#and also like i dont have to do too much details on the shadow

[miutonium]

How to make your rectangle boyfriend turn red 🥰

Also plugging my comms info here heehee

[skitskatdacat63]

More matador!Fernando! Ferrari this time :D (I can't help myself.....)

- facial hair

+ closeups

I really wanted the vibe of this Nando pic, I think I did pretty well??

[opens-up-4-nobody]

...

[lemon-lime-behavior]

i love ur expressions so much!!!!! Is it alr if I ask for u to share ur drawing process, if u don’t mind!! If you’d rather not that’s fine too :333

I can try!

now this does assume I have a consistent drawing process which I don’t, but ill share what I do most often?

So first of course I have an idea

Then I do some sketchies to figure out what exactly I want the pose to be. I dont always do this except when the pose is tricky and/or im just not being lazy that day

Then I go through my sketching and refining process:

I usually do two or three passes and I try and flip it at least once throughout, to help make sure everything’s balancing. For the final lines I’ll usually make them a medium red that I then set to multiply, but if I plan on coloring the lines later i dont do that and just make them black. This is also the stage when I’m scrabbling about for reference images, here are some of the ones I used here:

I usually hunt down references after I do my initial rough sketch, so I already know what im looking for angle and shape-wise in the references. Now for coloring ill fill in the whole area I’m gonna color with a gray then start putting down flats on clipping mask layers (so they dont go outside the lines)

then for quick and dirty shading and highlights I’ll duplicate the flats, flatten them into one layer, then make them darker and bluer and generally futz with it untill ive got a good shadowed color profile down. I’ll repeat the process but making it all lighter for the highlights. Then ill take both those layers, make them masks, and start painting on the shadows and highlights over the original flats.

then the very final step is the Fussing Stage where I make a new layer or two over everything and start fixing mistakes, adding new colors, adding rim lights, messing with levels, color correcting, adding details like flowers, etc. etc.

this can take a very long time or no time at all, depending on how much effort I wanna put in.

Then I slap a background on it which is usually a solid color or a gradient because im a hack and have no idea what i’m doing and ta-daaaaaa, something kinda okay!

And that is one of the many ways I “fake it ‘till you make it” my way through art!

[reachartwork]

the process

a lot of people like to ask me about my process and how ai can be "creative" because they're under the impression that it's just kind of a big slot machine. you pull a lever and art uncontrollably comes out. well, let me show you my process

this is going to be a long thread tagged with #long post, blacklist that if you want to skip it.

so how it starts like most art is that i have an idea. in this case, earlier i made a post about witch-knights "surfing" on swords, so i'm going to try and make that - a witch-knight flying through the air atop one of her swords.

it starts with this picture.

i think this picture is dogshit so i discard basically all of it to try and find something closer to my original intent. there's a couple of uninteresting regenerations so it's clear i have to go back to the drawing board and teach the machine what it is i'm trying to do

let's start with a witch-knight on a broom. it's definitely not great but it gives us a better pose that i can work with.

i start by erasing the broom and replacing it with a skateboard - the machine understands skating better for what i need it to do.

there's a ton of small, subtle errors in this image and it overall looks like dogshit but the most important part right now is blocking and the overall pose structure - i need her "surfing" a large, lengthwise object, in the sky. i start by erasing pieces of the skateboard

now we have a sword, which is good. but the sword itself looks... bad. i'll spare you the abortive attempts at selective regeneration of the sword and just show you what happened when i rolled it back a couple of times from this pose and let it regen entirely.

again, tons of small little shitty errors, but this is something i can work with. i do another regen for a less shitty sword. her boob armor gets replaced with, like, generic scale mail.

this image has a great sword and decent pose but like... everything else is kind of futzy and i dont like it. instead of trying to pick and choose i just throw it back into the oven for a second. much better! but now she's going to cut herself on the sword, oh no!

again, i'll save you the agonizing thirty minutes of trying to get it to understand where the foot should go. unlike before i didn't really have a choice except to muscle through. there! now she's surfing safely :)

so it's done, right? well, i mean, i could post this. and it would probably do okay. but *i'm* not satisfied with it. there's stiffness. dozens of minor errors. the eyes look weird when you zoom in. let's start by fixing her hat, and then maybe her hands?

but she's missing fingers on her left hand so let's go ahead and fix that too. and i don't really like the tip of her sword and the ocean looks really flat and boring. so, VERY CAREFULLY, i have to etch out the parts of the sword and her body i have to keep, and also write an entirely new prompt to tell it "i want an ocean w/ rolling waves please :)"

this is better but not great. i try again - serendipitously, it makes this really cool variant with a shadow over the water, but i know working with that will take more wrangling so i'm considering it an evolutionary dead end and discarding it for now.

i proceed to spend 30 minutes trying to make the ocean look better but it's really not working imo. i'm gonna go back to the shadow version and see how that works

i'll spare you the other 8 minutes - i'm satisfied with the following picture. the sword isn't *perfectly* straight, her eyes aren't perfectly textured, the scale mail is... weird, in texture, but anything else would be greasing the wheel and i think beyond the machine's ability to do fine detail.

i've also attached the starting picture for comparison - it has better, "higher quality" clouds and ocean but i personally cared more about the pose and the sword surfing - the background is mostly tangential. could i get back ocean and clouds of that quality with another two hours of painstakingly cutting and re-generating bits of the background without destroying any of my existing work on the pose? probably. but i don't want to.

total time spent on this piece from start to finish was one hour and twenty one minutes. and now you know!

[dreemurr-skelememer]

Hello :D

I have been following you for the last year or so (a few days after I got my Tumblr lmao) and I absolutely love your art!

I have been wanting to study your art style for a while but don't really know where to start,,,

Could you please show me a small portion of your art process, if it isn't too much trouble of course. Thank you and have a nice day!

hello. oh my god. this took forever to find.

im sorry it took 2 WHOLE FUCKING MONTHS for me to respond to this but i wanted to put it off until i felt happy with my art process again, so here it is

my fall 2024 rendering tutorial!

