#and also sorry about the long ass tags

[venusinta]

my entries for enstars fashion week on twitter🩷 missed day 6 and 7 tho @__@

[aether-weather]

SAGESUNE MIKU >:DDD

[doodleodds]

Me? Uploading a Halloween comic on November 18th, almost four whole-ass weeks late???? Yeah that’s uh. yup. yeah

Thanks for reading! :) <3

[the-bi-space-ace]

There’s been some discussion recently about the subplot of bullying in The Bad Batch and I had some thoughts so I decided to write them out to discuss them.

I wanted to bring up some things that maybe can put together this disconnect we seem to see between the show The Bad Batch and the show The Clone Wars and maybe explains a bit about this whole bullied versus bully concept.

To me The Clone Wars paints a very different picture than The Bad Batch in a way that only serves to make the lines blurry and make the viewer think (perhaps not their intention but I think maybe they fell into this more on accident). The Clone Wars batch rolls in with a reputation that’s already not too great. Jesse even says it: it’s not that they win. It’s how they win. The batch is known for dangerous stunts that put other people at risk. They don’t always think through their decisions outside of themselves. Then we get this scene of them walking off of the ship and they are very arrogant. They show off, they talk big, they don’t exactly give off ‘approachable’.

We get into the mission and Jesse, in particular, is not a fan but it isn’t very aggressive yet. Crosshair is being confrontational - staring Jesse down, making snippy comments, and being an overall ass (I love Crosshair, don’t get me wrong, I’m just talking about what I observe in this introduction). I think it’s because he senses Jesse’s dislike of them and wants to poke at it.

We’re not off to a good start.

Where I think the batch fails in this episode is letting Crosshair insult Rex and further goad Jesse. Crosshair shouldn’t have said half the stuff he did and Jesse (and later, Rex) are justified in hitting back at him.

They’re soldiers. They’re going to get in each other’s faces if someone starts talking shit.

When Jesse scolds Crosshair - I think Kix is somewhere standing in the background but not directly involved- Wrecker steps in and turns things violent.

It’s not a moment I’m most proud of them. It’s actually one of the moments I’m least proud of them. Crosshair and Kix get into it when Crosshair shoves him for trying to help Jesse and Rex is attempting to get Wrecker to let Jesse go. This escalated quickly and I’m not sure I can say that this was justified. It seems like a big jump to me (but maybe someone disagrees, feel free to, I’d like to know someone else’s thoughts).

In this episode we’re really led down one path that says the batch and other clones don’t get along and from this limited perspective in this episode it seems like the batch are instigators. They roll in, avoid consequences for themselves, and roll out without giving anyone else a second thought.

The Bad Batch tv show paints an entirely different picture and it is definitely to make them more likable and relatable to a young audience. Every kids show has the character that’s an underdog, it’s who we want to root for. It makes the people in The Bad Batch’s age range connect with them more and I can’t exactly blame them for writing it this way - although after seeing the batch in the clone wars it does make me sigh a bit, I won’t lie.

I was bullied as a child. Quite severely, actually, so I find myself justifying the disconnect with a few things. Perhaps the batch puts up a front so they push other clones away before it can happen to them. I’ve done this. I put on a really abrasive attitude to keep people away when I was in high school and I regret it. However, I got over myself as I got older and worked through my own issues rather than blaming other people. Because you have to. It’s not alright to continue to hurt other people because you were hurt and I remind myself of that every single day. It’s the only way to move forward. I never have to forgive people who have hurt me but I can’t start using it as an excuse.

I mention this only to say that maybe their behavior in The Clone Wars was a mask built from past hurt and that could make sense to me. You build up walls when you’ve been hurt and you create behaviors based on experience. However, I still don’t think their behavior should be excused. I still think they escalated that situation far before anyone else did. In the same way I think Jesse made a lot of snap judgements about the batch and just kept finding ways to reinforce that judgement based on what he’d heard about them prior. And this snap judgment isn’t the best way to go about working with new people. It’s not an excuse, just an explanation.

I even think the batch’s behavior in episode 1 of their own show kind of contradicts some of their behavior in TCW. Particularly Crosshair. Crosshair doesn’t engage in the cafeteria until he absolutely has to while in TCW he is the primary instigator. We can try to explain this by saying it’s because his chip activated and his personality shifted. I just think it’s something worth pointing out.

I’d also like to add that of course the batch are the primary instigators in The Clone Wars because the clones we knew and loved in that show are technically the heroes of the episode. Of course they’re portrayed in a better light. It’s the same as the batch in episode one of their own show. Of course they’re portrayed as the ‘good guys’. It’s their show. To me it’s less of a character moment and more of a way to get the viewers of the show to root for somebody, whoever they want us to root for in the moment. The Bad Batch is told from their perspective so they are going to be the underdogs while The Clone Wars brings the batch in as outsiders to the group and gives them a more aggressive interaction to further our already beloved character’s narratives.

This was a very long way to say, I’ve always been kinda meh about the whole ‘the batch is bullied’ subplot and I tend to avoid writing it in my own fics because I think there is inconsistency with the writing between the clone wars and the bad batch and this can possibly be boiled down to a few things like different writers on the creative teams, an uncertain future, and wanting to paint certain characters in certain lights because of the show they are on. Rather than actually being a truly defining character arc it is a tool, as most writing is, it’s just not a tool I particularly care for in this story. And while I do think there are inconsistencies I can piece together some things to explain it if I really want to. I don’t think one side is right and one side is wrong. I think there are a million explanations for hurt on both sides and we decide it for ourselves because neither show truly made it clear enough for me to draw any lines in the sand. (And if you’ve been reading my stories at all you know I love a good grey area so I probably wouldn’t draw lines at all.)

I always try to be fair to everyone when I write stuff like this so I hope I’ve covered all of my points well enough. There are plenty of things to say about this topic and it has been talked about a few times recently in other posts that you can read. Tagging 1 by @laughhardrunfastbekindsblog and 2 by @gars-technician because these two posts inspired me to write this.

I’d definitely encourage open discussion here if anyone wants to chime in 😊 while I know we might all have different opinions I’m certainly willing to hear them as long as everyone is respectful.

[eliasdrid]

Combat Baby (Metric) + BloodRogue 🦇🐍

⚠ contains spoilers (up to episode 37 or so) + flashing ⚠

as an additional challenge to myself... this is mostly in chronological order

[🎵]

[peteytheparrot]

Ya’ll NEED to watch this video it explains all of the problems I had with Hazbin Hotel into words fr 😭😭😭😭

[celticbotanart]

Been thinking about Bandori again lately, so I dug up some sketches I've done months ago; mostly because I didn't want to draw anything from scratch, but the sketches were good enough and I really liked them a lot already. The only one I drew from scratch is the one on the bottom right corner, to fill up that empty space and make the panel full~

I've noticed I really like to draw these two idiots interacting, which is kinda rare, lol. Interactions are hard for me to draw and I admit I kinda avoid it a lot. They're comfortable and fun for me to draw, especially in random wholesome shenanigans! I guess it's the platonic aspect, I'm not super fan of drawing/writing romantic stuff; I tend to enhance the sisterly relationship the characters already have canonically.

