#and by ‘someone’ i mean Stede - i’m talking about Stede

[izzyhandsy]

right so do we think Ed actually said Izzy taught him everything he knows or was that just Stede saying what he knew would make Izzy more agreeable…?

[dragonmuse]

Keep It In The Box : An Essay on OFMD Season 2 and the Failure to Heal

(here in is my season two reaction. It contains many many spoilers. It's also about 3k words long so you know what you're getting into.)

“See, I have a system for dealing with all the terrible things I've seen. There's a box in my mind, and I put the things in the box..” -Frenchie, Season 2 of Our Flag Means Death

…..and then he never opens it. Chekov’s locked box has no key in season two.

On first watch, it seemed clear to me that Frenchie’s declaration was a narrative plant. Clearly the whole season would be about that box of pain and trauma being opened, sorted through and at least the beginning of healing. The show had developed a reputation after season one of being kind and focused on queer narratives of healing from childhood. Ed and Stede’s parallels in their childhood traumas were frequently on display through season one and were repeated in flashback throughout season two. Jim’s season one arc about becoming someone who doesn’t think just of revenge and can now forge meaningful connections was profound, beautiful and often funny. Izzy is an antagonist because he doesn’t want Ed to move on or stop acting like the trauma-response version of himself. The antagonist wants to stop healing. The point is to grow, to change, to learn how to love. It’s one of the things that made season one work for me at the time, despite reservations about pacing and tone.

So naturally season two should follow suit. It’s a kind show! About healing and falling in love!

For the first several episodes, the remaining crew on the Revenge go through a gauntlet of trauma, forced to do and receive violence at Ed’s whims as he careens from self-destructive behavior to self-destructive behavior. This is the wounding setup. It was dark, but it seemed like it would have a payoff and at first it did.

Perhaps one of the most beautiful moments of the season comes in one of the small respites in those early episodes as Jim recounts Pinnochio to Fang to soothe him through his grief. That was the show that I expected. The kindness of that moment struck me very deeply. It gave me some understanding of Archie too, who seems to fall for Jim right at that moment.

That scene is the show season one promised. Season two led with packing Frenchie’s box full to bursting. Here is the fight to the death between lovers, there is a first mate who is mutilated and rotting in the very walls (the rot of the Revenge itself), and there is the storm of Ed’s rage and pain that threatens to consume all of them.

So surely these remaining episodes would concentrate on finding the humor in healing from those moments. That is the setup. Frenchie has a box. The box must eventually open.

Except time and again, all the characters who suffered are told that the only way to deal with what they’ve been through is to stick it in the box and never open it again.

Pete tells Lucius that he’s unable to move on and needs to let it go. Izzy has a story about a shark. Ed’s apology to the crew which doesn’t even contain the words ‘I’m sorry’ is just…accepted. I kept waiting and waiting for a meaningful apology to the people Ed had hurt the worst with his actions, but it seems all we get is Fang saying ‘eh, no problem, I got to hit you back so I feel better’.

The playful theme of ‘pirates are just violent sometimes’ from season one becomes a grinding horror machine in season two when every atrocity visited on someone is forgiven because the narrative needs it to be. Ed and Stede spend more time making amends with each other over the bloodless night on the beach than either of them spend trying to repent for their actions towards anyone else.

And let’s talk about Ed. Arguably this season pivots on his narrative, on his path to healing and growth. A path that starts at a very low point. His moment in the gravy basket, deciding he wants to live because there are still things to live for is so great! So one might assume that what would follow would be him pursuing those things, making amends, making connections. He and Stede have a wonderful moment, talking about being whim prone and how they’ll work to avoid that, build a relationship by going slower.

Yet, at no point do either of them stop following whims. They never heal or learn from what’s happened to them. They both keep running from thing to thing, particularly Ed. It’s a whim to sleep with Stede, it’s a whim to run off to fish, and the finale gives us just more of their whims. Ed drops fishing as fast as he picked it up. He finds those leathers in the ocean, murdering the symbolism of leaving them behind. Even the inn is a whim, one of those things Ed decided he’d be good at without evidence. And Stede joins him in that without a single on screen conversation about it ahead of the moment.

Ed needs to heal himself and to do that he needs to confront what he’s done and do the work to heal the wound. Instead, he doesn’t meaningfully apologize to anyone, besides Stede and Fang. Despite Izzy’s dying words (we’ll get to that), not only do we never see the crew caring about Ed, working to make him family in the same way they do with Fang and even Izzy, he also doesn’t choose to stay with them. So what is the point? Where is the healing? Or does even Ed, beloved main character, have to live with it all stuffed in a box?

He ends the season in the leathers he threw away, in a relationship that’s barely stabilized, going to live in a house which we are told by the narrative (in that they are very very clearly paralleling Anne and Mary with Ed and Stede or why do we even get that whole Who’s Afraid of Virginia Woolf? episode) will only end in them setting fire to each other to stay warm.

But Vee, I hear you cry, it’s a ROM-COM. This is all meant to be ha-ha funny and you are taking it so seriously!

Cool beans. Then why the hell isn’t it funny? Healing is often filled with comedy because people deal with pain with humor. You can heal and laugh at the same time. The finale especially is almost entirely devoid of laughs, almost entirely devoid of joy until the last minute for that matter. The episode that should show off with a flourish how far everyone’s come, mostly serves to show that no one has grown.

Okay that’s Ed. I want to talk about Lucius next. Our former audience surrogate (that’s taken away in season two when he doesn’t get enough screen time to perform that role and no one takes his place) really goes through the wringer. He experiences many many terrible things, including sexual assault (which is made into a grimace-laugh line that doesn’t take away from it’s seriousness because oh hey, that can be done as it turns out). He’s nervous, he’s smoking, it’s clear he’s suffering.

There’s a beautiful moment where Pete tells him ‘hey, I was also in pain. I grieved’ and that’s great. It’s good that Pete sets a boundary about Lucius not obsessing over the past to the point of occluding their future.

We even get our comedic moment where Lucius pushes Ed off the boat (still not apology, but I’d lost hope for that by then) and that doesn’t help enough. So Izzy comes in with a shark and the advice that you just have to move on.

Just…you know. Play pretend. Forget.

Shove it in a box. Ed didn’t take my leg, a shark did. Ed didn’t kill you, a shark did. Live with the person that tried to murder you because it’s your fault you dangled your leg over the side of a boat. That is the show’s message. I thought on first watch, that surely this would also come back up and be explained that you can’t live that way, that that is no way to heal. That it would become clear that this was no way through. You cannot make everything into sharks.

Lucius can move forward and still carry pain. He can still want a meaningful apology and still want to talk to his lover about what he’s dealing with while moving forward toward a brighter future.

And what of the flirtatious promise of relationships and connections being the way to heal? Look to Oluwande and Jim, whose heartfelt romance from season one was relegated to the bins of history in favor of a narrative that made him a brother Jim once had sex with. They could have had Archie AND Oluwande, who in turn could also have Zheng, but that never seems to be an option. With a single short conversation, they are broken up with, despite a brief tease at the birthday that they still ‘dance’ together, it never actually manifests. Jim and Archie never talk about what they went through. It’s swept under the rug as fast as knives are lowered.

Lucius also no longer flirts with other people, the solution to his pain is to propose and get married (but not too married, lest we forget that they’re two men, they don’t even get to be husbands or even the more respectful mates, no. They’re mateys.) This season proposes that the only happy endings are monogamous ones, where no one talks about anything painful that went before.

To ensure that message, beyond assuring the success of Oluwande and Zheng’s relationship, Jim and Archie almost entirely disappear from the narrative. Sorry you guys were given layers of trauma and no growth and not even much to do this season, we need to make sure that everyone remembers Oluwande is the break in Zheng’s day so when he says that to her five minutes later we know exactly what he’s referencing. No time for Archie to learn what an apology is or for Jim to get one line in with Oluwande that isn’t affirming their newfound broship. Must do more flashbacks to things we just did two episodes ago!

The show even dangles the conversation of the Revenge being a safe space. Why would any of them ever feel safe when the man who tortured them is allowed to walk among them and they are expected to forgive and forget? What’s safe about that? The ship is never made safe for any of them, but that’s never addressed.

And Zheng! Amazing, hysterically funny Zheng! She loses her ships, her entire way of life, the kingdom she built for herself and then…she doesn’t even get to captain the Revenge. We don’t know what becomes of her fleet, of her plans, her ambitions. Don’t worry about it, she has a romantic partner and isn’t that what every lady wants in the end?

(But Vee, I hear you cry again, there will be a season three! Maybe it will be All About Zheng! To which I say: then why did they present us with the most series finale feeling episode ever? If there’s more, I have no idea where it’s going. BUT VEE: BUTTONS AS SEAGULL ON THE GR- Fine. It’s time.)

Let’s talk about Izzy Hands.

Izzy manages more healing than anyone else this season. He reaches his lowest point, suicidal in the bowels of a ship that’s become a prison (very much in contrast to Ed’s suicidal low). The person he loves most in the world has shredded him physically and emotionally (and if you’re in the camp that thinks Izzy deserves the abuse that Ed gave to him, I would really like you to sit quietly with yourself and ask why you think there is ever anything anyone can do to deserve that treatment). He’s low, he shoots Ed to protect everyone, and then seems to plan to drink himself to death, mourning his losses.

And then another beautiful moment! The crew move past their own pain to help him. They work together for the first time and it’s to give Izzy mobility back. He treasures it. He cries over it. He uses that kindness extended to him to reach a new understanding of Stede and help him succeed, doing the work to make real amends. He sings in drag, he’s vulnerable and beautiful, celebrating the side of himself that he must’ve loathed in the first season. He’s an elder queer man, coming into himself.

He never gets an apology though. (‘Sorry about your leg’ without eye contact is not an apology. There is no responsibility taking, no acknowledgement of the weeks of torture that came with it.) Izzy also never really has an honest conversation with anyone about what it means that the man he loves punished him so severely for the crime of trying to protect the crew (yes, lest we forget, Izzy lost his leg because he was trying to keep Ed from re-traumatizing the crew and himself).

Izzy does all this work, but even he’s not allowed to take it out of the box. It’s a shark, not Ed. Ed is just ‘complicated’ (the language of abuse here is so upsetting and I think not even intentional).

And then he dies. His last act? To apologize to the man who tortured him and shot at him. To have done all this work, to take on all the blame. And then die.

In a rom com.

This show ends in a profoundly unfunny moment of telling the audience: this is the one character that did the work, that made amends, that tried his hardest to accept the parts of himself that he had a hard time embracing and formerly embittered him. He’s fully accepted his queerness and turned it into beautiful music. He’s disabled, and he worked hard to accept that. The man he loves will never love him back, so he worked hard to make Stede able to meet Ed on an even playing field. The Giving Tree gave up its limbs and its trunk, and it’s not even allowed to be a stump to sit on.

Kill the queer elder, who has managed to figure out how to live and in his own way how to heal. Kill him before he manages to teach anyone else how to meaningfully move forward (he almost gets it with Lucius, almost, but it’s meant to be rule of three, you know. Cigarette..shark…and then…and then fuck it, Lucius doesn’t even get to say a word at his funeral).

The message of this season again and again is that there is no healing, just moving forward. Like a shark. Like a bird that never lands.

That is not a kind show.

Season two is not a kind season.

It splinters people up and jams them back together without purpose or reason. It tells everyone who experiences pain that they should shove it in a box and not deal with it. No one who really needs one gets an apology of any sincerity. No one puts in the work to gain forgiveness. (Ed wearing a onesie is not The Work. Ed fixing a door is not The Work. Ed broke people that the show wants us to care about. Ed never does the work of making those amends. He fires off a Notes app apology at best. After all, it’s what he told himself via Hornigold in the gravy basket: you move on or you blow your brains out! Good thing he took his own advice and therefore had to change nothing to get his just rewards.

I would’ve taken just fifteen minutes of Ed trying to actually make amends. It could’ve been hilarious! Imagine awkward Ed trying to dance around what he’s doing with Jim and the two of them having a knife throwing competition about it. Or him and Frenchie attempting to make music together, writing a song about the raids they went on! It’s not just the crew robbed of their healing because of this, it’s Ed himself. He never meaningfully changes or makes amends. How is he any different at the end of the finale then he is standing on the edge of that cliff with Hornigold? He hasn’t moved on, he hasn’t healed. He tried one thing (fishing) that doesn’t fucking work and then he runs right back.

No one leaves this season better than they went into it. They’ve lost an elder queer, they’ve lost their joyous and queer polyamory, they’ve lost a chance for meaningful reconciliation with Ed and Ed lost any chance of looking like he gave shit if they did. Stede grows enough to accept the crew’s beliefs as important and then leaves them behind without a care.