(this will be very very long)

FLATS AND WHATEVER YOU WANNA DO WITH LINES GIRL. then make sure to recolor the lineart to better match your base. trust me it helps, bold dark lines are Not your best friend when rendering. wait for that post-rendering

i start off with a doodle or a sketch, and then filling it in with flats and other details such as blush

FIGURE OUT YOUR LIGHT SOURCE. FIGURE IT OUT GIRL YOU CAN DO IT you can make it as simple as possible, make it as big as possible, dont even THINK about the details.........just make it really fucking big so you at least know where the shadows and the light goes THEN add smaller shading details LISTEN TO ME. LISTEN TO ME OKAY!!!!!!!!

my key point with this is for you to learn lighting fundamentals.

it's SOOO ANNOYING but alas......they are all correct. it helps a lot.

one thing i also really want to point out is that i like creating a big shadow shape first before fixing up the little details (such as folds and whatever) because it helps me focus on the way the lighting actually works instead of tunnel vision-ing into making the shading make sense on the clothing.

contact shadows (i dont remember if thats what theyre called okay) theyre fucking ugly because im not actually thinking sorry 💔

okay so basically:

contact shadows (if that's what they're called) are the spots in shading and lighting where light will NEVER hit.

shadows are still influenced by the colors and lights around it (it's why a blue shadow and a yellow shadow feel completely different, despite both being shadows) so it's not always COMPLETELY dark.

BUT! there are small points in shadows where light never hits, and they're almost always super dark or pitch black.

it's hard to explain shadow and light so briefly for a tutorial, but you'll notice it when watching fundamental studies and when trying it out for yourself

YES i unclipped the multiply layer YES its ugly and terrifying but it makes coloring the multiply layer easier okay the colors merged w multiply so now it looks cool and has depth overlaying colors that actually make sense

so basically what i did was color the multiply layer that i used to shade the overall drawing

adding a band of red/orange/yellow around where the light hits, and blue where the shadows get big and wide, gives it a fake ambient occlusion effect in the way that a person would get if they stood under the sun with a clear blue sky

the colors don't have to make sense, especially because i never draw backgrounds, but coloring the shadows really help it give a sense of depth and extra subtle detail and effect that just helps make the painting look nicer

around the end, i also put in colors (in an overlay layer with a low opacity brush) that actually make sense in context of the drawing, which is the lit cigarette and the yellow eyelights

mostly because none of the colors were making sense and i needed to actually make use of the lighting that DOES exist in the drawing lol

adding a muddy golden yellow pin light layer (opacity turned down to like 40-50%) to make the light colors less ugly lol

i SWEAR by the fucking pin light layer style. it's so useful and so so underrated.

i used an almost brown-ish gold color on stop of all the layers, and with the pin light layer, it helped make the bright (almost blue-ish) white colors more warm and more yellow. it just helps make things more warm (something i prefer)

i could probably show what it looks like without adjusting the layer opacity to truly show off what i mean (like in the coming section) but i sadly forgot to do that lol

make a layer on top of your drawing with this color in these ranges YES the drawing is fully merged NO don't be afraid, the base was fucking ugly anyway 💔 make this layer into an exclude/exclusion layer style TRUST turn down your exclusion layer opacity from a range of 10% to 40% literally until you're happy with the contrast and the way the color over the drawing. use your eyeballs. i know you can do it im so proud of you

this is pretty self-explanatory instruction-wise, so i'll go into why i do this instead

i really like art that seems like it has low contrast, with almost mid-gray shading and lines. i don't personally use dark and bold lines and shading, unless i find it necessary for the tone of the piece, so using this method helps lower the contrast of the art and make it look "pleasantly muddy" in the way that it's easier and softer on the eyes.

the inverted blue color also helps makes things warmer!

the exclusion layer style is still a bit of a mystery to me but i really like the effect it gives, even if i don't completely get how it works lol

if you want an alternative method to this, and if you have access to it (because i primarily use sai and sai only),

i absolutely encourage you to play around and experiment with gradient maps.

there are so many out there you can make yourself or even get from others that just give the painting an extra amount of depth and color variation. they're SO fun.

personally, if sai2 gets a gradient map update, it's over for y'all it will literally be so over no one will be able to stop me

then i merged everything and actually adjusted the contrast back up because it was looking too muddy for me 💔 but the color adjustments are still there so all hope is not lost here's a comparison of the adjusted contrast in black and white (adjusted on the left) (newly merged layer without adjusting the contrast on the right)

as you can see, i actually turned the contrast back up (despite talking all about how i liked things with less contrast lol)

i wanted to demonstrate that doing adjustments should be done in moderation, and is why i adjust layer opacity often when making color effects

you are free to play around with colors to help your style, but don't lose your initial idea and colors along the way.

you still need to trust your own colors and intuition!

along with that, i just want to say that it's completely okay to change your mind mid-painting, and it's okay to make somewhat drastic changes.

don't be afraid to change things you don't like or change your mind about certain aspects way later on

that's basically the whole thing of this!!! don't be scared!!!

now im gonna hold your hand when i say this..........but you need to learn how to render by yourself. it seems like i can teach you but i literally can't, because rendering is different on every piece and depending on how clean your base is. i have to render A LOT because of how fucking ugly my sketches are LMAO to simplify it, think of it as obsessively cleaning up every detail you can see, but with a color picker and a clean, hard edged brush. if you have shit lineart, you don't have to redraw it cleanly over and over, just paint over it. that's basically what rendering is

THIS especially is where you need to be brave and stop being scared.

like i said, i can't teach you how to render, and it's something you have to discover yourself because rendering is something that will always be personal to every single piece you make. the way you render on every piece is different.

