#and by the way yes i am talking to you

[anneapocalypse]

So, just curious how many writers and creators will have to be forcibly outed by relentless harassment before we acknowledge that "This queer characters was written by a cishet person and that's why they're bad" is not good criticism.

[poorly-drawn-mdzs]

Reasons to play In Stars and Time: Canon Pronoun Warfare.

[markscherz]

You are everything I aspire to be

If parenting has taught me anything, it is the importance of getting down on your hands and knees and teaching not just facts, but love and enthusiasm for the natural world.

This is my son Q and me. I have dozens of photos like this by now, even though he is just two years old.

Every chance I get, I will kneel down with him and show him the little creatures all around us. Especially when they are frogs. He loves frogs for some reason. No idea why.

It is important that we all see this together. It is beautiful. It is magnificent. We are here. It is improbable to the highest degree. It is fleeting, but it is everything we get. And we can get so, so much of it. If we just get our faces into it and really absorb it.

So that's what l'm trying to do here, I guess. Get all of you to join me in the reeds. And I am so happy to have so many of you along for the journey.

[sciderman]

avenging spider-man #13

[astersofthesky]

Is it just me or does "ghost" L looks more soft and serene and pretty in this or it's just Light romanticizing the heck out of L in his imagination.

This scene happened 10 days after L's burial, meaning they stayed there for 10 days straight. What if the reason he asked the task force and Misa to live in an apartment because during those 10 days, he kept seeing L's "ghost" wandering in the headquarters.

Literally like this, he'd see L sitting in on his chair. He'd see L on the bedroom they shared with. He'd see sugar cubes stacked on each other and sees L putting another piece in it's tower.

Probably explains the dead eyes, those soulless, empty eyes. He is being haunted, not because of guilt, but because he actually misses L's presence (but he's too prideful to admit it) so this feeling of missing him reflects on his eyes. Light looked like a walking dead man in here.

What's even crazy is that Light blatantly mourns for L that even Ryuk notices.

Just look at his face. It was as if he's fed up at Light for just moping for days now. The way he asked, "Is your score finally settled with L?" appears he's hinting that "Are you done being depressed over your dead rival? Cause I'm starting to get bored af."

Which works in Light's favor because he now atleast a more concrete reason to dedicate himself to judging criminals because if he doesn't, Ryuk can just kill him. And he won't have his work thrown out the window just because he keeps on seeing L's ghost and feeling depressed at the sudden emptiness in his life.

Light, you are such a loser / pos

[nuge]

from being the youngest captain of the nhl to losing after being down 0-3 and forcing game 7. i don't care what you say. this is his team

connor mcdavid | EDM @ FLA | 06.24.2024

[alexandraisyes]

The cutest reminder ever that the way family works in TSAMS canon is that two parties have to be in mutual agreement that they are family. If one party doesn't agree then they aren't family. Parties can revoke familial ties whenever they want and that means they are no longer family.

"Code Relation" theory is stupid because you're then implying that Eclipse is Sun and Moon's child. Which he isn't. Or that Killcode is somehow Moon's child and his brother at the same time that he's Eclipse, Lunar and Bloodmoon's "father" at the same time that they're Sun and Moon's grand children. Like, we're seeing the issue here, right?

Don't make things more complicated than it has to be. Just accept the fact that family is literally determined by a verbal agreement between two animatronics and nothing else because none of them were born from wombs. That means respecting canon when characters in canon decide that they aren't comfortable being family (like Eclipse) or just straight-up disown everyone (like Bloodmoon). It's okay to have headcanons, but don't try to push them onto canon.

[carpe-mamilia]

Ghosts’ Larry Rickard Explains Why They Chose the Captain’s First Name

Photo: Monumental,Guido Mandozzi

It couldn’t be a joke. That was one rule laid down by the Ghosts creators when it came to choosing a first name for Willbond’s character. Until series five, the WWII ghost had been known only as The Captain – a mystery seized upon by fans of the show.

“It was the question we got asked more than anything. His name,” actor and writer Larry Rickard tells Den of Geek. “Once we got to series three, you could see that we were deliberately cutting away and deliberately avoiding it. We were fuelling the fire because we knew at some point we’d tell them.”

In “Carpe Diem”, the episode written by Rickard and Ben Willbond that finally reveals The Captain’s death story, they did tell us. After years of guessing, clue-spotting and debate, Ghosts revealed that The Captain’s first name is James. At the same time, we also learned that James’ colleague Lieutenant Havers’ first name was Anthony.

The ordinariness of those two names, says Rickard, is the point.

“The only thing we were really clear about is that we didn’t want one of those names that only exists in tellyland. It shouldn’t be ‘Cormoran’ or ‘Endeavour’. They should just be some men’s names and they’re important to them. The point was that they were everyday.”

Choosing first names for The Captain and Havers was a long process not unlike naming a baby, Rickard agrees. “It almost comes down to looking at the faces of the characters and saying, what’s right?”

