented conditions
server for disabled people of color
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[icon description: picture of maja in her new apex a rigid frame wheelchair. the chair frame is black, and the pushrims, caster bumpers, and removable frame guards are red. the picture shows the whole chair and maja sitting in it. she's wearing a black crop top with a red kieth haring dancing dog figure, green jeans, and combat boots. shes also wearing red black and white gloves and a battle vest with various pins and patches. shes holding the rims and looking forward with a slight smile. /end ID]
[header description: a picture of the back of mj's vest with four patches, one large back patch with the bottom half visible, and three smaller ones below it. the first large one reads "thank you" in large red text, then "for the venom" under it, in the style of takeout bags. going left to right, the smaller ones read "limp wrist raised fist" "keep abortion legal" and "cripple punk". each patch has red embroidery around it, as does the bottom edge of the vest. /end id]
[userbox description: 1. a dark red userbox with medium-light grey bolded text and border. The image on the left is a black transparent male symbol, a black circle with an arrow pointing to the top right. The text is center-aligned and says “This user believes in transandrophobia”.
2. a userbox with the same formatting and color, this time on the left is a transparent black outline of a derby handle cane at a diagonal tilt with the handle in the top right corner. The text says “Don’t ask me if you’re crippled”. /end ID]
userbox credit: @fageles
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cinnamonbean · 3 years ago
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So I recently read The Wasp's Nest by @demonslayedher, and as usual, began obsessing. I've been following the author here under my main blog for a while, and it's very easy to add onto or hyperfixate on their ideas. I genuinely can't find many blogs like theirs, but it's really cool; and I want to appreciate that.
Below the cut is going to be a simple collection of thoughts I had upon reading chapter one because,, oh my goodness; I have a lot?? For some reason? And I will probably never be able to use them myself.
Whether or not I make this a mini-series for every chapter or few chapters is. Up for debate. I have a lot going on in my personal life right now, so we'll see. This is just Mocha rambling about a cool fic instead of working on their own fics goodbye.
Please keep in mind I did not read chapter two.
Please read the following with only chapter one in mind. I had to force myself to avoid chapter two to ensure I would finish this post. And while I contemplating that art I wanted to post alongside the icons,, I concluded that would take too long. So. Later.
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• You probably can't see it through the ugly filters but I used the opposite color from Kobayashi-San's hairclip for Mita's eyes. Vice versa for Kobayashi-San's eyes too.
• I know it looks more like green flame but I was actually trying to use water lilies as the motif for Kobayashi-San's eyes! :) I couldn't think of anything cool for Mita's,, so I made it the same flower shape as Koyuki-San's in vain efforts of referencing it to those round-winged butterflies people make? ,,,
• I can't really use butterfly symbolism for the clips. I also improvised on the colors since I really deadass did not know what colors to use. 💀 I didn't use light blue for the border of Kobayashi-San's because they reminded me of the flowers on Makomo's mask,, and I had a Hashira au where she had those colors on her own hairclip,,, I don't mind changing it if it helps the accuracy of the fic! >:)
• Speaking of hair clips,, you gave me a really good headcanon idea for Kanae rereading one of your older posts, but I will probably post it on it's own as a separate post.
• I'm automatically taking everything Mita says with a grain of salt?? Like she seems nice, just. She runs her mouth too much. Is it to cope? Hmm. It'd be interesting to see if Ichijo-Senpai had a larger impact on everyone than we're made aware. Like. Is it really so black and white that Kanao began smiling because of Kanae and Shinobu? Maybe she's just so used to seeing people die because of those other students that she really doesn't think the people she made it past final selection with won't make much of a difference. (I'm salty they were the only five because of plot armor, but that's a story for another day.)
• Mainly because of my personal unrelated headcanons, but I really don't think of Ichijo-Sempai as mean? But if she is,, I can see her contributing to Mita's general moodiness. Bad influences amirite. But also the possibility of her being generally nice and having her parallel one if not both of Mita and Kobayashi-San as we read along makes me weak in the knees.
• I couldn't decide if I liked freckles or facial acne for Mita better, so I gave her both and gave her that emo pale skin. Assholes don't get to have pretty faces I don't make the rules 🙄 (/hj).
• Shinobu, because of your content of her and how she acted in the fic gives me vibes of a practical woman who doesn't care for detailed or pretty looking things. Or believes in doing things simply because you like them. Which makes that scene of her eating with Giyuu even funnier. Like. "You're smiling at your food? D i s g u s t i n g." (/j).
• I'm also. Very sorry. Like VERY SORRY. BECAUSE FOR THE LIFE OF ME I CAN'T DRAW BLACK HAIR IT'S JUST NOT POSSIBLE FOR ME... Ya start with a color you think is close enough to black without being back. Then you add colored accents, put in shading. The lighting. And then, only when it's too late, you realize it. You've given them completely different hair colors. I swear I'm colorblind. (/sarc).
• I was also just too lazy to make the mouths. So they're pitch black and ugly. You're welcome :')
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Here's the icons without filters! I originally wanted to make them edited with like gif thingy backgrounds?? BUT I DON'T KNOW HOW,, and I'm not waiting until chapter ten or worse is posted while I'm trying to figure this stuff out.
Before anyone asks, these are free to use, edit, etc. with credit. But really. I'm already cringing at several things in these icons. Really, where are Mita's ears even. Fjsnfjsjf.
Thank you for reading and have a good... whatever time it is where you are. 🚶‍♀️and ty for reading this if you read all the way through.
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abundanceofnots · 4 years ago
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How many kissing scenes do they have total?
Okay, anon, strap in. We’re doing this the meticulous way. I hope you’ve got your reading glasses and your calculator ready.
For the purposes of this exercise, we’ll be counting kissing scenes between Ian and Mickey in the literal sense, aka where lips touch lips. Here we go!
1. The literal first kiss in 3×05. Also known as Mickey being brave and finding out exactly how much heavier a grandfather clock is than you expect it to be when you’re high on the good feelingTM.
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2. The wedding kiss in 3×11. The wrong people are getting married, and both parties present in the room are miserable. Kissing and tearing clothes off each other is easier than talking, but they’re both trying to communicate different things in those kisses.
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3. The club kiss in 4×08. Iconic, revolutionary, groundbreaking. Worth every hyperbole in the book. Another growing moment for Mickey as another one of his walls crumbles down to the rhythm of Move It Like U Stole It of all things. Also, the very first time we see the now patented head-cradle from Ian. (The fact that this kiss doesn’t seem to end is another bonus.)
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4. The one before it all went to hell in 5×11. Nothing about this scene is particularly happy. They’re punching each other, there’s blood, and Mickey calls Ian a wet rat (and that’s, admittedly, very cute). As always, you do you, guys.
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5. The one which combines the pent-up tensions and longing of about a year, or two TV seasons, in 7×10. (Also, tongues.)
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6. The Spider-Man van kiss in 7×10. Tobey Maguire and Kirsten Dunst who?
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7. The horny kiss over the console in 7×11. Also known as Good-Luck-Screenshotting-This.
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8. The border goodbye kiss in 7×11. Also known as the one where tongues make a reappearance, but we’re too sad to comment on it.
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9. The one where Ian has to simultaneously breathe a sigh of relief and stop Mickey from making any more stupid jokes about bottom bunks in 9×06.
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10. The mutual I love yous with mutual head-cradles in 10×03.
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11. The one where Ian envelopes Mickey in his arms like a giant octopus in 10×06. (It’s like he missed him a lot, idk.) 
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12. The courtroom kiss in 10×08. The sweetest kiss in existence. 
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13. The first kiss they share as fiancés in 10×10. It could be longer, I say from my professional point of view as a nosy fucker.
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14. The wedding kiss in 10×12. The right people are getting married this time, and everything is perfect--well, except for Noel’s cold sore. We don’t really see the kiss because of it but ask me if I care. (I don’t. Their vows are one of the most beautiful things I’ve ever seen on TV.)
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15. The one where they’re being cute as hell husbands before they start going on about potential prison visits (still somewhat cute) and raw assholes (less cute) in 11×01.
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16. A ticket straight to horny jail from 11×05.
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... and that’s as far as we’ve got so far. If my highly scientific approach is correct, we’re currently standing at 16 kissing scenes in total. I’m sure we’ll get some more in the second half of S11.
But we also shouldn’t forget:
17. The deleted lovemaking from S5. I get why they would delete it because the purity of the kiss alone could give you cavities. 
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18. The deleted kiss from S10. It’s all very bantery and loving (and loud!), penile enhancement jokes included. 
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19. The Hall of Shame kiss where they try to eat each other whole.
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20. The Hall of Shame blooper reel. (Yes, I’m counting it. There’s head-cradling and smiling into the kiss. It’s delicate and sweet. What more could you want? Oh, to actually see it on the show? That’s fair.)
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And, well, 20 is a much better number than 16. (For now.)
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statelies · 3 years ago
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(   *  💀  /  jessie mei li, questioning, she/they )  —  is that emmeline vance i just saw rushing down the corridor? i hear they’re a twenty year old hufflepuff, returning for their sixth school year, but their friends would tell you that they are industrious & compassionate as well as blunt & graceless. if you want to know more about them, i guess i could tell you that they’re muggleborn, and from what i hear, they’re currently allying with the order. when our divination professor looks into their crystal ball, they see: falling asleep studying over open books, split open pomegranates, working under flickering candlelight, casual intimacy between friends, a kitchen full of laughter.
CHARACTER INSPIRATION: Izzie Stevens (Grey’s Anatomy), Callie Torres (Grey’s Anatomy) (+ Sara Ramirez, the they/she icon we all deserve), Kara Danvers (Supergirl), Charles Boyle (Brooklyn 99), Alina Starkov (Shadow and Bone), Janet (Not a Girl) (The Good Place), Penelope Garcia (Criminal Minds).
TRIGGER WARNINGS: Implied Racism.
LINKS: Pinterest. Playlist (Coming Soon).
𝐒𝐓���𝐓𝐈𝐒𝐓𝐈𝐂𝐒
I N T R O
full name ➵ Emmeline Huan Vance
nicknames ➵ Emmy; Emma; Line; Em; Melly; Melsy; Vance; Hurricane
pronouns ➵ she/they/her/them
birthdate / age ➵ October 24th, 1959, 09:47 am / 20 years old
birthplace ➵ Brighton, East Sussex
childhood home ➵ Unknown home in Brighton, East Sussex — 162 Orchard Croft, Harlow, Essex
current residence ➵ Hogwarts, Scotland
religion ➵ agnostic; paternal grandparents were Methodist ( Protestant ) while maternal grandparents were also Christian
occupation ➵ full - time student at Hogwarts School for Witchcraft and Wizardry
P H Y S I C A L
height ➵ 5 feet, 2 inches / 157.5 cm
weight ➵ 48 kg / 106lb
body type ➵ hourglass shaped figure
hair ➵ dark brown, bordering on black; soft and wavy
eye color ➵ dark brown
dominant hand ➵ right
FC ➵ Jessie Mei Li
voice ➵ Jessie Mei Li
special characteristics ➵
small waist
has a birthmark on her right ankle that looks like an apple
pierced septum
smells of ➵
lavender hand lotion
pomegranate
cardamom, jasmine and orange blossom perfume
E M O T I O N A L
zodiac ➵ scorpio sun (x); sagittarius rising; cancer moon
MBTI ➵ ISFJ (“The Defender”)
positive traits ➵ industrious; compassionate; generous; warmhearted; benevolent; selfless; observant; honest; personable; kind.
negative traits ➵ blunt; graceless; meticulous; well-meaning; impatient; internalizes feelings; oversensitive; tactless; overbearing; clumsy.
likes ➵ Pumpkin pasties; duelling club; laughter; the rush of incoming patients; cooking for friends; Ballycastle Bats; Diagon Alley; being barefoot at the beach; roadtrips; apple juice; hugs from friends; nicknames; vanilla candles; the heat of a boiling cauldron; Sugar Quills; warm sweaters; pizza; pomegranate seeds; cheek kisses; taking photographs; finishing essays early; coffee with milk and two sugars; Queen; Aston Villa; cats
dislikes ➵ spam (the food); apparition; the Daily Prophet; starless nights; Kenmare Kestrels; karaoke; losing bets; skinned knees; snakes; pigeons; the colour fuschia (it’s too bright); ticking clocks; banana flavouring; funerals; Bertie Bott’s Every Flavour Beans; Celestina Warbeck; mayonnaise; blue M&Ms; her lao ye; the word mudblood; leprechauns; fans of Kenmare Kestrels; losing football matches; witch Halloween costumes; rugby
amortentia ➵
birthday cake
fresh mint
old books
orange blossom
M A G I C
blood status ➵ muggleborn
wand ➵ Aspen, dragon heartstring core, 8 inches, hard
wand-quality aspen wood is white and fine-grained, and highly prized by all wand-makers for its stylish resemblance to ivory and its usually outstanding charmwork. The proper owner of the aspen wand is often an accomplished duellist, or destined to be so, for the aspen wand is one of those particularly suited to martial magic. An infamous and secretive eighteenth-century duelling club, which called itself The Silver Spears, was reputed to admit only those who owned aspen wands. In my experience, aspen wand owners are generally strong-minded and determined, more likely than most to be attracted by quests and new orders; this is a wand for revolutionaries.
patronus ➵ Hippo
E D U C A T I O N
Hogwarts class ➵ Hufflepuff, 1981
extracurriculars ➵
Hufflepuff Prefect / September 1979 - June 1981
Herbology Club & Greenhouse Keepers / September 1977 - June 1981
Toothill Duelling Club / September 1979 - June 1981
Wenlock Study Club / September 1979 - June 1981
courses & exams ➵
Ancient Runes - O
Astronomy - E
Charms - O
Defense Against the Dark Arts - O
Herbology - O
History of Magic - O
Muggle Studies - O
Potions - O
Transfiguration - O
Care of Magical Creatures - E
M I S C E L L A N E O U S
health ➵
walnut allergy
hayfever
pets ➵
Jíngyi; the long-eared owl
Shu; the white cat
handwriting ➵ Abuget
F A M I L Y
Deirdre (née Wilkinson) Vance ➵ paternal grandmother; retired nurse; deceased May. 1980
Edward Vance ➵ grandfather; retired soldier and miner; deceased Jan. 1980
Xiulan Wong ( Wong Xiulan ) ➵ maternal grandmother (lao lao); homeschooled; housewife; alive
Da Wong ( Wong Da ) ➵ maternal grandfather (lao ye); homeschooled; shop-owner; alive
Dr. Cillian Vance ➵ father; worked for/with the Red Cross UK (and the Hong Kong Red Cross); alive
Mei (née Wong) Vance ➵ mother; teaching assistant; alive
𝐅𝐑𝐄𝐄𝐅𝐎𝐑𝐌
emmeline had always known they were different. at first, it was because of her skin, the way she looked and spoke and could never find anyone to play with on the playground, her chinese middle name and her lao lao being the one to pick her up from school every morning. she would cry to her mother at night, cling to her arms like they were the port keeping her safe from the storm, and listen to her father sing, voice warm and tender as she drifted to sleep, but she never got the answers for why she was treated differently — never got answers for why she was the only non-white child in her school, never got answers for why they hated her so much, hated her existence. but she weathered through primary school, finding her footing in secondary school with her only friend, aisha, who never cared that she was different, that sometimes she could do things that nobody else seemed able to do, that she’d been encouraged to always tell the truth, nothing but the truth, that sometimes she’d say things that hurt, things that stung even though she never meant for them to.
