#and also learn that like...... that's an option????? you can do that?????

[marzipanandminutiae]

Do you have tips for being able to find affordable clothes without plastic in them? I've found it's hard to find without rayon, specifically.

Rayon is not, in fact, plastic! It's made from processed cellulose- that is, plant fibers -and while the traditional process isn't great environmentally or for the health of the workers...neither are a lot of other Plant Fabric Production Methods. And there are new, better processes being implemented, just like in other avenues of fabric production. I still don't love it, because there's just something great about real silk, but it IS a more affordable/available, technically natural option.

My biggest tip is thrifting. This is becoming less and less the case as the dominance of plastic clothing gets further and further in the past, and things get donated that are from AE (After Enshittification), but you can still find some great things in thrift stores. I've found 100% silk blouses a few times, a LOT of cotton, and even some linen. I know other people who've found wool, but unfortunately I am not one of them. When thrifting online, on Mercari or Depop or eBay or Facebook Marketplace, you can even do keyword searches for "100% [fiber]" or look for photos of the fiber content tag- if you're physically thrifting, that's usually in one of the lower side seams.

People who cut out fiber content tags and then donate clothing to thrift stores without them are on my personal "egg their car" list if I ever find them. If you have sensory issues but also like donating your clothes, for the love of god, keep the tag and safety-pin it to the garment before you donate or something. But I digress

Cotton is your new best friend, by the way. It's the natural fiber you see used the most nowadays, so you will often be able to find SOMETHING cotton even in big box stores.

Also, while this can be more of a Spend More Up-Front To Spend Less In The Long Run, learning to sew can help you have natural-fiber clothing that holds up to mending more than what's mass-manufactured these days. The startup costs are more, but if you can afford them, you'll be better-placed to buy fewer clothes in the future. If you don't have/can't afford a sewing machine, consider looking for an object library near you- they let you "check out" different items an use them for a certain length of time, like the name suggests, and many have sewing machines.

Hope this helps!

[twistedwonderlandshenanigans]

Burn Out

I would. Absolutely do the cast but. Consider. The casts parents instead.

Also as you can probably guess, I'm feeling burnt out so my writing may not be as good as it usually is but fuck it we ball. Yes I will be using headcanon names for the Cast Parents because. um. I can.

Family Headcanons here if you want to read.

Also there's no Diasomnia except for Sebek. Sorry. Don't attack me please I beg OTL NO SPOILERS PLEASE OTL ----------------------------------------

Dr. Carlotta Rosehearts is not the type of woman to be easily impressed. Burn out is something only the weak experience, though if you weren't raised by her, she can hardly blame YOU for your poor constitution. While she's not all that sympathetic, she can find a small, easy task for you to complete to feel like you've been productive, useful, and otherwise intelligent.

Dr. Lawson Hatter, Riddle's estranged (engineer) father couldn't be any MORE experienced with burn out. He's awkward, he's odd, but his antics are sure to put a smile on your face. He can spot someone trying to work through burn out easily - not in his house baby, he's spinning that chair around and away from the desk, you're coming to get snuggled up and watch a movie with him and his kid(s). He'll make you tea (or coffee if you want it), a bunch of snacks, and promises to help you with your work later. Right now is time to let that all go and let your brain be mush for a bit. It's okay.

Amelia and Tarrant Clover - they're a little burnt out constantly themselves, but there's always room at the table for one more. Their home is only a good option if you like little kids though, because they WILL treat you like you're their big sibling almost immediately. They don't mean to come off as a little uncanny, but they genuinely do love having guests so much. Be prepared for So. Much. Food. If you can't really handle the hubbub of the family, that's okay too. Amelia will invite you to join her for her evening prep. She has a way of making you let all those feelings come out when it's just the two of you, and by the time you're done crying, she's got fresh banana bread and hot chocolate in front of you, with a pat on the back. She'll hug you if you want it too.

The Diamond couple have way too much tension between them to be of much help to you. Cater's older, but not eldest, sister, Catrina, is rather reserved and quiet when she's allowed to be. She'd be the one to take you into her room, do your hair, maybe some aromatherapy and tai chi. She's learned a lot of ways to relax over the years, she's just happy to share it with someone who is too exhausted to be fake with her. willing to let her help.

Dylla Spade hi, hello, did you want to make a top three guardians list? Dylla is there, promise. There is no overworking in her house. She can appreciate the dedication, but 1. you are actively harming yourself, 2. you should never work that hard in a workplace, why are you doing it for free /hj. She'll try to interrupt once or twice with the bribe of a small snack, or with going out somewhere, but if you're stubborn she's got to pull out the big guns. Big guns being she puts a photo of baby Deuce on the desk next to you and tells you if you want to know the story you're going to stop, go take a shower to give your brain a transition period out of work and go meet her in the kitchen. She's not the best cook but by god you know everything she gave you she gave with love.

Jack Trappola-Hearts is not Ace's dad, (ew, says Ace in the back of my mind), but his big brother. He's got a humble, somewhat dated one-bedroom apartment. He'll sleep on the couch though, so you can have the bed. (If Ace is there, Jack will sleep on the floor). He likes keeping you entertained and smiling, so he'll take you around town to (free) but fun areas. He doesn't expect you to verbally respond if you don't want to, and if you need to, he'll happily create a way for you to communicate when you're ready to go home. He'll keep you distracted from your responsibilities and burdens until he knows you can tackle them full force again.

Falena Kingscholar has a BIG and BRIGHT personality. He means the best, but he can sometimes be a little insensitive to your efforts, (as he was to his brother). He's also very busy and repressing his own burn out and Other Emotions, but don't fret. Kifaji will look after you. He's careful to not hover, but he always pops in with exactly what you need. He can't be as attentive as he would like, but he does know where the younger prince used to sneak off for naps. He may or may not drop a hint or two as to where those places are, and he may or may not have made sure to set the area up with soft lighting, music, blankets and curtains to give you some elevated sense of privacy without being overwhelmed by your surroundings (hopefully).

Vovó Bucchi (yes I borrowed a headcanon name provided by @kamiraaah (sorry for the tag, if you want it removed lmk!! ^^) can't help but make fun of you a tiny bit, but it's all just to remind you that hard work is meant to be rewarded. Hard work is meant to be balanced out with something else. While you're clearly bright, you're apparently not bright enough to realize when you need a break on your own /lh. She'll ask you to tell her about the things you HAVE accomplished over the past month while cooking food for the family, (and yes, having you be her taste tester all through out it), and wait til you're done to ask what you've done to motivate yourself to keep going. If you've got nothing, she's going to tell you to come home with Ruggie at the end of every other week. Yes, home. You're hers now. Good luck escaping custody.

Citlali and Ande Howl couldn't be more opposite in how they try to help you through burn out. Citlali is just a 4'2 ball of energy and affection, you best believe she's got hugs for days, homemade quilts to pile on you, a hot chocolate she meant to give you about 40 minutes ago but forgot while she was rambling, (she'll heat it back up), a child to hand you - wait, no that's going to her husband, that's not your responsibility. She'll talk your EARS off, but you come to love it. Ande is much more stoic, a little intimidating to some, and very awkward. Mans does not know how to come off as friendly. He offers a hug if you need it. Best hug of your life. He will also show you where you can go to brood get a breath of fresh air and relax.

Clara and Ginerva "Nonna" Ashengrotto (you MAY NOT call Nonna anything but Nonna. Only Nonna's friends can call her Ginny, and 'Ms. Ashengrotto' is her daughter.) Clara and her mom are both all too familiar with the dangers of burn out. You get burnt out, you make bad decisions, bad decisions lead to trouble down the road and honey you do not need to make your life any more complicated than it already is. Sit down, stuff your face, listen to jazz, be happy. Basic rules. Your plate will not be allowed to be empty, be prepared to probably eat so much you pass out, which will be the one and only bad decision you make that day, but it's better than Nonna asking why you ain't eatin' her cooking. If you do get too full, don't worry, they'll tease but they'll pack up what's left and the other 27 meals they prepared for you to take home. (Nonna is partially deaf so you will have to raise your voice a bit so she can hear you clearly).

guysguysguysguysguysguysguysguys it's my favourite next do you know who's my favourite I know who's my favourite I literally wrote this just so I could write for her do you know who's my favourite fuck YEAH YOU DO

Valeria Leech (and her husband I guess but I'm pretending Constantine Leech is not there because I want to focus on the queen that is Mama Fucking Leech)(He would be kind of detached anyways he doesn't know you and he doesn't owe you nothin', his wife just said he wasn't allowed to eat you). ANYWAYS. Mama Leech has a lot of energy, Floyd had to get it from somewhere and it is absolutely from his mama. While she can be a little all over the place, clearly her boys appreciate you if they went through the effort to bring you to her, and that means um. You're her kid now too. She will treat you like she treats her sons. This means an overwhelming amount of physical touch (she will tone down if asked or if her husband reminds her that not everyone is comfortable with that), a lot of food being offered to you, you get the (second) best bed in the house, she has already bought you new clothes- ordering on land clothes, but also things tourists to the Coral Sea would wear. Because how can you expect to overcome burn out when you're stuck in a rut and nothing has changed. You need a good sleep schedule, a good meal, and a way to feel fabulous about yourself. And probably a hug and a good cry session. And maybe a hobby to let out all that steam, do you want to learn to fight hand to hand or do you want to collect tiny glass figurines, she'll buy the same subscription as she has if you want she LOVES little glass figurines they're cute and delicate just like elvers are. She will cry when you have to go back to land, promise her you'll call her if you need her for anything. Whether it's a hug or hiding a body. She's got your back. Also in the top 3 mama's tbh but I'm very very very biased but I also still think I'm right.

