#and all of that's not even getting started on the historical dynamic yeah

[prince-liest]

popping in real quick to say I really love your "I love her/love her not" chapters! as much as I enjoy Al's antagonism with characters like Vox and Lucifer, his friendships with women in the series are sooo interesting to me. it's nice to see your take on how he (and Mimzy!) both struggle with their preconceptions of their time period and heteronormativity in general

Aw, thank you so much! Yeah, part of the reason I really wish we got more character-building episodes is that with Alastor in particular we see a lot of hints of him wildly different approaches to his relationships depending on who they're with, and I think that while he's definitely often antagonistic as hell in his relationships with men, he specifically is much less so with most of the women in his un-life. I remember watching Dad Beat Dad and going, "Wow, I can't believe Alastor is the first person we've seen set a good example for drawing a normal and healthy relationship boundary..." when he asked Mimzy to leave.

Like, compare how he snapped at Husk, who was actively trying to look out for him, for just saying a smarmy thing that Alastor is touchy about, vs. all the shit Mimzy did and the damage she knowingly caused... only for Alastor to not only, with full and stated understanding of her intentions and their consequences, still let her use him for her own protection, but then to be visibly pissed off and still clearly center himself and make the deliberate choice to be polite and honestly kind of kind in how he asks her to please head out.

And she's still fucking upset about it! The way Mimzy behaves in turn during that entire interaction is telling as well, because it's really obvious to me that it's not just her being a bitch for the hell of it. She very clearly did not expect him to draw that boundary and found him doing so shocking in a way that she took personally - and why wouldn't she? He's apparently been actively enabling her to rely on him in this way for literally their entire relationship. "But you love taking care of me!" is not a line that feels to me like she's putting words in his mouth, it really feels like that's what he's purposefully led her to believe, because 1) she's his dear friend and 2) he enjoys being a powerful individual that people rely on.

Anyway. That turned into a whole tangent, hahaha. I'm glad you're enjoying it! I desperately want to see Alastor interact with people he genuinely considers his friends more often, and I want to see how it compares to how he interacts with the people he's growing to care about a lot less willingly.

[murdrdocs]

disclaimer: this is a piece of fictional work. although based on real people, the characters—and circumstances—presented are entirely fictional and should be treated as such.

jack's away for work, but you convince him to call you for a bit. slight power dynamics; phone sex; masturbation; lowkey fluff MDNI 18+ w/ JACK SCHLOSSBERG

as soon as he answers the call, you can tell he's a little tipsy. there's a shine to his eyes, his gaze more relaxed than usual, his blinks less punctual as he stares down into the phone almost at an aerial view.

then he speaks, an energetic, drawn out and almost bimbo-esque "hey" yelled right into the microphone. there's commotion in the background, music and chatter layered together with an almost synthetic perfection.

"hey, where are you?" you squint at the screen, already swiping out of facetime and clicking on his location whenever he starts answering.

"uh i'm out. at dinner. want me to call you later?"

by the time later comes, you might be knocked out and drooling into the pillows with your phone limply hanging in your hand.

but you've been dying to talk to him. you've seen nothing but media coverage of his day—tiktoks from students on campus, tweets from people who claim to have walked by him while he was on his ripstick, a few pictures with curt messages sent from him. you haven't actually spoken to jack since early this morning when you were still too tired, sleep still clouding your vision as you answered his phone call.

you're desperate to speak to him while you're mostly coherent, so you agree.

you hang up after he gives you three exaggerated kisses into the camera. you wait for a while, watch a few episodes of a show you stopped watching months ago, read a few articles you've been meaning to get to. you consider a snack, maybe something a little sweet, but that requires getting out of bed and the mattress and sheets have already conformed to perfectly house your body. in the spirit of comfort, you stay put.

when your phone vibrates against the sheets, it crudely wakes you up. it takes a second for your heart rate to calm down, but you don't focus on that when you accept jack's call—not a facetime this time which you're a little upset about, but you won't complain.

you put it on speaker and snuggle back under the duvet.