Izzy gets a beautiful speech about piracy being larger than yourself. Ed and Stede, within twenty minutes of that speech, leave piracy. They are incapable of giving themselves to something bigger, apparently. They haven’t learned to be a part of a community. They haven’t healed from their childhood trauma or their fresher wounds. They are still just following their own whims.

Zheng’s life work is in tatters, but it’s fine, she has love. Oluwande and Jim aren’t together, but it's fine because they both have dedicated monogamous partners. Lucius was deeply scarred by what happened, never recovers much of his first season personality, but hey he got-well it’s not married exactly- but you know good enough!

Frenchie, who has a box forever locked in his head, is captain. Because the key to success is to lock it all in a box and never open it. What a message. What a show. Conceal, don’t feel. Smile because it’s a happy ending. Don’t mourn the dead, don’t try to tell people what happened to you (they will literally run away or cry too hard to listen and really you’re just bumming them out), and any meaningful change you make is only rewarded with death.

Frenchie is now a pirate captain with a box in his head full of trauma that’s never been opened, leading a crew with more wounds than scars. Wonder how that could turn out? Wonder how many years before he might want to retire and then happen to run across a gentleman pirate. As if no one learned anything at all.

[we-sail-ships-here]

I wanna talk about Izzy’s death. This will by no means be the only post I make about this, I just wanna get my feelings out, while my initial thoughts are still fresh in my mind.

I think his death was perfect. And this is coming from someone who loves him so fucking much. Everyone who is saying his death was unnecessary and cruel needs to listen and I mean ACTUALLY LISTEN to what he said to Ed while he died.

“Blackbeard was us”

“I wanna go”

“Just be Ed”

How do you listen to that and then call his death pointless and say it’s “burying the gays” and a cheap narrative choice.

FUCK OFF

Izzy had a life, he spent time with the people he loved, he made mistakes, he was forgiven, and he got closure from ed and stede. He was always going to die the way all pirates die. Because deep down that’s what he is. A pirate.

He’s not like Ed and Stede, who both have a complicated relationship with piracy and all it involves. He’s a pirate. He’s been narrowly avoiding and escaping death every day of his life up until this moment.

Izzy is piracy, it makes sense for him to die like a pirate, gunshot wound to the stomach, wooden leg and all.

Now that I’ve got all that out of my system I’m going to grieve on my own in the darkness of my room.

[suffersinfandom]

Controversial opinion (?): the Kraken Era wasn’t all that dark.

There’s a lot of meta and fic out there that portray Ed as a bloodthirsty, hyperviolent monster, and when that portrayal is challenged, the rebuttal is usually along the lines of, “I’m just doing what canon did. Did you even watch the show? It's racist, not me!”

I did watch the show, and honestly? I went in expecting far worse based on meta and fic I read during the hiatus. When I see people say they didn’t think Ed did enough to redeem himself or that he went past the point of no return, I just don’t understand.

I already went into this in my way-too-long meta about Ed and abuse, but I do think it bears repeating (in a shorter post) because it seems like Ed’s actions -- more than the actions of any other character -- are scrutinized and discussed outside of the context of a comedy about pirates. There’s tons of casual violence in Our Flag Means Death. Sometimes the violence is even funny! 

So what does Ed actually do in the first episodes of season two?

We see Ed directly harm someone twice in the first two episodes: first on the wedding boat, and then when he shoots Izzy in the leg. Kind of unimpressive numbers, yeah? I'd expect more out of a heartbroken Blackbeard.

The first instance involves Ed shooting a man during a raid. That man has a sword through his chest before Ed fires, leading me to believe that Ed’s still following his season one pattern of keeping himself a step removed from murder (technically, the sword killed that guy). We also don’t see the murder happen; the man tumbles offscreen before Ed shoots. This makes the action less brutal. If the writers wanted us to be appalled by Ed’s violence, we would’ve gotten a graphic kill or several.

And the second instance is Izzy. Ed shoots Izzy in the leg after he suggests that the shitty atmosphere is because of Ed’s feelings for Stede. Hot take, maybe, but I don’t think that was entirely out of line. Ed’s feelings for Stede are not the only problem; a significant chunk of the problem is Izzy. Izzy called in the navy and led to their capture. Izzy threatened Ed back into the Blackbeard persona the last time Ed tried to talk things through, and that was without an audience of potential mutineers.

We’re also told that Ed has taken more of Izzy’s toes between seasons. This isn’t cool -- bosses definitely shouldn’t be asking for their employees’ toes -- but there is a precedent for it. In season one, Ed told Stede that he used to feed people their toes for a laugh (yuck). For a laugh. This, to me, implies that it’s not a huge deal. It’s certainly not completely unexpected pirate behavior, and it seems more lenient than a keelhauling or a whipping. I think both of those things would've felt far more gruesome and dark.

As far as violent actions go, that’s not a lot. Like, numerically.

Things get darker in S2E2 when Ed becomes increasingly desperate for someone, anyone, to send him to doggy heaven. He’s unhinged and working his way up to a murder-suicide before he’s stopped. He hacks the wheel right off of the ship and threatens to shoot the mast. He orders Archie and Jim to fight to the death. He ignores anonymous crewmembers as they’re swept overboard in the storm. This is bad! It’s self-destructive and selfish! But it's also tragic and human and understandable.

In my opinion, the worst thing Ed does in these episodes is force his crew to do violence for him -- not because it’s violence (again, they’re pirates), but because the violence hurts them. THIS is what traumatizes them. Their trauma flashbacks are scenes of them hurting others, not of Ed hurting them directly. Ed didn’t physically torture his crew (with the exception of Izzy, and that’s complicated). His crime was driving them to do one violent raid after another, killing and plundering without any joy or theatrics. Ed feels trapped in the role of Blackbeard -- the role that he’s been desperate to escape -- and, in his heartbreak, he opts to trap his crew with him. 

Yes, Ed is messed up in the first two episodes of season two. I don’t blame the crew for almost killing him; it’s what needed to be done. I think that Jim, Archie, Frenchie, and Fang had every right to want Ed gone after Stede’s return. 

But I don’t think that Ed was a super violent monster who tortured his crew and murdered his way through his breakup. He engages in very little onscreen violence, and the person that most of his violence is focused on -- Izzy -- is the same person who told him to be violent. I think that anyone who says that Ed’s actions in the first part of season two are extremely dark is either looking at them out of context, misremembering what actually happened and just recalling the dark tone, or working with some kind of motive.

In conclusion: Ed is a man who, at his very darkest, was still operating pretty firmly within the bounds of "stuff pirates do" (but not stuff Ed has historically done, presumably).

Also look at him. Thank you.

GIF by unearthlydust

EDIT: Read the reblogs for some amazing and more nuanced additions!

[veeagainsttheday]

Two lines from OFMD s2 have been rotating around in my head for the last few weeks. 

The first is from s2e3, when Ed is speaking with Hornigold about his sandals, and Hornigold tells him that he always has to have an angle. Ed responds by saying, ‘Nah, mate, I’m actually just a very simple man’ before sharing his thoughts about opening an inn. 

The second is in s2e7, after Ed left Stede, when Stede and Izzy are in Jackie’z. Izzy says to Stede, ‘You know what he did when I told him I loved him? He shot me,’ as Stede says, ‘He shot you. I know.’ Izzy continues, ‘He’s a complicated man.’ Stede doesn’t respond; they look at each other for a moment and then the scene ends. 

First of all - that line of Izzy’s about Ed shooting him when Izzy told Ed he loved him makes me want to start ripping my hair out in frustration. Ed shot Izzy when Izzy announced in front of the crew that vibes were bad because of Ed’s feelings for Stede Bonnet. Ed responded to Izzy saying he loved Ed by making a noise of disgust and walking out of the conversation. So it’s fascinating that Izzy has reframed the event in this way (and not the first time we hear him reframe it - as he tells Lucius a shark took his leg). Stede obviously heard that Ed shot Izzy (he says, ‘shooting people’s legs off’ in the list of reasons why Ed’s in the sackcloth at the start of s2e5), but we have no idea where he heard it from or who told him why. The way he says, ‘I know,’ to Izzy in s2e7 gives me the impression that he’s heard Izzy say it a number of times - he sounds weary. I’m guessing Ed’s never told Stede what really happened, nor any of the crew who witnessed it. But if I could ask the writers about one line from s2, I really think this would be it - I just don’t know how to interpret it (and if anyone has any ideas, I’d love to hear them below!). 

Anyway. Back to those two lines. Ed says he’s ‘actually just a very simple man’ in response to being misunderstood by Hornigold (actually his own self-consciousness). For two seasons, Ed’s been attempting to communicate that he’s got a simple, reasonable desire to retire from a dangerous, violent career and be with the man he loves. Izzy’s response has been to deny Ed that, to call Ed insane, try to keep him in piracy by whatever means he can, and of course try to get Stede killed. By the time Ed’s in the gravy basket, he’s arguing even in his own head that he’s a simple man, with a simple desire for the future. 

Then we come to s2e7, and Izzy still doesn’t get it. He still thinks Ed is a complicated man, he still thinks Ed is acting in a way that doesn’t make sense or requires some convoluted explanation. It’s notable to me that Stede doesn’t agree - we know from s2e3 (and, ya know, the rest of the show) that Stede understands Ed deeply.  Then I think about Ed talking to the ��wolf’ in s2e4 - ‘It’s a very rare thing to find someone who understands you,’ he says, tears in his eyes, obviously missing Stede but also - fuck, man, that scene with the rabbit is so funny but makes me so sad for Ed, because he really does have a pretty simple desire and he’s spent months - implied years - being told that he’s crazy for having it.

[rhysdarbinizedarby]

‘Our Flag Means Death’ Star Rhys Darby on Stede’s Transformations & Hopes for Season 3

[Warning: The below contains MAJOR spoilers for Our Flag Means Death Season 2 Episode 8 “Mermen.”]

Our Flag Means Death saw Gentleman pirate Stede Bonnet (Rhys Darby) transform from a fish-out-of-water swashbuckler into the romantic hero he was always destined to be in the latest season of Max‘s original comedy.

After realizing the error of his ways at the end of Season 1, Stede sought redemption in the eyes of the infamous Blackbeard, a.k.a. Ed (Taika Waititi), after recognizing he was in love with the pirate. While the path wasn’t a direct one, they eventually found their way back to one another with the help of a fantastical mermaid sequence, some much-needed apologies, and ultimately a better string of communication.

Reflecting on his journey, star Rhys Darby is opening up about Stede’s various transformations in Season 2, including the excitement surrounding that mermaid tail, as well as about where he thinks the pirate lovebirds might end up next should the series return for Season 3.

Congrats on Season 2! Now that we can finally talk about it, what has it been like getting to see fan reactions, especially during the SAG-AFTRA strike?

Rhys Darby: Yeah, it was like a pressure cooker that needed to burst, for us and for the fans. When it finally came out, the burst happened and there was so much love for us, [but we] couldn’t talk about it. We were still stuck in this bottle and the cork wouldn’t come off, and that was difficult, but it was really lovely to see all the love and the surprise from everyone. Obviously, as you know, the fan artwork, it’s what we would say in New Zealand is pretty full on. So yeah, it was super cool.

And not that anyone gives out numbers, but I think I heard on the ethos that people [are] watching it, and it’s rating really high and at a time when we need this kind of beautiful love fest of comedy with a whole bunch of silliness to take us away from the disasters that are happening in the world. It’s been lovely. I just wish it was longer. I know people watch and rewatch and they’re so fanatical, but it’s just a comedy show, so to have any effect means so much to us.

In Season 2, Stede’s gone through a few transformations, one of which is that he’s a real pirate now, at least comparatively to Season 1. What helped you get into that new version of him? Was it the writing, costumes, or a combination of the two?

Yeah, the costumes are the first thing that comes to mind because once he starts wearing different gear, he looks at himself and goes, “Oh my God, I’m a different man.” And he really is turning from a man who is wearing these beautiful gowns with high heels and things inappropriate for a pirate ship to becoming an Errol Flynn-type hero straight away. That’s what they wanted to do with the character. So he’s lost a lot of that beautiful pageantry and is becoming a more practical guy who has to survive. He returns to this nightmare of a world because he wants to fight for love, and for want of a better term, “man up,” whatever the modern-day version of that is, “person up?” To become the guy that he dreamt of being in the first season.

He didn’t dream that he was going to fall in love with someone. He dreamt he was going to be this amazing pirate and that just was not going to happen. But then when he found this love, I think he went away from that [dream] going, “I don’t deserve this.” And then when he realized upon returning home that he does deserve it, he had to fight for it. And so the only way to fight for it was to drop the battle armor of the gowns and actually become the pirate he imagined being. So it was great to become that and to fight for that love and to thank god that [Blackbeard] didn’t die. He would’ve actually lost it, I think, because it would’ve been like, “Well, what am I fighting for now?”

