#and also noted for the fanfiction

[rearranging-deck-chairs]

hot

[gingiekittycat]

I forgot how lonely it is to write original fiction.

Where are the kudos? The subscriptions? The comments? The people cheerleading me chapter to chapter? Where are the kind words and compliments and reassurances that what I'm writing isn't complete crap? Where are the unhinged emojis? The asks on Tumblr? Where are my mutuals in my dms apologizing for not reading the latest chapter right away (side note, you know you don't have to apologize at all, right??). Where is the fanart? Where are the recs?

Where is my motivation to keep going?

It's something I've been thinking about a lot, actually, lately. How the experience of writing fanfic is so unique. How you already have an audience, willing and waiting and captive. And that's really it, isn't it? You have an audience. It's almost performative, writing fanfic. It's being on a stage, a one-person show (or two, if you do it with a friend); it's getting live reactions to your performance, it's feeding off the energy of the crowd and informing it back in a feedback loop; it's improvised, sometimes, in almost-real-time. It's building something that you couldn't have built by yourself. A thing that takes on a life of its own.

It's an experience you can't get writing original fiction, and, honestly, not having it is making it hard to write something original at all.

[steddie-as-they-come]

everybody talks

i could not tell you what this is. i wrote it all in one sitting. enjoy or whatever

It starts with the graffiti.

Scribbled in thick, permanent marker across the boys' gym lockers.

STEVE HARRINGTON FUCKS EDDIE MUNSON

The custodian tries half-heartedly to scrub it off, but he only manages to get about a letter and a half off the locker before his shift is over. It's back up by the next day anyway.

Half the school is walking on tiptoes around Steve, waiting for him to blow up and demand a manhunt for the culprit.

The other half is snickering and laughing as he walks by in the halls.

Steve doesn't give two shits. He holds his head up high and walks onwards, ignoring the laughs and the kissy noises. He needs to graduate. He needs to not get eaten by a terrifying monster from an alternate reality. More pressing things happen to Steve Harrington than grade school graffiti.

Until he turns the corner and sees Eddie Munson glaring furiously at his closed locker.

He doesn't speak to him. Even if the graffiti isn't a big deal, there's no need to add any fuel to the fire.

Eddie finally steps forward and wrenches open his locker door. The crowd milling in the halls begins to laugh.

Papers spill out, dozens of them, cascading over the floor and burying Eddie's shoes. One slides all the way to Steve's feet.

He looks down automatically.

There's an atrocious drawing of two stick figures bent over each other. The one on the bottom has two lines of curly hair, while the one on the top has a singular swooping line of graphite.

Great.

Steve swiftly scoops it up and crumples it in his fist, shoving it in his pocket. He'll toss it out later.

As he hustles past Eddie, steadfastly not looking in his direction, he thinks he hears Eddie mutter, "Every class period."

Steve turns a corner, and the train wreck that is Eddie's locker is gone.

He slides into his seat, knowing the band girls who sit in the back corner of the classroom are whispering about him, but finding he couldn't care less.

The teacher starts class.

He reaches into his pocket and slides the crumpled paper between his fingers, over and over.

Steve raises his hand. "Can I go to the bathroom?"

The teacher nods and waves him away, and Steve scrambles out the door, rounding the corner.

Eddie's still there, kneeling by his locker, trying to scoop up papers.

Steve kneels next to him. "Hey."

Eddie jumps like an alley cat that's been spooked. Steve could swear his hair starts bristling, puffing up.

"Your majesty," Eddie finally says, glaring back at the pile of paper like Steve'll disappear if he doesn't look at him. "To what do I owe the pleasure."

It's not really a question.

Steve answers it anyway. "Came to help," he says simply, picking up a piece of paper that has EDDIE MUNSON X STEVE HARRINGTON written on it in bold letters, surrounded by stupid little hearts. "After all, my name's on half this stuff."

"How kind," Eddie said. "Keeping me distracted while your buddies key my van or something?"

Steve reels back. "Huh?"

"I'm not dumb, Harrington," Eddie says, crumpling up another sheet of paper. Steve can barely catch EDDIE HARRINGTON on it before it's balled in Eddie's fist. "I get this is a prank or whatever. I just can't understand why you'd involve yourself with me. The King and the Freak."

"'Cause I'm not the King anymore." Steve says, standing to drag a nearby garbage can closer. It's already half-full of papers. "You sure don't listen to gossip, Munson. Billy beat my ass and I lost every friend I had. So. I think it's a prank on both of us."

"Oh."

Eddie, wonder of wonders, miracle of miracles, shuts the fuck up. Steve had seen people lose their meals to his impassioned school cafeteria rants, but it only takes Steve Harrington to shut Munson's infamous mouth.

Wait, that sounds wrong.

They keep cleaning in silence - relatively. Steve starts balling up the papers and tossing them at the trash can, unable to stop himself from hissing out a yes! if he makes the throw.

"Impressive," Eddie says dryly. "Can you do this?" He raises one hand in the air like he's about to take a pledge, and in the other he folds and rolls a slip of paper until it's shaped like a joint.

Steve chuckles. "Nope." He takes the fake joint, and it comes undone in his palm, revealing the same crude stick figure couple from earlier.

Right.

Steve had forgotten what they were doing here.

Evidently, Eddie had too. He looks down at the drawing, then snatches the paper from Steve, tossing it in the trash, two spots of pink high on his cheeks.

He scoops the last of the papers into his arms, dumping them in the trash can. "You can go back to class," he tells Steve, settling down with his back against the locker.

"What are you doing?" Steve says, slightly caught off-guard by the dismissal.

"Seeing if those pricks will try to do it again." Eddie says, folding his knees up to his chest. "They do it all the time. I think there's a jungle's worth of trees just being used to make shit for my locker."