for a while, the feeling of being wholly different faded, or at least, emmeline didn’t notice it quite so prominently anymore, and then suddenly it appeared again — but this time it had been because she didn’t know if she always felt like a girl. not a girl in the traditional sense, anyway, not some days. she liked dresses and fancy heeled shoes and tiaras, but found herself equally at home in plaid shirts and her father’s way-too-big suit jacket and kicking around a football, and for a half-asian barely a teenage… person (she’s still working on it), suspended constantly between two identities, it confused them (even though they’re perfectly aware now that those things are superficial, but the feeling still remains). the only person they ever talked to about it back then was aisha — their lifeline, their best friend, the one their parents reluctantly approved of because they had been so lonely for so long. while aisha was crushing on boys, sweaty and loud and just this side of too teasing, and starting to wear makeup and changing herself, emmeline was trying to find where she fit in, trying to understand who she was, who she is, why they feel so different.
in the midst of all that, emmeline’s letter to hogwarts came. just another difference for emmeline to feel, the knowledge that they have magic was unexpected and tore her family in two. the family she loved - her mother, her father, her lao lao and lao ye, and granny and pops - all had differing opinions on whether or not to accept it, whether or not to send them to school and deal with the fact, up front, that emmeline was, and always would be, special. in the end, emmeline’s pops snuck her out, following instructions from a professor mcgonagall, to find diagon alley, the place where emmeline suddenly felt she fit in. she could feel the magic in the air, could feel it almost crackling in the space around her, almost inviting her in. of course, it took some time — a little too much time, really — to buy everything she needed, and when she cried into her ice cream on the way home, overwhelmed and tired and feeling so many things, he was the one who held her all the way home. 
he and their granny were the only ones there to send them off the hogwarts that first year, their parents reluctant to accept anything so unnatural about their child, but emmeline hardly cared at the time (even though it hit them later that night and they sobbed into their pillow), too excited to remember to even wave, too excited to remember to cry because she was leaving behind the only friend she’d ever truly known, and when they saw hogwarts, that castle appearing, they just knew. they were home. she knows, after years and years of being torn between two identities on so many different fronts, that people aren’y happy she’s here, happy she has magic, happy she calls this place her home away from home, that she laughs loud at the hufflepuff table and wears yellow and black face paint for quidditch matches and tried out for the muggle football team, but there’s nothing they can say to change who she is, her pride in the blood flowing through her veins, in the magic at her fingertips. emmeline’s always known they’re different, but having magic, being home at hogwarts, is the first time she’s ever felt proud to be so.
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literaphobe · 4 years ago
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season 2 of she-ra rated by catradora content
the frozen forest: “aw, cute, you can turn your sword into stuff.” very interesting how adora has to literally train not by fighting any real soldiers in the horde just... catra. light hope scanned her brain and knew she wouldn’t bother to run after anyone else :/ which. is true. call her out!! she fights bots too but she has more or less no issues with them even though she’s no expert with turning her sword into stuff yet, but then catra comes out, and suddenly adora can’t even block a single punch because catra laughed at her :( AND suddenly her sword can’t turn into anything but a cup. why adora? are you thirsty? it’s even funnier because none of this is real, and adora KNOWS that none of this is real, but she’s still Affected when fake catra says her seductive “hey adora” and she decides oh i know! i’ll turn my sword into a d*ldo with holes! oh wait never mind, is that a flute? damn it now she wants to Serenade catra. that’s even gayer than wanting to have sex with her. “did you mean to do that? because if you did it’s a terrible weapon.” “is not! >:(“ adora’s comebacks are like. kindergarten quality shit. i would make fun of catra’s insult too but in her defense that’s not actually catra. so adora tries to hit fake catra with her musical instrument and it doesn’t really work so she tackles fake catra and pins her to the ground. and looks,,, low key aroused as she does it okay adora.... she’s not real please remember that.... ur already a furry please don’t also be a bot fucker “what are you waiting for? you gonna play me a song on that thing?” yes she WAS catra! that’s what i’ve been SAYING don’t be mean to your girlfriend when she’s trying to serenade you :( adora gets angry after this latest act of oppression so she raises her hand, about to hit fake catra, but she stops right before the weapon can make contact, and her face softens. “i knew you couldn’t do it.” fake catra fades and the audience finds out something adora already knew. none of this was real, and even if she had hit fake catra and killed her, real catra would be fine. And Yet,,,,, big fucking sigh bros. haha y’all ever so hung up on a chick that you can’t even kill a fake simulation of her? even though she’s your enemy? lmaoooooo anyway the training simulation ends and adora is so depressed she transforms out of her she-ra form and asks “did you have to make her so mean? :(“ even tho light hope is about to come out and yell gay slurs at her. light hope shows up and is very confused. is catra... not mean? was my catra ooc miss adora? :/ did this catra hit different? too hostile? not like what ur used to? :/ go to hell adora if you made catra into a sim and picked her defining trait it WOULD be MEAN god everyone’s a critic. and then adora is like ok ur right :( catra is mean.... but have you considered making your simulation’s fake catra one that will hold me gently in her arms? have you considered that maybe i don’t want to fight her and that i want to kiss her instead? god damn it light hope you bitch. you fucking homophobe.
light hope is like okay cool. this latest performance was ur worst one btw and adora is like why do you THINK and is like i wanna be the very best :( like no one ever was :( and protecc etheria :( “but catra, she’s just in my head” ;) oh yeah i bet she is adora JFJSJDJSJD “when you grow up with someone, they know how to push your buttons :(” that’s very true adora. but you also grew up with many people such as lonnie, rogelio, and kyle. and you don’t seem to give a shit about them :/ so i guess “grow up with someone” really means “be in love” huh. i love you but do NOT lie to me ever again. after this, we see the real catra :’) she’s back at the horde training kyle, lonnie, and rogelio. “she-ra is too strong to defeat with force alone. but she’s slow and easily manipulated.” yeah maybe for you! maybe she slows down when she fights you because ur pretty and ur voice is sexy! way to flex ur privilege :( not everyone can manipulate she-ra because she’s not in love with all of them ok :( just u :( later on, we’re back at the war meeting in bright moon. bow says “we’re defeating the bots, but more keep coming. while we’re using our resources to hold our borders, the horde hasn’t had to deploy a single soldier.” hey! that’s a perfectly normal statement right! one that does not mention any specific person. there should be no reason for anyone to respond to this by bringing up any individual. guess what adora says. guess what she fucking says. i’m so fucking done oh my god. “typical catra >:(“ did... did bow MENTION catfkakdjsjdjsjs????? i’m fucking WHEEZING. adora. baby. could u. like. chill out? :/ re catra? for like one second? no? okay guess i’ll have to live with it. adora is so hung up over the “hey adora ;)” she heard from fake catra during training that she has to repay the favor when she fights entrapta’s upgraded bots. adora looks into the camera of one of the bots and just. she just KNOWS catra is watching and she’s correct. and she’s like “hey catra ;)” before punching the camera and cutting the live stream. catra’s response isn’t to immediately ditch the horde and go kiss adora (booooooo) but to. try and explode she-ra using one of the other bots. okay. i guess we all cope with arousal in different ways :/ when the bot explodes and adora realizes her attempt at seduction did not work out the way she intended (press f to pay respects), she gets all “>:( catra” which is very cute and iconic of her. and it’s apparently her way of coping with the situation so i’ll just let her be! 9/10
ties that bind: fuck you swift wind. what the FUCK. i can’t believe adora had to go on some stupid quest with the horse all because she would be fiFTy sEVeN pERcenT mOrE eFFeCtivE with him. who gives a shit. catra getting kidnapped and tied up is clearly the superior plot here and adora wasn’t there for it?? which, i know is the whole point, but also, why did they have to put her with the horse. would’ve rather seen adora with literally any of the princesses instead. haha jk. but also, am i? it is important that adora gets over her hatred of swift wind and bonds with him. but also, is it? sigh, let’s get on with the show. bow and glimmer set out to go bring back entrapta. “let’s go get adora!” bow baby. u r so woke. i love that attitude. yes y’all should’ve absolutely brought adora along. no she was not doing anything important. “adora’s training!!!!” glimmer baby i love u but why :( why would u do this :( anyway, bow and glimmer get tricked into thinking the horde is torturing entrapta so they (accidentally) kidnap catra. bow is an absolute sweetheart who just. is sweet to everyone so he tries bonding w catra and is like “come on, i bet even the horde has friends. what about adora? :3 you two grew up together. what was she like as a kid? :3” because adora is bow’s best friend and he wants to know more about her <3 best boy <3 and catra just hisses at him because if she spoke she would probably say. adora was everything to me. adora made me laugh, she played with me, she took care of me, she protected me even when everyone else looked the other way. just seeing her would put a smile on my face. she held my hand. she hugged me. she was my shoulder to cry on. adora was the only good thing in my life at the horde. i have been in love with her my entire life. and now she’s she-ra. anyway. catra decides to annoy glimmer into letting her go, and glimmer gets so frustrated that she says “how did adora take years of this? she didn’t run away from the horde. she ran away from YOU” which. is about the most horrifying thing you could say to catra since she like. really believes that. and adora’s not even there to defend herself :( and say shit like. Well It Helped That I Was In Love With Catra And That Every Moment We Spent Together Was Filled With Laughter And Joy Because No One Else Has Ever Made Me This Happy Even When We Were Stuck Together In The Worst Place On Etheria—stuff like that u know? :/ anyway catra is like :’( —> >:’( “adora’s gonna dump u one day too glimmer!!” + “you and adora are perfect for each other, i’ll give you that. earnest, naive, ridiculously easy to manipulate. it’s adorable!” wow catra. u think…… adora…. is…. adorable? wow…. :’) djdjdjdjdjdj but yeah. she really said my gf is cute! my gf is earnest! and that’s pretty much it on the catradora front. notice how i didn’t say a word about the horse plot. yeah. :) i mean i physically couldn’t because this is a catradora based evaluation post. but ya. u get the point. 7/10
signals: huh! nothing! except when glimmer says “catra was right!” and adora’s face is like... u kno. u know how she gets when catra is suddenly brought up. 2/10 but the whole ghosts thing is cute. adora believing and wholeheartedly being scared of ghosts makes me think... catradora buzzfeed unsolved AU
roll with it: the absolute RIGHTS of this episode. adora planning obsessively because “you’re not taking the biggest variable into account :( catra </3 she’s been behind every horde plan, she led the attack on bright moon, she’s devious, she’s very cute—“ and everyone is like omg adora calm down,,,, okay fine we’ll fantasize about ur gf. so everyone is all: this is my catra headcanon <3 glimmer is like. catra is a sexy femme fatale. bow is like. catra and i would make so many sick fucking puns. and adora is like :( y’all are all headcanoning catra WRONG :( she’s sexy and funny and cute the Way She Is :( why mess with the original recipe? :( except she’s wrong because season 4 and 5 will exist one day. but she is not wrong because season 1-3 catra is also very good. adora u do u. have fun laughing at everyone’s interpretations of ur gf. go ahead and brag about how uve been in love w her ur entire life. adora is like. all ur plans suck. obviously catra would block or duck or jump up really high or look really cute or smile and dazzle u with her charms. how DARE you underestimate my enemy gf. and then everyone devolves into their cool plans again and adora is like CATRA CATRA CATRA >:( so everyone is like ok fine we are going 2 bully her. and we get this epic scene where they do impressions of catra, but it is visualized like: different versions of catra keep flanking adora, and she in that scene is clearly very seriously considering having a fourway with femme fatale catra, prom catra, and punny og catra. but in like uh.... a cool platonic way. anyway, everyone is like. hey adora. we know ur paranoid and obsessed with ur gf. but can we just attack the horde now? could you chill the fuck out? and adora is like. u wanna know the worst that could happen? fine. “i’m the heaviest hitter, so catra will separate me right away. trap me, take my sword, do Something so i’m helpless when she turns on you. she knows Everything about me, EXACTLY what i’ll do, EXACTLY how to take me out. they’ll overwhelm frosta and mermista with bots, they’ll fire on perfuma, and use her to draw bow out into the open, pinning him between the bots and the horde soldiers. glimmer will teleport in to save him, but she won’t have enough magic left to get out, trapping them both. catra will make me watch all of it before she Finishes Me Off.” which..... weirdly kinky, but okay, and also weirdly sweet if u think about it? like catra grew up thinking she was never as good as adora but adora even with her new she-ra powers now is convinced that catra is so good that she can predict and counter and overpower anything adora throws at her, even with her super-powered friends and allies <3 and she...... lets it paralyze her with fear and blames herself for anything that could possibly go wrong which is really sad and not good :( but stuff can be two things! and. we’re kind of trying to be gay here so let’s continue on the gay train <3 the princess alliance realizes that adora has major issues and give her love and support so adora is like oh nice!!! time to run in without a plan and stay true to my brute strength colors <3 and she’s so excited to see her gf..... only to find out, her gf isn’t there?????? the fuck???? she spent hours planning their fight date only to get stood the fuck up??????? she’s so distraught over it as she fights scorpia she goes through the five stages of grief. she’s like... catra’s really not here?? and she left you in charge???? and babe i get that ur jealous and upset that ur gf didn’t show up but hey :( don’t hate crime scorpia like that :( 8/10