on one piece, you will barely need to render, and on another, rendering is more than half of your ENTIRE process.

don't be afraid to paint over your old art.

rendering is a process that's both very perfectionist yet also very careless.

find your balance and just go for it.

and then that's it……..u did it………..now yuo know how to paint and render. it's literally just layering shading and lighting knowledge until you think it makes sense and looks okay lol additional note: since i render in only one layer (you don't HAVE to do this, but it'll be harder for you…), i also made slight adjustments with the transform (and liquify, if you have it) tool to make things more proportionate. (i drew the head too big lol)

if you compare the finished piece to the final unrendered base, you can see that a LOT changed, including a bit of subtle proportion adjustment.

particularly, the sleeves changed A LOT (because i really didn't like them)

but it's also over all cleaner and more coherent, instead of having haphazard colors and shading just thrown about.

rendering is when you finally use all 100% of your brain to finalize and figure out where the shading should go, where to clean up your lines, where to ERASE or ADD BACK in lines, and make sure all your colors look coherent.

it's not as intimidating as it seems, i only use a hard edged brush with a little bit of color mixing and my color picker.

it's like dragging and dropping colors to cover up mistakes, it's really quite fun when you get used to it

i wish i could explain it clearer but it's hard to describe without visuals!

i hope this helped, and i hope all my yapping isn't annoying (art as a special interest beloved)

have fun studying and trying to render in my art style!

[karoochui]

What im hearing is:

Little crow feet outside my window bcs im feeding them- that’s besides the point!

Is there magic??? His shovel looks magic and they look magic

And do give me every detail you are thinking of for the series even if its in the distant future or not that relevant but you want to share

Crows!! Cute!! Also sorry i didnt get to this sooner my laptop BROKE (still broken but usable) and my mom and i have been looking for someone to fix it. Ive been drawing with it sparingly to be careful.

YES there is magic. Of course im still working on this storywise but im getting characters designs n whatnot done right now. Dynamics n stuff. BUT i do have some refs i made before my laptop broke.

I like to draw out certain stuff so that it helps with descriptions in the future; i have the worst memory so it helps to be able to do so. (More beneath cut)

Im so excited for moon's shadow form. Oh my god. Its probably my favorite thing right now.

Fun thing about it is that in this form he can touch you but you cant touch him. Something something you can be cast in shadow but you cant take it off yk? He's still light sensitive like this though, so if the area hes in isn't dark enough or he's hit with anything too bright he just reverts back. At that point he'd just have to rely on normal hand to hand stuff and his sand lol. The shadow form is just better for sneaking and speed. Really, he's some amalgamative idea of the sandman and boogieman. I thought it fit well with his whole "naptime attendant gone wrong" thing.

Sun's design, however, is more like if you mixed a cowboy, wizard, and gravedigger together. I made it a while ago on a whim with no intention behind it but then i ended up thinking "ykw would be so awesome".

The hat dips to cover the crescent side of his face (not intentional on his part) to symbolize his resentment towards moon and how he basically damned him to an hourglass. His eyes are easier to see bc of this which could seem more trusting (eyes are the window to the soul or whatever), but the thing is thats not normal for him (as we know) so it's meant to make him look suspicious and looming to 4th wall viewers. There's also the fact that i just thought it was cool too.

He also doesn't get a second form. Moon's sneaky and weird so i thought it would fit to give him some freaky thing iykwim. Sun, however, is a pretty "in your face" kinda guy, so his look and fight style is more extravagant and boisterous. Lots of swinging amd yelling and boom bang zap! Despite the showiness he's actually a longer range fighter. Mainly because unlike moon, thousands of years ago, he wasn't often one to get violent with his hands. His weapon is just obnoxiously large too though.

They are still one animatronic and their transformation is still triggered by light. Instead of an AI chip though (which is still in there but long dead), they live through the work of a soul. They're still physically inorganic but as far as spiritually they're as close as they're gonna get to being human. Their life and functionailty is derived from the magic itself, not the machinery. Like if for some reason they lost all their magic they'd just drop dead from a battery life long since drained.

The hourglass has a carousel-like design to it purely as reference to moon's level in Help Wanted 2.

Sorry for rambling so much but this is what i've got for you so far! I have a general idea for the plot but im tryna to make it more than what it is rn, so i dont wanna share too much of that just yet in case i change or completely toss away an idea.

[vhvrs]

needed a more accurate ref sheet for these two so u r looking at that!!!! simplified some details to be less overly complex n tightened up the palettes in the process

additionally comments including previous info i dont wanna link to and way too much world info:

as b4, rick is a normal human. morticia is a half-witch - jerry is the witch bloodline in question (agony to rick bc he was hoping this was a verse beth DIDNT marry jerry when he found out). witches live in a kindve attached dimension to earth. magic shit. he likes collecting witch literature bc theyre so fucking weird n usually infused w weird magic.

rick is v nice by rick standards n also a major creep lol. the medical shit does weird most ricks out n also they think hes a pussy for caring so much abt kerping morticia safe n sane (except for x-143 on both 😘)

ricks science tends to focus on biology n hes REALLY excited by medical procedures n discovering how different soecies function. he does regular rick shit on occasion but hes kindve too lazy n comfortable to do shit morticia isnt up for too. hashtag most normal rick. used to be more dickish but he got humbled fast by the world lol. they do bicker like regular rick n mortys though. still very much has the capacity to be a normal rick if provoked.

these two are in an oc verse i have too much lore for so i could really go on all day abt the specifics but to be vague witches are a subrace of things called shadows. considered humans while humans are considered mortals. lifespans are expanded. harder to kill. witches even half witches typically have grey skin too but i needed morticia to be visibly herself. witches are the only shadows who can do magic from birth, while other shadows (its pretty much just witches, fae folk, and deathwalkers/normie supernaturals) have to learn it n usually HAVE to use channeling devices like wands while witches use their hands. magic users typically have an element they naturally are good at n can learn others - these other elements are usually what wands are for.

