#and analysis from other people

[orie-jai]

So if Katniss and Peeta are Penelope and Odysseus

And Haymitch and Lenore Dove are Orpheus and Eyuridice

Then that makes Coriolanus Snow and Lucy Gray Jason and Medea

So i did end up writing that essay but I also wanna point out the amazing analysis included here and here 💛

[hellenhighwater]

Starting another in the sword series!

[poorly-drawn-mdzs]

MDZS Severance AU: Get me out of here.

[buggachat]

honestly just in general it's very exhausting to try to analyze media that is literally meant to be analyzed, only for the replies to be filled with people arguing not against your analysis, but against the premise that the media can be analyzed at all.

i don't even know what to say about it without starting to really betray my frustration, so i'll just settle with— just don't engage with analysis posts? I'm serious. if you're typing a response to a media analysis post, reread what you've written and ask yourself "is this comment/response against the very concept of analyzing the media at all?" and if the answer is yes then delete it all and go sit in the shame corner. throw your curtains away if you want to so bad and stop telling me that I'm not allowed to hum and haw at the fact mine are blue

[bayetea]

truly one of the biggest letdowns in piper's writing in hoo specifically is how it doesn't dig deeper into charmspeak and what a disturbing thing it is to have the power to control someone's mind. like I swear this is interesting stuff and more people would get into piper as a character if this were explored a bit more in the text. you definitely see piper disturbed by her own power and hesitant to use it (and note that like many other characters, i.e. leo and hazel, her powers have always been a source of trouble in her life - like how she got in trouble for stealing a car even though all she did was ask for it), but in my opinion the books spend way too much time in piper's perspectives on other stuff when charmspeak is such an unusual and fascinating and terrifying power that offers so many interesting avenues of character exploration

and I really wish the books would have talked more about the canonical fact that charmspeak is more effective against people who are (or could be) physically/sexually attracted to the user. this is a power that children of aphrodite have - a power that is implicitly tied to sexuality as a defense or offense. like this inherently necessitates that piper weaponizes her sexuality against monsters and deities and giants and any other antagonist that want to harm her. which is crazy. especially because she's a teenager and especially because piper is initially characterized as an underconfident girl who goes out of her way to downplay her appearance (do you guys remember how much harassment piper goes through in the books and what little gravity is afforded to those moments... like she has dangerous characters aggressively flirting with or expressing attraction to her A Lot, and she has to play into that attraction to save herself or her friends no matter how uncomfortable it makes her)

I think there's such a dark undertone to all of this that's worth investigating. we know that piper doesn't like herself, doesn't like her powers, and doesn't like demigod life. hoo has her on a journey to become more confident in herself as a person and as a daughter of aphrodite but it's always going to be fucked up that part of her role in the prophecy seven is becoming confident enough in herself that she gets better at weaponizing her ability to violate the free will of others - and her ability to use her sexuality as an armament of war

[tiredandoptimistic]

Radar really is in such an interesting position relative to the 4077. The rest of them are doctors. Hawkeye frequently bemoans his role as "weapons repair" and is clearly uncomfortable with fixing people up so they can go back and get shot, but he's still fundamentally only engaging with the war as a healer. When he's off duty (and even while he's working), Hawkeye is able to focus his energy on "the war against the war" by throwing parties and pulling pranks. He takes every opportunity to show his disrespect for the whole military machine, and only plays by their rules when it goes along with his moral imperative to heal the dying.

Radar, on the other hand, is the motor that keeps MASH running. He helps Hawkeye and the others with their schemes, but he also has to be the one to deal with the fallout. When Hawkeye gets his shift as "Commander Pierce," Radar is the one frantically trying to get him to actually fill out the required paperwork, because Hawkeye's "this is dumb and I won't engage with it" attitude to the army doesn't work for someone in an organizational position. The rest of them turn up their noses at army bureaucracy, but Radar is the one to understand how it all works and get them what they want despite the layers of red tape. He has to be the guy delivering bad news and sneaking around to steal people's stoves, and he isn't choosing to do it but it still has to get done. He's the one who announces incoming choppers, meaning that he basically always has to be the person to spoil everyone else's day. Fun's over, Radar's here. His name is literally a direct symbol of his role as a harbinger. He isn't the one responsible though. If he wasn't there to sound the alarm, there'd be just as many wounded and even less time to prepare.

