#and design update dang it

[moshieee]

Ok ok

Floffis time ❤️

Sleepy

[mewnia]

my sister said to do Karol today, but I wanted to go a step further and do something a liiiiil different, so... ADULT Karol let's GOOO

[scopophobia-polaris]

first female loz director and the gerudo seem to be written fine enough? wow... there ain't no way I thought we were in the worst timeline after totk

Yeah got through the main quest with the gerudo, it wasn't painful! It wasn't even bad! Still got them outfits but for the most part it was like oh cool!

I would say a lot of that oh cool is from the fact they didn't do a lot to even fuck it up to begin with, I'm gonna be real with yall this game is NOT worth $60USD

Edit: lemme say one thing, you know when people were being like damn totk story wasn't dark or mature at all why was this compared to Majora's mask again? And then all the zeldatwt people came out and said zelda is just a kid series domt expect good writing uH

This one feels like a kid's game. That ain't to say it's terrible I would say, hell I'm not far in it if I get something crazy that's like OH FUCK I'll reblog this post and say something but uh.....game for babies I'm gonna be shocked if anyone struggles with any puzzles cuz you CAN CHEESE THEM EASY ITS 🫢🤭

EDIT EDIT: I SWEAR IM NOT EVEN TRYING TO BE A DOWNER..... @ezlo-x HAS BEEN THERE THE WHOLE TIME IVE BEEN PLAYING....THEY KNOW I HAVENT BEEN A PARTY POOPER.....

[authoramalgam]

Silly lil waitress bunnuy

[blujayonthewing]

I love that so far I've drawn kethri almost exclusively in happy little non-canon doodles where in most of them she's also being a big flirt, fuckin superb, love this for her

[drchucktingle]

have not updated the shirt store in a while and buckaroos have been asking for this design for a long dang time. now you can tell them YES THERE IS A REASON YOU LOOK SO FAMILIAR. you can get at the store now

EMBROIDERED HATS HERE

SHIRTS HERE

[lavaramen]

You know those biker jackets? with the really fancy embroidery on the back? that's what I'm going for

(however I did not account for the fact that I do not know how to design or draw😭 dang the detailing for this is torture, somebody help

UPDATE: LINEART HERE if u want to make it irl <3!

[anim-ttrpgs]

The Eureka: Investigative Urban Fantasy October 17th Beta update has launched today on itch.io for free!

Happy Halloween! We pulled out all the stops just to get the update out in time for you to prep and play it for your group’s Halloween game! The free adventure module that comes with it, “Horror Harry’s Haunted House”, takes place on Halloween after all! In it, your investigators will solve a “murder mystery” in a charmingly spooky haunted house escape room. It serves as a sort of investigation and survival training ground for you and your PCs to learn the ropes before jumping into more Call-of-Cthulhu-esque adventures where death is around every corner. (You can even get two more adventure modules over on our patreon)

Download the new rulebook here on itch.io! Even if you download it for free, just checking it out, talking about it, reblogging this post, etc. helps us out immensely. We are a diverse, largely queer team setting out to slay a dragon, we’ve already been working on this for four years, and we need all the community support we can get!

If you’re wondering what Eureka even is, watch this trailer, or read this post if you don't wanna watch a video.

If you’ve ever tried to run a murder mystery in D&D, what you really needed was Eureka.

If you’re coming from the August beta release, which I assume you are, lemme tell you that a lot has been improved. I’ll go over some of the highlights, and post the full changelog under the cut. It’s still free, but if you could throw a bit of money out way on the itchio page, even if you’ve paid before, that would be a massive, massive help. We’re actually a bit over budget even with the relative success of the Kickstarter, plus for one of us this is their primary source of income.

Trait Overhaul

There’s a few new Traits, and nearly every single existing Trait has been redone to make them better and/or more interesting. Each Trait will now have an even more significant effect on your gameplay experience.

Combat Overhaul + World's Best Grappling Rules

Combat in Eureka is now better than ever, and it was already really good - plus, now you can actually comprehend the dang rules! The previous combat rules, I admit, were a dense and confusing slog to read through, even if they worked really well once you understood them. Now, thanks to our editor, you can understand them! Instead of being split across four chapters, it’s now just two chapters. One chapter explains weapons and is mostly just for stat reference, and the other chapter is focused on telling you everything your character can do during “dangerous situations,” which are not just combat, but really just any kind of scenario where a character can get hurt. As a special highlight to the combat overhaul, Eureka now boasts the first ever set of grappling rules that are viable, realistic, and fun to employ at the table! I’m serious when I say I have never seen them done like this before, and think they offer an actual leap forward in something that TTRPGs have struggled with since early editions of D&D! I also put a lot of my own judo and other martial arts experience to work here.

Monster Overhaul

A lot of what I said about the pre-overhaul combat sections of the rulebooks were also true of the monster PC rules. They were dense, hard to reference, and disorganized. Well not anymore! All six playable monsters in Eureka have been completely rewritten using the skills I have gained as a game designer since first writing them, and, like the regular Traits, they have all been at the very least tweaked to be more interesting and have a greater effect on gameplay, and some have been changed entirely with all new subsystems! Witches brew potions now, fairies actually have stuff to do with the names they collect, and more! Plus, speaking of Traits, every monster can have more regular Traits now, to really help flesh out their personality!

CHANGE LOG 

Copy-editing Progress: Thoroughly copy-edited up to p. 302. Half-ass copy-edited up to p. 322.

WHOLE BOOK

Stuck most of the $42+ kickstarter backer submission info into the very back of the book just to get it out of our email inbox and to allow the whole team to be able to more easily see it and work with it. Going to be doing more to integrate this stuff into the actual rulebook soon. 

Changed the headings to hopefully be more legible. Please give us feedback on what you think of this change.

CHAPTER 1

Changed the limitations on how Comfort is used to restore investigator Composure. 

Fixed a typo in the investigation example of play. 

Made it so that Composure rolls for fears in the “Ridiculous” category don’t even always need to be rolled when these things are encountered. 

Moved Character Health and Status, Grievous Wounds, Healing, and Healing Example sections to Chapter 1. 

Changed Partial Incapacitation to give -2 modifiers instead of -1. 

Overhauled the rules for injuries, incapacitation, and grievous wounds completely. A ton of it is changed. 

Added codified rules for medical facilities and what to do in the case of investigator death. 

Added “The Creeps” optional rule. 

Tweak to When is the Party “Split” section regarding how long to go before jumping between groups.

Lots of new art has been added.

Tweaks to Be Prepared to Lose section.

—---------------------------------------------------

Additions to the What is Eureka For section

Changed comforting factors and exacerbating factors for Composure rolls to be +/-2 instead of +/-1 so they make a real difference.