"hey, honey."

you hum, trying to fight off a yawn as you stretch, responding to him all the while.

"you were asleep, weren't you?" he sounds like he's exerting himself. you assume he's walking back to his hotel.

"yeah, but it's fine. what's up? are you heading back to your room?"

"nah, i've been back for a little while now. are you sure you don't wanna go back to sleep?"

you smile a little, slowly waking up by the minute. "i'm sure, jack. i wanna talk to you."

a second passes and your eyelids are getting heavier. you adjust yourself to sit up a bit more in effort to stay awake.

"where'd you go for dinner?" you ask him.

"there was this uh ... this historic place not far from the hotel. i went with a few people i met earlier."

"yeah? how was the food?"

he takes a breath, a sharp inhale that's followed by sounds of rustling. "it's was okay, y'know? like you could tell the chefs cared about what they were doing but i wouldn't say it was made with love."

you snort. "food that's made with love's gonna be hard to find."

"hey, we did it once, we can do it again."

you agree halfheartedly, solely because you're so tired that you cant even think to open your mouth right now. it's quiet again and there's a sound on the other side of the line. it sounds familiar, or at least familiar enough. if you weren't between sleep and wake you might've figured it out by now.

he covers the noise with his voice. "what about you? what're you doing?"

"laying in bed. feels nice to lay on your side for once."

"hey!" he sounds offended, but you know he doesn't mean it. "don't get too comfortable. you're gonna fuck up the feng shui."

"i'm not touching anything, i promise."

this time he hums noncommittally. you're sure he knows you've adjusted his pillows to your liking, using the one that smells the most like him as your own personal stuffed animal.

"can i be cliché for a second?"

the switch is abrupt. you hesitate, narrowing your eyes down at the phone as if you could see jack. you wish you could.

"sure...? but before you do that, why aren't we facetiming?"

"it felt too intimate."

"too intimate? how?"

"just ... just let me say my cliché line, okay?"

"okay." you laugh a bit, sitting back and waiting for whatever jack's gonna say this time.

he waits and you don't know if it's because he's nervous, or because he's trying to build suspense. with jack, it could really be either.

he takes a breath and you prepare yourself.

"what're you wearing?" he deepens his voice as he says it, like he's trying to make you laugh. and you do. you tilt your head back and let out an honest, good laugh. but then you realize that while he was making you laugh, he wasn't joking.

you put it together.

not facetiming because it felt 'too intimate' for him, the sounds on the other side of the line—slick sounds that you know far too well—his cliché ask to know what you're wearing.

"you're a pervert, you know that?"

"only because you love to remind me every 3 business days."

"just telling the truth, baby."

"c'mon," he shifts again and you wonder how long he's been at this. has he been edging himself? waiting to hear about your day before he cued you in on what he was doing? how long did he wait to call you? "tell me what you're wearing. i need the image."

you pull your legs up beneath the duvet, bringing the covering with you.

"nothing too sexy, don't get your hopes up. just my underwear and a shirt."

jack groans but not out of pleasure. out of frustration. "yeah and that really narrows it down. give me some description, some color. really paint a picture."

you groan. he's so demanding tonight.

"fine. black panties, the lacy boy short ones. and that creed shirt i bought like two months ago. the impulse purchase."

his hum is one of satisfaction. he sighs and you hear a croak, as if he'd just opened his mouth and let whatever sound brewing in his throat come out without conscious orchestration.

"will you touch yourself, too? i don't wanna be the only one doing it," he asks.

you consider it, but even the thought of lifting your hand and spreading your legs tires you out. you're still barely awake as is, and an orgasm would help put you right to sleep, but you don't want it right now.

"not tonight."

"tomorrow?" his voice is full of so much hope that you grin.