He's got a bit of separation between himself and the casualties (unlike the doctors who are literally digging around in blood and guts for twelve hours at a time), but his position as company clerk means that he's also unable to truly clock out. Radar literally sleeps in his office, because it's his entire life. He's always going to be the guy with a foot in reality who tempers the officers' wackiness. Even when he got offered a ticket home, his first instinct was to turn it down because he didn't think that the 4077th could function without him.

This is significant to me because of how it reflects on the characters role in the war overall. Hawkeye is able to act like he's separate from the military, but he's sometimes forced to reckon with the fact that he's a cog in the machine like everyone else. Radar is often forced to serve as the hand of the army in the 4077th, but his job of keeping things running smoothly does just as much to save lives as any of the doctors. They're all soldiers who have to play by the army's rules to some extent if they want to keep anybody safe.

[queen0fm0nsterz]

I really like how Little Nightmares explores masculinity and femininity.

The experience of a female presenting LN protagonist (and even character, if you want to extend to the antagonists, notably the Pretender) is generally one of survival induced solitude, where companionship can be sought but ultimately denied due to circumstance - especially among each other. Six, Noone, Alone and Raincoat Girl all display different degrees of longing for someone to understand them - Six being an extreme on the side of isolation with the occasional source of comfort (the Nomes), Alone being a comfortable middle where she is indipendent and curious while also having a companion, and Raincoat Girl being the other end, an helpful force who seems to desire companionship. In Little Nightmares 1 especially femininity is displayed as the painful experience it can be. It's raw, visceral, and worst of all it's isolating both when you conform to it until it destroys you, like the Lady does, and when you reject the standard of what is expected of someone like you, like Six.

The pain you feel, physical and emotional, doesn't seem to be as important no matter how deep it cuts you. Noone's tumor being hidden and neglected, her headaches being dismissed... and of course Six's hunger, unforgettable in how much it hinders her, but I could also point to her monster form and the physical and mental toll the entire ordeal in the Tower has left on her.

The conflict between Six and the Lady becomes especially poignant under the lens of this argument because it is a confrontation of the two opposing sides of the spectrum, metaphorically. It's a little girl who has yet to experience the devastation of conformity performed as a means of survival facing a woman who lived all her life so set on following these rules that anything outside of them is perceived as a threat.

(One can't ignore the more obvious point of the class difference with Six being at the very bottom of the chain and the Lady being at the top, which certainly influences the dynamic, but I digress.)

Femininity is hyperindependance in the Little Nightmares world. It's the desire to be left alone while also longing for understanding. It's ambition and curiosity, but it's also the loss of identity both in the pursuit of it and in defiance of it. You end up being alienated either way; you can't really win.

On the other hand, I find that generally, masculine Little Nights protagonists tend to be driven by sentimentalisms and emotion. They are often defined by what community surrounds them, be it a single friend, family member or group; the most lampant example of this are, of course, Mono and the Thin Man, but the same argument can be made for the Runaway, whose story ends up leading him into finding a genuine community with the Nomes, something that no female protagonist experiences. You could argue it was clever foreshadowing, and it was! But does it make the observation any less valid? Personally I don't think so. Low also seems to be pretty set on keeping Alone by his side, although it might be too early to tell; however we do know he's a dreamer who dreams of a future where he and Alone can escape the Nowhere. You could call him a romantic.

Masculinity in this world can be care and fortitude, but it's also singlemindedness. It's the ability to find companionship and meaning while also letting one's own hubris destroy it.

Otto himself is an incredibly interesting example of this because we can hear how his desires, his emotions, are eventually what ends up driving Noone into the arms of the Ferryman. It's a prime example of how masculinity and femininity clash with one another -how his emotional wounds and eventual loss of clarity caused a little girl to fall prey to that hyperindependance where she refuses to be helped by him even when he does mean it.

(Along with his vaguely misogynistic remarks, but again, I digress...)