public displays of magical scars is considered like. uncouth. even the hand ones, thus gloves are a societal default and otherwise ur supposed to cover up or charm evidence away. rick obviously does not give a shit n it makes him stand out a LOT more than he should. bc of this, morticia is a lot more comfy around him n more confident as a result. ricks also the only person whos seen her hands ungloved bc of needing to patch her up after backfired adventures. highly personal thing in witch culture etc.

as the last scarring is also considered improper to show off bc 'only non-witches fuck up magic enough to get scarred' witches are v high-society pretentious types, usually high in the government etc. other shadows dont give a shit lol.

scars in question are all from morticias electricity magic kindve exploding on them during a really high stress situation. yewouch!

uh oh morticia goes to a mage academy. public educations kinda meh among shadows but witches have fancy magic schools. full-time magic users are called mages (pc term bc witches used to just claim it b4 other ppl started doing magic too) bc everythings complicated w shadows.

[ganondoodle]

(more elden ring radahn thoughts)

on whats really left of him .. and his soul? general too many thoughts about him- long post and probably incoherent, but you know me, im never coherent anyway, many thoguhts, head full, quite literally

in base game, he has lost his mind we are told, and clearly he isnt like he used to be, but we really dont know the extend of it hes clearly capable of fighting rather .. controlled; its not like hes biting and clawing after you, he still uses his swords (and bow, sth he doesnt even have in dlc) and magic, we know even in this condition he held back the stars AND still fought you hard at the same time (i know undead people can still fight in elden ring, pls hear me out)

and i wonder .. how much of his mind did he really lose, obviously some since he eats people now which isnt sth he used to do, but ... we dont know how talkactive he used to be, we get one (two? i can only think of one) quotes from him in the descriptions of an item, he might have been a man of few words already, so him not talking at all isnt that good of a measure (not saying its the only measure, just wanted to mention), resorting to eating people that atack you might just be an act of desperation too

we get told he kills friend and foe alike (and im not questioning that really) but in his cutscene we see him drag along the bodies of cleanrot knights, who are under direct dommand of malenia, and by extend miquella, im guessing they kept sending them after him to finish him off; now knowing that him dying means being sent to the realm of shadow, to miquella, and NOT knowing if he wanted that, i feel that that detail has grown in importance-

when you start the fight, hes rather defensive, shooting at you almost immediately upon you entering the arena with no extra cutscene either, what he shoots at you a long ranged gravitation bolts that stop you dead in tracks with a very high stagger rate and if you are on torrent it stagger you off of it; i know it could be just tactical and bc all he knows now is to fight as best as he can BUT, you could also look at it as a defensive strategy, to keep you away, and away from him .. even though you are not told he is afraid to die and he eats people now, sure he could come over there and snack on you once he shot you enough times, but the important thing is that you as a threat to his life is eliminated AND he doesnt seem to have some sort of insatiable hunger for people that makes him charge and snap at you immediately, there could be self control there still (if i wanted to reach a little further i could also say he could be trying to keep you away from him not jsut to save himself but to save you from him too, but thats a reach and i know that)

once you get close enough he usually changes to fire a salve of arrows that fall from the sky and follows you around, also high in stagger- its only when you get too close that he pulls out his swords and charges at you

his arena is interestign as well, its a piece of land in caelid that is inaccessible (unless you can fly?) from all sides, a barren battlefield only reached through a teleporter, im not sure if it is the same place as when he fought malenia or not (wasnt that in the middle of caelid where you find the rot needle?) but i doubt anyone could have put him there against his will, so did he .. go there himself? or stay there for that matter- how quickly do you lose yourself when infected with rot? and how quickly for him, since hes a demigod? did he intentionally isolate himself there? make it harder to reach him for both friend and foe alike?

another point is that most enemies (as far as i can think of) that are infected with rot/are in caelid also deal rot damage, radahn does not, hes even really vunerable to it in fact, its an intersting detail to me bc he only uses either standard attacks or gravitational magic, given that hes been in this condition for a long time and its caelid id expect the rot to be somewhat important there, but its not

how much has he really lost his mind, is he really as mindless as jerren makes him out to be? is he trying to stay alive no matter what, isolating himself on an (almost) island and only living off what comes there, which is usually people that want to kill him, be it friend or foe, all are out for his life one way or another, could it be defensive ... desperate even? no one but him and miquella/malenia seem to know that him dying means hes put into the land of shadow, where miquella is waiting for him; (why wouldnt he tell anyone? was he not able to? was he afraid to upset the golden order by spilling it out?) could he know that would be the end of him having his own will, knowing what miquella can do to people? ... perhaps even .... having been manipulated by him before when he was less experienced and more in direct vicinity to him, to promise something he doesnt actually want?

this is a reach too but ... could he be trying to make himself unusable for miquella, theres no real cure for the rot, could he have decided to stay alive as long as he can to both destroy his own body (and soul even?) intentionally so it cant be used against his will, like a desperate act to destroy himself rather than become someones unwilling puppet? did he succeed in both somewhat but not enough to become fully worthless and unsalvageable? just how much would he have had to destroy himself for him to become useless to miquella, is there even a limit? would he have been "revived" no matter what, no matter what little was left of him?