"You're just gonna guard it?" Steve asks.

"Sure," Eddie says, picking at a piece of lint on his shirt. "What else have I got to do?"

Steve plops himself down next to Eddie. "I'll guard with you," he says stubbornly.

"Seriously?" Eddie asks, like Steve's particularly slow. Steve's gotten that tone of voice a lot in his life.

"Yeah." Steve says. He parrots, "What else have I got to do?"

"You're just gonna fuel the rumors, dude." Eddie says. "My name's mud around here. You know that damn well."

"Sure," Steve shrugs. "But it hasn't been half-bad hanging out with you, and I don't care what these jackasses think of me anymore. Bigger things to worry about."

They settle into a comfortable silence, watching the students pass by, their whispered comments and curious glances bouncing off the duo. Eddie taps his fingers rhythmically on the ground, humming a tune Steve doesn't recognize but finds oddly comforting.

He reaches into his pocket to feel the small paper, then tugs it out. Is it dumb that a stupid drawing is making him think about himself this much?

"Hey, Eddie," Steve starts, hesitating. "Can I ask you something?"

"Shoot," Eddie says idly.

"How do you... I mean, when did you know you were gay?" Steve asks, his voice barely above a whisper.

Eddie's expression turns to one of suspicion, but he answers anyway. "I guess I always knew, deep down. But I really figured it out in middle school." He looks at Steve out of the corner of his eye. "Why?"

Steve bites his lip, considering his next words carefully. "I think I might be... different too. I mean, I've only ever dated girls, but lately, I don't know. I feel... something."

Something means he worried for weeks when Billy beat the shit out of him because suddenly all these feelings were tugging at his brain. Feelings for people like Eddie Munson.

Eddie's eyes widen slightly, a smile tugging at the corners of his lips. (What? Steve's not looking at his lips. Huh?) "Steve Harrington, the former King of Hawkins High, might not be straight? Now that's some gossip I'd actually pay attention to."

"Shut up," Steve mutters, but he's smiling too. "I'm serious."

"Well..." Eddie trails off. "We can try it out?"

Steve's heart skips a beat. "Huh?"

"We can try it out." Eddie repeats. "But, uh," he leans close, his breath ghosting over the shell of Steve's ear. "Just so you know, I prefer to be the one on top."

Weeks later, the school is overtaken by a new kind of graffiti. Papers plastered to every surface, a spiky handwriting (usually used to write setlists and D&D character sheets) adorning each and every one of them.

EDDIE MUNSON FUCKS STEVE HARRINGTON

[courfee]

little poster for the fic Operation Walburga's Arbitrary No Kissing Ever Rule :) 10 things i hate about you, but make it jegulus

[justaz]

morgana and arthur have a sleepover when they’re teenagers and morgana brings out this summoning spell and arthur is all “magic?!?!?! :o thats wrong we cant do that” and morgana just says “pussy.” and then arthur is helping her set everything up. they light the candles and chant in the old tongue and then BOOM a figure appears but it’s not the mighty god emrys the text talked of, it’s just a boy a couple of years younger than arthur, scared and confused, who answers to the name merlin rather than emrys. while they’re arguing, merlin goes stiff and is like “do you hear that?” and then trails out of morgana’s chambers in a trance and obviously morgana and arthur follow him and they end up way beneath the castle where theres a fucking dragon???? now emrys, the once and future king, and the witch are chillin w a dragon and talking about destiny. none of them are happy about this btw

[idliketobeatree]

[cukrkandl]

why does everyone suddenly want fanfiction to be realistic. i just see takes like "oh it's not realistic for the marauders to all be gay, it's the 70s" and like SO WHAT? like did i miss the memo that fanfiction is supposed to be realistic now like why would it be. it's FANFICTION

[maaxverstappen]

help me hold onto you | T | 7/12

f1driver!max and streamer!charles

The man—Charles, Max assumes—sounds French. He loves that. He should be used to a French accent, he was forced to converse with Pierre often enough, but it sounds different coming from Charles. More melodic. Almost similar to someone he used to know once. “And that made me think,” Charles says, voice bellowing from Max’s speakers. “That it was stupid that we didn't have carrots before. Like, come on, it's a farming game.” Max has no fucking idea what the hell he is on about.

or: Max is lonely and finds Charles streaming on Twitch.

based on this prompt sent to @f1prompts

[your-local-asylum-escapee]

remember when the lizard with wings was being cryptic about when Arthur will return, saying ".. 𝙬𝙝𝙚𝙣 𝘼𝙡𝙗𝙞𝙤𝙣'𝙨 𝙣𝙚𝙚𝙙 𝙞𝙨 𝙜𝙧𝙚𝙖𝙩𝙚𝙨𝙩, 𝙩𝙝𝙚𝙣 𝘼𝙧𝙩𝙝𝙪𝙧 𝙬𝙤𝙪𝙡𝙙 𝙧𝙚𝙩𝙪𝙧𝙣.."

what if Merlin was so distraught and desperate that he 𝘢𝘤𝘵𝘶𝘢𝘭𝘭𝘺 𝘣𝘳𝘪𝘯𝘨𝘴 𝘈𝘭𝘣𝘪𝘰𝘯 𝘵𝘰 𝘪𝘵𝘴 𝘬𝘯𝘦𝘦𝘴 with the wishful thinking that Arthur would return while he's just rampaging across the five kingdoms

[ecstarry]

A series of notes passed around between Regulus' and James' dorm. From when Regulus is not okay, until he is.

I’m here

- James

----

I know, I’m sorry

- RAB

----

I’m here

- James

----

i want to see you

i want to see you soon reg

let me see you please

- James

----

was that supposed to be a haiku?