New snoop

Changed the font of the section headings in the Ticking Clock section. Let us know what you think of these headings compared to the other headings, because we are considering changing all the headings to be like this.  

Better clarified some stuff about how Ticks work when an adventure starts at some random time of day.

—-------------------------------------

More art has been added

Made travel take more time and matter more

CHAPTER 2

Changed the CQC skill to Close Combat, as this is more clear and obvious what that means at a glance

Made lots of copy-editing progress. Many paragraphs are shorter and convey the rules more clearly. 

Changed the way the Burnout Trait works. It now causes the investigator to lose flat Composure each day rather than affecting their Composure rolls. 

Changed the Death Wish Trait to not suck.

Changed the Elementary! Trait to use Visual Calculus instead of Social Cues.

Changed Go With Your Gut Trait to not suck. 

Added that wallets and like basic clothing and stuff have a WP cost of 0

Added glasses to item list

Added rope to item list

Added hand warmers to item list

Changed Arithmomania trait to where it only gives a +1 base bonus to Paperwork, and the bonus for having a lower Ignorance of Quantity Tiers of Fear rating is more investigation points. 

Changed Femme Fatale to add a +1 Seduce bonus instead of +2. 

Totally redid the Hardy Trait. 

Added -1 modifier to I’m Okay You’re Okay Trait

Redid the Just Built Different Trait. Now it allows a character “no sell” an incoming Superficial Damage attack once per Scene, reducing the damage to 0, among a few other things. 

Added Renaissance Man Trait. 

Removed Love Me Trait. Might try to reword it another time, but it was too similar to too many other traits and wasn't very interesting. 

Completely reworked Lover Trait. 

Many new snoops have been added.

Changed the Mad Genius trait to be called Lovecraft Protagonist and changed what it does. 

Removed the investigation point cap on Man of Action Trait. Also changed the name to Ask Questions Later. 

Changed My Glasses Trait to only provide bonuses to Knowledge Skill Investigative Rolls. 

Changed Nightstalker Trait so that it provides a bonus to all Interpersonal Rolls while trespassing 

Changed None of My Business Trait to suck less.

Changed Not Finished Yet Trait to suck less.

Changed Showboater Trait to suck less.

Changed Skeptic Trait to suck less.

Smalls is now a real Trait instead of just a joke Trait. 

Removed the +1 Bonus from the Unpredictable Trait.

Changed Wicked Trait to not suck. 

Changed Wizened Trait to suck less. 

Woo-Woo Trait no-longer based on Blacked Out Skill. 

Moved “Deadly Combat, Permanent Consequences” here and changed the title to “Disabilities are Disabling”

Changed Basic Physical Therapy on the Wealth Point Item List from 3WP to 2WP. 

Added new section “People Change”

Made Blissfully Ignorant trait immune to “The Creeps.”

Made the Technically… Trait have a +2 bonus instead of +1.

Updated the Hard Boiled Trait to work with the new way that injuries and incapacitation works.

Moved the Hardened Hearts snoop to be the Wicked snoop instead. 

Changed “Empath” Trait to be “Empathetic” instead. 

Made “Did You Know…” a better and more usable Trait

Made Hard Under Pressure a better and more usable Trait.

Changed how the WP cost of an item affects the modifier for rolling for it in-adventure. The modifier is now half the WP cost rounded down. 

—--------------------------------------------------------

Gave a proper name to the Wealth modifier attached to certain homes and vehicles, it is now called the Property Modifier(PM).

Lowered the price of firearm ammunition by 1WP

Lowered the price of desktop computers by 1WP

Lowered the price of cameras by 1WP

Combined various hand tools into one entry on the item lists and moved them to Misc.

Made hotels something that is prepaid in WP similar to food budget. 

Made Large Apartment less expensive and Tiny Apartment more expensive

Moved Baseball Bat and Axe out of Weapons and into Misc. 

Changed how Food Budget works.

Removed Net Skill Limit mechanic entirely

Edit to the duration of the bonuses for Femme Fatale

Changed Ninja Trait to a +2 bonus instead of +1

—----------------------------------------------------------

Made “Sleep On It” Trait give 1D6-1 investigation points, and still give Composure.

Added “Real Capybara Hours.” Sometimes jokes are just for us.

Added animals to item lists

CHAPTER 3

Moved the section “Deadly Combat, Permanent Consequences” into chapter 2. 

More art has been added.

Moved Character Health and Status, Grievous Wounds, Healing, and Healing Example sections to Chapter 1. 

—------------------------------------------------

Changed the name of Chapter 3 to “Dangerous Situations.” We are planning to put all the combat and other dangerous stuff into one chapter called “Dangerous Situations” and merge combat, chases, etc. into one thing rather than splitting it up and having it in a bunch of different chapters.

Made it so that the Speed mechanic works with Theater of the Mind as well, and removed that other awkward mechanic with rolling Athletics for how many turns it takes for a character to cross a large distance. 

Complete restructure of the way the mechanics for movement and action are explained, as well as defining things as both Movements and Actions. 

Created a Chapter 2.5. In the future when we are ready to shift the chapter numbers, Chapter 2.5 will become the new Chapter 3 and the current Chapter 3 will become Chapter 4. Chapter 2.5 currently houses the statistics of weapons and other combat items. The plan is that a first-time reader will read the weapon statistics in Chapter 2.5 before they read the combat rules in Chapter 3, which will inform the way they understand Chapter 3. 

Changed damage value and special attributes of pepper spray. 

Made brass knuckles do 1 penetrative damage. 

Made stun guns do 2 superficial damage.

Made it so that bulletproof vests do protect against 1-damage weapons. 

Moved and rearranged like everything from chapters 3-6. 

Close range bonus for guns is now +2 instead of +1

Simplified Stopping Power rules (the actual way it works has not changed, we just rewrote it so that it gives the same mechanics in like a tenth of the word count)

Separated open-faced helmets and full-face helmets, and made it so that wearing a helmet along with body armor gives a -1 penalty to incoming attack rolls. 

“Single Load” is now called “Internal Magazines”

Shotguns at extremely close range now have similar stopping power to a rifle, but at 5-10 yards they still have their double stopping power. 

Changed how Rate of Fire works for guns. Just making it a number instead of distinct actions. 

Made it so that Quick Cycling affects basically all guns except automatics, meaning characters with high Firearms skill can now fire semi-automatic pistols at 3 bullets per Action.

Streamlined Stabilization. It is no-longer a roll and instead a penalty that worsens the more bullets are being fired at once. 

Made Bipods give +2 Contextual bonus instead of +1 to single stationary targets.

Changed Reactions and made them more broadly applicable and usable as a rule.