white out: adora is upset that she hasn’t seen her enemy gf in a while so when the squad finds out that the horde is doing stuff in the north(?) adora decides that they must immediately go there in case the horde (catra) is doing stuff that she must stop the horde (catra) from doing immediately. and it works! they bump into the super pal trio! but before that, we see entrapta show catra the red disk that makes she-ra go RAGE and adora go floop. it’s basically a Make Adora Delirious/Drunk Crystal <3 catra gets an evil hate boner when she hears that the disk “takes away she-ra’s powers” and is like damn entrapta ;) why didn’t you tell me about that sooner ;) later on, the best friend squad bumps into the super pal trio! adora sees catra and is like. hey remember last episode? what the fuck was that babe. step the FUCK up. run away with me? <3 but here’s a more literal break down of what really happened: catra is threatening entrapta as she... tends to do when she’s interrupted by adora who says “catra! >:(“ completely ignoring that there are other people there who she should also greet. i mean it’s just manners u know? “it’s been a while.” is not an excuse. u haven’t seen entrapta either for an even longer time. and u had nothing to say to her? i get that ur gay and in love but have some respect okay :( catra is happy and decides it’s time to seduce her. we get yet another “heyyy adora ;)” for the books. adora starts to ignore everyone present again and banters pettily with catra about how catra lost the battle of bright moon, because you know :( she hasn’t seen her gf in a while :( and she didn’t get to rub things like that in her face :( and catra is like haha lmaooooo loserrrrr and it really pisses adora off so she’s like okay down to business then! go away >:( and catra’s like oh u want me to go away? make me ;) and so they literally. run away from everyone else. i’m not making this shit up they literally said those things and just ditched the group. and both groups, who have not said a fucking word to each other since this confrontation began because the lesbians are so fucking loud and clearly everything they discuss is personal and not an invitation for group convo, they’re all left there to be like..... i guess we should fight each other now? and scorpia is like UGHHH goddamn it. and u really feel for her u know? :/ u try and u try to ask a girl out and she’s so stupid she doesn’t know ur asking her out on a date, but her stupid ex walks in and all she has to do is run and catra runs in front of her ready to go on a date. what the fuck. anyway, catra and adora are also fighting. adora’s better at transforming her sword into stuff now so she summons a rope (ok kinkster) to grab catra’s leg and pull her towards her and she threatens catra with her sword, saying “don’t move.” catra’s response? “oh, please. you’d never have the guts.” and god damn it catra it’s not that she doesn’t have the guts! :( it’s that she loves you and doesn’t want to hurt you! and also she’s not into necrophilia! catra continues with “you know, as much as i love our fights, it’s way too cold for this.” i hate them so fucking much. they really do get off on this shit!!! i hate them but also mood!!!! stop flirting with each other ur both so goddamn annoying omg. “why don’t we try something new? ;)” yeah. something new like hmm what if y’all kissed? haha, just a suggestion! but no, catra decides to use the red crystal thingy :( haha SIKE i’m not :( at all i’m very much :) because we’ve been WAITING for drunk adora. i love that delirious baby. what a fucking cutie. but because she-ra’s sword is the one who gets poisoned, she-ra goes all angry and evil and catra is like that’s hot! but it’s not what i signed up for but also... oh lmao she’s fighting her friends? nice. this is hot again. complacently, catra goes “this is the greatest thing that’s ever happened!” causing evil!she-ra to realize she exists and trying to kill catra for real, and catra is like NEVER MIND I DID NOT SIGN UP FOR THIS and she’s like “adora wait :(“ which is like. babe no :( babe u were supposed to turn evil in a sexy way :( we could be sexy and evil together baby :( babe :( thankfully for catra adora’s not the only one who has a crush on her so scorpia tackles she-ra, separating her from her sword, and she goes back to adora. catra gets the sword, laughs, and says “that went so much better than i could’ve ever hoped.” did it?????? ur so stupid ur gf was about to murder u and u were ready to simp for ur life. then she goes “looks like you’re mine now, adora. >;)” and like. lifts adora’s face up by the chin with the tail end of the sword. and. let me just take a deep breath here. uh. What The Fuck Is That. HELLO?????? why is that. okay. HHHHHH. why!!!! good god!!!!! i hate sexual tension. anyway, catra tells scorpia to carry adora inside bc adora’s not wearing enough layers and she doesn’t want her gf to get cold :( jk but uh, they get adora inside, and catra is once again obsessed with her. she sits right next to her and pines like “always so perfect.... look at you now.... (i HATE how sexual this sounds) you’re coming back to the horde under my command.....” like. COME ON. why is she like this. ur allowed to be evil but i draw the LINE at u flirting with adora she’s not even AWAKE. and scorpia is like. could u. could u not be obsessed w adora for one second? it’s kinda harshing my vibe :/ and catra is like hehe she ra go >:( haha funney. we can turn the rebellion’s own hero against them. That’s Good™ i wonder which of your friends i’ll have you annihilate first... and then she giggles to herself and it’s so cute but babe. once again. stop flirting with adora while she’s out cold she won’t be able to flirt back :( and then the most. upsetting part of the ep happens. catra LEAVES and makes scorpia watch over adora before adora even wakes up so we don’t get! to see! catra with drunk/delirious adora!!!!!! what the FUCK. what is the POINT. i am DISTRAUGHT. hello?????? why were we robbed. whatever. it’s still good but come on not even one scene? :( scorpia is annoyed as she should be and is like UGH just wanted to be alone with catra but nooooo im stuck babysitting her “”””””ex-best friend””””””” which we all know is code for just. ex. LMAO fkdkdkdk like this isn’t even reaching we BEEN knew. anyway adora is being. so cute. so goddamn cute i am in love. adora barely even remembers her name but when scorpia is like hm what’s the passcode to the lab? adora goes BOOP BOOP BOOP BOOP BOOP and puts in catra’s super long fave number. that is so fucking cute that she knows and remembers that and thinks that catra would use it even tho she’s not even. in the right state of mind. and scorpia gets jealous obviously like ohhhh u know catra’s favorite number and i don’t! u grew up with catra and she’s been in love with you her whole life and i don’t have that! fuck u adora. even when u and catra are fighting each other tryna kill each other u can tell there’s a real bond there :( and like scorpia I’m so sorry baby I know :( they’re in love and it’s very annoying :( and i know adora is very annoying but have you also considered that she is very cute? that she is so lovely? and yeah that’s why catra is in love with her and shit :( seahawk and scorpia fight over adora and adora is like. hehe. catra mean <3 she’s so mean <3 and so hot and cute and sexy <3 omg im gonna marry her hehehehe <3 both sides reconvene to fight the bug, and adora finds glimmer vaguely familiar but doesn’t recognize who she is exactly. but she’ll remember catra’s long ass fave number. ok whore. catra, who’s also stupid, sees adora and is like guess I’ll drop all other priorities to get her! and tells scorpia to find the sword because she’s going after adora again. she’s so determined to keep adora that she.... catches a moving arrow. and throws it away. fjdjdjdjddj DAMN ok sheer gay determination is THAT strong huh. but it’s also sad because catra’s so busy fighting she doesn’t get to see adora being super cute :( it’s fucking wasted and not FAIR. catra thinks it’s funny that anyone would expect her to willingly give the disk up, because she’s got control of adora now, and control of adora means that adora won’t leave her.... which is not healthy :( but also HHHHHH but also it’s okay because their relationship gets healthy in the future and that’s very sexy of them <3 the disk is broken by scorpia in the end, and as adora regains.... conscious???ness????? idk??? her sense of reality??? sobers up???? anyway she and catra exchange this one last very heavy look, right before catra is grabbed by scorpia 9/10, except i want to take away so many points because of the wasted potential, but also i wanna add back so many points because of “looks like you’re mine now, adora ;)”
light spinner: ewwww shadow weaver ewwwww hordak i’m so sorry catra baby so sorry u had to interact with them instead of adora :( 0/10 </3
reunion: I AM SO SORRY. I AM SO FUCKING SORRY. THIS EP IS SO GOOD. BUT. I CANNOT BELIEVE I HAVE TO SAY THIS. THIS IS ONLY BECAUSE THIS IS A CATRADORA EVALUATION OK. therefore the rating is.... is..... :( 0/10 :( i know i am distraught too. :( despite what a masterpiece it was... there was no catradora :(
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heffrondriving · 3 years ago
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since you did Vamp James icons, do you think you could do some Vamp James gifs so ppl who need them have those resources later?
oh that would be cool, i'll certainly try to work on that one!! if the world cares for some more vampire james content, then what reckless folly should it be of mine to turn such an opportunity down? tho uhhh no i'm not a james simpie swear even though it seems like i'm bordering dangerously on it bc i post too much abt him;; idk man he just makes my smol brain go big Ooft sometimes and vamp james is a cardinal element to it.....no u!!! >:/
but anyway yeah, if things work out and i don't get too distracted by other stuff, then i should probably have those gifs finished and posted somewhere around this month, if that's alright??? thank you~ (๑́•∀•๑̀)ฅ
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dolokhoded · 4 years ago
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Some Specs headcanons?
aw y'all are starting to request my favorites. im gonna do some for canon era and some for modern au, because,,,,,,,, because.
so specs lesgo!!!
CANON ERA
,,,,,,,,,,,deep sigh
someone help this boy
specs is probably,,,,, the only sensible newsies left
he's the smart of the dysfunctional ones
he's not the mom friend anymore though, he's retired, he couldn't deal with their shit anymore
besides they have davey now
specs helps name the new newsies, along with an older newsie called riddle
riddle is the one who got specs in the newsies in the first place, she and him we're pretty tight but once she left the newsies no one heard of her again
after riddle left, the naming was up to him
he also often helps the younger ones learn to read, specs was one of the newsies who could actually read at a pretty young age, most of them didn't know until they joined the newsies
when papers is all you got you at least learn to read them
most people expect him to be, like, sensible and responsible but really he's just sneaky about doing stupid shit
could beat the delanceys in a fight but refuses to fight anyone
in fact, even when the cops attacked them, he was just trying to take the kids who we're too injured to fight (meaning: romeo who was just bonked in the head) aside and help them
he's just wholesome like that
aside from jack, specs and albert are the ones taking care of the younger ones
i have an ask for al in my inbox so i won't go into this much but it's just rlly cute ok later
so specs
obviously jack can't be everywhere at once, so whenever he's preoccupied, specs takes over
he loves to helps the little ones and they love him too, but their favorite is when specs will sit and tell them stories
they'll all sit in a bunk, gathered around him and listen tell stories, most of which he was literally just making up on the spot
afterwards he'll take the ones who fell asleep to their beds
romeo thinks it's adorable
he's close with romeo, race and albert
mostly because someone has to make sure these three don't get themselves killed
but also because they're his friends and he loves them or whatever
i've talked about this iconic friendship numerous times i think
it's,,,,,,,,,, yea.
specs has witnessed questionable stuff because of them
he's the one friend always getting dragged around
specs is,,, by far the most trusted newsie
everyone confides in him, he has all the newsie tea and it's all confidential information no one's allowed to know
well maybe just romeo
or albert sometimes
not race. that bitch cannot shut his mouth.
he would never tell anything serious though, only the stupid stuff. everything else is confidential information.
MODERN AU
so im just gonna go like a regular chill modern au and not the 342verse because then i'll have to go into all the orphanage trauma and i don't wanna do that rn
just,,, just silly little modern hcs.
now in the 342verse specs and romeo have cats but nothing in that au concerns us here, forget all about it. it don't exist.
here specs has a DOG
because i love them and he deserves it
his name is hector, he's a border terriet and he's,,, the most adorable thing on this earth
romeo joked about him naming him that because he'll guard the house just like hector guards the walls of troy
(even though he's like a teeny tiny puppy)
he actually did it bc he's cool like that
specs and buttons are the chugs monster at three in the morning to stay awake for literally no reason gang
sometimes he just wants to see the sunrise, sometimes he's just completely paranoid that something will happen to someone in the middle of the night and he wants to be ready
conclusion specs just,,, never sleeps
one time romeo stayed over and accidentally woke him up in the middle of the night and he felt so bad poor guy
because he knows the last time specs had a good night's sleep bonnie and clyde was still running
specs has a PASSION for criminal cases
he'll just stay up watching documentaries and youtube videos on robert maudsley fuckin,,,,,, eating brains and then he'll be like hmm why can't i sleep
(robert maudsley never ate any brains the brain with the spoon was checked and none of it was missing)
(,,,, yea sorry anyways back on topic)
he'll call albert at like three in the morning like "HEY U WANNA HEAR ABOUT RIVERSIDE KILLER"
and al's like "i-,,,,,,,,,, yea sure"
he shares this with him, both specs and albert are lowkey criminology nerds
his favorite show is the politician and he's probably watched it about a hundred times
he loved the first season so much he was all "MURDER he just attempted M U R D E- oh wait ben platt is singing 🥺"
someone needs to help this boy immediately
he's,,, constantly living in chaos
he needs to SLEEP
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karihighman · 5 years ago
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An Upstead timeline
Because I was thinking about how far Jay Halstead & Hailey Upton have come, and I just wanted to be nostalgic for a moment. Enjoy my ramblings! (:
The beginnings: season 4
Ah, yes. Hailey’s debut. I loved 4x21 “Fagin” for that reason. Also, Jay’s first impression of her seemed to be like “dang this girl is sassy...but I’m not complaining” haha.
Also we can’t forget the sass Hailey displayed in the survelliance van. 😂 Legendary. And Jay kept up w/it too. We love a sarcastic duo - even before they were partnered up!
Anyway, the next episode was when Hailey officially joined Intelligence. A moment of awkward silence for the two of them trying to shuffle around each other when Voight gave Hailey Jay’s desk because she was now partners w/Erin. Oops. Too funny.
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Then of course, the season 4 finale saw Hailey be invited out to Molly’s with Jay, Adam, Kevin, & Will. She had the memorable “I’m Greek, we see tragedy in everything” line, along with that first of many looks she’d give to Jay after a conversation - longing & wistful. 😔
The new divide: season 5
Season 5 saw Hailey and Jay become partners & already they were there for each other when Jay had a tough case. While we didn’t see it air in the actual episode, there was a deleted scene from 5x01 that showed Hailey telling Jay that she’s “got his back.”
As the season progressed, we saw them continue to be there for each other as a source of support. Remember in “Fallen” when Jay kept checking up on Hailey’s “relationship” with fellow officer Sean McGrady?
“Is this really about the case?”
“See ya tomorrow.”
“Ooookay.” — yeah okay Jay we see u.