- RAB

----

let me in and you can correct it

- James

----

okay

- RAB

----

thank you, Jamie

- Regulus

----

i brought more of my bad poetry for you to correct

- James

----

roses are red

violets are blue

you're so dumb

but very sweet too

- Reg

----

have dinner with me?

- James

----

tonight was nice

- kisses, Reg

----

let me in, i need to kiss you again

- your James

[daftmooncretin]

if captain kirk irresponsible? why huge baby cow eyes???

if captain kirk bad captain? why-

you thought i was gonna talk about his voluptuous titties fat ass sparkling personality and unflinching moral character ? no.

if you say kirk is a bad captain i will kill you. I will shoot you into space like they did to bill shatty when he wouldn’t shut tf up about going to space

except unlike bill shatty ill send you up naked and defenceless into the vast chasm of space your lungs will explode and your eyes will fall out or some shit (i saw that in a doctor who episode)

kirk drift is getting out of hand and my response to this is ending all kirk drifters and repopulating the earth with kirklophiles such as myself and my dad paul.

[minus-plus-zer0]

Vigilante Bakugou Headcanons - Part 1

| Part 2 | ♡ Genre: Angst ♡ Pairing: Vigilante!Bakugou x Normal!Reader

You met him when he saved you from a dark alleyway robbery.

He was one of the few superheroes around and was much scarier in-person. But despite this, he makes sure you're okay before telling you to run while he deals with the rest.

Your university classmates gossip about your city's superheroes, but they're not keen on Dynamight. His explosions are destructive and his personality doesn't help.

You totally disagree. In fact, you tell your classmate Bakugou Katsuki that you like this superhero quite a bit after he saved you! But you ask Bakugou not to tell a soul, you're confiding to him alone because you don't wanna get Dynamight into trouble.

Bakugou looks at you with an indescribable expression, but agrees.

You'd think Bakugou hates the guy by how he reacts, but that'd be so, so strange! Dynamight saved your life!

Bakugou was so relieved to see you back in one piece, so you'd think he'd respect Dynamight a little more.

But Bakugou has the darkest look on his face when Dynamight comes up. You comfort him, thinking that he's still just shaken up after you almost got hurt.

You're not entirely wrong…

Soon after, you see Dynamight again. When he's not doing hero work, he's meeting you in private places. You bump into him on your dorm rooftop one day (even though it's off-limits) and things kept rolling from there. He's got a voice modulator obscuring his true voice, but he doesn't sound too robotic.

At first you try to comfort him and tend to his injuries, which he rejected not because he didn't appreciate you but because he didn't want you seeing what's under his costume.

However, one day his injuries are a little too severe and he lets you tend to his wounds with medical supplies. You see the muscles he's worked real hard for, but you don't get too distracted.

From then on, he lets you in even closer. He likes hearing about your day, and he's really interested in what you think about your classmates. Especially Bakugou.

He starts telling you about his superhero life, as if he's been dying to tell someone (or at least you) about it all. Initially he feared sharing this would risk your safety, but he realized it's safer to keep you close than to keep you away. He's been thinking that since the day he rescued you, he tells you. Your heart skips a beat!

You know this lifestyle makes him lonely. It's awful holding onto that many secrets. You rest your head on his shoulder, showing him you care, that you're here for him.

He's hesitant, but he holds you close. He looks torn as to what to do.

You start developing a little crush on Dynamight. Eventually, when it grows big enough, you tell Bakugou about it!

You're busy gushing about the superhero until you notice that Bakugou isn't really amused.

(He's never amused when you talk about other guys but this time it's worse)

So you stop the gushing but still discuss Dynamight like any of your classmates would. It's a natural part of the news cycle by now and it's hard to escape when superhero incidents happen.

And after meeting Dynamight again and again you can't help but fall for him even more.

One week you spent more time with Dynamight than with Bakugou (not counting shared class time).

You admit to Dynamight that you only see Bakugou as a friend, hoping that Dynamight will know that Bakugou is not competition in your budding relationship with the superhero. You haven't confessed any feelings to Dynamight, but you're just preparing for the day you do.

But Dynamight doesn't seem happy to hear that. It's hard to say what's going on underneath his mask, but he's clearly not responding immediately. He's very still. He's not looking at you.

You're afraid of being rejected by Dynamight, so you put your feelings on hold. Maybe you were coming on too strong. Maybe he doesn't like you. That's a blow to your heart, but you'll still support him and stay friends, if what you think is true.

So next time, when you finally hang out with Bakugou again (who was mysteriously absent last week doing something), you hope it'll take your mind off of Dynamight.

But Bakugou seems more out of it than usual. He looks sad when you call upon him. You catch him staring at you more than he usually does. He doesn't speak as much.

You wonder if there was some sort of accident in the city that made everyone get all sad. You feel bad for Bakugou and want to comfort him, but for once you don't know what's bothering him.

As time goes on, Bakugou gets better. He's still always close to you, always your best friend, and only occasionally giving sad stares. Whatever problem he has isn't gone, not by a long shot, but he's hiding it better and maybe that's worse.

Eventually, you see Dynamight on the rooftop again. He's seems normal, but his mask hides his expressions so it's not clear.

You baked him some cookies, which he loves. He pulls his mask up to eat it like always. Once you're finished chatting about his superhero work and your university life, you broach your issues with Bakugou.

Dynamight listens without saying anything until you finish. He doesn't give any perspective on what Bakugou thinks or feels, probably 'cause he doesn't know the guy. Instead he just comforts you, sees how much this is hurting you, and wishes that you would stop worrying about him. He assures you it is not a big deal.

It is.

But you don't know that, so you agree, taking comfort believing that you're worrying for nothing.

You thank Dynamight for always being there for you. You cuddle up to him. He could never push you away.