This singleminded focus on one's own emotions is what I think makes the Thin Man and Mono as relatable to many as they are. His is an endless cycle of violence caused by his own hand; by his own inability to process his emotions in a way that can allow him to progress and move forward. It's not a justification of Six, whose eventual exhaustion was what caused her to react the way she did, but rather it is an observation through again metaphorical lens.

The Thin Man is stuck in a dark room that gets progressively smaller because his inability to understand his wrongs causes it to shrink. He's locked in a bubble that is not entirely of his own making, but it is his responsibility to burst. But how can you burst it when you have no conscience of the fact that the room has been getting smaller to begin with? How can you care, when all you can think about is the emotional hurt that brings out the worst of you, the part that you don't even realize is the worst of you?

Masculinity can be just as isolating as femininity not because it's visceral but because it's fragile. It's unaware of itself while also being incredibly concentrated on the self. It's based entirely on how one is perceived and treated and thus easily destroyed once one is left alone to their own devices, which is why it requires community. Once that community is taken from you, it shatters, and leaves one without the tools to rebuild it.

I suppose the true difference here is that, at their worst, while one is self aware to the point it is actively damaging to the self and everyone around you, the other is so out of touch with itself that it can cause unintentional hurt to the self and others which can't be processed properly.

At their worst, they're monsters that help make each other, you could say. At their best, they're companions who help each other.

(This is in no way an attempt to diminish one or the other, by the way, nor does this reading apply to every single character. Both social constructs have their good sides and bad sides. The main quartet of Six, Lady, Thin Man and Mono are very strong cases, but I was simply making a general observation.)

[scribz-ag24]

I've recently seen again a post talking about the Sableye and Dusknoir's relationship so i'd like to put my two cents in the discussion, for I love screaming into the void about PMD. (this isnt meant to discourage any other interpretations btw this is just my take on theirs and Dusknoir's relationship, bc I think they're very fun characters and I am very glad the game actually gives these minions a bit of relevance in se5).

Tbh I don't buy that Dusknoir treats the Sableye nicely, at least not out of kindness. I don't think he's a tyrant or inexplicably mean, of course, and I think his minions ADORE him, but i also believe that doesn't mean he's nice to them, sth that i consider meaningful for their character arcs.

Throughout the entire game he's exclusively giving them orders, in se5 he concocts a plan that involves thrashing them MULTIPLE times (he's lucky Grovyle isn't one to try and kill enemies in battle ig), and the cherry on top is that the first time we see him being fully genuine he does this:

(yes, he is in turmoil in here, but there's not a single thing implying that 1. this is an unusual response towards the sablye, 2. dusknoir feels bad for it at some point or is surprised at himself, 3. this has any impact in the sableye at all. You can argue these reactions happen off screen and we don't see them, they don't happen bc they have pressing matters to attend to or they happen after they return to life, and that's perfectly valid, but i'm sticking with what the game shows us, here.)

I must say, though, the fact that the Sableye, despite having been almost mindless pokémon up to now, STAND UP TO AND ATTACK Primal Dialga for their boss and even try to look after him despite him ordering them to check on Grovyle and Celebi first is SO important to me. they are goons to the bone and they love that scheming ghost so much.

My own view is that Dusknoir is generally polite to them (you wouldn't randomly break your own revolver or weapon without any reason, would you?), but is quicker to get mean with them than with people he doesn't know or he is seeking to manipulate. He doesn't care about their behaviour as long as they get the job done, which is why I think the anime thing of the Sableye climbing onto his shoulder isn't that remarkable, rather it's a very cute moment, one that is showing how they've been working together for long and how their size difference affects their interactions, but it is not necessarily conveying an affectionate bond (this is a bit random, but it reminds me of Disney's Jafar with Iago lmao. throw your pet sableye at your enemies so they mock them and then return to your shoulder). Additionally, Dusknoir letting the Sableye onto his shoulder is probably as close as we are gonna get to a villain turning around in his chair while petting a cat in PMD lol.

[this isn't meant to be a one-to-one comparison, it's just a detail i find cute and shows that this gesture can have multiple interpretations, with none being the only right one]

Leaving that aside, I hesitate to claim Dusknoir trusts his Sableye as allies, as Grovyle makes a point in the main story of how the Sableye (your Sableye, he says, as if objectifying them; not friends, but tools, weapons at Dusknoir's disposal) are lacking compared to the way hero/partner/grovyle support one another (power of friendship and hidden information babyyyy). The Sableye are used to Dusknoir's way of doing things, though, I'm sure. They know what happens when he's displeased, after all.

