#and deciding to not put in any effort

[glassphinix]

dont ask how or why snapchat would exist in hyrule

bonus:

[so-sick-of-17]

Okay so I just reblogged that Isabella post and that made me think of the Isabella’s I know and I remembered my kindergarten best friend and this one girl I was friends with in second grade(although I think she might have been Isabelle) and I felt like I was missing someone for a second and then accepted that I wasn’t and that was all. I legit forgot about the existence of my ex best friend named Isabella who ghosted me for months before text dumping me and ending 8 years of friendship. This happened 4 months ago and caused my self esteem to drop and made me feel like complete shit and is part of the reason my depression got so bad. She made me feel miserable for months and hurt me very badly and I forgot about her existence. Oh my god that is a wonderful feeling! I’m playing I Forgot That You Existed by Taylor Swift to celebrate. She hates Taylor Swift too so that is especially awesome. Fuck You Izzy! Yes!

[artifeast]

sillay doodle cuz i was suddenly hit with "if i don't draw my blorbos in the next 5 minutes i will start biting people"

[lightkrets312]

to the people who write summaries and wikis with thorough breakdowns of all the lore and media for a series that breaks it up into 20 different formats: you are doing fantastic work, may it remain intact and accessible well into the future, I owe you my life

to the people that decide splitting your series into 20 different media formats with critical lore in most/all of them is a good idea:

ARCHIVE YOUR SHIT IMMEDIATELY, WHAT THE FUCK ARE YOU DOING.

[jacrollart]

JJK PKMN AU

Did they find the water type or did the water type found them?

[miscgallery]

[Day 4: AU] a close call!

(bonus doodles and context under cut)

peaky are sort-of "robin hood" characters who are rich themselves, but don secret identities to target corrupt politicians, government officials, and billionaires when the law fails to punish them. most of what they do is dig up dirt on their chosen target and bring it to light for the general public.

one of their targets had invited esora (current ceo of the shimizu group) to a mansion party. they decided that this would be a good opportunity to gather more intel and do a little snooping around the mansion.

esora attends the party proper with yuka as her "bodyguard". things are going well until the power goes out and a gun is shot. the room immediately dissolves into a panic, and yuka scoops esora up before making an emergency exit through one of the massive windows. kyoko and shinobu throw out a rope ladder and yuka grabs it at the last second before they make their escape.

[black-queen-rising]

The people taking this dialogue as a legitimate “character flaw” or literally just at face value at all and not as a continuation of the blatant disrespect the writers have not just towards Rhaenyra as the heir of twenty years, but towards anything that could even vaguely be construed as “women’s work”, is the most perfect encapsulation of just how entrenched misogyny is into the very heart of our pop culture and how the popularization of fantasy has managed to worsen our societal view of soft power by painting it as not only weak, but frivolously feminine, unimportant, and a waste of time.

Since the beginning of the show the writers have almost exclusively portrayed Rhaenyra as disinterested if not opposed to her role as heir, as a politician, and a woman in power broadly all against the original canon and all glaringly, not to make her look worse or better or likable or incompetent (they do all those things, almost every episode, with however they need her to affect the plot in that given moment because they’re incapable of having the characters drive it organically) because it’s not truly about her at all. It’s simply because they cannot fathom a story where a woman is politically adept and as a result either 1. evil or 2. boring, and that is fundamentally because once again they are so biased and against portraying anything that could even vaguely be construed as women’s work or at all “feminine-coded” in an even neutral-but-interesting way they do for (stereotypically) masculine-coded activities like sword fighting, horse back riding, dragon riding, hunting, archery, not to mention just the concept of the political conversations that drive these stories, let alone an actually positive way.

They have taken a story that at its core was always an indictment of structural misogyny and how it will literally cause societies to tear themselves apart over nothing. But because they decided at the outset they wouldn’t and couldn’t portray the structural part of said misogyny without scaring away their intended audience, and decided instead to base this all around ultimately meaningless ~team discourse~ (because literally everyone meeting their downfall as a result of the consequences of systemic misogyny is the point) their alternate path has been to over-exaggerate and ultimately turn to spectacle every single woman involved’s individual suffering at the expense of everything else about their characters. It doesn’t matter if that was the intent or not the principle result of this adaptation has been the continual disempowerment and degradation of women and their agency combined with an almost impressively voyeuristic portrayal of their suffering.