The main drawing here was inspired by an actual picture of Raychell and Risa (their VAs, to those unfamiliar) <3

Another thing I do is making Rei wear shirts of real bands, bands that I like. It's usually Within Temptation, because they are totally a band that would exist in the Bandori-verse; this time though, I made Rei wear a Yuki Kajiura / FictionJunction shirt, I LOVE that cover art so much!! It's another band/project I see existing in that universe!

commission info | patreon | kofi | twitter | bluesky

[danwhobrowses]

Okay so I was gonna do a big gush over all the new Bells Hells outfits on the recent cr episode (a surprise since I had expected that they'd show them for the live show), but instead I'm gonna encourage you to check out @agarthanguide who is answering asks about the process of designing them, they're very insightful, and I'm sure they're more than happy to answer more - within reason ofc.

[enhanced-operatives-division]

Junicrane/Starstruck Ramble

I will not be brief, all under the cut

To clear some things right off the bat:

No corpse, no proof with Juniper. Obligatory this is set in a canon where he's alive and adjacent to the agency in some way.

Reggie & Juniper are just gay to me, but I don't mind any interpretation of their sexuality

The games are set in 1967/68 to me (based on a couple bits in game) which is before it was legal to be gay in America at least (1971), which is relevant to how I interpret canon as being somewhat grounded in reality, despite unrealistic elements.

This is just an insane amount of headcanons/elements of and AU all culminated into one post. I will talk about some headcanons like they're just facts because they are established in my head, and it saves me over explaining literally everything, however I will explain some parts a little bit for clarity.

Alright. Actual beginning of the ramble:

Juniper is a character to me who had gotten so lost in his job as an actor and a social presence that in the end his whole life revolved around that 'role'. Because of this, by the time he's put into the situation where he's around the Agency, he basically knows nothing about himself, though he doesn't realise at first. Furthermore, what little identity he had has changed in so many ways. He's no longer a beloved famous actor in the prominence of public light, he's legally dead and he tarnished his career just before he was supposed to die, with the bonus of that making him lose the majority of his estate. From that, he also has horrific facial scarring from the electrical burns from literally having his face fried. I believe a friend of mine made a post about this a while ago (I also think they were the first to think it up also), but, to me, Juniper has a permanent trimmer in his right arm (aka his dominant hand) from the electrical current and it is messing with his nervous system.

All in all, he's not doing great, but he's too proud to admit that he's not doing great, because if anything, what's left of his ego is all he has as a defense since he's deep in unfamiliar water.

Before ending up around the agency (I have multiple interpretations of this, so I'm just going to bring it up generally), he'd never actually seen Reggie, and his only impression of him is a single voicemail, which was his only reference he had to later impersonate him. Juniper probably has very little feelings other than the ones he projects onto him because of Phoenix and that, at the very least, he's physically attracted to Reggie to some degree (that's like the beginning of how everything else would tumble into place in this sort of interpretation at least).

And on Crane's side? His feelings towards Juniper are probably very intense and muddled. On the one hand, he adores musical theatre, and that's his now ex-favourite actor. The thought of just casually being around him blows the bit of fanboy in him away at first because THAT'S the GUY, plus the inklings of a celebrity crush which still poke at him. And then there's the rational side of him, which knows Juniper has committed absolute atrocities on the side of Zoraxis, and hates him for that. Then there's how much Juniper comes off as an asshole at first because he refuses to cooperate with anything the Agency tried to put in place. He finds Juniper endlessly frustrating, and yet he's stuck working with him since, afterall, he's the one who knows the Agency's history with Juniper the best. I imagine him acting a lot like how he does IEYTD 1 around Juniper.

At this point, I'm just describing the pitch for a romcom.

I think the start of their relationship with one another largely started with Juniper trying to wind Crane up. It was a way of getting his attention, and I don't think Juniper knows why he's so dead set on that at first, because I don't think he realises he has a crush on 'this grump' at first. (I think that's actually the fun part about these two, because it's almost like a role reversal of the celebrity crush dynamic. This ex-big name actor has a TERRIBLE crush on an average joe and it is KILLING HIM.) But of course the Agency keeps them together because Juniper is at least conversing with Crane, so it's a start.

Through one way or another, they actually get talking casually, at least mildly at first. It takes Juniper a long time to fully deconstruct the wall he's built, and the thing is, Crane isn't the one trying to deconstruct it, at least at first, because yeah, Juniper realises if he wants Reggie to actually like him in any way, he can't keep winding him up. So they talk. Small talk at first, something rhythmic and almost easy to keep to a script. And over time that turns into actual conversations. Genuine ones in which Reggie rips out the occasional one of his jokes which Juniper is endlessly endeared about. The way he smiles just before he makes them, like he wants to chuckle at what he's about to say before he says it. That's probably when Juniper realised that he does have some vague crush on him, and that it wasn't going away.

This is what kickstarts John I can't-buy-you-things-to-impress-you-so-acts-of-service-it-is Juniper to do little things for him. It mostly starts off as him trying to make Reggie his tea how he likes it. However, the nerve damage in his arm makes that hard, as the weight of the kettle and trying to pour is hard all of a sudden. And he refuses to accept that, so he tries for a very long while. Long enough that Crane would go to investigate what was going on. And when he does see Juniper leaning over a cup with the kettle as he uneasily tries to pour it, and when Crane asks Juniper responds so matter-of-fact that his intention is nothing but genuine. And it catches Reggie off guard because Juniper hadn't done anything like that up to that point, and his very apparent vulnerability is so clearly on show.

It shifts something between them.

From that point on, conversations are longer, more familiar. Both of their attitudes soften, and Reggie makes more jokes. Juniper learns how to better use his left hand while strengthening his right back to a point where it could be used again. Slowly, they're both spending time with one another not because they have to, but just because they can. Little bits at first, not too far outside what they already were doing, but those little bits turned into long bits to a point where the other person's company was genuinely desirable.

As time passes, Juniper probably realises that he doesn't genuinely know much about himself or what hobbies he's into, because he never really had the time when he got big, and his home life in his youth wasn't bad, but it wasn't picturesque. I think Reggie would pick up on it, and absolutely try to introduce him to some things he's into. Some things stick, other things don't (corn husking very much stays Reggie's passion, and John will go with him sometimes because it's him, but it's not something he strongly cares for). Crane introduces him to a lot of music, and it's something that becomes a staple between them, with tracks they listen to more than others (tragically, I know relatively little about 60s music so I couldn't really say what). Occasionally they dance, never anything intense, think slow dancing, but the closeness is nice.

Through all of it, Juniper is battling the worst crush of his life, and he can't stand it, because I think he struggles to read people since he doesn't have anything like a script or a director to refer back to, so he has no idea if Reggie likes him back or if he's just desperate for that to be true. I think because of that any sort of confession between them would be incredibly raw, not only because of the time they live in making it hard for them to be truthful about how they love, but because it's a complete show of Juniper who's worked to be this better person. I don't exactly know how that would go, mainly because I don't have one set version of their dynamic, this post is just a generalisation of main consistent points.

Reggie does like him back, because he's gotten used to Juniper being just this guy, not a figure in the public eye, not a Zoraxis lackey, and not any sort of Agency operative (despite being under their care to some degree). He's someone he genuinely cares for, because they've given one another the time of day to learn one another, and I think because Reggie was a field agent, he was a lot better at reading Juniper than Juniper was at reading him. Eventually Juniper's company becomes something he could see around him for the rest of his life, and I think he accepts that he likes Juniper a lot more gracefully.

I think any affection directed at Juniper would at first be met with him feeling a little muddled. Reggie was a very physically affectionate person when he could be, and sure the initial flirting with one another came with the occasional little touches, but everything now was so deeply intentional. I also don't think Juniper would almost ever get over the novelty of being able to kiss him, or many other gestures, because it made the fact that they were together so very real, and it was great. I do think it comes easier to Reggie, and it's a big way of showing how much he cares, so it's important for Juniper to try and show it back because he knows how much it means to the other.