Reluctantly, he pulls you further in.

Eventually, your heart can't really take it. You're face is flushed as you confess your feelings to him.

All his attention is on you as you confess, and by the way his chest feels, his heart is beating faster than ever before.

Somehow, he manages to speak.

"…Are you sure? You don't know who's under the mask."

"I know you saved my life, and many others! I know you from your heroics, from everything you've shared over the past months. Dynamight, I want you."

Suddenly, he can't keep himself from kissing you. He's desperate, like he's wanted this for a while, and you wanted it too. You don't know how long it takes to resurface for air because your lips are lost in him.

Once he's finished, he's pressing his forehead against yours.

"I love you," he says, a little sadly.

"Love you too, Dynamight." You hope your words will heal his sadness.

Afterwards, your heart is full and happy after your loving moment with Dynamight. You're eager to return to university.

But at school, you notice something different.

Bakugou isn't really talking to you anymore.

[courfee]

“Regulus would be proud of us,” James whispered quietly to no one in particular, still gripping onto the painting like a life raft. 

— Tender Curiosities, Baby!  @otrtbs

[lauraneedstochill]

My first choice (part 1/2)

summary: Aemond thinks you are way too good to be Aegon’s best friend. But you are enough for the one-eyed prince to fall in love with. pairing: Aemond Targaryen and F!Reader words: ~ 5500 warnings: friends to lovers, slow burn (with very obvious mutual pining), angst, Aegon is a sad boy (but ends up being a pretty good wingman!) author’s note: this is inspired by “Little women” and Amy March in particular. I took the liberty to rewrite some plot lines because to me Aemond is nothing like Laurie (Aegon is ;) and I hate love triangles so we are not having any of that sorry. it’s a bit of a roller coaster so I divided it into 2 parts: the first one explains Aemond’s feelings, the second one is about hers. ✨ part 2

Part 1. How could you be so blind. Aegon knows he’s supposed to be relieved — he never wanted the crown and now that Rhaenyra is the Queen and a feast is arranged in her honor, he should be celebrating. And he may have been hitting the wine way too hard for the past couple of hours, but he can’t pretend to be happy, and he gave up trying to force a smile. It’s ridiculous that he is upset over this, and yet he can’t help but feel horribly useless. The prince drinks one cup after another until the room starts spinning and he can’t even sit straight — and then he suddenly finds himself propped against the wall, sliding under the table instead of sitting at it. Aegon catches a few judgemental glances but at this point, he couldn’t care less. There is only one person whose judgment he is afraid of — and it’s not long before he’s greeted with a displeased remark:

“When I asked you not to swoop too low, I couldn’t imagine you would literally lay on the floor.”

He looks up — and here you are, staring down at him, not even trying to cover up your disappointment. At any other time, Aegon would’ve at least tried to sober up, but today he’s disappointed in himself, too, so he doesn’t make an effort. Instead, he reaches out an arm to you with a lax smile.

“Would you like to join me?”

“I didn’t get the invitation to this pity party so I will pass,” your tone suggests you are not in the mood for jesting. “Now that you’ve succeeded in making a fool out of yourself, would you mind getting upright?”

“I think I like it here,” he retorts, shamelessly staring at the legs of the maids passing by. 

“You like wallowing in misery for all to see?” you huff. “Aegon, get up.”

He fakes a whine. “My legs gave out, I’m afraid!” 

“You would need to drink all the wine in the castle for that to happen, and I doubt you managed to do that,” you roll your eyes, taking a step toward him — but pause upon hearing a voice behind your back:

“You underestimate my brother.”

Aemond has a habit of sneaking up on people which often startles you yet right now you are too angry at Aegon to be bothered. You throw Aemond a glare over your shoulder but your eyes soften when you see the apologetic look on his face. It’s not the first time that the two of you find yourself in this situation — throughout the years you learned to work as a team: you bring Aegon back to his senses while Aemond helps to physically bring him to the nearest flat surface. You have never asked him for help — and yet he’s always there.

Aemond is about to lean down to help his brother up — you stop the one-eyed prince with your hand, your palm inches away from his chest. Anyone else would’ve thought twice before standing in his way but you don’t hesitate.

“He is perfectly capable to get up on his own,” you reject Aemond’s attempt, your eyes fixed on Aegon. “He can hold onto the wall shall he feel unable to stay on his two feet.”

There is something in your gaze that makes Aegon uncomfortable, piercing him to the bone. You are never downright mean or rude but with just a few words you can easily unmask his feigned recklessness. The prince stands up, tottering and feeling a little light-headed.

“Are you happy, now when I’m in the standing position?”

“If you cared about anyone else's feelings but your own, you wouldn’t be in this position,” you scold him while Aemond takes his brother under the arm to guide him out. Aegon tries to grab another cup of wine but you slap his hand.

“Do you ever get ashamed of yourself?” you hiss at him.

“Let me think... No, why would I?” he sounds sarcastic.

“You should be,” you whisper scream at him. “You can find nothing to do but dawdle and make a mockery of yourself!”

Aemond feels his brother shuddering at your words, and he tightens his hold on Aegon.

“Well, what else am I to do,” his voice is bitter. “Since I am not an heir and serve no purpose to the realm nor do I have any taste for duty.”

You slow your pace, and a sigh leaves your mouth.

“I feel sorry for you, Aegon, I do. I only wish you’d bear it better,” you reach out to stroke his arm but the prince bristles.

“You don’t have to feel sorry for me. Your duty is to marry, and we will see how that goes,” he mutters before he can stop himself — and regrets it the very next second when you swiftly turn to him.

“At least I would be respected if I couldn’t be loved,” your tone hushed but sharp.

