#and by 'big fan' i mean 'where the fuck are they? horikoshi please'

[sassypantsjaxon]

Big fan of how erasermic went from this

To this

[makeste]

some follow-up thoughts on BnHA 306

mostly Deku angst, but also a little Baku angst (and some TodoBaku angst) mixed in for good measure. because there’s plenty of angst to go around.

1. “if I’d only been stronger...”

I’ll talk more about Deku later in this post as well, because there’s definitely plenty to talk about; this is the most character development he’s gotten in almost 200 chapters. but for starters, I want to discuss the possible parallels between Deku’s current character arc, and what is arguably the most iconic moment of angst/character development in the series.

remember how this kid, who up until this point had rarely seemed to give two fucks about the world around him, suddenly revealed that he blamed himself for being the downfall of All Might? remember how it came almost out of nowhere? how he’d been hiding it, and trying to suppress it? “but even if I try to forget... sometimes it all just comes rushing back.”

yeah. so anyway, I got to thinking -- if being the cause of one hero’s downfall could affect someone this badly, what about being responsible for the downfall of all heroes?

what if a boy who wanted nothing more than to keep people safe suddenly found himself at the epicenter of a disaster that killed hundreds, possibly even thousands of people?

now obviously, this is not the sole thing that’s troubling Deku right now; this kid has a whole array of traumas as of the War arc. like, you know it’s bad when Society As We Know It Coming To An End Partially Because Of You is the least of your problems. but still, I think this is worth bringing up, because the hero kids blaming themselves for things that aren’t their fault is hardly anything new. and yet, what with everything else that’s been going on -- all of the Todoroki drama, and Vestige revelations, and hospital antics, and political strife -- I feel like it’s easy to forget or overlook this little detail.

the fact is that AFO put this entire plan into motion solely in the hopes of finally obtaining OFA. every single thing that happened at Jakku -- Tomura powering up; Machia waking up and going on his rampage (after being ordered to do so by Tomura); and even Dabi/Touya choosing this moment to finally strike (because he knew this was when the reveal would do the maximum damage -- when people’s faith in heroes was already wavering) -- every last bit of it can ultimately be traced back to AFO’s desire to steal OFA. which, obviously, makes it AFO’s fault, not Deku’s. but then, Kamino wasn’t actually Katsuki’s fault either. it wasn’t his fault the villains went after him (but he blamed himself anyway), and it wasn’t his fault that people got hurt in the ensuing battle to save him (but he blamed himself anyway).

just. I think we’re underestimating just how strong of an impact all of this likely had on Deku. we haven’t really had the chance to see him process it yet. he’s been too busy, and there have been too many other things going on. but I’m telling you guys, that empty look in his eyes in the final page of the chapter? I can all but guarantee you that at least some of that emotional weight is coming from this.

sure would be nice if he had a friend who knew exactly what that was like, and could help him process the guilt and all of the other associated emotions, just like Deku once helped him. unfortunately I’m not so sure things will be that easy this time around. anyways though let’s move on to a couple of other thoughts and speculations.

2. “...and I bullied him.”

one of my least-favorite BnHA fanfic tropes is the one where the rest of class 1-A somehow finds out about Katsuki and Deku’s history -- i.e. that Katsuki bullied Deku throughout most of their childhood. mind you, it’s not the concept itself that I dislike; it’s mostly how it’s used. a lot of times it’s just an excuse to have all of the other kids turn on Katsuki and ostracize him; either because the author thinks that’s what he deserves, or else so that Deku can eventually come to his rescue and defend him and shame the rest of the class for not seeing how much he’s changed. either way, it’s usually pretty awkward to read, and more often than not the characters are pretty OOC (especially Ochako and Todoroki).

however! there’s a big difference between fanfic and canon, and just because I’m not a fan of this trope in the former doesn’t mean it couldn’t be executed well in the latter. and lately I’ve been thinking about this a lot. mainly for three reasons:

the recent (can we still call it recent?? well whatever) scene where Katsuki confessed to All Might that he used to bully Deku is now one of my favorite scenes in the entire series, and proof that this can be executed well.

both Todoroki and Deku have finally had their respective big secrets revealed to the rest of the class. so like, idk. feels like it just might be secret-revealing season now, you know?

and lastly, as a result of Deku’s secret about OFA finally being revealed, the rest of 1-A now either knows, or can extrapolate, that he used to be quirkless.

and from there, I feel like it’s not all that hard to put two and two together with how terrible Kacchan and Deku’s relationship was when they first started at UA. that’s not a terribly difficult puzzle to solve. so I feel like it might come out anyway, and if so, I’d prefer Bakugou telling them himself, and taking responsibility as part of his atonement process. because we know that he regrets it. we know their relationship has changed. we know that he has changed. and so I think I might like to see this.

alternately, if confessing to the entire class is too much, at the very least I could see him confessing to Shouto, because I’ve always felt like this was one of the big things that made Katsuki so resistant to letting Todoroki call him a friend. because I feel like there’s a part of Katsuki that saw the parallels between Endeavor’s abuse of Shouto and his own bullying of Deku, and thought, he wouldn’t be so quick to call me his friend if he actually knew the truth. and so there’s actually been this roadblock wedged between them this whole time that Shouto doesn’t even know about. because Shouto hates Endeavor. and so it’s not such a leap to assume he’d hate Katsuki too if he knew just how terrible he’d been to Deku when they were younger.

not that I think he actually would! actually I don’t think either of those things is actually true (because Shouto clearly doesn’t hate his father either, in spite of everything that’s happened). but the point isn’t what I think -- the point is what Katsuki thinks. and I really do think there’s a good chance he’s worried about Shouto hating him, and it’s one of the things that’s made him so reluctant to accept his friendship. anyway, so I’m really just rambling now, but you get my point. I don’t know if this is actually going to happen, but it’s a scene I would like to see if Horikoshi decides to indulge me.

3. “...so when you wake up, please give him my best.”

and now, as promised, back to Deku.

ngl guys, when I first saw this image, my immediate thought was that Gran must have died. because I mean, hello, leaving U.A.?? donning himself in his teacher’s old cape?? empty, exhausted look in his eyes?? what else were we supposed to think lol.

but maybe that was an overreaction. because when I think about it more, Gran’s death isn’t strictly necessary in order to push Deku over the edge. first of all, there’s already the whole “hero society is in ruins now because of you” thing I mentioned earlier. but also, there are just so many other things. like, let’s just list them here because omg. what a rough couple of days this kid had.

he was forced to battle TomurAFO and was terribly injured in the process (most of which was his own fault, but he wouldn’t have gone that far with OFA unless he felt like he had no choice)

and it wasn’t just him that was injured, either. in fact, even though he tried to act as bait to keep everyone else safe, he wasn’t able to stop three of the people closest to him from nearly being killed right before his eyes

and of course that last one was especially traumatic, because it was Kacchan, and because he had to watch Kacchan nearly die just to protect him. out of all the things that Deku witnessed in this arc, this might be the one that had the biggest impact on him

he was also basically helpless to do anything to protect Shouto and Endeavor when Dabi showed up. so again, we have this running theme of people he cares about being hurt and him not being able to save them

and he also got sucked into the OFA Interstellar Dream Vortex for a brief spell during the battle, during which he learned that AFO had possessed Tomura. more importantly, he learned that Tomura was Nana’s grandson, a fact which was only briefly touched on during that scene, but which I think wound up being the trigger to the whole avalanche that ended with Deku leaving UA. but more on that in a moment

anyway so just to wrap this all up, the battle eventually ended, Tomura got away despite all of their efforts, and then Deku wound up comatose in the hospital for two days. which brings us to the most recent chapters, during which

Deku learns that he will be the last wielder of OFA, whether he likes or not

Deku learns the identity of the last two mystery OFA users

and then at some point, he wakes up and presumably talks to Gran, and winds up with his cape

something happened during these last two scenes which helped to push Deku over the edge. I won’t delve into the matter of the Second or Third users for now, although most of you already know my suspicions regarding that, and I do think that would fit into the general pattern here (that is, the pattern of Deku feeling more and more strongly that he is putting the people around him in danger, and his fear of losing them becoming so overwhelming that it eventually pushes him to leave).

but that’s not what I want to talk about for now. what I want to talk about is Gran. specifically, what it is that Deku discussed with Gran. and this is where we come back to that reveal I mentioned earlier -- that Tomura is Nana’s grandchild.

basically, what I think happened is that Deku mentioned seeing Nana in the OFA Zany Psychedelic Spirit Void, which led to the topic of Tomura, and the fun fact Deku recently learned about him being related to Nana. this, in turn leads to Gran divulging his various regrets about everything that happened with him and Nana and Kotarou. his intent is to apologize to Deku for placing the burden of their failures on him. unfortunately, the part that Deku actually gets fixated on instead is this:

All for One hunted down and killed Nana’s son (and probably her husband as well), and stole her grandchild and psychologically tortured him into becoming a mass murderer, for no other reason than that Nana had once held OFA

in other words, AFO can and will hurt and kill anyone Deku is close to, anyone who has any kind of connection to him at all, without mercy, and regardless of whether it actually gives him any kind of tactical advantage or not. he’ll do it simply to hurt him. no other reason necessary.

I don’t know about you, but for me that would be a terrifying realization. and for Deku, I think it just might have been the tipping point.

so, let’s recap.

Deku learns that AFO is after him

AFO/Tomura very nearly kills several of Deku’s most important people, including Kacchan

and then he learns that this is just the tip of the iceberg, and realizes that all of their lives are still in danger and will continue to be as long as Deku is AFO’s target

and then add to all of this the misplaced guilt about society already being shambles, and the heroes already having more than enough to worry about. they’re barely holding things together as it is. and we already know how Deku feels about being a burden to them:

and so instead, he leaves. of course he does. in hindsight, I think this was inevitable.

the question is, did anyone else also put the pieces together in time to realize what Deku was planning before he actually left? specifically, did Katsuki, who understands Deku’s self-sacrificial nature better than anyone else, see the signs and put two and two together? like he did back at Jakku?

and if he did, would Deku have been willing to accept his help again?

somehow, I can’t help but think it might not be that easy this time.

anyway, so that was a lot of rambling, lol. sorry about that. I JUST HAVE A LOT OF FEELINGS about all of this angsty shit. tired nomad Deku needs hugs and comfort and someone to reassure him that he doesn’t have to face this alone, and that everything is going to be all right. HE IS JUST A LITTLE BOY. this is too much, and I cannot handle any of these feels, and oh my god, somebody please help him.

[daetaechanster]

Deku, Bakugo and Kirishima

Okay I wanna preface this post by saying first, this isn’t a post about Bakudeku (you’re itching to call me out, I feel it, but don’t do it) and while I will be mentioning the Kiribaku ship, it will be me mostly mentioning the FANS of this ship and the ideals around that ship. If this doesn’t apply to you, please gloss over it. This post was caused by once again, seeing SOME Kiribaku’s speak absolute garbage all over Tiktok. Wrong garbage mind you. Now let me start..

---------

When was it, that fans suddenly decided that for Kiribaku to be a ship, that suddenly people had to downplay Deku’s importance in Bakugo’s life. Yes, Bakugo use to bully Deku and he was wrong for it, he was a little fucking shithead for it. But that was in chapter one of the manga and season 1 episode 1 of the show. Where are we now? About to hit chapter 305 (leaks today whoo) and we’re about hit season 5. Things of changed, Bakugo has changed, and if you can pick up what Horikoshi is putting down, then you KNOW things have changed in their relationship.

Now what these Tiktoker Kiribaku’s like to claim is that Bakugo doesn’t care about Deku, doesn’t even LIKE Deku. That the only person Bakugo cares about is Kirishima... you can headcanon all you like that Kirishima is Bakugo’s most important person. You can 100% believe that and use it for your fanon content. But that is all it is, headcanon and fanon, because it isn’t true. And BECAUSE it isn’t true and is fanon, Do not come at people who believe CANON FACT and tell them they’re wrong and your headcanon is right.

Why does Bakugo’s relationship with Deku have to be diminished for Kiribaku’s ship to flourish? Why? When did that become a thing? because a LOT of people spread around this garbage like it’s fact.

Now i’m going to get into the major point these Tiktoker Kiribaku’s made, and what I think is the worst take i’ve ever heard. Ahem.

‘Kirishima cared about Bakugo the most which is why he went to Kamino to save him, and Bakugo cared about Kirishima the most which is why he took his hand’

I’m going to get into how WRONG this statement is. 

The person who found out that Bakugo was going to be kidnapped was Deku. Deku found out during his fight with Muscular and after the fight was over, his first thought was to get Kota to safety so he could save Kacchan. He told the pussycat lady to alert everyone to Kacchan’s possible kidnapping, which is where Kirishima heard about it.