I think, most of all, the Sableye are meant to look disposable: they are 6 identical pokémon that almost act like a hivemind, and we are not supposed to think at all about how we may hurt them in battle any more than we do with the angry Manectric pack or random dungeon pokémon. This, I believe, is why the game has them stand up against Dialga and gives them unique dialogue at the end of se5. They're meant to show their inner shine, just as Dusknoir managed to do. They suddenly gain an individuality they had never shown while they were working to maintain the dark future.

Where they abandoned Dusknoir in the Old Ruins, now Grovyle has motivated them to look for their dignity and fight for a better world, and that starts with protecting their leader from Primal Dialga's rampage, and supporting his new objective and allies in their quest to save the future. In their own small way, they've also grown as characters throughout SE5.

I believe that, overall, Dusknoir saw the Sableye as tools, but thanks to their growth and clear care for him, there's a possibility he might start to see them (and by extension other pokémon) in a more genuine, less pragmatic / objectifying way in the future. Now that Dusknoir has the chance to live a fulfilling life, he may learn to care for others without surrounding himself by so many walls. If anything, I think their future is quite bright. Not that the Sableye would mind if he still thrashed them around, though lol, they're clearly not bothered much by it (special episode 0 had a great depiction of the sableye imo, you can check that romhack if you haven't yet).

In conclusion, look at these little guys who adore their can-get-mean-but-is-mostly-polite boss and probably have a body count but now are good, they're so cute:

[ceratedfish24]

(This post has been altered to be more general. Please respond to replies and reblogs accordingly. Thank you.)

If I see one more post that villainizes Scott for attacking Joel, or anyone else, for that matter, I’m going to flip my lid.

First of all, it’s a death game. They don’t need a reason to kill each other. Scott and Joel are very close friends outside of the game. They used to be neighbors. The people who are closest tend to go after each other the hardest, because they’re the most comfortable with ending each other’s seasons.

Secondly, it’s not at all unreasonable. Joel’s whole thing is being a menace. He was upset when someone on reddit said that he’s “lawful good” in the Life Series. He said that his goal is to be “chaotic evil”. Joel is a constant menace to Scott and many of Scott’s allies. As a Joel viewer, you might see that as Joel being clever or powerful, but he is just a menace to almost everybody else and that is literally his goal. Of course Scott would want to push back a little.

Third, sure. Joel often doesn’t effectively do much to Scott. This is NOT due to a lack of effort. Joel tries incredibly hard to irritate Scott. It’s his love language. Joel and Scott are close, and Joel thinks it’s hilarious to get Scott riled up. It’s like targeting your brother in a game for the crime of being your brother. Joel failing to do harm to Scott is not the same as Joel doing nothing to hurt Scott. Joel has repeatedly made his intentions clear.

Fourth, the poster specifically mentioned that Scott killed Joel in Secret Life “without a reason”. Joel spent a whole episode of Secret Life recruiting three people to kill Scott. I think their rivalry is a pretty good reason, but, again, they don’t really need a reason. It is a death game. They are friends. They were on different teams. They are bound to attack each other. That’s how the game works.

Joel fans, you don’t ever have to defend Joel from Scott. If you were a real Joel fan, I think you would know that Joel loves Scott dearly and that’s why he’s such a menace to him. Don’t attack Scott for his mutual friendship with Joel. They know each other’s boundaries and have never stepped on them. The members of the Life Series have stated again and again that everyone in the Life Series shows a healthy and mutual respect and love for everybody else in the series and that, if it made it into a video, everyone is okay with it. Joel and Scott literally take time out of their day to excitedly talk about their sessions with each other by themselves. Take a chill pill. Scott and Joel are just fine.