how is he mindless, yet his soul it taken when you kill him, his body beyond repair, but his soul intact? that seems like the opposite of what he is, and you are told he is, in the base game to me (maybe hes just fallen into madness i guess, but given the soul is like .. the self, he should be mad in the dlc too then, unless miquella can just pick out the parts he likes and throw away the rest .... which isnt impossible either)

now, there could be the argument that he might have actually agreed to it, hes been a big fan of godfrey, who is a consort to marika, a god, and little more than her pawn as well, his 'young' look you see at the end of the dlc could also be connected to it, the braids i thought where a sign of miquellas influence could also be just how he looked back then, an imitation of godfreys hairstyle- and we dont know for sure he didnt used to have them even after gettign older since they could just have loosened after spending so much time in a zombie lite condition (or is it?)-- but his portrait in volcano manor doesnt seem to have them either, hes also sporting the armor you see in base game (i think) there the fact that, according to godfrey, strength is the only thing that matters and to become a consort you need to be the strongest of all to be worthy, could also be interpreted that way- though i dont if he would have wanted to replace the golden order, he was a fan and follower of it, did he even think of it the implications? did he even know? was he just young and stupid? (very possible tbh)

then theres the idea of there being less left of his soul, so in the dlc he is barely if anything at all, himself, both in body AND soul, how much was there even left after all that time in caelid, he is silent except for like two grunts he does also in base game (he has more sounds there too), completely unexpressive, with very few gravitation magic, in the second phase miquella literally snakes his arms around his neck, almost every single attack is filled with light magic, clearly coming from miquella and not him (i know bringing up leonard might seem overemphasizing his role, but in these games what information you get is very scarce so every bit you do learn is important and was written intentionally- but he stayed together with him in caelid, all his attacks involve him in one way or another, he only started to learn that magic for leonard, so radahn didnt have too abandon him as he got too large to ride him, he uses gravitation in dlc too, so it means that at the point of his life that he is recreated as he already had leonard or that that is a sign of whatever is left of his soul that comes from a much older him, and if it is, its very little) (also this is a reach too but most enemies with horses have separate health bars, he doesnt, he and leonard basically share the same health bar, literally inseperable uwu)

"theres no evidence hes mindcontrolled" people say to me. have you seen him? how he acts? or more, how he DOESNT act? that miquellas entire deal is THAT HE BEWITCHES PEOPLE, ffs he STEALS YOUR HEART if you get grabbed by him twice in the dlc fight- theres no evidence he wasnt either, you are told they had a vow, but you never know what exactly that was, when it was (in the memory of miquella wishing for radahn to be his consort you only see miquella- was it a silly wish between kids tha miquella never grew out of?), in what circumstances, you never get to hear radahn say anything about it, its completely left out, thats a little unrelieable to me! idk!

but fine, maybe he did agree to it, maybe he thought being a consort to a god would make him just as cool as godfrey, maybe he fought malenia, who was said to be undefeated, only to prove he had the strength worthy of being a consort and it backfired when malenia infected him with the rot (why then? also he doesnt look exactly thrilled about what she say to him in the trailer but that could be just me too i guess lolololol), maybe he wanted to die all along but his pride meant he couldnt just let the rot win, maybe the festival was really what he wished for and told no one what the real goal was, maybe he wasnt rotten in the first place and just acted that part so he had an excuse to die without having to fight with all his strength as even the undefeated warrior wasnt able to beat him, maybe becoming a consort to miquella was worth leaving leonard behind to him, maybe he wanted to be nothing but a pawn to a god, to be used and discarded, maybe he really believed in miquellas wish for a "gentle" world (aka all love miquella)

it makes sense, im not going to lie about that, but the other does too- and in the end, we will never know what the truth is! we will never know if that was what he wanted, or if he was manipulated even back then, i wish we could to see his part, his voice, his will, but we never will, and it doesnt matter, in the end it doesnt matter if he wanted it or not, the fact remains hes a silent frankensteins monster of miquella, expression- and personalityless, a voiceless pawn to a god that steals everyones hearts

i dont need to be "right", i like to think about things, i am in the camp of he didnt want to or decided against it, but it doesnt really matter, even if miyazaki himself went onto stage and loudly declared that yes it was all planned from the start and radahn was in on it the whole time- i still would think the other way around it, i jsut think about him alot, i want to question things instead of taking everythign i hear at face value, especially when its very strangely told from one side, i will question every little thing if i only hear one side, no matter how much sense it makes or not, it makes me suspicious

(i some of this can be attributed about purely gameplay stuff, like the change in armor so he doesnt look the same etc, but i dont care, i like to think about the implications it brings with it, intentionally or not)

and there he is in a barren battlefield, eating the remains of whoever enters his isolated cage with the intent to kill him, never succeeding, howling like a lonely old wolf at the sky, is it desperation about a fate he cannot escape, grief about what hes done or failed to do, is it a call of yearning? for freedom?

we dont know. and it doesnt matter.

[majorproblems77]

Hi, Linked Maze fans! It's me again!

Ohhhh boy we are cooking and I am excited. Let's do a late-night ramble with yours truly

When I tell you I looked at these panels for a reasonable amount of time I was lying and it was longer than that.

Now a link to the comic page can be found Here! Please go give it some love :D

For the important stuff!

Linked Maze belongs to @linked-maze and its wonderful creator @frulleboi. (You should follow them, they are wonderful) And as a heads up, Linked maze is for more mature audiences! :)

As usual, you know the drill, Grab some water, Grab some popcorn and prepare for me to ramble at you for however long it is!

Here we go!

Oh lordy it's the sun (you'll see why later.)

He sniffin. Sniff Sniff

Now, Everyone remembers the first rule of exploring. Dont run off! That includes you Wolfy!

Now I have a theory. Which I'll come back to in detail later. But just, Remember the shadow behind four for me. We'll get back to it.

Warrior is the group Dad at this point. also, I love this side shot of him thank you.

Also

Warrior. Speaking to Wolfie like he is a kid rather than a wolf.

WARRIOR KNOWS SOMETHING IS UP YOU CANT CHANGE MY MIND

I dont think It'll be Sky. I think it'll be a hero we haven't met yet!

We interupt this comic analysis for unhinged analysis :D

Ready? Me too, lets go

Because, that shadow?

this one?

I dont think it's wolfy, It can't be.

Wolfie's shadow has a definition to it. It has a shape.

You can see the outlines of his tail, which is what we would see if it were him.