"yeah, tomorrow. sure." you chew on your bottom lip. "if you let me see when you come."

there's a single moment that passes and then the picture of jack's contact turns into a reflection of you. you don't waste anytime answering the incoming facetime call, instantly clicking the green and then lifting the phone to a full image of your face.

the sight is as beautiful as you thought it would be. jack is illuminated mostly by the reflection of you. there's a slight warm light source coming from in front of him, maybe a lamp, but most of the light comes from only you.

he has you looking at him from a downward angle, as if his phone is sitting right atop one of his thighs. he stares down at you for a few moments, his eyes heavy and lidded, completely relaxed. his tongue flicks out over his lips and then he leaves them parted. he's not as quiet as he was before, letting audible breaths slip out. you can hear the shlick of his hand gliding over his dick, too.

you wanna see that angle, too, but you can tell he's close and you don't wanna risk missing that. so you sit and watch, taking note of the small pinch between his eyebrows, the way he sucks in air through his teeth as he winces, his head tipping back. he's bracing himself and you see the exact moment where his orgasm happens.

he's talking to you, telling you he's close, instinctively chanting "almost there, almost there, just a bit more" like he usually does when you're together.

he tenses for a moment, the dimples in his cheeks pronounced, and then he relaxes. his features soften, his eyes stay closed but his eyebrows lift. he looks completely at peace.

he's coming down when you tell him, "you're so pretty". he grins, big and earnest.

"you're prettier," he tells you as he offsets the camera, giving you a view of the pillows until he corrects it. "you wanna accompany me in the shower?"

again, you agree, but it's not much accompanying as you're dozing off by the time the water temperature has been set exactly to jack's liking and he's finally standing under the stream.

you fall asleep to the sound of water running and jack singing unwritten.

[roosterforme]

The Younger Kind Part 44 | Rooster x Reader

Summary: Bradley swallows his pride and seeks out a conversation with Admiral Simpson, but he's surprised by the response he gets. You keep everyone on their toes, and you do it so effortlessly, Bradley knows it's time to go shopping. And he uses Skittles as the perfect cover.

Warnings: Swearing, angst, fluff, smut, and age gap (18+)

Length: 4000 words

Pairing: Single dad!Bradley "Rooster" Bradshaw x babysitter!female reader

Check out my masterlist for more! The Younger Kind masterlist.

When Bradley parked at work a little early on Monday, he sat in the Bronco for a few extra minutes. He had just witnessed you and Noah making breakfast together, and it was making it really hard to be away from you right now. When he walked into the kitchen, you were brewing coffee and singing the dinosaur song with his son while the two of you spread that weird avocado stuff that you liked so much on some toast. He had started to love it, too, and Noah would eat anything you made. 

He removed his aviators and pinched the bridge of his nose. There was so much he wanted to get done this week, including looking at a few engagement rings, but he knew better than to make any sort of excuses to get some time alone. That had nearly backfired on him when he went to get Skittles. He was going to have to get creative somehow.

When he pulled out his phone to call the animal shelter about getting Skittles' cast removed, he froze. Across the parking lot, Nat and Javy were both getting out of his car. "Interesting," he muttered to himself as he watched his best friend groping their coworker, and he grimaced. He'd already seen too much. 

"Hello, this is the San Diego shelter. How can I help you?"

Bradley nearly dropped his phone; he'd forgotten he was making the call. "Yeah, hi. I need to schedule an appointment to have my dog's cast removed?"

"Oh! Are you talking about the Yorkie?"

He smiled as he climbed out onto the already hot pavement. "Yeah. Skittles. I'm hoping she has sufficiently healed."

"Why don't you stop in on Wednesday and we can check her out."

"Sounds good, thanks," he replied, following Nat and Javy at a very conservative distance. But apparently he wasn't cautious enough. 

"So," Nat sighed once Bradley joined her in the hangar, "you saw Javy and I in the parking lot." It wasn't a question, so he decided to just nod and roll his eyes in response. "Oh, come on, Rooster. I'm just having some fun."

"Look at him," Bradley muttered, glancing to where the man in question was smiling at Nat. "Are you serious right now? You want to make him cry or something?"