Aegon stops dead in his tracks, his wide eyes meeting yours. You moved away from the crowd into the hall, and it becomes silent. And then his lower lip quivers.

“But I thought that you loved me,” Aegon whimpers, his assumed nonchalance instantly gone.

“Oh, Aegon, how much did you have to drink?” you come to his side, lending him a shoulder to cry on. While he’s aggressively sniffling, you look at Aemond and quietly mouth “How many cups?”

“Way more than usual,” he gives you a wan smile, and you groan at his answer, taking Aegon by the arm.

“Alright, you can lean on me. But don’t get handsy or I will push you down the stairs,” your remark earns a weak laugh from the older prince, and the three of you head toward his chambers.

Aegon doesn’t talk much but his mood softens and you exchange a few jokes before finally reaching his room.

“I can take it from here,” Aemond suggests but his brother eagerly protests.

“No, I want to be tucked into bed! And definitely not by you,” he sticks out his tongue, and you chuckle at his whim.

“Aemond, I can handle him.” 

The one-eyed prince shoots you a knowing glance and holds the door open for you and Aegon to walk in. You slowly move to his bed, making sure he doesn’t stumble on his way — and then, with a sudden boost of energy, the prince flops down on the fluffy blankets, letting out a satisfied moan. You hold back a giggle and wait for him to crawl under the covers.

“Should I call for the maid to help you undress?”

“No, I am way too comfortable like this,” he pulls the blanket up to his chin, and you sit on the edge of the bed.

“I am sorry for the way I behaved,” he reveals, frowning. “I did not mean to, truly.”

“Aegon, you know I’m not the one you should apologize to,” you take his hand in yours, and he squeezes it with childish eagerness. “You left Helaena all alone. And you promised me you would make an effort.”

“I know, I know,” he yawns. “I was doing better until today, I swear, you should ask her,” his speech becomes incoherent as he is already too drowsy to talk, his cheeks flushed from the wine and the heat of the blankets. As you stand up to leave, Aegon mumbles:

“I fetched you a book... the one you were looking for,” he sloppily points to his table by the window before dozing off.

There is only one book so it’s easy to find — and when you do, you can barely contain a sound of surprise: it’s the complete history of Westeros, heavy and hardcover, decorated with gilding. You glance at Aegon but he looks fast asleep so you cautiously get out of his chambers.

If you were to turn around, you would’ve noticed that he kept an eye on you with a grin on his face.

When you walk out, you see Aemond still standing there, his gaze landing on the book and then immediately on you. It takes you a minute to figure it out and then you smile at him:

“Even though I appreciate the gesture, it is hard to imagine Aegon in the library.”

“He asked me to help him find the book you wanted. I did,” the prince explains as if it isn’t that big of a deal. But to you, it is — although you think he only did it out of politeness.

“Thank you, Aemond,” you enthusiastically turn your attention to the book, flipping through the pages in awe. He watches you, feeling the warmth in his chest at the sight of your joy.

“You know that you bring out the best in him?” Aemond says in a low voice, and your heart skips a beat at his comment. You are thankful for the dim lighting that makes your heated cheeks less obvious.

“You overestimate my influence,” you say, then dither before admitting, “I’m afraid I was too hard on him today.”

“Someone has to do it,” Aemond objects, and there’s something in his tone — sincere and soft, that makes you look at him again. At this moment, away from the prying eyes and the pressure of everyone’s expectations, you can see the side of him that people rarely get acquainted with.

“I think you are doing a pretty good job, too,” you tell the prince, finding his presence ever so calming. You could never understand why would anyone call Aemond intimidating when he’s been nothing but kind to you ever since you two met. Whenever you have a chance to be alone with him, his company always brings you comfort, and that feeling is so rare, you want to chase it.

But then you remind yourself of the harsh reality, and your smile falters.

“I’m sorry you had to get involved,” you look down at the book. “I wouldn’t want to distract you.” 

“You need to elaborate on that,” Aemond says uncomprehendingly.

“I’ve heard that you were courting lady Baratheon,” you explain casually, avoiding his gaze.

He hesitates before answering.

“Well, I only plan to,” the prince clarifies. “If she accepts my advances.”

“It would be silly of her not to,” you blurt out and, while you can’t see it, Aemond gives you a quizzical look.

“She may have her reasons —” 

“I can’t come up with a single one,” you tell him with so much confidence, Aemond’s heart flutters at your words but you continue without a second thought. “You are intelligent, good-hearted, handsome — and a really skilled swordsman. Not to mention you have the biggest dragon in the realm, which does sound like a reasonable perk.”

The prince is glad that you’re too preoccupied with the book to see his stunned expression. It’s not just the fact that you compliment him so easily — but also the way you do it. When other people try to, they usually start with Vhagar as if the old grumpy creature is the main good thing about Aemond. But you only bring up the dragon at the very end and in passing, instead keeping the focus on the prince. He is silent for a moment, letting your words sink into his memory.

And then Aemond persuades himself that you only said it out of politeness.

You notice his lack of response — and you are about to question it when a maid comes to you in haste:

“Lady Y/N, your presence is needed. Your father is looking for you.”

“Better not keep him waiting,” the prince encourages you with a grin. “If he finds Aegon, he might hug him to death.”

You playfully elbow him and turn to follow the maid but then stop to say. “Please make sure your brother stays in bed.”

“Will do,” Aemond looks at you walking away, clutching the book to your chest as if it's the most precious thing in the world.

To this day, it is truly a mystery to him how Aegon managed to befriend someone like you. You met the Targaryen brothers when your family was invited to one of the royal feasts. You were ten-and-three, the middle one of three sisters. Your oldest — Elaesa — has been the center of attention, beautiful and graceful, but while everyone’s eyes were on her, you looked a little bit disoriented. It was the first feast that you’ve attended, and maybe you got too agitated or overwhelmed — or both — but soon you ended up lost in the castle, and somehow ripped the hem of your dress in the process.