—--------------------------------------------------------------------------------------

Overhauled Grabs, Throws, Holds, and Escapes to make them a viable option in a lot more scenarios.

Defined “On the Ground” and made it its own section.

Made knock out blows and throws ignore Armor. Knock-out blows are still somewhat penalized by helmets.

Added A Real John Woo Film Optional Rule

More art has been added

Hastily updated the random chase obstacle tables for the new Movement/Action system.

Updated the example obstacles to be more in line with how we designed obstacles for the obstacle tables. 

Redid how Poison works. We meant to make it less convoluted but accidentally made it more granular instead. We did write it better so it will at least feel less convoluted. 

CHAPTER 4

Merged this chapter with chapter 3

CHAPTER 5

merged this chapter with chapter 3

CHAPTER 6

merged this chapter with chapter 3

CHAPTER 7

Added “Psychological Warfare” mechanic. 

—--------------------------------------------------

CHAPTER 8

The Blacked Out Skill has been changed in two major ways. First we made it more obvious that the Blacked Out Skill applies even to knowledge of the supernatural that is not necessarily true. And also rather than working the way that every other Knowledge skill works, the Blacked Out Skill now gives leads to where answers might be found rather than immediate concrete answers. 

THE GORGON IS FINISHED AND FULLY PLAYABLE!

Added that Alt. Witches have to make their supernatural ability composure rolls at +0 instead of +3. The +3 was a typo.

Started work on the complete monster overhaul.

Vampires have been completely rewritten. Most of their abilities and themes are the same, but the way the abilities work has been overhauled and improved in many cases, as well as now being formatted and structured in a sane and easily-referenceable way. 

More art has been added. 

Changed the +2 Contextual Close Combat bonus for the Werewolf Trait to a +1 Base Bonus

Wolfmen have been completely rewritten. Most of their abilities and themes are the same, but the way the abilities work has been overhauled and improved in many cases, as well as now being formatted and structured in a sane and easily-referenceable way. 

Fairytale Witch is currently being rewritten/overhauled. 

Changed Incredible Strength Mage Trait to have a +2 Close Combat bonus instead of +3.

—-----------------------------------------------------------------------

Clarified that gorgon blood does not heal gorgons.

Changed the way that monsters interact with Composure and their Tiers of Fear during the act of preying on other people. Instead of just ignoring it or having a bonus (i somehow left both of those conflicting rules in and no one told me), a relevant Composure roll is still made when a monster eats someone, but they do not lose Composure points from it even in the event of Partial Success or Failure. This keeps the narrative benefit of a Composure roll to show the monster’s emotional state, but without making hunting numerically pointless.

Finished the complete fairytale witch overhaul. 

Made the Close Combat bonus for superhuman strength be just +1 for the vast majority of instances. The only exception is wolfman forms. They get a higher Close Combat bonus because their transformations actually make them bigger and taller and this helps a lot in Close Combat.

Reduced Athletics bonus of Incredible Strength trait to +2. 

Merged the Alt. Witch with Mage, and made Mage a Misc. supernatural category instead of its own separate thing. This is going to be a really messy transition for chapter 8 so please bear with us. I am making a brief run though the chapter to clean up the biggest discrepancies this change creates, but I probably won’t get them all until the editor and I have time to actually go through and copy-edit it. 

“Mage” is now its own trait, and what were previously called “mage traits” are now called “mage powers”. Mages now have between 1 and 6 mage powers as part of their mage trait, with worse composure rolls the more powers they have. 

When they engage in their True Nature, monsters now have a chance to recoup some or all of the Composure they lost as a result of using their powers to hunt prey. 

—-----------------------------------------------------------------------------

Fully overhauled the fairy rules. Just one more monster to overhaul! Woo! 

Changed the Curse of Slumber to take effect the next time the victim falls asleep rather than knocking them out spontaneously.

Overhauled the changeling rules to go along with the overhauled fairy rules. 

Clarified something about the vampire’s In Lizard Fashion ability, they wouldnt be able to use this to stop a speeding truck.

Removed the hard limit on how many people a wolfman could eat at once, and also added rules for what happens if they shift to a smaller form with people in their stomach. Made similar tweaks for vampires. 

More art has been added 

Fully overhauled the Thing from Beyond, and that completes the full monster overhaul. All Monsters now consist of a single Trait, rather than needing a pair of Traits. 

Gave vampires’ “wearing the evening” ability a maximum distance of 50 yards and also it is a Movement now 

Made a few more adjustments to some of the monster sections to bring them up to date with the new Movement/Action mechanics. 

Adjusted all instances of poison in the monster sections to account for the new poison rules.

[darkficsyouneveraskedfor]

In Stitches 1

No tag lists. Do not send asks or DMs about updates. Review my pinned post for guidelines, masterlist, etc.

Warnings: this fic will include dark content such as dubcon/noncon, obsession, and other possible triggers. My warnings are not exhaustive, enter at your own risk.

This is a dark!fic and explicit. 18+ only. Your media consumption is your own responsibility. Warnings have been given. DO NOT PROCEED if these matters upset you.

We've all agreed that The Quiet Ones, Follow You Anywhere, Hidden Treasures and this fic (maybe more) have built the deluluverse.

Summary: You find your work hindered by your client's son.

Characters: Loki

Note: I had to do it.

As per usual, I humbly request your thoughts! Reblogs are always appreciated and welcomed, not only do I see them easier but it lets other people see my work. I will do my best to answer all I can. I’m trying to get better at keeping up so thanks everyone for staying with me <3

Your feedback will help in this and future works (and WiPs, I haven’t forgotten those!) Asking for more or putting ‘part 2?’ is not feedback.

Love you all. You are appreciated and your are worthy. Treat yourself with care. 💖

You’re not late, but you’re too dang close! You pride yourself on being at least fifteen minutes early wherever you go. Being self-employed, you make a point of always being on time. And you are but that long hand is a bit too close to the tick mark. 

It doesn’t help that Mrs. Odinson is one of your best and favourite customers. You hate to let her down. You shake off that rattly feeling as you pull up to the gate and glance at the time again. Still a couple minutes to spare. 

You buzz in with the button and wave at the camera. You’re never quite sure who’s at the other end but they always just let you through. You suspect it’s standard business and all the help know every face that comes and goes. 

You roll through and steer around towards the vehicles along the east side of the curved driveway. You’ve never seen the sleek silver car you pull in next to but you know Mrs. Odinson’s pear-coloured porshe and Mr. Odinson’s slate grey beemer. They must have company. You can’t remember if she said there was a special occasion. 

You slide into the space and grab your bag from in front of the passenger’s seat. You push open the door and gasp as the seat belt keeps you from climbing out. How forgetful! You unbuckle and untangle yourself, stepping out in your heeled oxfords and cigarette pants. 