I think it was just so fun to see that character change, but also within that change, see a bit of the old self come through, especially when he found that cursed red suit. And all of a sudden it was like, “Oh my God, the old me again, look how good I look!” So it was lovely that they had those elements… I was missing a little bit of the old Stede myself. So it was great to find that again. And then again near the end with the British invasion scenario where I got to do the big coat and everything, which of course looked awesome. You can see that moment where I put it on and did that slow turnaround. It was way more filmic shots of me wearing that kind of stuff. And I think that gave Stede's strength as well. So much of Stede's embodiment comes from the things he’s wearing.

Speaking of costumes, the big one of the season had to be Stede’s mermaid look. How did you wrap your head around getting ready for such a fantastical, and ultimately, beautiful scene?

That was the highlight of the whole season for me. As a kid, I used to swim around like a little merkid. I would put my legs together and I’d swim under the water. I’ve always been into mermaids and things because I’m into cryptozoology. So when I got to be a mermaid or a merman, I really took to it. It was pretty easy, to be honest with you. I didn’t have any training to swim like that. So the only training I did was some breath work beforehand to help me hold my breath longer. But that was kind of almost superfluous. Once I got that [tail] on, I just became a mermaid. It’s hard for me to describe how I suddenly become these things, but I think I just got under the water. I could swim really easily with it.

And I had weights on. So one of the things was we had to make sure I was the right weight so that I wouldn’t just float. That thing was sort of buoyant. So once we sorted that out, I could actually swim really well, and then just sort of hover underneath the water for a long time while [Taika]’s looking at me, I’m looking at him. To see it on the day, on the screen when I knew they’d got [the shot], there were just so many cheers, and I think they even played the music to see how the scene would work out. It’s one of those life moments where you go, “Oh my God, I’m becoming a cryptid again. I’m never going to forget this.”

This season really does focus even more on Stede and Blackbeard’s romance. How did you and Taika prepare for that? Especially since Stede’s more transparent about his feelings this time around.

It was good, and it was time. And because I was the new strong Stede, it felt really natural for me. I think it just worked really well with the writing because of the aggression that I was going through. When I was fighting that really bad guy [Ned Low (Bronson Pinchot) and] threw a violin at him because he ruined Calypso’s birthday, that was a good moment because it is not just about Ed, it’s about the crew, Stede’s family, and they were going through this amazing moment there, and all of a sudden this guy turns up and next thing we’re getting tortured. And I’m like, “How dare you?”

I think that progression of strength helped [Stede] break into the moment of, “I’m just going to take my lover as well now, and do something with him.” He probably had no idea what he was doing because it’s Stede, but it worked out and it was the right time in the show. Taika and I are really good mates, so it’s really easy to do emotional scenes together. As soon as we put our gear on, we’re just looking at that character, and we admire each other.

You and Taika have been known to improv on the show. Was there any improv moment from Season 2 you were particularly proud to see onscreen?

Yeah. Well, one, I noticed that some people are talking about that they thought was scripted, which wasn’t — most of the [scenes where] I’m with Taika are improvised in those emotional close moments — is on the deck of the boat where we’d do the thumb thing. That was all improvised on the day. So that was fun that we got that kind of stuff in. And there were some more little bits and pieces, but that’s one that comes to mind. That worked really well.

By the end of Season 2, Stede and Blackbeard have settled in to open their own inn. Do you think the peace and quiet will last in a possible third season, or will they get bored and want to rejoin the excitement?

Well, obviously as it stands now, it’s very lovely and it’s a nice positive ending, which is lovely for Season 2. But in reality, if you think about the characters, even in the fictional world, they’re both outlaws, they’re pirates, and the British back then… they never gave up. They did track down all the pirates and either hang them or get rid of them. There was only a couple that got away, and it certainly wasn’t those two. So I think what they’re thinking is, yes, this is bliss, but both those characters must be thinking, this is not going to last because you’ve got to sleep with one eye open.

Even though they’re in the middle of nowhere, they’re still in an area where everyone knows what they are, so they’re going to be tracked down. So I think if it was me, [they’d] end up back in action one way or another, especially if their inn is popular, which it probably would be. Word would get around. I mean, in those days, had you heard the Blackbeard and Stede had opened up an inn, [you’d have] to check that one out. It’ll be like Planet Hollywood.

There would be a wait-list, for sure.

Yeah, absolutely. Basically, they’re too famous now that Stede’s killed Ned and everything. He’s a famous pirate. So death is going to come to their door at some point. They’ll have to deal with it.

Do you think this version of Stede and Blackbeard’s story could avoid the fate of the real-life pirates?

Yeah, no, I think you’re dreaming if you think they’re going to live happily ever after.

Our Flag Means Death, Seasons 1-2, Streaming now, Max

Source: TV Insider

[adickaboutspoons]

Oh boy. Okay. Here we go

A totes calm and measured response to this post over here by @themetabridge. Forgiveness for the whole new post. I had too much to say to fit into what Tumblr apparently thinks is an appropriate length for a re-blog.

First? I mean. Text just means the words and actions as they are said and shown in a given piece of media being analyzed. Which is what I’m here to do with my meta – textual analysis. That’s why I insist on textual support for any argument interpreting the media in question. Naked assertions do nothing to explain how you arrived at your conclusion. Vibes aren’t good enough. Show me what IN THE TEXT made you think what you think, and I will do you the courtesy of the same. Otherwise, I don’t see how we could possibly have much to say to one another.

The fundamental breakdown we are having is that you have failed to provide a textual basis for why you think Ed is a bad person. While I respect your assertion that a person’s essential goodness is predicated on the actions that they perform, I cannot respect the corollary supposition that there are actions that are either “good” or “bad” in a vacuum, as this completely ignores circumstance and motivation. WHY someone does something is AT LEAST as important as WHAT they did.

For example - Stede killed Ned Lowe in cold blood. Does it matter that he did it because Ned “shit-talked [his] friend and damaged [his] ship,” and “fucked Calypso’s birthday”? Does it matter that Ed, the person whom Ned’s shit-talk actually impacted, told Stede not to do it? Twice? Does it matter that Ned was a subdued enemy combatant, and as such could have just as easily been gagged like Hornberry and the overtly racist Wellington, who survived imprisonment and went on to watch Ed and Stede sign the Act of Grace? Do we compare Ned to the French Captain who got flayed for his racist rhetoric, though Ned’s comment was, strictly speaking, about Ed’s class rather than his race? How far are we going to go to disentangle class and race when one absolutely informs the other?

How about a more straight-forward example; Stede set an unnamed man on fire and quipped about it like some asshole 80's action hero. Does it matter that he threatened Stede’s life? How about if, when he did so, he was twenty feet away, armed only with the bottle he had just broken over his head, and there were half-a dozen pirates between him and Stede who all thought Stede was hot shit, and so Stede was in no immediate danger? What if Stede has a long history of people making attempts on his life, and being unsure that he even deserves to live, and this is meant to show that, now that he has something to live for, he’s done with the part of his life where he lets anyone try to take that away from him?

This is what I mean when I say that the show is careful to never outright condemn the use of violence. The narrative tells us clearly that, within the context of the show, some things are more important than an unnamed or one-off character’s life – preservation of one’s own life or the lives of one’s loved ones, dignity in the face of racially-based persecution, resistance to colonial oppressors. The reasons for and direction of violence matters. Context matters.

And speaking of context, you misunderstand me when you suppose that only what literally appears before our eyes counts can be “read into the text”. I refuse to give extra-textual sources of information (such as the historical reality of sergeant recruiters and being pressed into service or the historical Golden Age of Piracy) any weight unless they can be validated by in-text support, because the show itself cares fuck-all about historical accuracy. But extrapolations about the in-show universe based on in-text support are fine.

So, considering that the very first thing we hear in the show is Frenchie’s little ditty about the violent reality of a pirate’s life, and considering Jack’s comment at brekkie about how pirating is an "ugly profession”, and considering what we see of the raids in 1x5 and 2x2, we can reasonably conclude that pirate culture is steeped in toxic masculinity where the expectation of performing violence is de rigueur. Because Ed has carved out a successful reputation as Blackbeard, and because we see the ease with which he can go from being casually conversant with Stede to “giving it some oomph” to scare the location of the treasure out of the French captain in 1x5 with the THREAT of violence, we can reasonably conclude that he can successfully perform the required violent displays of piratical society (or at least, given that we know by his bathtub confession that he has not personally killed anyone since his father, he can adopt a convincing enough posturing that no one would doubt he COULD). From his interactions with Jack and familiarity with “yardies” and “whippies”, and his ruminations about “the old days” of “drinking all day and biting the heads off turtles or making some poor bloke eat his own toes for a laugh”, and Fang’s assertion that Ed made him kill his dog, we can reasonably assume that Ed has a history with casual violence for the sake of fun and cruelty for cruelty’s sake.

However.

I think “the old days” is an important qualifier there. Season 1 Izzy may be frustrated that Ed is not performing Blackbeard sufficiently well to suit him (on that point we can agree), but even by his own deathbed confession “for YEARS I egged [him] on, even though I knew [Ed] had outgrown [the Blackbeard persona]” (emphasis mine, and pin in that for a moment). In 2x1, Fang is crying into his cake saying “I’ve never seen Blackbeard like this” - indicating that the conditions of the Kraken era are NOT the norm. The slivers of Ed we see in 1x3 before the Spanish raid are marked by him speaking calmly and rationally to Izzy (in stark contradiction to Izzy’s insistence that he’s half-mad) never even raising his voice much less using threats or any actual violence to get Izzy to do what he wants. In fact, it is Izzy who suggests a course of action involving very normative piratical violence (“Do we open fire? Or would you rather we just attack them, kill them, throw them out to the sharks, sir?”), which Ed counters with a genteel proposition - inviting (not even ordering!) Stede aboard for a face-to-face meeting. Izzy being comfortable enough to push back against orders (“Oh, Edward, can’t I just send the boys?”) even suggests that he feels no threat from Ed at all. Every indication is that by the time we meet Ed, well before he ever meets Stede, he’s already well past done with violence for violence sake.

When Ed does meet with Stede, before he’d fallen in love (Even though the are the U-Hauliest, I would argue “fascination” with a possible side of “infatuation”, but certainly not yet love), one of the early conversations they have is about the depiction of Blackbeard in Stede’s book of pirates. Ed expresses revulsion and anger that the persona that he’s worked so hard to cultivate has been twisted into a hyper-violent parody - a “Vampire Viking Clown” that’s barely even human, with a head of smoke and overladen with weapons and hardly bears any resemblance to the real man. We’re meant to understand that this is not a valid or accurate representation of who he is. Violence is a normative part of pirate life, but he has “one knife, and one gun JUST LIKE EVERYBODY ELSE” (emphasis mine, again) - he doesn’t shirk from using the tools of violence when it’s necessary, but he is NOT excessively or wantonly violent. 

And we SEE the evidence of this because of how Stede reacts to the way Ed acts around Jack. Jack keeps Ed drunk all day, decoupling his inhibitions from his decision-making processes and, in spite of Ed explicitly saying that he’s mellowed out, Jack eggs him into the kind of hyper-violent Jackassery that is excessive even for pirate society if the nervous reactions of Stede’s crew are any indication. Of course, this is all part of Jack’s plan - to manipulate both Ed and Stede and force them apart - and the reason that it works is because the way Ed acts around Jack is NOT the way he chooses to act under his own volition, hence Stede’s frustration and disappointment.

While I agree that piratical violence is not political praxis, I would argue that, considering that every raid we have witnessed Ed participate in has been against a representative of colonial power and, more often than not, specifically the enforcing arm thereof, it’s not unfair to conclude that Ed’s reasoning goes that if piratical violence is to be done, better against someone who deserves it than not - i.e. those who perpetuate the violence of colonialism. Regarding instances of violence outside the context of raids, here’s where we take that pin out of Izzy. Izzy and Ed are locked in a cycle of abuse over the first season, wherein Izzy decides that Ed is not Blackbearding hard enough, and, because he feels entitled to controlling Ed’s actions, bullies and harasses him into capitulating  - typically in the form of performing violence. Afterwards, Izzy performs some form of deference - apologizing and/or acting as though he’s going to leave, which Ed “talks him down from” and mercifully allows him to stay. It’s why, when Ed sees Izzy packing up a dinghy (lol. With what? It’s not like he’s on his own ship or would have brought his things with him, or sacked plunder from the Revenge. Clearly he was just stalling until Ed noticed him and swooped in to do his part of the cycle) he tells Stede he “should deal with this,” as though it’s tedious, but normal occurrence. I think an important part of this cycle as the season progresses, though, is how Izzy keeps upping the stakes.