Akram al Asim is a little lost on what to do, but Kalim cares about you, so so does he. He doesn't really know what to do on an emotional basis, so he gives you money and tells you that if staying in the palace is too much, you're welcome to go stay in one of their private mansions instead. And if you need more money to just ask. So staying at "home" and having someone cook and clean for you while you get to do nothing is a 10/10 way to help burn out. He does not know how to help people that are stubborn or reject his gift unfortunately, he just kinda stands there like a deer in the headlights, then just welcomes you to stay in his home as long as you like. (This is a bad idea, you're a friend of Kalim's and given the family dynamics we know about you may very well be used as leverage, um. yeah. That's not very cash money.)

Nasir and Amani Viper can offer their home and to share dinner with you, but they are kept busy all day. They can recognize burn out - they've seen it in their son, and experienced it themselves, but they've never gotten a break to work through it. They'll tell you to rest, to eat, to make yourself at home, but it's a little awkward to relax when everyone around you is working.

Eric Venue oh dear. oh dear, oh dear oh dear. Burn out is a killer of creativity darling, and we simply cannot have that. Again, not someone who can help all that much directly, he'll toss a little money at you and get you into a luxurious spa to get you to relax again, to rejuvenate your skin and your mind. Also concerned for your mental health and MAY have paid off a therapist to become your friend so you'll never know you're receiving therapy throughout the entire thing, you'll cry, you'll let that out, and you'll never see that friend again. But you don't know that yet and for now you feel better!

The Hunts fall into the bottom category of parents. Ibis Hunt, Rook's next eldest sister (bc I think the Hunt's named their kids after birds), will try her best. She practically raised Rook, so she knows what a good night out by the campfire can do, campfire dinner, marshmallows, a couple goofy songs on the guitar, and a horror story if you think you can handle it. She'll keep your mind off of things.

Meemaw (Marja) Felmier can and will bop you over the head with her cane if she sees you trying to work when you clearly can't anymore. "You're so worn slap out y'ain't got 'nother ounc'a thinkin' in there. Y'got a hankerin' for somethin'? I'll fix it up right quick. Come on now, carryin' on on an empty stomach ain't gonna fix y'problems." She purposely has you sit on the comfiest chair on the house, layers you up in blankets, gives you a stuffy and warm apple cider because she KNOWS you're gonna pass right out. And when you wake up, there will be Marja's famous apple crumble with homemade vanilla ice cream waiting for you, trust.

Dr. Isla and Rodian Shroud are HUGE advocates for self care, but know sometimes it takes another person to pull you away from what's frustrating you. Isla will GLADLY take you on in a gaming competition - and she might even take it easy on you. And you'll hear her full Aussie accent come out any time you over take her in the equivalent of Mario Kart. Rodian is much more likely to be subtle in the way he helps, asking you to come assist on a project. Idle prattle turns into a deeper conversation that lets you open up to him, and the simple tasks he gives you to make you feel like you're being useful help a lot too. If you do end up crying, he'll offer a hug, and then a place to sleep off the rest of the emotions. You'll wake up to a 3D printed figurine of your favourite animal, cookies, and a thermos that kept the milk cold. The last of the Mom top 3 imo. (Mom's do not include grandma's btw thus the exclusion of Vovo and Marja /lh)

Baul Zigvolt okay listen. Modern day? I can't help imagine him with a big beer belly and a laugh to match. He's lost all the intensity he had in chapter 7 (thus far, no spoilers please lol). If you're feeling burnt out, he's giving you food the way he would have given it to baby Sebek - he's still adjusting to humans, so forgive him for cutting everything up so small, but hey, hopefully you won't choke? And some water. He's got a lovely voice, so with your permission, he'll read to you or tell you stories from when he and Lilia were younger - or if you really want it, he'll sing you to sleep...that's his goal anyways. He will not let you sleep in though LMAO, you went to bed early, get ready to be up at the crack of dawn lol.

---------------------------------------

Anyways, thanks for reading my Partially Coherent Ramblings. Let me know if you want to be added to my taglist

@my-cursed-brain @fluffle-writes @distant-velleity @starry-night-rose @theleechyskrunkly @elenauaurs @lumdays @nemisisnemi

[lizzybeeee]

Me watching my Inquisitor walk off with Solas at the end of the game like :) "aw cute ..hey if Mythal hadn't told you to stop would you have murdered her,," (I haven't played the other endings yet).

This!!!

(Obviously, not murdered her personally, but he absolutely had no qualms about doing the ritual once more - knowing the consequences of it.)

Let me preempt this by saying that I wanted there to be a happy/fulfilling ending to Solas and Lavellan. I'm not a blind hater! Just someone who finds it very hard to put my own Lavellan in the place of the 'Lavellan' provided to us in DATV.

The Solas/Lavellan relationship already was kind of iffy (power imbalance, constantly dragging her culture, removing her vallaslin/then dumping her, constantly lying to her, etc...) but DAI did a great job of making you feel sympathetic towards his plight - especially after Trespasser! He woke up in a world so divorced from his own that it was unrecognizable - the people he had done so much for were suffering from the consequences of his actions, justified as they may have been at the time (stopping the evanuris). His actions led to great suffering in the pursuit of preventing even greater suffering.

Even after we learned of his plans in Trespasser, it was very much: "cool motive, still murder."

I felt sympathetic towards Solas and the implication that we could change his mind, given to us in Trespasser, gave me hope that we would be able to convince him of another path. That he could find a place in Thedas as it is now and look to the future. That was why I chose the option to try and get through to Solas, despite knowing that his plan would lead to mass death/terror if it went ahead.

I always expected the Veil to fall at some point, but i was hoping there'd be some more nuance to it than: veil gone, demons everywhere, lots of people die. Well, I was very wrong lmao.

But, if anything, the game made me entirely unsympathetic towards Solas.

The moment he started his ritual he chose the old elven empire over Lavellan - over her family, friends, home, culture, and anything else she may have loved/valued.

And he did this twice.

He chose to pursue lowering the Veil - knowing that thousands would likely die. For all his insistence of 'minimizing the damage' he went in knowing that many more people would die because of his actions. There was no justification of stopping the evanuris this time either - no excuse of not knowing the potential consequences of his actions like the first time.

He chose to begin the ritual that ended up releasing the Elven Gods - knowing full well the risks it entailed.

He killed Varric - whether by accident or not, it was by his hand.

He chose to use blood magic to manipulate Rook into thinking that Varric was alive - puppeting his corpse around in Rook's eyes and putting his words into Varric's mouth.

He chose to manipulate, mold, and guilt Rook into the old 'switcheroo' in his mind palace/regret prison

He chose to 'free' the elven people by bringing down the Veil - regardless of their feelings about it (elven Rook can call him out on this!), never mind the consequences or ramifications of a bunch of people suddenly having their bodily autonomy overwritten by now being magic/having immortality.

He looked at the devastation caused the by the Gods and still went ahead with trying to bring down the veil again.

These are the thing he does in-game - not even mentioning making the dwarves/titans tranquil, creating the blight, started the chain of events that led to SOUTHERN THEDAS BEING DESTROYED, and taking my good gear from Inquisition!

Aside from the 'all lore leads to Solas' reveal just being really dull it also does nothing to help with making me sympathetic to him as a character. The audacity of this man to say: "it was like walking in a world of tranquil" when he fucking lobotomized the dwarves/titans is wild in retrospect.

If he didn't do the ritual at the beginning, if something else went wrong and that resulted in the God's being released, I could understand why a Lavellan would still want to get through to him. It would make sense - she could stop him from doing it again at the end too! You can still have him conflicted and torn between the restoring the past or pursuing the future - but this doesn't happen!

He never chose Lavellan in this game! Hell, it's Mythal who convinces him to stop?!! He owes her nothing! He's learned nothing from this!!! He's only stopped because Mythal 'pardoned/freed' him - once again showing that he values the ancient elves/mythal over her!!!

How impactful would it have been to have him choose Lavellan over Mythal! To show us this! Mythal, who 'crawled through the ages for a reckoning' (which was retconned to her being sad about the elves lmao) telling Solas to go through with the ritual and him touching grass and saying 'no'.

It's something I feel was wildly out of character for him as well - he never came across in DAI as being subservient to Mythal, if anything the ending cutscene gave me the impression they were equals?!

After everything he did in this game - after all we learn about what he did in the past - I had no interest in reasoning/appealing with his ass. None whatsoever. My inquisitor/Lavellan asking if Solas can be reasoned with only made me regret making that choice - perhaps other people's inquisitor's would say that, but mine would not, especially after everything that happened in game.

She came across as delusional: standing on the ruins of a blighted Minrathous, the south blighted to hell, dead all around them, blight tentacles everywhere, a gaping hole in the Fade right next to them:

Lavellan: "I forgive you! All you have to do is stop." Solas: "But I cannot."

Boom! There it is.

At this point it's not romantic, it's just sad! Sad that she's spent 10 years pining after a man who seemed to learn nothing at all from what happened in DAI.

------------------------

There should have been some sort of a dialogue option with Lavellan right before you go into the big fight - she can ask you what you think of Solas, if he's truly regretful for everything that happened, and then you can give her an answer that can 'change' her approach to Solas in the end - giving the player some agency as to how their Inquisitor would actually respond to this.

Ending One: Bye Bye Bye

Rook: "HE'S A GUY."

alternatively, "Look around you! Look at what Solas has done - what he's threatening to do even now after all of this! You gave him every chance to turn away from this path. So did Varric...and look at what he did!"

Lavellan is bitter/angry with Solas: "It seems we never were people to you after all."

Refers to him as 'Fen'harel' and not Solas - dig the knife in deeper, give us angst!

"Just go. You love the Fade, don't you? Enough to do all this - enough to kill Varric for your pride in a dead world that no longer exists. We were never 'real' to you, were we?"

Solas says his goodbyes, expresses his love, and Lavellan steps back.

Solas leaves voluntarily, his 'situation-ship very much over', to stew in his regrets for the rest of his life.

Ending Two: Bittersweet Goodbye

Rook: "Girl, it's been 10 years."

alternatively, "You loved him once, perhaps you still do even now - after all he's done - but love wasn't enough. Love does not excuse this."