Now she was the one rolling her eyes. "I'm not taking advice from you. You're historically terrible at dating."

"I'm doing a pretty good job now," he said, smiling as he thought about you.

"You can't even get Cyclone off your girl."

Bradley covered his face with one big palm. "You noticed that?"

Nat laughed. "Everyone at the botanic gardens on Saturday night noticed that."

"Fuck," he groaned. "If she wasn't so young and so fucking hot, I wouldn't be about to embarrass myself by trying to get him to let me fly in the air show."

She just shook her head as she reached for her helmet and muttered, "Oh, cry me a river."

"Hey." Bradley turned just in time to see Javy greeting the two of them like a puppy looking for Nat's attention. He was honestly worse than Skittles at the moment. "The guys are talking about a beach day this weekend. You know, since the summer is ending."

"We don't need to do another beach day. We live in San Diego," Nat replied as she sipped the coffee she wasn't supposed to have inside the hangar. "It's the same season all year round."

Javy laughed like she was a comedian, and Bradley looked back and forth between the two of them, completely baffled by this dynamic. There's no way you and he made a couple this wild. 

"Yeah, but it's still the end of August," Javy said, now smiling at Nat as if she was the most adorable thing in the world. "Rooster, you can bring your girl and your kid. It'll be fun."

"You know what," he replied, "I think I'll go if Nat goes."

Then Bradley strolled away as they started arguing, because he saw Admiral Simpson on his way to the tower. He just needed to get Cyclone alone for a few minutes, swallow his pride, and try to head Jake off for the air show. The opportunity arose after lunch when Bradley caught him checking his phone outside the rec room door.

"Admiral Simpson, sir," he greeted before grinding his back teeth while he thought about you. "May I have a word?"

Cyclone glanced up before pocketing his phone, a look of vague amusement on his face. "Lieutenant. What can I do for you?"

"It's about the upcoming air show. Sir. I was hoping you could tell me if you'd made selections regarding who would be flying in it."

His look of amusement grew. "I have not. I believe that was on my agenda for today or tomorrow." He paused before adding, "I've been meaning to thank you for that glass of bourbon on Saturday night. Woodford Reserve is one of my favorites."

Bradley remained unflinching. Although he had no idea what Admiral Simpson was talking about, he thought it better to simply agree with him. "Yes. The Woodford Reserve." 

He nearly took a step backwards when the other man started laughing. "You'll have to thank your girlfriend for me, too. And I'm assuming the reason you're here is because you want to fly in the air show?"

"Yes...sir," Bradley replied slowly, feeling very off balance now that Cyclone was being so agreeable. 

Still chuckling, he said, "I'll see what I can do," before turning and walking away. 

Once he was out of earshot, Bradley pushed through the door to the rec room as he muttered, "What the fuck was that?"

-----------------------------

It was almost fun for you to pick Noah up from daycare now. Not that you would ever admit that out loud. But the enjoyment you found in the way Casey pouted at you was a bit of a guilty pleasure, and besides, you got to have Noah greet you like you were the most exciting and interesting person in the world.

"Mommy!" he called out as he ran across the lobby and into your arms. "Guess what my craft is!"

"A dinosaur?" you asked as you shot an extremely fake smile at Casey before heading outside.

"Nope."

"A... dog? Did you make Skittles?" you asked as you put him in your car.

"Nope."

"The solar system?"

"Nope."

"Hmm. Will you give me a hint?" you asked, brushing his soft curls away from his forehead and giving him a kiss. But he was already unzipping his bag and pulling out his newest painting. There was a big, light blue shape that looked like it could have been Bradley's Bronco along with a man who appeared to be sporting a mustache. "Is that Daddy?"

"Yes!"

Then you noticed a little brown blob. "Is that Skittles?"

"Yes! She's his best friend!"

You laughed, because Noah wasn't wrong. Skittles seemed to love Bradley the most, and as much as he tried to fight it, the dog won him over. "She is," you agreed before buckling him in. "She's his best friend besides Aunt Natasha."