The women in this show are not allowed to have interests or hobbies unless it’s to serve to make them seem “bad” in someway, whether that be the discomfort around Helaena’s bugs, the total lack of any positive representation of Alicent’s religiosity, or how the women dragon riders are broadly painted as aggressive, violent, and unnatural. I don’t even have specific examples to list from the other “team” because in order to be portrayed as “likable” to the general audience the women of Team Black are barely allowed to have personalities, let alone distinguishing interests or characterizing hobbies. The agency and autonomy they have been stripped of, collectively, from both historical precedent and actual ASoIaF, is almost entirely in their refusal to allow women’s work to be portrayed positively. There are no balls, no sewing circles, no garden parties, no trappings of power and contests of will in the jewels and gowns Rhaenyra must now loathe to be (their deeply narrow and biased view of) “likable”, there are no female mentorships, and no female friendships, and at every chance they have had to portray these things at both a societal and personal level they have chosen to veer away and instead reinforce their suffering. They have removed women’s avenues and halls of power from this story, while making it very clear there are no others that exist in this world, and they cannot participate in the men’s; if they could this story wouldn’t exist. So we are left with a group of people who are supposedly driving this story, who this story is supposedly about, but they are internally and externally isolated, largely removed from the public eye, angry or distressed to be there on the rare occasions they’re present, disempowered, stripped of personal agency and will, and we’re still told they have power. But if we search for it the only logical conclusion is that any power which does not center on how much suffering they have been through, or how much more they may be dealt, is not only gone, it was never there in the first place.

I don’t enjoy Rhaenyra’s quasi domestic abuse any more than Alicent’s visceral sexual shame and I don’t enjoy the infantilization of Helaena’s character any more than the erasure of Rhaena’s and it is deeply concerning how many people look at these decisions, and nod their heads and say “yes, this is realistic, and not only is it realistic it’s, GOOD, because without horrific psychological and physical abuse and ultimately a complete reduction to every female character as peace loving victims of powerful men’s cruel machinations we could never even SEE how misogyny is so damaging.” And the mindset that drives people to claim that those of us who call out how this is, the definition of benevolent misogyny and say we’re crazy, that we can’t see the complexity, that actually we’re the ones somehow falling back into sexist tropes, or asking for a black and white story when instead the black and white has simply become an insultingly reductive view of evil men versus helpless women and when all else fails, accusing us of wanting a boring story because it’s either not focused on gratuitous individual female suffering, or is focused on the kind of political power every single featured female character on both sides of this conflict wielded in the original book instead of evil man conversations and eviler man dragon-battles, is at its heart why we have come to a place in pop culture where one of its most marquee properties displays and embodies these problems so glaringly in the fucking first place.

[lover-of-mine]

The thing I find fascinating is that the show runners are fully capable of writing engaging couples. Henren, Bathena & Madney – their relationships are beautiful. And then we have Buck and Eddie with their respective LIs. It’s almost as if they want the relationships to fail.

This season, they had every chance to set up Tommy as a suitable LI for Buck. But they didn’t? They didn’t even have to show a grand love confession or the likes, but at least some small gestures. Them holding hands in the hospital, Tommy dressing up for the bachelor party, being a little more sensitive when they ran into Eddie during that first date… Just a few simple things that would have made all the difference.

I feel like most of the love for Tommy comes from headcanons the fandom accepted as universal truths, while there isn’t much in canon to support it.

This isn’t meant to be hate on the character (though it probably will be taken that way by certain people), it’s just that I don’t think he is a good fit for Buck. He’s guarded and deflects with a dry sense of humor, when Buck needs a person to be vulnerable with. You know, someone who is so soft and sickeningly sweet with him. So far, I didn’t get much of the sorts from Tommy. But then again, we didn’t get to see a whole lot of the relationship actually playing out on screen, so who knows.