So by the time we get to the end of the season, when the last iteration of the cycle starts up again (when Ed is once more insufficiently Blackbearding by being emotionally vulnerable and open with the crew following his return to the Revenge and his stint in the pillow fort (note that Izzy is apparently FINE with Ed not being Peak Pirate, just as long as he hides it away from everyone), and Izzy once more bullies and threatens Ed) this time it is especially cruel - Izzy is a thumb in the wound, attacking Ed at his most vulnerable and saying it would be better if Ed was DEAD than “pining for his boyfriend.” This iteration now also brings with it a history of escalation (first in Izzy bringing Fang and Ivan in to force Ed's hand about killing Stede, lest he look "weakened by the love of a pet" before his crew, and therefore in danger of mutiny, and then by bringing in the British Navy to force Ed to take Izzy back - or rather, to force Izzy back into Ed's life because the terms of the agreement see Ed remanded into Izzy's custody as though he is property to be distributed at the will of the Brits) - an established pattern of the lengths to which Izzy will go to get what he wants, and so a very real threat implicit in Izzy’s warning that “Ed had better watch his step” as Izzy serves only Blackbeard. So Ed gives him what he wants. He Blackbeards it up just like Izzy insisted, and lets Izzy know in no uncertain terms that the insubordination is done. It’s not a "frat boy prank" when he cuts off Izzy’s toe and feeds it to him, or even something from which he's deriving pleasure as he might have in the old days; it’s a calculated, proportional response, done under duress and against his own inclinations, but exactly the tool required to get the message across clearly.

As to the question of why it matters if Ed is bad, first and foremost, because saying that he is bad requires you to explicitly read contrary to the text. If you’re not going to engage with the text on its own terms, I don’t see how you can do any analysis of what story it’s trying to tell. I already discussed the ways in which the narrative is specifically about how Ed is NOT bad, even when he himself thinks he is. I have also discussed how, while “violence is never the answer” may be broadly understood to be the correct way of comporting oneself in real life, the show never condemns violence across the board. The show condemns cruelty, both on an interpersonal and societal level, but positions the use of violence as an acceptable and reasonable response thereunto. It treats circumstance and motivation with nuance and weight. Living within this context, Ed’s use of violence by the time we meet him is well within the normative acceptable application thereof. Judging him by standards outside the context of the story within which he exists makes as much sense as judging the Stede from the show for being a slave owner because that’s historical fact - that’s just not applicable to who he is in THIS story.

But more importantly, it matters because Ed is a POC character. Describing him as “cruel and perverse” for utilizing violence, particularly when the violence he uses is NOT excessive or impulsive, perpetuates negative race-based stereotypes about hyper-violent men of color. Characterizing him as “bad” for his use of violence when other (white) characters, such as Stede, use violence in similar ways, or are cruel or petty, but can still be considered, on balance, “good” means that Ed is being held to a different, higher standard than those white characters, and perpetuates the frankly racist criteria of expecting POC exceptionalism for POCs to be considered for the base-line assumptions of acceptability that are afforded to their white counterparts. Saying that Stede’s love is what changed Ed’s behavior from cruelty to wholesale abandoning piratical principles is not only antithetical to what actually happens in the show, but suggests a read that POC Ed needs a good white man to show him how to behave, a real white knight to tame his savage heart. That’s some real White Man’s Burden shit there, bro. I highly recommend you put it down.

[maximwtf]

Request for izzy hands x reader where they were like together while in the navy. They kept their relationship hidden ofc and liked to take risks by giving pda when no one was looking. To keep up appearances with the others, they act like they hate each other. This gets extremely hard for Izzy after reader gets shot in the leg

Izzy Hands x Reader

Words: 3500

Google doc pages: 5,1

Warnings: mentions of smoking and drinking, mentions of blood

Opening: Izzy has asked you to tone down the displays of affection whenever there were other crew members around. This went on for a long time, mostly unnoticed until you got stabbed, and keeping the secret becomes a little too difficult. 

AN// Reader can be any gender! I put these two requests together since I thought they were pretty similar, and changed the shooting to a stabbing, since I didn’t want to make this too angsty (But yall know I live for a bit of drama, always!) I’m also making this a little longer than normally for the sake of there being 2 requests!

“Prove it.”

Ever since you joined the crew, you’d been drawn to Izzy. There was something about him that you liked, even though he seemed to distance himself from the crew quite often. You supposed that had been what caught your eye in the first place, seeing him just watch the others if they were doing something other than working. And you’d only noticed that because you found yourself doing the exact same most of the time. So after observing him for some time, you’d begun to talk to the snappish first mate from time to time. At first he seemed like he’d rather be talking to the seagulls than you, but bothering him long enough proved to be the right thing to do, since he’d started to warm up slowly. Soon he’d even complain to you, which was the most common thing you started hearing from him. By the way he described his job on the ship, it sounded like he saw the rest of the crew as morons. Had he thought of you in the same way and avoided talking to you because of that? Was a common thought you tried not to think of, since at the end of the day, Izzy was quite nice to be around. He’d sometimes share cigarettes with you, and on a good day share a bottle of rum. But even then, after getting this far he still seemed like he was pushing you away. Like his focus was elsewhere, or on someone else. But you tried to put it off as him just being the first mate and having to do a lot of Blackbeard’s work, so he didn’t have time for making buddies. 

When Stede had come along, Izzy started to change. His attitude changed, like his mind had changed course. You didn’t know if it had something to do with Blackbeard and Stede, since you weren’t much educated on their previous relationship. Though, as time passed you started to notice him talking to you a little more than usual. More than usual in this case meaning the normal amount, since the man had practically stopped talking to you when Stede had come along. Like he’d been busy doing something else. So it seemed as if his mind had changed on something. Though, you didn’t mind. You’d started to like him, quite a long time ago actually but it had taken you more time than necessary to admit that to yourself. But by now it was clear in your mind, but you kept telling yourself that there was no point in confessing to him as he hadn’t ever shown any signs of caring for you in that way. In your mind, he saw you as a good drinking buddy at best. 

So you said nothing about it for a while, only talked to him like you had always done. Only, sometimes it seemed like Izzy was awkwardly trying to hit on you. You only noticed this because of the bad, but notably sweet, his attempts were. Like the shield that the title of first mate had given him was preventing him from actually opening up to you. Because of this, you took it upon yourself to try and figure this mess out. You liked him, but didn’t dare to tell him because of the mixed signals written all across the poor man. 

Yet another night, and yet another trip you were making to check if Izzy had  taken the night shift and was on the main deck. It had become somewhat of a habit to meet him there, just like the other habits you had together. You never thought of how much you’d started spending time with him. But like almost always, the owl of a man was there. He had a cigarette between his fingers, almost burnt out. Due to the dark you couldn’t quite tell much, but he seemed to be leaning against a mast. As much as he mocked the crew for being totally useless, idiots and so on, he was definitely not being the best look-out there was. Could he even see what was going on at the front? You shrugged, amused by the first mate’s antics. “We got a proper look-out here!” You said, loud enough for him to hear in the slight wind and through the sound of the waves gently splashing against the hull of the ship. Izzy lowered the cigarette, turning to look at you. The man didn’t seem frightened, far from it. Like he’d known you’d come eventually, just as you had. “Sod off, I’m on a break.” He said, a slight hint of amusement in his tone. As you got closer you found out why. His breath smelled of rum, a familiar smell that stuck all around the ship no matter how much it was cleaned. “Tell that to the next crew that attacks us.” You hummed, offering out a hand as a sign to ask for the cigarette. And like it was automatic, he handed it to you without even giving a look your way. “Like they’d even see us in this fog.” Izzy replied, leaning back against the mast. You stood next to him, taking a drag from the cigarette. You hadn’t even noticed the fog, a little embarrassed by your earlier comment now, you didn’t say anything for a moment. Using the smoke as a way to make the silence from your end more acceptable. “You know, Stede’s men really hit an all time low today. Truly bottom of the barrel kind of crew, I mean-” He started, as always when the perfect silence gave the opportunity. You handed the rest of the cigarette back to him, walking up to the railing and peering down at the water. Knowing him the man could go on about this for hours if you let him, and as much as you liked talking to him the complaining got a little tiring after some time. “They didn’t listen?” You asked, keeping your gaze on the murky water. “Of course fuckin’ not.” He groaned, the sound of his boots hitting the deck indicating that he was following after you. Izzy leaned his weight on his arms after placing his hands on the wooden railing. You chuckled at his comment, clear annoyance in his voice. “Have you tried not yelling at them?” You smirked, knowing it would set him off. “Quite clear that’s what Eddie wants.” Izzy shook his head after saying that, messing up the combed back hair ever so slightly. A few strands of hair falling over his eyes, which he tried to push back. His reply had been calmer than you would’ve expected, making you turn your eyes to him. “Are you okay?” You asked, gaining an instant groan from him. “Oh, fuck off with that.” He pushed away from the railing. You knew he wasn’t one to talk about feelings, even if he’d taken a little bit of rum to his system. “Quite clear yer upset about somethin’?” You asked basically the same thing again, worded differently to maybe trick him. You weren’t sure if that had actually worked, or if he’d just given up trying to shoo you away, but this time he answered. “It’s that fucking Stede Bonnet.” Of course, you probably should have guessed in all honesty. You weren’t even going to ask what he thought was wrong with the man. Listening to him rant about Stede and his crew had been enough information on that topic. “Is it him and Eddie?” You asked carefully, almost like poking a wasp nest. “Sure. But I don’t care about that anymore.” He replied, pushing away from the topic yet again. “Then prove it. To me it seems an awful lot like you still care.” You tilted your head, leaning away from the railing. Izzy’s mouth opened slightly, brows furrowing a little. Overall he seemed confused as to how he was meant to do to prove it.

You took a deep breath, this was the moment and you weren’t sure if there’d ever come another. “Kiss me?” You said rather openly, stepping closer to the man. If he’d looked confused before, he looked so even more now. Though he didn’t step away from you either, not even when you pulled him towards you. So you took that as a yes, and kissed him. A very short kiss, but you could have sworn he’s kissed you back.

Izzy pulled away first, seemingly at a loss for words but you understood why. The man seemingly hadn’t had any sort of actually loving physical affection in decades. So you saw it best to make your leave, not forgetting to trail your hand on his shoulder as you walked past the shaken man. You gave him space to think. His eyes followed you keenly as you walked away, up until your form disappeared into the faint light of the lower decks.

The days that followed, not a mention of the kiss was said. You told yourself that Izzy acted a little differently around you, but you began to doubt that when he hadn’t made any moves on you. Thought that maybe you were just imagining things. You kept telling yourself that up until one evening when Izzy had invited you to have a drink with him, as he sometimes did when he didn’t feel like drinking alone but wasn’t going to tell you that. So you joined him. 

He had a specific spot near the galley where he liked to sit and spend time. A spot where there weren’t many people around since there weren’t many places to sit. A perfect place for him to drink but also to observe what the people walking by were doing. 

He opened a bottle, taking a swig from it before handing it to you. You listened to him talk most of the time, not bothering to stop him when he spotted someone from the Revenge’s crew and started listing all the reasons why he thought they were useless. Better let him rant to you than make him go all out on the men, since he wasn’t annoyed with you just looking to tell someone.

And so the night went on, a couple bottles down and a half empty one on the small table. He had a better head for alcohol than you did, but neither of you were sober. Your attention was brought back to him fully when you heard the man start talking about the kiss you’d shared. “Tell me, why’d you do it, kiss me?” You bit your inner lip. You might have been buzzed, but it sounded like he’d thought about this for a while. He just hadn’t dared to ask. “What do you mean?” You asked, tone a little more playful than you had intended but to be fair with yourself, you’d wanted to discuss it with him for some time now. “Did you do it only to see if I was lying?” He asked, a hint of worry now in his voice. It worried you, just a little. Did he think you’d done it on a whim, that you didn’t actually care? You took a moment to collect yourself before speaking again. “Partly, yes.” The sound of hesitation in your voice was clear and you knew he wasn’t one to miss out on it. Though to that he didn’t say anything, giving you time to explain further. “And maybe I just wanted to kiss you.” Your gaze wandered away from him on its own. Yet another silence followed. You could feel his eyes on you, but you didn’t dare to look at him, not wanting to start guessing what he was thinking. “Prove it.” Izzy said, the words just slightly slurred but you understood him loud and clear. “What.” Your gaze rose back up, convinced you’d just imagined him speaking. But he knew you’d heard him, so he didn’t repeat himself. 

The silence he was giving you was unbearable, and the only way to escape this situation was laid in front of you. So you leaned in, kissed him again to prove something, just like the first time. Only, this time you were sure he’d kissed you back. You were about to lean in further, but the sound of someone walking towards the galley made the first mate pull away. his eyes scanned the area of the noise and watched as Roach came by but seemingly didn’t notice the two of you. “Right-” You wobbled slightly as you tried to get up, the waves moving the ship just enough to make you stumble back on your ass. “Suppose it’s about time to sleep…” You mumble while trying to get back on your feet for the second time. Izzy watched the desperate attempts you made to get towards the crew’s sleeping quarters. He watched until he was convinced you weren’t going to make it. “Come on…” He said rather silently as he hooked an arm around yours, hoisting you up a little and with some wobbly steps made his way to his quarters, leading you along. 