The next few episodes were Jay’s big arc in s5 where he dealt with being undercover while dealing with PTSD. Hailey was “neutral” at first, because she didn’t know Jay well enough to know how this would affect him, though she’d see it soon enough when he pointed a gun in her face at the end of 5x07. Even after that incident, she still called him to check on him. Now that’s a quality partner.
Another telling moment for their partnership was when Hailey went to bat for Jay with Camila. She knew if she talked he’d be in big trouble, so she had to do something to help him. She still made sure to remind Camila that she would “bury her” if she didn’t keep her mouth shut about Jay. Damn, remind me not to get on Hailey’s bad side. 😯
She even convinced Jay to go to therapy — how amazing is that? She helped him get help.
There were a few lighter, fluffier moments for their partnership as the season progressed, which you can see below —
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And then came my favorite episode for them - Ghosts.
Hailey got tangled up with Booth who got her old partner killed. Jay, being her new partner, was concerned about how close Hailey was getting...not only to the case, but to Booth, as Booth was bordering on obsessed w/her.
He bailed her out, but then then two argued at Hailey’s UC apartment (hello, married couple moment haha) - But despite that, he still helped her go on w/the undercover plan.
Cue Jay going under as Ryan, a dealer that Hailey (as Kelly) knew. Things got even more awkward for the trio when Booth asked “Ryan” how many times he screwed “Kelly.” Yikesarama.
Towards the end of the episode, Booth got handsy with Hailey, which put Jay in an awkward position. He tried to keep his cool, but then the deal was blown. Hailey being the badass that she is fought off Booth, but it was Jay who brought her back down to reality to keep her from doing something stupid (even though let’s be honest, Booth deserved a few more kicks in the head).
The kicker of the episode came when Jay went to check on Hailey, and the two would start what would turn out to be “their thing” aka - drinks and long conversations about their cases & the feelings surrounding them. Hailey opened up about Booth and Garrett, and Jay listened. He was there for her, and that’s when they really started to form something special. Something that was more than just a typical partnership.
The rest of the season would only build on that momentum, bringing out little pieces of Jay and Hailey’s pasts, as well as how they dealt with things amongst the team. Jay lent Hailey a supportive hand (literally) when Al died in the season 5 finale, & in a deleted scene, the two offered comfort to each other at the vigil Intelligence held.
Care & being there: season 6
Jay and Hailey’s partnership grew even more so during s6. Their first major moments came in the crossover episode, when Jay was shot. Hailey was distraught, but it was more than that. She thought he was dead, & she thought she’d lost him forever. Her emotions were running high and she pushed down all those feelings that had come bubbling up to the surface. But they were there.
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(Unfortunately she compensated by sleeping with Ruzek, thus beginning Upzek. Ugh. Anyway).
Even though she started a fling-turned-semi-relationship with Adam, Hailey & Jay still leaned on each other.
When Hailey dealt with a tough case, Jay was there for her. He made sure she was okay. Heck, even Adam noticed & told her, they should talk you know, “partner to partner.”
The following episode saw Hailey help Jay when his judgement was colored by his war past. She then reminded him of the famous “thing that works between them” and offered to buy him a beer to chat. He accepted.
When Jay found out about said romance, he was taken aback and you could tell by the look on his face that he was hurt...but honestly, maybe a little jealous. I think this solidified his feelings for Hailey, even if she didn’t wanna admit her own to herself yet.
“We’re good. And we’re always gonna be good.” -Jay to Hailey
6x12 has them do another heart to heart conversation, only for it to be interrupted by Ruzek, who called Hailey. Jay told her she should go, and even though she said okay, you could tell she didn’t really mean it. Just like Jay didn’t really want her to go. But these two have gotten good at hiding their feelings by now.
*forgot to add 6x14 when Hailey was kidnapped (along w/Kim). You could see the look of complete distress on Jay’s face when he & Kevin raced out to the truck, just missing it. Then when Adam told him they “should’ve been all over them” Jay went on the defensive, telling Adam “he didn’t know what went down” because he wasn’t there. Ruzek, Ruzek, Ruzek...as if Halstead wasn’t beating himself up enough! Even though later in the ep, Adam and Antonio were the ones to find Hailey & Kim, you saw Jay later ask if she was okay; and you saw the camera pan to both of their expressions when Voight gave the “work things at work” talk. Jay felt bad knowing he didn’t do his job at protecting his partner; Hailey was starting to debate her relationship with Ruzek on the job.*
6x15 offered us the iconic scene of “if I was gonna follow someone blind, I’d follow you” which we now know is essentially Hailey-speak for “I love you.” Because she told Jay that she’s trusted him from the day she met him. How freaking adorable is that?
Fast forward to the s6 finale & you’ve got a whole lot more feels between these two. From Jay’s line of “I’m going where you go” meaning he to would follow Hailey; to his protecting her FIRST without regard for his own life (actually literally using himself as a human shield!); and then of course, their heartbreaking conversation in the break room.
“We’ve only been partners a couple years...you’ll forget about me just fine.”
“Hailey... [no].”
aka - Hailey was scared of losing him again & not knowing if they’d be partners again, so she bit down on her feelings and brushed it off. Jay did the same, although he looked as if he was going to spill any second of that scene. You know what I mean.
You could see the looks in their eyes — they were saying everything without actually saying a word.
This episode was when the both of them seemed to accept their feelings of each other to themselves — as in, they admitted it to themselves, even if they weren’t ready to share them with each other. 💙
Deeper feelings: season 7
And now we’re onto s7, where even in the premiere, you could see how in sync Jay and Hailey were. The two worked together to help their boss, and they relied on each other more than ever to get the job done. Hailey supported Jay, even if she didn’t always agree with him.
Later on in the season, we saw him do the same thing. Although, when Voight split them up in 7x03, they weren’t happy about it. Jay showed his emotions with a look, while Hailey vocalized hers to Voight. Hailey = 😠 there.
In the crossover, we saw a concerned Jay over Hailey being quarantined, but also a concerned Hailey when Jay was taken hostage by Seldon. She even went all Sniper to save him! Go Hailey go!
They continued to work alongside each other, mainly in surveillance (apparently those two have a thing for vans 😉) to help the unit solve cases.
Jay had another tough case in 7x06, and Hailey noticed how much it affected him, even if she didn’t say it right away. Jay would do the same for her in the next episode when her CI was shot, with looks and a concerned voice like she had done with him.
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And now we’re at 7x09, aka the fall finale from hell because Jay’s life is in the balance.
And Hailey Upton is livid over it. She was so desperate to get Jay back safely that she pushed the limits to find him. And just when she FINALLY did, he was ripped away from her yet again. Heartbreakingly tragic for these two...almost like a Romeo & Juliet vibe. 💔
Here’s hoping Jay will be okay in 7x10 when Chicago PD comes back in January, because Hailey really can’t lose the man she loves. I think this made her realize just how much she cares. And he cares so much for her.
Upstead ship captain Jesse Lee Soffer said it best: if you were to ask Jay or Hailey, “do you love him/her?” They’d say yes. As for what kind of love that is, they aren’t 100% sure yet...
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because they haven’t even admitted their feelings to each other yet. But anyone can see that they are there. Pure and genuine feelings. Love. Respect. Admiration. 🖤
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nomanwalksalone · 4 years ago
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ALTERNATIVE STYLE ICON: RICHARD CHAMBERLAIN IN WALLENBERG: A HERO’S STORY
by Réginald-Jérôme de Mans
The writer George Santayana famously wrote that those who cannot remember the past are condemned to repeat it. Ironically many who repeat his quote forget who first uttered it.
I had long meant to write about Richard Chamberlain in this role. I once referred to him as “the fey king of the miniseries” and I don’t regret it: foppish, almost milquetoast in fare as varied as a two-part TV version of The Bourne Identity (with Jaclyn Smith, natch), Shogun, and as a leading candidate for an honorary Seinfeld puffy shirt: Not only did he play the Count of Monte Cristo in a 1975 TV movie, but a bunch of what Elaine Benes would have called chandelier-swinging characters in other Dumas adaptations, including Aramis in Richard Lester’s The Three Musketeers and Louis XIV and his twin in The Man in the Iron Mask. Postmodern swashbuckler author Arturo Perez-Reverte even described a character in one of his own novels as looking “like Richard Chamberlain in The Thorn Birds, only more manly.” That same Thorn Birds role, Father Ralph de Bricassart, also inspired a certain Rhunette Ferguson to give her son, a future New York Jets player, perhaps my favorite name ever: D’Brickashaw.
Dubbing Chamberlain an Alternative Style Icon for his role as Swedish diplomat Raoul Wallenberg is low-hanging fruit. For years this TV special dwelt at the bottom of my Netflix queue for that express purpose. Former Savile Row tailors Manning & Manning won an Emmy award for the outfits they made for him; decades later Bryan Manning had some very interesting things to say to the inimitable Simon Crompton of Permanent Style about the 1930s and 1940s cutting styles he had to adopt for Chamberlain’s outfits for the movie. Chamberlain’s costumes are appropriately dashing, from the full diplomatic gala white tie ensemble worn while conspiring with the Papal Nuncio of Budapest to a tan double-breasted suit with horizontal peaked lapels that is, quite simply, magnificent. Zagreb, one of the most beautiful cities in eastern Europe, admirably filled in for 1940s Budapest and Stockholm in the making of this production. I’m fairly certain that I’ve stayed at the Zagreb hotel on whose esplanade Chamberlain wore that suit, in an early expository scene where the American and Swedish governments encourage Wallenberg to take a position with the Swedish legation in Budapest.  I’ve been told Zagreb’s one of two cities in Europe where the street lamps in certain neighborhoods are still gaslit. Gaslighting happens to have been one of the reasons that I finally wrote about this icon.
Of course there’s plenty to mock in the conventions of this telefilm, even beyond Chamberlain’s indisputable 1970s and 1980s stock hero status: its heavy-handed setup and plotting, making Wallenberg out to be a one-man anti-Nazi force from his time at home in Sweden (wearing a U. Michigan sweatshirt to indicate that he had studied in the US - did college sweatshirts even exist back then?). Miniseries meant melodrama and its archetypal characters: an adorable child whom Wallenberg saves from the death camps only to die of illness; a shoehorned-in love interest in the form of a kindhearted baroness who lobbies her suspicious husband to relax the Hungarian government's strictures on Jews; a fiery Hungarian resistance fighter who provides the unofficial, combative counterpoint to Wallenberg’s diplomatic, humanitarian efforts through official channels. And, of course, Wallenberg’s kidnapping by the Soviets at the fall of Budapest meant his story was perfectly framed for 1985, when we still couldn’t trust those Russians. (In fact, to this day no one knows what they did with him.)
A few appropriately haunting and powerful moments do ring true, including Wallenberg’s cordial verbal fencing matches over contraband Scotch and cigarettes with Adolf Eichmann. Whether those meetings really took place in that form or not, their film versions appropriately capture the realities of how we are forced to engage with evil. Rarely are we simply battling an easily identifiable other, weapon to weapon. Instead, we encounter evil in the everyday – in fact, it seeks us out, finds shared ground, converses with us over pleasantries and hospitality even as we recognize its intentions. It identifies with us, we identify with it. Even as you know it is evil.
Eichmann had made it his avowed duty to kill the Jews of Europe. Wallenberg’s mission, as an emissary of an officially neutral power, was to help save as many as he could. And he did, through famously fearless, reckless endeavors including the distribution of thousands of official-looking Swedish passes to the Jews of Budapest, the creation of vast cultural centers and warehouses in the Swedish mission buildings in which these new countrymen could work under the aegis of their adoptive country, and savvy diplomatic maneuvering with the Hungarian and German authorities and military. He went as far as to climb on top of a train bound for Auschwitz and distribute passes to as many deportees as he could while soldiers fired shots at him. Looking back, historians suggest they were firing over his head to warn him as they could easily have dropped him at that range, but it’s not likely Wallenberg knew that at the time.
At that time diplomats of neutral powers could make fortunes more safely as armchair heroes: playboy Porfirio Rubirosa reportedly did so in Paris selling visas to the Dominican Republic to French Jews during World War II. In that respect, perhaps, both he and Wallenberg were heroes… of different sorts.
Wallenberg did not do it for money. The Wallenbergs were Swedish aristocracy (with, the film takes pains to remind us, an ounce of Jewish blood) with considerable means – hence the finely tailored wardrobe for Chamberlain. Thus, an easy cynical response to this essay could be that a rich aristocrat with diplomatic immunity risked nothing swanning around the salons of Budapest, just like the fictional gentleman spies we read about and watch on screen.
That response is wrong. Heroism is not just born of opportunity. It is recognizing when a choice confronts you and taking the difficult, unpopular and dangerous one in order to do what is right. Fictional heroes like Bond or Steed rarely suffer meaningful personal loss and rarely confront the reality of evil. Evil is your friend with many positive qualities, maybe more intelligent or cultured or better dressed than you, the one you looked up to, who gradually reveals the awful things he or she believes and has done. Evil is those complicit in carrying out those things by their inaction, their credulity, or their cooperation, not at the point of a gun but of a paycheck. Evil is legal, logically explained, repeated and reported until its baseless reasoning becomes fact and the foundation for more lies, more evil. Evil can so easily become the system.
Hindsight is a handicap, for it doesn’t usually permit us to see that there were no times without ambiguity in battles between good and evil and no certainty that good triumphs. We have the privilege of retrospect to acknowledge the dashing diplomat in Savile Row suits was a hero for saving innocents from deportation and death as part of the most ghastly genocide in history. We learned what genocide is, and had to invent the word to describe it. Because at that time the people singled out for persecution and death were unpopular, historically, socially and legally marginalized, supposedly easily identifiable and classifiable. A group that societies had made it easy - through regulation, ghettoization, oppression and antagonism – to hate, and whole false narratives drawn up to explain why that group hated and wanted to destroy us even more than we them.
One of A Hero’s Story’s most timely and inspiring lines is Wallenberg’s reply to the Hungarian ruler’s query why the King of Sweden cared so much about the Jews of another country, when he was a Christian. Wallenberg reminded the prime minister that the King’s “concerns transcend religion or national borders.” That concern is humanity, our lowest common denominator, our shared recognition of our capacity for suffering. That concern drove a man to acts of incredible selflessness, a generous mercy that seems to have cost him his liberty and his life. There is no romance to Raoul Wallenberg’s fate. It is worth remembering that he probably saw little romance in the actions he took in Budapest.