And the other thing that started to bother me is about the daddy issue thing. There is nothing wrong with showing (or alluding to) a couple having an active/kinky sex life. In general, I’m all in favor of it.

But looking back at season one, Buck used sex as an unhealthy coping mechanism to feel a connection to people. And he doesn’t have the best relationship with sex to begin with (Remember 7x05 and the talk with Eddie, where it hadn’t occurred to either of them that saying no is an option? Doesn’t sound healthy to me.) If they wanted to set Tommy apart, they should have put all their efforts into building an emotional connection between the two. I’m not saying that sex can’t be a part of it - not even that it can’t be kinky - but that the show should have put much more emphasis on the emotional aspect of it rather than the physical attraction.

Maybe it’s just wonky writing due to a shortened season but the relationship between the two isn’t half as good as it could have been.

No, but I made a post about this during the s6-7 hiatus, because it's not like the show doesn't know how to establish a love interest, bathena and madney work because all of them exist individually and Henren was introduced to us in a way where we would side with Karen, so even tho Karen only exists to be Hen's wife we care about her in a deeper way because Karen has never done anything wrong in her life. With Buck and Eddie all of the love interests are presented to us with something wrong with them. Shannon never had a fighting chance because she left and Eddie himself was never sure about her, Eddie was dating Ana and Marisol because he thought he had to, and I'm not even gonna go there with Kim. Abby breaks every possible protocol to call Buck, and she's never in it in the same way Buck is, Taylor tries to take advantage of Bobby's addiction for her personal gain and continues to take advantage of him to get ahead, Ali is never there, Natalia is too interested in Buck's death and Tommy is callous. There's a weird metaphor in there, but the basketball scene, the way Buck hits Tommy and ricochets back and Tommy doesn't even flinch. Buck needs someone who will bend. But the show didn't even try to establish an emotional connection between the two of them, everything comes back to the physical and with a character like Buck, who was shown using sex as a bad coping mechanism, to constantly make it seem like this new relationship isn't going beyond the sex is concerning. There were better ways to imply they are having sex. Even more considering the way the show had the opportunity to make it seem like they are building some sort of emotional connection and just chose not to. Every scene we had with the 2 of them could be rewritten adding the idea that they actually care about each other beyond the attraction, and that's a choice. To go the route they went is a choice. I'm still not over the way they had Tommy not dressing up and then Eddie suggesting matching outfits in the next scene. Like, it was that easy because they showed Eddie doing it. And I don't wanna compare, but with the constant triangle formation and the way they were showing Eddie as the person who understands Buck and Tommy as the dude Buck is fucking, we have nothing happening in our screen that makes it seem like Tommy is even a little fond of Buck and all I can think about is Buck standing in front of a hot air balloon with a huge bouquet of flowers for a woman who referred to him as a boytoy. Buck deserves someone who's gone for him and none of his canon love interests gave me that impression. And they make a very explicit choice to not make that implication. They could've been something, but right now they aren't. If you just watch the show you don't know why they are dating. They are just there. And coming from a show that wrote bathena, madney, and henren, and the way that Tommy being a firefighter gives him a fighting chance because it's real easy to make him exist outside of Buck, it's on purpose.

[thelingering]

*exasperated sigh lol* changeeeeee is hardddddd

[raywhite28]

i was rrlly brored and didnt want tot go to bed so i drew this

[gayfour]

Spocktober day 5

Today I asked my mum what to draw and this is the result.. Spock unicorn

[bonebrokebuddy]

Oh my god they’re finally almost done! The Superboy ones took me somehow nearly 5 hours. Curves are the fucking worst when trying tocut cardboard neatly. My exactoknife is getting dull super fast from this unfortunately so I’ll likely have to go out and get replacements tomorrow.

I think they look super nice and I’m very happy with how they turned out! Just waiting on the glue for the SB logos to dry so I can attach them to the shortbox!

Only 5 more to go!