As you’d expect, Kirishima got upset and instantly wanted to go out and help protect Bakugo. Why? because he is his FRIEND. Canonly they’re not together so we are going forward with their platonic relationship, which is canon. He wanted to save his friends, as did others in the group, but he wanted to save him most. But he couldn’t. (Something we later learned was a trigger for Kirishima in season 4)

Because Deku was out on the field, he was able to go and try to save Bakugo. That boy ran around, in absolute pain to the point that some of the class commented on the fact he should be unconcious right now. But that didn’t matter because he wanted to save Bakugo. And he tried his hardest, despite being in pain and his arms not working, Bakugo gets taken, telling Deku ‘Not to come’. I like to believe he said that because Deku was injured and WOULD be killed following him, because Bakugo knows Deku would follow him into fire. Like Deku knows Bakugo best, Bakugo also knows Deku best (minus the whole looking down on him stuff, wtf Bakugo.) But because that was never established, we’ll leave that up to interpretation.

Something these Tiktokers used in their arguement was that Kirishima was the one who decided to save Bakugo, nobody else. Which.. just isn’t true at all. Another thing they said was DEKU DIDN’T PLAN TO SAVE HIM. Again, not true.

Lets go back to before Deku was in hospital and Bakugo was kidnapped. When Bakugo was gone, Deku SCREAMED in absolute DISPAIR (these tiktokers also commented that Deku hates Bakugo and all I can do is LOL, won’t even entertain that.) Deku was in such ABSOLUTE DISPAIR that he instantly went into shock. Shock, that he said, lasted for the 2 whole days in hospital, he couldn’t remember a thing. The only moment he remembers WHY he was in shock, was when the whole class were there and Todoroki told him about it.

Also at this point, while Deku is in shock, Kirishima and Todoroki had 2 whole days with a clear head to decide they were going to save Bakugo, consequences be damned.

What happened after remembering Kacchan was taken? Deku came out of his shock and burst into tears. He failed to save Kacchan and it HURT him. And then Kirishima mentions the rescue.. the rescue that he AND TODOROKI PLANNED. Do people not remember that while Kirishima had decided he was going to save Bakugo, that Todoroki ALSO had the same plan?? That if Kirishima hadn’t intended to save him, Todoroki would have mentioned the plan to Deku himself???

I 100% believe, as should ANYONE who knows Deku as a character and as someone who’s always cared about Bakugo despite him being an asshat, would have also come up with a plan to save Bakugo if he hadn’t been in hospital with damaged arms and in complete shock and disassociation.

I now want to point out a panel that people seem to forget:

For people to believe Deku doesn’t care as much as Kirishima does about Bakugo, how is it your boy is saying the complete OPPOSITE statement???

Now skip forward to finding Bakugo and AFO. While Kirishima (and Todoroki) had decided they were going to rescue Bakugo, it was Deku who came up with the plan to get Bakugo out of there. Deku planned the best possible way to get Bakugo out of there and not damage his pride in the meantime. Deku could have been selfish and have reached out for Bakugo, because we all know Deku wanted to have been the one to reach out his hand. But he didn’t because Deku knows Bakugo best and didn’t want to possibly upset him.

Bakugo, who feels incredibly insecure when it comes to Deku, how do you think he’d have reacted if Deku saved him A SECOND TIME? First the sludge villian and now Kamino? I’d wager that Deku would expect any chance of reconsilliation between himself and Bakugo to have died that moment if he’d reached out to save him.

Lets be honest, Bakugo would have taken ANYONES hand to get out of there and i’ll explain why that is true in a moment.

Another thing people seem to forget is that Bakugo didn’t tell Kirishima he was the one who should hold his hand out. Bakugo didn’t tell Kirishima that he would only take his hand. No, DEKU said this. Deku who knows Bakugo better than ANYONE. He knew, because currently his and Bakugo’s relationship was rocky, that he couldn’t risk Bakugo’s pride getting in the way of the rescue. So DEKU chose Kirishima to reach out his hand, because Kirishima isn’t someone Bakugo feels threatened by. Deku is Bakugo’s biggest insecurity, him reaching out was a risk Deku wasn’t going to place over saving Bakugo. 

Again, Bakugo didn’t mention ANY of this, he didn’t even know. So how anyone came to the conclusion that canonly, this meant that Bakugo believed Kirishima to be more important than anyone else I will never know.

And when they did save him, Horikoshi put in a VERY BIG CLUE that a lot of people gloss over.

That teeth grit there was put INTENTIONALLY to show that even with Kirishima’s hand out.. he still didn’t want to take it, he didn’t want to have been saved. This is why I believe that he would have taken ANYONE’S hand. For anime fans, this teeth grit was cut out to instead focus on how close Shigaraki got to grabbing Bakugo. 

Bakugo isn’t stupid, he knew he couldn’t stay. For one, he already mentioned that he was in All Mights way by being there. So he HAD NO CHOICE but to take Kirishima’s hand. And when he was saved, he addressed EVERYONE for saving him, not just Kirishima.

Now, for non manga readers, you will have to wait until season 5 to see Bakugo and Deku’s relationship flourish and I don’t want to spoil you. I’m so excited for people to see what their relationship is going to turn into and why it’s one of the most popular canon relationships in the show (and how it’s grown to be one of the biggest ships)

I will give you this though, to indicate just how much Deku means to Bakugo now without spoiling it for anyone. Anyone whos read the manga should know how Bakugo feels about Deku.

For anyone who feels that Bakugo taking Kirishima’s hand indicated how important they were to each other, i’d like to hope you have the same energy for that cover for Vol.29 of the manga drawn by Horikoshi himself. If Bakugo went back, he would have taken Deku’s hand all along. At the river, in Kamino, during the fight. Bakugo wants to hold Deku’s hand now, he wants Deku’s friendship, he wants Deku, and that is platonically canon.

The last thing I want to say is that Kiribaku as a ship can still exist without ignoring how much Bakugo and Deku mean to each other. Kirishima and Bakugo are friends, maybe even best friends canonly (though honestly i’d argue that Kaminari is closer to Bakugo but that’s my personal opinion.)

Deku’s best friends are Iida and Uraraka, but Bakugo is still the person he loves and cares about the most.

Bakugo’s best friends are Kirishima and Kaminari, but Deku is still the person he loves and cares about the most.

Do you see people push Bakugo down to make IzuOcha work? no.

Wanna headcanon that Kirishima is Bakugo’s most important person? Go right ahead. But don’t push it on others as fact when it’s not.

If you have to come to other peoples spaces and force your headcanon on them and disminish the utterly beautiful relationship thats blossoming between Bakugo and Deku, then maybe you shouldn’t be in the fandom. Horikoshi wants you to know how important these boys are to each other and if you can’t see that, don’t comment publically because you sound dumb.

Ship Kiribaku, but do not attack others for things that you have WRONG.

Tldr; Stop erasing Bakugo and Deku’s canon relationship to big up your Kiribaku ship and don’t force that on other people.

[gentrychild]

BNHA chapter 290 reactions

Oh boy, just when I was saying that such a long arc was eroding my ability to hype myself...

Oh boy... I guess we finally got the answer to “Was that message for Rei or for the whole country?” and the answer is both. Dabi sent a direct message to his mom and we don’t know what he told her.

And since we have a big close-up on the flower “Enji” gave Rei without leaving a message, I am now wondering if it wasn’t a gift from Dabi.

Ah, the Todoroki pose of “I have no idea of what to feel.”

Also, I think we now have the confirmation that Dabi is a theater kid.

Okay, so first, it’s nice to have the confirmation that Izuku did make some damages.

What’s less nice is knowing that AFO can control Tomura to this extent. By accepting to become a guinea pig, he became AFO’s puppet and I am not sure of how long it will take before AFO erodes his will and takes full control of him.

Horikoshi, think of the fanfic writers. When you show cool attacks, explain stuff about them, please. Because of you, I will have to spend an hour trying to analyze three panels.

Oh, that’s a meme waiting to happen.

Endeavor when Nejire and Shouto fight Shigaraki: “RUN! HE’S GOING TO KILL YOU! RUN!”

Endeavor when Midoriya was fighting Shigaraki: “Welp, this might as well happen.”

I don’t know what’s the more terrifying, Gigantomachia channeling the Rogue Titan or AFO having fun with Forced Quirk Activation. Okay, probably the later.

There should really be a limit to how long those tentacles can get, thank you very much.

Bakugou is awake and if I was him, I would go straight back to sleep but no, not him.

Does... Does he still have a quirk, though? I would like to see some sparks flying. Just to be sure.

However, he is right in the sense that they need to kill Shigaraki now. If he manages to escape, they will have lost everything. That would mean that another cataclysm can happen at any time and society will collapse. I am not talking about the hero society. I am talking full Dawn of Quirks mess.

I do not want to witness what so many people with uncontrollable powers can do when they are scared.

I am going to believe that Machia assumes that the second “Master’s scent” also comes from Shigaraki because with all the smoke in the air, he didn’t notice Izuku and his multiple quirks who are right there.

Also, Izuku wasn’t using cough... all for one... cough several quirks when Gigantomachia arrived, don’t think I didn’t notice it.

I was robbed from my Little Lord moment!

Shigaraki, every bones of his broken and the only reason why he remained standing so long is probably because AFO was manipulating his strings: “Oh, do tell me about your problems. It’s not like I can go anywhere after I was INCINERATED THEN BEATEN HALF TO DEATH BY THE INCARNATION OF FERALNESS. But please, tell me how hard it was for you.”

The small green child with broken bones isn’t named Shouto, Endeavor.

More seriously, you see Endeavor’s hand on Midoriya’s back? He isn’t checking that he is alright, he is actually holding him back because he is scared he is going to yeet himself again at the villains and try to finish the job.

That’s why you never make promises on live television. Too many witnesses that will call you out later.

Shouto is so fucking done at this point. He just survived a decaying wave, he showed up only to see all the heroes and his friends half dead, he almost got slapped by Gigantomachia, this is NOT the day to keep messing with him, and here is this asshole, all happy during the worst time of Shouto’s life.

As for Dabi... This man is hilarious. Look at how happy he is. His audience is here, too weakened to kick his ass, and now is the time.

Also, you see the bottle he is shaking? That was in the pouch he has been wearing since his first appearance. He was ready from Day 1.

Now, the riddle for the ages, the thing that interests me far more than what happens one panel later: what the hell is this and how did it bleach his hair so fast?

What am I hearing? Oh yes, the sound of ALL THE DABI IS A TODOROKI BEING VALIDATED RIGHT NOW. CONGRATULATIONS, FUNKY LITTLE CONSPIRACY THEORISTS. MAY KNOWING THAT YOU WERE RIGHT ALL ALONG MAKE YOU LIVE LONGER.

Whatever you’re thinking about Dabi, you have to admit that he knows how to use a narrative. He has been sitting on this for years, waiting for the right time to do the most damage, and here he is.

Let’s all appreciate this rare moment where Shouto and Enji have the same face of “What the hell is going on?”

But more importantly, let’s all appreciate Midoriya who was once again dragged into the Todoroki drama. 

This has nothing to do with him, and yet, once again, a Todoroki appeared and felt the need to announce his entire tragic backstory in his vicinity. All those jokes about Todoroki never meeting Izuku because he would have coughed up his secret in the second were true.

Dabi looks so soft here and some part of me wants to believe that’s because he knew Rei would be watching. 

And by that, I mean Dabi is a Momma boy.

I am bravely trying to keep a straight face as this guy is about to explain us why he killed 30 innocent people instead of his dad or some members of the Hero Commission. 

I mean, Fuyumi managed not to snap despite many reasons, so really, there is no excuse.

More seriously, I hope that he won’t only reveal what Endeavor did. I want to know why he was considered dead. And I want to know if my theory about Touya being in the same HSPC program as Hawks is true, because there has to be a reason why he knows his real name.

Of course, for the last one, I can accept that Young Touya found a drawing of Endeavor and a young kid with red wings sent by a little fan through the Endeavor agency.

But I would much prefer to see more about the HPSC and how horrible it is.

The real victim of this chapter: Can’t-You-See-kun.

Look at how happy he is. I am pretty sure this is the best day of his life.

@pocketramblr​ is the one who realized that Horikoshi had to knock Dabi unconscious in Kamino because that man would have jumped on the occasion of screaming to the world who he really is, only to see society freak out.

There is 50% chance that AFO would have killed him for being more dramatic than him but, man, what a way to go.

*squints* Is that his hair becoming white due to the strain?

I am... actually not surprised by it. Dabi doesn’t know Shouto. And he isn’t Touya anymore.