Now is no less an unromantic time, no less a time when others – so many different others –are easily denigrated, feared, distrusted, brutalized. Otherization, both of many within our borders and pressing against them, has returned, as has fascism, with apologists blandly elegant or brutally populist, like some inauspicious comet in our skies. Now, again, is a time for heroes – men and women who recognize how difficult and dangerous it is to do what is right. That struggle is far from those of Chamberlain’s habitual roles swashbuckling against a monolithic, universally despicable, evil. Evil is among us, habituating us, desensitizing us, gaslighting us. Far from frills and fanfare, celebration, or certainty of triumph, can we place ourselves in Wallenberg’s Budapester shoes and do what is right?
Quality content, like quality clothing, ages well. This post first appeared on the No Man blog in February 2017.
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quartzkins · 4 years ago
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anon said: “would u be ok w/ doing some ace sakusa kiyoomi icons? maybe w/ a desaturated/toned down flag but don't care too much!” + “overlays are ok but no borders pls?”
✎ Mod Mac
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kae-karo · 5 years ago
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Hi can you write 13 and 21 please sry if I ask for too much :)
for context (x - make me write things!)
oh my gosh first of all please do not feel like u have to apologize i love any opportunity to write my fave ships and this was no different also i just need to say ur icon and header are amajiki and kiri two of the best Best Boyes on the entire show i literally love them and would die for them
anyway! thank u so much and i hope u enjoy and don’t mind that i put these as two separate lil prompts
13. “Look, I know you’re a hardass, but can you play with my hair? It would really help.” - hawks - [read on ao3] - this is loosely based on the idea of hawks having bird-like qualities, specifically raptor stress grip (x) but also the idea that he likes being preened 
21. “This might sound selfish, but I don’t care about the world - I only care about you!” - villain!denki - [read on ao3] - go read this (x) first cause i feel like this suits a part 2
13 - [read on ao3]
Hawks’ grip on his arm is something unusual - not quite strong enough to be classed as painful, but strong nonetheless. Any harder and it might border on the feeling of his father dragging him around as a child, his hand so tight it threatened to snap his arm. But this falls short of that, and Dabi’s grateful.
He’d rather that anything associated with Hawks be positive, or at least not remind him of his past.
“You’re sure it’s fine?” Hawks asks for the twelfth time in the past ten minutes. Dabi huffs out a breath of laughter.
“Yes, it’s totally fine,” he reassures Hawks yet again. He’s only ever done this to Dabi once before, but it already feels strangely comforting to know that, in some way, he chose to seek out Dabi when he’d become overwhelmed.
It’s a stress thing - something to do with his quirk, Hawks told him - and Dabi wonders if he should really be appreciative of something that’s a source of unease for Hawks. Not that he knows what exactly happened, but he assumes if it were important, Hawks would’ve told him by now.
Maybe it’s selfish, but he kind of hopes Hawks continues to stay stressed out. Dabi’s not used to having him this close for however long it takes him to calm down, but he’s starting to enjoy the company.
Dabi watches patiently as Hawks’ gaze flicks around the empty room - Dabi’s room, where he’d been going through some profiles for other potential recruits before Hawks had burst in. The last time this had happened, it’d only lasted for maybe fifteen minutes, which means his time with Hawks is likely running out.
Although Hawks doesn’t look any less stressed than when he’d rushed in, not that Dabi’s complaining.
“You should, uh…” Hawks nods at Dabi’s papers. “I didn’t mean to take you away from whatever you were doing.” Dabi shakes his head.
“You didn’t interrupt, it can wait.” Dabi can wait, he could wait an eternity with Hawks clinging to him like this. Hawks’ fingers tighten on Dabi’s arm just slightly.
“No, that’s-” He shakes his head. “It’s really not helping, worrying that I’m keeping you from doing stuff.” Hawks’ voice is relatively even, but his eyes never stop wandering the room, and Dabi’s starting to wonder if this is going to last a bit longer than the first time. He crushes down the little spark in his chest that says he hopes it does.
Hawks is clearly still stressed, and Dabi shouldn’t be taking advantage of that. No matter how it makes him feel to have Hawks so close.
So he picks up a paper, the one he’d been looking at before Hawks barrelled in and plopped down beside him on his bed, and scans it superficially.
At first, it’s truly just with the intent of appeasing Hawks’ nerves and pretending he’s focused on his work instead of the warm grip of Hawks’ hands on his arm, but it soon becomes a genuine effort. He’s pretty sure he’s the only one in the League actively searching for potential new recruits, and he’ll be damned if this whole thing falls apart while Shigaraki is away. Not that he had officially dubbed Dabi his replacement, but Dabi’s pretty sure it was implied.
Besides, nobody else is really fit to take up the mantle.
So he loses himself in the various pages he’d printed - his eyes started hurting from staring too long at a computer screen - and searches with intent for the right qualities that might make another useful member of the team. Or pawn, depending on what they bring to the table.
With his eyes buried in endless pages, it takes him nearly an hour to realize Hawks’ head has slowly drifted to rest on his shoulder. In fact, it takes Hawks huffing out a breath that might be laughter for Dabi to notice this new position, and he has to reign in the sudden racing of his heart to prevent it from scaring Hawks away.
But his hands haven’t moved from their spot on Dabi’s arm, and Dabi lets his gaze drift to the tufts of hair tickling his neck.
“You really think that kid’s going to be of any use?” Hawks says, his tone light and humorous but more than obviously forced. Whatever’s going on in his head, his it’s clear that his concerns haven’t subsided. Dabi’s starting to wonder if he should be asking about what happened, why he’s so stressed all of a sudden.
“I think he has potential.” Dabi rearranges the pile of papers he’d just set this profile down on top of. “Why, you don’t?” He hadn’t said a word about what he was doing, but Hawks must live up to his name - he must have incredible observation skills to notice how Dabi has been organizing these people, to recognize which pile was for the ones he deemed useful.
“Your criteria are too superficial.” Hawks’ head shifts on Dabi’s shoulder, but he doesn’t lift it. “Powerful quirks, high-up connections, anger management issues? It’s too broad, they won’t hold together in the long run.” Now it’s Dabi’s turn to blow out a breath.
“For someone who got recruited by me, I feel like you’re not really in any position to judge,” Dabi says. He’s pretty sure his tone contained enough sarcasm to warrant a laugh, but Hawks’ hands just tighten on his arm. 
As much as he’s enjoying Hawks’ company, he’s not sure it’s healthy for him to be on edge for this long. He shifts and picks up another paper, but he’s not really reading it.
“What do you normally do?” Dabi asks, trying to keep his voice soft. He was always terrified of his father’s yelling, to the point that even hearing him talk too loudly would kick his panic up a notch. 
“What- what, for recruiting? I don’t really do that, I mean I guess I do for the agency, but not-”
“No, no,” Dabi interrupts Hawks’ rambling. He does his best not to smile at the reaction - Hawks is stressed, it’s not something he should be considering cute.
“When this happens,” Dabi gestures to his arm and Hawks’ hands clinging there, “what do you do?” Hawks exhales a breath and a soft ‘oh’.
“I don’t, um…” he trails off, and Dabi waits patiently, his silly hopes fluttering in his chest. He’s not usually one for hugs, but if Hawks is gearing up to ask for one, he might be willing to make an exception. 
“I’m not usually around anyone I can trust.” 
Now it’s Dabi’s turn to let out an equally soft ‘oh’. Hawks trusts him? Trusts him, of all people? A villain, someone who could set him on fire with a single touch? He trusts Dabi in spite of that?
“Okay…” Dabi fumbles for words in the silence, not daring to look over at where Hawks is still resting on his shoulder. He can’t tell if the air has suddenly become thicker, coating his tongue and throat and lungs and making it impossible to breathe, or if he’s just overreacting.
“Is it…normal for it to last this long?” Hawks trusts him, and he should trust that Hawks would say something if this was unusual, but it doesn’t stop his concerns from bubbling over and falling from his lips. 
Hawks stiffens and clears his throat.
“Sorry, I didn’t- I didn’t think it would, I’d stop if I could, I just-”
“No, that’s not-” Dabi sighs. “Is…is there anything I can do to help?” He’s not trying to get Hawks to leave, but it’s clear this whole thing is only continuing to stress him out. Not that Dabi has any clue what got him to this state in the first place, but if he can help him calm down, maybe he can find out.
Hawks shifts beside him, and he sucks in a breath. Dabi expects he’ll release it along with a suggestion for how Dabi can help, but he just exhales. So Dabi waits a few more seconds, then a few more after that, until it’s most definitely been too long.
“Well?” Dabi tries again. Hawks sighs, and his hands tighten on Dabi’s arm. Dabi can’t imagine how on earth trying to calm him down would somehow stress him out more, but-
“Look, I know you’re a hardass…” Dabi freezes - is that what Hawks thinks of him? Hawks takes a deep breath, and his voice barely comes out above a whisper. “But can you play with my hair? It would…really help.” 
Hawks goes still, totally and completely still, as if his own words have startled him, and Dabi stares hard at the paper in his hand. It’s all a blur of black and white, letters that don’t turn into words but mix around on the page and blend together into all shades of gray. Hawks wants…he wants Dabi to touch him? 
Just his hair, just to help him calm down, Dabi reminds himself. This isn’t anything, it doesn’t mean anything. He tamps down on the voice in the back of his head that says Hawks trusts him. That doesn’t mean anything either.
With as much care as he can manage in spite of his sudden nerves, Dabi lifts his hand to the mess of hair on his shoulder. Hawks doesn’t move, doesn’t shout out a last minute ‘wait, stop!’, doesn’t pull himself away, and Dabi lets his fingers comb gently through the wild locks. 
Hawks’ breath slows almost immediately, and Dabi wishes desperately that he could see Hawks’ face right now. Not that he needs much reassurance that this is truly helping Hawks - the grip on his arm loosens, and Hawks leans into his shoulder. A rustling sounds behind Dabi’s head, but it’s not til the expanse of a wing flops into view that he realizes Hawks must’ve let them droop to the bed. 
Dabi holds his tongue, afraid to ruin whatever’s happening, afraid to set Hawks on edge again when he clearly needs to relax, but questions buzz inside his head and demand to make an appearance.
“That’s helping?” he asks first, and his lip curls up in an admittedly self-satisfied smile when Hawks nods into the crook of Dabi’s neck. 
It’s soothing, both the repetitiveness of his hand in Hawks’ hair and the comforting warmth of Hawks leaning further and further into him, and the warmth spreads through his body and up to his brain, encasing it in a pleasant fog. He’s vaguely aware he’d wanted to ask something else, or maybe several somethings, but they’re lost behind a veil of comfort.
Before he can stop himself, Dabi leans back toward his pillow, gently pulling Hawks with him. His brain isn’t exactly capable of coherent thought right now, but he’d like to imagine it’d tell him what a great thing he’s doing, how this is definitely helping Hawks.
And he’s pretty sure he’d be right.
Hawks’s grip doesn’t release from his arm, but it’s loose enough now that he manages to comfortably curl himself against Dabi’s side, and his head lands on Dabi’s chest. 
Dabi’s eyes drift shut of their own accord, and he doesn’t even bother with the excuse to himself that he’s just resting them. He’s warm and Hawks is here and everything else is drifting into the background so what else even matters? 
“Thank you,” Hawks mumbles into his shirt, and Dabi’s chest feels like it’s exploding. But the pretty kind of explosion, like art. He feels like artwork, with Hawks pressed against him, like something far more than himself.
“Anything for you, little bird.”
———————————————
21 - [read on ao3]
“You asshole!” Denki screams, and the wooden chair creaks as he struggles against the bindings. Hitoshi dips his head.
“We need to know what you know,” Aizawa says again. Denki coughs out a bitter laugh.
“I don’t know anything, I’ve never known anything, and there’s nothing you could do to me that would matter anyway.” His words cut like ice - he’d said that once before, before all this had happened.
“I swear I don’t know anything, can you tutor me, Shinsou?” And god, Hitoshi had fallen for it. Fallen for everything Denki said.
Fallen for Denki.
“I thought we were saving Kirishima!” Denki shouts again, and Hitoshi is grateful for the soundproofed room they’re in. Aizawa has some weird resources, but he supposes they’re useful.
“We did,” Hitoshi argues.
“And then you brainwashed me.” He’s never heard Denki like this, his tone so acidic it rivals Mina’s quirk. Hitoshi’s head hurts as it tries to reconcile everything - Denki’s betrayal with his prior kindness, Hitoshi’s own promises to never do something like that to a friend with the question of whether Denki ever was a friend.
Friends don’t betray friends.
“We need information,” Aizawa butts in, straightforward as ever. “There are lives on the line.”
“There are always lives on the line, why does it suddenly matter so damn much?” Hitoshi turns away - the Denki he knows would care, at least a little. He wanted to be a hero, what the hell happened?
“Man, I swear I have to get way better with my quirk or I’ll never be a real hero!” Hitoshi had laughed at that, at the idea that Denki would be anything other than exactly who he wanted to be. Hitoshi always found himself laughing around Denki.
“Why- why does it matter?” Aizawa’s clearly losing his patience. Hitoshi inhales a few deep breaths, trying to keep himself calm. But how the hell is he supposed to be calm when his best friend turned on him? On the entire school?
How was he so easily fooled?
“Shinsou, please, keep an eye on him,” Aizawa grumbles, brushing past Hitoshi and out the door. “I need a minute.”
Hitoshi doesn’t want to turn around. He doesn’t want to see those bright yellow eyes turned hard and brutal against him. He would rather remember the way his mouth opened a little too wide when he laughed, the way he hung around Hitoshi even when he didn’t think he wanted the company, the way he could quote Shakespeare word for word then turn around and ask Hitoshi if birds could see the same colors as people.
“You’re no better than I am,” Denki hisses at Hitoshi’s back, and the words creep up Hitoshi’s spine and worm their way into his ears. He wishes he could pull them out, throw them to the ground and squish them under his feet.
“You betrayed me, and I betrayed you, so we’re even now,” Hitoshi says to the wall. Denki coughs out a laugh.
“Perfect, you can let me out of here, then.”
“Not until you tell us who you’re working for, who your contacts are.” Maybe Hitoshi’s been spending too much time with Aizawa, but his mentor is right, there are lives at stake, and Denki might have the intel that could help save them.
“I don’t know,” Denki says again, “what the hell do I have to say to get you to believe me?” 
“I did believe you,” Hitoshi says, though he wishes he hadn’t. His tongue refuses to stop now that it’s started, though, and all the damn emotions he’s been holding back come spilling from his lips.