Noah shook his head. "She doesn't count, because she's an Aunt."

"Right, right," you said, not wanting to fight his childhood logic when Skittles wasn't even a human. "You're completely right. Should we go home?"

You started singing the dinosaur song as you drove, and because of a detour, you had to drive past the park where Meredith had chased you down. A shiver rippled through your body as you remembered falling and scraping up your arm in your haste to get Noah safely in your car. You hated coming home this way. There was a reason you never did it.

"Mommy, why did you stop singing?"

You glanced in the mirror at Noah's face. "Sorry! Where were we? The part about how the dinosaur stomp, stomp, stomps?"

Bradley was already home when you pulled into the driveway, and you found him dozed off on the couch with Skittles curled up on his chest. Two seconds later, he was jolting awake with the dog in his hand as Noah ran for him. "Daddy! I made you! Out of paint!"

"Cool," Bradley told him, pulling Noah onto his broad chest as well. "And how's Mommy?" he asked, his voice a little raspier just for you. "How was your day, Princess?"

You shook off the last remaining thoughts of Casey and Meredith as you leaned down to kiss him. "Pretty good." He chased your lips for more, but his arms were too full of Noah and Skittles for him to be able to reach for you. "Looks like you're still tired from the weekend," you said with a wink.

"I had a nice conversation with Cyclone today." 

"Oh? About what?" you asked as you started to head to the kitchen to make dinner. 

His expression remained completely neutral as he told you, "Bourbon. Woodford Reserve, to be specific." When you said nothing, he added, "We can chat about it later."

So you made spaghetti, knowing you'd been found out. You had been tipsy on Saturday night at the retirement party, but you were pretty sure you remembered what you did. Probably. You hoped Bradley wasn't mad at you over it, but he seemed to be in a good mood as he ate dinner and offered to give Noah a bath while you walked Skittles. 

She was stubborn for you at first, plopping down on the front porch and whimpering for Bradley while you tugged gently on her leash. "Come on. You're making me look bad! You were my idea. Mine and Noah's." When she remained in her spot, you had to reach into your pocket and say, "Treat?" That did the trick, and you got her to take a slow lap around the block with you while you broke a milkbone into little bites and gave it to her. 

When you returned home, Skittles bounded into the house to get to Bradley where he was sitting on the bathroom floor, looking comically enormous with Noah's rubber duck in his hand. You stood in the doorway and watched him automatically reach down to pet the little pup, taking caution with her casted leg while he rinsed the shampoo out of Noah's hair. 

"You want to go to the beach this weekend, Bub?" he asked softly. "With Aunt Natasha?"

"Can Skittles come?" Noah asked, and you watched Bradley place a soft kiss on his wet forehead that left you reeling. Suddenly you couldn't wait for Noah to be in bed so you could have him all to yourself. 

"Maybe. If she gets her cast off on Wednesday," he replied softly as the dog fully plopped down with her head on his thigh. 

"Daddy?" you asked from your spot in the doorway. It was almost a whine, and when he looked up at you, you were certain he knew what you were thinking about by the little smirk on his lips.

He reached into the tub to drain the water as he asked, "Do you need some attention?"

You just nodded, still in your scrubs from work, but you felt too warm now as you pressed your thighs together. "Yes."

"Fifteen minutes, and then you can have it," he replied with an edge to his voice. "Can you wait that long?"

"I can try," you murmured before you turned to go into Noah's room and get his dinosaur pajamas ready. Anything to expedite bedtime. You listened while Bradley took his time reading three stories, and then you kissed Noah's forehead before you tried to pull Bradley toward the hallway.

He chuckled and whispered, "I'll meet you on the couch."

"Oooh, the couch," you said before running from the room. Before you could even decide what you wanted to do, Bradley was behind you wrapping his arms around your waist and tickling your neck with his mustache.

"I kind of miss those nights when I would help you study."

You moaned softly. "Anatomy really is your specialty."