The only thing Shouto is to him is Endeavor’s weapon to become number 1 and the child that stole his place and who made all his pain meaningless.

Endeavor: “Redemption arc?”

Dabi: “Hahaha NO. Step 1 of my plan where you get everything you want right before I make you choke on it.”

This is nothing short of breathtaking and once again, Horikoshi steals my breath away.

Make no mistake: Touya is dead. He died a long time ago. Only remains a rageful ghost hold together by hatred and staples. He will not hesitate to sacrifice anything to destroy Endeavor, be it himself, others, and even members of his family.

I have about zero regret for Endeavor but the rest of the Todoroki family? Dabi just took a sledgehammer to that and now, they will all have to live with the consequences.

Kudos to Dabi, though. He did what All for One didn’t manage to do. He wanted to ruin the number 1, to show that he was a liar and how pitiful he was. All for One failed to do so when he revealed All Might’s true form but Dabi executed that plan perfectly.

The other really good point about this is that no one will care about Izuku using multiple quirks. With how Dabi stole the show, Shigaraki will be lucky if people still talk about him. 

[phantomrose96]

New BNHA, new liveblog, 0 miles today because the gyms are all closed. this is weird for me.

REALLY loving each and every one of the hand-wavy reasons Horikoshi gives for “fuck it i just wanted Aizawa (or maybe Mirio?) to adopt a kid”

Aizawa: “Look, the hospital kicked her out, her parents are MIA, her grandpa’s in a coma, and it’s not like Mirio is doing anything right now.” Mirio: “Haha yeah :DD”

“We worked for like 15 episodes to steal her, you think we’d just, what, give her BACK? Finders fucking keepers, Midoriya.”

Sometimes a family is an out-of-commission 18 year old, a really tired teacher, a traumatized little girl, and the ugliest godDAMN sweater on the planet

Dats gay

I really like the Wild Wild Pussycats casual clothes???

Their whole aesthetic is Your Three Lesbian Aunts And One Gay Uncle Visiting For Thanksgiving

Kota has... Deku’s Shoes... thats real fucking cute

SPEAKING of cute: Ragdoll is an absolute gem and I wish there was more of her in the Training Camp arc she’s a real cutie

I’m glad we’re finally learning how rankings work, considering the very concept of the ranking system has been absolutely core to the series since Day 1. Like 90-something episodes in and Horikoshi is finally like “oh i should explain how that works”

I’m a big fan of how, whenever something Thematically Relevant to Todoroki is said, they just have to pan to his blank face, because it’s not like he’d ever. you know. participate in the conversation. not his style. we only get the Meaningful Panning Shot.

Is that

Is that a

Is that a washing machine?

Is the #8 hero a washing machine?

Never mind

Wait is THAT man just named Crust?? Poor bastard is the #6 hero and his hero name is crust.

Like I KNOW it’s a japanese show and they can’t know all the impli--but i mean, but i

“Most Underappreciated Part of a Pizza Hero: Crust”

oh HELL YEAH

OH HELL YEAH

also btw i really like Edgeshot’s voice. especially during the Kamino arc. it’s like, hypnotically chill

its him... finally... the bastard of lore.... i’ve heard whispers of this fucker

oh like he’s an ASSHOLE-ASSHOLE

“Who are you trying to make happy with that statement? Stain?” O H SO like he’s an A S S H O L E

Mirko: “You’re an asshole. ...I LIKE that” 

how quick i am to stan two separate characters within 30 seconds of meeting them

what arrogance. what audacity. what flippant fucking disregard. i’d like TWELVE of him please.

Hawks: -speaks- Me:

you know whats great? you know whats fantastic? his whole wing motif. because it doesn’t matter that Endeavor’s like 6′5″, Hawks can still float above him and condescend to him 

hes looking down his fucking nose at this man. ICONIC.

Hawks: “Just so everyone knows, I have a higher approval rating than Endeavor, and I have more fans, and my hair is way better than his. Anyway, you wanted to microphone, Bitch Boi?”

REALLY vibing with Hawks’ sarcasti-clapping of Endeavor’s speech to a completely silent audience

ASJSAHJAS, AN ICON. #1 HERO OF MY HEART, HAWKS

“Shame” as a quirk is a hilarious concept. And also how do you discover this? “Little Timmy’s fly was open at school and he promptly took out a wall”

and Hawks just fucking DECKS him from behind. LOVE the bait and switch of Shame-Man being important.

Endeavor: “Is he... is he dead?” Hawks: “Hot pot!! :DD”

The stupidest looking dog. i LOVE it

Just jumping in front of a truck for NO narrative reason other to have Hawks’ feathers save it

while hawks is STILL TALKING ABOUT FOOD

I MEAN BITCH SAME, BITCH RELATABLE, BUT LIKE

CHEEKY. love his stupid bits of English.

the autograph signing scene was basically just the Talent Show episode of Spongebob where Squidward and Spongebob do exactly the same thing, Spongebob being met with uproarious applause and Squidward being met with dead silence.

me buying shit in a craft store i cannot possibly need nor use, but it was shiny and only $5

Hawks calls Tokoyami “Tsukuyomi”?? am i missing something there or did he straight up get the name wrong?

Hawks: “I tried to scout your son but turns out he’s a failure. Runs in the family? :D”

85% of the reason I’m loving Hawks is because he’s JUST here to make Endeavor’s life harder, and that’s something I support every day of the week.

Hawks: “I just want to complain about how nothing happened today and then go to bed”

That one’s not a joke thats a direct fucking quote and WOW BITCH SAME

Endeavor: “how do you know about these Nomu rumors?” Hawks: “I’m a nosy bitch who loves gossip and can’t mind my own business? How would I not know about this???”

I understand this is a serious and dramatic screenshot, but also I’m too caught up in the notion that - when experiencing some strong emotion - Todo can’t help but just Light Himself A Little On Fire

Deku: “Good morning Todoroki! Are you ready for our English test today? :D” Shouto: -catches fire- Shouto: “...Our what”

Lunchrush: “Hey there, what can I get you?” Shouto: “The cold soba” Lunchrush: “All out of cold soba, sorry” Shouto: -catches fire- “That’s fine. Just the ramen then.”

Endeavor: “Hey.. son... Shouto... I’ve been thinking... With all the steps I’ve made to be a better hero, don’t you think maybe it’s time you forgive me?” Shouto: -actively on fire. 100% encased in flame- “Let me think about it.”

[kitsu-katsu]

On kiribaku becoming canon and their evidence:

So I posted this on reddit earlier, but wanted to have it here where more KRBK shippers are, since I just ended up compiling a lot more than I thought I would.

Fair warning: A pretty big text with a compilation of kiribaku moments ahead.

We would all love kiribaku being canon, and I think it's not as much of a longshot as some may lead you to believe.

Honestly, if one of them was a girl, this would most certainly be canon, like, just in the anime we have:

Them becoming friends slowly in the background, leaving us with good development between them that is so seamless it can hit you hard once you notice how close they've become if you hadn't noticed before.

Them arriving and leaving the pool together while walking in the sunset.

They support and compliment each other (both on personality and quirks, like come on).

Kirishima can just lean on Bakugou or side hug him all the time and Bakugou lets him with no problem, which considering who we're talking about is a pretty big thing.

Kirishima can seem even more agitated than Deku about Bakugou being taken, and Deku is the one who idolized him since childhood.

The whole "It has to be you" thing and the precious hand holding (including that little scene after the rescue, where Kiri tries to grab Baku's hand again).

Kirishima bought expensive night vision googles in case they were useful for the rescue even though they had Yaomomo with them (this boy goes through extremes just to ensure his boyfriend's best friend's safety)

Kirishima is officially the one Bakugou considers an equal, and considering his conflicting inferiority and superiority complexes (making him perpetually place people as above him or beneath him) is vital information.

Kirishima is esentially Bakugou's first real friend (as Deku was considered more of an incomprehensible nuisance and his childhood troop seemed more like his followers who just put him up on a pedestal and followed what he did).

Kirishima has jumped in front of danger for Bakugou's sake quite a bit of times (including a time in the movie).

Kirishima is a central piece in Bakugou's character development.

Bakugou was the one who told Kirishima he was strong and gave him his confidence back, reminding him of what he said at the start of their friendship.

Kirishima unlocked fucking UNBREAKABLE because of Bakugou's encouragement.

Going to extra stuff:

Bakugou's favourite hobbie is hiking, and we're shown he takes Kirishima with him sometimes, thing he doesn't seem to do with other characters.

The whole festival thing, with the narrator outright assuming Bakugou must have given his coat to a pretty girl who was cold, only for it to be revealed in another picture that he gave it to Kirishima because as usual, he didn't have a shirt on.

On the movie Bakugou could have taken anyone to I-Island and took Kirishima as his plus one. They share a room. Kirishima bought suits for both of them, with the most detailed one with white roses being for Bakugou, and they decide to go to the party together.

In a BNHA Smash connected directly to the movie, Midoriya notices the white roses in Bakugou's suit and notes that they mean deep respect and "I'm the one for you", which prompts Bakugou to send an explosion his way (not to Kirishima who gave him the suit, mind you), which makes the flowers turn red (from blood), after which Mineta appears to say that red roses mean "beautiful and passionate love".

They are usually seen together in merch stuff.

There's this tumblr post talking about japanese fan's reactions to one of Horikoshi's drawings which I find at least hilarious:

https://exbrodokills.tumblr.com/post/187710597637/here-it-is

There are discussions regarding Kirishima's character sheet and the translation of him liking "tough guys" (here's a podt by aitaikimochi explaining the meaning of the translation: https://www.google.com/amp/s/aitaikimochi.tumblr.com/post/171127708911/amp) where even translator such as aitaikimochi have gotten into, and they have mentioned that there's a japanese stereotype of a type of gay guy who is obsessed with "manly behaviour" and usually stay away from women, prefering tough guys instead, which is interesting to say the least.

Some of the light novel episodes which show more slice of life moment feature some good kiribaku moments, with a prominent one being this one wich details their study date (it seriously seems like fan fiction, not even kidding, and this is supposed to be sort of canon):

https://www.google.com/amp/s/aitaikimochi.tumblr.com/post/171236111166/amp

Also there's a chapter where Kirishima tells Fatgum about Bakugou being extremely happy, and another one where they are arm wrestling between classes and they cheer for one another heavily.

(Honesly, just go through aitaikimochi's whole kiribaku tag, there are some pretty interesting things there)

Here are some analysis on their possible coding, if you guys are interested:

https://docs.google.com/presentation/d/1dxO6Y0yK_wxOJDmRsBYvsVWKwsH7tKc92skxJ--R1m4/edit?usp=drivesdk

(Bakugou's one link can be found at the end of that one)

And in BNHA Smash, there are quite a lot of things, and we must not forget that the whole thing still gets approved by Horikoshi before being published, some of my favourite things are:

Kirishima inviting Bakugou to spend christmas together, with the translators noting christmas in Japan to be a romantic holiday in the same panel.

In one issue, Jirou falls for Kiri and him being oblivious just leaves her for Bakugou.

Once Bakugou becomes a shoujo boy after being his with a quirk and just involuntarily talks in flirt, and in one moment Kirishima outright flirts back.

Bakugou works his ass off to repay Kirishima for the night vision googles they used in the rescue.

Kirishima is literally described as the chicken soup for Bakugou's soul!

An interesting thing I found out is that in the chapter where all of 1A minus Bakugou turn into animals, one scene originally had Kirishima (as a dog) getting jealous of Kaminari and Midoriya petting Tsuyu (as a cat - yes I know, a cat) and giving all their attention to her, however, Horikoshi himself changed that scene, noting he didn't think their character relations worked well in that scene, and made it so that the one that ended up in smash contains Kirishima (as a dog) getting jealous because Todoroki (as a koala) has climbed up Bakugou's torso and won't let go. I saw this all in a tumblr post a few months ago, which showed the original scene in a book (I think it was in italian and was translates below) but I can't currently find the link, sorry, if someone finds it, It'd be appreciated if you could reblog with said link.

And in regards to meta stuff, the show already has some LGBT characters in it, with Magne and Tiger being trans and Toga being bisexual, so it's not as much of a lost cause to hope for this as it would initially seem.

(Please kirimina shippers, don't take offence because of this, it isn't my intention to insult your ship, I simply want to analize what has been given to us, so please try to take this lightly):

We should also take into consideration Krishima's first version in the sort of "beta" for the manga (where Midoriya was Yamikumo).