[snowyh2o]

Just a random thought about how Alastor and Vox must’ve been really good friends before everything fell apart. Because Alastor knows how to make a video ad, he knows how to set things up for a movie/video shoot, things that had nothing to do with his medium, that he probably learned how to do because of Vox, because he was willing to try and learn from or for Vox. And Vox literally welcomes Alastor back home when he finds out he’s returned, has literally counted the years Alastor’s been missing when no one else seemed to know, and fashioned his clothing style to match Alastor’s (assuming it’s not just a case of everyone gets a pinstripe suit!), uses the same techniques Alastor taught Charlie about how smiling can be a tool to keep you ahead of the game.

And how it all fell apart and it wasn’t just Vox that was hurt in the process. Because you can’t tell me the man who hates TVs and modern tech due to its association with Vox doesn’t feel anything for what friendship they had and lost. Who snarls at the mere sight of him on a screen (admittedly while also dissing Alastor), who went straight back to his radio tower to diss Vox right back (and absolutely crush him lol), before threatening him against taking action, privately, twice. Alastor’s just better at hiding how much it’s affected him, and doesn’t let the bitterness of what used to be consume his every waking thought.

And maybe that’s the difference between how they view their old relationship and how the fandom seems to view it. Alastor’s upset about it, sure. He’s bitter now about Vox and everything Vox represents because he’s a past friendship that failed, but he’s also moved on with his life. Vox hasn’t. Vox still obsesses over Alastor, in the way he dresses, the way he talks, how he presents himself. It’s all reminiscent of Alastor. And when he finds out Alastor’s returned, the first thing he does is draw attention to how Alastor’s back! Talk in a roundabout way about how much he’s missed him! Has wondered where he’s been? Sends a spy into the hotel to, well, spy on Alastor! And when that doesn’t work, Vox continues to stalk Alastor through his drones instead. (And then gets off on seeing Alastor get beat up.)

Vox very much has not moved on from whatever friendship they’d had before. He hasn’t moved on from Alastor. (Or from his heavily implied obsessive crush).

We don’t know what happened between them, aside that it’s complicated and sad, that they were friends, and now they’re very much not, and that maybe part of the reason why is because Alastor rejected Vox’s request to join his team (upend his entire life to partner with Vox, assuming Alastor always worked solo and what the Vees currently have is what Vox had wanted with Alastor with his request). We can assume maybe part of why they fell apart was because Vox wanted something more from his relationship with Alastor, something Alastor could not and did not want to give him. Or maybe they just grew apart, grew distant. Vox constantly upgrading and changing and keeping up with the newest trends, chasing whatever new Thing that’ll keep him relevant, while Alastor remained set in his ways because he’s not looking for the approval of the masses.

Anyways, all this to say: when I, and I assume most other OneWayBroadcast fans talk about one-sided radiostatic, it is specifically about how Vox has a one-sided romantic/sexual attraction/crush on Alastor, that Alastor does not return, that has now turned into a one-sided obsession over Alastor. Not that their entire friendship was completely one-sided. I think saying that Vox was the only one who was ever invested in their relationship is a rather bad faith interpretation of Alastor’s character, but also does not do their relationship justice at all. It minimizes Vox’s responsibility in the fallout of their friendship, and puts the blame only on Alastor. It takes away all the juicy complexities of Vox’s character, how he’s bad person who’s done and is doing bad things, and paints him as an innocent victim to “Alastor’s manipulation”.

That’s not to say Alastor was completely innocent in the fallout either. But I hear a lot more about how the fandom woobifies Vox in their relationship than I do Alastor.

[bixels]

The more I think about it, the more I question Arcane S2's politics and themes, which were so foundational to S1. Like, a tiny example [SPOILERS AHEAD]:

Singed wins. He gets exactly what he wants in the end. All his "efforts" are rewarded. What does that say about people who share his ideology of eugenics? He is the source of nearly every horrible thing and conflict that happened (Shimmer, the factory deaths, Jinx, Vander as Warwick, the corruption of Viktor), and he gets a happier ending than any other character. Not even a 'he got what he wanted but he has become completely unrecognizable/monstrous to his daughter' tag at the end. You can say they're setting him up and need to open his daughter to future shows, but the way you end a character's story says something about what you think about that character. What does it say when the eugenicist war criminal gets the happy ending he doesn't deserve?