Lavellan is firm with Solas, does not excuse his actions, but has a bitter sweet farewell: "I had hoped…it doesn't matter what I hoped. You made your choice - it wasn't me. It wasn't our friends. It wasn't this world. You can make a choice now - if I ever mattered you. If I, if our friends, were ever real to you."

They can have a final goodbye, a goodbye smooch, and then he can go off to the Fade.

Bittersweet ending - acknowledge what they had and then provide closure.

Ending Three: Happy Ending (?)

Rook: "He didn't mean it babe. He's tots sorry."

alternatively, "He seems to regret what's happened - I've seen his memories, his regrets. He believes this is the only path he has. Perhaps you can convince him to find another."

Default Lavellan ending basically

"There is no fate but the love we share" blah blah blah

As happy an ending as it can be when you have Lavellan fuck off to the Fade - leaving behind her life, friends, family, and whatever remains of the world for an eternity.

I'm being mean but I genuinely wanted a happy/fulfilling ending for them both too - despite the fact that this game seems to want that ending as well, it did little to convince me of that. :(

I genuinely liked Solas in DAI - despite his flaws, I thought his romance was compelling and I was hoping to be able to convince him to change/alter his path. I can see what they were trying to do with him in DATV but it's so hard to feel sympathy for him when we see/know the results of his actions. The story in this game is doing anything but convincing me to give him a 'happy ending'.

'Love' can't excuse what he did and neither would my Lavellan.

Also RIP Sandal's Prophecy about the Fade lmao

[jaggedamethyst]

…look for the light

joel miller x f!reader | 2.7k

pairing: joel miller (tlou) x fem reader

content: you're tired of hearing that old slogan from the fireflies...but maybe you should give it a chance.

notes: 18+ minors dni, eventual smut for the girlies (smfh + side eye) also unprotected in the heat of the moment unfortunately…dont be like them! angst because it's my specialty, mental health depictions (illusions to death, depression, etc. do not read if that's a serious trigger) this takes place in the time jump between tlou 1 and tlou 2…tons of existential crisis otw, grief, everything unfortunately…and i still don’t believe in proofreading

also this is the longest i've written so far...of course it involves joel too...hashtag need that.

 ࿐ ࿔*:·ﾟ🍂🌿༄。°          ° 。༄🌿🍂·ﾟ*࿔ ࿐

You hadn’t arrived in Jackson on your own. At the time, you were one of a family of four. As time passed, the number dwindled along with your will to live. Back when everything was normal--or as normal as it could’ve been in a world that corrupt, you saw a therapist. You knew it was in their career description to listen. It helped sometimes, others it didn’t. Overall, though, you’d say they’d done a shit job if at the first sign of loss, you wanted to cease to exist. 

When you weren’t overthinking, you found yourself on patrol. It became ironic that you rejoiced at the sight of a fresh dead body. Knowing that the person before you had made a mistake you could now avoid lit a small fire in you. The flame didn’t last long though, quickly blown out every day with a speed just as fast as its ignition. 

To be candid, there was this guy. Well, this man. You couldn’t do him the injustice of calling him anything but a man. You saw him often--sometimes to himself, others with this girl. No matter the circumstance, though, he rarely spoke. You liked that. Something about people who acknowledged their capability to not speak made you extremely happy. Silence is a valid option. 

As an observer, you learned his name was Joel, the girl Ellie. They’d arrived about the same time as you, which explained the lack of interaction. This was, of course, aside from glances, the fake half-ass smiles you exchanged, and your time on patrol together. 

Unfortunately, he was the worst. It absolutely burned you up. That, and the fact that even when he annoyed you, you wanted to have extremely private time with him. 

The first time you actually spoke, he’d found you by a stream. You didn’t know he was showing the girl, Ellie, something that day. But as you lay with your eyes closed, taking in the sunlight--a shadow cascaded over you. 

You opened one eye to see who’d stepped in the way. Before you could get a word out, he spoke, “You from Jackson?”

“Who’s asking?” You created a sort of visor over your eyes with your hand. 

He huffed, “someone from Jackson.” 

Resuming your position on the ground, you spoke, “You some sort of Jackson cop? You seem like the cop type.” 

He scoffed. You realized he did that a lot, not speaking, making annoyed sounds. Not answering questions directly. 

“You should get back.” 

With a quirked brow, you replied, “I’m good, thanks.” 

“Wasn’t really a question.”

“Didn’t say it was.” 

By this point you’d opened your eyes again, surveying the man. You kind of felt bad for being snippy but honestly, he interrupted your “alone with my thoughts” time. Some people can cope without thinking of the same incidents in a constant loop. Not you--you liked the hurt. It reminded you to be safe. To not trust people. 

Even in that position, though, you observed the man. He looked rough, but in a way that motioned toward experience. There were hints of gray in his hair, yet he didn’t look old. His shirt was slightly opened, tattered. The sheen of sweat covering him made him all the more alluring in the sunlight. 

“Are you gonna get the hell up and get a move on or what?” 

You didn’t know him at the time, or that he was trying to surprise Ellie on her birthday. Even worse, that on this day, he’d thought of his daughter. He was coping. Anyone or anything out of place was shattering the amazing plan he had made to go a day without feeling like a disappointment. 

He didn’t know that your “alone with my thoughts” time often consisted of thinking of your family. You’d willed yourself to shut your eyes tight, picturing those you lost; it was the only time you could see them. If you got lucky, you could dream of them. If you were unlucky, you’d see images of their mangled bodies. 

It seemed that even awake, your luck was the fucking worst. 

With swift and silent movements, you stood and turned to leave. Avoiding eye contact was the only way to hide the tears prickling in your eyes. 

“Dude,” a young voice called out, “you hurt her feelings!”

“Fuck, I didn’t mean to, Ellie!” 

Like you said, he was the worst. But you definitely took it to the next level at every opportunity. 

That’s how you found yourself on patrol with Joel giving him the silent treatment. It was customary at this point. If you two went alone, he would bark out orders, you’d follow if you felt like it. If someone else happened to be there, you two would rely on an unspoken rule to only speak to them and not one another. It worked…until today. 

Entrapment wasn’t a new feeling for you. Often on patrol specifically, you would have to maneuver your way out of dangerous positions to return. But the realization of there being nobody to return to hit you today. So even when Joel and Jesse said to stay back, you proceeded. It was a miracle none of you three were bitten or worse. Your reckless act left the trek back to Jackson completely silent. 

When you reached the gate safely, Jesse spoke first. It was obvious he was shaken up but even more annoyed with you. “Kinda fucked up you did that. Did you even consider that you would put me and Joel in danger?” 

“Nobody told you to follow me, to be honest.” 

“I don’t give a fuck! When we leave, we work together… or we don’t go.” 

Joel shook his head silently, observing the way Jesse continued to rip into you. You continued the back and forth until Jesse hit extremely low. 

“Look, I know you lost people…I remember them-”

You spoke over him, a finger out in warning, “Don’t-” 

“And just because you feel like there is no worth left in your sorry ass life, doesn’t mean I wanna die right now. Not for you. Not on a stupid patrol mission.” 

It felt like he punched you. Square in the face. The way your breath left you was unlike anything you’d ever experienced. Not since the day you realized your entire family was gone. As a result of that day, you grew accustomed to silent walks back to your house. You got used to the sounds your house made between the silence. 

You didn’t hear Joel’s faint footsteps and persistent calls to you as he followed behind. It wasn’t until the unusual sound of your door not immediately closing behind you that you turned around to see him there. 

“You didn’t even stop him, you just stood there like you always do!”

His signature sigh and no response. Just a sort of expectant look on his face. 

“Get. Out. Please.” 

You begged him to leave, your voice breaking. It was somewhere in the midst of you slowly falling toward the floor that he reached you. He knew what you were experiencing right now. The dull panging in your body, a faint scream at you, and a feeling that of anyone it should’ve been you to go, not your family. 

He didn’t want to admit that he recognized the bubble of sadness around you, as he’d be forced to acknowledge his own. The least he could do was to comfort you in a way he had yearned for when he lost Sarah. When he lost Tess. When he thought Tommy was gone. But he failed, as he always did, crying with you. 

He urged you to quiet your sobs, “It’s okay, shhh.” 

His attempts at soothing you were a sort of reassurance to himself--that it was okay. It could be okay. He eventually grasped your face, too, forcing you to look at him. He wanted you to believe him, despite the lack of conviction in his voice. The eye contact shocked you both. You had never seen the man cry let alone been this close to him. From a distance, it's easy to think that any dark-colored eye is just black but his…

“Brown…” You mumbled incoherently. 

“What?”

“Your eyes. I’ve never really looked at ‘em.” 

He was confused, “yeah, brown.” 

“It's just that, it's easy to overlook things…” when you’re so stuck in the past, you wanted to say. But you left it. You had a feeling he understood. 

It was hard to not lean into his touch, even harder to not want to be near him. He noticed you staring, but there was still so much left unsaid. Thinking about it, he never really allowed himself to carry out a conversation with you. But there was an unspoken attraction between you. It was easy to minimize said attraction to one where you needed each other. It was suffice to say that it was more tantamount to the way particles were reliant on one another. Even more, the way symbiosis occurred. Despite the urge to push one another away, you knew that you did, in fact, need each other. 

If not for a long time, at least for now. 

Without a word, you pushed up a bit, meeting your lips with his. He was obviously taken aback; there was so much behind the kiss…but he couldn’t bring himself to care. 

You pulled at his shirt, that damned shirt he always liked to wear. Always opened slightly, but never enough to give you what you needed.

“Can I?” You broke the kiss and motioned toward the buttons, breaking eye contact for a second. 

Joel let out a characteristic sound, affirming you, “Mhm, yeah…” 

You moved your hands lower, stopping at the close of his top. “Are you sure?” 

The man understood you. The shirt acted as a sort of metaphorical barrier between the two of you. As much as it scared the both of you to cross that line, there was an unspoken respect for one another. 