Your reflection looks back at you from the sleek polish of the unfamiliar silver car. You smile and shut your door, locking it with a chirp from your key fob. You tuck the key ring into your blazer pocket and bounce up towards the front door. You climb the stone stairs, broad and trimmed with curled railings. You stop at the top and clang the large knocker, a raven’s head with a ring in its beak. 

A man in a dark suit answers the door. You’ve seen him before with his steely hair and sleepy eyes. He’s often the one who opens the door but he says nothing and shows you to Mrs. Odinson’s salon, as she calls it. 

As the man leaves you just outside, you peek in through the open doorway. You see your client before the standing mirror in the corner, swirling as she checks her reflection. You cough and give a gentle knock on the door frame. 

“Ah,” she spins to you with her pretty smile, “just in time, darling.” She struts over breezily, “the hem has come undone on this.” She smooths her elegant hands over her bodice, “so much for designer, eh.” 

“Oh, my,” you give her a look up and down, “shouldn’t be any trouble.” 

“Thank you, darling,” she trills and strolls back to the mirror. You follow her and pull up the stool you often use for such a fix. You have a routine between you, you know what she expects and you do it. 

You sit and open your bag. You pull out your needle and stir through your spindles to find a matching thread. As you thread the eye, she continues to preen in the mirror. 

“Something special going on?” You ask in your usual small talk. 

“Didn’t I mention? My son’s come home at last.” 

“Your son?” You look up as her curiously. 

“Oh, not Thor,” she laughs, “no, no, he’s always about, isn’t he?” She tugs on a blonde wave, trying to make is stay in place, “my other son. Loki. Finally decided to move back home. Not here, certainly, but close by. Near to his mother.” 

“Mm, that’s exciting,” you comment as you grab the hem and work around her movement. 

“Isn’t it? We’re having a little luncheon. At the tea room, I feel a public place will deter an outbursts,” she pouts at herself, “you know how family can be.” 

“Erm, sure,” you agree dulcetly as you tie off the thread, “all done.” 

She swirls, her skirt nearly hitting your face. You lean back on the stool and wiggle your nose. She admires herself. She is beautiful. Her age takes nothing away from her natural grace. You could only dream of having a similar bearing; you’re a bit too short, a bit too clumsy. 

“Mother,” a voice drawls from the hallway. You glance over as you wrap up the thread around the spindle, “we’re due to be off.” 

You don’t know that timbre. It isn’t Thor’s rumbling baritone, rather something smoother, something refined. You tuck away the thread as a slender but tall man appears in the doorway. He tugs at the cuff of his jacket as he furrows his nose. 

“Ready, just needed a touch up,” she faces him, “darling, I’ve a rack for you to take. Wouldn’t want you to make the trip just for a loose hem.” 

She points to several garment bags hung from a rack against the wall. You stand as her son’s green eyes find his mother then drift over to you. His sharp features turn imperious. 

“Must you trouble so,” she swats at him as a loose thread dangles from his cuff. 

“Wasn’t me, mother, I only just purchased the piece,” he counters, “quality, these days.” 

“Darling, come, you’ve some scissors,” she beckons you forth with a flutter of fingers. 

You reach into your bag and take the silver scissors from their sheath. You approach them with a smile as the man stares at you, eyes narrowing. He’s much unlike his brother. Much calmer. 

“May I?” You ask and Mrs. Odinson forces his arm towards you. 

He hums but offers no protest. Your fingertips brush his shirt sleeve as you roll back his jacket cuff and snip the offended thread. You feel the seam with your thumb. 

“Should do for the day,” you advise, “but it’ll come loose eventually. I could do a quick sew-off...” 

“We’re already late,” he declares and rescinds his arm. “Mother.” 

“Yes, yes, I know,” she pats his chest gently, “go on then, get yourself off. Your father and I will catch up. Oh, are you taking Thor with you?” 

“I believe he is capable of tending to himself--” 

“Yes, but... he does enjoy indulgence,” Mrs. Odinson girds. 

“He is an adult and it isn’t yet noon,” Loki reprimands, “I shall drive on my own, then.” 

“You always do as you wish, don’t you, Loki?” She rebukes playfully. 

He grumbles again and his eyes flit toward you one last time, “you might have the tailor see my brother. Perhaps she could sew his lips shut so we might have a peaceful lunch.” 

Your cheeks bulb a bit larger at his joke. You can't entirely disagree.

“Eh, don’t begin,” Mrs. Odinson giggles as she snaps shut a compact and shoves it in a clutch, “you’ve only just returned.” 

“Mm, yet it feels I never left at all,” he frowns, still watching you.  

You chalk it up to curiousity, perhaps he feels it improper to ask, you do feel it a bit much to introduce yourself without prompting. The Odinson household always holds an air of formality you can never quite riddle out. You keep a smile on your face as his cheeks dimple and he tilts his head. 

“Right then,” he straightens his posture and tugs his jacket straight, “suppose I should go and hold our reservation before they think to give it away.”   

He inhales and pivots away, striding off with long, stiff steps. You watch after him before you turn back to the room. You go to slip your scissors back into their sheath and drop them into your bag before lifting it. Mrs. Odinson holds a cape and a jacket before her. 

“Which do you think it better?” She asks as you cross to the rack to gather the waiting hangers. 

“I think the cape would be better, it is rather warm. It shouldn’t rain I think,” you proffer, “is this the hounds tooth?” You peek through the opening of one of the garment bags. 

“Yes, dear, it is so lovely and yet that dang clasp is giving me such trouble,” she sounds ready to swoon at the tragedy, “might you replace it? Perhaps a button might do instead?” 

“I’ll have a look,” you fold the bags over your arm and hike up your bag, “I’ll be off then. Hope you have a good lunch.” 

“Thank you. Don’t you work too hard, dearie,” she trills after you, “much too nice a day to be pent up.” 

You sweep off with your armful. The dresses are heavier than one might expect. You find it surprising how fabric can add up. You go downstairs and once more find that stoic man in his dark suit. He opens the door for you and you thank him brightly. 

You amble down the steps, looking around your load to keep from stepping on the treacherously low edges of the bags. You would hate to trod on one of Mrs. Odinson’s dresses. You’re so distracted with your efforts to keep from mussing up the hems that a honk has you jumping in your boots. 

You yipe as you turn to face the silver car, its bumper stopping just short of you as the headlights flash. Your lips make an O and you quickly scurry out of the way.  You dip your head down guiltily. You should’ve been paying attention. 

The car door opens on the other side as you approach your own. You peer over with a sheepish look, “I’m sorry--” 

“You should be careful. I could’ve hit you,” Loki says, more accusatory than concerned. 