His character sheet mentions he's quite the delinquent and entered UA to impress a girl. Obviously his character evolved tremendously since then, but the girl was most probably intended to be Mina's equivalent. This was later changed to him liking "tough guys"/"hard liners" and his thing with Mina became more of an "I admired your bravery and heroic spirit when in middle school even if I hardly knew you", later seeing each other and establishing more of a little friendship. However, it hasn't really moved further from there, and Kirishima has already established much stronger bonds with our favourite exploding boy. All changes in characters are made for a reason, and Horikoshi clearly changed his mind on Kirishima's motives for wanting to be a hero and his relationship with Mina.

So yeah, all in all, this ship is great, it's precious, adorable, helps both characters grow, is balanced and has good chemistry. So even if after all these things they don't become officially canon, we still have so much canon material for them in the present I'd honestly still be happy, these dorks make me smile and melt my heart, so I hope they both have good endings.

[mettywiththenotes]

Thoughts on Bones and the bad decision making

The thing is about how MVA is being handled is that, generally, other animes that cut stuff out or have not as good animation as other seasons (which idk its literally only been one episode so we’ll see what else comes out of it, but I’m just stating the animation thing as one of the problems too) seems to be due to the time limit of an episode + how many episodes you have to fit in the season and evenly space it out + animation budget

Thats what I reason anyway. When I watch an anime and then read the manga, I notice stuff that didn’t get put into the anime, but I usually reason that “oh maybe it was the time limit of an episode and how many episodes they have left to put it in. If they couldn’t add that in but put this in instead, it’s probably due to what they think is more necessary to fit into the season before it ends. I can kinda understand that, and if its the case, I’m not really gonna hold it against them”

Same with animation, because adaptations usually try and space out the animation quality between Oh My God This Looks Ugly during a minor scene to Oh My God This Looks Incredible during an important scene. Again, I can understand that with budgets and the limit of available staff to animate. If you’re gonna hold back on some pieces of animation, I can definitely see the reason for sparing the Good Animation for the really important and impactful parts

But that doesn’t seem to be the case here

Bones cut out stuff that was actually quite important to understand the character. The League finding that racist cult and killing them was part of showing that they are decent enough to not be totally evil, and plus it tied in with Spinner’s arc of discrimination and that “empty feeling inside” which was actually caused by the people who lived in his town. Getting rid of his narrating too totally gets rid of that introduction to his arc, because when you first read that part in the manga, you think “why spinner? why spinner of all people? what distinguishes him from the rest?” and that question you ask yourself gets answered by his following development with Shiggy

Sure, Bones added in his narration in the forest, but the point of the initial narration is to make it feel personal. Spinner narrating in the forest is more like observational narration, rather than something personal. With 220, it felt like “Oh are we getting to Spinner’s arc? Are we getting his development or smthg? That sounds interesting, since he’s a background character. I wonder what will happen” but with the narration in the forest, it kind of gives off the feeling of “Why is Spinner narrating? Why did it switch to him? He’s just watching them, but is this important? I don’t understand”

There’s a difference between personal narration and observational narration. For example, lets compare a vlog and a documentary. A vlog is something personal, and when you watch it, you’re getting a glimpse into the persons life. That’s what I’d say Manga Spinner’s narration is equivalent to, because it literally starts off like “Whats up guys, I’m Spinner from the League Of Villains! We’re not in the best of conditions, as you can see, and we’re trying to work our way back to the top! Stay tuned!”

Anime Spinner’s narration is probably equal to a documentary, stating what has happened and whats going on now. And describing what Tomura’s face looks like. In fact, the description of the face is probably the only personal thing the anime put in from Spinners POV so far. I guess they were trying to keep that bit in to add that “personal” feeling we didn’t get from the initial narration, and since its such a small moment, it would quite easily fit into a few seconds of the episode without running over the episode limit but. there’s a big difference between “Whats up guys, I’m Spinner from the League Of Villains and we’re homeless, but we’re trying to get better!” and “His face looked like an eager child”

With the League in the shed scene, there was an awful lot there to be concerned about being cut. First we have Toga and Twice’s interactions, wholesome and sweet, which was supposed to cement their friendship which would make it all the more heartbreaking when Twice breaks down over Toga being in danger. For anime onlys, they could go off the past scenes from past seasons but idk that bit with them in the shed was supposed to be a recent reminder, to refresh your memory and such

Then we have Compress and Shiggy, because that mention of the sushi was supposed to be something Shiggy would remember and look back on, showing how connected he is with the League. With Spinner and Shiggy, that was meant to show the unrest and tension in Spinner and his ideals, and when he grabs Shiggy to yell at him, thats supposed to show you how much this matters to Spinner and how that moment tells the reader “Oh this arc is about Spinner and Shiggy”. The arc is about the League as a whole, but it’s meant to tell you as the reader that “This main villain and one of his background lackeys are going to have conflict”, and thats interesting!

Dabi’s entrance and what he said about recruitment was meant to be a build up to his conflict with Hawks. It was also meant to show how Dabi, despite seeming pretty aloof, still chooses to come back to the League and be a part of things. That despite Dabi trying to separate himself from them, he still finds a place to belong. Him bantering with the other members also showed how familiar he is with them, again, to show that this is a place he belongs

The Big Thing with Horikoshi is build up. The man slow burns to hell and back, and while it’s frustrating, it’s good. The Dabi Reveal’s burst of excitement in the fandom was because of that build up. It shows that Hori is willing to show little bits of development to really make the pay-off of waiting and reading worth it when something impactful happens.

Now, I can see why that would be a bit of an issue for the anime, because again, time limit of an episode and how many episodes/seasons you have to fit the storyline in and evenly space it out. Fitting it all in while still creating that feeling of tension must be hard, and I can see why it would be too.

But this isn’t about fitting in. This isn’t down to time limit or episode space. The simple fact is that Bones already screwed too much with it before MVA even started. They messed around with storyline, with the cuts, with dragging out scenes that really don’t even mean much - except for that scene with Enji thinking about his family, cuz that had meaning, but it was just way too dragged out. With dragging out scenes, both with and without meaning, I can see that as the studio trying to make fit the length of the episode but it just doesn’t work

And then there’s the Beach Episode for the girls, which wasn’t necessary at all. And I could also see that as them dragging out the season in order to potentially make S6 the League’s arc. But that didn’t happen

Instead, they rushed it, tried to fit it all in, while trying to keep in that Popular Characters Are Here So Please Watch element. Which AGAIN doesn’t work as good story telling because if you’re going to stretch it out for the Popular Characters, you need to evenly space out what scenes are used where and still be able to tell a coherent story. Which isn’t the case here because they prioritized Popular Characters Are Here So Please Watch instead of the actual plot

So I don’t think it’s about time limit of an episode + how many episodes you have to fit in the season and evenly space it out, not in this case. It genuinely is just bad decision making

Animation is kind of an exception because of that whole priority of saving the budget for Oh My God This Is Incredible scenes as opposed to minor scenes. We’ve only watched the first episodes so far and there is that whole concern with the characters height and Spinner’s face, but we’ve yet to see the rest of the arc, so I’m personally gonna hold out until its over to really judge the animation. With the heights and Spinner’s face though, I can see that it probably (probably) wasn’t the case of “We hate these characters fuck you”, it’s likely more about “We have to get this out and done on time so idk just quickly draw and get it over and done with”, you know?

Anyway lol I don’t think I’m saying anything that hasn’t already been said by the fandom, but I still felt compelled to talk about it. It’s such a shame, because anime onlys don’t get the full experience of what happens.

MORE THAN THAT, it’s all very well and good saying “Anime onlys please read the manga”, but for a lot of anime watchers, the only way they CAN follow the story is through watching it. I think I remember reading about how its hard for people with ADHD to focus enough to read the manga (I know thats the case for one of my irl adhd friends at least) and then there’s also the fact that they may lead busy lives. But it’s because of this rearranging of the arcs that I know it has to be frustrating for anime onlys too because they don’t get the full experience and they hear from manga readers that they aren’t getting the full story either! I’ve read some posts about how manga fans were excited to connect with their anime-only friends without spoiling anything, and the anime onlys just ending up confused and unimpressed. I feel for them and I know it has to be frustrating from both ends

Thats kind of why “being creative and messing with the storyline” doesn’t work in anime adaptations. Adding stuff in and having anime only episodes is nice for creativity and stuff but you have to be able to still have time for the rest of the story in order for it to work, otherwise you just end up confusing everybody, and again, those who can’t follow the story through manga miss out on the fun

I’m not an animator, nor am I entirely sure how production and such works, this is only based on the aspects that seem more logical with animes and why they do the things they do. So if anybody who actually is an animator or knows more about this than I do wants to come forward and tell me whether this is right or not, I’d be happy to be corrected with constructive criticism

Same with the ADHD stuff. I don’t know everything about it and there’s likely exceptions to the focus thing, but please don’t hesitate to also correct me on that

If you’ve made it this far, then thank you for reading my thoughts on Bones and how they’ve dealt with everything. Once again I’m sure I’m not saying anything that hasn’t already been said but still. I’m just putting my thoughts down

[sweetnsinfull]

Responding for the minor drama (TW: drama)

I only have experience with female and non straight fic writers and obviously what I say won’t apply to everyone/every situation. ANYWAYS, I think there’s a big difference between women writing fan fiction (sexual or not) and men (for the most part). So when I say men I mean a specific group that I’m sure everyone knows of.

When I see (typically straight) men make fan art or fics about characters that appear as minors they rarely ever stress that the character is aged up, unless they have a large audience, but even then, everyone knows that isn’t really “implied”. The specific type of men I’m thinking of get their rocks off on the thought of having a sweet “child like” or “innocent” waifu and being able to do as they please with them.

I hardly ever see men writing or making art of non sexual content with these characters, or at least the ratio is terrible. Many female creators (and basically everyone outside of that specific male group) have a great balance of platonic, romantic, and sexual content.

If you were to compare explicit artwork, you’d notice a big difference. Young female characters are often drawn bare and with child-like features. (Large round eyes/face, rounded limbs/hands) When younger male characters are drawn, they are clearly being portrayed as an adult. They’ll have body hair, defined facial features and muscles, ect.

Idk if all this makes sense, but what I’m trying to say is that very generally speaking, men are typically more predatory than women when it comes to content making. Men tend to get off on and attach to the pervyness of being with said character, women like the character as a whole and attach to them as a person.

Okay that’s my best attempt at writing what I’m thinkin, thanks for coming to my Ted Talk.

Fucking FACTS. You’re completely correct. I’ve said it before and I’ll say it until I’m blue in the face. I have yet to see a man go wow, this female character is strong, smart, and independent and I REALLY like her for x personality trait or plot point. I had a guy try to rp with me and wanted me to rp Uraracka. When I asked why, he responded with “because she’s sexy, and fit, and loves Deku”. Like wtf even is that.

Anyway, if the people whining really had an issue they’d be going after mangakas and animation studios. There are 90 billion fan arts of the gals from sailor moon half naked. HELL Usagi is dating a college freshman, as a high school student and that shit is CANON and no one complains. Let’s not even go into dojinshi artists, nor the concept of Yaoi where majority of the men look like 14 year old boys.

Specifically for MHA, whenever someone goes “but sexualization!!!” I immediately point to Momo. Like yeah, it’s her quirk or whatever, but Horikoshi literally wrote in a reason to keep Mirio’s clothes from coming off when he uses his quirk, but couldn’t do the same for Momo, who is 15? Cmon now lmao.

TLDR: If these people wanted lasting change and really felt that upset about ‘sEXuALiZiNG mINoRS’ they’d be looking to change the industry, not harassing fic writers and smaller artists. Take your complaints up to the manga writers. Try and lobby for some sort of change to what is considered CP and what is not. It’s a pointless waste of time because at the end of the day, none of us are going to stop writing/drawing smut because of a few people who are annoyed about what we choose to do with a fictional character. 🤷🏽‍♀️

[haleigh-sloth]

Since you read Naruto recently can you give me your honest opinion of it? Like, is it worth it?

I've never read it or watched the anime, but I know some fans don't like certain things about the series, big things. Like, the main girl, the ending, and something involving the other guy (Sasuke?). (Also, the new series and the canon ships)

Also, I'm following this manga, and a lot of people say: "Omg, this is way better than Naruto!" But I honestly don't see anything special about it, and I'm kinda afraid that if "that's better" then just what happens in Naruto?

So, anyway, I really want to read the series (it's a classic after all), but I'm a little hesitant about it. Also, you read it as an adult (I'm assuming, idk your real age) so I want the opinion of an adult.

P.S - I'm asking you this cuz I read Harry Potter as an adult, which means that I noticed many flaws, and when I pointed them out to people who grew up with the series, oh boy, let's just say that I lost some friends.

Anyway, please and thank you (in advance). Have a nice day!

So here's a few posts where I talk about *some* of my thoughts on Naruto.