I like the idea of them eventually living with one another, too. I think Juniper would have always had a quiet little daydream of sorts where he does just live a domestic quiet life, and he can with Reggie (well, as close as they can get between the Agency and Zoraxis always being at odds), and he loves that, and he loves him, and it's immense.

I think they cook for one another a lot, it helps Juniper work on his dexterity in a controlled environment, which means a lot because it's a huge point of insecurity (that and his scars). He does improve, and Crane is proud of that and shows it and it's great. I also think they'd probably cook together too, because they can deal with being in the kitchen together and they work well with one another. It's probably a good way for them to unwind because over time they can do it in relative silence.

As I said before, I also think music is a staple in their household, and that Reggie listens to things on vinyl almost all of the time because he likes the background noise. Sometimes Juniper will catch him chuntering along to the music which he finds endlessly endearing. I wouldn't put it past his dramatic ass to also join in to fluster Reggie, but I also don't think Reggie would mind that terribly because Juniper has listened to the music enough to know the lyrics, and that's huge to him.

I don't think they are without rough patches, no relationship is, but I think the good part about them is that they're willing to talk about it (... eventually). They're used to long conversations, and while they're often less fun conversations, they're needed and they know that, and it works out.

Alright. I think I'm done for now. I haven't mentioned everything, but this definitely got the worst of it out of my system. If you ever want to hear any specific thoughts my ask box is open but other than that, behold my general dynamic for these two which has been festering in my head for years. I think they're great

[sundial-bee-scribbles]

everything's coming up roses

[dxxtruction]

Sooooo, Armand did tamper with Louis memories but my next question is why? I find 'he wanted to manipulate him' a bit crass of a read; lacking. That's not to say he hasn't, or that he'd be so dense to not know that he had, rather that this wouldn't be what motivates him. So, what does, and why did he do it?

Suppose it's easiest to start with the core of it, which is that most anyone typically acts out of a need to cling to (or run from) some sense of self or identity, especially when it's called into question. We have to reckon with how others see us just as much as we have to reckon with how we see ourselves. Grappling with finding relation to the changing and unchanging facts about ourselves - the total amalgamation of what makes us 'us' - comes with an interplay of inner and outer perceptions surrounding everything we do, or seem to do in both these eyes. Armand is called into question by Louis. And from what we know of his character is that his identity is heavily internally clung to two things: A necessity for having control, and a desperate need to be loved.

It's important that how those manifest in him is deeply rooted in the traumas he's faced (Which he wants to run away from in the form of seeking and identifying with said control/love. Even at the expense, knowingly or not, of replicating those cycles). So, it's like he's living in near constant response to it. Leaving him without much else to find identity in.

And loss of identity directly feeds into his traumas as well, it being one of them, done repeatedly. Making the process of having any ambiguity on part of how another views him - particularly from those he cares deeply about the opinions of, especially on matters of love - difficult to accept, and easy to deny. In other words: he needs whatever sustained self image he can hold on to, so struggles identifying with the truth about Louis' feelings about him being so opposed. Upon question, he can't accept what not being loved would do to that image and finds himself seeking the comfort of living in denial.

So, I'd say that then could explain most of it. Being motivated to maintain certain perceptions in the form of tampering with memory: the means through which said perceptions are perceived. Making everyone live in this denial with him also appealing to his controlling. Thus returning this sense of self back to him in both aspects. The emotional wound does explain (not forgive) why he takes to it in the way he does.

But let's go deeper, because there's more to the very situation (1973) as to why. Why would Armand go out of his way to tamper with Louis memory as well, when they'd already reached a kind of conclusion that does appear to keep their companionship? What, to his mind, called for it given the situation?

Harkening back to above, Armand defines himself around Louis in a major way. Louis is his love, is his need to be loved. There's a developed co-dependancy between them. They're at such point both exploiter and exploited in this. His happiness, is Armand's happiness, is reason enough to preserve it in a way that is agreeable. And that agreement is a tricky one to play a balance with, like they honestly shouldn't be together after Paris, but this goes without saying. It's been on Armand, mostly, to make this relationship work. (And even if it was mostly one of a lot of a denial, I like to imagine there are large periods where it has, and they've lived a relatively normal relationship, had this 'dreamy balance' or it simply wouldn't have lasted so long - with or without mind fuckery).

He wants it most too, which is how Louis is able to have some control over Armand. Control in how Louis ability to love him is very conditional and rests a lot on Armand's ability to satisfy, gratify, console, and control Louis for his own protection - despite knowing he'll never make up for Paris he does everything to earn Louis anyway. So could Armand have chosen to do this to be perceived as someone able to earn it still? That's one option. Very plausible.

Louis has a complicated love for Armand, it's there and isn't, but he also can get from Armand whatever he can squeeze out of him, and in this past he takes heavy advantage of it. As Armand is susceptible to his own much greater necessitation to be loved by him, making him go out of his way to do this 'earning'. However, as had been revealed, for Armand this is played up in part to uphold for Louis' perceptions that he really has that much power over him.

Because what we also have to factor in is Armand's other aspect - control. The line, 'Armand preserves my happiness even when I can't or wont. He had a hunch you might prove useful in later times', is rehearsed in much the same way this entire dynamic is one of great rehearsal. It's practiced, or it would be chaos.

There's certainly a part of Armand that likes being in the submissive role too, he likes what comes with it, but he can't be in total service to Louis, and Louis can't be without rules - or there's no control. Rules, roles, scripts, are very important to Armand, they're a way to facilitate a controlled setting, and he's really the one to enforce the parameters of what those are more so than Louis is. See; when Louis breaks from these things of agreement, what Armand normally gives him goes away.

I picture Louis as like the playwright of the relationship - the one facilitating everything - while Armand seems to then stage direct everything about it, sometimes secretly. In this way, Armand places himself as moreso being the one to meet his own satisfaction, gratification, consolation, and control (he has more overall power here in a duel sense) than Louis. Louis own meeting of these things still factor into it, though. Remember; his happiness, is Armands happiness, is his role to maintain so the play will keep writing itself. The curtains would close on their relationship otherwise.

This is the 'balance' of agreement between them, and again, it's entirely likely such balance just could not be maintained were those memories to stay as they were, almost like the jig is up. There's a factor here of Armand probably catching that Louis wouldn’t be comfortable in this relationship knowing more apparently Armand had so much more power over him this whole time. He knew, of course, but in their roles they could forget. This switch up in dynamics over those few days revealed the imbalance of things, a truth about it, and those needed to be masked back up. Theatre.

But let's explore some other ideas too.

I would first repeat myself in more context, Armand tampers with the script for the express purpose of preservation - of its dynamics, its roles, its rules, and of Louis. Nothing has the ability to change if nothing happened and Armand perhaps wanted to go on as if nothing really did - again there's denial. Armand finds reason in preservation to remove those memories. Preservation of Louis is in several ways preservation of himself, is preservation of their companionship. A companionship which is what he defines himself through - his love, his control.

But tacked onto this there's also this protecting Louis from himself - from the knowing of what he did (the arguing, the attempt, and what came after) and why it all happened. This is maybe Armand's way of going about excusing it? But, he probably does think this is to an extent true. He does think he's protecting him with this, preserving his happiness. There's an argument to be made that Louis wouldn't be alive without Armand acting in this way. That, hypothetically, the reminder would be fuel to attempt again, so perhaps there's merit to this excuse. It is ultimately still an excuse though. It's still a fucked up form of protection. One that can't actually allow Louis to move past into healing from the actual causes of things. Or Armand for that matter.