You smile, “I know, I’m sorry. I was distracted--” 

“Certainly, you were,” he affirms, as if telling you exactly how the world works, “and what would I do should you be caught under my tires? Can you patch yourself up so easily as a stray cuff?” 

“No, sir, I’m sorry. Again, I wasn’t meaning to get in the way--” 

“You don’t look very sorry. Not so many people smile in the face of mortal injury.” 

Your cheeks wobble but you keep your smile. You can’t help it. When you’re happy or nervous or even confused, you just tend to smile through it. A smile makes everything a little better. 

“I’m not smiling at that--” 

“Then what are you smiling at?” He hisses harshly. 

You bat your lashes and look side to side, “you.” 

“Me?” His forehead wrinkles. “Are you being smart?” 

You shake your head and your lips twitch, “smart? No, sir, I’m only... I suppose I just smile at everyone.” 

“So you would,” he mutters and angles back to his car, “be sure to stand back then. Wouldn’t want to run over your toes.” 

He drops into the car seat and slams the door. You stand back and watch him buckle in. He takes his time, adjusting his mirror, then his long fingers tap his shifter before he cranks it into reverse. He swerves around and hug the pile of clothes.  

You don’t blame him for being agitated, you’ve had a few close calls yourself. Accidents are never fun. His adrenaline was just going and at least he cared enough to be upset. It’s a good reminder to be more aware. 

🪡

The fabric store isn’t very busy. The higher-end boutiques never are. You don’t often come to them yourself but you desperately need a yard to match Mrs. Odinson’s crushed velvet jackets. You need to replace a full panel and you can’t compromise; she’ll notice. She has a good eye. She never seems to miss. 

Time is hardly on your time. You agreed to drop off the lot the next day. She has a gala and needs that one dress in particular. You know she’ll expect the rest.  

You walk around with a swatch in hand, comparing the hue and feel. You don’t want the new material to contrast. You can’t forget the thread; you don’t have quiet that shade of magenta. 

You stand amid the velvets, flipping over the large rolls, tugging the end, rubbing the fabric between your fingers. Your advance is patient even as your inner expediency nips away at you. As you come to the end of an aisle, you stop short as you look up. There’s a shadow there, waiting. 

You stand still, waiting for them to come down that aisle. You’d hate to get in their way. But they don’t and in an instant, the shadow flickers away. You hear them retreat down the next row and you curl around, seeing no more than a leather heel before the figure disappears. 

How odd. 

The mysterious entity doesn’t distract you for long. The pinks are close, each of them seems just a shade off of what you’re looking for. You sigh and breathe out between your lip, rolling your tongue around the tip of a needle that isn’t there. A habit. 

You lug out each roll and carry them down to the front counter. You lift each up as a woman greets you from the other side. You smile and clear your throat. 

“You don’t happen to have any in the back,” you wonder, “I’m looking for something in between.” 

You show her the square of crushed velvet and she sucks her teeth, “not quite, I think. I think we’ve something close in our catalogue but it wouldn’t be at this location. The north end may have it but I can’t confirm. 

You sniff and nod, still smiling. It isn’t her fault she doesn’t have it. You remember the days you worked in a fabric shop, though it wasn’t as nice as this one. You thank her and take the rolls off the counter. 

“I’ll just put these back then. I need thread anyhow,” you announce. 

“Wonderful, you just let me know if you need anything, hon,” she beams at you. 

You nod and turn back. You take the rolls back and set them away how you found them. When you spin, you feel something shift, as if there’s a breeze in this stagnant shop. You peer around. It’s strange, it’s as if you’re being followed but you haven’t seen a single other customer in the shop. 

You tilt your head and cluck your tongue as you carry on to the racks of thread near the counter. You dive into the search for the perfect thickness and colour. It’s a much more fruitful hunt. As you pluck out the very strands you need, you hear the door. Your head pops up and you glance behind you curiously. You don’t see much of the other person as they leave the store, you never even saw them pass. 

You shrug and take the spool to the counter, “thanks again,” you say to the associate, “better get out of here before temptation gets the best of me.”

[therealcallmekd]

Kinito: Machine Model 01 (Will I update this later? We'll see..... this will be interesting....) (They'll see my potential now.)

Finally at long last, HE'S REAL!

Real world Kinito is quite something! His dedicated partner (the user) spent many many months and years helping him reach his potential, and now he can walk and talk and breathe like the rest of us!

Close ups + doodles under cut:

I'M SO DANG PROUD OF THIS DESIGN YOU GUYS DONT EVEN KNOW. He is so special to me.... funny robot lotl go brrrrrrrr

also the text on the main reference is hard to read on purpose, it's supposed to be just an artsy thing!!!! <3

[rayroseu]

"you are just as guilty" ⚔️🥀

last cough of art before the update ahkdhkshsksh AAAAAAAAAAA i dont wanna leave Briar Valley yet 😩😩😩😩 Lilia don't gatekeep all the lore,,, dang it,,,💔💔💔💔

sometimes i really do wonder what Meleanor or Dawn's last thoughts before dying..... ESPECIALLY Dawn... Bro rarely has the chances to express his individuality, he's so tragic to be with the Silver Owls sm.. 😭who suppresses all opinions as seen with their soldier garments (all of them basically have the same motifs and design) in contrast,.. Meleanor's army has differently designed mask to highlight the unique faes they are--

I have this thought that like Silver, he cries about the sins of his nation as well... 😭I think he has regrets that he made Meleanor overblot and blames himself for it 😭 (Like how Silver was the last straw to make Malleus overblot-)

I think its a common interpretation that Dawn is heroic, but I don't think of him that way KSJSKS, not because he's not a hero, but because he's a failed one. In the story, it felt like he was "just a person". He's not perfect, he's flawed.

And, I think the existence of "failed heroes" like Dawn is really intriguing in TWST,,,, because the heroic characters here are depicted as "never failing at anything". Like how RSA characters are. They never lose at anything, but ironically the character most inspired by this school (RSA) failed at "being a good hero."

I'm interpreting he failed because he couldn't make his mission come true; peace between fae and humans, in fact he might have worsened it with the passing of Meleanor 😭😭💔💔

The most tragic thing of all his life, was probably the part where he died, not because of the faes, but of his own fellow countrymen... I imagine in this image, what did he even kill Meleanor for? He couldn't make any peace between faes and humans, he couldn't save his country, we're not even sure if he did use Meleanor's magical stone to save the Human King and if he was successful with it, so if he has failed at everything he aspired to achieve, then what else is the point to all the bloodshed he has faced and committed?