The rest of the night was a bit of a blur. You came to again when the noises from outside the small room were becoming a little too loud to be able to sleep anymore. With a long breath your eyes opened, having to take a second to recognise where you were. The slight snore from next to you returned a faint memory of Izzy helping you here, but from the sound of it he was thankfully still asleep. 

You wiggled to the edge of the bed and sat up, brushing the loose strands of hair back. While sliding your shoes back on, Izzy turned around on the bed and by the sound of it he was awake. That also meant he must have heard the noises outside, and if anyone saw you leave his cabin at this hour when neither of you hadn’t been seen earlier, it would raise suspicion. “Go after me.” Came from him before the first mate got up and located his belongings on the floor. He suited up, placing his cutlass on his belt and dusted his clothes. You wanted to ask him about the previous night, but now you felt like the one who didn’t dare to do so. 

So instead you waited until he left, heard him command the crew as he always did and soon the noises got further away. He must have gotten something to do for everyone so you could sneak out without anyone seeing. You pushed the door open, and without a second look stepped out. Which you shouldn’t have, since a gasp rang into your ear, and the form of Lucius hit your gaze. You took a couple of fast steps up to the man and covered his mouth. Not only would he alert someone to come down but if Izzy found out someone had seen you, you assumed he’d be upset. He was exactly the kind of person to think he’d lose respect from the crew if they found anything out. “I knew it!” Lucius spoke against your palm before you could remove it. “Shut up!” You hissed, keeping him against the wall you’d pinned him at before realising that Izzy must have gone with the rest of the crew. You should have probably realised Lucius would have been here, he was the type of person to find ways to avoid Izzy’s commands. “You don’t tell anyone, okay?” You said to the man, voice serious enough to make him nod. “I don’t know if I have to, if you’re going to be this open about it.” The man said as you let him go. Your eyes followed him for a while before you were comfortable enough to move again. That had started well. 

So there began the complicated part of this relationship. Izzy had asked you later that day to keep any physical touches to a minimum when there were crew members around, which you had expected. And it wasn’t all that hard either. You could easily blend any kisses or hand holdings to the usual routines that the two of you had formed, but some days you liked to mess with him. Not enough to stress him out, but enough to give him a little scare. You were rather glad Lucius had seen you from the start, since now he was the only one you could talk to about Izzy. And he undoubtedly was usually the one to suggest you try to openly hug or kiss the first mate. Though, usually you were met with an, “Sod off…” or the common “fuck off”, which you found rather amusing. Sometimes he would pretty harshly shoo you away, and treat you with the same respect he used for Stede's crew, if someone was around. You had to admit it hurt sometimes, but seeing him every night healed those cracks.

You and Lucius were sitting together one night. You’d planned to tell Izzy today that the other man knew, but you couldn’t just tell him that. You wanted to show him. So you waited for the first mate to walk past, as he usually did before going to rest. It took him a little longer than usual, but he arrived eventually. Lucius stayed away, close but hidden enough that he wasn’t easily seen unless someone was purposely looking for him. 

You stood up and walked up to the first mate, with a quick look making sure that Lucius got a little close, now visible. “Have a drink with me?” You suggested, leaning to kiss him. Which he was about to respond to, before Lucius caught his eye. He took a firm hold of your shoulders, pushing you away gently. “Oo, Izzy!” Lucius smirked and you could almost feel the blood boiling in the man in front of you. “Oh, fuck off Lucius.” He murmured, accepting the fact that someone had seen him. Though, the laugh that followed surprised the annoyed man. “Izzy, he knows. Has known. I just thought you should know.” You smiled, trying to wipe the grin off your face before giving him a quick kiss as an apology for the joke. “I saw them exit your room in the morning.” Lucius hummed, amused as he left. 

So for long this secret was only shared with the three of you. You weren’t actually that certain of the fact that Lucius hadn’t told anyone. He’d told you many times how bad he was at keeping secrets. But so far no one had questioned you or Izzy. Not until the day it all became rather public. 

You got into a little accident, to say. You’d gotten into a little tussle, a tight spot with someone from another crew. You’d survived but they’d struck you in the shoulder with a knife before you were able to get the upper hand in the fight. You thought you’d just pour some rum on the wound and wrap it up for it to hopefully heal, but you hadn’t had the time to do that. As everyone had made it back on the Revenge, Izzy came looking for you. Not actively or in a way someone would notice, but his gaze was bouncing around trying to spot you. As soon as he did and noticed the red spot spreading from your shoulder it didn’t take the man longer than a few seconds to be by your side. He rather openly hoisted you up, noticing the slump you had eased into to escape the stinging pain. The man’s knife must have been fucked and rusted for the wound to hurt this badly. “My God, what happened?” Izzy asked, voice a little shaken as he sat down with you leaned against him. “Let me take a look at it.” The man said before you were even able to reply. “Come on now, help me a little.” He added while trying to lower the fabric around your shoulder to see the damage. You looked up at Izzy, a rather amused expression on your face even though any movement from your shoulder sent waves of pain all around your body. Izzy furrowed his brows at this, his gaze rising up from you, allowing him to see the crew looking at him. His eyes widened. “H-How did you manage to get stabbed! You- moron, I mean-” Was his desperate attempt to save his face. “I knew it!” Came from the crew, and you could have sworn that through all the noise you heard the relieved sigh of Lucius’, not having to keep the secret anymore. 

Later that night, laying against Izzy as he treated the wound, you couldn’t miss the extra rum he was pouring on it, the action almost feeling like a revenge for the earlier events. You groaned at that, curling up a little. “Fuck you.” You chuckled, gritting your teeth as you saw him look away, seemingly innocent. 

AN// This was proof read at 3am after writing the whole thing, so I'm sorry if there are any mistakes :"D Requests for Izzy are open still <3

[ourflagmeansgayrights]

i’m still thinking abt that fucking post like it reads like a parody of izzy takes. claiming there’s this deep bond btwn ed and izzy that we never see evidence of but izzy said so that one time so it must be true. berating “ed fans” for not appreciating the true complexity of ed’s character by which i mean accept that he’s a violent abusive brown man. making nonsensical claims about why stede and ed are a bad couple.

but then it gets to “he screams in ed’s face when ed shaves his beard and they never talk about it” which is such an insanely factually incorrect way to describe what happens. what happens being stede shouting in surprise and alarm one time and then ed and stede literally having a whole conversation about it in s2 and stede using this conversation to segue into telling ed he loves him and gaining his forgiveness. like it’s the “they never talk about it” part that just has me absolutely floored bc like. the rest of the post is stuff i would be able to make up on my own just based on other izzy fan posts, but “they never talk about it” is such a objectively untrue statement that it can only be made by someone who genuinely believes this. which then haunts me bc like, when was the last time they watched s2? how many times did they watch s2? how much of s2 do they remember? is the reason they don’t remember this scene bc it takes place during the edstede reunion arc which happens completely separated from the crew and izzy? do they only remember the parts of s2 involving izzy? do they realize that’s only about like… 15% of the season? do they realize what a small percentage of this show they actually think about?

[skrifores]

I have seen the point being made that you don’t have to be in a romantic relationship for some behaviour to constitute domestic violence. I’m seeing this said with regards to Our Flag Means Death and what some people perceive as domestic abuse on Ed’s part - that him not being romantically involved with Izzy shouldn’t mean behaviour between can’t be considered domestic abuse.

It is an excellent point that in many places, the definition of domestic abuse isn’t restricted to intimate partners! It is often widened to consider any violence, coercion and emotional harm taking place within a home environment. Under this definition, children can be victims of domestic abuse by their parents, it can occur between siblings, even roommates - especially with a live-in landlord situation. And of course, the Revenge as well as being a workplace is ultimately where the characters live.

I think it’s very clear that the show is a workplace comedy about pirates, but if you want to apply the definition of violence, coercion and emotional harm within a home environment to your reading to the show, that can be done.

Of course, I would be surprised if you genuinely view it that way and still made it as far as even watching Season 2, given the way what you consider to be domestic abuse in this fictional setting happens so very often with little to no moral consequence, and is often intended to be taken as a joke.

I mean. In the very first episode, the crew talk about killing Stede, and begin to plan for this, including lighting him on fire.

Jim threatens Lucius and actually physically locks him in a small wooden box in the second episode for what seems to be quite a long time.

I think in 4, Izzy pulls on Fang’s beard and it really upsets him. He also talks pretty openly about the intention to kill the Revenge crew, though I’ll let that go at this stage since he doesn’t really live there so much as being there for the purpose of murdering them and stealing their stuff. Still, poor Fang, that looked like it hurt.

While we’re on Izzy, he does also actively try to kill Stede by stabbing him, and he then he goes and does the olde worlde equivalent of calling the cops on him on the intention of having him executed, which seems pretty fucked up on the ‘violence’ part of our DA definition but also hits pretty hard on coercive control since he’s doing this to get Ed to behave differently.

He does prevent the Navy from executing Ed, which is nice, but he does point out that he regrets this, which, ouch, emotional harm. If we’re doing real world definitions, “I should’ve let the cops I called on you murder you” is the sort of thing that would make me feel pretty fucked up. And we all know what it means when someone tells you to watch your step.

But it’s not all about Izzy! (It’s really not, guys, there’s a whole TV show here!) Buttons bites Lucius - who ends up needing the whole finger gone! And he’s a visual artist!

Even my darling man Roach tries to eat the Swede, and I’ve gotta say, I don’t think they were on that island long enough to justify murder.

And who could forget Mary?? Wonderfully written character, love her, but, she does with malice aforethought attempt to kill her spouse in his sleep with a skewer. She was right to do it, in my opinion, but y’know, even without broadening the definition beyond partner relationships, murder of your spouse is pretty classic domestic abuse.

So, y’know, the point I’m getting at really is that if your definition of domestic abuse is violence and control wherein the perpetrator and victim share a significant aspect of their lives like living space - that’s a fine definition in real life. It is the one I use, in real life. But if you apply it to Our Flag Means Death, I really don’t understand how you stomached watching the first season or why you came back for more.

And if you only apply this definition with regards to Ed’s behaviour, but not the rest of the characters, I do wonder why that might be.

[fuckyeahisawthat]

So I’m writing a fic where Ed and Stede reunite and they don’t immediately talk about what happened, and having a renewed appreciation for how the whole episode 9/10 situation must have seemed SO confusing and painful from Ed’s POV. And really the more information you have the worse it gets.

Because if you’re Ed and you don’t have any idea about Stede’s deep-seated trauma and insecurity and self-loathing, and you don’t know about what happened with Badminton, the story goes like this:

So you managed to get both Stede and yourself out of what seemed like certain death (THANKS IZZY) and you’re in service to the navy for 10 years which is not great, long-term, but you’re honestly so relieved that Stede is alive and you’re together and you can drop the Blackbeard persona for a bit that you’re not really thinking long-term; you’re just taking a minute to breathe. And then you take a chance and kiss Stede and he kisses back!! And says he wants to run away with you!! He says it three times!! You weren’t really thinking about escape plans right now but Stede keeps talking about it so you make one, and you wait for Stede, and he doesn’t show.

It seems clear that Ed was never seriously worried that something had happened to prevent Stede from meeting him--if he was truly worried about that, I think he would have gone back to look for him even if it was dangerous. So his conclusion must have been that Stede decided he, Ed, wasn’t worth the risk of skipping out on the Act of Grace after all. Hey I willingly gave up everything for you and I thought we were on the same page about how we felt about each other and I thought we were both willing to take a chance on new lives together but guess not. Cool cool cool got it.

Then imagine he hears that Stede went back to Bridgetown. Ah, okay, now it makes sense. Stede got a little too close to the very real risks of a pirate’s life and wanted to go back to his posh safe rich people world. Who wouldn’t? And maybe Ed was just a dalliance or a plaything or a means to an end of escaping the academy and it’s his own idiot fault for expecting otherwise. Why would someone like Stede ever choose him when he had all that to go back to? Why would someone like him ever get to make a life with someone like Stede?

Then he hears that Stede died. Then he hears HOW Stede died and it’s so obviously a fuckery. Then he starts hearing stories and rumors and is eventually able to piece it together that Stede’s back, pirating again.

Ah, he thinks. So he did want a pirate’s life after all. He just didn’t want me.

[choco-cherry-chunk]

Had a dream about this and I’m adapting it to fit. Thinking about if Alma and Louis were brought on board the Revenge for whatever reason (I doubt there are any Mary haters in the fandom, but if there are, I’m not engaging). They come to adapt to the pirate lifestyle to a degree, coming to care for and connect to the various members of the crew. But especially Izzy, mainly because he’s one of the few that engages in some degree of “normal parenting”.