Removing those memories could also be because of a remorse on his part, Armand's regretful role in how he acted during all of it. He doesn't want to be remembered that way. Yet again with identity, and with denial. This isn't the image of who he wants to be. This isn't how he would paint himself.

Armand in this stage director role also just has a tendency to do that - and edit himself out. It'd not be shocking that such a heightened situation would call for heightened dramatics. I don't see Armand taking it to this extreme as being a common thing, this could've been the only time too. That we can't actually say for sure is the terrifying part, the potential is always still there once you know its there. (and the point was never to know it's there).

There's a part of me that wants to say that pairing the 'cut' with Daniel's isn't without it's place in this either. It seems pointed. Armand's jealousy of Daniel over Louis preferring him motivating removing any memory that he ever did have reason to find Daniel so favorable, let alone bond deeper with him over those days. He was making sure further contact was unlikely to happen? Compliant willingness for it now could be a matter of knowing it's a lot safer to do so. Louis seems in a lot better place than he was. Armand can't really say no at this point. And he couldn't tell him why it ever would've been dangerous to begin with, just be extremely on guard about the whole thing.

Really, there's not an easy answer to it that we can point to and say: it's this one. I wouldn't be surprised if it was all these things building to a list of reasons, and more than the one's I've listed. Ends up with more pros than cons? But there could also be hardly calculation at all and it's a purely emotional choice, coming from an emotional place.

A very damaging choice, regardless, among several other damaging choices, and it's one I think can be read with all this nuance without mitigating that. I hope it's been clear I'm not trying to. Intentions don't = impact. Investigation into the intentions doesn't take away from that.

I'm very interested to see how it all plays out, how they handle this on the impact side of things. If they'll actually give more of an answer. Rolin says some interesting things here: x. That alludes to how they're going to address this whole thing about memory - it's monstrous quality - with some of the same nuance I've given. And how a blanket statement on blame, and who did what, isn't where this kind of conversation will end up going.

[localfanbaselurker]

Yall know the drill!! Let’s get it baby!!

Watching Voltron: LD for the First Time and Saying What I Think

S1-2 | S3 | S4 | S5 | S6 | you are here! | S8

upon formatting this debrief/review, I realized quite quickly that I was gonna run out of the image limit too soon, no matter how many collages I made, so some ideas are better if you specifically remember scenes. Click on images for better quality! I apologize, I only have tumblr on mobile. please enjoy this edition anyway!

Pre-Season 7 Thoughts

-> I said in my S6 post that I thought it could be a decent ending if some strings were finally tied, so hopefully this season clears those up

-> S6 was pretty intense at the end, hopefully they tone it down a notch as they go on their little earth roadtrip

-> the aftermath of Lotor dying is definitely something that will weigh on Allura. Hopefully she doesn’t get too torn up about it

-> I’m really curious as to how the new team dynamics will play out now that Kieth is back as black paladin. Will they go back to s1? s3? Will they just act like nothing??

-> really wanna scene where keith calls krolia mom for the first time

-> what is with this “game show” episode??

-> I’m curious as to how ships will play out now.. Lance seems to be okay with Allura not liking him back after s6, their talk was really nice. As much as I think they look cute together, Allura needs time to get over Lotor first, and Lance seems to be already moving on.

-> now that Kieth is back, I wonder if there was more “klance moments” for people to go crazy over

->also where has Matt been this whole time??

-> them going to earth will probably explore their families, and i really wanna see more of their lore. (Especially keith)

->Hopefully shiro finally gets a break after everything. I’m excited to see who this love interest of his is!!

Post-Season 7

-> holy fuck. yall did not lie. that was…intense.

->ultimately I did not get my pre-s7 wish then.

-> I really liked all the keith/shiro lore about their relationship. It was really sweet. Shiro was the first person (besides his dad I guess) to show him patience and kindness. That’s so heartwarming.

->added to all the motifs and references to them saving each other,,very sweet. I love found family stuff like that. so i very much liked that episode (besides the “tiny” subplot lolz)

-> Romelle (as opposed to the name I gave her: “sailor moon altean girl”) is actually so real. She and hunk have the same “only normal one” vibe and i respect that.

-> literally where was haggar/honerva this whole time. Did she take a sabbatical or something??

->this image is so chaotic…literally what are yall doing 😭

->cosmic wolf (Kosmo, apparently) dgaf I love him

-> Allura is such a cutie.. “but I’m terrible at drawing! 😔” I love her so much

->^hunk upgraded his bayard!! Yayyyyy! More character development!!!

->Axca is back! (I have since long stopped calling her “space asami girl”)

-> i think she’s a really interesting character. While the other of Lotor’s generals go for whatever seems right for them, (as you should in war) she seems to calculate things on a matter of both that and morality, while also looking at the big picture. “Well, this would save my ass, save the universe from chaos, and be morally intact…sounds good”

->^is this the klance moment? seems a little sad tbh. why Lance is like that “wait where are you going?” relax bro he’s not gonna disappear

-> they’ve been gone FOR THREE YEARS????

-> what the FREAK.

-> imagine now how their families have missed them 🙁 I’m actually so sad abt that ☹️

->the game show ep…was really funny. Idk where yall got all this angst from. New mission: write a fluff one shot post-game show.

->^i literally cannot get over this??? Like.. they could’ve really made him say anything else. “because mullet here would punch you to the end of eternity if he didn’t get out *smirk*” or something like that but no it /had/ to be that. And the others thought it was odd too, I mean look at their expressions.

->And same goes for Keith??? If you don’t wanna spend an eternity with Lance just pick yourself?? There had to be another reason. If they made all the other characters say insightful and heartfelt things about one another, why can’t Keith say anything?

-> I think because keith and Lance chose each other, making both of them say nice things would drive you guys a little crazy, so I think they tried to just “klance-proof” (like baby-proof) this season by making them barely interact unless it’s a battle or doing so in a s1/2 way

->Because otherwise keith acted…really out of character..? I think it might be to his growth on the quantum abyss trip, but it just felt so odd to watch him this season

->the “floating in space” episode was actually super interesting to watch. Going space crazy caused for their truest thoughts and desires to come out from the dark. (going to earth, what they think about each others’ actions) I thought that was really cool.

->KEITH CALLED KROLIA MOM!!! IT HAPPENED!! OMG. SCREAMING CRYING THROWING UP FALLING TO MY KNEES AT WALMART!!!!!!!!🫡💪🔥🔊🗣️

->Krolia and kolivan definitely explored each other’s bodies idgaf. Kolivan is the dad that stepped up fr.

->Colleen Holt is an icon. She’s a girlboss. She’s a legend. I love her so much. Sam better watch out 🤛👊🤜

->^from “who is this divaaaa 😍😍” to “OMG GIRL LANCE??? 😮😁” to “OMG LANCE’S SISTERRRRR😆🤩”

->^is this not the “the pilot crashed!” girl from 1x01??

->tbh i literally could give less of a fuck about these people. The girls seem cool I guess. But I don’t really care about any of them.

->also no way they deadass named a dude kinkade. That was wild even for them (I’m so sorry if it’s a cultural thing)

->^I love it when they do little homage bits like referencing back s1 or 2 like this

->^screaming crying throwing up.