He noticed your apprehension, bearing the task of taking down that wall for you both. 

Joel unbuttoned his shirt, slowly, intentional in his action. 

He watched you shiver, “I haven’t…I want…I mean-” 

That same alluring stare maintained its gaze at you, Joel allowing you the time to process and say what you wanted to. 

“I want to feel…be close to you. Not because I want to use you or something…I just,” You searched for words that seemed to escape you. 

His words interrupted your thought process, a gentle but calloused hand returning to your face. 

“You don’t have to have a reason. Use me.” 

That was enough to make you attack him full force. You’d thought of each other so long that there was an urgency. There wasn’t time for niceties or the pleasantries of preparing yourself for him. You just wanted each other immediately. 

The trail of clothing that led to your room was something out of one of those old movies you watched. Before everything went to shit. You allowed yourself a smirk at the thought--Joel hot on your trail. 

Joel observed how clean your place was. He was one to keep tidy, too. Not for the thought of expecting someone, but for lack of people except him. There were few things he held near and dear, so a large space like his home was often unused save for his bed and couch. It seemed you echoed this thought, and that made him even more eager. Knowing you had so much in common made him insatiable.

You found yourselves kissing again, seeking comfort in each other. It was sweet and slow. You couldn’t handle it, the lack of him. 

“Joel, please,” you backed towards the bed. Now fully available for him. With you demanding everything be so structured to protect yourself these days, you were willing to let go for once. 

He didn’t say anything, he never did. But the way he hovered over you, maintained eye contact and pushed into you said enough. 

His pace was somewhere between painfully slow and slower. He felt your wetness, the way you were ready for him already, and it made him harder. He knew he wouldn’t last long if he went any faster. 

You reached up, pushing the hair out of his face. It was a distraction from how good it felt, even the purposely slow pressure, but you wanted more. 

You bucked up into him. He hissed and grunted in your ear, that’s new. 

The southern drawl was even more apparent on the man. “Shit. I’m tryin’ to…make it last,” his head met your shoulder, breath against your skin. “Cant.” 

“Don’t.” 

You couldn’t see his face, but you figured a look of surprise flashed there. It only took a second for him to pick up the pace. Those grunts filled the room; his wordless communication was now music to your ears. 

You continued that way for not much longer--but the high was unlike any other. He reached down to rub between you, making sure you’d finish. The thought of him caring about you in that way and the pointed pressure of his strong hands doing so was enough to make your body pulse against him. 

He pushed you back down, keeping you still, “Don’t move, baby.” 

It was a lot. 

His movements became even more erratic, but it felt so damn good. 

“Where should I?” 

You arched a brow, “You want a little Joel running around here somewhere?” 

He chuckled, so sweetly, too. Fuck. 

“Wow, even full like this you still got a mouth on ya. I’m gonna work on that.” 

He pulled out suddenly, and before you could even complain, latched his mouth onto you until he finished and your voice went dry from calling out his name. 

Okay…

The usual urge to freshen up never came. The smell of Joel was all over you, and you liked it that way. You breathed in and out, processing what happened, fighting to stay awake. The sound of the man’s snores was enough to keep you awake in itself. 

It wasn’t until you heard the snores stop and Joel stirring that you spoke again.

“I’m sorry.” 

Joel turned his head toward you, clearly still half asleep, “For?” 

“For that day, in the woods, when we first met. I was mean.” 

“I understand. A random guy shows up asking questions. You get defensive. It happens to the best of ‘em.” 

There was silence. One long enough that Joel sat up to get out of bed--you stopped him when you spoke. 

“I was thinking of my family,” a pause, and with it, your eyes burned a bit. “I don’t know why I act the way I do. I don’t know why I’m… harsh. Part of me thinks it's because they are always looking at who I have become and are so disappointed. The other part of me thinks that they don’t see me at all…or that they can’t…that there’s nothing more after this. I dunno which feels worse but I know it drives me fucking crazy.” 

He silently reached for your hand, deliberate in his response. “I like to think that the big moments we share with the people we lose are more important than anything after.” He nodded, assuring himself before continuing. “Good or bad, their memory only survives as long as we are thinking of them.” He paused to look toward his wrist, almost out of muscle memory. “Our families may not be here, but even mentioning them proves that they were real. I know my baby girl was real, I can’t fail her by going on like she wasn’t.” He inched closer to you, “If it takes me being sad to know that there was someone I loved here before, I’ll stomach it any day.” 

You nodded slightly. 

“Thanks.” 

A hum resonated from him, and he made his way out of your house. He was elusive as always, and definitely just as attractive..if not more so now. But his words stuck with you. 

That stupid catchphrase from the Fireflies…you’d heard it often. The aftershocks of the group persisted even after they’d slowly dwindled in numbers. When you’re lost in the darkness…

Wiping your eyes, you pulled the covers back a bit more. A lot of time had passed, but for the first time in a while, you didn’t feel like it was ripped from you. 

After a few minutes, the Sun started to rise, heat emanating from your window. You felt the warmth slowly reach your face--closing your eyes. 

For once, you’d look forward to sleep, and even more, the possibility of dreaming.

[davinawritings]

Hi, i found your blog and see you open request so I'll try my luck here. Please if you wouldn't mind writing an alien x human (f! Reader) with forced kiss/forced makeout (or literally just the alien tongue-fucking reader's mouth) it doesn't have to be smut or having sexual intercourse but if you want to add it that'll be up to you.

Thanks ✨

Hello! Thank you so much for the request ❤️ I hope you enjoy 💕🖤❤️

Warning: Forced makeout, cheating

Aliens made contact with Earth four years ago, and the two different species have made a vow of peace. Over the last few years, many aliens and humans have participated in an exchange program of sorts. The alien and human will exchange lives for six months, giving each species the opportunity to learn more about the other. Your boyfriend decided to sign up, and within a month, the arrangements had been made.

It has been just over 2 months since your boyfriend left Earth, and Eltath has come to live with you in your boyfriend’s place. You have come to really enjoy Eltath’s company. He was always kind and loved when you taught or showed him new things about the earth. He also happily answered any of your questions as well.

Today was like many others. You took him exploring around the city. Most of the days were spent just walking and talking with each other. You had decided on a quiet night in with some movies, something Eltath had come to enjoy very much in his time on earth.

You had previously stuck to history and nature documentaries, wanting to give Eltath all the knowledge you could, but you wanted to give you both a break from learning. After flipping through your options, you finally landed on a romantic comedy, one of your favorites.

You both watched in silence, with the occasional laugh, until the end, when the two main characters finally got together and shared a passionate kiss.

You could hear the innocent curiosity in Eltath’s voice when he asked, “What are they doing? They are pressing their mouths together”. The questions catch you off guard. You had not considered the fact that aliens may have alternative courting rituals and displays of affection. Your cheeks warm with slight embarrassment as you attempt to straighten your thoughts and provide him with an answer.

“Well, Eltath, they are kissing. On earth, it is a way to show someone you like them, a form of affection that humans show each other,” you replied, trying to give a more simple answer.

He nods before asking, “So when humans want to show another human they like them, then just press their mouths together? And all humans do that”.

You fiddle with your hands as you attempt to explain better, feeling slightly awkward with the conversation. “Not all humans kiss each other. It is only with others that you like and one may give different types of kisses. A small kiss on the cheek can signify love or care, while a kiss on the mouth signifies much deeper care and likeness for someone. Then with the people you really like, you may have a deeper kiss using tongues”.

Within seconds, he has moved next to you on your couch and has your face cradled in his large hands. You open your mouth to question him, but before you get a single word out, his long tongue enters your mouth. His tongue is much longer and thicker than a human’s, and he uses it to explore the entirety of your mouth.

You whimper and try to get his attention by pushing on his body, but he just keeps you held firmly in place. You work on breathing through your nose as Eltath seems to have no intentions of pulling out to let you breathe.

Tears spring to your eyes as he moves further back, using the tip of his tongue to start exploring your throat. He pushes forward and pulls it back rapidly, essentially fucking your mouth with his large tongue. You whimper helplessly, knowing this is wrong. You have a boyfriend, and yet here you are getting tongue fucked by an alien. And worse, you can’t help but get turned on by his actions, feeling your pussy start to get wet from him using your mouth.

Suddenly, Eltath pulls away, and you gasp for breath. You stay still as you watch him smile and say, “I like you very much, so that is how we will show each other from now on. Good night. I will see you in the morning for breakfast, and perhaps I will show you how we show our affection on my planet,” he says before walking to the guest bedroom.

As you lay in bed trying to sleep hours later, you wonder how you will explain to him that it is only your boyfriend who should be kissing you like that, though kisses with your boyfriend had never felt so intense or gotten you wet as Eltath did. Eltath also said he would show you how his kind shows affection. You don’t want to confuse him even more on human affection before he can show you alien affection. It just makes sense to wait for now. Right?

🖤💕❤️❤️💕🖤

[vampireghostlawyer]

daan's contradictions

One of the aspects of Daan's character that I find the most interesting is how often he contradicts himself throughout the game. Even in some party talks where he doesn't contradict himself, he will act entirely different about a situation depending on who else is present. To a certain extent, all of the characters act slightly differently based on your party makeup, but I think Daan is particularly intriguing because of how much he does this.

Also, he is the catalyst for a lot of the other characters to act differently, such as Karin becoming more obstinate when he's in the party, and both O'saa and Olivia becoming more talkative with him compared to other contestants.

I've seen some people who mistake this for Miro having a lot of different opinions on how Daan should act, or even poor writing, but I think this is definitely more indicative of the strength of Miro's writing. I really feel like this is a conscious choice on the part of Daan's character and I want to try and explain my thoughts about why he acts how he does, as well as provide some examples.

Examples:

1.) In one of Daan's earliest conversations in the game (if Karin is in the party), he will lament his shoes getting ruined and Karin will accuse him of being too prissy to spend time outdoors. She'll point out how he's a city slicker with soft hands and doubts that he'd have the skills to survive on his own. He'll refute her but he'll dodge her questions about being a "city slicker" and his explanations of how he'd survive are either sarcastically bad, or he's genuinely pretending not to know.