In a way, his "punishment" is similar to Rollo's, celebrated by the achievement he didn't want to commit (except its the good guy this time adskjs)

(Thats why I'm sold at the idea of Dawn just giving up fighting at his death bcs theres no way if he did actually had the motivation to fight, he'd lose against fellow humans when he fought Meleanor on solo akhdkhs... unless they reveal how he died as well next update---🙏🏻✨😳/copium)

In a way, its similar to Silver's disappointment too, that he worked all his life to make Lilia proud, to make sure that faes like his Father can be understood better, only for Lilia to leave him all alone yk... 🥹

But on the other side, I don't think he failed too much... because of his losses, Silver was brought to Lilia 🥹🥹

I feel like Lilia will relate to Dawn as well,,, He said in the story that he sympathized with Dawn because he spared tamago Malleus, but I beg to differ.

I think its actually because like Dawn, Lilia is also a knight who failed at everything he aspired to commit to (he took so long to hatch the egg and he failed to protect Meleanor and keep his promise with Levan that he'll take care of his wife and son-) so at that realization, Lilia probably sees that there's no reason to hate him, they had the same fate, so why would he hate his child as well?

He's not living anymore but I think Lilia could see that Dawn probably awaited for centuries to wake his son up from sleep,,, like how Lilia desperately waited and wished that something would hatch Malleus already 😭😭💔💔

JUST... KNIGHT OF DAWN I'LL REMEMBER YOU FOREVER SKDJSK 😭😭😭😭🫂🫂🫂

[vimeddiart]

I DREW MY OC TOAST AAAAAA

The folks at XPPen sent me the XPPen Deco Pro (Gen 2):

XPPen is having its 18th anniversary, and is celebrating with sales and product promos, so it's worth checking those out.

My thoughts on the tablet (and purchase links) under the cut!

⭐ Review ⭐

First impressions: After unboxing the tablet, I thought it sleek and professional-looking, especially after setting it up with my PC.

The remote I LOVED right out of the box because I enjoy fiddling with buttons and wheels. The keys are super satisfying to press.

The pen and storage case are nicely complete, lots of spare nibs to switch out (though I mainly stuck to the default nib while drawing, the textured ones have a nice gritty feel similar to paper).

I had some troubleshooting when I started, as connecting to Bluetooth wasn't happening with either the tablet or the remote. I tested the Bluetooth connection with a different device and my phone successfully, but couldn't with my work PC. I was promptly helped by XPPen Support, and it turned out to be a Windows update messing things up, so I uninstalled it and Boom; I could connect both the tablet and remote, no problem. Up until then, I used both via cable, which was a convenient option!

The tablet: The XL model at 15 x 9 inches, with plenty of space to work (although you'll need space to put it, luckily I have a lot of desk to spare), and can connect via cable or Bluetooth. It also looks so dang pretty.

The tablet was so smooth, and the pressure (16k pressure levels) felt amazing to draw with. After fiddling around with the pen settings, I barely had to press down to get a nice flowy line.

I usually work on a screen tablet, so it took some getting used to returning to a pen tablet and looking at my PC screen again, but it came back to me quickly. It actually helped my posture, as I tend to shrimp-curl over my screen tablet while working.

As lovely as it was to work on, I feel this size may be too large for me, despite it being perfectly proportional to my PC screen. I like to draw quickly, and I noticed myself making more effort to travel over the surface of the tablet and tiring my arm out faster than usual. I needed to take more breaks and stretch often, although I could classify that as positive. That said, this tablet has a sloped resting area that helped. All my drawing tablets have been medium-sized, so I'm probably just conditioned to that surface area.

The battery lasted as long as it took to draw this piece and more! I didn't need to charge it the entire time.

The remote: I love this thing so much. It has ten shortcut keys and a wheel you can configure to your heart's desire. Five sets of key functions!!! That's fifty shortcuts!! I only configured four sets and struggle to memorise them, but it's very convenient. I have my keyboard right next to the tablet and would bang out shortcuts there, but this remote changed my life.

I've been using it for a month now, and it still hasn't needed charging!

The pen: Comfy to use, with a design I was already accustomed to, and one thing I noticed was that the nib wasn't scratching the heck out of the tablet. After all the drawing I did with it, not a single mark.

I LOVE popping the case open to retrieve or store the pen, and it's one of those physical things that I find satisfying and so rare with digital products. I thought it would be nice to have a pen stand too, but I have pet birds that will (and have) run away with my tablet pens, so a storage case is a strong solution.

Final thoughts: This is a solid tablet with the potential to become an essential tool for industry professionals and freelancers. I didn't think I could be convinced out of a screen tablet, but I was offered a super strong contender. I can confidently recommend it, plus my experience with support was a positive one that boosted my trust in the brand. Overall, I had a great time using this tablet and really appreciate the opportunity I've been given to try it out!

⭐ Purchase links ⭐

US Walmart Store

CA official store

[greenthena]

Metatron's Tie

**Update: check the reblogs. There's a clear picture that shows the tie pattern as flowers. So, there goes my theory. Whomp whomp. Easy come, easy go, as Freddie says. @archangelween @drconstellation

People, I have been trying to get a good look at the Metatron's ding dang neck tie since September to determine what those little blue symbols are. Because, like everything in the Good Omens universe, I believe it's been put there for a reason. I also believe that God has no idea what she's doing, which is why she hired Neil Gaiman to run things for a few decades.

Despite being a so-called agent of Heaven, the Metatron's costume is coded as demonic, from his dark topcoat to the black stripes on his white shirt. The item I find most fascinating, however, is his tie. And this is probably in large part because I've had so much difficulty seeing the subtle blue pattern upon it and that has made my brain itch and made me hyperfixate. As one does.

I think I may have figured out the design, and it complicates all my Metatron theories, but here we go. The Metatron's tie is black, featuring a repeated small bright blue symbol throughout. I've guessed it could be a star or a planet. A cryptic sigil or maybe something to do with the coffee (I'm not a coffee-theory person, though, for the record.) I don't know what it is (well, maybe I do now, and I promise we'll get there in time...I'm a demon of my word), but I do know that it's important.

All the angels have references to their angelic status concealed within their costumes.

Michael is the watcher. She is the one who, in Saturday Morning Funtime, delivers surveillance photos to Gabriel. To reflect this, Michael wears a gold ring featuring several small pearls that symbolize eyes. She is ever-vigilant (hyper-vigilant, ya might say), and even has a contact in Hell (Dagon) to broaden her scope of observation. The placement of the ring in the pinky is also significant. A good watcher mustn't themselves be observed, so Michael, in her role as observer must slip under the radar. This corresponds to the pinky finger being small and quite literally underhanded, as in at the bottom of the hand.