->^^that hug between pidge and her mom..i felt that. that shit was personal. Ya’ll see the way she held on to her? Diabolical work. (I’m tearing up as I type this)((that’s exactly how I’ve held my mom b4))

->^^^“uncle lance!” STOP. DON’T DO THIS TO ME. I CAN’T DO THISSSSSS *screams*

->HUUUNNNKKKK. MY BOYYYYY. UGHHHHHH. I’m gonna die

-> I will say this tho, I’m glad he’s getting a lot of focus and attention his way these last few seasons (6&7). Like yes!! Give the realest mf in the whole show the attention and appreciation he deserves!!!

->I was so happy when he got his parents back like I genuinely did a little celebratory dance (jumping up and down and going “yes!yes!yesyesyesyes! yeeeessssssss!” while doing exaggerated hand gestures)

->Adam fucking died.

->not even one scene showing his and shiro’s positive interactions. or them being romantic. one and a half scenes. And then he’s gone.

-> while, for the most part, I try to understand the writers faults further than just face level, (ie netflix or dreamworks just didn’t let them explicitly put anything there) idk I just. I feel like they could’ve at least played it off as them being “good friends” or something. But to kill him off is just…it feels wrong.

->and it feels like a wrong for shiro too. He finally gets to be on earth after everything that’s happened to him, and the one thing he’d been hoping to finally see,,is gone.

->I just feel like they did shiro dirty. they can never give that poor man a break.

->^I was right! Keith is definitely acting different because of his growth on the quantum abyss (or “space whale” as people seem to call it). It’s nice to know he’s matured and stuff, and can actually say what he feels and such, be a good team member/leader. I just wish it wasn’t all off-screen. (and while I’m happy for him..I do miss his more broody early-season self a bit)

->as much as I think allurance is cute, I feel like they’re kinda rushing it. Like. by the time they got to Earth it had barely been a month of being stuck in space post-s6. Maximum it’s been 3 months by the time of the final battle. she would not be blushing. She would be mourning Lotor. They could’ve had a little subplot about that,,the crushing weight of knowing she could’ve both stopped his death and the guilty feeling of “why am i mourning him..? He was a bad person” because she still loved him!! She still loved him when they were about to leave him in the quintessence field and she felt conflicted!!

->she would’ve also not caught feelings that fast. Let’s say she somehow miraculously got over Lotor in 2 months. (minimum!) she still wouldn’t have caught feelings! Maybe she would start like. the budding processes to begin to fall for lance…but she wouldn’t be blushing and being all bashful like that.

-> basically all I’m saying is I really hope they don’t rush this. It would feel unfair to both her and Lance. Allura literally was like “oh..😕 he said that..☹️?” In s6 when the mice told her about Lance’s feelings because she felt bad about breaking his heart.

->and Lance has literally been after her for a really long time,, so it’d be unfair to pair him with someone who only started liking him like a week ago.

->I also hate the “guy pines after girl, girl doesn’t reciprocate and turns him down a lot, guy almost gives up, girl starts falling for him just as the show ends after not showing any interest previously” trope. (I am aware Allura and Lance do share some more sweet and romantic scenes/moments in s4-6, but you catch my drift, right?)

-> I really hope they put it well in s8.

->^I got to that Lance scene I’ve seen everywhere and just. Wow. it was so intense. I actually got chills. Amazing work from the animation crew yet again.

-> the final battle was sooo amazing and so beautiful.

->the atlas stuff kinda threw me off tho.

->that admiral sanda girl was a bitch (i do not use that term lightly, especially for female characters) and not to sound like a maniac im glad she died ngl. She was stupid as hell if she thought her plan would work.

->also if the galra can invent something that can easily overpower Voltron, then why don’t they just take over the universe themselves?? They clearly have the resources to.

->seriously the atlas’s stuff was insane. Fym it’s a ship that makes a bigger, cooler, grizzled Voltron??(yes I will forever use that joke)

->^because like. Then what do you need Voltron for??

->like the pacing and plot twists and shit felt so off and out of nowhere this season.

->and the real kicker was the altean chick controlling that giant monster thang. literally what the freak. where the cameras at I know I’m getting pranked right now. they were just pulling shit out of their asses by then.

->again, need to say, if it weren’t for that altean chick, this could’ve also been a good ending?? like after reading the Wikipedia page I found out they had a 72 episode contract, so they need to get those last episodes out, (76 total, I did the math) but if anything I think it would be best if it was just a little anthology sort of thing. Like them defeating the rest of the galra left out, freeing planets, and focusing on their own lives and relationships (during and after). That would be probably the best course of action for s8.

->but apparently it has a “bad ending” (which I’m pretty sure is just ship stuff and people exaggerating)

->erm yeah that’s pretty much it. I think. Yay!

These are thoughts I compile over time. I finished Season 7 on 10/12/24. I apologize for my delay on posting this, I was meant to post it last week. I will now finally start what you have probably all been waiting for: Season 8.

Remember, my ask box is always open!! Feel free to ask anything on my opinions and such!!

[borealopelta]

wip whatever

i'm gonna go ahead and consider myself tagged in @arokel's tagless tag game because i want to talk about My Wips :-) if anyone feels like joining in, please do!!

after posting my latest fic i was kinda like. hmm. i don't have anything to show. which is not true!! i have not one but two geologist!don fics in the wip folder. (now you could ask. hey finch why do you keep writing geologyfic. well a) i have this mental illness called degree in geology and b) it's basically just me trying to conceptualise what being a geologist (or studying geology) must have been like for someone who was doing it before the theory of plate tectonics was even proposed (not to mention accepted). the amount of stuff that was fully unknown to geology in the times these fics are set is limiting as fuck and that's what makes them endlessly fun to tinker with. i've done sooooo much niche research. this is what constitutes fun for me. apologies)

i've already talked about the first one in an ask game, don's horrible geology exam, which i've been slowly piecing together from semi coherent notes app scribblings from the height of my mystery illness, BUT the other is newww so. also i don't have titles picked out because i'm bad at that so the titles are. the file names. yay! snippets under readmore:

geologydonfic is the aforementioned don's exam misery fic

Bobby takes in Don – the line of his bracelet a red imprint on his cheek, bruise-black circles under his red-rimmed eyes, paler than ever, frown lines like deep etchings on his handsome face. It’s clear that he’s not dealing on his own. “Fine,” he says after barely any deliberation, “I can help you study.” He picks up Don’s textbook and flips to a random page. Most of it is taken up by a big, colourful chart, sort of like a repeating rainbow getting more and more washed out, with ray-like lines coming out of one corner. It’s utterly incomprehensible. Bobby puts the book back down on the table. “I can’t help you study.” The corner of Don’s mouth twists into an almost-smile.

argentina is the newer one, set in argentina in 1967. don is there for work, bobby is there for don, it's hot, it's dirty (so far only in the "the drill site is a filthy place in general" way but who knows)

The Jeep that had picked him up at the airport slowly rolled away to join the fleet of identical vehicles, all decorated with the letters YPF – the name of the company in charge of the work, Bob assumed. He barely had time to feel (or look) lost when he noticed Don coming his way. Or at least he guessed it was Don, from the familiar walk and the fact that the man was a good four inches taller than everyone around him. Dressed in grubby work clothes and wearing a hard-hat that cast enough shadow to hide his entire face however, he could have been anyone. Then the smile gave him away. Bob had not been twenty-two and a fool in love in a good while, but that toothpaste-commercial-runaway, all-teeth, bright-as-the-sun smile Don could smile when he really put his mind to it still made him go weak in the knees.