But I'll expand a bit more too.

If you truly enjoy BNHA, you will enjoy Naruto. My blog is mostly BNHA content so I'm assuming you follow that series if you're in my inbox lol. So if you like BNHA then yes it's absolutely worth reading. It's really cool to see the little inspirations from Naruto Horikoshi picked to use in BNHA, and it's just overall a fun story.

Now every story is going to have something worth critiquing or complaining about. But you might want to ask people why they don't like certain things about it, or rather WHAT exactly don't they like.

For example, if someone tells me they didn't like Naruto because every villain was redeemed, well, I automatically don't take their opinion seriously after that. Same for people who complain about BNHA because the main character cries a lot. I honestly don't care about your opinion if that's the kind of thing you just can't stand about a story. That’s just me tho ¯\_(ツ)_/¯

So like...why don't they like Naruto. It's okay that they don't, but ask them why. Because a lot of people read manga and truly expect typical--superhero kills the villain and everyone worships him in the end--type of story. Power fantasy. Which manga usually aren't like that. I mean power fantasies yes, but accompanied by other things they don’t like. There's a lot of villains switching sides, people being shown compassion and empathy and in general expressing a lot of emotions (Naruto and Deku crying a lot), and some people don't vibe with that and that's fine. But maybe they should pick a different genre to read ¯\_(ツ)_/¯

As for Sasuke, man I really don't know what everyone's beef is with him. I'll say that his "redemption" was a little rocky at the end, but his overall arc and story was great. He's my favorite from the manga. Again, that brings me back to why don't they like Sasuke? Is it because he defected and went "bad"? Because, well, that's how plots work. Shit happens. I say that because I've heard my irl friends say they hated Sasuke too and it's like.....it's a story....he's gonna do bad things. People just act like they're personally getting attacked when a character doesn't do what they want. I don't get it. Anyway, I'm always really skeptical of peoples' opinions on stories, especially if they have wack opinions on other series. That kinda tells me all I need to know on whether I should trust their opinions or not....lol.

The way Naruto handled its romance is not unique to this series, and it’s certain not unique how Naruto handled its female characters. That’s pretty much any fucking shounen manga where the female leads just kinda suck in general. So that’s not really a reason to me personally to write off the story completely. But some people may find it to be. It’s all personal preference really.

But TLDR:

Yes it’s worth reading. It’s a great story. The friendship focus is very present in it and, to me, it has a heart warming ending. It has a happy ending which makes it worth it on its own.

But yes, I will recommend reading it.

[raspberry-rampage]

MIDNIGHT DESERVED BETTER

SPOILERS FOR CHAPTER 296 I GUESS

can i just say that midnight’s death was simply stupid.

to summarise her actions in the recent arc:

she’s assigned to the group attacking the mansion. knocks out big number of the the PLF members. pairs up with kamui woods and tries getting closer to make machia fall asleep. dabi attacks them, kamui gets burned and throws her. she gets hit by the rubble that mr. compress throws. she falls down. calls yaomomo to give her a plan. she’s hurt from the fall. encounters plf members. presumably, cause it happens off screen, fights and gets killed by them. she dies alone. later her body is found by the students. her face is not shown, only her mangled mask and students holding her hand.

let’s compare her death to another character’s who died in the presence, who was quite important to the main character/s, their ally, mentor, and significant to us, readers. i mean nighteye.

nighteye, all might’s former sidekick. becomes a mentor figure to deku. fought with overhaul, the main boss of the arc. gets mortally wounded, it’s shown clearly on the pages. we also get a hospital scene where he says his farewells. the funeral gets a mention in later chapters.

nighteye’s lifespan amounts to... 38 chapters (124-161). midnight’s ‘official debut’ was in chapter 24.

what midnight gets? she doesn’t fight the main boss. gets offed off-screen by minor villains. her farewell is three panels, no dialogue.

can i just say. WHAT THE FUCK.

i’m not hating nighteye, no siree, liked the guy, was sad to see him go. but midnight? i adored her so much. especially started appreciating her more cause of ‘vigilantes’. but. i can’t get over how unfair this seems.

also, i’m not saying that everyone should go out in a blaze of glory. life is ugly, after all. but we’re talking about a fictional work and about what a character that is of importance in the story deserves.

what could be the cause of this treatment?

my theory is that it could be:

a) midnight’s gender, so her being a woman;

b) horikoshi trying to wrap the arc quickly and move on to the ‘final’ fight and then prison break (which cuts out farewell time, i guess we can expect to see a funeral scene later, if lucky).

for example, point a can relate to the fact that her face was not shown during the laughably short farewell scene. horikoshi doesn’t shy away from gore, yet midnight’s beaten up face was too much, i guess?

i just. i can understand this treatment for majestic. dude was mentioned but made an official debut not that long ago. but we’re talking about midnight. the beloved midnight. the only female teacher/staff member of u.a. besides recovery girl that we’ve met. oh wait, forgot about thirteen. so hooray, 3 women to 11 men ratio. now 2.

what the absolute fuck, i repeat for plus ultra-th time.

midnight was pretty much the only adult woman hero that was the closest to the main cast. let’s not get more into how sexualised the female heroes are (it’s even mentioned in canon, so horikoshi knows what he’s doing and YET doesn’t acknowledge that in his designs or how female heroes are represented), just so many wrong things are going on. and i’m not saying i hate their designs (big mirko fan) but i get pissed off at the unfair treatment. why do most of the female heroes have to wear spandex? but that’s not the issue that we’re talking about now.

i don’t know. maybe i’m overreacting. probably am. but i honestly can’t comprehend how horikoshi could’ve treated midnight like this. it’s not the first time that a female character in mha gets the short end of the stick, but i can’t help but hope. oh well.

tl;dr midnight deserved better than being offed off screen and getting a few panels with no dialogue as a farewell.

please feel free to express your own opinions on this.

[goofnuggetkarlaa]

Long OFA Quirk Theory Post, BNHA ch 257 Spoilers

Also I apologize now for anyone on mobile where the read more isn’t working properly and you have to scroll through this whole thing. It got way longer than I intended. I won’t be upset if you block me so you don’t have to see this post anymore lol

Alright so I was really hoping All Might would at least briefly say the quirks of the previous OFA holders he found (or have a quick panel showing them in the notebook or SOMETHING), but sadly we’re gonna have to wait a bit longer I guess...

However, he and Bakugou said the same thing: all of their quirks are relatively weak, since AFO was basically controlling the quirk world and taking all the strong quirks for himself or his “army”

It makes me curious though about how weak the quirks really are. Since idk about yall, but Black Whip seems to be an incredibly strong and versatile quirk (even taking into account that it was weaker back then compared to Midoriya using it now).

We also know that quirks in general get stronger the more generations go by (not just in OFA, we see this in the children the remedial course “fights”), so it makes sense that none of the quirks in OFA are particularly great compared to current times, given that quirks were still developing (tho... like I said before, I really doubt that’s the case. They may be physically weak quirks in combat, but I’m sure Midoriya will find a way to make them all incredibly op).

Another reason why I’m kinda doubting the legitimacy of the whole “they’re all weak quirks” thing is because of what AFO says about Nana. He calls her weak, a useless successor, etc. Now, I suppose having a quirk that lets you fly might seem like a weak quirk. It’s no muscle enhancer, explosions, lazer beams, etc. Though Nana herself was clearly ripped as all hell (like bro I’m so gay wtf)

Ahem, anyways, maybe he was just saying that to taunt All Might, to break his spirit or whatever. Typically evil villain stuff. But also... AFO doesn’t seem to be the type of guy to do that. To just call someone weak even if they weren’t. (altho he also uses a flying quirk, so make of that what you will) BUT ANYWAYS this just leads me to think her quirk was probably the “weakest” out of all the successors he had faced so far. I would probably think the same if the successor 2 people before her had something as interesting as Black Whips.

So what kind of quirks are they? Unfortunately my theories are only based off of their appearances, and AFO. I’ll mention the bit about AFO first, since it feels more solid than the bit about their appearances.

It’s a theory I’m kinda believing less and less with the information we’re being given, but I wonder if AFO could have taken their quirks before they died. Sort of like a way to taunt future holders. Like “haha look I’m using your master’s beloved quirk how does that make you feel.” And I mean, yeah, he can’t take OFA, that much has been established (altho that seems like it’s gonna change soon... hmmm shiggy what you up to?). But what about after they’ve passed OFA on to the next person? They still should have their original quirk, since OFA seems to work kinda like a copy-paste system. So would AFO be able to take it then?

I’ll use Nana as an example. In the short 2ish minute special, All Might Rising, we see Nana’s last fight against AFO. At this point, we know she must have passed the quirk on, because the last thing we really see is her pointing at All Might as Gran Torino carries him away. We don’t actually see her death. There could have been time for AFO to take her quirk. And we know he has some sort of flying quirk, Air Walk, which could have been hers (although we won’t know until the official translation comes out. However the current fan translations are calling Nana’s quirk stuff like Levitate or Hover)

Unfortunately that’s about where that bit of my theory comes to an end. With ch 257 saying the quirks are weak, I doubt AFO would have been using them in his fight with All Might. Gran Torino also mentions his quirks and fighting style were totally different from the last time 6 years ago, so that also kinda tears this theory apart. At least the bit where the quirks we got to see were any of the successors’. He still could have taken them and passed them on to the nomu while he waited for Shigaraki to be able to use them himself.

As for the appearances and quirks themselves... well, we really only have 2 that we can take a guess at. I know people have the time travel theory that Bakugou was the 2nd wielder, but I don’t like that one very much. But that’s a post for another time.

Also, from here it’s really just my opinions, and not a lot of solid or even jello-y theories. Like sand. It’s just a mess. Just a jumble of observations and  ¯\_(:/)_/¯ materialized.

So here’s the closest thing to a full body shot we have of them, the 4th on the left and 6th on the right.

The first one I’m gonna talk about is the 4th holder.

The first thing I noticed are the two marks on his face. They don’t seem like scars or some other kind of injury. They’re not drawn lightly the way Midoriya’s or Todoroki’s scars are, they’re really dark and crisp. So I’m thinking either some kind of tattoo, or (more likely) something to do with their quirk. Sort of going with my AFO theory above, it reminded me a lot of the forced quirk activation quirk he was using, though looking further into his appearance, I don’t think that’s right.

He has very contradicting vibes in my opinion. His clothes make me think something to do with water or wind, or some sort of spiraling energy like Nejire’s. But based on his face, body, and stance, I would lean more towards a physical quirk. He seems like a solid dude. Originally, I had believed he had a wind type quirk (thinking about Inasa’s appearance, he felt similar somehow), but now that Nana’s quirk is confirmed to be some kind of flying ability, it feels like having a wind quirk (that could also theoretically make you fly) would erase the point of Nana’s, and I doubt Horikoshi would want Midoriya to have quirks similar to each other, thus limiting how badass he could be (and lets be honest, this is a shonen jump manga. protags gotta be as op as possible, especially in a series like this which just SCREAMS the very essence of shonen manga. not that I’m complaining btw, I love op characters)

So anyways, I’m currently at a loss for this guy, the only other hint I feel like we have for his quirk is the color associated with him in OFA, blue, which doesn’t help much, seeing how the 5th with Black Whip is red and Nana’s with flying is yellow(? can’t really remember)... None of it seems related

Which leaves us with the second wielder we know little about, the 6th user.

And let’s be honest, there isn’t much to work with here either. Since I just mentioned associated colors, I’ll just point out right away his color is a purplish-blue. So do with that what you will. (I’m going to get into it in a moment, but I theorize a mental/kinetic-type quirk for this guy. Purple is maybe associated a bit more with kinetic-type abilities? idk look at Shinsou)

Appearance-wise, I definitely get a more mental based quirk. He’s kinda small, seems reserved, so that’s just my gut feeling. You can see some bandages around his arms, though, which might mean... something? Perhaps it has to do with his quirk, maybe he just got injured (maybe he got injured because of his quirk..? hmmm)

Honestly, his appearance just reminds me of Kageyama from Haikyuu!!, so my brain keeps unhelpfully jumping back to that, making it hard to come up with good stuff for him. If I had to guess at random, I wanna say pyrokinesis. This is partially because of a long-winded, very very VERY unlikely theory that he could be related to Nana who could VERY UNLIKELY be related to Inko, so ya know, probably some big family tree of kinetic-type abilities (since, assuming AFO isn’t his dad, which is a theory I’m a big fan of, it would be possibly pretty emotional for Midoriya, seeing how it COULD have been his quirk if he were born with one, since it’s a good mix of his mom and dad’s quirks) The other reason is just cause I thought it’d be cool. lol.