Uriel's ring is a silver star, worn on her/their index finger, the digit associated with authority. (We call it the index finger because we use it to sort and catalog, creating meaning and order.) Uriel certainly commands authority, both in their overall calm and assured demeanor, and also in their actions. It is she who physically confronts Aziraphale prior to the S1 No-pocalypse, easily inspiring fear in the Principality. As for the symbol of the star, I believe it is a reference to modern Angelography (I might have made up that word, but I think you know what I'm talking about) which usually describes Uriel as a sun, star, or the flame of the Almighty.

Sandalphon's symbology is two-fold: a thick gold pinky ring featuring a pair of circles (kind of looks like a lego brick, to be perfectly fair) and that small gold grill he wears on his front teeth. Both these items are the most elaborate pieces of angelic adornment that we see. Sandalphon's overall aesthetic is much warmer than the other angels', leaning toward caramel and tan rather than dove gray. He's a bit of an odd ball in the host of Archangels and stands out based on his wardrobe choices alone. He's also the only Archangel not to return in S2. I don't want to make too much of this, because there are many in-universe reasons why we may not see Sandalphon again. However, in Judeo-Christian scripture, Sandalphon is closely joined with...wait for it...the Metatron, with apocryphal texts describing him as Enoch's (the Metatron's pre-angelic human name) twin brother. I take this with a hefty spoon of salt, though, since Neil definitely plays loosey-goosey with these dogmas and even the scriptures themselves are a veritable soup of contradiction. (The Bible is not a static or universally canonical text, and Hebrew scriptures, outside the Tanakh are a web of activity and debate as to what is accurate. I'm not here for the arguments today; this is not my Bat Mitzvah.)

Finally, we have Gabriel, the only Archangel who doesn't wear a ring. He does, however, wear a watch. I have two thoughts about the watch. First, clocks are thematically relevant in the Good Omens universe. From the grandfather clock in the bookshop to Crowley's elaborate wristwatch (which he has in both show and book) to the opening sequence of S1, which has far too many clock faces to count. So there's that. But holding time in one's hand (or on one's wrist) is a powerful metaphor that illustrates control and higher power. To possess a clock is to command time and space which are essentially inseparable. As the Supreme Archangel, Gabriel is nearly the top-ranking being in the universe (for a time, at least...see what I did there? pathetic laughter) and his wristwatch demonstrates this point.

If you're still with me, you're doing great. Good job.

We've got to see how important the Archangels' symbology is to their characters, I think, to really understand why the sigils on the Metatron's tie matter. So, finally to the point. Dolphins. Thanks for coming to my TED Talk.

To move forward, we'll need to call upon my old friend, the Tarot deck. Cards, in general, and Tarot, in particular, play a marked role in the GO universe. The Almighty Herself addresses the viewer in the opening lines of the show, "God does not play dice with the universe; I play an ineffable game of my own devising. For everyone else, it's like playing poker in a pitch-dark room, for infinite stakes, with a Dealer who won't tell you the rules, and who smiles all the time." As God speaks, cards appear on screen, and some of those are from the Rider Waite Tarot deck. One specific card that caught my eye in this montage is "Judgement."

This card features an angel blasting a trumpet and waking the dead from their graves on the Day of Judgement. The angel on the card is not named, as such. It's usually assumed to be Raphael, as he is the angel who is prophesied to call and raise all souls on this day. However, I've found other references naming the angel as either Gabriel or the Metatron. Now, I don't want to get overly carried away here, but in the context of Good Omens, reading the Judgement card with the Metatron as the angel pictured may actually make a lot of sense, and clarify the sigils on the Metabutt's tie. The Metatron postures himself as the Voice of God--the Mouthpiece of the Almighty. Kinda like a trumpet, yes?

Now look at the flag on the angel's trumpet. That's called St. George's Cross and it's a very prevalent European Christian symbol dating back to the Middle Ages. Like many images in the Tarot, it's a heraldic emblem that has meaning outside the deck, often associated with bravery and military might. It continues to be used in military iconography into the present day. The Judgement that the angel heralds is not peaceful. It's a call to war. The righteous will be gathered to Heaven and the wicked will be destroyed--a repeat of the first Great War in which Satan and the demons were cast into Hell. In the narrative of Good Omens, this war will bring about the end of time, the end of the world, and the beginning of eternity (hope ya'll like The Sound of Music.)

Kids (human and goat, alike) I think those little blue sigils on the Metatron's tie are Saint George's Cross. (I'm so sorry this is so small and hard to see. Now you know my pain.)

In the Final Fifteen, the Metatron speaks briefly about the Second Coming, which is a reference to Saint John of Patmos' prophecies--you might know them as the Book of Revelation. Some Christians interpret Revelation as an upcoming final judgement for humanity. And it seems, based on in-universe exposition, certain characters view these prophecies in a similar light. In the reverse body-swap at the end of S1, Crowley suggests that the averted Apocalypse was not the end of the conflict. "If you ask me," he says, "Both sides are gonna' use this as breathing space before the Big One. [...] For my money, the really Big One is all of us against all of them." And with the Metatron acting as the Mouthpiece of God, that "Big One," that Day of Judgement, if you will, may well be nigh.

I think the Metatron sees himself as the angel who rings out the Final Judgement. He is the Voice of God, after all. But here is a worrying thought. How little he would need to shift perspective to view himself as the Word of God, as well. The Gospel of John opens, "In the beginning was the Word and the Word was with God and the Word was God. The Same was in the beginning with God." The Word of God is an epithet for Jesus. The same Jesus whose Second Coming the angel of judgement is meant to announce. So what if the Metatron just plans to consolidate these roles for himself: the heralding angel and the Second Coming rolled into one. He would become Judgement Incarnate, supplanting the Almighty once and for all. And for my money, that sounds just like what a demon would like to do.

***I'm updating because several readers have pointed out that it seems like I'm saying Metatron=Demon because Demon=Bad. Thank you for bringing this to my attention--it makes me a better communicator. I can see where it's coming from. It's not my intention. Consider this meta sort of an extension of my "Metatron is the Murder Hornet" meta, which I'll link with the tags if you're interested.

Just wanted to clarify that I think at its heart, Good Omens is thematically about rejecting the dichotomy of good and evil and embracing the messy gray space that is reality.

When I call Metaboob a demon, it's not because I think demons are evil, it's because I think he's the hornet in the beehive and we've seen that demons need an angelic escort (Crowley and Muriel) to access Heaven.

TL;DR Angels are not the good guys. Demons are not the bad guys. Good Omens is NOT about that at all.

[barblaz-arts]

Hey! Since you mentioned "Soul Eater" before, can I ask what you think about it? From the anime, from the manga (if you read it), the powers, the story in general, the ships, the chops, the humor, etc.