[holocene-sims]

next // previous

august 25, 2021 9:00 p.m. seoul

**TW: SUICIDE MENTION**

[grant] hey, not to bring up the previous conversation, but uh, i wanted to say i'm sorry you had to deal with me the same year you were going through so much. it wasn't fair.

[henry] it's okay, grant. i don't think your motivation for being an addict and attempting suicide that year was, "yeah, fuck henry, i want to make his life so much worse right now. his dad's dead, he may not have enough credits to get his degree this may, and now me!"

[grant] it doesn't matter what it was. the fact is that my problems hurt other people. i didn't just harm myself. and i was not a pleasant person that last year when you really needed pleasantry.

[henry] yeah, i'm not going to lie to you, that very last year of college, i thought the version of you i knew and loved was gone.

[grant] i was insufferable.

[henry] correct. you were an asshole.

[henry] for the most part. you did try to be good again and be there for me when my dad died.

[henry] it was weird. i hadn't seen you sober in years, but when i called you for the first time in a few weeks because there was no one else besides soobin i wanted to talk to about my dad dying, you showed up to my place kind of normal again.

[henry] i don't want to say "sober" because you probably weren't, but you were at least on fewer substances than i was used to at the time, so you seemed sober.

[henry] you weren't in a place to show up for people long-term because you were suffering, too, but you tried. you checked on me every day for a few weeks until finals hit and everything got crazy for everyone. well, no, until we threw that intervention for you right before finals. nonetheless, i appreciated the effort.

[henry] it stopped me from cutting you out, so there's that.

[henry] i'm not trying to sound rude either, please don't take it that way. it was just a lot. i would have regretted it if i cut you out, and i didn't want to at my core because i do not want to do life without you, but i didn't think you had it in you to get out of that spiral you were in for years. i really did not. i thought you were done for.

[henry] i'm sensitive, even if i never sound like it. i was mad at you for bad behavior, but i was also, um, really sad to see you like that. i love you. i've loved you as a brother and a best friend for almost my entire life. and i did not think i could stomach watching you die at your own hand. it made me sick.

[henry] and it probably makes me a bad friend to have felt that way. one, to have thought about cutting you out, and two, to have had so little faith left in you. you deserved more faith from me. if the roles were reversed, you'd never give up on me.

[grant] don't say that. everyone has their limit, and it's hard to know where it is until you finally hit it. i would have one, too.

[grant] and man, you were meant to feel that way. i meant it when i told you i pushed people away purposely.

[grant] whatever conscience and consciousness i had during that time always reminded me that i was terrified of hurting other people. i was very well aware i was probably causing, like, terrible amounts of pain to my friends and family, and i didn't want to do more damage when i killed myself, so...

[grant] yeah, i always meant to kill myself. i thought about it every day for years, honestly all the way back into high school, and i got super close to trying it about a billion times, but i only ever went through with any of my plans once.

[grant] and i'll regret for the rest of my life that you and my grandparents had to see what i did to myself on graduation night.

[grant] but anyway, i chose to have those awful behaviors because i felt like if i ran everybody off and made them leave, they'd be glad i was dead and wouldn't hate me for what i did and just forget me.

[grant] terrible, terrible strategy! like holy shit! i also entirely regret acting out like that, the much happier and stable version of myself from the last, like, eight years realizes that made everything worse and wouldn't have fixed anything anyway.

[grant] trying not to hurt people by hurting them upfront is a fucked up strategy. just entirely fucked up and counterintuitive.

[henry] no, it wouldn't have worked. you'd have left everyone traumatized by not being able to repair things with you.

[henry] so, whether you like it or not, people do like you. people tend to really, really like you. you have a very magnetic, charming personality that very few other people in the world share.

[henry] and people do want you around. i want you around.

[henry] i know what i just said, but i really do want you around.

[henry] but also, wow. i guess you did a great job at trying to run us off since it almost worked on me.

[grant] it was easier than acknowledging people care about me or worry about me. i'm not good at that.

[grant] oh, and in those rare early moments where i thought that i needed help, i was scared everyone would only ever see me as a fucked up shell of a human being. like if i got better, i would still be reduced to the guy with problems.

[grant] i'm glad that i regret trying to kill myself. there's a lot i would have missed out on, including the chance to be nice to myself. but i do worry that some of those things are true, that fucked up is the only way people see me, even strangers.

[grant] i feel like glass sometimes. like everyone looks through me and sees the worst in me and only the worst.

[henry] i'm sorry you feel that way.

[henry] it's a little ironic, though. the more you hold back from telling your loved ones these things or try to push us away so we never see you struggling with anything ever, the more we worry you have the same exact problems that almost killed you before.

[grant] i've really backed myself into a corner, eh?

[henry] there's about a million things i could respond to that with, but here's the most important one. you're worth worrying about.

[henry] you spend your life looking after people and telling everyone to care about others, like you just told me to worry about my future kids, but you seriously do not believe you deserve that in return, and i don't get it. no, i do, but i don't.

[henry] yes, your parents taught you that you don't deserve love, but then again...

[grant] i'm trying to believe. and i have gotten at least a little better. my birthday, you know? i handled that pretty well.

[henry] everyone has flaws. we could and should try harder to not emphasize yours so much. but i don't see those flaws first. and if i do think about them, it's because i don't want them to take you away.

[henry] you don't see my flaws first, do you? clearly, you don't. right? you don't act like you see them.

[henry] the person i see you as is the kid who became friends with me two decades ago. some random nice kid who approached the one new kid at the park sitting by himself and played with him even though they couldn't talk to each other yet. some random kid who learned the basics of my language on the internet to write me a sweet letter saying, "hi, i'm grant, i'm six years old, and i want to be your friend." it didn't even matter it was written poorly.

[henry] i see a lot of good things in you. remember, i was just telling everyone about how nice you were to help me save the first dinner i hosted for soobin. a day ago, you helped me get over failure, one of my lifelong biggest fears, for an hour or two.

[henry] but i think our beginning sums you up nicely. i don't know anyone else who would have gone to such lengths for some nobody new kid. you didn't owe me your time or your respect and yet you gave it to me. and that was a weird time in my life. everything turned upside down when i moved. to have a friend like you then was...

[henry] and of course, nothing's changed. you're still a kind person. you're funny. you're smart. you're just you. you're one of the only people on earth who isn't fake. the kid i remember isn't gone. i'm glad he survived. i'm glad i didn't lose him.

[grant] despite everything, it's still me?

[henry] yes. but so we're clear, you don't have to do nice things to be worthy of being liked. you're likable on your own. i'm only saying that your kindness stands out to me, and i know that you value that trait, so it bears mentioning. you've been very good to me. i can forgive the times when you weren't. i've been a jackass before, too. i've probably been a jackass to you.

[grant] i feel like we've said thanks a lot today but thanks for sticking with me. don't feel bad that you thought i couldn't get better. that was my fault. but you're still here. and you showed up on graduation night for me. i'm beyond sorry that you had to see any of that, like i cannot repent or apologize enough in my lifetime, but thank you.

[grant] i owe you my life.

[grant] i owe you a lot but that first.

[grant] i've said it before but it should be repeated, you know? i definitely would have died if you didn't come that night. aside from my uncle, you're the only one i know who can pick a lock.

[henry] just do not make me do it again. i would show up a second time, but it would be better on my psyche if that was unnecessary.

[grant] it won't happen again. i've been good for a long time, but i'm great now and most of all, appropriately medicated for bipolar disorder. it's all going to be okay.

[grant] we're going to go home, continue being best friends forever, you're going to be a great dad one day.

[henry] and you will get your job back!