Aemond was the one to find you. The prince has never been keen on taking part in celebrations, often sneaking away from all the noise. That’s when he saw you — fussing with the dress, your sobs echoing through the hall.

“Are you hurt?” he rushed to your side, and you looked up at him with blubbered eyes.

“Why do you have so many halls? You should hand out maps so people can find their way back,” despite being clearly upset, you sounded unusually serious, and Aemond fought back a smile.

“I can help you find your parents without a map,” he suggested, and for a second it seemed to lighten your mood but then your pout worsened.

“I cannot go back,” you gestured at the dress. “I am in such trouble!” you whined, the tears threatening to spill out of your eyes. 

Truth be told, Aemond didn’t have much experience with ladies back then nor did he know a thing about dresses but your distress seemed so genuine he couldn’t leave you be.

“It is not that bad,” he pointed at the ripped material. “I can ask our seamstress to take a look.”

You studied his face for a second, then glanced back at the dress — surprisingly, that was all it took for you to stop crying, and no other coaxing was needed. You wiped your nose and fixed your hairdo, smoothing the damaged hem the best you could.

“I’d appreciate it if you help me find my way back,” you said, your face seemingly more relaxed.

Getting you to talk was pretty easy, and Aemond shortly discovered how open-minded and outspoken you were, using your quick thinking to compensate for your timid personality. When you returned to the hall of the Iron Throne, he was reluctant to let you go but promised to come back with the seamstress. The task only took him about ten minutes, but when he did reappear, you were not alone — Aegon was standing next to you, making you laugh so hard, it looked like you forgot about the dress already. Aemond didn’t mean to interrupt as he suddenly felt very out of place, uninvited in his own home, so he abandoned the idea of helping you and just left.

At first, he thought you fell for Aegon’s flirtatious charms but soon learned that, as much as you did like his brother’s humor, his charms had no effect on you. On the contrary, you often chided him for hitting on young girls and openly condemned his affection for wine. Your honesty set you apart from all the ladies Aegon was surrounded with — and that was the reason he came to enjoy your company as much as he did. Despite the three years age gap, you were the one who told him the truth, no matter how ugly it might’ve been, but you did so without prejudice or any ill intentions. You would usually follow your critique with advice or a solution of some sort to keep the prince away from unnecessary trouble. That is why you were on friendly terms with Helaena, too, and your influence was also welcomed by Alicent, the then Queen. She liked that you were straightforward with your remarks and often said that you were wise beyond your years. Although, as much as Aemond agreed with it, he suspected there was a reason you had to grow up early.

It happened the same year you met — your older sister, with all her grace and beauty, ran away from home to elope with some unworthy beggar. Your mother was inconsolable for at least a week, saying that Elaesa brought shame upon her family. Your father, the kind man that he is, forgave his daughter fairly quickly and tried his best to restore peace. And yet, you came to realize that Elaesa’s vagary did cast a shadow over your House. Your youngest sister, Alyna, was a fragile little thing, frequently sick and tacit — which left you to be the one representing your family in the eyes of society.

Within a few years, there wasn’t a thing you weren’t good at: lords lined up to have a dance with you, ladies admired how well-spoken you were and shared a laugh at your florid sarcasm, and you learned to embroider, to ride a horse, to walk exquisitely dressed and with impeccable posture. But while for everyone else it was a reason to compliment you, Aemond saw the underlying cause of your diligence — the corrosive desire to prove one’s worth which was something he learned to live with as well. And which led him to think he understood you better than anyone.

More often than not he found himself watching you as if he had the need to make sure you weren’t in harm’s way. Helping you with Aegon was a part of that routine but it also gave him a chance to be alone with you. You talked about everything and nothing in particular, and he would catch glimpses of you — the real you, shy and emotional at times, but still understanding and perceptive. He cherished every opportunity to steal you away from the never-ending chattering, from lords ogling at you, from Jason Lannister whose interest in your company should’ve been concerning. Aemond has gotten so used to observing you, so enthralled with your covert conversations, he didn’t realize that a particular feeling was creeping up on him. But there was one person who turned out to be more observant than Aemond has been. Aegon was the mere reason why his brother ended up at your door a few days later. Aemond’s been to your place a couple of times and he promptly memorized the way to the farthest room of the house — the one you used to paint in. It was the only thing you truly allowed yourself to enjoy, an unexpected talent of yours which you soon perfected, too, except it wasn’t meant for the others to marvel at but plainly for you to keep your head occupied, to have some quiet time.

He walks in when you are already painting the finishing touches. When you turn to greet him, you stop mid-sentence, seeing that it’s Aemond instead of his brother who you were waiting for.

“He overslept,” the younger prince shrugs. “It isn’t a bothersome task to come pick up the portrait of my nephews.”

You point in the direction of the painting with the brush in your hand. Aemond admires your work — as he always does — while you try to shake off your confusion. There is another reason you did not expect to see Aemond today. You tarry with voicing your concern but eventually glance at him with empathy.

“I was sorry to hear about lady Baratheon’s decision.”

“I was not,” he’s quick to retort.

“I cannot imagine agreeing to marry a Stark,” you say, dipping a brush in a jar of water.

“Is it the cold weather?” Aemond grins knowingly.

“Yes! Gods, just thinking about it makes me feel uneasy. All the layers you have to wear to keep yourself warm, barely being able to move, getting no sunlight...,” you ramble, making sure to wet all the brushes before lining them up on the table.

“Some say they’ve got quite a beautiful scenery,” Aemond tries to object although he knows his argument doesn’t stand a chance.