[retourpresdetoi]

hey mouthwashing analysts, do we maybe want to think a bit before comparing a full grown man, who is just heavily disabled, to a baby? like a literal infant? especially when there's a stronger metaphorical/psychological/symbolic avatar for the baby and pregnancy already present within the narrative? (multiple even!)

[yoroshiu]

Kingdom Hearts and the Cost of Empathy

While making yesterday's post I was reminded of this other topic that had been giving me brainworms lately. And I was going to do this on another day but the thought bugged me constantly so I'm just gonna let this out now.

Part ??? of Yoroshiu just reiterating obvious points that have been chewed on a billion times

Kingdom Hearts presents empathy as a means to have characters connect with each other in both the emotional sense and as a literal ability of sorts. If someone is happy, that joy is shared, and if someone is sad, then it's felt on a visceral level.

We've had three characters be confirmed literal empaths:

Sora, Xehanort, and Baldr

And if you know, you know.

It says a lot that 2/3 ended up being antagonists and when we look at the events that shaped them, we see how Kingdom Hearts handles the negative effects of being that exposed to others emotions, especially when put it certain circumstances.

(I didn't really want to use screenshots I used in my last post but these two shots and the following one are important here, even moreso than in the previous one LOL)

In Dark Road, Baldr was shown to be attached to his sister, Hoder, because she being a heart of pure light made him feel safe as, the screenshot shows, he was sensitive to others' hearts. That's part of why it makes Hoder's death so devestating for him.

And for Xehanort, he was able to take in his caretaker's memories and felt a personal and genuine connection with Player and their friends. It's partly why the events of Dark Road hit him so hard. Baldr states that Xehanort shares the same dynamic with Eraqs.

And even for Sora, our current hero, we've seen this Empathy be harmful to him as well. He's felt echoes of the heartache of his Heart Hotel residents (KH2, BBS, etc.) and you can assume how difficult it is to have to handle multiple people's most intense emotions.

And what happens when these characters hit their lowest? Especially when it's in tandem to this Empathy?

They break down, they fall apart, their hearts get wrapped in Darkness.

And what's the factor that turns empathy, the means to bring people together in understanding, into a force that drives people into despair?

Isolation.

If there's one consistent pattern with these characters is that being alone ends up contributing to the downfall.

Baldr falls apart because he's completely isolated from his friends in a completely white room with no windows for SEVEN DAYS. How did Odin think this was a good idea?????

(Day 1 vs Day 7)

Xehanort is a person who prefers doing things on his own. This is what makes him use others and even other versions of himself as tools for his plan. He gets wrapped up in all his plans and essentially becomes a more refined Baldr by the end.

Sora is someone who's tied to a lot of different people and their hearts. This contributes to his heart being broken down and made vulnerable to Darkness, especially with how he was kept alone in his dreams, led further and further away from Riku trying to wake him up.

(Sora being mostly alone in the new saga is going to be interesting. Strel is there but there's probably going to be an effort to isolate him again.)

Being left alone with all these emotions, with no proper way to process it—empathy becomes the most destructive force.

Despite what the mainstream might think, Kingdom Hearts has always believed in the proper balance between Light and Dark, Good and Bad. Empathy is good, it connects hearts together, but at its most extreme, it poses a danger. It can overwhelm a person and make them expel it to the world in the worst way possible.

Being completely alone with no forms of support turns compassion into despair.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Making Kingdom Hearts Stuff Until KH4 Comes Out (Day 66)

[beautyofattolia]

No spoilers, but Sunrise on the Reaping has some of the most insane lore drops I've ever read and I'm only 7 chapters in.

Suzanne Collins, no one will ever be able to touch you.

To perfectly balance Easter eggs and connecting together four different books from two different periods of time while still making sure the story stands on it's own and delivers its biting and all too real critique of current events?

Bow down to the queen.

[mania-sama]

Mondstadt and Its Religious Implications

One thing that I will NEVER get over about Genshin Impact is the iconography used in the designs for Mondstadt and the implications it has. Now, don't get me wrong, as a rule of thumb, Hoyoverse has done a really good job in creating unique environments for Genshin's nations that more or less accurately portray a real-life cultural region. Liyue is based on China, Inazuma on Japan, Sumeru on India and Egypt, Fontaine on France (and Australia, if you squint), and Natlan on African and Native American tribes.