In a later party talk, we learn that Daan actually spent the majority of his childhood living in nature before he was taken in by Eihner (or started selling Sylvian services, depending on his backstory).

This makes his answers to Karin, as well as his constant comments throughout the game about how poorly he's handling the Prehevil weather and nature, very strange. If he really did grow up in nature, he should know better than to eat random mushrooms and shouldn't be bothered by things like the smell of lake water or mud, but he still makes a point of acting like he's not used to encountering them.

Additionally, if Olivia is in the party, Daan will actually backtrack on some of his comments about nature and express an interest in it, seemingly just to be nice to her.

2. When standing in the rafters of the church, if Karin is in the party, she'll express a fear of heights, Daan will point it out (in what seems to be a teasing way), and they'll bicker a bit.

Despite this interaction, if you do a party talk in the same area and Karin isn't in your party, it becomes clear that Daan is also afraid of the rafters lmao.

3. When O'saa comments on the bookstore, Daan will act offended and argue with him about the value of books and reading.

When visiting the same store without O'saa, Daan will not express a fondness for reading or share the story about A Tree Grows in Rondon, and will even say he finds books boring.

Despite this, he will once again seem to like books during his party talks in the Mayor's House.

3.) When not playing as Daan, he will tell the player (in a few different interactions) that he either plans to stay on the train, or thinks it's the best option.

He says variations of the above lines with every player character and in a few different dialogue branches. Ironically, he actually doesn't wait around by the train. In fact, Daan is one of three characters who doesn't spawn at all during the morning of Day 1. While some characters (like Olivia) will actually wait by the train, despite Daan's comments, he only ever spawns by the train during that initial interaction (and immediately after), and then doesn't return until he can be found in the shack later that day.

4.) Daan says in one party talk that he prefers being out in open areas because they seem safer, yet when Karin says the same thing, he makes fun of her for it.

5.) In some party talks, Daan will talk openly about sex, however when Abella is present, he becomes much more prudish. One example is in the department store, Daan will make a comment about how the torture victims seem to be screaming in pleasure, and if Levi is present, will agree with him that the torture is consensual.

When Abella is in the group, however, he will instead act disgusted by what he sees. Similarly, when O'saa makes a joke about sex in front of him at the PRHVL Bop, or when Marcoh and him joke about joining an orgy at the museum, Daan will go along with it, but when Abella does the same about the Sylvian statue in town, Daan will stop her.

These are just a few examples, I remember seeing a few more in my first few playthroughs, but these are just the ones that stuck out to me the most.

Analysis:

I think it makes a lot of sense that with Daan's background, he would have to have a lot of skill at appeasing others. In any version of his backstory, he would have had to rely on getting other people to trust or like him, so it's probably something he's developed a skill at. I think that can explain a lot of his random contradictions when interacting with others.

Daan's blank soul also plays a part in this, I believe. In the narrative, both with the Dutches and with Pocketcat, Daan serves as an empty vessel meant to fulfill the whims of someone else, be it Eihner's ritual or the Pocketcat's need for a body. In gameplay, most of his abilities help others at the cost of hurting himself in some way. Daan's life and story revolve around the people he's surrounded by, so it makes sense that his interactions with others would mirror that on a more minor scale.

I also think that a lot of Daan's calmness is a facade meant to trick the player (and other contestants). When we see Daan in a lot of extreme and horrifying scenarios in the game, he is hardly bothered. Attempting to kill Daan, having him inspect his fiancee's body, having him in the party for the fight with stitches or needles, or even amputating all his limbs, still only end with Daan acting almost comically calm for the situation. In contrast, when he undergoes minor annoyances like ruining his shoes or entering the sewers, he reacts very strongly. I think his apathetic personality is a coping mechanism to deal with his past trauma, as well as the trauma of Prehevil, and that his true emotions slip through the cracks of his less important interactions. That's why, when he's talking to Karin or O'saa for example, he is much more emotive and mocking.

Finally, I also think Daan is a bit of a liar. Likely due to the same reasons as needing to please others for safety and survival, he also developed a talent for lying. Throughout the game he is either incredibly secretive, or even sometimes outright lies to the player and other characters whenever he is questioned about his actions, motives, or past.

[quicksilversnails]

One detail about the Your New World ending that I can't get over is how it specifically avoids using the phrase [Slay the Princess].

The red-text dialogue options describe killing her, ending her, destroying her, ridding yourself of her, putting her down, not needing her, and so on, but never, ever, slaying her. Your final choice is to [Destroy her], and afterwards the text simply reads "she's gone".

The choice of wording seems very intentional, right? The game's literally called "Slay the Princess", and the act of killing her is described using those terms for the vast majority of the game. So what does its absence mean for this ending?

My first thought was that it was because you didn't use the Pristine Blade to end her. The lack of blade might play a part in it (as I'll expand on later), but there are already a few cases where you get the option to [Slay the Princess] without the blade, like trying to slay the Shifting Mound before the vessels appear, or slaying the Fury with nothing in Contrarian!Fury. There's something more here, I think.

The choice of words could also represent the emotional separation between you and the Narrator. In this ending, the Narrator is irrelevant to you. He’s “a lesser thing that could never hope to understand you”, an obstacle to your awakening. Your final monologue spares no thought for the well-being of the people inside the world, who the Narrator sacrificed everything in hopes of saving.

Contrast this with A New and Unending Dawn, where you do actually [Slay the Princess] using the Pristine Blade given to you by His construct. You quote the Narrator directly if He told you about you and her containing parts of each other, and you generally can be much more sympathetic towards Him even after His obliteration.

In Your New World, even though you technically destroyed her like He had wanted, you didn't Slay her. You didn't do this for Him, or for His world: you did it for you, and for Your world. You cut yourself off from understanding Him, just as you cut yourself off from understanding Her.

In a similar vein, I think the choice of words could also represent a separation from the terms of the game itself.

Slay the Princess is a game filled with repeating symbols and choices: woods, cabin, blade, basement, chains. Slaying her, or freeing her. Narrator or Princess. Dying and restarting and dying and restarting. Even at the end of everything, these same ideas return: you can choose to leave the cabin with her, slay her, return to the beginning, and so on. (it's a very cohesive narrative like that)

But by seeking out this ending, you're breaking the boundaries of what's typically possible in this game. You're not slaying her, and you're definitely not leaving with her. You don't go to the cabin, you don't find the blade, you don't get "outside help".

The whole game is centered around learning about the Princess and yourself through your shared experiences and developing relationship, but to get this ending is to reject any meaning the vessels may have had to you, and thus to reject her role in the game's narrative.

Meanwhile, by not Slaying the Princess, you reject the Narrator and the construct itself, the construct that was built from nothing in order for you to complete that single task, the construct that constantly limits your choices. In this ending, you reject all the choices that were given to you by the game's typical structure and make your own, new choice.

The game constantly reminds you that you'll need the Pristine Blade in order to stab her in the heart: you'll need it if you want to do this right. But what if you're not interested in "doing this right"? What if instead, you choose to do something cruel to those around you (and cruel to yourself) for the sake of exerting agency in a construct where agency is taken from you?

As the Shifting Mound herself says in response to tossing the Cage's head: "That act was your final assertion of will over chains".

For better or worse, there is nothing and no one left to chain you down (except for you).

[currentfandomkick]

While i do like the other reblogs (especially the one where Danny’s way to avoid killing someone was to poison Ra’s) it could be fun to play with Danny having left with the LOA’s consent.

How about with Ra’s blessing, as Danny argued he was too easily emotionally compromised, and wanted to focus on the environmental impact side of the league, magic, and even how they handle diplomacy and trade but cannot tolerate killing himself and is aware of this weakness in himself. Tiny Danny doing the equivalent of going “hey, you let mom choose to be the League as an adult. I am choosing not to stay here as an assassin and have different aspirations like her. I doubt this will change, can i be placed in another family unit that does not expect murder or for me to be cool with killing? with your approval, of course.”

And Ra’s was shown in a lot of early comics and later one to value integrity and loyalty highly. Danny indicating at a young age he’s aware he will hinder the league but could flourish elsewhere and offering listed interests and relevant skills he has could amuse him enough to inform Talia and get her take on what type of family she would want a young Danyal to be placed in, as they’d rather find one sooner to prevent Danny from being a long term security risk.

Talia was fully aware Danny does not want to kill, much like she did once and knows she can’t give him that life, so she chose to give him up as a small child. Damian stayed in the League as he did look up to his grandfather and wanted to be Heir. She decided it was better to separate the twins and let them chase their ambitions and moral codes than to force both to stay with her.

This also is a foundation for her sending Damian to Bruce when he’s ten—she remembers that Damian would learn well under him sure, but that Damian can learn if he does truly prefer killing as a primary option, or if he prefers alternative solutions to handling targets/dangerous individuals. To a degree, a test as an heir, to another degree, her trying to let her remaining son decide if he truly wants to lead the LOA as her father’s heir or not.

Danny could have been unofficially ‘gifted’ to the Fentons around age 4/5. with Maddie as a former LOA agent’s daughter and struggling to have a second child due to prolonged ectoplasm exposure. He was the ‘solution’ to them wanting and being unable to have another child. They just need to make their findings publicly accessible and keep him involved in the engineering aspect so long as he continues to show interest in it.

Problem: Danny does not favor fighting, and becomes Phantom on his death and auto-revival. He made sure not to tell his current parents, as he is aware Talia would be told and she would end up telling Ra’s. His reason to not tell the Fentons is to prevent Ra’s from trying to make more Halfas to be assassins. As Danny fundamentally is opposed to killing in this, and while fine with a varied range of other solutions, including Sam’s brand of ecoterrorism, killing is his Hard No.