[grant] great minds think alike! now, how much longer until the arcade? i promise i'll let you win a game of air hockey for once.

[kooki914]

I know this may sound like a silly question, but specifically for the undertale version of Asgore: what coud a partner do to help him become more assertive? Asking because I'm planning to ship him with an OC and I still despise how basically in the ending Toriel gets to verbally tear intro him and he doesn't bother to defend himself (specially with the "just get one soul and leave to kill 6 more ppl to break the barrier" wich she coud have done herself but refused to while living inside her own little bubble ignoring the suffering of her fellos monsters, I undestand she was grieving but I feel it coud have been done without making her seem on the right and nobody speaking agaist her). I also know that by doing this he may appear out of character or that "he changed just for his partner", but knowing that a partner can help you to change for the better while highliting you best personality traits, and I was wondering wich coud be the most coherent way (my plan is for them to spend at least 5 years together, and that Asgore also helps his parter change for the better since they arrive having strong biases agaist monsters).

I don't think this is a silly question at all! It's something I've tackled somewhat in my Spadesgore fics, the idea that someone's habits rub off on Asgore and what can seem like a negative change to outsiders (him being more closed off and assertive) is actually a positive one in the long run because he actually, y'know, gets a spine and stops putting other people's needs above his own.

With Undertale specifically it's a VERY complicated question because I feel like step 1 of any Asgore development in Undertale is that he needs to fully face the brunt of his actions. I'm actually somewhat of the opposite opinion to you about the "confrontation" between him and Toriel, I think the narrative very clearly spells out that his "violence when you're faced with violence" response was the INCORRECT one (while Toriel choosing pacifism in the face of a bloodthirsty nation was, arguably, the least morally dubious choice any character could've made), but Asgore never... confronted the root of that problem? He essentially got a slap on the wrist for the murder of 6 children, and while that WAS narratively satisfying for a game about forgiveness and letting go of the past, I think a bit of self-discipline is in order for Asgore, post the events of the game. Him confronting HIMSELF rather than relying on someone else to do it for him is kind of pivotal to that, in my opinion, because this isn't something a relationship can mend FOR him. Let me elaborate.

WARNING - since this post is analyzing Asgore, there's implications of suicidal ideation, but it's not discussed at length. And, fair warning, this post is less "proper character analysis" and more "wayward speculation based on narrative beats for the sake of shipping" <3

While Asgore is the type of person to feel borderline incomplete when not in a relationship with someone (see: all of his behavior in Deltarune; and in Undertale the way he just Stops Speaking once it's clear Toriel wants nothing to do with him, it's like he's just entirely shut himself out of the conversation as if he has nothing to offer anymore, only ever speaking in vague platitudes until the final boss is defeated and he's osmosed into the friend group), contrary to what he thinks a relationship Won't Fix Him NOR his issues around self-worth. It's something he has to tackle on his own because, if he enters another relationship without doing so, he's gonna end up in the same cycle of trying to impress his partner, exhausting himself, and putting his partner between a rock and a hard place because he's both extremely emotionally needy while NEVER communicating his needs properly, closing himself off while desperate for intimacy.

It's borderline masochistic, his tendencies to just passively wait for outsiders to judge, reward, punish, and practically command his every action. It's why he's kind of a bad leader? He's community oriented, but in that way where he wants to please everyone instead of enacting lasting change, because (I think) he can't really envision a greater good because he's got anxiety up the ass. He's REactive rather than ACTIVE, and while that's typically not THAT big of a deal (again, his Deltarune self as an example of how you can have a normal-ish life even with that weird mentality), when you're put in the position of a leader and then refuse to make conscious choices out of a fear of hurting someone, you're inevitably going to hurt Everyone, which is exactly what happened in Undertale. I guess an easy way to make Asgore a little more self-assured is, paradoxically, give him less power. This may seem antithetical, but if he's allowed to, like, sit and breathe for a minute without everything resting on his shoulders, and small, inconsequential decisions are up to him without the title of "King" looming over him, it might make him feel more confident in THOSE choices, specifically. This doesn't fix the core issue, though, more just gives him a safety net where he can hide from his royal problems with someone who sees him as more than just his title and duty, which is valid (and honestly really cozy and cute), but I'm here to break people and put them back together, so strap in.

You mentioned your OC is a human who has a lot of bias against monsters initially, so allow me to run (a mile) with that for a minute. You probably already have a meetcute in mind for them, but it's honestly a really good setup, I can't help but throw my two (or three) cents into it. It forces our POV character (the OC) to go through considerable change throughout the events of the narrative (whether you fic this or not you've already implemented character development into your romance plot and I Adore that), and in turn a changing perspective on Asgore himself. Try to think of things a human might hold him accountable for, justly or otherwise, someone who heard of mythical monsters and a terrible king who slays children. Your OC might start off somewhat siding with Toriel at first (as she was the only monster who attempted to SAVE humans rather than kill them), but gradually grow to sympathise with Asgore once they get to know him, not just because he's a walking pity party but because that human and Asgore might have more in common than they first thought. (This is where I run out of info on your OC and can't really fill in the blanks LMAO go wild with this part. It can be something as simple as gardening or something as deep rooted and psychological as "the need to please other people in order to feel like you're worth anyone's time". Bonus points if it's both and the gardening is symbolic of the psychological issues.)

From Asgore's perspective, though, this would be utterly baffling. To this day, I don't doubt he somewhat idolises Toriel, he clearly still longs to be close with her, so to see someone (a HUMAN no less) stop empathising with her feelings and instead side with his own? He'd think they're nuts! ... But also, it'd be deeply validating in that guilty-pleasure kind of way (guilty because he doesn't think he deserves redemption). It actually starts turning gears in his head, though... If someone in a position like that, someone belonging to a nation he's hurt so badly, can see the GOOD in him and try to nurture a bond with him despite it all... doesn't it mean he's genuinely worth something? Even if he himself can't see it yet?

(This is, you may note, similar to what happens with Frisk in most fan-plots, but also highlights where I think Asgore's "redemption" in Undertale falls a bit short on the character level. Frisk never really gets to spend time with Asgore, since it's narratively irrelevant whether they like the guy or not, because the point of their conflict is that Frisk refuses to kill him, and refuses to be killed BY him. It's a conflict that re-states the core moral of the game, while also partly dismissing a genuine bond between the characters because it's necessary for it to stay vague for them to properly represent the narrative forces that they do (humanity and monster-kind). The popular fanon is that Asgore adopts Frisk similarly to the way Toriel does, but, in the game there's literally nothing to support that. The equally valid interpretation is that Frisk sees Asgore as just Some Guy they're lukewarm with for the sake of not kickstarting another monster-human war, even if they genuinely don't like him on a personal level, just like Toriel doesn't anymore. Because, again, there's nothing in the game to support Frisk being besties with literally EVERYONE, they just hang out with monsters sometimes and Don't Kill Them, it's not a high bar.)

IF you don't want to take the angle of your OC siding with Toriel (if the monster bias is THAT bad in the beginning), I'd instead propose really hammering home the monster hatred. Just by existing, by being someone hostile to Asgore over something he DIDN'T expect to get hostility over (the fact that he's a monster, and not the fact that he's a murderer) would maybe make him question why he WANTED to be told he was irredeemable, and why it's so strange to receive that input for the wrong reasons. Maybe he tries convincing the human that, actually, monsters are good and HE'S the one who's to blame for everything bad, and when he's brushed off with "no all monsters suck" it just baffles him more. Bonus points if later on it hits him like a truck that your OC developing feelings for HIM specifically made them get over their monster hatred. He thinks it's a case of "if you learn to love the worst of something you'll love the best too" but then has to come face to face with the idea that he ISN'T the worst of monster kind! That they actually prefer HIS company over other monsters! And not even for superficial reasons! And maybe there's still prejudices to overcome with the human, but they're trying FOR him, not in spite of him, and it's yet another little sign from the heavens to Asgore that maybe, just maybe, he's not as irredeemable as he thought.