Mondstadt is based on Germany. More specifically, many of the designs and icons seem to resemble the Holy Roman Empire. Now, an important thing to note is that most of Western and Southern Europe was some denomination of Christianity at this time, with some exceptions due to various holy wars that occurred kind of all of the time. Anyway, the point is that the Holy Roman Empire was an established Catholic nation (and Germany still is predominantly Christian in modern-day). One thing about the Catholic denomination is that they proudly display religious symbols anywhere they can or in ways that they can carry with them, usually coming in the form of a rosary or a cross. When it came to specific places of holy worship, they would obviously spend no small amount of effort to completely embellish the place with gold, art, and symbols. Catholic churches are known to be the most extravagant of the denominations for a reason.

When a design team looks at The Holy Roman Empire, they will see this religious imagery everywhere. Namely, they will see the cross, because that is kind of, you know, THE Christian symbol. So it makes complete sense for them to note that down and underline it in red; for a mostly-accurate portrayal of the region they are taking from, a church and crosses HAVE to be included.

Places of worship are obviously not unique to Christianity, nor is the "cross" as a religious symbol even born from Jesus Christ. There are a few cases from different regions in which crosses and cross-like images were used for their gods. HOWEVER, with the specific cross that Mondstadt displays, and with the fact that not only is it based on Germany/Holy Roman Empire but that it is the ONLY Genshin region to use the cross in its designs (along with the usage of distinctly Christian/Catholic roles like nuns)... it is safe to assume that this is representative of the Christian cross.

You can see the issue we are about to have.

The fact that Mondstadt displays crosses as a religious symbol in CHURCHES and on the KNIGHTS' ARMORY (because most knights were historically Christian), that characters like Barbara are seen wearing in their designs, implies two things:

Crucifixation is/was a method of cruel execution in Mondstadt's history.

SOMEBODY of high esteem and worship had to be crucified, and thusly held up as the ultimate symbol of religion...

For the first point, while it IS still crazy to think that Genshin would imply this, I can, indeed, believe it to be true to canon. Why? Well, Mondtadt's history is already rife with the same abuses as Europe's actual history. From slaves to gladiator fights to rebellion to cruel monarchs, Mondstadt has not had a pretty life. Crucifixion honestly fits right in. I can imagine, in failed revolts against the aristocracy, those rebels who survived were later crucified. Other victims may be those who try to falsify gods or improperly worship Barbatos in a manner that the ruler doesn't agree with, those who commit treason, etc. etc..

Is it insane? Perhaps a little. But if we really get into it, Hoyoverse has done some crazy things with their lore so it's not really out of place, no matter how cruel the actual punishment is.

The second point is a little more complicated. Let's first rule off Christianity being a thing in Genshin - while you could consider the most of the nations to be monotheistic because they technically worship one god, the respective one of their nation, they most certainly do not obey/follow one god holistically, nor is there one mortal representative that god, nor is there a specific spirit that lives on in every believer who follows that god. So, there is no Holy Trinity; no Jesus Christ, no Holy Spirit, and there is no God, so to speak. No Christianity.

However.

One thing about Genshin Impact is that it takes from biblical mythology heavily, for some reason (and I say mythology because modern denominations don't consider the demonology stuff canon). For example, Paimon is the name of a demon who was more or less a servant of Lucifer (interpretations may vary). It is well known that the Archons are based on demons from biblical demon mythology. Even in the latest Natlan Archon Quest, Ronova, the Ruler of Death, looks unnervingly like Ophanim, the one everyone draws when they make "biblically accurate angels" or whatever.

Mondstadt accomplishes biblical references in two ways: one, that Barbatos, the demon, had four main kings/knights that rode with him. This can be seen represented in the Four Winds. Two, that these Four Winds can be viewed like how the Catholics would view a saint. Saints were, in simplistic terms, mortals who achieved great things and helped many people, and were then canonized after the death (usually). The church essentially declares them a Saint and worthy of worship. Idols and imagery are produced of these saints and hung like one would a cross or other images of Jesus Christ.