“We talked for ages. For a long time I kept thinking ‘Duncan and James’, and then I was like ah no! That would have turned it into a gag and been awful!” Inescapably in the minds of a certain generation, Duncan James is a member of noughties boyband Blue. “Maybe with Anthony I was thinking of Anthony Costa!” Rickard says in mock horror, referencing another member of the band.

Lieutenant Havers wasn’t just The Captain’s second in command while stationed at Button House; he was also the man James loved. Because homosexuality was criminalised in England during James’ lifetime, he was forced to hide his feelings for Anthony from society, and to some extent even from himself.

In “Carpe Diem”, the ghosts (mistakenly) prepare for the last day of their afterlives, prompting The Captain to finally tell his story. Though not explicit about his sexual identity, the others understand and accept what he tells them – and led by Lady Button, all agree that he’s a brave man.

Getting the balance right of what The Captain does and doesn’t say was key to the episode. “It wasn’t just a personal choice of his to go ‘I’m going to remain in the closet’,” explains Rickard. “There wasn’t an option there to explore the things that either of them felt. That couldn’t be done back then – there are so many stories which have come out since the War about the dangers of doing that.

“We wanted to tell his personal story but also try to ensure that there was a level at which you understood why they couldn’t be open, that even in this moment where he’s finally telling the other ghosts his story, he never comes out and says it overtly because that would be too much for him as a character from that time.

“He says enough for them to know, and enough for him to feel unburdened but it’s in the fact that they’re using their first names which militarily they would never have done, and in the literal passing of the baton”.

The baton is a bonus reveal when fans learned that The Captain’s military stick wasn’t a memento of his career, but of Havers. As James suffers a fatal heart attack during a VE day celebration at Button House, Anthony rushes to his side and the stick passes from one to the other as they share a moment of tragic understanding.

“From really early on, we had the idea that anything you’re holding [when you die] stays with you. So it wasn’t just your clothes you were wearing, we had the stuff with Thomas’ letter reappearing in his pocket and so on. And the assumption being that it was something The Captain couldn’t put down, it felt so nice to be able to say it was something he didn’t want to put down.”

Rickard lists “Carpe Diem”, co-written with Ben Willbond, among his series five highlights. He’s pleased with the end result, praises Willbond’s performance, and loved being on set to see Button House dressed for the 1940s. He’s particularly pleased that a checklist of moments they wanted to land with the audience all managed to be included. “Normally something’s fallen by the wayside just because of the way TV’s made, it’s always imperfect or it’s slightly rushed, but it feels like it’s all there.”

Rickard and Willbond also knew by this point in the show’s lifetime, that they could trust Ghosts fans to pick up on small details. “Nothing is missed,” he says. “Early on, you’re always thinking, is that going to get across? But once we got to series five, there are little tiny things within corners of shots and you know that’s going to be spotted. Particularly in that very short exchange between Havers and the Captain. We worried less about the minutiae of it because you go, that’s going to be rewound and rewatched, nothing will be missed.”

The team were also grateful they’d resisted the temptation to tell The Captain’s story sooner. “We’d talked about it every series since series two, whether or not now was the time, but because he’s such a hard and starchy character in a lot of ways you needed the time to understand his softer side I think before you had that final honest beat from him.”

“What a ridiculously normal name to have so much weight put on it for five years,” laughs Rickard fondly. “Good old James.”

From Den of Geek

[uncanny-tranny]

An important aspect of youth liberation is not tying the idea of later adult care with having children.

The broader attitude that only your children can ensure that you get taken care of when you grow old is not a good precedent to set. Having children should not be what ensures that you can live through old age, and fear mongering people with the idea that nobody will ever take care of them (or, rather, shouldn't) is such an awful motivator to have children.

[thisantithesis]

jegulus but it’s in a world where royals are of celestial descent and james is part of the family of the Sun, the hope and future of the kingdom of gryffindor. sirius is of star descent, a sun-star himself, but is, unbeknownst to everyone else, a dying one. remus is from the moon family, a previously extinct line, and considered an outcast because of the weird rumors surrounding families from lunar descent. and then you have regulus, an anomaly within the black family, a black hole in a line of stars and galaxies that is destined to extinguish the sun of gryffindor kingdom and bring it to its end.

[expectiations]

I still find it funny that people call eleven a "deadbeat husband" and their marriage "toxic" but twelve is the "perfect husband" and their marriage "wedded bliss" all because of the few moments we'd seen between 11 and River were them being "toxic". yes of course! let's ignore how the minisodes show how that description isn't true and even how little moments in the episodes themselves – "what? that's it?" (why haven't you kissed me goodbye? are you being sly on purpose so I'd kiss you first?) and "they wouldn't bury my wife out here" and the music room is the heart of the home and it's not a ghost story, it's a love story – show 11 cared and put in the work and yes, they're going to have disagreements like the ones in TATM because duh who doesn't but it does not mean it is the entirety of their relationship but people have taken it and made it the entirety of their relationship.