The anime was stunning! I love that it managed to translate the gothic but campy vibe the manga had. The soundtrack was insane too. I used to be so obsessed with Paper Moon and the second ED. Even the character OSTs like Kidd's theme and BlackStar's theme were really good, even if the lyrics didn't make a lot of sense.

The character designs and powers/fighting style for each character was soooo cool btw. The aesthetic for this whole show was just so good. Like. If Tim Burton and Doctor Seuss went and collaborated on an anime idk what I'm saying.

And the animation for the fight scenes were just mesmerizing. Bones(the animation studio) are just real damn good at what they do.

Seeing Maka fight with that giant scythe changed my life. At the time shounen rather than shoujo/slice of life anime were my thing. It was my first time seeing a female main protag for a shounen anime, that was probably one of the reasons I was as obsessed with the show as I was. I saw myself in maka for many reasons, i loved her a lot.

I had my gripes with the anime. Like. The ending was a lil weird with how they defeated Asura, but I did love that it had Maka also be a weapon. Also the fact that Crona was alive and well by the end is a nice bonus.

I vividly remember being obsessed with this scene in particular. I had such a huge crush on them lmao

Also not to like out my cringey 12 yo self, but I used to ship Crona/Kidd. Looking back it's so funny.

Soul/Maka is still one of my favorites anime ships ever tho. Ships that start off being besties that gradually turn romantic are just always gonna be my favorite i guess

Also just... Soul's dedication to always keep Maka safe was so dang sweet??? He'd catch a sword on the chest for her. He'd break her fall for her. He'd really do anything for her. Like damn...

As for the manga, yes I did read it! I think it ended when I was in high school? I followed the manga as it updated along with other mangas like Pandora Hearts and Reborn etc. Soul Eater was the only shounen I finished reading (Unless PH counts as shounen. I don't think it does...).

The direction it went with was so painful. Crona leaving Maka and going back to Medusa was my NaruSaku fallout istg. It sucks that things didn't end happily for Crona in the manga, but I still enjoyed the journey it put me through. As dark as it was, the chapter where Crona finally kills Medusa was kinda cathartic.

And although the manga didn't have weapon!Maka, i like the upgrade when she honed the abilities of her grigori soul. Maka riding scythe!Soul like Cardcaptor Sakura with her magic staff was so cool. And the way she had Soul's blade turn into piano keys and turned the black blood into a dress was kinda badass. I wish we get to see these in reboot FMA brotherhood style someday

The humor was great. My brothers and I still quote/reference a lot of the funny stuff from it. I just wish it wasn't one of those animes that can get so pervy to the point it's uncomfortable....

Anyways, loved it a lot. Sorry I probably could have talked about Kidd and BlackStar too and I love them, but this reply would be a lot longer than i have the energy to do lol. They're popular anyways. This show had one of the best female anime characters in Maka and it will probably always have a special place in my heart.

And the chops? Great as always

[chokingonunluckyclovers]

Au belongs to @lechenita on instagram and twitter. his design is so dang good. i was always a sucker for half and half designs and two face. this is the old design. ironically leche updated his design just as i thought about posting this. nana is just a reporter that got cuaght up in wally's plans.

[kradogsrats]

Been noodling idly on something about Aaravos's tiddies chest marking for a while, and since @raayllum just did a big update/summary of the "Aaravos's heart is in the Key" theory... I thought it might be time to put my little thinky-thoughts out there.

In short form: Aaravos's Star primal chest marking is not a natural feature of Startouch elves. It's a brand.

In long form: My initial question was "why, if we have the primordial Star symbol associated with the Celestial elves and with Aaravos himself, would he then have the primal Star symbol front-and-center on his literal body?"

None of the other primal elves have birthmarks or tattoos of the primal sources. (That we've seen. Runaan's might be on his butt or something.) "Actually, all elves are physically marked with the symbol of the primal they are connected to" would also be a very weird lore drop to have this late in the series. So why do Startouch elves have them?

Well, the answer is... they don't. This is a feature unique to Aaravos, and it's an important feature.

For give my heinous artbook page photos, they want thirty-five literal dollars for a digital copy:

What do nearly all of these designs have in common? They don't have their dang tiddies out. We only see what would become the chest mark in the far right and teeny bottom second from the right designs on the second page. Note that in these designs, its nature as a hole or source of corruption is much more obvious—in the far right design, it's even spreading cracks or veins across his body in the same way that dark magic affects humans. (Thank god they didn't go with that single horn, though. The fanfics would have been obscene.) Either way, Aaravos's chest being constantly, readily visible wasn't a design factor until some point where it was determined that it needed to be, because of what would be there.

Furthermore, I'm convinced that Aaravos's design and the use of the Star primal symbol on his chest informed the design of the symbol itself:

Look how much basically none of the unused ones resemble the final design. The one they chose is a total outlier from the direction all the other designs take, but it's also the one that works really well as part of Aaravos. It's the only symmetrical design, and it's simple and solid where the others are busy in a way that would interact poorly with Aaravos's already star-studded skin. (I did a broader analysis of the primal source symbol designs a while back, if you want more.

So Aaravos and the Star primal symbol were designed in a symbiotic way, knowing that it would be a prominent feature for him. Let's take a look at it, then.

In every official appearance of the Star primal symbol, from Rayla's drawing of them to Claudia's spellbook, from the cover of Tales of Xadia to the Mystery of Aaravos titling... the Star primal symbol is in the opposite orientation from the one on Aaravos's chest.

Except in two specific instances: the book page with the Midnight Star poem, and the Key as held by the Orphan Queen in the flashback sequence:

Both of which are referencing Aaravos specifically, and in a specific way—as the one who gifted dark magic to Elarion, and as a deceiving manipulator.

But it's pretty clear that Aaravos's chest star is upside-down. Falling, you might even say. It has also always been that way: we see both in the s1e1 intro shot of the elves preparing to cast the humans out of Xadia and in the much more recent s4e3 flashback sequences that it has the same orientation even before he's imprisoned. It's also there (and I'm 90% sure in the same orientation) in the s6e1 photo leaks (spoilers).

This key element of Aaravos's design is a) not a natural feature, b) very specifically oriented, and c) has been with him as far back as we have thus far seen, to what we are generally assuming for the moment was his "fall."

So, in combination with the "something (literal heart or no) was removed from Aaravos when he "fell" and may be connected with the Key" theory: either in conjunction with or as part of that process, Aaravos was branded, on his body for all to see, with the mark of a fallen star. Then he absolutely owns it with his tits-out outfit, presumably out of sheer fabulous spite, and no one around him actually knows what it means—that he's a punished exile, a piece of himself or his power stolen and/or corrupted.