The most clear representation of that in Genshin would be in Venessa, who is a mortal who dies and then ascends to Celestia. She then becomes the Falcon of the West, one of the Four Winds of Mondstadt. So, a saint, essentially. Even though Mondstadt isn’t Christian, it certainly is Catholic.

The reason why I am going over all of this is to say that, well, it may not be necessarily implying that Venti was the one who was crucified. That is the popular opinion when discussing the crosses - that somewhere along the way, Venti was crucified. I am here to say that that really might not be the case. While the Holy Trinity is interpreted by many denominations to all be one and the same as each other, it is still a fact that it was Jesus Christ who was crucified, not God Himself. Jesus is the son, not the God.

Which is to say that it could be anyone, really. The most clear "child" of Barbatos that comes to mind is Venessa, who we could interpret as someone who could have been, at one point, crucified (though she was not). Rulers and people of high esteem also claim her titles and name like monarchs would claim holiness and divine right in Europe. Again, the problem with this is that she was not crucified and lived a very successful life post-rebellion.

The other option that comes to mind is the Unnamed Bard. He also could have been crucified. Even though we know he died in battle, it is not unreasonable that his corpse would have been strung up by pissed-off nobles upon the defeat of Decarabian. But, again, the problem being is that a. the timelines don't match up (Barbatos was not yet the Anemo Archon), and b. they won the rebellion so he still probably wasn't crucified.

So, it could be someone we haven't heard of, or someone deep in Genshin lore that I don't know about. Or, you know, perhaps Venti really was crucified. I don't know.

THIS is what Hoyoverse is implying. AND I DON'T LIKE IT (it's fucking hilarious).

[starrynightarchive]

i think it's fucked up and foul that during situations he feels trapped or unsafe, oikawa doesn't have a fight or flight or freeze reflex. to be specific, he does have a fight reflex, but it doesn't involve fighting by himself. if he thinks he's unsafe or trapped or in danger, he turns to iwaizumi.

during the last set of the second seijoh v karasuno official match, you can see oikawa beginning to crack when karasuno bridges the gap and makes the score 16-16. his next toss goes to iwaizumi, because he knows his iwa-chan will be there. he knows his palm will connect with the ball. when he loses his footing, he reaches out his hand, blindly trusting iwaizumi will pick him up. and he does. everytime, he does.

kageyama mentions once that iwaizumi and oikawa are always in sync, both by body and mind. and it's true because even when they're on the court, they're not the ace and the setter. they are iwaizumi and oikawa. iwa-chan and shittykawa. oikawa knows iwaizumi's favorite beetle and the flex of his wrist when he spikes. iwaizumi knows oikawa's real smile from his fake one and he knows the number of milk bread packets he eats per week (too many) and that's just the thing, isn't it? even in court, they're not just players. this is a dance that only they know the steps to, a kingdom that has always been theirs to rule. how beautiful it is, to know the sound of his footfalls without looking, to know the exact place he's going to set to in a court of 6 players without hesitation, with full certainty.

during the final point, oikawa sets the ball to iwaizumi. he could've chosen the person closest to him. he could've crafted his toss so masterfully that no one can see whats coming. but he chose to get it to iwaizumi at the other end of the court. it doesn't matter if his set isn't perfect or clean. it doesn't matter, because it's set to iwaizumi and that's enough. he knows he will take care if the rest.

and the thing is, the thing is, right, i firmly believe that in that moment if he chose to set to someone else, it wouldn't have been as beautiful and perfect as it was when he set to iwaizumi. there's something about knowing someone like the back of your hand and being aware of the beat of their heart more than your own that brings that kind of perfection. when oikawa reaches out, iwaizumi always reaches back. he knows iwaizumi will do everything he can to spike the ball.

and just like that he is 7 again with a scratched knee crying for iwa-chan to carry him even when he's not by his side. but he screams for him because he knows with absolute certainty that he will come. he will help. he is not alone.

the final set of his official high school career goes to iwaizumi, loud and proud. he points to him before he sets. he tells the court to watch. watch me. because he is certain that when it's him and iwaizumi, they're invincible. he wants the world to know of his worthless pride. he wants the world to know who he is proud of.

and just like that he is 7 again, screaming "iwa-chan!" in hopes his best friend will find him.

and he does. he does.