“I believed you wanted to be a hero, I believed you wanted to help. I believed you were my friend.” He does turn around now, and he almost regrets it - Denki’s staring back, eyes wide and lips parted like he might be about to argue that point. Hitoshi wishes he would, wishes he would say something and make Hitoshi believe it.
But nothing comes out, only an aching silence that makes Hitoshi want to scream, but he doesn’t. He won’t lose himself in front of Denki, not when he’s taken everything else. No, Hitoshi can hold onto his anger. That’d been a gift from Denki, after all.
“I believed you loved classic literature and didn’t understand geometry and liked pranking the other students and wanted to control your quirk and I believed you cared.” Hitoshi’s out of breath now, but the lack of oxygen only fuels him. He lifts his voice modulator.
“I like you, Shinsou,” he says in Denki’s voice, and Denki’s eyes drop to the ground. Hitoshi lowers the modulator. “I believed it when you said that, too. And look where that got me.” His hand clenches in a fist at his side and tears prick at the back of his eyes.
“I could kill you right now,” Denki says, his voice so low that Hitoshi almost doesn’t hear him. As soon as he does, though, he wishes he hadn’t. “Electrocute you and Aizawa and find a way to get free once you’re dead.”
“Do it, then. What’s stopping you?” Hitoshi grits his teeth to keep his lip from trembling. Denki would kill them. Kill him.
“I don’t…want to.” He sounds so resigned, and Hitoshi blows out a shaky breath.
“That’s reassuring,” he says, hoping the dark humor will help dispel some of the ache in his chest. It doesn’t, but Denki laughs, a real laugh, and Hitoshi’s breath comes in a little easier this time. 
Maybe, somewhere in the depths of his imagination, he can pretend Denki’s going to break down and tell them it was all a ruse, just a clever manipulation and he’s really one of the good guys, he really is a hero. And maybe there’s absolutely no reason Hitoshi could even begin to justify that hope inside his head, but it refuses to leave him alone.
“This was never…it was never about UA, or class 1A or Aizawa or any of them,” Denki says, and Hitoshi looks up to find him staring at his shoes. “It wasn’t even about you, not at first.” Hitoshi stops himself from interrupting - information, that’s what they need. That’s what he did this for, to save people. He can still be a hero, even if he couldn’t save-
No, he won’t give up on Denki yet. He can’t, it would break something inside him to do that.
“Why, then? Why all of this?” He waves a hand in Denki’s direction. Were we not enough to change you? Was I not enough? He can’t ask that, though. He can’t even begin to consider hearing Denki say that he wasn’t.
“I had to keep myself safe, keep my family safe,” Denki says to the floor. The chair creaks as he leans forward, his hair falling to block his face. “I thought…I thought I wouldn’t care.”
Hitoshi stills at the words. Did he care, then? 
“I thought…it’d be easy to do whatever was asked of me - and no, I don’t know who it was, the whole thing was anonymous.” Denki’s staring hard at him now, but Hitoshi can’t come up with any words. “I didn’t think-” he pauses, then his gaze softens. “I wasn’t there to make friends.”
Hitoshi blows out a breath - the same thing he’d said to Denki from day one.
“Maybe you shouldn’t have.” He means it as a joke, almost. Almost, except for the gaping hole left in his chest after Denki’s betrayal. Almost, except for the memory of raucous laughter turning soft as Denki leaned closer to Hitoshi. Almost, except that Hitoshi had been willing to hand his heart over. Almost, except Denki had run away and left it broken.
“I thought I could protect you too,” Denki says, and he sounds almost as shattered as Hitoshi feels. “They said they’d keep you safe, and I believed them.” Hitoshi squeezes his eyes shut, desperately fighting back the wave of tears that threaten to overwhelm him.
It takes several moments too long, but he manages to shove them back down, and he takes a deep breath as he opens his eyes. Denki’s still staring at his feet, and Hitoshi wants nothing more than to lift his chin, to tell him things will turn out okay in the end. That he doesn’t need to worry, Hitoshi is a hero and he’ll keep Denki safe now.
But it’s Denki’s fault they’re in this mess. A real hero would see that, wouldn’t they?
“You put the entire world at risk to keep me safe?” He hopes his tone comes off angry - hell, he should’ve just switched on his modulator and flipped to Bakugou’s voice. That’d have done better than letting his own words betray how hurt he is right now.
Denki just blows out a breath of bitter laughter.
“I know this might sound selfish,” he shakes his head and lifts it just enough to catch Hitoshi’s eye, “unheroic, even, but I don’t care about the world.” Hitoshi clenches his jaw. “I only care about you, Hitoshi, I just wanted to keep you safe.” He shakes his head, leaning back in the chair. “You have no idea what’s coming.”
Hitoshi does his best to ignore everything Denki’s saying, everything that isn’t useful. Emotions aren’t useful, not right now.
“What’s coming, then? What do we need to protect ourselves from?” He takes a few steps closer, hoping it comes across as intimidating.
“I don’t know, they won’t tell me, but it’s big, Hitoshi…” He exhales a slow breath, and Hitoshi watches the line of his throat as he swallows. “I don’t know if we’ll make it.”
Hitoshi startles at the tears pooling in Denki’s eyes - he’s never been one to cry, as far as Hitoshi’s ever known, but that alone is enough to set his heart racing. Something big, something Denki’s not sure they’ll survive…
“We just gotta stick together and we’ll be fine!” Hitoshi says into his modulator, and it comes out as Denki’s voice - sure, they had just been training, it was just practice, there wasn’t a real threat like there is now, but those words had helped him then and maybe they can help Denki now.
Maybe he can still figure this out, maybe he can still bring Denki back to the right side. Maybe it’s not that Denki doesn’t care, but that he cared far too much. And maybe Hitoshi cares far too much, too.
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coffeeandcalligraphy · 5 years ago
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Hey there! :) This is for the OC Ask Game, for Harrison: could you answer questions 1-6, 14 &15? Hope you're doing well!
Oh let’s just expose Harrison *cracks knuckles*
1: List five basic facts about your OC.
He’s turning 22 (just shy of his birthday in Moth Work)
He’s gay as fuuuuuh
He’s from Brooklyn, NY
He’s an only child
If you come for his jacket, he’ll come for your life (a very basic fact)
2: Post a line of dialogue from your OC.
This is dialogue from book 3 that I still can’t get over (for context, Reeve is criticizing Harrison’s choice of Walmart as a gourmet pie shop back when Walmart used to be a big thing in my books lmaooo):
Reeve: “So your gourmet pie shop is Walmart?”
Harrison: “Why yes, actually… Do you have a problem with saving money and living better?” 
lmfaoooo
Also an iconic interaction from Moth Work:
Lonan: “You’re patronizing me.”
Harrison: “You’re patronizing yourself.” 
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3: Post a snippet from your writing that describes your OC.
So this is the first ever description of Harrison from book 1 (I had just turned thirteen when I wrote this):
There’s a faint click somewhere to my right and a soft glow soon illuminatesthe room, shattering the darkness into pieces. I shake off the fact that Ican’t see where the light is coming from, instead pointing the still loaded gunat the first thing I see, a boy who looks a bit older than me with what I makeout to be honey blond hair and the most pissed off expression on his face. 
(fun fact I really wrestled with describing the colour of Harrison’s hair at the time and probably changed “honey blonde” from “honey brown” like 5000 times, 13-year-old me had BEEF with his hair colour)
4: Post a snippet from your writing in which another OC describes your OC.
This is a very old description I scavenged to find from book 6 where Reeve vaguely describes Harrison in the first paragraph which is one way to go about it:
Beside me is wood smoke and copper, leather and strong coffee, all strung around human flesh. He moves with precision, like a player focused on a riveting chess match…
And here’s the most recent paragraph (and the last paragraph in Lonan’s POV) of Lonan describing Harrison when they meet up for the first time after brief hiatus (I haven’t shared this yet, so for context, Suzanna is Harrison’s mother):
In the kitchen, Suzanna laughs at Eliza’s joke, something vaguely about Geminis, or maybe she says alibis. He doesn’t quite hear it. He doesn’t mean to drop the rose, but it falls with a muffled thump between them, a floral border. Lonan blinks many times. He breathes many times. He counts many times. But after all the tests—the blinking, the breathing, the counting, the person at the door doesn’t change. Sunshine hair. Concerned mouth. Semi-crooked nose. Butterfly lashes. Eyes the colour of a kingfisher.
5: Describe your OC’s physical appearance.
Harrison’s the cutest guy in town, so cute he managed to convince @sarahkelsiwrites to get me to write book one! Without Harrison’s cuteness, this 8 book series/monstrosity would not exist! As I’ve said, Harrison’s a cutie and should definitely be treated as such (the downfall of Moth Work loool). He’s shorter than Lonan by just a bit tho I really can’t think of how tall my characters are because I am apparently short and can’t imagine anyone a foot taller than me, so all you need to know is he’s tall but still shorter than Lonan lol. He looks a lot like his Portuguese mother and takes on both her “semi-crooked nose, the same mouth, straight and concerned, the same markabove the eyebrow he always thought came from some sort of accident. Eventhough her eyes are brown and his are clearish and teal, it’s like he has hereyes too—soft and rimmed with lashes like butterfly wings” according to Lonan lool. He wears Lonan’s fake mom’s earring which is a pretty dangly blue gem. Though Harrison could look like anything and all he’d need to be Harrison is his leather jacket. In the book cover I designed, Lonan’s wearing it (ROOD) as he unknowingly takes it in chapter 6, but besides that one time, his jacket never comes off! He also wears his mother’s guardian angel necklace which is a newer edition, though a well-liked one as I always pictured him wearing a chain of some sorts! It’s important to note that when I was thirteen, the only way I’d describe Harrison’s eyes were as “burning turquoise” loool.
Here’s how I drew him for the book cover (though I couldn’t really get his eyes right are they burning turquoise-y enough??):
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6: Describe your OC’s love life.
Messy! Harrison’s gone through a lot as a hopeless romantic, and has been lead to much heartbreak because of it. If he loves someone, he really loves someone, and this is very much seen in his feelings toward Lonan. Since we’re spilling the tea on Harrison, here’s his relationship with Lonan throughout the books + as Nothing But Thieves songs (because we’re going THERE):
Book 2
When the boys actually meet! Lonan didn’t exist in book 1 and I think Harrison’s sanity benefitted from this but anyway
They’re coworkers (back when this book was a dystopia lmao, Harrison took an open job as a tech analyst in Lonan’s government squad which was his pride and joy and I have since of course axed it)
They don’t like each other but can’t get enough of being enemies if u know what I mean
NBT song: Last Orders 
Book 3
This “love being your enemy” thing continues even when Lonan makes his redemption arc and he’s no longer an enemy lmaoo
We get to see their actual friendship develop toward the ¾ mark of the book
“Clearly these people care about each other” kind of vibe!
NBT song: Wake Up Call
Book 4
We see a new level of closeness develop between the boys, and though we’re in Reeve’s head, she def senses some tension mwahaha
NBT song: Afterlife
Book 5
Harrison really steps in as not only a friend for Lonan in this book, but a body of support while his mental health goes through it
NBT song: Reset Me
Book 6
They’re both mad at each other for almost this entire book but this gives us more of that tension we WANT
Reeve really notices this tea develop and she be sippin it the whole book
Toward the midpoint there’s definitely explicit suggestion of their relationship (Reeve can’t fully see this as she’s mostly concerned about herself but there’s definitely an ongoing relationship in this book that’s pretty turbulent):
NBT song: You Know Me Too Well
Moth Work
This relationship sees a lot of bad times
It ain’t a healthy relationship by any means and things start falling apart! Both boys have things they have to work out, that are currently causing lots of conflict!
The TEA I have not shared yet is that I *plan* for them to split up by the end of this book (though they never were really together in this book so it’s not really a breakup lol). Harrison moves to Brooklyn with his mom and Lonan stays in Vegas with Eliza (do with that what you will!!)
NBT song: Hostage (for Harrison) and Take This Lonely Heart (for Lonan)
14: What is one of your OC’s secrets?
That he likes waffles better than he like Lonan? Scandle! Harrison had an affinity for waffles in book one. Here are receipts:
A scene from book 3 (2015) that features a lot of iconic content (Harrison’s waffle kink, Foster being prime-time soft boi, grumpy Lonan, narrated by Reeve who manages to not inject her opinion once, my classic 2015 “witty” YA dialogue):
“Ah, well… your sister [the youngest, not Reeve lol] was talking about people, and how being mean is the only way that they listen… She may or may not have had a run-in with Harrison earlier, which is why the topic was brought up…” From next to him, Ris grunts over his steaming waffles, a full mouth when he turns his face toward Lonan who’s got the same laptop in front of his face, furiously tapping at the keyboard as he concentrates. 
Harrison actually reaches over and slams the lid shut.            
“Hey asshole,” he says around his mouthful of waffle. “Put the fucking technology away, and be a little social.” Lonan’s dead silent on the receiving end, and when I look closer at him, I realize it’s because his fists are tightly clenched and a vein in his forehead’s bulging. 
“That was three full days of work that you might’ve completely ruined!” Lonan hisses, eyes wide and angry as he stares at Harrison who’s scowling around his breakfast. 
“Anyway…” Foster continues awkwardly. “Basically, helping people is sometimes–” He’s cut off as a giant waffle is smothered up to his face, Harrison holding it out tauntingly. “What the hell are you doing?” 
“You know you want the waffle… Waffles…”  
Also to the waitress while he and Reeve bond at a diner:
“Thank you.” Harrison says with a wide smile, staring at the waffles like they’re the love of his life. “Oh my fucking god.” He mumbles, and I assume that I’m not meant to here that. 
15: Your OC is given the chance to go back in time. Where do they go and what do they do?
I think there are a lot of things he’d like to change in his past, namely his relationship with his mother who he’s estranged from until the end of Moth Work. I think he would’ve liked to see her more in his teens (despite being a hard ass when she does show up in Moth Work). He’d go back to Brooklyn and like chill in a pizzeria with his mom lol. On a lighter note, I think he’d also like, join ABBA or something.
Thanks for asking!