Where this one is a blob. Closer to a person.

Ie Winds's shadow

the blob

In fact, if I had to give you a position for Wolfy right now. It's not there. Let me explain.

Shadowssssss

Remember the sun? (Me too, I miss it;-;)

The sun can tell us a bunch about time and stuff. But also where a person is (Because fun angles and maths that I know way too much about tbh)

Anyway

So Wolfy's shadow hits another wall

This wall looks flat so it can't be a corner. (Taking the grass as reference)

And his face isn't shadowed at all, So he himself isn't behind a wall. He's approaching one tho. So in this case I reckon Wolfie isn't visible at all to wind and Warriors at the point Four turns to them.

So who is this mysterious shadow?

It ain't angel. No way.

I reckon it is another Link group. And we are either going to meet the last of the Links we are yet to meet. Or we are pulling groups together.

You know what....

I think it's World or Spirit. And we are gonna see these guys interact before they meet the other larger group of heroes.

Though im leaning towards Spirit just because of the shadow's shape. (And the lack of Sheerow)

Let me know what you think because I'm not 100% sure and I'm interested in what you think.

Okay ramble over, but to be fair that's why your here right?

Oh windddddd

the poor boy

I feel so bad for him he didn't deserve this. He probably tried to open his eye cause he was excited. :(

:((((((((((((((((((((((((((((((((((

The boyyyyyyy

He's trying to be a strong hero in front of these other heroes again. This poor kid i feel so bad for him.

ALSO THE EARS :(

They have expressive ears and it kills me to see wind sad like this.

AHHHHHH

BIG BRO WARRIOR

I LOVE HIM

And his little ear lower of worry for the small I love him sm okay.

Excuse me?

bhdjlhsafdnsajkfndas;nfdas

You can't leave it like that

Where's wolfy

Wheres four?

Will the small boy ever not be in pain?

I have questions!

Ahh okay okay I loved this update it was very fun. Im excited to see what's coming up in the next chapter.

Thats all from me!

Have a great night all! :D

[3-aem]

Helloo! I just wanna say your art is very yummmmm. I love satoru with all my heart and I love the way you draw him!!

Recently i’ve been trying to get into a more painterly realistic art style and I was wondering if you had any tips on where to learn, videos or anything like that?

‘stuff that helped you?

would be very grateful for it 🙏

tbh ive avoided answering these bc i don’t wanna be an authority on this.

1. despite all of us being human if i told you to list out all the details that comprise a human face how much detail could you do into? eyes, eyebrows, nose, mouth, ears- but what about how the eyes sit in the skull, where the nose bridge begins and how the nose curves at the end, the cupids bow, how defined the cheekbones are, how wide or narrow the jawline is? where do the ears sit, how far should the eyes be, how long should the nose be? Imagine youre dictating to a sketch artist, the level of detail you have to provide for them to draw precisely what you’re seeing is A Lot

2. chances are you dont know off the top of ur head or just can’t provide details down to the minuscule. thats fine and the only way youre gonna learn is to just study references.

3. Draw what you see not what you think. This is actually kinda difficult once you try because naturally when youre staring at any sort of reference you are attempting to understand it and in doing so ur understanding gets transcribed onto paper. but sometimes you don’t understand right. This is how you end up with eyes where the artist has attempted to draw out every lash because the understanding is ‘eyes have lashes’ but what you see is ‘eyelashes naturally clump and there are too many to individually see so the depiction should be clumps of eyelashes’

4. Why do you see what you see. You notices theres a bit of a shadow or fat underneath the eye, touch ur own eye feel it and you will notice its because your eyeball isnt sunk fully into the skull. those gross anatomy pics come in handy here.

5. bonus but actually the application of style is built on an understanding of reality. to use the example of eyelashes clump you can now take that and stylize it. they clump but what if theyre also highlighted in a hot pink border or are particularly long and pointy.

[ask-indigo-park-swapped]

here it is!! my part of the art trade between me and @cocoapowderpictures where we draw a piece based on each others Indigo Park AU!!!

since i love murder mysteries, and in particular, the Benoit Blanc and the recent Poirot movies, i thought itd be really cool to try drawing Cast Chronicles in the style of a movie poster!! since im also using my achromatic askblog style, i decided to go wild with it since i didn't have to worry about colours as much.

cocoapowderpictures's part of the art trade was already posted and looks cool as shit check it out here!! (if you like my art and want to see more also check out my main blog @niftukkun !!)

some details im proud of under the cut!! :

- if you look in the penumbra shadows you can see bits of foreshadowing!! (haha. foreshadow.) since we still dont know much of how lloyd and salem dies i decided to keep them vague and not actually alluding to the actual death part, just to them in general. finley and mollie however do reference what we know of their deaths - rambley and salem are the only ones whos faces are completely covered and that was very intentional since they are implied to have known something the others dont :)) i love scary ominous foreshadowing - lloyds face is also somewhat turned away because as the second to last to disappear i think hed have some idea of whats happening. maybe not the full or even accurate idea but i think hes clever enough to have known hed also disappear sooner or later - my very clever use of red!! initially i didn't want to use colour at all but when the piece was close to done i tested putting red on the edges and really liked it so i decided to put in some symbolism!! a story whose name is covered in blood (as murder mysteries often are) and clueless characters in the dark, only seeing hints of the truth until its too late

heres some of the initial sketches cause i think theyre funny

[slightlyhopefulromantic]

after 500 years, im back to working on line-ups for the oxventure PCs for each campaign, this time the hobby horses :3 as with the oxventurers guild, i put a good amount of thought into this, though maybe not as much as the guild haha but regardless, i'll go into more detail under the cut for anybody curious :]

once again, they all have their own eye shines (or, in barnaby's case, are dead behind the eyes lol), though theyre simpler shapes this time. edvard gets stars, lilith gets a squiggle, kasimir gets a hooked shape, and zillah gets hearts.