Though to be fair, part of that “it would be cool” has to do with the idea of “how op can Midoriya get?” which involves having a large range of abilities to be able to be effective in any situation. so far he has super strength as the base of OFA (which is always good in a fist fight), restraining with Black Whip, and eventually mobility with Hover. It would make sense for him to also have more rescue-type abilities, seeing how so far most of his skills are geared towards fighting rather than saving, which is the opposite of Midoriya’s personality. So I thought of natural disasters: earthquakes, tsunamis, typhoons, floods, mudslides, and volcanoes are listed as common disasters in Japan, and fires are more-or-less common anywhere. So having an ability that would be beneficial in those situations would be ideal, such as pyrokinesis to stop a fire, or something like hydro/aquakinesis to rescue those in a flood/tsunami.

Sooooo tldr I have no idea what the fuck their quirks could be but I love to theorize random shit so please come talk to me because I’m bored and dying for more content so I’m doing all I can to keep sane while I continuously wait for more updates :)))))

also I’m sure my thoughts were all over the place and made no sense, I’m sorry, I really tried to rewrite stuff over and over to make sense, but I might have made it worse, so if you don’t understand something or think I missed something, please let me know. I probably either worded it strange, or thought of it and didn’t remember to include it. BUT IF YOU THINK OF SOMETHING I ACTUALLY DIDN’T I WOULD REALLY LOVE TO HEAR IT PLEASE!!! SO DON’T BE AFRAID TO CALL ME OUT ON SOMETHING! not if it’s about the time travel theory though, I’ve had enough of that right now lol

small edit: I went back to watch the movie again (in 4d this time) and realized I had messed up the colors of the AFO holders. Also, they appeared slightly different in each shot (in one, the 5th holder was pinkish purple, but another shot was a deep red?), so I’m basically ruling out that colors have any meaning at all. Not like I think they had much basis to begin with though...

[transhawks]

Its nice to see someone else who sees enji for his bullshit and doesnt thirst/gloss over him. This maybe TMI,but i panicked when i seen him and whatnot because he reminded me of my brother who beat the shit out of me for years(he raised me),since i was a kid till now. I went through mental and physical shit and so i absolutely hate Enji because theyre so similar. But then to see people do THAT to him,kinda fucks with my head you know? Like "oh maybe my brother deserves redemption"(1)

Two points. I’ll address the trauma under the cut. 

1. My argument is also “if by chance you like redemption arcs so much that Endeavor is likable to you exactly for this reason” you’re getting conned. The narrative Hori has written is not conducive to a good redemption arc. In every actual instance we’ve seen him abuse his family, he is not regretful or remorseful - anything approaching that concerns squandered potential, not concern over his family. Even his attitude towards Shouto now is tied in the idea of being a hero and letting him be a hero of the type he wants to be. 

There’s no actual understanding on what it means as a family, besides occasionally giving the woman he canonically forced into a marriage to be a breeding sow before having her institutionalized after she developed what amounts to psychosis from his abuse and control over her, flowers. Flowers. 

If Horikoshi goes out and does a redemption narrative solely on the basis of Enji being a hero, I’m sorry, but you guys are getting shit. You are not getting a redemption arc worthy of stanning such a character, you’re getting half-assed shit that makes no sense and also just cheapens any emotional depth that the Todoroki arc so far has.And you know what?! That’s understandable; shounen has this problem! I remember being so, so pissed at Naruto post-698. I found the ending horrible, and after a brief attempt at following Boruto, I found everything about it so wretched I just gave up completely on a fandom I’d been in for a decade. And with distance I can just say this: it was badly written, disjointed and thematically unsound and that seems to be an issue with a lot of Shounen Jump manga. 

Whether its out of touch editors, mangaka with severe personality issues that worsen in the extremities of the kind of job they do, or just a complete lack of understanding that their paying userbase is not twelve-year old little boys any more, Shounen Jump has problems managing their manga. That’s why things like Naruto and Bleach are so...messy. And shounen as a framework doesn’t work well with narratives unless they are shortened.

So, to reiterate, I think Enji is a terrible human being, and also because of what Horikoshi seems to be attempting, a terribly written character too. And that if, against what I see as common sense, you really want to stan him as a character, you can and should be demanding better character development for him. I’m not seeing any.

Now for part two. I had the same reaction to 203, anon. I didn’t see a part two for your ask, but I’ll say this: what people seem to misunderstand is that there is nothing new or novel about fiction that redeems abusers, especially male ones who are in some position of power. In 90s comics, which Hori takes influence from, had so many antiheros that were utter jerks and had to go on such arcs to redeem. We like the idea of people striving to do better. It’s a hero’s journey kind of thing, if you like Campbell’s theory on that.

And, generally, I agree! I like people doing better, coming to terms and atoning for their harmful actions! But not at the expense of their victims, which generally tend to be women and children. 

The thing is, people forget that there are movements for victim rights and credibility because historically, in many western and eastern societies, there weren’t avenues for them, or tolerance. So this idea that people liking Enji being ‘subversive’ ignores that people like Enji in real life get away with what they do to others, and get to keep the power that allowed to do it. 

And even worse, real life abusers, when they get exposed, get to go on ‘redemption’ tours, apologize, and continue on... or, if you’re Louis CK for example. come back a year or two later, and yell about how oppressed you are for being made to be accountable at all while people with power defend you and give you platforms.

We are so forgiving towards abusers and want them to do better, which is why we let them tell us how sorry they are and how they’ll do better, and then they get to live life like they always have. It’s why parents who public shame their child or verbally abuse them get to keep their children, because ‘how others raise their kids is their business and they’ll do better’. We get to hear people debate whether they did anything wrong in the first place, how there’s an overreaction, and then whether ‘they’ve atoned enough’.

Where does that leave the victims? Especially when we go to supposedly ‘not reality spaces’ like fandom which...have the same shit, on both a fictional and real life basis (there’s been plenty of fandom drama over Big Name Fans using their clout to be creepy to underage kids).

It leaves us with the cold reminder that the world is truly never going to really care for us.

And, also, anon. If you don’t feel your brother deserves redemption or forgiveness, don’t give. No one is entitled to you giving him, not him or not people who do things in the interest of ‘civility’. I hope you find peace in your choices and memories, but please don’t make people in this fandom, who think their niches of fandom, especially ‘edgy’ ones, as besieged identities, gaslight you into accepting harmful behavior.

[makeste]

an index of Horikoshi Kouhei interviews

these are organized by date, oldest to newest, and I’m including a brief bullet-point summary of each to make it easier to look up specific interviews by content.

also, please note that although I haven’t spoiler tagged this post, the interviews from roughly 2019 onwards include some spoilers, so please watch out for those if you’re anime-only or otherwise not caught up with the manga. that said, the other interviews I think are all good.

putting this below a cut to keep things tidy.

interview with Horikoshi Kouhei and Kishimoto Masashi, May 2015

(note: this is not the actual interview word-for-word, but includes the highlights)

Horikoshi talks about being a fan of Naruto when he was growing up

Horikoshi says he was inspired by the way Kishimoto shows emotion through drawing hands, and that he loves drawing hands thanks to Naruto

Horikoshi mentions that Gaara is his favorite character and that he really liked the Chuunin Exam arc

Kishimoto praises BnHA and says he knew it would be a hit when he read the second chapter

they talk a bit about the worldbuilding and the process of creating a story where 80% of the population has superpowers

they discuss Naruto and Sasuke’s rivalry and Horikoshi mentions that he found it “frustrating” and that he really liked the Valley of the End and thought it would be the end of the series. he says it was very emotional

they talk a little about the stress of writing manga and about the toll it takes on mental health

pre-anime interview, April 2016

talks about his reaction when he found out BnHA was getting an anime

talks about how the series originally came about

says that BnHA is the story of Izuku and All Might and that their story is the “vertical axis” which runs through the main story

says there is also a “horizontal axis”, which is the side characters and quirks and all of the other elements that he considers to be the “fun part” of the story which mellows out the darker aspects of the vertical axis

mentions that he really likes drawing and writing Bakugou

mentions Deku vs Kacchan 1 as one of the early highlights in the series for him

talks about Ochako being someone who has a more cheerful relationship with Deku, which balances out some of the heavier aspects of Deku and Katsuki’s relationship (again, horizontal vs vertical axis)

mentions that if he could pick any quirk he’d pick a “no need for sleep” quirk

talks about reading Dragon Ball as a child

mentions that he really likes American comic book heroes, especially Spider-Man

mentions Goku and Spider-Man as the two that come to mind when he thinks about heroes and what it means to be a hero (specifically, that Goku is the “win” aspect and that he brings reassurance to everyone, while Spider-Man is the “save” aspect who helps other people)

talks about hearing Deku and Bakugou’s voices in the anime for the first time, as well as Ochako, Iida, and All Might’s voices

another pre-anime interview with konomanga.jp, April 2016

(note: this interview is in Japanese, but Google translate does a servicable job with it)

talks more about Spider-Man, including his favorite costumes and comic artists

gives some American comic book recs

mentions that he likes Godzilla and Gamera and always goes to see those movies

talks about his Star Wars influences

talks about his favorite manga as a child -- Dragon Ball, One Piece, and Naruto

talks about becoming a manga artist, and about some of his influences

says that he likes drawing monsters, creatures, and villains, and says that he really liked drawing the panel where Tomura made his first appearance at USJ

talks a little about composition and frame movement in his work, and about the challenges of drawing a weekly manga

mentions that he knows what the story ending will be, but hasn’t yet figured out how to connect the dots to that point

interview with Horikoshi Kouhei and Umakoshi Yoshihiko in BnHA: Ultra Archive, May 2016

(note: Umakoshi is the anime character designer for BnHA. also, this interview was part of the Ultra Archive character book, so you’ll have to scroll a bit through its other contents in order to get to the interview.)

they talk about the process of creating the BnHA anime and sketching out all of the character designs. Horikoshi says the anime character model sheets look just like how he draws them

they talk about Horikoshi’s obsession with drawing hands lol. Horikoshi mentions that the way Mike Mignola (the creator of Hellboy) draws hands was a big influence

they talk a lot about art and drawing in general

Horikoshi talks about Ochako’s character design a bit

they talk about the differences between drawing manga and doing animation

Umakoshi talks about his first impressions of BnHA

Horikoshi mentions that he still has a lot of ideas for characters and quirks that he hasn’t been able to implement yet

they talk about the different character designs and which ones they find easy, difficult, and fun to draw

they talk for a fair amount of time about Iida’s character design

Umakoshi talks a bit about other anime he’s worked on

they talk about the character of All Might, and Horikoshi ominously says that All Might’s future will be “a fairly sad affair”

interview with Natalie Comics, June 2018

talks about the 4th anniversary of BnHA, and the release of BnHA: Two Heroes

talks about the Basement internship arc and mentions that it was challenging for him to write

talks about the question “what is a hero?” and how he defines heroes

mentions Mina, Sero, and Shouji as characters he would like to/plans to feature in the future, and mentions that he already has a story planned featuring Shouji

talks about the popularity of the series

talks a little about Koike-san, his first editor

talks about Two Heroes and its development and story

talks about club activities at U.A., and which clubs Deku and Katsuki would be in

talks about his mom and about some of his childhood experiences which inspired scenes in the manga

talks about why he became a mangaka

talks about what percentage of the series is completed, mentions the original planned length was about 30 volumes but that it has obviously surpassed that

mentions that he has an idea of how the last arc will be planned out

interview with Horikoshi and Eiichiro Oda, August 2018

Horikoshi talks about being a fan of One Piece and mentions he even sent artwork to Oda which was included in one of Oda’s galleries

they talk more about OP and about favorite arcs and how it’s influenced Horikoshi’s work

Oda compliments Horikoshi’s art and they talk about cover artwork and coloring (Horikoshi mentions he uses Photoshop)

Horikoshi talks a bit about BnHA Two Heroes

Horikoshi again mentions that he originally thought BnHA would be about 30 volumes (Oda says he should shoot for 50 but Horikoshi laughs and says he’s not sure he can do ten years)

they talk about how fucking long OP is and how manga stories tend to expand once the story starts taking off

Interview with Anime News Network at SDCC, August 2018

talks about his love of American comics, especially Spider-Man, and says that American comics are a lot more mainstream in Japan nowadays thanks to all the superhero movies

talks about how he got started as a manga creator

talks about being inspired by Dragon Ball, and that All Might in particular was inspired by Goku

talks a bit about the process of creating characters

talks about Bakugou’s popularity and that it took him by surprise at first

mentions that he doesn’t have the stamina for BnHA to be a long series like One Piece

interview with Cinema Today Japan, December 2019

(update: here is the link to @hanashimas​‘ translation which is more accurate)

talks about Deku and Bakugou’s characters and their attributes

mentions that at the start of the story Bakugou thinks Deku is above him, so he tries to act intimidating and superior to overtake him