[housecow]

thinking about how i can’t even cross my arms normally anymore because of how big both my chest and arms are getting

[hughmanbean]

Occasional Visits

Once upon a time, there was a man who had a pit of Lazarus and was the Head of the League of Assassins. Perhaps the Lazarus is rancid ecto, and the death emanating from all of the members around to it is really starting to pull some attention.

And perhaps, one High Queen of the Infinite Realms early on had decided that, "Man, I gotta check this out." Time, of course, decides that "That would be a good precaution. Just be careful." And gives a few time portal visits.

Now, imagine those visits keep going. For the Head of the League, it is a first meeting of suspicion followed by rivalry, before the years churn along into an amicable acquaintance. For the High Queen, it is a FrootLoop who needs to be kept under watch, before years grind down the drive to continue messing with his plans and go back to managing the Realms and allowing for others to take action.

Contemplate the idea that only five years with visits for the High Queen is decades with occasional visits for the Head of the League. Maybe it is an occasion that is now greeted with a bit of celebration, for someone who he can talk too and know from the past who isn't now against him or dead.

And maybe, just maybe, he's about to get another visit. Right in the middle of something important. Who could say?

[gossippool]

random thought but did anyone else find this such an interesting emotion to see from wade. how many times has he expressed emotions under the mask that just seemed casual or amused because we couldn't see his face but were actually annoyed or angry and vice versa

[mistress-riddle]

"i could fix him" "i could make him worse" i could put him in really uncomfortable situations that are literally normal to everyone else but torture to his unsociable and unaffectionate ass.

[whatsjulietslastname]

expending on the mlm pricefield thing (and i’m not talking about double exposure anymore), i think if pricefield had been one of the first mlm pairing to be openly queer in video games history, it would’ve been way more of a big deal back when the game was released and years later. i also think little to no people would be debating whether their relationship is platonic or not, and people would’ve been way faster at jumping to the conclusion that you were homophobic if you thought they were.

historically, the most popular mlm pairings (i’m thinking johnlock, kirk and spock from star trek, merlin and arthur, all the h*rry p*tter and marvel gay ships) have a way bigger fanbase and are way less denied than the wlw ones (i’m thinking supercop, emma swan and regina mills, betty and veronica from riverdale etc). (for the record, i looked up “queerbaiting” to make this post and have examples, and found like a dozens of mlm pairings and always the same few wlw ones…) AND it is way more socially acceptable to say “those two women have a platonic relationship” whereas, if you do the same with johnlock, for instance, you WILL get an angry twenty paragraphs long reply about how there was nothing platonic about it (even though John Watson married a woman).

my point is not “he married a woman so he wasn’t queer” my point is, whenever one part of a wlw pairing has a boyfriend, or a man who she shows a glimpse of interest in (*cough cough* Warren Graham *cough cough*), it is IMMEDIATELY used as ‘evidence’ that this character cannot be queer since she can be in a heterosexual relationship — which is an argument that, again, you will practically never find directed at a gay ship. and, again, the few people who do use this argument against mlm pairings are called ‘homophobic’.

AGAIN, i am not saying that you cannot ship Warren and Max or are homophobic if you do, i’m saying that if Chloe and Max had been two guys, people would’ve been so focused on them, on Max’s diary’s entries, and the two possible kisses they can share onscreen, and the flirting and implications in their relationship, and Chloe’s obvious attraction to Max, that grahamfield would’ve had a way smaller fanbase — or no fanbase at all. and people would’ve absolutely disregarded the fact that you can make Max romance Warren (who is a girl in this scenario). they would’ve seen Warren’s nearly one-sided flirting, and would’ve immediately gone “she (Warren) is in love with him (Max) and he doesn’t give a fuck” (and the kiss in the Two Whales would’ve been collectively ignored by the entire fandom, as is Mary Watson, or Pepper Potts, or Tonks, or Ginny Weasley).

but BECAUSE Max and Chloe are girls, people are still debating whether she is even queer or not by saying “if i make her romance Warren she experiences no attraction towards Chloe and therefore is straight” which is false, because the attraction is HERE. all you, as a player, get to decide is whether or not Max acts on it. and no matter how much evidence there is that Max is indeed romantically interested in Chloe, you will NEVER convince those people, because to them, the moment a woman and a guy interact in a non-platonic way, this woman has to end up with said guy, no matter how queer-coded her relationship with another woman is.

and now that pricefield is broken up, people who would’ve been rioting if it had been guys are calling people who are rightfully upset ‘dramatic’. just try and imagine the reaction of the Sherlock fandom if Sherlock was returning without Watson because “they argued off-screen and decided to stop seeing each other”. those guys aren’t childhood best friends, are never romantically involved, their fandom hasn’t been begging to have a glimpse of them together for ten years, and yet i can’t even imagine how angry people would be. all this fandom was asking was to at least not destroy Max and Chloe’s friendship, and look where we are now.