To some degree, the usual Steddyhands trio has been together for a bit, but communication is still as mediocre as ever. Izzy thinks he’s mostly there as someone to have sex with and he is fine enough with that, because it means he’s close to Ed and Stede. Ed is maybe throwing himself too deeply into things, struggling against the fear of being hurt again and the desire for love he’s never known before. Stede is scared of repeating his past failures and of falling into too familiar of a domestic state.

At some point - because this is one of my ideas - Izzy gets pregnant, but says nothing about it. Maybe he’s convinced it’s not going to keep, maybe he struggles to figure out how to tell them. But he is. When he finally settles on an evening to build up the reserve to tell Ed and Stede, he heads up on deck to talk to them, only to find the pair alone in the moonlight. Ed is in the middle of some speech, so Izzy tucks himself behind a mast. He listens to Ed wax poetic about Stede and their time together, and peeks out just in time to see Ed get down on his bad knee and bring out a ring he’d stolen from a previous raid.

It’s like he’s been cut open, reached inside of, and had his heart smashed with a mallet. Izzy clamps a hand over his own mouth and does his best to move quickly and quietly back to his quarters. So much so that he’s oblivious to who’s just seen him hurt away. Two children who snuck on deck to see what was happening and, oblivious to the stakes, wished to eagerly tell Izzy what they saw. So why is he hurrying away like that?

[suffersinfandom]

Alright, I’m gonna talk about Ed and abuse.

“Why? Why are you spending your precious time on Earth typing about some dumb fandom stuff when you could be doing literally anything else?”

In short, seeing the “Ed is an abuser who’s inevitably going to hurt Stede” takes has been driving me absolutely bonkers since I first noticed them. They’re not going away, so I have to essay about it. 

In less-short: it’s because abuse is a serious thing and, as someone who’s experienced it, I get riled when it becomes a topic of discourse in my silly pirate fandom. It’s because it’s upsetting to read meta after meta accusing an indigenous man of being an abuser when the text doesn't support that reading. It’s because a lot of the abuse discourse in the fandom fails to separate real-life abuse from violence in a show. It’s because the vast majority of the abuse talk only acknowledges physical abuse which, while terrible, is not the only kind that hurts people and utterly destroys their lives. 

It’s because calling Ed abusive or insisting that he’s a future abuser can harm people who are like him -- people who have suffered abuse or get angry sometimes or have hurt people when they were hurt. Victims of abuse, especially those who dealt with it in childhood, often fear becoming abusers themselves. They bottle up their anger for fear of hurting someone. They hurt themselves in a misguided attempt to protect others. They don’t need to see meta that enforces their fears.

Before I get into it…

I may as well come clean and say that I’m on team Ed absolutely isn’t abusive.

Plenty has been typed in Ed’s defense by POC in the fandom, so I’m not going to go into how deeply unfortunate it would be to make an indigenous main character an abuser. I’m just going to say that, when you consider OFMD’s genre and attitude towards violence, it seems clear to me that you can’t call Ed abusive without calling out other characters unless you have some kind of bias against Ed. His actions are deplorable in the real world, a bit much in OFMD’s world, deeply unhealthy, not okay by any means, and shitty and traumatizing for his crew, but they aren’t abusive.

Remember: Our Flag Means Death is a comedy with tons of over-the-top violence. If your theory is unrelentingly grim or looks at violence and its consequences in a real-world light, consider stepping back and remembering what genre the events of the show are happening in.

And if you think that only the violence committed by the indigenous lead is abuse, look at the actions of the other characters and ask yourself why Ed doesn’t get the same grace you’ve granted the others.

What is abuse in the real world?

Abuse “includes [a pattern of] behaviors that physically harm, intimidate, manipulate, or control a partner or otherwise force them to behave in ways they don’t want to. This can happen through physical violence, threats, emotional abuse, or financial control.” (1)

“Emotional abuse includes non-physical behaviors that are meant to control, isolate, or frighten someone. These behaviors are often more subtle and hard to identify but are just as serious as other types of abuse.” (2)

It’s important to emphasize that not all purposeful harm to another person, physical or otherwise, is abuse. “What abuse really means is control. When a truly abusive situation exists, it’s because one party is seeking to control the other through abuse.” (2)

Abuse is a pattern of behavior that involves one person intentionally harming another. That harm is meant to control, and it can take on more forms than just physical. 

In our world, all abuse is terrible. Vitally, our world is not a pirate rom-com.

Adding context: what is abuse in Our Flag Means Death?

Our Flag Means Death is a romantic comedy with one core romantic couple, Ed and Stede, whose story takes priority over everything else. It can be dark, it can be serious, but it is, at its core, a comedy, and not a subtle one at that. (3) Sometimes things are just funny and that’s it.

The show’s meanings aren’t hidden under layers of red herrings and subtext; if you’re compelled to bring out the conspiracy corkboard, you’re probably in too deep.

But this isn’t just a rom-com: it’s a pirate rom-com, and that comes with gratuitous violence. Here’s a short, fun list of examples of things that we can consider canon-typical pirate violence:

Tying hostages to the mast and letting them cook a bit

Wanton murder during a raid (“Note the gusto!”)

Threatening a crush at gunpoint until they stab you

Whippies and yardies

Cutting off toes and feeding them to people “for a laugh”

Literally any violence directed at a racist (this violence is, in fact, good and encouraged)

There’s also the pirate-typical killing of other pirates. Duels don’t seem entirely unusual, and Izzy outright tries to get Stede killed at several points in season one. When Chauncey Badminton and the English navy show up after being summoned by Izzy, Stede’s life isn’t the only one on the line: the rest of the crew is also put in potentially life-threatening danger.

In short, Our Flag Means Death has a lot of violence and peril, and very few instances of violence (looking at you, Hornigold) are treated as anything other than socially acceptable. But do you know what’s really important in the show?

Feelings.

The way characters feel as a result of something is given an immense amount of weight. The show’s subtleties are in the realms of the mental and the emotional, and that’s where the real pain is too. 

Nigel Badminton’s death was bad because it was emotionally and mentally devastating for Stede. Ed’s father’s murder was bad because it hurt him and forced him to create a monstrous alter ego to cope. Both of those men -- Nigel and Father Teach -- are totally acceptable casualties. Their deaths would be net positives (in this universe where abusers are punished for their behavior) if they hadn’t had such strong impacts on our leads.

Feelings are everything in Our Flag Means Death, and the feelings of our leads are the heart of the show. That’s where the story is. That’s where the complexity and ambiguity is. 

So what is abuse in this context? The casual treatment of physical violence and the seriousness of emotional distress tell us to adjust our own moral judgments accordingly. Physical violence is everyday, straightforward, and often comedic; emotional violence is devastating and complicated. Physical violence is cartoonish and, often, part of a punchline. Emotional violence is real and raw and not a joking matter. Planning to murder a guy and steal his identity can be shrugged off; ditching your boyfriend after experiencing a traumatic event is more complicated.

When we ask ourselves if something in OFMD is abuse, we have to consider the act in the context of a rom-com that’s all about the feelings of two guys, set against the violent backdrop of piracy, and absolutely packed with people getting maimed and murdered in casual, comedic ways.

So...

Is Ed abusive in the context of the show?

No.

Aaaand we’re done!

Joking, joking. Obviously I’m going to pick out the examples of “abuse” that people cite and discuss each one, but first: we need to talk about Ed, violence, and anger. 

Ed is not a violent person. He’s not full of rage that’s threatening to erupt at all times, and he’s not some kind of sadist who revels in hurting people. The violence of Blackbeard is a fuckery: it's the theater of fear, an illusion of cruelty calculated to terrify others into surrendering and obeying without (much) bloodshed.

Ed has his whole thing with murder that's rooted in childhood trauma. Killing his abusive father to protect his mother scars him so badly that he distances himself from the situation -- he blames Father Teach’s death on the Kraken, an invented monster. As a pirate, he creates loopholes and rules that technically put one step between him and killing (in his mind). He orders murders and causes deaths and maims and maintains his image as the bloodthirsty Blackbeard, but Ed doesn’t do “the big job” himself until the end of season two. When Stede’s life is in the balance, Ed can kill to protect him. 

Edward Teach kills only to protect.

But that’s killing, and we’re talking about general violence. It's true that Ed is casual about the day-to-day violence of piracy. He participates in it, incites it, and doesn’t feel bad about it. No one does; violence is part of the job.

That leaves us with the "anger problem." Ed is sometimes characterized as an angry person who lashes out when enraged, and canon doesn't at all support this interpretation. Ed gets mad, yes, but his anger is always at least understandable (and, in my opinion, he's one of our more restrained characters). It isn’t a constant, simmering thing that turns him into an abusive monster when he’s triggered. He doesn't always deal with his anger -- or any of his other feelings -- in a good and constructive way because both of our leads lack emotional maturity, but I think it's a grave mistake to characterize him as an angry person.

Hopefully I can elaborate on this idea -- the idea that Ed is only violent and angry in a normal and canon-appropriate way, and anger is by no means one of his defining characteristics -- by doing a run-down of all of the times Ed is accused of being abusive or showing signs of being an abuser-in-the-making.

---

Ed loses his shit on a falling snake during his nature adventure with Stede (S1E7). In this scene, he’s embarrassed about the treasure hunt, oblivious to Stede's intentions, and annoyed by the very existence of nature. He is not relaxed. When nature takes him by surprise, he stabs the crap out of it in a scene that is played for comedy. There’s the important part: this is comedy. Ed is grumpy and his childish tantrum is harmless and silly. It isn’t a red flag. Overreacting while irritated isn’t an indicator that someone will be abusive.

Ed punches Izzy after the English have taken the Revenge, captured Stede, and turned Ed over to Izzy (S1E9). Honestly, I think the fact that Ed lets Izzy talk before punching him demonstrates a great deal of restraint on his part. This is justified anger and fear for Stede’s life. This is not an indicator that Ed makes a habit of hitting Izzy.

In his post-pillow fort era, Ed is cleaning up his cabin when Izzy confronts him (S1E10). Izzy insults Ed, tells him that he’d be better off dead than as he currently is, and says that he serves only Blackbeard (Ed better watch his fucking step). Ed reacts by grabbing Izzy by the throat and telling him to choose his next words carefully. This is, in my opinion, a reasonable reaction and exactly the response Izzy was fishing for. The only pattern this scene indicates is one where Izzy goads Ed until he starts performing the violence expected of Blackbeard.

Which takes us to The Toe Scene.

In real life, it would be extremely fucked up for a boss to remove an employee’s toe and make him eat it. OFMD is not real life. One episode earlier, Ed was talking about the life he was glad to leave behind -- the life where The Toe Thing was done “for a laugh.” Not as punishment, but for fun. It’s set up as something that’s gross (“yuck”), not a grave punishment. When Ed feeds Izzy his toe, he gives Izzy what be asked for: he gives him a violent captain. He gives him Blackbeard. He gives him the guy who fed people toes for fun.

But what’s important here is that Ed is not having fun. He’s having a lot less fun than Izzy is, going by their expressions in the scene. This isn’t who he wants to be, but after having the possibility of a better life snatched away, Ed throws himself back into the sure thing. He becomes the Kraken -- the captain Izzy wants, the violent monster that Ed thinks he is and tries to distance himself from, and the only thing Ed thinks he can be. It’s sad. It’s desperation, not anger and abuse.

In the second season, Ed headbutts Stede after he’s revived from his coma-death (S2E4). In the next scene, Stede is holding a cold steak to his face and calling it an accident. Roach says “that’s what they all say” -- a line that alludes to domestic violence. The thing is? It’s not, and the crew has expectations of Ed that Stede doesn’t (as indicated by Stede's earlier assertion that Ed's a nice guy in response to Olu's concern that Ed will kill him).

Ed is freshly out of a coma (or newly alive). He’s nonverbal. His brain is, medically speaking, couscous. He still has one foot in the gravy basket. When he sees the man who left him hovering over him -- the man he loves, the man who just appeared to him as a mermaid -- he tries to say something. When that fails, he resorts to a headbutt. This is a single violent action perpetrated by a confused and hurt man who doesn’t know what to do with all of his feelings. He can't talk. He can't push Stede away.

Stede understands all of this, even if the other characters don’t. He sees the headbutt for what it is: a bit of a bitchy move. He isn’t afraid of Ed. He never is. 

Stede also isn’t afraid of Ed when he acts out later that episode. When Ed learns that Stede went back to Mary, he excuses himself from the dinner table, smashes a chair against the wall, and knocks a vase to the ground. In this entire episode (this entire season), Ed is having intense feelings that he doesn’t know how to express or work through. The reveal that Stede returned to his wife is the final straw. He takes his tangled feelings out on an acceptable target (a chair, a vase) instead of Stede because he doesn’t want to hurt Stede.

This looks like displacement -- when “an unacceptable feeling or thought about a person, place or thing is redirected towards a safer target.” Displacement is an “intermediate level coping mechanism.” That is, it’s more sophisticated than the ways children deal with intense issues, but it’s still not entirely mature. In an adult, it indicates a level of emotional immaturity. (4) Ed is emotionally immature, not inherently violent. He gets overwhelmed by his feelings and lashes out -- not at a person, but at something that can’t get hurt. 