edvard - i see him as just kind of. soft around the edges from his rich upbringing, but generally is on the thinner side, kind of rounding out in the middle. very Just A Guy with his build and body hair. i went with brown hair rather than black because otherwise, everyone besides lilith would have black hair and it was just to monotonous for me XD still, i tried to keep it dark and not too bright so it would fit the vibe. also, for some reason i thought his vest was floral until i started coloring this, but it totally is not in canon??? :') i liked it too much to not do a floral pattern anyways.

lilith - i really adore her canon outfit, i just get very confused about the layering of everything. so i tried to do distinctive color-blocked for her outfit, while also restricting her outfit's palette to just purples and teals/blue. i am so bad at drawing snakes. i am so so so bad at drawing snakes XD also, i decided to give everybody at least one tattoo because i just thought it would be fun and im taking advantage of the gritty setting. theyre all cool and tough so they have tattoos and totally not because i just love drawing tattoos lmaooo

kasimir - kas is not much of a leap from canon. i love kasimir's design. i just gave him plenty of tattoos under that massive jacket of his. based vaguely on johnny's tattoos, i did my best to reference their arms but ended up more going off of the vibe rather than copying anything specific. johnny's tattoos are simply too intricate and beautiful for me to do repeatedly djfgbdfhd and okay i say this constantly but my faaavorite kasimir design element is his whale belt buckle. its so cute. i love it

zillah - she was also easy for the same reason, i just adore zillah's design. its simple and very fitting. so i just gave her exactly what she has, but like lilith, i simplified the color palette. since my art style is much more cartoony than colin craker's, especially when i dont hatch or shade, restricting the colors makes the designs look cleaner. i almost forgot to color in zillah's hand wraps by the way and i literally put my hand over my mouth, i only caught it as i was typing this XD it was so needlessly over-dramatic

barnaby - i dont know fully how to explain it, but barnaby is definitely the design i am most pleased with. not because i think he has the best design here necessarily, but because hes just so perfectly what i picture in my head. with a lot of my designs, ill adjust small details based on my mood or i just won't fully be confident in my decisions, but with this design? thats just barnaby. chef's kiss. like edvard, i gave him brown hair instead of black for some diversity. i also kept his very thin hair and high forehead because it makes him so endearing to me <3 no five o'clock shadow though, he has to keep himself looking young

[moncuries]

Hi Monty!! I love your art, and was wondering if you had any tips on rendering?

hi rain! i can give a kind of tutorial if u want! start from here, where i previously showed how i get my bases. I ended up with something like this:

this already has a lot of interesting colours! Some, however, make no sense with the lighting. to fix this, i take colours already there, and do big, broad strokes:

from here ill blend out a bit on any shadows that can be softened. i sometimes overdo this! im working on leaving more brushstrokes--i like it better. I also will kind of "carve out" some of these areas to make the shapes interesting (see: sleeve) i also make sure ive "stayed in the lines" (see: belt)

all of this is on one layer! this is usually when i set my lines to mulitply and mess around with them. i usually colour them purples and reds, depending on what part of the body (redder on face)

omg what a difference! (jk?) anyways then i go in and use an eraser and a small brush (on a new layer on top of everything) to correct anything that i dont like, or add small details. I zoom out OFTEN because spending too much time zoomed in will make things look janky.

and then i sign it!

i have other tutorials on colours, how i draw poses/reference, so check out my art tutorial tag for that!

[samarecharm]

tw disordered eating (not in explicit detail)

Whenever i write Yusuke and his relationship w the thieves, i try to emphasize that Yusuke was in a really really Really bad space not only mentally (like the others) but physically; hes bone-stick thin and you can feel his ribs jutting out if you go for a hug. Hes a bit gaunt in the face and hes got next to no muscle mass. He tires easily and hes kind of a shit fighter bc of it. The metaverse fills in the gaps a little bit, but his body is still very frail and unprepared to transition to an active lifestyle after years of surviving off of such a bare bones calorie diet. For my Akira, it is the driving force behind wanting to takedown Madarame; hes a sucker for a pretty face but hes also unable to look away from someone actively wasting away because of the actions of their guardian.

If any of them try to mention Yusukes physical state or diet, he often deflects, angrily, reminding them that he is abnormally tall, and that that obviously contributes to his thin (frail) stature. Its very hard to get him to eat while theyre in saferooms, and he often lags behind while exploring the museum. He cant stay in combat for too long, and at some point, Akira debates if he should even allow Yusuke to stay on the team; if he passed out or Worse under Akiras watch, hed never forgive himself.

BUT. As the thieves gain his trust, Yusukes a bit more willing to indulge them. He learns quickly that they arent pitying him like he initially assumed (he is far too aware of how much he feels like hes neglected his own body; and how others can easily see that neglect). They routinely eat and hang together bc thats just how they bond, and theyre just trying to invite him into their circle properly. Akira has zero experience w this kind of thing, but Ryuji and Ann are athletes and models respectively; theyre both in fields that encourage that kind of self destructive behavior, and they have some kind of insight into how to avoid falling for those same traps, and helping people who Do end up in those scenarios.

(Anns parents, despite their absence, do their best to prepare her for how cutthroat the modeling world is; to keep her from developing the kind of habits and mindsets that let young men and women destroy themselves. ESPECIALLY bc my Ann is a plus sized model. And Ryuji, as a promising track star, would know how bad it can get for professional athletes, the lengths at which theyd go to maintain their positions and ability to compete. Hes a gym rat who loves food and nutrition and knows what he needs to keep himself fit, and thats all he really needs)

They cant feed Yusuke the way they WANT to bc hes already so thin, so they just let him take from their plates to sample things and let him feel included. He starts taking up Ryujis offers to go get meals together, even is Ryuji ends up taking almost an entire extra serving home as takeout. He lets Ann drag him away to the crepe shop and her other little snack havens, even if he only leaves w a small chocolate of sorts to take home. He lets Akira make coffee and curry for them to split when he comes to Leblanc. And maybe he lets Sojiro cook a full plate for him to take back home to eat at his leisure and away from prying eyes. Yusuke goes from bitter to extraordinarily fond rather quick, and he finds himself angry that this is yet another thing Madarame has stolen from him.