Another potential avenue, that's less directly correlated with shipping, is to give him a kid that is his responsibility alone to take care of. Whether that be a literal adopted child, or a kid he has to impromptu take care of for a while, I feel like having someone (anyone, really) other than himself to provide for sort of nudges his priorities back in place (even if it doesn't really dismantle the core of his issues). (My reasoning for this being a potential avenue is how much Asgore's let himself go in Deltarune when no-one lives with him, juxtaposed to his well-maintained house in Undertale where he's constantly taking visitors and patiently waiting for his wife to come back.) Something small and defenseless that depends on him for support and protection is something that could really make him realise how much his well-being actually means in the grand scheme of things, that even if it isn't pleasant he has to stand his ground if only for the sake of this child that depends on him for literally everything (which was, incidentally, also his motivation for starting the war in the first place - avenging the children he failed to protect with a fiery vengeance as the only concrete decision he made in his time as king (that we know of)).

Maybe the point of contact/conflict between your OC and Asgore in this scenario is someone who doesn't believe he should be allowed to take care of a child (what with the 6 dead in his basement), and while the feud may start as mild, it might get more and more out of hand and forces Asgore to actually put his foot down and Demand custody rather than ask politely, maybe because the kid in question trusts him and nobody else for backstory reasons, or because they're literally His Kid (Chara slots in really well into this role IMO but you don't have to go with that route if you don't want to tackle revival shenaniganery). This is, imo, much harder to execute in literary form? (If you're not gonna fic this, ignore this part) It bumps up the conflict from slowburn to full on enemies-to-lovers, even if it speedruns the process of Asgore getting a spine, and if you can pull that off hats off to you but I always struggle with proper enemies to lovers with no intermediary of "friends" in between.

IN ANY CASE, past the "will they - won't they" phase, once they're actually together, I'd suggest your OC lightly nudge Asgore into that self-assuredness he's desperately missing, and moreover I suggest it not be on purpose. While it's probably the healthier option to talk to your partner if they're having self-esteem issues, this is fiction and I love drama, if you expected anything else you came to the wrong person, and ALSO this is Asgore we're talking about. He's the king of "never talk about my emotions, ever" so even if something is brought to the forefront he'd probably just apologise and privately cry about it without fixing literally anything. It would be more impactful (imo) if Asgore chose to adopt some of the habits of his partner without him being prodded over it, or pushed into it. At first, small things, like actually asking for the pickles in his order himself (/ref, meme), but slowly it might evolve into him realising just how much he's been neglecting himself. Scenario example of what I mean - his partner has actual self-preservation instincts and can help themself when in a tough spot, and Asgore is caught off guard when that same kindness is offered to him (as the king of monsters, his subjects revered him so heavily they kind of forgot he can actually get hurt or might need help with otherwise ordinary things, and Asgore stopped helping himself along the way because of it).

A different scenario might be something benign, like an insult or backhanded compliment Asgore brushes off, but his partner doesn't. Asgore might hold the (correct) position that, as a political figure, there's literally no point in trying to stave off every insult or mean opinion, and (incorrectly) asserts it doesn't have an effect on him overall. Because, in reality, it DOES stick. He has a hard time shaking off disapproval and hatred when he's carrying around so much guilt (juxtaposed to how genuinely confident he seems in Gerson's stories of Asgore before his children fell down and before Toriel left, when Asgore could ACTUALLY roll with the punches and not mind public embarrassment because the opinion of the masses didn't matter to him as much as it does now), and maybe his partner can point out to him that he seems weirdly more fixated on the actual Contents of the insult than they do. Where they just didn't like someone's tone or intent, Asgore's actually focusing on What they said, and it's a clear indication of the way he compartmentalises and somewhat takes in every criticism he's ever received. Because depression and low self esteem just does that to a motherfucker sometimes.

Overall there's also a sort of... tricky line to tread when trying to write around/through one of the character's defining flaws. Asgore was always described as a pushover, so what are you really left with when trying to override that fatal flaw that makes him what he is? This sort of trope, "your strongest attribute is your biggest weakness", stems all the way back from ancient Greece because its a GOLDEN trope, and when making fan content I think there's an interesting line that can be drawn. Asgore's best quality is his friendliness and approachable-ness, so how do we NOT diminish that while actually diminishing the FLAW part of that core character trait? Maybe Asgore's more confident and self-assured now that he has a partner that supports him basically unconditionally, but ALSO he still cracks under pressure easily and gives into demands if pressed enough. Maybe he stands his ground more and can actually tell people off without being a total pushover, but ALSO he ends up feeling a lot of guilt over doing so and maybe regresses back into old habits soon after.

Because, again, a relationship won't fix him, and to me that's part of the appeal. Instead of finding someone to "make him whole", it's more about finding someone that's gonna be there for him during the good and the bad days, someone who maybe fills in for some of the traits he lacks, but never overrides what makes him who he is. Because, let's be honest, him being a pushover is probably what allows him to properly consider a relationship with someone who started off so heavily biased against him. Having little self esteem paved the way for him to not dismiss this person outright, opening his arms to someone who started off with genuine hatred towards him, and it's not a good habit(!!), but it's woven into his vary nature as a character, and I always find it interesting to see that push and pull between progress and loving even the bad parts of someone's personality. Again, especially because it's fiction, there's a lot to explore when it comes to that line of thinking, "do I want to make you better or am I trying to change a fundamental part of you"? I don't think Asgore would be abandoning his nature by having a spine and not taking shit from literally everyone, BUT it might be a line of thinking HE falls back on, because he's had literally hundreds of years of this habit built up, it's gonna be hard to make any progress without immediately taking two steps back again. Especially because it's Asgore, he's basically a smiling boulder that refuses to move or change (and I say that affectionately).

TL;DR:

I think finding a way to instill a sense of Inherent Worth in Asgore is a good way to shake him into being a little more assertive. It's what I did in my own fics (and a lot of this post was me re-treading the same ideas with different characters to pair Asgore with), and the premise of someone who dislikes him from the get-go but learns to love him in time is (in my opinion) the best vessel to do that through. Because, if this person, who means a lot to him, can get over their biases and love him, (like ACTUALLY love him, not the way his subjects love their king, but the way a person loves another person) doesn't that mean there's worth to him being himself, and not just what people expect of him? Is the fact that he's beloved by someone he loves not reason enough to try and survive another day, and thrive in the long run?

It's difficult to instill worth in a character that's had hundreds of years of literal and figurative dehumanization on his hands, but it has to start with small things. Him being more than just a king. Then, him being more than just a friend, more than just a person you're eventually going to grow tired of or disgusted with, and eventually someone who doesn't need constant approval to feel like he's allowed to breathe. Small kindnesses go a long way, and if he starts to see himself in someone he wants to protect, or ends up in a position where he's being provided for by someone he loves, it can build up those ideas of worth and (ironically) independence, because it's less about pleasing a crowd and more about Not Dying because he's actually not that bad to have around in the first place.

[flying-cat]

I saw someone point out that Katsuki's face scar kinda looks like a heartbeat on an EKG monitor and I haven't been the same ever since