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plusultrakincore · 4 years ago
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hewwo!! can i get some CC gif icons of Gayle from AC?? with a trans border would be nice!!! if u cant find any gifs, regular icons are great too!!! thank u ily both !!!!! - 🐝 bee 🐝
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☆ Dinner is served! ☆
❥ AWW HELLO OF COURSE!! I love Gayle she’s so cute,, Thank you for sending this, Bee!! I unfortunately could only find one good gif but I added it in; I also mixed the regular trans flag with the lovecore trans I linked in the post to be cute!! I hope you like the addition! We love you too, and hope you’re doing well!! Happy Pride, take care king 🖤
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cruddyborderlandstheories · 5 years ago
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athenas or the new ign videos... hmmm
im gonna go for the ign videos (moze gameplay and sanctuary-iii, no guns yet, i have a reason for that) because athenas hasn’t gotten its sweet instagram video yet. once that’s released i’ll do a full post on it. by the time i got around to finishing this post, they had released the video. oh boy... gonna do the gun post then the athenas post, i think. alright, off we go.
tl;dr: we read the entire end user agreement DAHL thrusts upon us for using the ECHO device, talk about some stuff like how (spoilers) it seems like Lilith will be getting her powers back at the end of the game, and a voice line Lily says that sounds like “Tyreen took my powers. it’s like Tannis said: [inaudible] Siren” (altho im not 100% sure on the [inaudible] part because 1) it sounds weird and 2) there’s a drum beat and also the devs are talking over her, the Siren part seems fairly accurate because of the way her mouth moves). so you know. im gonna be agonizing over that until i can hear what she says. ive already spent an hour just repeating it over and over. i nearly fell asleep lol
we’re gonna start with the moze gameplay (the first 14 minutes of bl3) because chronologically it’s first in both timeline and release date
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i love the license plates on the right there
also it looks like they added in claptrap’s old welcome sign from windshear waste! time to stand in front of it for 30 minutes to see if any messages pop up like bl2
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fast travel station as well, definitely going to see if/where i can teleport and going there immediately. i imagine this is more for DLC stuff and grinding tho.
also! i do believe we saw Covenant Pass previously. good to know this is actually where it is!
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Marcus saying “And Welcome to Pandora!” in the beginning confirms that, yes, they’re going to be on a bus!! i wonder if there will be a fight scene before that though. it’s interesting Clappy mentions that “those jerks who tried to murder you are the children of the vault!” so i mean... there’s gotta be... right?
im also convinced this intro is going to be a mirror of Borderlands 1. i stg if it starts out with the first few notes of Ain’t No Rest for the Wicked and then swaps songs I’m going to lose my mind
also also, the order is totally going to mimic the bl1 one. Fl4k = Mordecai, Amara = Lilith, Moze = Roland, Zane = Brick. We even have Lilith taking Angel’s spot as the mysterious voice in our heads, and probably Marcus driving, AND being dropped off at a bus stop.
bet the reason they changed it from ‘Moze as the Bot Jock’ to ‘Moze as the Gunner’ is because it fits under ‘Roland as the Soldier’ better. Also, ‘Zane Flynt as Himselfs’ would be a play off ‘Brick as Himself’. Amara as the Siren is obvious, and ‘Mordecai as the Hunter’ vs ‘Fl4k as the Beastmaster’ is pretty similar as well, given Fl4k has all those Hunter skills.
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the 4 basic emotes im guessing. im so glad we have the option to boop our friends in the face with emotes.
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also moze’s little bunny skin is adorable
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the ECHOnet used to be called “Riftspace”, “the Spline”, and... “MercTel: A Cyber-Dahl Joint” lmfao
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specifically calls out Pandora. also, “artificial megastructures”??? THAT’S SO COOL
AND FUCKING
SENTIENT MEGASTRUCTURES???? 
gearbox. please. i have never ever wanted anything more in my life. please. it’s probably my birthday. PLEASE GEARBOX
also interesting that the user agreement specifically notes ‘Respawns’. I assume this is a joke because New-U stations have been confirmed not canon
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“Core law”. Core law? Core... daddy? ... ????
core as in like a core government somewhere that’s not the border worlds? that’s interesting...
“The Legion”, okay, acknowledging TPS, that’s dope
“Project Blackrakk” ... im interested
“Thresher Company” lmao
im curious if Axton was apart of any of the mentioned ones. i don’t think it’s been stated, but i could be wrong
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“Chieftain Oort”. also ‘Recently Legless Gary’, lmfao poor dude.
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oh yeah im sure this is fine. also holy shit did they google the synonyms for ‘change’ and just start listing them? lmfao
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“implicit subscription to the Digby Vermouth ‘Dig’s Gigs’ secret concert subscription service” 
sorry, what?
if this doesn’t come up again in the future- if we don’t get a spam letter or 3 in our mailbox about this concert subscription thing i'm gonna be so disappointed
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Dahl hates you if you’re not a fan of hyper-jazz, “you snob” lmfao
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my brain hurts, they’re good at writing these 
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damn phones exist? i thought everything was ECHO. aight, that’s good to know. i guess there just aren’t any phone networks around the border worlds
also “shared dreamspaces” sound really cool
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hm. that’s no good lmfao. also i love that the buttons are ‘Agree’ and ‘OK’. there is no escape, once you agree, you can’t even leave because you’re agreeing that you’re trapped with these rules even if you cancel.
that’s fucked up, DAHL. can’t believe you treat your user base the same way you treat your employees. i guess i shouldn’t be surprised.
anyway, shoutout to literally the only TOA I’ve ever fully read in my life.
also, clicking through this TOA too fast WILL end claptrap’s voice line early. so be careful if you want to hear what he has to say!!
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oh shit lmao I gotta go edit that Fl4k post
ok im back ~time magic of being able to save things in drafts and post them at a later date~
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sliding preserves momentum, so you can actually slide (nearly) the entire way down! i love this.
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small, but claptrap bends his antennae when trying to be stealthy. i thought that was a pretty cool detail
“and some guns include an alternate shooting mode~! try it out!”
player: `immediately shoots claptrap in the face`
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i died lol
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a very nice look at this sign.
good to know that the twins really are tempting people to join with promises of food. i mean it makes sense, i imagine most of the cultists are desperate for stability and a reasonable life on pandora.
also, Shiv calls himself “holy influencer of the children of the vault” lol. i love that. gearbox really is going for the internet’s throat, isn’t it?
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i do like that hovering over an NPC will give you their name only and not name/healthbar.
a better look at one of the signs referencing the Mother!!! i was waiting for this, the only real look we got at one was in that one scene with Moze and IB
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“Behold the Mother strength surrender to the truth” 
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yeah that’s not ominous...
i assume the mother and father are intended to be tyreen and troy? but idk how i feel about that implication...
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i like the new little gear/spring effect for the magnet lol
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new lilith! i know a lot of people don’t like it, but i do. she looks better than the bl2 vers. altho i think it’s weird they swapped both bl1 and bl2′s ‘AI’ effect to those dots and then didn’t bring it to BL3. the dots effect felt cleaner. curious why they’re not applying it to bl3 when they went thru all that effort in 1 and 2.
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... back up please.
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i like that there is a changing icon for long pressing now
“time to check out our slay of the day!” sounds like Tyreen but tbh i legit thought this was moze’s reaction to opening the chest at first lol 
you can hear someone start screaming in agony while she’s walking up the stairs, so i know it’s not moze, but im so used to the VHs talking when they see a new piece of loot my brain just assumed.
also THE MUSIC IN THE BACKGROUND IS A REMIX OF BANDIT SLAUGHTER!!! IM SO HAPPY ABOUT THIS I WAS FREAKING OUT THE FIRST TIME I HEARD IT
also, claptrap when dropping health yells “this could save your life! then, you’ll owe me a life debt!” bullshit im pretty sure you already decided we owed you a life debt the moment we stepped off that bus
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“i see it... the great vault” - a line from a cultist you kill
i know i mentioned in this post that the Great Vault may be already opened, but it could also just be a Vault they’re planning on opening and using the propaganda to convince the cultists to help them find it. 
“if you help us get this vault open, you’ll be handsomely rewarded! you’ll get superpowers! you’ll get regular meals! you’ll get money and guns and dates!” you know, the usual stuff. 
either way, elevating the Vault to a higher state (god/heaven/whatever) makes sense if you’re running a cult.
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btw there is a hidden chest in the scaffolding to the left of the door, if you’re interested in grabbing some better guns before shiv. personally, i’ll be using the toy guns.
also the TVs are actually playing propaganda now!!
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this one is asking questions that i cant understand due to the sound effects of the chest and claptrap talking, but it says something about “... the dust? ... join the Children of the Vault!”
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“hey shiiiiiv all your dumb friends are dead!!”
shiv be like
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“all my friends are dead”
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some cool level-up art! I notice these are the same pictures as used on the japanese site. i wonder if they change depending on which VH you’ve picked (If you’re playing Amara/Fl4k, do you get pics of Amara and Fl4k? the player is playing moze, afterall).
also also “it’s a KIA on the knife wielding maniac. suuuper dead.” 
it’s cool that the VHs have specific lines for the deaths of bosses. i hope that continues and it’s not just a ‘15 min of intro gameplay’ thing. you know, where everything is super detailed in the beginning and then slowly gets less and less as the game progresses? anyway, moze’s little chuckle is fuckin adorable lol
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ah. the door closes now so you can’t even explore Shiv’s room before Lilith shows up. gearbox plS you know me too well, i was looking for a g l i m p s e
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claptrap’s voice line for getting released is SUPER off time, he hits the ground before going “you did it! i’m sa-ahhhhhhhh!” it’s weird, wondering if that’s just a glitch.
also also we get a nice listen to the revive ally sound. i could’ve sworn it wasn’t in the first look at this mission we got, because i heard it for the first time during the coop Zane/Amara gameplay on Promethea. i might be wrong, tho.
im very curious what these symbols are claptrap is beaming up
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i mean you know what im gonna say
they look eridian
and they do
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so wtf clappy why u beaming up eridian letters to Lilith
i assume maybe Tannis gave clappy some weird upgrade or something so he could communicate with the crimson raiders without the CoV listening in? it could be that Tannis or someone is decoding this message since Tannis does know how to translate Eridian (as shown in her bl1 ECHOs)
... or at the very least she gave Lilith a translator
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the darkening makes it so that you can see the crackening. also this COULD just be a beam that lilith can see from wherever she is, but i want to believe there’s more eridian stuff. bc eridian stuff is fun.
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this is so fu cking crisp im dying i love it
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lilith’s tattoos spreading down her fingers
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same symbol as her chest tattoo. maybe the symbol denotes new powers? like how lily has one on her chest for phasewalking, and a new one on her hand for teleportation
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i love how her wings look like actual fire. i fucking love this
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lilith is looking so fucking good in the new engine
im glad they got rid of her super red eyes, tbh it looked a bit weird
i think they are really pushing her fire affinity, im sure we’ll see Maya has an elemental affinity as well (im calling corrosive) and im sure Tyreen will too (slag). Amara looks to be Shock because that’s her ‘default’, but who knows until (if) bl4 comes out. but corrosive wings on maya would look SOOO fucking cool. please. please please please.
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god she looks so good compared to bl2. i love how the tattoos softly glow in the dark, too. i gotta play this mission late in the day...
“you’re... the voice in my head, right?” i love this so much, i really hope my shitpost comes true.
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lilith gives you a grenade mod for completing her mission! im really glad they are PUSHING through the tutorial/intro so you can get right into the game. bl2′s ‘intro’ of all these tutorials was brutal. especially waiting to unlock your action skill.
in 3 you get your action skill automatically at level 2!!! which is insane, i love it! they’re jumping right into it, it’s great. and they seem to be pushing for you to get all the stuff you need right away. 
it’s curious to note that in bl3 we get our class mods at the end of the Promethea demo (after Gigamind), since in bl2 you get your first (usually?) after the hunting the firehawk mission and both seem to take place immediately after we get to the ‘base of operations’ of the game (Sanctuary vs Sanctuary-III).
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yep that quest is 100% in line with the quest marker. 
i imagine From the Ground Up may be discovering where the Vault Map/Key actually is? maybe bringing people to the Recruitment Center (notably Tannis)
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for this scene. i hope this takes place after the HBC, because i seriously... can’t imagine the twins showing up, taking the Vault Map, bringing it to the HBC, and then NOT taking Lilith’s powers/trying to kill Lily and accidentally taking her powers. it just doesn’t make sense, Vault Hunters be damned, we are level 2 they could melt us easy peasy. 
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If anything, it feels like we COULD find the Vault Map in the Recruitment Center, Tannis tries to activate it/fix it, we find out it’s mega broke, and then the Sun Smashers show up and take it. but i seriously can’t imagine Lilith nor the new VHs allowing that to happen while they’re still there. maybe if Tannis sends us to do something while Lilith is gathering other CR members? then it could make sense if they attack while Tannis is alone with the Key...
OR
we end up finding something in Shiv’s room that shows/helps us realize the Sun Smashers bringing the Vault Map to the Calypsos. tho this would mean the quest From the Ground Up is SUPER short and I imagine it’s not. Maybe we raid a camp of theirs like the one in front of Sanc-III with the bridge/ramp? We need to be about level 6 before we go and we start From the Ground Up at 2 so there’s obviously something DEEP we’re missing here. maybe this is a mission where we go gather the other Crimson Raiders? HMMMMMMMM...
.... oh.
nevermind lmfao
she opens her ECHO immediately after this LOL i feel kinda dumb now
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raiding their camp it is! the Droughts sounds like a fun location. Very much like the dust. you guys think there’s a Shade situation going on there? i’m excited to see it. Still think we’re going to use Shiv’s room to get that lead, though. i just really wanna watch tv lmfao. i hope this means the bandits run from the camp to the HBC, or we find info that the bandit warchief sent a party to the HBC with the Vault Map. either way, i just don’t want the twins showing up until after the HBC or i will have so many questions. “why didn’t you kill lilith?” being the first. “the god queen wants her head!” ur goddamn right she does, so why doesn’t she (try to) kill lilith???
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85% already?! hot damn
also
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that’s one badass description there, Moze
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also also
while having gun slots locked is pretty normal, im surprised they’re locking class mods and relics, too! i wonder when we’ll be able to equip relics. maybe when we first go to eden-6 or smth. or maybe after we meet up with Rhys. shit maybe he’s just handing us an artifact (im gonna interchange these a lot, sorry!) in that Promethea video lmfao
“ready to chuck some boom and frag some maniacs” lol moze i love you
if you’re playing Zane... `equips grenade mod for checkmark` `immediately equips second action skill and never actually uses grenade mod`
“it’s the firehawk! the god queen wants her head!” 
like i alluded to before, i would not be surprised if Tyreen doesn’t know she can absorb Siren powers... when she goes to succ lilith in front of Sanctuary-III, it’s totally possible she actually was trying to kill her. That could explain why she looks so intrigued at her hand like “oh shit okay lets see what this can do”
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might be why she was okay with sending her cultists after her instead of showing up herself.