(ETA: apparently this is a mistranslation; he actually says that he intended for Bakugou to be a character who was “above” Deku so to speak, who Deku would eventually surpass. he then goes on to talk about his realization that Bakugou could actually have a much more interesting character arc, which of course we have since seen play out.)

mentions that he planned to have Bakugou and Deku improve on two separate vectors as they entered U.A.

mentions Deku vs Kacchan 1 as a turning point where he had some realizations about Bakugou’s character that humanized him for him

mentions that he always knew Bakugou wouldn’t turn evil and “would never lose to the darkness”

says the scene where Katsuki takes Kirishima’s hand at Kamino was bittersweet because it showed Bakugou’s growth, but also showed the ongoing gulf between him and Deku because Deku knew that Katsuki wouldn’t take his hand

mentions that Bakugou still needs to apologize to Deku

says that Kirishima, Kaminari, and Mina are among the easiest characters for him to draw because they take the initiative and get the other characters excited and help pull the story forward

mentions that he always hears Nobu’s voice in his head now when writing Bakugou

talks about the characters being high school kids still, and that when he expanded on their families he was conscious of that -- “I wanted to show that these protagonists are still children after all”

interview in Volume R (booklet that was released along with Heroes Rising), December 2019

talks again about his manga influences and what inspired him to become a mangaka

talks about the experience of getting his first manga published

talks about what inspired him to write BnHA

has an interesting quote where he talks about the vaguely desperate feeling of “trying one last time”, which was weighing on his mind when he created BnHA, and which also played into Deku’s motivations in the first chapter

mentions All Might as being a character that he’s attached to

talks about his reactions to the anime, the overseas popularity, and the first movie

talks about his heavy involvement in the production of Heroes Rising

talks about designing and creating the bad guys for Heroes Rising

talks about the creation and character design of Hawks and mentions that the original character design was going to have a bird head lol

mentions that Hawks will have a relatively big influence on the story in the future

talks about how the ending of Heroes Rising was his original planned ending for the series

talks about Bakugou’s character development which leads up to that moment

talks about the conclusion of the series, and that all of the characters will come together in the end

interview with all of the past editors of the BnHA manga, March 2021

(note: this is another interview that’s not translated word for word, but summarized. also this interview was with just the editors, not Horikoshi himself.)

they talk about the early reception to the manga, and Horikoshi’s reactions

they talk about the individual moments early on when they realized that the series would be “amazing”

Yoritomi mentions that Horikoshi came up with the designs for most of the Billboard Top 10 pro heroes at the last minute lol

including Hawks (all Horikoshi had decided on prior was that he was going to be “cool” and would be a spy)

everyone praises Horikoshi’s character designs in general

they talk about the start of the anime and that whole process

they mention that Horikoshi cried watching both of the movies

they talk about the overseas popularity of the series

each editor lists their favorite episode of the anime

they talk about Horikoshi sacrificing his original manga ending to be used in Heroes Rising

they talk about that one ending theme song in season 4 that showed the pro heroes’ childhoods, and that Horikoshi had the anime team change Hawks’s to match the backstory he had planned

they talk about the upcoming season 5 and send final messages to the fans

interview in the MHA Drawing Smash Exhibition Pamphlet, April 2021

Horikoshi talks about the art in the exhibition and about the process of creating the artwork

he mentions that the piece with Deku rescuing a falling Ochako took the longest to draw

he says the drawing of All Might was the most fun to draw for him

that’s pretty much it, this one is very short lol

interview in Jump GIGA Spring 2021, April 2021

talks about which characters will play an important role in the final act. specifically mentions Hawks, Ochako, Shouji, Shinsou, Monoma, and Sero

“many characters’ actions will converge into a single one, so maybe the best way to say it would be ‘keep an eye on all of them!’“

says that for Hawks’s flashbacks and the Todoroki family’s past, he was influenced by Sion Sono’s works

mentions that the drawing of Deku and Ochako from the MHA Drawing Smash exhibit isn’t directly related to the main story, but that while drawing it he kept in mind how their relationship would develop if he explored it deeper

says he had the final act (or at least the chapter 306 reveal part of it) vaguely planned for a long time, but started to think about the specifics in volume 21 during the Endeavor vs High-End fight

says he’s already decided on the ending, and that “the path to it has been longer than I initially expected, but the main elements that I’ve decided before starting the series are still the same”

Q&A trivia from Vol. W World Heroes’ Mission, August 2021

(and alternate translation by aitaikimochi)

talks about All Might not having many friends among the pro heroes (but says he’s become “slightly attached” to Aizawa since he started teaching at U.A.)

describes what Bakugou, Tsuyu, and Mineta’s rooms look like

talks about Jirou and Momo’s relationship and the kind of things they like to talk about when they hang out together

says that Shouji’s face will eventually be revealed, and that he is “not sure” about Hagakure’s :’)

talks about the types of YouTube videos Shouto watches (pretty insightful answer which is equal parts sweet and sad)

says that Midnight’s classes were the most popular among the students

says U.A.’s robots once rebelled against their creators (lol wtf)

says his three favorite movies are Akira, The Ring, and Spider-Man: Far From Home. he says Akira in particular is his bible

and that’s it for now, but I will update this post with future interviews as they are posted, and if anyone has links to an interview I’ve missed please let me know.

[nunaya-business]

Hi, Let’s Talk About Some Controversial Shit Yeah?

So lately people have been telling Horikoshi Kohei to go kill himself, because they’re trying to be a shitty version of Shane Dawson exploring conspiracy theories that have no right to exist. I don’t even know where to fucking start, but since I’m not a YouTuber, but I’m a writer, I decided to ditch my phone for this one, and am currently typing this shit out on my laptop. Yes, that is how pissed I am.

A new decade and a new start to the shittiness that was 2010-2020. More and more people of the LGBTQ started coming out of the dark and trying to accept who they are to the chagrin of assholes who have no business in their lives anyway. I feel like there’s been a lot more racism here than there was from 2000-2010, or maybe that’s just me. I think it’s because people are getting more vocal with their opinions as the earth goes to shit. We are slowly killing it after all. Not only is there more racism, sexism, anti-LGBTQ pricks, and people prejudice against other religions (the prejudice against Muslims is a big one. Poor Muslims, it’ll be okay, Brookie’s on your side), but there are now people who don’t like freedom of speech, or the right to write a story, and people who are just plain pussies because they don’t wike dere wittle feewings huwt 😥. 

I could write for hours about all of those subjects. But since I’m an aspiring writer myself, I picked the right to write. What do I mean by that? I mean the right for an author of any kind to write their story, their way, without these little pussies coming around and being like, “bro can you not mention the Mongols breaking through the Great Wall of China? Yeah, because I’m from a Chinese family and I don’t want to be reminded of my ancestor’s tribulations even though it was 800 years ago. Thanks”. Let me break this shit down like I’m in debate class and my entire University grade depends on me winning this “argument”.

Writing is an art. Duh. People don’t write because they had a good life, I don’t care what anyone says. Writers write because it relieves stress, allows them to get their feelings out in a healthy way, take them away to their own little world in their own special way to escape the hell they’re living through, lets them vent the dark desires and thoughts they may have, and get their opinions out there when they feel like no one listens. Writing is a cure for depression for some people. It’s a healthy kind of drug that doesn’t make someone overdose (unless they’re like me and write’s for hours on end losing sleep and starving themselves just to write an idea down before they forget it). 

People write about what they can’t speak. My mom has this saying “say it forget it, write it regret it”, and in certain contexts that saying is a good moral to have, but that’s not always the case. My mom and I watched the movie “Her” the other day and (spoilers) at the end of the movie, the main character Theodore, who’s a writer, writes a letter to his ex-wife. He writes about how they met, how they grew up together, how they grew to be the best of friends, then lovers, then built a trust they couldn’t replace, and the sorrow he felt when the relationship started crumbling. Joaquin Phoenix did an amazing job lamenting about the character’s past, most likely because he’s been through a lot too, and the character did an astounding job putting his words to paper (or in this case email) and getting out years of stress and sadness so that he can start loving life again.

The point of me describing that scene was to show the impact writing has on some people. It’s the escape they need and sometimes the emotions they feel put into a context where they can explain it all they want without having to waste a breath.

Now, picture if you will, that you’re a writer down on your luck. You have an amazing story to tell and the audience in mind that you want to tell it to, but no one believes in you. They want to alter your story to suit a wider audience, but, you don’t give a shit about appealing to people, you’re telling a story that helped you and may help others too, no matter the money you might lose or recognition you’ll never gain. Imagine that you found a way to both appeal to a wider audience and tell that story you have in your mind’s view. It gets more popular than most media to come out of your country and helps you bring in more than enough money you need to survive. Suddenly people are falling in love with the characters you wrote in more ways than one. People are starting to call it a modern classic and then, you start getting letters from people all around the world telling you how much your writings helped them and that they’re living better lives because they were inspired or motivated by the words you oh so carefully put onto a page, with the art you spent hours, upon days, upon weeks on opening people’s eyes to what they’re capable of.

I may have put some personal shit in that last paragraph, but I was mainly talking about the subject of this... (essay?) Horikoshi Kohei. A man who never gave up because dammit, he had a story to tell and fuck anyone who doesn’t want to hear it. All that matters to real writers is that someone feels special because of the words you put together on a page. Horikoshi puts a lot of time and effort into My Hero Academia, and what does his fans do? They tell him to kill himself because he dared wordplay to get the names of some characters. Y’know it’s funny, I don’t hear a lot of Jews, trans, gay, or Polish people complain about the shit their ancestors went through 70 years ago during the Holocaust like they went through it as well, but I always hear about Korean, Chinese, and Black people (off the top of my head don’t @ me) complain about shit their ancestors went through from 70 all the way back to a thousand years ago. Not to say that everyone in those races do that. because they don’t. I’m sure a majority probably doesn’t give two flying fucks what someone writes as long as they aren’t being personally targeted or threatened. But go on Horikoshi’s Twitter once and tell me that you don’t see hundreds of his followers (mostly Asian) threatening him and criticizing his naming of his characters. If you’re Korean or Chinese and you find issue with the fact that Horikoshi named a mother fucking villain character after a place where your specific race was tortured and experimented on, decades before were even fucking thought of, please tell me why. If you feel personally attacked then you’re... (I don’t wanna use retarded because people will automatically stop reading and DM me about my word choice) doltish. That’s a fancy word for stupid by the way. Maybe if it were one of the heroes named that way then I would completely understand, but it’s not. It’s a fucking villain. 

But hey, what do I know? I’ve never been through shit. I’m just a plain, short and chubby little white girl with a big mouth that’s never been the victim of prejudice or racism. No one’s ever taken a look at me and judged me based on my ancestors or religious choices. No one’s ever made fun of my accent or the color of my skin, or the birth defect that effected my feet and slightly effected my hands. 

Oh by the way, my mom’s a closet Psychopath that wasn’t diagnosed because the rest of the family is too fucking psycho for anyone to notice her torturing animals at a young age. My dad was a Paranoid Schizophrenic with an undiagnosed Psychosis and severe PTSD (diagnosed) that grew up in a home with an abusive father and a mother that was too busy grooming her oldest son (take that how you will) to pay any attention to him. Not to mention she also killed him. It’s not like my dad’s dad was also a psychopath that purposefully killed my unborn brother and laughed when my mom miscarried It’s not like my life was at risk because there was people shooting at my house (where I lived with my grandfather) and I could hear the bullets bouncing off of the trees. It’s not like I was bullied when I was little leading to a brain injury that caused my memory to be fucked up and my speech to slur and stutter. Oh and I definitely didn’t have to start being a second mom to my brother, and an actual mom to my little cousin because my family doesn’t give a fuck how their actions effect others.

I didn’t have the worst life by all means. There’s a lot more people that I know personally that have had it way worse than I have. I’m just saying, don’t take shit so fucking personally. Grow some goddamn balls and stop telling people to go kill themselves because they named a character something you didn’t like. Stop bringing up shit from the past unless people ask about it, or you’re telling you life story. It’s 2020. It’s time to stop being pussies and act like functioning members of society. 

Oh and one last thing. Ya’ll are telling a man to kill himself while the corona virus is spreading like the plague. I think we should be more fucking worried about the fact that humanity could easily be wiped out thanks to the Chinese government silencing a scientist who know about the damn virus a year ago. If anything, we should be targeting them and Trump for being awful, not a poor mangaka that was just word playing with the names of his characters. 