From Damian’s POV his disowned twin showed up with a billionaire in Damian’s ‘territory’ between the two and realized Bruce and co were unaware Danny existed, let alone was with a pair of mad scientists loosely related to the League’s scientific and occult endeavors… and said twin is with a man that is not those approved individuals claiming to be his twin’s father. Was his brother kidnapped after the adoption? Adoptive parents dead or otherwise lost custody? He has no way of knowing as he’s not in the League anymore and lost that right to know when he chose his father over the LOA.

From danny’s POV he just found out Bruce Wayne is in bed with the LOA, and does not want to deal with the fallout of Damian a) catching him in his territory b) associating with a man that’s team ‘murder solves problems’ and c) is claiming to be his father when there’s no way Vlad’s ass would pass LOA standards for a branch member’s foster/adoptive family. He does not want Damian’s murdery smoke and is bailing as fast as he can without outing he’s meta/supernatural now. No idea how Grandfather would react or if he’s be used like Freakshow had puppeted his body with the red orb. Danny does not want to Find Out and has no clue Damian left the league.

Batfam POV is Damian had a secret twin who likely needs rescue, and knows too much about cloning. Is he in the LOA still? Escaped? Is a clone of Danyal and presumed his ID? They dont know and will find out. After capturing him and the shady guy claiming Bruce’s parental rights.

Right Reasons; Wrong Kid

Summary: Batfam thinks Damian is being kidnapped when they see Danny getting manhandled into a car by Vlad; Danny loves to make Vlad's life difficult and puts up a fight getting into the car.

Word Count: 1450

Being in Gotham was the last place Danny wanted to be today, especially when he had to be here with Vlad. The fruitloop had somehow convinced his parents that he should go to this stupid three day business conference with him.

While Danny can't make any decisions right now he can certainly make Vlad regret his. Which is why Danny doesn't feel an ounce of embarrassment at what he is currently doing.

"Daniel, get in the car." Vlad hissed at him with a tight smile as they both stood outside of the building the conference was being hosted in.

"No." He said; even going as far as to take a step backwards to further spite the man in front of him.

It was clear Vlad was losing his patience with him if the subtle flash of red in his eyes is anything to go off of. "Daniel, I won't ask again. Get in the car now, or I can drag you in. The choice is yours, but you will be getting in this car one way or another."

"You really gonna drag a kid into your car in front of all these people you're trying so hard to impress?" Danny looked from side to side at all the people congregating on the sidewalk and steps as they wait for their vehicles to arrive.

"I'm hardly the first person they've seen that has had to deal with a stubborn child refusing to listen." Vlad says as he takes a threatening step forward, "Now get in the car."

"No."

Seemingly annoyed but not surprised Vlad takes a deep breath before his hand, like a snake, strikes forward and grabs a hold of him before beginning to pull. Just as quickly though Danny is trying to pull away with just as much strength. Quickly taking a moment to look around he sees that others are already starting to look in their direction; perfect.

With him distracted though Vlad was able to get a sharp tug on him causing him to stubble towards the car. Before he can fall into the car though Danny is shooting his foot forward, firmly planting it down as his hands land on both sides of the open car door.

"Gonna have to try harder than that, fruitloop. I can't make it too easy for you." Danny teased as he fought against Vlad’s pushing.

Vlad doesn't say anything back to him besides giving a low growl. This situation is clearly not going the way he wanted to and Vlad’s frustration was starting to show, and Danny was determined to watch this man break in front of all these people he so desperately wanted to impress.

He locked his arms and knees when he felt Vlad start pushing harder against his back. Preparing himself to jump to the side the moment Vlad loosened his grip even slightly. What he wasn't prepared for though was for the weight pushing against him to suddenly disappear.

"What is going on here?" A deceivingly friendly voice sounds out behind him.

Before Danny can realize what has just happened though a much stronger hand is gripping his shoulder and yanking him away from the open car door. Finally able to see more than just the car's interior Danny see's that three other men are now standing by the car.

Two of them, a teen not much older than himself and a middle aged man, are standing in front of him as if forming a wall between him and Vlad. Who is being held in place by the third man.

Danny can see that Vlad was just as thrown off by these strangers as he is based on the startled look on his face. What confuses him though is when instead of becoming angry like he expects Vlad only looks surprised as he takes in the three guys with them.

"Bruce Wayne!" Vlad announces with a tight grin, "I was just trying to get my son to cooperate with me and get in the car. I'm sure you understand how teenage boys are."

"I'm not your son!" Danny instinctively yells out; no way in hell was he going to let Vlad tell people they were any way related.

It took him a second to register what name Vlad had even said.

Bruce Wayne? He remembers Sam and Tucker talking about that guy and his family when they found out he was going to Gotham. Which means if he's remembering correctly then the young man next to Vlad is most likely Dick Grayson and the older teen next to him is Tim Drake.

Without looking at him Bruce leans towards him and whispers, "Shh Damian, let me handle this."

Wait. What?

"I'm not-" Danny tried to say that his name wasn't Damian, but was quickly interrupted before he could.

"Damian, quiet." Bruce lowly growls; still not moving his gaze to look at Danny. "Actually, Mr. Masters, you'll find that this is my son, and I don't think you should be putting your hands on him."

Vlad looks from Bruce to Danny and then back to Bruce, "While I do agree that you and Daniel share some resemblance this is not your son Mr. Wayne."

It seems Bruce wasn't going to entertain Vlad's "lie" because he still doesn't bother to even look at Danny. Tim on the other hand seems to consider what Vlad said, and turns to actually look at his face.

Danny almost laughs out loud when he sees shock immediately overtake Tim's face. At least one of these fruit loops is smart enough to recognize that he isn't the youngest Wayne.

"Bruce, this isn't Damian." Tim states with wide eyes still locked with his.

Upon hearing this the other two Wayne's finally take a hard look at Danny for themselves.

"Oh my God B, that's not Damian!" Dick exclaims before releasing his hold on Vlad.

Bruce on the other hand is frozen in shock as he stares at Danny as he comes to the realization that the boy in front of him is in fact not his youngest son. Snapping himself out of his stupor, the older man finally addresses Vlad. "Mr. Masters, my deepest apologies. It seems this young man and my son look remarkably alike, and I assumed the worst when I saw him fighting to get into the car."

Vlad takes a step forward towards Danny clear with his intentions of getting them into the car now, but before he can grab him Bruce is once more taking a step in front of Danny. "I would actually like to have a quick word with Daniel if you won't mind."

"And why is that?"

"I have a son his age after all, maybe I can help ease this teenage rebellion phase, and cause less fights when it comes to getting in the car."

Danny must have been more focused on the growing argument in front of him more than he thought because he ends up slightly jumping when he feels a sudden hand on his shoulder. Looking to his right he sees that Dick is now standing next him with a soft smile. "Daniel, right?"

“Danny actually, and you’re Dick?”

"Yup! That's me," He gestures to the boy standing on Danny's other side, "and this is Tim. Sorry about all this; we thought our brother was being kidnapped."

"Do I seriously look that much like him?" At this point Danny had to meet Damian if the guy's family was even confusing the two of them.

Tim is giving him a concentrated look when he replies, "It's like the two of you could be twins or maybe even clones. The eye color is the biggest difference between the two of you."

If Danny didn't know any better he would think Tim was accusing him of being a clone based on the tone of his voice. He knew Gotham was weird, but he didn't think he would have to worry about cloning here. "While I was adopted when I was pretty young, but I think I'd know if I had a twin or if I was a clone."

"Crazy things happen all the time in Gotham."

Well, that doesn’t sound ominous at all. Danny can't believe saying this, but it's probably time to get Vlad's attention and get the hell out of here. He already has one crazy fruitloop to worry about; he doesn't need more. "Vlad, I think we really need to-."

“Father, what is the meaning of all this?” A new voice interrupts him, and when he sees who it is truly shocking to see a mirror of his own face. The other is also now looking at him with something akin to shock and grief.

“Damian?”

“Danyal.”

[mattyriddlesbitch]

Yule Ball (Chapter Six)

Mattheo Riddle x F!Reader

Warnings: Mentions of fighting, I think that's it

Posting early since I forgot to do this earlier

The Yule Ball was only hours away and you and the rest of the girls in your dorm were getting ready, putting on makeup and doing each other’s hair, helping zip each other’s dresses up. It was chaos, the dorm was a mess from all the clothes and shoes and accessories thrown about as some of the girls made last minute changes to their outfits. Lots of ‘Does this look good?’ and ‘How does this look?’ was being asked over the music playing. It was definitely the most active and chaotic the dorm had ever been since you started. Even the first and last nights of the school year were calmer.

You finally finished getting ready, looking at yourself in the mirror. The dress was gorgeous, the shoes matched perfectly, your makeup and hair were done perfectly. Honestly, you never felt more beautiful, but you were still nervous. Why were you nervous? It’s just Mattheo.

You didn’t have much time to think about it since one of the girls called your name to join in some photos they were taking to remember the night.

After the photos, you all headed to the Great Hall to meet your dates. You were so focused on not tripping on the stairs from your dress or heels, you didn’t notice Mattheo at the bottom just staring at you in awe. He offered his hand to you on the last few steps and you finally looked at him and smiled, taking his hand as he helped you down the rest of the way.

“Hi, Matty.” You said when you finally stood in front of him.

“Hi, princess.” He copied. The lack of words would’ve put you off if it wasn’t him you were talking to.

“That's a nice suit.” You smiled as you looked down at the suit, noticing the tie color matching your dress.

“Thank you. I like the dress.” He said, making you look back up at him.

“You get into another fight since I last saw you?” You asked, noticing the cut along the bridge of his nose.

“Maybe.” He shrugged.

“So, what should I expect tonight? Are we dancing or just hanging with your friends or what?” You asked, still smiling at him.

“Do you wanna dance with me?” He asked, raising his eyebrows.

“I feel like that’s kinda the point of having a date to a dance, so yeah.” You nodded.

“Fair point.” He said, offering his arm. “Come on. We better get in if we wanna see Potter make a fool of himself.”