By Futabas palace, hes filled out enough that Akira doesnt immediately panic when Yusuke gets tossed onto the floor by some brute of a shadow, worried that hed shattered every goddamn bone in his body on impact. He doesnt have any real muscle by any means but his face has the faintest bit of cheek fat that Ann is able to pinch w her evil little hands, and when he looks in the mirror, the ribs peek out but they dont jut out. His breathing is better, his skin is just Pale and not Ghostly white, hes got a healthy flush when he laughs at Akiras stupid puns, and he finds himself allocating a bit more of his budget towards stocking his fridge. Sometimes, Akira can even convince him to people-watch out in the sun instead of in the subway tunnels.

At some point, Yusuke becomes very vocal about things he wants, but importantly, about Food he wants. He will eagerly allow his friends to treat him if they ask, and he picks whatever sounds nice to his ears or whatever Ann and Ryuji recommend him. Part of it is due to him feeling safe enough to ask for such things; the thieves kinda laugh about his eccentricity and forwardness, but Akira, Ann and Ryuji know how different and comfortable this Yusuke is compared to the one they met. Its silly but its good; he gets to act like this bc the thieves let him be forward- they let him voice his wants and needs without a fight.

By post game, hes got the barest hint of a tummy pouch, and Ann will attack it relentless with a firm poke whenever hes foolish enough to stretch and lift his shirt to expose it. She thinks its cute 😭 Shes really happy to see it, bc she thinks of Yusuke all skin and bones and angry and scared like a feral dog barking mad, lashing out at any help they offered and working himself sick (figuratively and literally) trying to help make things right. It makes her so sad recalling it, so she likes to remind herself that hes okay now, even if hes a little embarrassed by it. She knows Akira and Ryuji do the same, inviting Yusuke to hang and just see him w their Own eyes that hes better, and that they did the right thing by insisting he join their little ragtag group.

[incorrect-riordanverse]

finally reading tsats here are my live thoughts (spoilers, obviously):

i’m so excited because some pages are darkly decorated and its so cool. still don’t vibe with the title though (the sun IS a star and its peeving me)

why are we talking about dating darth vader 😟 where are we rn (anakin is a yes, but DARTH VADER???)

maybe i’m too old but the jokes are not funny 😭

“this whole place feels like my soul. empty and dark. dark as the pit of the underworld.” <- i don’t care if he’s joking nico would never say thissss 🙏😭 we’re only 10 pages in but please stop butchering my fav character he’s not himselffff i am cringing so bad

i know i’m being dramatic but if they do nico dirty in this book i’m going to end it all

oh my god i don’t think i’ve thought about the words “significant annoyance” in so long. bringing back good memories for sure.

i can tell which parts were written by riordan and which parts were written by oshiro. i don’t think their voices are blending very well together…

also, maybe it’s because it’s the start of the book and they’re trying to familiarise new readers quickly with the characters but it feels like they’re making nico the caricature of ‘emo and shadow and ebony darkness dementia raven way 🥀⛓️🖤’ and will the caricature of ‘happy and sunshine and blonde and flower gleam and glow ☀️🌈🫧’ and i usually like this dynamic when it’s not blatantly pointed out every other page. i have faith they’ll show more complexity than this later on though. future yan will let me know by the end. (future yan here, im not at the end but the characterisation def does get more complex thank gods)

oh ok so it is bob the titan

since when was nico’s actual name niccolo??? how did i forget this detail??

“you have to listen if not you’ll share my fate.” “ominous much?” <- ok he’s finally himself again guys it’s all good

the one-sided beef nico has with percy will never not be funny

“cookie monster appeared over the mouth of the jar, reached inside and gobbled up nico like the chocolate-chip cookie he was.” <- nevermind i’ve gone back to hating this book again

“what was one straight boy when you spent your whole life longing for the impossible?” <- i’m reminded of that time a few years back where everyone made ‘having an unrequited crush on percy’ nico’s whole fanon personality, so i’m glad they addressed this somewhat. this boy has been through so much and people really thought crushing on percy was the biggest thing to focus on about ‘nico angst.’

“we made a mistake. you have to fix it.” <- call me a red flag but if i was nico i would do anything and everything to not go. i would medicate myself so highly on sleeping pills that i can’t dream (doctor bf can go kick rocks). i would track percy and annabeth down and haul their asses into tartarus instead to do it. and if i had to go i would only go in to kill bob myself for sending me those traumatic ass nightmares. no thx. bro willingly jumped in himself and now wants me to save him. nuh uh.

not cupid being will 😭 its like his aphrodite 😭 i am not well.

they always have a really good and emotionally moving scene and they ruin it with a dumb joke. let it be heavy 👏👏

something’s really fishy and i have a feeling that it might not be bob calling for him

if this whole “grumpy ball of darkness” thing continues i will actually lose it

you can’t tell me the percabeth pep talk was actually needed. i will forgive it because i miss them though

im sensing tension in the gap between nico’s connection to the underworld and his relationship with will and i’m here for ittttt. give me the dramaaa

who is the gorgyra girl and why is she in their business sm?

oh shit a will solace pov??? christmas came early 🙏

nevermind that whole nightmare sequence was so fucked up 😭😭

somebody HELP HIM i never thought we would get will angst (nico angst fs, but will???)

DONT JUMP IN THE STYX PLEASE

SOMEBODY TELL HIM HE’S HELPFUL OMG

nico strangling epiales in his sleep is so fucking cool he’s literally HIM he’s literally THAT GUY