[arcaneranger]

Final Thoughts - 2018 Long Shows

It’s finally here! I’m so close to being done with 2018 (...mostly. We’ll get to it) that I can taste it, but in the meantime, this list is gonna be weird, because there will be things that were already on other lists since I revised my rules of what should be classified how. This post is specifically for any show that ended in 2018 and lasted longer than 13-ish episodes (including shows that aired a second season during the same year or within six months of finishing the previous one), which means that there’s about as much on it as a usual season of shows, but they all had more time to impress - or disappoint me. I’m doing a better job in recent seasons of getting to everything, but last year there were unfortunately things that I missed (I was burned out in the winter) and just have to leave aside for now because I can’t wait any longer for these lists.

Anyway! As usual, let’s start with what I skipped!

* The Seven Deadly Sins: Revival of the Commandments, The Disastrous Life of Saiki Kusuo S2, Cardcaptor Sakura Clear Card, Garo: Vanishing Line, and Mr Tonegawa: Middle Management Blues because I haven’t seen their previous seasons or parent works. (Yes, even Cardcaptor Sakura. Y’all can shoot me later.)

* Hakyuu Hoshin Engi, Beatless, and Basilisk: The Ouka Ninja Scrolls because by the time I was rounding things up, I hadn’t heard a single positive thing about any of them.

Next comes what I dropped -

WORST OF THE YEAR: Steins;Gate 0 (4/10)

What a fucking mess this show was. Aside from a very noticeable downgrade in production talent from its predecessor, the plot meanders and flirts with maybe actually happening this time before just dropping out again, over and over, to the point where I was perfectly willing to drop it two episodes from the finish line because it was such an insult to fans of the original. (Also, continued disgusting mistreatment of the transgender character.)

Gundam Build Divers (4/10)

Taking the Build series from being a well-written kids show to an averagely-written kids show that hides itself in decent mech designs.

Katana Maidens (4/10)

I remember so little about this show, and granted that I did drop it after one episode almost nine months ago, but what I did remember was that it gave me strong KanColle vibes with laughably inconsistent animation and flat characters. Meh.

Darling in the FRANXX (5/10)

This should probably be lower on the list, but I got out of Darling while the getting was good, sixteen episodes in. I understand that future episodes of the show cemented it as crappy right-wing nonsense in addition to pushing worldbuilding out of its fortieth-story window, but the moment it lost me was much sooner, when the crazy yandere female lead was reduced, almost instantly, to Good Anime Waifu as a reward to the protagonist for going against his friends with his selfish motives.

Persona 5 the Animation (5/10)

In addition to not actually finishing in 2018, Persona 5 just did not give me a single reason to watch it when I’d already finished the source game, with middling-to-bad visuals (thanks to the switch from Production I.G. to A-1 Pictures, and not even the team that created the much better-looking Day Breakers OVA before the game was released in the U.S.) and phoned-in music, which is especially unacceptable in a Persona adaptation. Also, we all absolutely called that the studio couldn’t tell the story of the entire game in just 26 episodes.

Record of Grancrest War (6/10)

There’s people that like this one a lot, but I didn’t see much that interested me in the first two episodes. I’ve heard better things about the manga.

Golden Kamuy (6/10)

I had problems with the first half of Golden Kamuy that the second half simply didn’t fix, and it became difficult for me to keep watching - the show still interrupted almost every fight scene with a dick joke, but still wanted to maintain a serious and occasionally frightening tone - and those things simply don’t go together. It needed to either spend more time being funny, or keep its lowest-common-denominator humor out of the fights.

Next, I have two shows that are (potentially permanently) On Hold, simply because it’s time for me to move on and I don’t have the time or energy to marathon them when the Winter shows are starting to wrap up:

Kakuriyo: Bed & Breakfast for Spirits, because even though I initially dropped it, I’ve heard a lot of good things since and I want to eventually give it another shot.

Yowamushi Pedal Glory Line, because despite the fact that I still enjoyed the previous season, this one started right in the middle of my burnout and I only heard bad things about it. I’ll get to it eventually, but it’s a shame that this series has been on a clear trend downwards since its revival.

And finally, the stuff I finished!

The Ancient Magus’ Bride (6/10)

Keep in mind that this is here entirely on the merits of its aesthetic and its side characters - in the end, Ancient Magus’ Bride is a Beauty and the Beast story where the beast gets what he wants without learning to be less of a dick or even apologizing for his clearly wrong actions.

Major 2nd (7/10)

Always pleased to have even just Good sports shows around, and this one is a very effective reboot of a classic series that’s never made its way stateside (man, the underperformance of Big Windup! really did a lot of damage to this genre in the West). With good character development and a decent second-generation premise, Major 2nd has the potential to be the beginning of a solid baseball story, assuming that it gets a needed followup.

IDOLiSH7 (7/10)

I dropped IDOLiSH7 when it first aired, and though I wound up enjoying it after I was very strongly urged to revisit it, the problems it started with never quite left it behind - that is, it has an okay cast of characters but doesn’t present even passable performance sequences, and if you’re going to include big song-and-dance numbers, they have to be good, or you may as well just be UtaPri.

ClassicaLoid Season 2 (8/10)

In 2017, I gave the first season of ClassicaLoid a near-perfect 9/10, and while this season gives us a satisfying conclusion to the story, it does things both a little better than the first, and also not quite as great. It’s story is much more well-integrated over the runtime so it doesn’t happen all at once in a few chunks, and the jokes that work are still absolute genius, but there’s simply too much that doesn’t quite land correctly, and a little too much immature humor, for it to reach the same lofty Hall of Fame heights as the first season. Still, one of the most underrated shows I’ve ever seen.

My Hero Academia Season 3 (8/10)

God, Izuku in that onesie is too damn cute.

My problems with Hero Academia are frustratingly persistent - the show is at its best when the students are competing with other students, because outside of last season’s Stain (a villain whose motivation is specifically related to the world of MHA), the villains are just not at all compelling and they all seem a little too generic for their own good. I just want Horikoshi to be a little bit less predictable of an author and do a little less reading of the Standard Shounen Playbook. Luckily, when it works, it works magnificently.

March Comes in Like a Lion S2 (8/10)

March remains director/auteur Akiyuki Shinbo’s most accessible work, and one of his masterpieces, as a well-paced and marvelously moody story of a depressed shogi prodigy learning to be a normal teenager before his youth completely passes him by, and the fantastic characters that surround him with their own complex problems and motivations. I just really, really hope it gets a third season eventually, because this one did not leave off on a satisfying conclusion.

Speaking of which...

Food Wars! Shokugeki no Soma S3 (9/10)

It’s almost a shame that My Hero Academia became hugely popular purely based on its accessibility to American audiences, because Food Wars pretty squarely deserves to be the reigning Shonen Jump king - each season has only improved on the previous one, and this one was based entirely on a continuing arc that could only have happened in the universe of this show, Fighting Food Fascism. That being said, it also leaves off right in the middle of the arc (because it had almost caught up to the manga), meaning that we have to hope that it can remain relevant long enough for there to be enough source material for another season. I’ll be crossing my fingers until they snap.

Banana Fish (9/10)

Yes, this has risen a point since my review, but Banana Fish still deserves to be thought of as both a complete masterwork of crime fiction, being fantastically paced and expertly plotted in the use of its many, many twists, and a work that disappointed the side of me that hoped that, in adapting it into the modern day, MAPPA could have managed to get the author to let them depict what is clearly a queer relationship with the authenticity and legitimacy that it deserved. It’s still amazing, though, and Amazon should be pushing it with their most lavishly-made originals. At least it was the last noitaminA show they’ll get to totally bury.

And, finally, the one you all saw coming.

BEST OF THE YEAR: Lupin the 3rd Part V (10/10)

Lupin is, quite simply, one of the pinnacles of the medium. A simple idea that can (and did) go in thousands of different directions, handled by highly creative writers and an animation staff that has been knocking it out of the park for years, despite the fact that it is criminally (heh) unrecognized in the West. To put it simply, there’s a very, very good reason that it’s been around since the 70′s.

Okay! All I have left to do is finish Dragon Pilot (waiting on a friend) and we can get the last two lists out of the way! We’re almost done...

[comedicreliefonlyworkswhenfunny]

I'm gonna just say this because we've all thought it at some point or another:

People in this fandom will get mad at fucking anything.

It makes sense at a glance because the fandom is very large (especially considering a big chunk of it is inexperienced, seeing as this is one of- if not- their first fandom), so not everyone is going ro be happy with every decision that the creator makes ((not to mention, fandoms these days are getting WAY too fucking comfortable heckling and harassing creators))

When Midoriya cries, he's seen as weak hearted.

When he doesn't cry, he doesn't care.

Like, to hijack this post a bit, the hospital scene where Bakugou woke up from /literally saving Midoriya's life/ he was eccentric to say the least, running off of adrenaline and fear. People with reading comprehension skills recognized that he was worried for Midoriya's safety. People without reading comprehension skills claimed that he was 'just being his typical self' (not stopping to think that maybe 'his typical self' is actually a coping mechanism?? and he uses it to pretend he's okay).

But imagine, if you will, that he hadn't leaped out of bed, fought through his classmates, and tried his damndest to make sure Midoriya was okay. Guess what? Then "he doesn't even care."

No matter what, he loses.

Of course, there are also a myriad of people leaping at Bakugou's throat in hopes of gaining moral superiority (which is veeery hypocritical of them, especially considering they often view themselves as 'better' than the people who like him and often even harass others for liking him... you know... just like the very person they condemn) (that's also another good indicator that a lot of the fans are new, because the 'asshole rival' is literally a trope in so many Shounen anime and often goes as far as trying to actively kill the mc, buuut that's a different discussion).

((The girls are a great example of this, too, but they're also so poorly written- as in they are completely underutilized, so most arguments are valid))

The Class 1-A versus Class 1-B tournament! (Excluding the fandom's disdain towards Bakugou) Is also a good example of this.

If Class A had won by a landslide, it would have been unfair, since Class B doesn't have literally any spotlight and has somehow been exempt from the plot all year.

If Class B had won by a landslide, it would have still been unfair, because they haven't had the real time experience that Class A has had.

Back to characters, though, Miruko! She got injured during her big fight with the ugly ass Doctor bitch. She fought like a goddamned beast, but she got hurt! Her getting injured feeds into every other, "Horikoshi is a misogynist" meta that's being put up.

But, if she had made it out unscathed, then she'd be labeled a 'too perfect' and shitty attempt at writing a strong female character.

The thing is, you can't please everyone- especially not when there are so, so many people who enjoy this peice of media. People are always going to have shit takes or 'eh,,, I mean...' opinions, and there are always going to be debates.

But if assholes out there are getting annoyed/upset about a sixteen year old boy showing his feelings, regardless of the fact that his entire fucking world is crumbling around him, they need to take a step back from their bullshit fucking soapbox and snap the fuck out of it.

Anyway, there's no real point, but it's getting really fucking annoying that the generation if people up their own ass about "be critical of the media you consume" can't even take two fucking seconds to realize the shit they're spewing is so undeniably hypocritical and fucking stupid.

Who wins vs who loses is always up for debate.

How injured a character gets and whether or not they keep fighting is typically heavily exaggerated in Shounen anime (and so many other medias).

Representation is always a difficult, two sided battle. (This is about the girls, but also about Magne and Tora- both a discussion for another time).

But kids? Fucking children? Showing their emotions? Should not be this fucking dragged.

Let characters realize the errors of their ways.

Let characters try and do better.

Let characters be human- in anger, in sorrow, in heavily conflicting emotions that they can't convey (if a character always reacts "the right way," guess what? They're poorly fucking written.)

Let

Characters

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Let characters cry.

Let characters act fucking stupid because guess what??? Humans act fucking stupid all the fucking time.

Teenage boys, especially, have such a stigma around showing their emotions- if they're upset, they're weak; if they're angry, they're scary; if they're happy, they're being weird- let them work out their own goddamned feelings.

Let them regret their actions.

Horikoshi kinda sucks ass at showing long term trauma (and he definitely has too many ideas for the world and not enough time or space to impliment them), but this is one of the few things he's starting to get right!

Also for a generation that won't shut up about 'critical consumption,' there are a shit ton of people who refuse to look any fucking deeper than the surface level of actions and it's absolutely infuriating.

So apparently people are annoyed that Deku is crying?

He’s sleep deprived, hasn’t eaten, and is in a terrible mental state. The fate of the world is weighing on him and everyone he’s ever known and loved is going to die unless he’s able to stop AFO. If he accepts help he risks putting them in direct danger. If he doesn’t and does this alone, he’s going to destroy himself in the process… Not to mention he’s literally a 16-year-old child.

He just wants to save everyone.