“Oh, right. He gets to dance in front of everyone.” You take his arm and he leads you both into the Great Hall.

After a few minutes, the champions of the Tri-Wizard tournament came in with their dates and danced. People slowly started to join them and Mattheo led you to dance with him. He placed a hand on your waist and his other hand held one of yours, your free hand going to his shoulder as he led you two to the music.

“Wow. You actually know how to dance, like really well.” You said, a bit surprised.

“Is it that much of a surprise? We were forced to learn anyways.” He said, smiling ever so slightly, like he was happy he surprised you.

“Fair point.” You said, repeating him from earlier. Each house had their own dance lessons earlier, and it definitely wasn’t optional.

“I did also learn when I was younger. My mother forced me to learn.” He said, his smile growing slightly.

“Oh, really?” He surprised you yet again, making you smile at him. You liked learning these little tidbits about him.

“You don’t believe me?”

“Hm. I’m not sure. I’d love for it to be true though.”

“Why’s that?”

“Because it’d be funny to imagine you in dance lessons.” You teased, and this time he actually chuckled.

He took the opportunity to catch you off guard and spun you before bringing you back to him, continuing to dance with you.

“Mock me all you want, at least I know how to dance. More than I can say about most of the guys here.” He said, letting go of your hand to place it on his shoulder, moving his to your waist, bringing you a bit closer as you danced.

“How old were you when you started these dancing lessons?” You smiled at him, seeing if you could get more information out of him.

“I was nine. But the teacher gave up after a few weeks.”

“What did you do? You didn’t curse them did you?” You joked.

“Maybe I did.”

“Surprised they lasted a few weeks then.”

“She was stubborn.”

“Seems like you learned something, though. It’s cute. Thinking of little nine year old you being forced to learn how to dance.” You laughed.

He just smiled at your laugh as he continued to guide you in the dance.

After a few songs, he guided you over to a table to rest and the other boys slowly gathered with you two. All the boys were joking around and their dates were gossiping, it really seemed like everyone was having a good time. It honestly was the happiest you can recall seeing Mattheo. He was laughing and smiling with his friends. You even watched and laughed as they danced together during a few of the line dances and fun songs. You really couldn’t think of another time you saw Mattheo smile this much.

He pulled you from your seat to join them in dancing. You laughed together as you danced to the music, just having fun, wrapping your arms around each other. He kept you dancing with him through the slow songs and the upbeat ones, swaying and spinning you, or just dancing while singing the songs to each other.

This was a version of Mattheo you really loved. A version you could really fall in love with.

No. That wouldn’t work out.

You quickly shook that thought from your head as you kept yelling the lyrics of the current song playing to each other.

“I wanna show you something.” Mattheo said in your ear during one of the songs so you could hear him.

You nodded and he led you out of the Great Hall by your hand.

“Where are we going?” You asked once you were in the hall where it was much quieter.

“Somewhere. Just be quiet if you don’t wanna get caught.” He said before putting a finger over his mouth as he looked at you over his shoulder.

You cursed him out in your head, knowing you were doing something that could get you in trouble, but still followed him.

He led you through the castle, up the stairs and down some hallways before getting to the final staircase that led to the Astronomy Tower.

“We’re not supposed to be up here this late.” You whispered to him but he just smiled at you.

He guided you over to the balcony and gestured to the view. “Yeah, but isn’t this worth it?” He said, looking at your face for your reaction.

You could see the lake and the landscape and, of course, the night sky. “Wow…” You breathed out. You’d been up here before, but not at night and not when all the stars were out. It was breathtaking.

His smile grew at your reaction as he turned his head to look at the view, leaning forward on the balcony railing.

“So how often do you come up here?” You asked after a moment of silence.

“A few times a month, at least.” He shrugged, looking back at you. “It’s quiet. And it’s away from everyone.”

“I can see why you  like it.” You nodded before looking over at him. “No people, it’s calming and pretty.”

“Don’t tell anyone about this. I would hate for my spot to be ruined by everyone else.” He said with a small smile.

“I won’t.” You smiled back. “Why’d you show me then?” You asked, curiosity getting the better of you.

He shrugged, looking back out at the night sky. “I don’t know. I don’t mind you here.”

You didn’t comment on that, not wanting to dig too much deeper into it. “I had a lot of fun tonight.”

“Yeah?” He straightened up and turned to face you, leaning his hip against the railing. “I had a lot of fun too.”

“I’m glad I went with you. I’m not sure I would’ve had that much fun with someone else.”

He smiled again at that. “Me too. I think that was the most fun I’ve had in…a long time.”

You smiled back at him. “I liked that. I liked how happy you looked.”

“Yeah, I wasn’t expecting to actually enjoy it, but…” He shrugged again.

You leaned up to kiss his cheek. “Thank you, Matty. For a fun night.”

“Yeah. Of course.” He said, watching as you leaned back down.

You smiled at each other for a moment before you spoke up. “It’s getting late. I should, uh, get to bed. As much fun as that was, my feet are killing me.” You chuckled.

“Right, yeah. Well, come on then, princess. Let’s get you to bed.” He said, gesturing you towards the stairs before helping you make your way down them so you don’t trip.

urrent Taglist

Taglist:

@jeannie-beannie @mixvchelle @helendeath @evaslytherpuff @leandre2006

@yours-truly-5 @hpnsfwaddict @mayamonroem @brittney-121 @leovaldezsbitch

@dracoslovergirl @littlemadamred @mattheoriddleluvbot @acornacreacure @opheliamalfoy236

@delulugirl2000 @akira1246 @queenshu @prettypinkprincess15

@jolly4holly @st0n3dbarbi3 @kurumbukaari @whydoireadanymore @sweet-afternoon

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@lhotse8801 @eneywey @suna-rintired @maxsisly @ur-local-wizard

@notavailibles-world @tantrumbaby @peonies-and-unicorns

[marzipanandminutiae]

Do you have any advice on making a living working in historic preservation? I feel like every opportunity in the field (ex. Local historical societies) is volunteer work, which I do, but I also need money!

:)

:) :) :) :)

I am so sorry but you've hit upon the main employment problem with this field: it is wildly underpaid. Especially if you want to do something with museum content/collections/preservation rather than admin.

The issue is, this system (at least in the US, where I live) started out in the late 19th century being run by people who had a lot of free time and a LOT of money already. Married upper-class women, rich men- often gay, interestingly enough -with academic turns of mind, etc. They didn't need the money, so they built a structure designed to function that way. And for many years a lot of this work continued to be done by volunteers.

Except then people came along with the audacity to want to make a career out of it. Without enough generational wealth to not need payment! Oh no!

So now there are not enough full-time jobs in the field for people who want them, unfortunately. They're out there! But you might have a hell of a time getting into one.

I'd say to look for bigger orgs over small ones, or small orgs in big cities. We love a tiny house museum in the middle of nowhere, but they often have the smallest budgets in a world of small budgets. Also, consider starting out part-time and trying to work your way up (just make sure the org has full-time employees first). Making connections is paramount- I've only had part-time museum jobs so far, but I never got a single one just by applying online. You can, but it helps a lot to have someone say "hey, the Fancyman-Spinsteracademic-Wepromisewe'rereckoningwithslaverynow House is hiring; want me to put in a good word for you?"

Alternately, learn some hands-on preservation skill like carpentry or horology (working with mechanical clocks- PLEASE learn horology if you go this route; all the horologists are 80 and they keep dying) could be a way to get specific talents that historical site museums can't function without and will therefore pay for when the budget allows. In cities with lots of historical architecture that they actually care about preserving- so not NYC, apparently -there are often independent companies that specialize in different aspects thereof. Historical window repair, historical plastering, historical brickwork maintenance, etc. Trying to get hired by one of those is a way to go into preservation without working in museums. Private auction houses or antiques dealers can also be an option, if you're more into the Collections Objects side of things.

I don't mean to make it sound bleak. My eight-year career in museums has been entirely part-time collections/interpretation/admin jobs stitched together, and while I'm sick of the "underpaid and relying on my parents to pay for my insurance" aspect (yes, I freely admit it; I'm a lowkey continuation of the Can't Work In Museums If You Don't Have Family Financial Support tradition and very very lucky to be able to do what I do, and yet even I'M frustrated and tired and over it), it is deeply fulfilling work that I consider highly worthwhile and important. And there ARE avenues to make a decent living in it!

I just want to explain the phenomenon you're seeing and give you realistic expectations.

Best of luck!

[gedwimora]

i will say about robb--

things he has discovered: he's kind of a slut things he hasn't discovered yet: boys

[rambles-on-dragon-age]

Solas also continually operates in small cells that can't be traced back to him and sent the freed slaves about their business. Why would he keep his slave army wrapped around himself at all times. That doesn't make sense. There's a banter where he explains to Sera how he works, after all. They're either freed and doing what they want or acting as his spies; we learned that much during Trespasser. He's not going to make them work for him and frankly he probably started working more and more alone and just using the information the spies give him. They still work for him in the Missing Collection and I think mentioned in Tevinter Nights that's part of how he's keeping tabs on the Inquisitor and friends. He sees some stuff in dreams but that's not the extent of everything he knows and how much stuff he's keeping track of. The point of them being spies is moot if you know who and where they are after all. :)

Now you're confusing "bad writing" for "suspension of belief so the story can continue" and "quality of life is important to move the game narrative forward". The Blight changing and acting different and being a tool of the Evanuris was a major plot point; they can't have characters shying away from it "for the realisms lol"

The Wardens say, repeatedly, that everyone is infected at different rates. Even if Rook & Co got "just a scratch" and were infected, they could reasonably survive that infection for weeks/months before Antoine and Evka went rogue and performed the Joining on them like they've been shown to do/offer to other people that are infected.

But that's not conducive to the story. Like @postcardsfromheapside said, the Inquisitor & Co mucked about in tons of red lyrium and yet never got infected nor affected. You know. Like basically everyone else was re: Cory's army and the people mining it. Would it have made story sense for the Quizzie and friends to fall to the lyrium before the end? No. So they aren't infected/affected by it.