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“alright, we got a foothold. maybe things are turning our way. come on killer, you’re with me” we are going to explore the SHIT out of shiv’s room.
alright alright alright
let’s move on to the Sanctuary-III stuff
yessss
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i love the quest objective thing, it looks like we will be able to swap through our quests with the push of a button! also im curious why exactly we’re going to promethea right away. i wonder if the twins say something about moving there after getting the vault map/lilith’s powers, or if we hear from rhys. im expecting something about the vault map, since our vh will admit they don’t know rhys at all when talking to lorelei. but for some reason we need to be within the city limits? since lily says ellie got us within the city limits. 
hmmmmmm. okay, okay, maybe the map was trying to lead us to promethea for vault reasons during that short amount of time that we had it and it was working. maybe promethea is what we see when tannis is activating the key during that one cutscene? ohhh shit how dope would it be if we got that fucking easter egg message? omg “Children of the Vault. Come to Promethea. We are not on Pandora anymore. Tannis is not what she seems. Do not open the Vaults.” and everyone is like ‘uh did that thing just mention Tannis by name??’ and now it’s REALLY important to get the map back just so we can figure out wtf it’s trying to tell us. 
i will question how ‘Tannis is not what she seems’ would affect character relationships, especially if it’s said so early in the game. so perhaps we only hear the first part of the message. maybe it’s corrupted because it was recently broken. iunno. just playing around with ideas. the canon of this game is like flarp putty until sept. 13th
anyway moving on because this is literally the first f r a m e of the video
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i like that you can see pandora’s eridian scar. if the destroyer is speaking through eridium to people, it’s gonna bust outta the side of this planet like you wouldn’t fucking believe lmao. eridium is a window to the soul and if you stare long enough into its glossy, shining sides, the destroyer stares back
that or it’s just like a beacon, slowly spreading its influence across the universe. but i like the idea that the destroyer can waltz out of a big enough hunk of eridium. so it will bust out of pandora’s eridium scar. F in chat for pandora but also lmfao the amount of tentacles and rage would be unparalleled.
reality is that the twins are probably farming this scar for eridium to turn into slag for multiple purposes. like brainwashing their cultists, giving them powers, and ensuring their guns have their manufacturer’s quirk (im getting to this in my next post bc im just gonna compile all the ign gun videos into one big post)
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the floor art is different from the actual sanc-iii demo. i mention this first in my behind closed doors panel analysis, but im gonna mention it again because this is ~official~. the floor list on the first walkthru of sanc-iii we got had the names of all the crimson raiders and lines leading to their shops. so we had the infirmary/tannis, marcus, moxxi, etc listed on the floor. i imagine this new sanc-iii will change as we get more people on board or if we do a sort of re-decoration of the ship.
also also, it’s cool to see that we have 4 rooms on the minimap, likely one for each of the VHs (and your coop buddies). ive seen speculation that the other, non-played VHs will hang out in their rooms when you’re not playing them, and tbh i really hope this is the case.
we also know this version of sanctuary-iii is after pandora, so there are no promethea citizens aboard yet. which makes me double certain the first sanc-iii video we got takes place either after endgame (explaining why Lily has her tattoos back) or right after Athenas (explaining why Maya is there). which... i mean... spoilers, guys. 
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that’s one good lookin fast travel station, holy shit
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im in tears over here because “Caution: no steppy”. this is so fucking funny to me
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no steppy on me
okay moving on because i will cry laugh over this for forever im allowed
moze’s room is so much different than amara’s
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also i notice she’s on the left of the two on the top, which makes me hope the other 4 are reserved for the other VHs (or your coop buddy).
compared to the official sanc-iii demo video
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and amara’s room
moze’s is so barren oh my god
someone get this girl like... a colorful throw pillow or something
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baaank. also doubles as the secret stash. kinda upsetting, because that is infinitely less loot i can store when i make a lot of characters. also if i upgrade the bank once, is it upgraded across all my other characters too? or are the guns i put in storage slot 11 locked up until i buy the upgrade?
either way, i am saddened because no more mule characters. and way less space the more characters you make and more gear you find, because all gear you put in here is there across all characters. i hope this means our backpacks will be a lot bigger this time around!
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supamax mfg shows up again
ppm/04-02 matches up with the number behind the fast travel station. i wonder if this will come into play. if the number changes later in-game im going to freak the fuck out bc that means wherever we are isn’t actually sanctuary-iii
ppm/04-02. remember that 👀
also, the wall behind the golden chest changed from red to steel/greenish. can’t tell the actual color. same as the floor
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you know. that color.
“golden keys are popular. you can get some in-game and also get them online”
in-game you say??? im interested! i wonder if there will be some sort of arena (like moxxi’s) where if you complete it you get a key as a reward. i saw people speculating about some sort of randomized boss rush, that could definitely be a way to get gold keys, as well.
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oooo engine room! im excited to explore here.
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original size is 16. so, we have 40 backpack slots! still... you know... only 1 above the max of bl2, but hey. at least that’s an upgrade. as small as it may be
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on the bright side: bank upgrades increase capacity by 5. with a base of 10, and 8 upgrades, we have 50 slots to fill. which is a big leap from the original 24. it is still a shame we have to share these across characters, tho
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offline cultist stream? makes me think the CoV really was trying to steal/take over sanc-iii from the crimson raiders and we went to go take it (back?) in Taking Flight. either the CoV found/ordered Sanc-III, or the crimson raiders were building it/fixing it up, their stronghold got taken over, and the CoV were prepping it for takeover.
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the shooting range. and if you notice that little CoV symbol in the bottom left there? yeah pretty much backs up my previous theory
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all those red bits are tied to ellie’s crew challenge. so we’ll be collecting things for her!
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an altar for scooter 😢
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“we’re gonna get those cultism sumbitches, believe you me”
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where you get yeeted out of Sanc-III. im definitely going to try jumping in it to see if it kills me. doesn’t look like the drop pods are available yet
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that’s not clappy, pretty sure he’s hanging out on the bridge right now
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schematics for veronica
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the thing i was most excited about in this video!
loooots of customizations! which excites me because i know eridium used to get useless late game when you’ve grinded all the raid bosses. it looks like eridum is going to be in ultra high demand. but u can bet ur ass im gonna be unlocking all those fucking customizations asap.
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veteran rewards is also super super interesting
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hgggggg i wanna know what the shields do!!! 
i like the vault symbol at the top of the item card as well, shows you its a special type of weapon/item. im honestly surprised we’re able to buy ‘veteran rewards’ so early in the game? i mean obvi we won’t have enough eridium (look at the costs!) but it’s wild it’s even accessible. im personally a fan of the first bonus ‘anointed: gain life steal on action skill end’
looks like these guns have been chosen
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to give them those special bonuses
i do see that just anointed is not class specific, but the ones that say anointed gunner or maybe anointed siren will be (confirmed by the devs in video).
you pay with eridium, so maybe the vending machine has some way to confer the power of eridium to the guns. or some shit. iunno. it’s possible this won’t be available until the end of the game, hence veteran rewards, and is only being shown to us right now since this is a showcasing video.
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pandoran civilian. no promethea civilians today folks! i am CONVINCED that the old sanc-iii demo takes place after the end of the game. at least after athenas.
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it’s weird seeing moxxi hanging outside her bar.
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is also cool to know that the 4 slot machines are actually available. seems like npcs can play them, but we can use all 4 if we want to. which is really nice
the one on the far left is called the ‘loot boxxer’ and it gives mostly guns lol. i see they are taking jabs. good for them
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better pic of the leftmost machines
Zer0 seems to have a bounty board? not sure if this is like a physical bounty board or if they will contact you when they want something dead, but it is cool to note. this isn’t shown in video, just the devs speaking about it.
similarly hammerlock has ‘big game hunts’ where you find “rare, challenging creatures” and kill them for him
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apparently we’ll be killing something known as a manvark
this book
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i fucking recognize this book
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HAMMERLOCK NOOOOOOOOOOOOOOOOOOOO
in all seriousness tho
hammerlock probably isn’t in his room because we haven’t rescued him from eden-6 yet.
a cool thing about the crew challenges: as you progress through the game and do these challenges, sanc-iii will ‘grow and change to reflect the things you’ve accomplished’. altho another dev says “sometimes these are optional things, like challenges” 
so now im like oh shit we’re gonna change sanc-iii as we play the game. i wonder if that means we’ll be changing the hull, too. because you know. the blue paint job. we gotta go STEALTH. sneaky beaky into the calypsos fleety
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tannis doesn’t have the saurian on her table. also, interesting note, she DOES have the eridian log in the corner. meaning she must have had that before eden-6. interesting... maybe we’ll find more on Pandora.
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she is still covered in blood tho. idk i don’t have an explanation for that. don’t think i want to think of one, to be quite honest.
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oh no. (those are skulls next to all the gurneys)
“tannis plays a much bigger role in bl3 than she has in past games”. bigger than borderlands 1? that is... impressive. she’ll be running the health vending machines (which is weird bc i could’ve sworn in the promethea demo, zed was still running them... hm.)
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another angle of sanc-iii
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clappy? you good there?
the devs said they’re using him to plug a hole. i assume the calypsos shot at the ship as we’re leaving or smth.
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lily with no tattoos, who also looks significantly more pissed than her other sanc-iii demo counterpart
you know. because she got her tattoos.
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also
fucking
lilith says something right here. all i can make out is “Tyreen took my powers. it’s like tannis said. ..... [inaudible] Siren.” maybe some weird word i haven’t heard before? i swear she’s saying ‘like tannis said: a ‘m...’ Siren” but i am not 100% sure. if someone could help me out, that’d be rad.
so its sounding like lilith rushed in with explicit warning from tannis about tyreen stealing her powers, and tannis knew tyreen was some sort of Siren and warned lily, but lily didn’t listen. it could also be that lily is saying something like “im not a siren” but i can’t really hear it if she is. it sounds like she saying a word that starts with m to me. if someone could help me with this i’d owe you my life
whew. i am. fucking TIRED.
im gonna sleep for like 3 hours and then wake up and make food before the fl4k streams start.
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tortureporno · 5 years ago
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SCREAM FOR ME: A column about contemporary horror media by Laila Hill.
                   08.29.19: Remember! It's just a story.
If artistic horror bore a name, it'd be be something like Clive Barker, Mary Godwin, Eli Roth, Jordan Peele or even Peter Steele, whose tremor-inducing, Luciferian susurrations never managed to out-horror the atrocity of his personality. I could easily come up with a variety I'd christen as truly horrific – from influential figures who signified the birth of entirely new sub-genres to promising newcomers willing to stir up the overcooked brew of mediocre fright-work that's been bubbling over the rusty ovens of old, heterosexual white men for decades now.
In any case, John Die wouldn't be one of these names. In fact, John Die is a pseudonym I've never come across in the literary horror community before.
What exactly does this mean? It means there is no Wikipedia article to skim through and that Google's search function doesn't yield any results. It means John Die isn't actually that important.
So how does an unknown niche writer end up haunting the consciousness of an entire subculture?
Founded in 2012, Every Dark Desire started out as a blog where John Die would occasionally publish some of his own written short fiction, post movie and music album reviews and share invasive details of his private life ranging from romantic encounters to almost philosophical pamphlets about his intense obsessive-compulsive disorder. While most of the original content has nowadays fallen victim to a purge likely motivated by the recent peak in popularity, one entry from early 2019 still exists and marks a change for his digital presence. The post reads: “Still haven't found employment. I don't know what to do.”
One guest user – the site merely requires to enter an non-verified E-Mail address to contribute – commented: “write me somethin & I'll paypal u”.
And this where John Die suddenly started gaining traction.
I believe in the freedom of expression, but I'm also a firm advocate for nuance.
Horror is a genre I adore for its cathartic potential and its ability to discuss political, social and economical issues: It uniquely represents reality. What we end up consuming as media is merely a more concise reflection, a mirror hold up to our faces to finally view what we've been seeing all this time from another perspective – one that might lead to new knowledge and understanding. This is horror's intent, its agenda, because it's humans who make the horror. Therefore, no piece of (horror) media exists in an ethical void: It's a necessary product of the values of its time and the individuals involved.
Good horror, now, is defined by what it undermines and vanquishes; bad horror is defined by what it repeats.
Following this, John Die is bad horror.
His formula is simple: Whatever is requested, he'll write. It doesn't take a lot of creativity to imagine just what kind of clientele this offer attracts.
On its eponymous site, Every Dark Desire refrains from passing judgment over the commissions it accepts, thus stripping the author of his moral responsibility; John Die is a tool working towards the wish-fulfillment of his customers. Fittingly, the front page invokes the iconic words of the father of gore porn Herschell Gordon Lewis: “Remember! It's just a [story].”
It is until it's not.
Extreme Horror (also: Gore porn) – horror which confidently rejects a point in portraying violence for the sake of violence, usually coupled with its sexual fetishization – isn't new. It's always been there, lurking behind the planes of civilized human society, salivating at the abyss of moral depravity: We've seen it reach its peak in the mondo and exploitation films of the late 1970s. It's a quest to explore how deep the rabbit hole goes – what are the worst, the sickest, the wrongest and the most humiliating things that can be inflicted to a person? What traumatizes and hurts and dehumanizes? And in how far is that enjoyable?
To me, there's nothing groundbreaking about picking the vilest things in this world and indulgently describing them under the pretense of transgressing borders. It's not shocking or bold, because vile things are vile and it's a reasonable reaction to be appalled by them. What does it try to teach – that there's nothing such as morality? That no objective good or bad exist?
We’ve been there already; it’s the very reason why humans decide to set moral standards. It's not courageous to ignore them, it's courageous to adhere to them.
Usually, Extreme Horror and its enthusiasts remain in their own little corner full of elitist voyeurs (look how much arbitrary violence I can witness without caring! Look how much I am not offended!) but with Every Dark Desire they make a sprint for pop-cultural publicity.
Unlike its predecessors, John Die offers to individualize the violence. Names and visual references (read: photographs) are all accepted to tailor the story exactly after the commissioner's wishes.
How many jump at the opportunity to have their asshole boss eviscerated? To exact revenge on an ex after a messy breakup? To explore a sexual relationship with someone who's not available?
This represents the core issue of this particular kind of format: It's a violation of personal sovereignty.
                                                          ...
Read more: https://www.scream4me.com.au/topic/weekly/column/remember%-it’s%-just
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