Displacement is not an indicator that someone is an abuser. It’s a coping mechanism. It’s an attempt at emotional regulation. It’s not the best coping mechanism, but it’s not a sign that someone is going to go into a rage and assault people.

Stede cringes when Ed smashes the chair and sends the vase crashing to the ground, but he’s not afraid of Ed. He is never afraid of Ed because he knows that Ed isn’t a real threat to him. He cringes because sometimes that's what a person does when a loud thing happens. That's what people do when chair shrapnel starts flying. Also? It's kind of embarrassing behavior on Ed's part. They're guests enjoying a mediocre dinner! That's no way to act!

And this leaves us with the first two episodes of season two.

Ed is fully in his Kraken era. He has no hope that Stede will return, he no longer trusts the crew, and he feels trapped in a life he absolutely doesn’t want. He thinks that he has to perform Blackbeard until death sets him free. He sobs in his cabin when no one’s looking. Publicly, Ed fades into the role of remorseless and bloodthirsty pirate captain.

Needless to say, this makes for a shit work environment. Ed works the crew (and himself) too hard. He drinks and does drugs (note that his drug of choice is rhino horn -- visually coded as cocaine -- instead of alcohol, the drug associated with his father) and runs everyone ragged. He’s an absolutely terrible boss, but he isn’t abusive.

That isn’t to say that the crew left on the Revenge isn’t traumatized. They are! They’ve been thrown off balance by the sudden change for the worse in someone who was previously a pretty cool guy, and they’re traumatized by the neverending violence that the constant raids -- raids that are bloody and deadly, not the fuckeries of the past -- demand of them. They’re traumatized by that final night in the storm when Ed does everything in his power to goad them into killing him, almost murdering everyone in the process. They’re traumatized by their own attempt at murder and their own capacities for violence.

In S2E4, Blackbeard’s crew has flashbacks to the violence they perpetrated under the Kraken: Jim fighting Archie, Fang breaking a man over his knee. They’re haunted by guilt about what they did to Ed, as evidenced by their Lady Macbeth-style scrubbing. Their own violence is a significant part of their trauma.

No, that doesn’t absolve Ed. He drove the violence -- demanded it of both the crew and himself. He hurt other people because he was hurting, and that’s terrible. 

Ed’s behavior in the first two episodes of season two is horrible, especially when his desperation reaches a fever pitch, but there's no attempt to control and no habitual mistreatment. Nothing he's doing is normal for him. He's spiraling and unraveling and pulling the world apart around him. Not all bad or violent behavior is abuse.

(We also have to ask ourselves just how bad Ed’s behavior really is. Archie, someone from the pirate world who has no idea what the Revenge was like pre-Kraken, tells Jim “that’s how these things usually go” at the height of Ed’s violence. She doesn’t act like she experienced anything out of the ordinary.) 

But what about Izzy?

What about Izzy indeed. Let’s walk through the first two episodes.

One of the first things we see Ed do in season two is shoot a man. At first this seems like the show telling us that Ed is embracing the kind of violence he couldn’t manage before, but if we pay attention, we can see that he’s still following his “not a murderer on a technicality” logic. The man he shoots has a sword through his chest; he's as good as dead. He also falls offscreen before Ed shoots, making the action less impactful.

OFMD is not subtle and this is a quick way to communicate what’s going on with Ed. He’s not doing well and he’s more violent than he was last season, but he’s still himself under the Kraken’s makeup. He hasn’t done a moral one-eighty. If the show wanted us to think that Ed's a monster, they would have made him a hell of a lot more violent.

So. Izzy.

Immediately after Ed tells Izzy that he’s replaceable in S2E1, we reach the scene that some point to as proof of domestic violence. This is where Izzy breaks down because he has just been told in no uncertain terms that he’s not Blackbeard’s special little guy. That’s devastating to him, and he cries when the crew approaches him with kindness and sympathy. 

Jim tells Izzy he’s in an unhealthy relationship with Blackbeard. Frenchie describes their relationship as “toxic.” 

A toxic relationship is “any relationship [between people who] don’t support each other, where there’s conflict and one seeks to undermine the other, where there’s competition, where there’s disrespect and a lack of cohesiveness." (5) And you know what? Yes, Ed and Izzy definitely have a toxic relationship. And is their relationship unhealthy? It sure is -- for both of them. But the crew is, understandably, more sympathetic towards Izzy because they’ve never been present when Izzy was hurting Ed. 

(Only tangentially related, but the crew must have really liked Ed pre-Kraken. As far as they know, the man went dark with no warning or cause. They deal with him for approximately three months (assuming one raid a day), and he has to go so far before they put an end to him. Remember when they were ready to toss Izzy overboard after, like, twelve hours under his command?)

Even though they only have one side of the Izzy and Ed story, the crew isn’t accusing Ed of domestic abuse. The term doesn’t apply to the mutually fucked-up thing that Izzy and Ed have and, beyond that, the scene is played for laughs. Jim and Frenchie use comically modern language. The whole thing feels like an intervention for a stressed-out middle manager with a shitty boss. It's funny. It's a comical thing in a comedy show.

Izzy returns to Ed and tells him that the crew won’t throw treasure overboard to make room for more treasure. Ed says, “And that’s another toe.” Losing a toe is the penalty for failing the kind of captain that Izzy said he will serve. It’s obviously not okay to punish an underling by taking toes, but we’ve already established that toe-removal isn’t a cruel and unusual pirate punishment.

(Specifically, toe-chopping is the cost of Izzy’s failure. Frenchie disobeys and lies to Ed in his short time as first mate and he doesn’t lose a single toe. Izzy bears the brunt of Ed’s cruelty because he’s the one who demanded it.) 

This is not who Ed wants to be, but it’s who he thinks he has to be. It’s who Izzy told him to be.

Next, Izzy makes the mistake of invoking Stede and Ed storms above deck. He holds the crew at gunpoint, one by one, and asks them if they think that the vibes on the ship are poisonous. No one gives him a positive answer and Ed turns the gun on himself. He works himself up until Izzy interrupts and the following exchange happens:

IZZY: “The atmosphere on this ship is fucked. Everyone knows why.” ED: “Well, I don’t. Enlighten me.” IZZY: “Your feelings for Stede fucking Bo--”

 [Ed shoots Izzy in the leg. Ed steps over him on his way back to his cabin.]

ED: “Throw this shit overboard and get suited up.”

The fucked up vibe is not because of Ed's feelings for Stede. Ed's feelings for Stede resulted in Ed having a nineties-rom-com-style breakdown and proposing a talent show. The Kraken and the ensuing fucked atmosphere were ushered in by Izzy.

Izzy is only shot after he proposes talking it through (something he attacked Ed for in S1E10) and publicly places all of the blame on Ed's feelings (feelings that he previously threatened Ed about -- Izzy owes his loyalty to Blackbeard, not a "namby pamby in a silk gown pining for his boyfriend" who would be better off dead). Whatever Izzy's intentions are, it's not irrational for Ed to interpret this as a further threat or an attempt to stir up a mutiny.

What’s important for this post is this: Ed's actions are not unusually cruel for a pirate captain who considers his first mate out of line. Shooting someone in the leg is the kind of thing that the idea of Blackbeard that Izzy worships does to maintain his reputation.

Fang cries when Ed shoots Izzy because he knows Blackbeard. He has been with Blackbeard longer than anyone else, and this isn’t Blackbeard. Blackbeard doesn’t work his crew this hard. Blackbeard doesn’t disregard the deaths of long-time crewmates like Ivan. Blackbeard doesn’t shoot his own crew. Fang is off-balance and distraught because his captain of twenty years is acting far, far more cruel than the one he knew.

This is not Ed as he usually is. Ed at his worst is breaking all of his past patterns. He’s behaving like a different person. His actions at this point in time are not typical of his past actions or predicative of his future actions.

When we reach S2E2, Ed is chipper. He’s cleaning up, he’s tying up loose ends, and he has decided that, no matter what, this is the day that he dies. He’s determined. First, he’ll give Izzy a go at killing him; next is the storm, the destruction of the steering wheel, and taking increasingly desperate actions to get the crew to stop him. He tells Jim and Archie to fight to the death. He goes to blow the mast away with a cannon and doesn’t react as nameless crew members are being washed overboard. 

Ed is stopped only by Izzy’s reappearance and the violent mutiny that follows.

None of what Ed does here is abuse. This is desperate violence. This is an unwell man begging everyone around him to send him to doggy heaven.

And finally, we have the big murder party in the season finale. A surprising number of fans interpret Ed’s willingness to cut down naval officers as a sure sign that he’s gotten worse and he’s more violent than ever. This is, in my opinion, a take that completely ignores everything we know about Ed and his relationship to violence.

It bears repeating: Edward Teach kills only to protect. He murders his father to protect his mother. He kills as Blackbeard to protect himself (and no matter how he tries to distance himself from that violence, he still causes deaths). He mows down colonists for Stede. He kills for safety and for love, and by the end of season two, he has made some kind of peace with the Kraken and his own capacity for violence.

It’s sweet. It wouldn’t be sweet in the real world, but in this world? In a world where physical violence is funny more often than it’s serious? In a world full of pirate characters who all have hefty body counts? It’s growth. It’s Ed healing.

Ed is doing better. He’s not a threat to the man he loves, and now he’s not a threat to himself either.

Anyway.

No, Ed is not abusive. No, there’s no indication that Ed will become abusive in the future.

Dislike characters. Take issue with things. Feel whatever you want to feel, but remember that abuse survivors are not a monolith. Consider, just for a moment, that the abuse you think you see in the show is not textual. Ask yourself if Ed is truly worse than all of the other characters or if you have some bias warping your view of him. 

Finally: please keep in mind that I’m not trying to present The One True Interpretation. I’m just rolling all of my arguments and thoughts into a ball and throwing it out into the wild. You don’t have to agree with me but, if you don’t, I hope you’ll at least consider what I'm saying.

Peace and love and goodbye.

[house-afire]

Testament (Izzy/Lucius)

Prompt: 100 words of inheritance

Izzy dreamt of an enormous moth lighting on his face, beating its wings furiously. It was a strange fancy for a man who’d spent most of his life at sea, away from almost every creeping, crawling thing, but it made more sense once he struggled back awake and felt a sheet of parchment slide off his face.

“What the fuck is this?” Lucius demanded, his voice off-pitch with some emotion Izzy was too inexperienced or hungover (or both) to identify.

He turned over enough to blearily take in whatever Lucius was talking about before Lucius shoved it in his face again. The paper was stamped with Wee John’s powder and paints now—Izzy hadn’t washed his prettiness off before he’d collapsed in bed. But that wasn’t what Lucius meant, of course. He was—God only knew why—all stirred up about what was written on the paper.

“What the fuck does it look like?”

“What does it—it looks like a fucking will, Izzy!”

“Good,” Izzy said. “I did it right, then.”

“What are you doing writing your will?”

It was far too early for this shit. “Pirates die, Twatty. One-legged pirates die even faster. I might’ve lived through last night, might’ve made it out of the Pirate Queen’s brig, just because Bonnet’s got a soft heart and the devil’s own luck, but I can’t ride his fucking coattails forever.”

Lucius didn’t look like someone who’d heard a reasonable explanation and was ready to let a painted-up cripple with a pounding headache and a shit taste in his mouth go the fuck back to sleep. He was still tense and white-faced, his lips pressed into a thin line.

“Fine. You want to be all morbidly defeatist, then fine. Mood, honestly. But what I want to know is why you think you’re going to die before my fucking wedding.”

Lucius stabbed his finger down at the damning line: my ring to Lucius Spriggs for his wedding. The last few words were in a wobbly, heavy hand.

Izzy silently cursed himself for having written that little proviso in before his head had hit the pillow. He’d just been falling-down drunk and too fucking sentimental, that was all. He’d have left the ring to Lucius is any case; he fucking had left it to him, no strings attached, before Calypso’s birthday had done his head in. What Lucius would do with it—and especially what day he would put it on, if he even kept it at all and didn’t just sell it off at their next port—didn’t need to get solemnized in Izzy’s piss-poor will and testament.

Of course the boy would want some explanation for it. He’d done this to himself, hadn’t he?

Izzy sighed. “Look at what my life’s been, lately. One near-miss after the next. I want my shit in order, that’s all.”

Lucius sat down on the edge of Izzy’s narrow bed. “I get that. But that means planning for your life too, okay? Not just the end of it. And I’ve marked you down as a yes on the RSVPs, all right? I’ll be very disappointed if you no-show, no matter how good an excuse you have. Like being dead.”

“I changed my mind. I’m not leaving my ring to some twat who wakes me up after a Calypso party.”