You felt him pull his right hand away from your body, but before you could complain, it reappeared in front of you with a bag of Skittles on his palm. When you spun in his arms and kissed him, you whispered, "You're so sweet."

Bradley lifted you up and took you the few steps to the couch where you settled in straddling his lap while you opened your candy. "If you're this excited about something I picked up at the gas station, I wonder what you'll do if I buy you something a little more expensive."

You met his soft eyes and leaned in to kiss him. "How much more expensive are we talking?" you asked, treating him to the orange Skittle you pulled out of the bag. He parted his lips and you slipped it between them, watching his jaw work as he chewed it up. 

"A lot more expensive," he replied as you ate three candies. "Hey, this is a 50/50 relationship here, Princess."

You shoved a small handful into his mouth and kissed his cheeks as he sputtered and chewed. "I'll share everything I have with you. Too bad I don't have much."

Bradley swallowed down the treat and reached for your free hand. "You give me everything I need. Everything I want, too."

You basked in the warmth of his words as your eyes closed, and a welcome heat crept into your cheeks. "I love you."

"Then I think you'll love what I'm planning on buying for you," he whispered as his mustache grazed your chin and jaw. 

You grinned, hoping you already knew what he was talking about, but too afraid to say it out loud. So you pushed the thought from your mind and scooted a little closer toward him on his lap. "What's this I'm hearing about a beach day? And Skittles getting her cast off? This is all news to me."

He didn't miss a beat as he wrapped his big hands around your hips and said, "What's this I'm hearing about some bourbon at the retirement party? It's all news to me."

"Oh," you whispered softly before eating more Skittles, buying yourself a little time to think. "Well, you see... I wasn't exactly sober."

"You're joking," he deadpanned. 

You rolled your eyes and shoved more candy into his mouth. "I may have had a glass of bourbon sent over to Admiral Simpson, courtesy of Lieutenant Bradshaw and his girlfriend..."

After a few quiet blinks, Bradley's head tipped back in laughter so loud that Skittles the pup came running into the room. "You didn't!" Bradley said. "I have to work with that man!" 

"Somebody had to make the big move, Daddy! It cleared the tension!"

He met your eyes, still shaking his head and smirking. "It also made you look like Daddy's good little girl."

Your heart skipped around in your chest at his words, and you set your candy aside in favor of wrapping your arms around his neck. "Am I not? Daddy's good little girl?"

"Oh, you absolutely are," he replied as he lifted your top inch by inch. "I just never thought my boss's boss would see it that way." 

You raised your hands up in the air, eager to lose your shirt, but he took his sweet time about it. "Daddy."

"You can be patient," he whispered, smiling when he saw your purple bra. "Pretty." Your top dropped to the floor as he cupped you through the lace, finding your nipples right away. "You feel like going to the beach on Saturday?"

Bradley's lips found the tops of your breasts, and you could no longer formulate real words. You just hummed in response already knowing he was going to take expert care of you right now and on Saturday as well.

"You could wear your purple bikini and tell all the other guys to fuck off," he said as he ran his nose softly along your skin while he unhooked your bra and let it fall next to your top. 

"Would you like that?" you asked as your fingers tangled up in his hair. He answered you by nodding as he took your nipple between his lips. Bradley was all big hands on your bare skin and just the perfect amount of roughness. "Oh god," you whined. 

And then he had you on your back in the middle of the area rug with his body over yours. His thigh was rubbing you through your thin pants, and you bucked up gently against him as his heavy weight pressed deliciously against your body. "I love you," he grunted as you tugged at his hair. 

"I love you so much, Daddy," you gasped as he yanked your pants and underwear down and off, leaving you in only your socks. He fumbled with the front of his pants for just a few seconds before pulling his length free, and you spread your legs wide for him.

His lips and tongue were wet on your neck as you held him close, lost in the domesticity of having sex here now. Just like your first time with him. Right next to the snag in the rug. But this time you could hear Skittles' claws tapping across the kitchen floor, and you could see some of Noah's crayons that had rolled under the couch while Bradley fucked you. You could smell the lingering scent of the pasta sauce from the dinner you made. You could taste Bradley's now familiar tongue as it met yours. And you could feel his rough hands on your hips and belly where he'd now touched you hundreds of times. 