“I wouldn’t be able to enjoy that,” you huff. “How am I to capture the beauty if my paint freezes?”

He only hums in agreement, watching you busy yourself with your supplies. You go through the brushes, delicately cleaning the bristles with a cloth. Your fingers carefully take one brush after the other, and Aemond silently admires your love for neatness and order.

“You are staring,” you say without turning to him.

“Where do you want me to look at?”

“Aemond, you are in a room full of art!” you chuckle lightly. “Surely, enough options to land your eye on.”

The prince lets his gaze go around the place, and it takes him about a minute to quickly examine all the paintings. And then he inevitably looks at you again. Aemond thinks he likes this view the most.

“When do you begin your next great work of art?” he asks, hoping to distract you. 

You halt movement, then force out glumly:

“Never.”

“What do you mean?” he’s taken by surprise.

“I’ve come to realize that I’d never be a genius,” you reluctantly explain. “So I’m giving up all my foolish artistic hopes.”

“You cannot be serious. You have so much talent and —”

“Talent isn’t genius!” you throw up your hands in defeat, and he can sense your frustration from a distance. “I may be talented in other things, but when it comes to painting, I want to be great or nothing. And I am only of middling talent,” you scoop up the brushes, give them a quick look and place in another jar to dry.

Aemond wants to argue, he really does — but he also knows better than to try and persuade you when you are like this: firmly standing your ground, exuding nothing but stubbornness. In any other situation, he would’ve found it endearing but it’s upsetting to see you downplaying your brilliance.

“Hm, may I at least ask your last portrait to be of me?”

You instantly turn to him, taken aback. Throughout the years you’ve known him, he clearly expressed that he did not like being painted, and you only could make a quick sketch or two, at best, when he wasn’t paying attention.

“Alright,” the long-awaited opportunity makes you smile. “Next time I come for breakfast, I will drag you into the garden to pose for me,” you give him a pointed look, and Aemond humbly nods.

Your smile grows wider but you try to tone it down, afraid to spook him, and focus on wiping the nearest table.

“What are you going to do with your life in the meantime?” he changes the subject.

“Polish up my other skills and become an ornament to society,” you sigh, putting the cloth away.

There’s a brief pause before he says, his voice a bit strained:

“Here is where Jason Lannister comes in, I suppose?”

You say yes but the answer comes a little bit too fast, and Aemond notices that the topic makes you uncomfortable.

“But you are yet to be betrothed to him,” he clarifies, gaze fixed on you.

“I will be if he proposes,” your eyes meet his, and you are sure that there’s a shadow of disapproval on his face that only spurs your stubbornness. You fully turn to the prince to say: “I always knew I had to marry well, I do not feel ashamed of that.”

But Aemond isn’t looking for a fight — he swiftly corrects himself:

“There is nothing to be ashamed of. As long as...” — he can barely bring himself to say it — “As long as you love him.”

For the reason unknown to Aemond, his statement brings a bleak smile to your face.

“I believe we can have some power over who we love,” you object, lowering your gaze for a second as you start absentmindedly twisting the ring on your finger.

“I think the poets would disagree,” he chuckles, trying to defuse the unexpected tension. 

But when you look up at him, your glare is as obdurate as ever.

“Well, I am not a poet, I am just a woman,” you rebut crisply. “And as a woman, I have no illusions about my prospects which do not include me earning a living to support my family. And my parent’s fortune has its limits as I’ve come to learn. Hence why, if I want to have children — I do — and be able to provide them with everything they wish for, I must rely on my husband,” that last word is pronounced with disappointment. “So don’t stand here and tell me that marriage isn’t an economic proposition, because it is. It may not be for you but it certainly is for me.”

Had he not known you, Aemond would’ve been very impressed — with how blunt and witty you are, you are very good at delivering speeches. But as he’s standing in front of you, watching your face, he senses that your determination is akin to despair. Aemond thinks he might take a chance at arguing with you, after all — but you’re both startled by a knock on the door:

“Lady Y/N, Ser Lannister just arrived.”

You look baffled for a second, your confidence crumbling.

“Why would he — I, I didn’t expect him today,” you mumble, almost ashamed of his arrival.

Yet you pull yourself together faster than Aemond can come up with a reason for you to stay. You remove your apron and quickly examine your dress, then move to put on a cape.

“Did I miss any paint stains?” you ask Aemond in a haste.

“No,” he looks over the flowing material of your neat dress, your hair knotted up high — and then, “...Wait!”

You stop abruptly while he grabs a clean cloth.

“There is something on your cheek,” he says as you both step toward each other — and in the next second you are suddenly standing too close. 

You turn to him and shyly shut your eyes, taking a deep breath. Aemond is frozen for a moment but then carefully wipes away a slight smudge of green from under your cheekbone. His hand unwillingly lingers as he examines the delicate features of your face. You open your eyes, looking at the prince questingly. His facial expression is unreadable but it makes you wish you didn’t have to go.

You brush away that silly thought and stand back, fixing your cape.

“How do I look? Do I look alright?”

“You look beautiful,” Aemond says with no hesitation, taking you in — with your cheeks a bit flushed, lip parted and eyes shining. “You are beautiful.”

You seem a bit bewildered at his words but then a smile grows on your face — and in a blink of an eye, you’re gone. The prince is left standing there, staring at the spot where you were just now. The room suddenly feels so empty without you — and so does his heart.

The realization strikes Aemond like lightning: he wants to be the one you come to, at all times. The one holding your hand, watching you paint, or read, or dance — watching you do whatever your heart desires. Because his only desire is to be with you. That thought puts down roots deep into his chest, and he doesn’t know how to pluck it out.