Lucius probably knew that for the dodge it was, but he let Izzy have it. He must’ve known too much earnestness was bad for a man’s blood.

“Excuse me, don’t you fucking dare. It’s wildly romantic to have your death ring. If you even try leaving it to someone else, I’ll tell everyone you bequeathed your sword to Stede.”

Izzy had known that was a mistake. He’d never fucking hear the end of it if the rest of them found out about that while he was still alive.

“He’s a fucking captain. He needs a better one than what he’s got. It was a practical choice—”

“Mm, very practical. Now he’ll have something even sharper to cut himself with.”

“He’s getting better.”

“Aren’t we all,” Lucius said, with a fleeting smile that had a wistful edge to it. “Look at me, up at the crack of dawn, well before our usually diligent first mate—”

Izzy groaned and covered his eyes. “Fuck off, you’re only up because you never went to fucking sleep.”

“That’s neither here nor there. Anyway, I have the updated duty roster. That’s what I came to drop off before I started, you know, going through your things. Look, you really shouldn’t leave papers out like that if you don’t want people to read them.”

Of course Spriggs was contrary enough that the only time he’d break a sweat on this ship was right after the fucking revelry when all decent people were still hungover.

“Working on Calypso’s birthday,” Izzy muttered. “Fucking disrespectful. See if I don’t have her put some hex on you.”

Lucius brightened. “Ooh, speaking of our goddess—you two did look good last night. Was our Dizzy Izzy a virgin sacrifice?”

“Fuck off, Spriggs.”

“Do you only like bears? Is that why you don’t want me sketching you? Because I’ve got the beard now, so that’s something.”

I left you the ring, Twatty, Izzy almost said. I’m already giving you the only pretty thing I have.

But everything he’d doled out on that silly slip of paper had meant something—his knife and sword-hand glove to Jim, his trunk to Fang, his share of current plunder to Frenchie, all of it—and Lucius, he knew, would understand that and not quarrel over it. It would take a lot of fucking talking, though, and he was bone-tired still.

Instead of any of that, he rubbed his hand over Lucius’s cheek, feeling the bristles beneath his palm. Lucius’s breath caught sharply before he leaned into Izzy’s touch.

“Suits you,” Izzy said.

“Being caressed by a silver fox always suits me.”

He kept his face tilted against Izzy’s hand as he carefully folded the will back up and stretched his arm out to put it back where he’d found it. Out of sight, out of mind—at least with Lucius now lying down next to him, curling up to fit around him. His breath, warm on Izzy’s cheek, smelt of Fang and Roach’s fruity drinks. It was nice. Like the last of Bonnet’s marmalade, scraped out to the edge of the bread. Sooner or later he’d have nothing but dry crust again—or he’d starve altogether—but not now. Not yet.

[piratecaptainscaptainpirates]

I mostly lurk and don't read a lot of ofmd fic (short ones, no au) but one I haven't seen much of is hurt/comfort where Stede is the hurtee/comfortee. I know Ed gets the most comforting but, IMO, Stede deserves some too, poor guy. I do like hurt/comfort a lot, so if you are moved to write something like this I would love to read it.

I remember an expression from back in the bronze age of fanfic, h/c, and slashfic that "if he's smaller or blonder, he's toast." Stede meets both those requirements, LOL! Anyway, thanks for asking for asks. Enjoy your posts and fic.

Yesss, Stede needs some comfort!! Bon appetit!

Send me a prompt and I'll write a 1k word fic!

--

Ed didn’t realize what had woken him up, at first. The sunlight was just beginning to creep in through the curtains, and Stede’s shoulders were shaking. Stede was crying, little hiccups and hitching breaths as he tried to stay quiet, and Ed was reaching for his hand before he opened his eyes.

“Sorry,” Stede mumbled, squeezing Ed’s fingers with one hand and rubbing at his eyes with the other. His voice was creaky and wet, and it made Ed’s chest feel tight. “I didn’t mean to wake you up.” Ed couldn’t say Stede hadn’t woken him up, because he had. It wasn’t his fault, it just…was. He thought he would’ve felt it, no matter how hard Stede tried to hide it. He would have felt Stede’s pain in the air itself. “I’m glad you did,” he said instead, and it was true. He never wanted Stede to have to cry alone again. “What’s wrong?” Stede’s bottom lip trembled. “Have a bad dream?” Ed guessed. Slowly, Stede nodded, and Ed repositioned them, tangling their legs together under the blankets and pulling Stede into his chest. Stede pillowed his head on Ed’s bicep, one hand slipping under the covers to rest over Ed’s bare hip, tracing little nonsense patterns onto his skin. “You can tell me about it,” Ed said softly. “You don’t have to. But you can if you want to, you know I’ll listen.” Stede stared up at the ceiling, pursing his lips. “Might make you feel better,” Ed offered. Stede’s hand had gone all still where he’d been rubbing circles over Ed’s hip. “You listen to me talking about mine,” Ed went on. “It’s not fair, for you to just go on pretending you’re not having them. You don’t have to - no talking required here! - but you can. If you wanna.”

“I don’t know if I can,” Stede said carefully, his eyes flicking away from Ed’s. He sighed up at the ceiling. “Hardly seems fair. You have more right to bad dreams than I do-” “Stede, babe, it doesn’t work like that.” Ed reached up with his free hand to pull his hair, still in the ponytail he’d put it up in before bed, over his shoulder. The gesture accomplished what he’d set out to do, and Stede got his hand in it immediately, gently running a hand through his hair. “It’s not a competition. We can both have bad dreams, doesn’t mean you’re trying to…what, steal all the attention?” “Well,” Stede wheedled. “You listen here, Bonnet,” Ed said, lowering his voice to be all fake-menacing, “you better let me give you all the attention I want, or there’ll be - I dunno, consequences?” “Oh, no, not the consequences,” Stede pretended to whine. “Yep. I’ll eat all your dessert tonight,” Ed vowed. “So, if you feel like you wanna, you better talk to me. If you don’t want consequences. Because I’ll do that.” “Oh, I don’t doubt you would,” Stede chuckled, but he still looked hesitant, so… “How about this,” Ed said. “You could always make it into a story, if you like. Pretend you’re talking about someone else? Might be easier.” “I could try that,” Stede conceded. Ed hummed softly as Stede thought, enjoying the feeling of Stede’s gentle hand in his hair. “Once upon a time,” Stede began, “there was a very, very selfish man-” “Hey.” Ed gently poked Stede’s ribs. “What have we decided about this?” “Ow!” Stede squirmed away from Ed’s fingers, then flicked the tip of his nose in retaliation, and they both burst into giggles. “Seriously, though,” Ed said through his laugh.

“Fine, fine!” Stede huffed. “Once upon a time, there was a man who really wasn’t terribly or unusually selfish, if you were very generous with your definitions and were also feeling charitable on the day you decided to describe him.” “That’s better,” Ed allowed. “Thank you.” Stede gave him a small smile, but his eyes were getting distant, again. He had a faraway look Ed didn’t care for. “And that only typically selfish man once hurt someone he loves very badly, and he was almost too late to ever see him again. And he worries that he might just keep hurting him, because there’s something - something rotten in him, and it hurts people. He’s trying to be brave, and strong, and he’s trying to believe he’s not broken. But he’s not all that brave, and he’s not all that strong. The end.” Stede’s voice went all weak and shaky at the end, and Ed let out a breath through his teeth. Talking it through, when it came to the two of them, was usually a bit of a weepy affair. But it didn’t always have to be. Ed was getting better, at trusting Stede, at trusting himself, at knowing what would make Stede feel better. “Not all that strong?” Ed playfully squeezed Stede’s bicep. “C’mon, mate, have you even seen these guns?” Stede laughed, gratefully burying his nose in Ed’s neck when Ed threw an arm across his waist to hold him close. “Seriously, babe.” Ed leaned forward for a sweet little peck of a kiss, only pulling back far enough to brush their noses together. “You’re, like, the strongest guy I know.” “Ed, I wish you wouldn’t tease me-” “No teasing here,” Ed promised. “Seriously, you blow me away. You’re so thoughtful, and kind, and you’re so you all the time-” “That might actually be part of the problem.” “No, Stede, don’t you get it?” Ed cupped Stede’s face in his hands, making him hold eye contact, making him listen without looking away. “That takes a lot of guts, man. You never let anyone tell you who you should be, and I admire the hell out of you for it.” “Well, that’s…” Stede tried to hold back a smile, obviously flattered. “You’re so sweet.” “Not just a pretty face, huh?” Stede laughed, pressing his forehead against Ed’s, and Ed leaned in to meet him for a kiss that tasted like home.

[blue-b-bro]

Colour’s meaning in ofmd:

First rule is that brighter = more intense, and lighter = more open a feeling is. I’ll say more below, but it already says something about Blackbeard’s crew being all black and only black :’)

Yellow:

Yellow is a colour of truth. Colour of following your dreams and passions. Before the break-up gown, Stede is wearing the yellow one.

Teal:

Basically it’s a sea colour. It means sea and freedom. In e4 Alma has teal dress, while playing pirates with Stede, which also shows she was closer with Stede than her brother. There’s a lot of teal-ish colours around Stede, but most are actually “hidden”, darker. He was keeping it a secret from others. When he’s on his boat in s1 he’s almost glowing teal.

It’s the colour of sea and freedom, but more like an idea of it, not a realistic one, witch may be the reason many crew members have some teal elements, usually very small, and Stede is all teal and then, in e10 he destroys this idealisation to start something real. After his first “kill” in e1 Stede’s teal's never that bright again.

Pink:

It’s a colour of rejection. Not sure why, but it is. The moment Stede leaves, Mary’s wearing light pink. When Ed becomes distant and then leaves him to go with Jack, when Stede left Ed, they are wearing the break-up gown, which is bright pink. I’d say the difference between those two intensities would say something about the intensity of the feeling. Mary was abandoned, but she wasn’t so hurt by it, they weren’t happy together. But Ed and Stede were hurt very much.

Also all of the non-white crew wears pink/pink-ish in e1, while in disguise (because you know, to show racism) + Lucius’s very bright scarf & Black Pete’s light pink… something (probably because homophobia, and Lucius is very loudly queer). All the things white colonisers reject.

Red:

We all know, it’s a heart colour, Ed’s heart but not only. Ed hides his red, Lucius is wearing a lot of red, as someone who’s not ashamed of his love and usually helps with relationship’s problems, Stede, while destroying his teal is covering it in red and in s2 wears red scarf(?). At the end of e3 Stede is covered in red, even the background turns red, while meeting Ed for the first time. He's also wearing dark red when talking about his favorite horsie :")

Salmon/Orange:

It’s a colour of insecurity, feeling inadequate or incompetent, unsure. Stede wears light salmon/orange when Ed says he’s not ready for a fuckery, then very dark (almost brown, but still salmon-ish to me) when he feared Ed’s going to leave, because Stede’s wasn’t fun enough. Ed wears dark salmon in e4, when trying this new persona/thinking he was expendable to this Blackbeard legend. Stede is deprived of his salmon vest in e2, when he got more confident.

Purple:

I think it’s the creativity and adventure colour. I’m also not sure if it’s important that what Ed was missing after leaving the Revenge was a lavender soap (something something he wanted to feel clean and with Jack he wasn’t again, it’s a colour meta, let’s not go there). I mean we say it’s Ed’s colour, but I’m not sure anyone here has “their” colour. If colours are feelings, no-one has their own. For example, other characters wearing purple is Stede in e2 (when he has to use his creativity), Lucius (art), Frenchie (music, crafts and cons) and sometimes Oluwande. Characters get more purple when they need to figure out a plan or scheming something, get creative.

White/Beige:

Stede is all white in e3. He’s like a blank canvas (Lucius is immediately covered in red again), inviting pirate world, willing to learn. It also makes him stick out like a sore thumb of course. White is supposed to mean empty, nothing, bare, open. Stede made his white crew wear mostly white, to not be seen as suspicious.

Beige, as some kind of darker white, is not knowing what you want, figuring thing out.

Ed and Stede are white when discovering their love for each other, entering something completely new for them. Stede, at the end of s1 is colourless, but in s2 he gets a red scarf and later gets green/dark teal shirt. Jim is all beige while hiding and figuring out their identity. When being afraid that he’s not enough fun, Stede choose all beige for their adventure, showing he doesn’t really know what he’s doing but he’s ready to do it.

Beige is temporary.

Now, we have yellow&red-ish&teal ship, Stede’s dark red&dark teal at his wedding, Sted’s family portrait (everyone close and light yellow/orange, except Stede - dark blue/teal and distant):

But the real kicker for me is Stede’s pitch black cravat Ed wears on his neck. His feelings for Stede while always with him, hidden very deep inside.

I also recommend those meta: x x x x x

Edit: I'm rereading metas and now I remember why purple is thought to be Ed's color (Ed's red heart + Stede's teal freedom he offers -> purple) Still fits 🤟