Rook keeps fighting these huge dragons? Uh, yeah. Rook and Co. fights exactly ONE dragon that was blighted, realized they probably couldn't kill it and were lucky to hurt it, and then went out and hired a dragon killing specialist to help them with that dragon and its friend when it comes back. Quality of life team building won't lock you to needing Taash every time you fight a dragon, but they are considered side bosses for the most part that are completely optional.

As for Minrathous falling, yeah it's not the dragon that takes down the city. The Floating Attack Palace is focused on the dragon, it's the murderous nationalist death cult killing the leaders while they were distracted fighting the dragon, taking over the city, and routing out the Shadow Dragons and later the Threads as those are the people still standing against them. If Rook is distracting the dragon so the Murder Palace isn't focused on it, then the magisters could focus on the death cult knocking down their door instead. No one's invincible, especially when the Ventatori also have powerful blood mages. Their focus is split, they fall. Their focus not split, they could defend themselves.

And, again. Bellara acting hateful and distrustful would have been out of character for her. If you want a Mean Dalish Bellara instead of Sweet Veil Jumper Scientist Bellara, write one for yourself. She wasn't written badly, that scene was written exactly right for her character. You are trapped in the bubble with her, the only person that can take it down, and she knows it. You are in the palm of her hand. Also ? If you were going to kill her you could do so on sight. You'd still be trapped in fade bubble prison until you die one way or another. (And yeah, that look she gives you at first reeks of distrust until you tell her who sent you. :) You know her leader and didn't attack on sight. Not the behaviors of evil Tevinter mages or bad humans.)

You're looking at the previous games through years of nostalgia and with rose-colored glasses. All that "rich, cultural atmosphere" is similarly shallow in every single one of them if you don't take the time to delve into the extra content the game offers.

Frankly, it feels like 90% of our time is spent in fantasy Britain's mudhole because we've spent so much time in Ferelden and when we got to Kirkwall it's similarly shitty. There's even memes about how awful and dragging the Hinterlands is. That's not dense or rich, it's literally the same place over and over again. Are you confusing fantasy racism and oppression being rubbed into your face extensively for all that dense culture? Is that the dense culture you're missing? Is it the brief glimpses we get of the Deep Roads and Dalish elves? Is that the rich culture? (You know, the stuff we see again in Veilguard. We even get to explore TWO Dwarven areas! Not counting the Fade one. There's so much cool shit to explore in Veilguard I'm never going to get tired of looking around for more details.)

This is the exact same world, the exact same setting, and we're being shown all these places we've only ever heard of. They're no longer just a name in passing, they're real places and we can see them and their architecture and the types of people that live there and how the weather is different and how the people are different and their different styles of dress and different foods and EVERYTHING. It's that environmental storytelling thing the game does very well and it's SO COOL. The maps had to be more compact but they're absolutely jam packed with puzzles, people, visuals, codex entries, etc... You're calling it shallow because what, they didn't add 500 codex entries from past games rehashing the same exact things we've already done three times before? We've been there, done that, learned it, we're doing something new now!

I thought you missed the context and content in the game but I'm steadily realizing that maybe you just flagrantly ran past it at full speed with your fingers in your ears and screaming because you think hating on this game is cool at this point in time. Gods forbid you take anything from this game at all besides regurgitating the same tired complaints that showed you approached this game hating it and didn't bother giving it a chance because "It's not like the other games!!"

a really cool part about dragon age veilguard is the first scene where you meet bellara, especially if you're a shadowdragon mage and you have neve with you

so to set the scene: bellara, the dalish elf who's devoted her life to the conservation, discovery and protection of her people's lost and ancient history, meets two strangers, two tevinter mages, in sacred arlathan. They tell her, hey your gods are back in the world but also they suck and we gotta kill them, and instead of telling them "fuck off you vile enslaving shem, you defile this land with your presence" like most normal dalish, not only does she instantly believe them that her gods are bad for some reason, they're back among the people and need to be stopped, she also happily starts telling them all kinds of secrets and valuable knowledge about ancient elven magic and is even so kind to, without question, take them on a grand tour of this very historically important and sacred ruin in arlathan to find a truly priceless artifact, a one of a kind archive of ancient elven knowledge thought lost forever, because really, what could these unknown tevinter mages possible want with that!

...

are these writers smoking crack?? is that it? theyre smoking crack??

[moongothic]

Seen a few people too many discuss the concept of Dragodile Baby 2 and my hot take is that there's no way in hell Crocodile would ever detransition just to go through nine months of horrible dysphoria again, let alone go through pregnancy ever again (or allow Ivankov to even touch him, what if they died and weren't able to trans Croc's gender again afterwards? Hell naw, ain't worth the risk)

But this leaves an opportunity for a Funnier Option:

Dragon wants another baby? Sure, but it's his turn to carry it >:)

[valkyurii]

useless piece of information: malenia always follows up with a grab after she breaks your guard with a kick. it is possible to roll out the way as your stamina regens fast enough on it's own, but i still thought it was pretty cool that she can do this

[jarl-deathwolf]

EXCELLENT!

Ooo that is a lot of FANTASTIC information, I pulled up a document and got to work taking notes. I'll have to spend some time sorting it out into a handy reference sheet but even as-is this will help a lot.

I'm really glad I asked because this includes a lot of details that I wouldn't even know to ask, like the acidic/neutral/alkaline distinctions between forests. Between that and the wet/dry divide, now I can look at a map of around where the characters are and sus out roughly what they're looking at. It really does take away a lot of the stress when

Better yet, it gives me options so I can pick some possible environments to suit what I need in the story. Like choosing a wet forest if I need treacherous terrain, or a Celtic Rainforest to enhance the splendor of a moment.

Best of all, this gives me a vocabulary of things that I can then look up references for, and a bank of plants and animals I can pull up to add life to a scene.

One thing I've really struggled with in this story has been giving the region its own distinct feel compared to other woodlands. Which is doubly important since the entire story revolves around people desperately trying to save it (and their culture) from being destroyed by colonization and conquest.

That section was pretty thorough, so I'll have to digest it for a while before I've got more questions there.

Anyway, getting into more specific comments, as well as the map, below:

(map by @noanieactuallydrawingalot) So this is the continent where the stories take place as a whole. I may or may not have made the Fells (Fantasy Wales) something like five times as large as its real counterpart. Here is more specifically the Fells, with the three big rivers named (I assume there are many more rivers and small lakes, these are just major ones) and the historic realms of the Fells marked out

I've tentatively named some broader regions, but I'm not confident about those just yet. Red dots denote major cities. The yellow line is where the old empire's borders were - those five Fellish realms are still fully under foreign rule, with four more ruled by Marcher Lords, which is just more tenuous foreign rule.

Let me know how I did with the geography and such! I've done a lot of free time studying and took a college course about it, but things like the effects of ocean currents and wind patterns always tripped me up. Anyway, I'm glad I ended up pretty close with Old Man Ash. I think he would be fine with the informal version - the other name he gets called in the story is Grandad, so I get the sense he cares more about people being comfortable in his presence than formality. Although keep me updated on if your inlaws have a different opinion - I'll need to contact my editor to update the PDF, so I'd rather do that just once. With what you said about broadleaves being exclusively what makes up the old growth forests, I wonder if that would mean that all Dagfolk would be based on broadleaves? 🧐 Since I'm sending pictures, here is the (now properly named) Hynafwr Onn:

(art by dinwardo over on twitter)

Before I move onto the next thing, just a quick question: I have another Dagfolk (like Grandad up there). His current placeholder name is the Great Oak, and he's considered the wisest and most powerful of the Dagfolk. A personal friend of King Arthur.

I don't suppose you'd have a suggestion for a name?

I am delighted that you bring up bards because I made the main character a Fellish bard by the name of Llywela ferch Marared. She plays a crwth and I like to have her make subtle references to Welsh songs like Sebona Fi and Yma O Hyd. I gave her uncommonly red hair to imply a connection with Annwyn.

(I realize that's not the usual spelling of Annwn, but I chose it so I wasn't directly cribbing mythology and making it harder for people to learn about those myths) I also have some commissioned art of Llywela, plus the Lady of the Lake and the Merlin analogue, for what it is worth. You mentioned faeries with the peat bogs. I don't think faeries will be making a huge appearance in this story (mostly just one knight), but I'd be glad to hear about Welsh-specific faerie lore if you've got it on hand.

You also said that cheeses were a big Welsh cultural touchstone. Are there Welsh specific varieties that you can tell me about? And what sort of dishes are they made into?

Also on that train of thought, you mentioned a plant that flavors mead - would that be the go-to alcohol of choice, or are there others floating around? Both for a lord's table and what you might find in an inn.

And thanks again for the response, this really has been a treasure trove of great information for me!

Hi hello! I'm writing a story in my original world, set in a Fantasy Wales. A King Arthur Returns type story, if that matters.

I was wondering if I could ask you some questions about Welsh ecology? And possibly also some cultural details?

Thanks ahead of time! And I understand if you decline or don't respond!

YES OH MY GOD YES HELLO

[coffeeandcalligraphy]

hiiiii hiiii just wanted to let you know I've updated my freelancing page with a couple new services & updated rates!!! tried my best to keep this as affordable as possible while ensuring the rate is fair to me & also have a bargain option now to keep things accessible :)

Rachel now offers:

Discounted combo - Line & developmental edits (starting $120USD, short stories/chapters)

Bargain - Line & developmental edits ($40USD, short stories/chapters, max 1500 words)

Line edits ONLY (starting $90USD, short stories/chapters)

Developmental edits ONLY (starting $60USD, short stories/chapters)

First page edits ($15USD, short stories/chapters)

Poetry edits (starting $15USD)

gonna monitor to see how these new prices go but if you're looking for an editor I'd LOVEEE to help!! :))

Work with me as an editor!