Nor does he want to. It’s all he can think about for the duration of the week, until you come to the castle — with canvas and supplies, not hiding your excitement. He almost forgot about his promise but follows you into the garden without objection. You sense a slight change in Aemond’s behavior, him being more quiet than usual, but decide not to push the prince so he won’t reconsider.

“I will start with a sketch and then we will go from there. Alright?” 

He just hums in response while looking at you but you are unaware of the meaning behind his gaze.

“Take any pose you like, I don’t want you to feel uncomfortable,” you suggest with a half-smile, knowing full well he will probably remain standing.

And he does, arms clasped behind his back, his eye never leaving your face. You immerse in the process too quickly to be bothered, the piece of charcoal in your hand sliding over the paper, leaving lines and shadows. Drawing Aemond is an effortless task, and you can only enjoy how easy it is to sketch the sharp contours of his face and his lean body. The simplicity can also be explained by the fact that you've already memorized all the details by heart: the curves of his cheekbones and his lips, the flow of his silver hair, the shape and cut of his eye.

When you are finally satisfied, you can’t tell if it’s been an hour or three, and the prince, as it seems, hasn’t moved a muscle. At this point, Aemond’s demeanor does worry you yet you blame it on his nervousness.

“Want to take a look?” you hand him a few sketches. “Mind you, I’m not finished so please don’t judge too harshly —”

“I could never,” his hand brushes yours when he takes the drawings.

Aemond has seen your works before but it’s a whole new experience when he’s the one being portrayed. He almost doesn’t recognize himself — you didn’t miss a single feature of his yet somehow this version of him looks too beautiful to be real. He is at a loss for words until he spots that there's another drawing hidden underneath. It’s a sketch of him sitting, both arms on the table, his face looks like he’s deep in his thoughts.

“When did you do this one?”

“After the coronation,” the memory makes you smile. “Made my poor father lug around with charcoal in his pockets while he was trying to keep up the conversation with Ser Lannister.”

It was the day you got introduced to Jason. You were supposed to be by his side, with your charming smile and polite talks, yet you spend your time drawing Aemond. He can imagine your gaze focused on the piece of paper, the way you must’ve been looking at him to capture every detail and movement — all of that without him asking to, without him even noticing. There is so much care in that act, he is unexpectedly moved by it.

The words leave his mouth before he can think them over:

“Don’t marry him.”

His request makes your hands tremble, and you drop the piece of charcoal, slowly looking up at Aemond, the smile disappearing from your face. He did not mean that, you must’ve misunderstood.

“...What?”

Aemond turns to you, looking you straight in the eyes.

“Don’t marry him,” he repeats, helplessly and desperately.

“Why?” you ask in disbelief, suddenly having trouble breathing. The only reason you can think of sounds delusional, close to impossible. You wait for him to come up with some clever explanation — instead, he comes closer to you, his gaze so warm it makes your cheeks burn.

“You know why,” Aemond says and his hand gently lands on yours. You look down at it, perplexed, your mouth opening and closing, heart rate speeding up.

He keeps his eye on your face as he waits for your reply. You are not repulsed nor angry — which is supposed to be a good sign — but the reaction he gets is actually worse than that. Because when you finally glance at him, you look hurt.

“No,” you yank away your hand as if his touch stung. “No, Aemond, you are being mean, stop it,” you take a step back, your eyes glossy and lips tight. The look you give causes him physical pain — while you are trying your best to fight back the tears.

His intelligence clearly fails him because Aemond has no clue what’s going on. He feels like there is a deeper meaning to your words but he does not get it.

“Why am I being mean?” he asks incredulously as you slowly continue putting more distance between you two.

You don’t even realize you are doing it — it’s almost an urge to not be in his presence, for the first time ever. The weight of his words feels suffocating and merciless. How easy it is for him to toy with your emotions, you think, and that cruelty of his — as you see it — wounds you so deeply, he might as well put a torch to your heart.

“I have felt like everyone’s second choice my entire life,” you bemoan, not being able to keep your agony bottled up any longer. “In everything, no matter how hard I’ve worked to be better. I thought you out of all people would understand that,” you sound raspy, trying to swallow the lump in your throat.

“So I will not be the person you settle for just because your first marriage proposal was turned down,” only when your voice shudders, Aemond finally understands how wrongfully you interpreted his intentions.

But you are out of his reach already — at least ten feet away from him, and the distance separates you like a giant chasm.

“No, I won’t. I can’t,” you are hurting so much, your feelings spill out like blood from a wound. “I can’t do it. Not when I have spent years loving you.”

His breathing hitches as your confession pierces through his chest — and he is left speechless, deafened by it. The moment slips through his fingers with unforgiving pace: you were standing so close only a minute ago — and now you are turning your back to him, rushing away. The last thing he sees is how broken you look, your shoulders slumped and eyes brimming with tears. 

Aemond stands, shocked and paralyzed until it’s too late — the garden is silent with your absence and the only evidence of you being there is your supplies scattered on the ground. Your words are ringing in his head, his heart heavy with a dreadful feeling.

He was afraid he would never have you — but he actually could have.

If only he wasn’t so blind.

➡ Part 2

yes, this is me blabbing again: I’ve watched this movie an embarrassing amount of times, and I’ve wanted to write a fic based on it for a few months. I did rephrase a couple of quotes but still tried my best to do the story justice. my apologies for the angst — just so you know, it was painful to write. also, will I ever stop using friends to lovers trope? only time will tell! (I probably won’t, though) I know there is a very heartwarming fic by aemonds-war-crime that was also based on “Little women” and it’s only fair that I link it as well!

tagging @greenowlfactif because you asked 💙 comments and opinions are VERY welcomed! 🥺 🎨 my masterlist English is not my first language, so feel free to message me if you spot any major mistakes!

[chessb0r3d]

i cracked the code.