[mantisgodsart]

so very small Worm (Wildbow), Bug Fables Graphic Depictions Of Violence, Skitter | Weaver | Taylor Hebert, Post-GM, Transmigration, Spiders, Bugs & Insects, Canon-Typical Violence

Taylor Hebert wakes up in the middle of a grassy field with an aching head, a massive blank in her memory, and approximately four more limbs than she remembers having. Approximately, of course, because one of her original four limbs appeared to be gone, and she wasn't sure how to qualify an entire abdomen suddenly spawning off of her backside. Something ingrained deeply into her skull told her she should be blaming someone, but she couldn't quite remember who.

Author's Note: Bugtober, Day 19 - Mimic. We think that Taylor would be a mimic spider if we swapped her over to BF. We have no major justification for this, but we are open to suggestions if anyone has a better idea, seeing as it's been nearly three years (we think) since we've read Worm and there are likely people on this website who are not operating on three years of character drift.

[haughttopics]

finally watched happiest season and i totally understand why people hated the ending.

except for Jane. she deserves the world.

[cator99]

First attempt at doing something like whatever the fuck this is

[seaofreverie]

Sparkstember Day 12: In Outer Space (Cool Places)

Oh boy, it's finally here!! Having been a Sparks fan for nearly a year by that point, I finally got to an album I just straight up don't like! I honestly forgot by then that this was even a possibility. But a world where I can enjoy everything in such a vast catalogue of a favourite band of mine would be too perfect. It would be pretty strange and unsettling even. Not to always make it about my other favourite band whenever I'm talking about the first, but with TMBG also I eventually got to that one studio album release that I just couldn't bring myself to like, no matter what. So I think I discovered a bit of a personal repeating pattern here.

Alright then. My verdict on this album, which already got a pretty mixed response from fans as far as I know, is that it's not very good, or at the very least, it's not for me. Even the songs I like here I mostly like in the sense of, well, this one I could listen to again outside of the album every once in a while, but they're nowhere near being an actual favourite (besides one song, or two, mayyyybe four if I'm feeling particularly generous).

So I think that my main problem here comes down to how the arrangements / instrumentals seem rather empty to me but not in a cool minimalistic way. And, dare I say, they're pretty damn uninteresting - very few elements of suprise or anticipation to be found here. This is the only Sparks album that just... doesn't feel Sparks to me. (And that's coming right after Angst, which might really just be one of the most Sparks-like of Sparks albums in a way). Something is TERRIBLY missing here and a couple catchy melodies and fun synth lines aren't enough to make up for that. It drags on quite a bit and is underwhelming to listen to as a whole. With only a couple moments of change and something more interesting and engaging. It's this sort of situation where I feel like the whole time I'm waiting for some kind of resolution that never happens ultimately. First instance of me putting on a new Sparks album and forcing myself to sit through the whole thing. And last one I hope! (and expect...? well, better not jinx it)

Ok, having said all that... This will be a historical event because I can't finish this post before I have my obligatory listen to the album of the day on its day. So, time for some real time documentation of my changing opinion, or lack thereof. Time to hear IOS in it's entirety for the first time since april!

...Ok, I'm glad that I didn't say all this in vain at least, LOL! Because I'm still underwhelmed! No major change here. Definitely still not something I'm going to return to more often than very occasionally and the "waiting for nothing" effect was very present and real once again. And it just dawned on be, but do most of these songs not have a bridge?? Maybe that could be part of why it all feels pretty predictable! But alright, as per tradition, let's look at some highlights anyway.

Favourite songs (and other highlights):

Cool Places: never felt in any strong way about it but repeated listens made it an enjoyable little ditty over time, lol. One of my first impressions here was how LOW Russell's voice is, this must be the lowest he's ever sung, right?? And oh, quick shoutout to the 21×21 version of it too

All You Ever Think About Is Sex: ok, this one's really cool and exactly what convinced me that the rest of the album would be enjoyable in the same way. Not for me unfortunately!!

Please, Baby, Please: my definitive fav here that I like a whole lot and that for whatever reason doesn't seem to have any of this album's problems that I described earlier. And I'll always be partial towards songs that I can interpret as being aspec-coded, thanks to my predisposition to do that as often as possible

I Wish I Looked A Little Better: very similar case to All You Ever Think About Is Sex

Dance Godammit: it's funny. It's fun to listen to sometimes