You fell in love with the flood of familiarity he brought to your senses, and it left you smiling up at him when he broke the kiss. "Jesus," he grunted, cupping one cheek in his hand. You kissed the side of his thumb as he stroked your skin, and you watched him slowly come undone for you. "I'll get you there," he promised, changing his angle so he rubbed your clit with each movement.

Just like the first time, he filled you up as soon as you came, and your name was all over his lips as you smiled at the lost crayons before closing your eyes. Bradley collected you against his body as he eased himself down onto his side, and you sighed contentedly. You held onto his wrist as he ran his hand along your hair and kissed you. In that moment you would have agreed to anything he said. 

"Baby, I'll be a little late on Wednesday night. I have to take Skittles to get her cast off, and then I need to stop at the store."

You hummed softly in response, pressing your lips to his. "Sounds good."

------------------------------

The only time Bradley heard from you on Wednesday was when you told him that one of your patients came in with an emergency, and you wanted to let him know you'd be helping Dr. Kelly with a minor surgical procedure. He was excited for you, but he didn't want to bother you. Even though he had good news.

"Congrats," Jake drawled in the locker room after a very long day of flying. "Don't know how you managed to pull this one off, but I heard you're flying in the air show."

Bradley ran his towel over his chest before tossing it into his locker. "Thanks," he grunted, trying not to smile. He'd be able to take you on the tour of the hospital with him, and then you and Noah could watch him fly. His son had never seen him in the air before, and it gave Bradley goosebumps knowing that the two of you would be able to do that together. 

Jake gave him one last appraising look before he got dressed. Honestly, it was probably the fact that you upped the ante with Cyclone that Bradley was chosen over the others. Perhaps now things could be called even. You managed to keep everyone on their toes in the best way, and it made him smile even now. 

You were in rare form this week, luring him in for living room floor sex when there was a perfectly new bed in the bedroom. And then last night, you got him to watch a Disney princess movie with you, even after Noah was in bed, and Bradley had begrudgingly enjoyed it. You were laying across his lap on your back when the end credits rolled, and you said, "If you're a good boy, I'll make you beignets just like Princess Tiana."

Bradley had smirked. "Do those have cream filling?"

"No," you whispered as he eased your shirt up so his palm was flat on your belly. 

"Do you want some?" 

He had been thinking about getting you pregnant as he made you bury your face in the couch pillows to keep you quiet.

And that was just one of the many reasons he was about to leave work and head home to grab Skittles before stopping at the jewelry store across town. If Casey managed to bump into there and ruin this surprise as well, he would probably lose his mind. But the jeweler near the animal shelter was one of the best in the city, so that was where he would go. 

Bradley awkwardly held Skittles while he drove, and eventually she curled up with her head on his thigh while he sat in traffic. She seemed to be doing great, so he hoped that was a good sign that the cast could come off. You and Noah were delighted with her, and she somehow made Bradley fall in love, too. 

"Yeah, you're sweet," he told her, scratching her behind the ears while he drove. He parallel parked the Bronco with one hand while he continued to pet her, and when he took her inside the shelter, he held onto her a little tighter. It was hard to believe she'd been here just a few weeks ago, completely unwanted. 

Bradley pressed kisses to the top of her head as he waited for the receptionist to finish her phone call. When she hung up, she asked, "And who do we have here?"

"Skittles Bradshaw," he replied, nuzzling his nose against her fur and wondering how on earth he had gotten so attached to this little pup. "Hopefully she can get her cast off today."

He only had to wait a few minutes, and then he watched as they examined her before cutting into the cast plaster. Once she was free, Skittles took a few tentative steps across the exam table, and then she jumped right back into Bradley's arms. 

After he paid the monstrous bill for such a small creature, he carried her down the sidewalk, enjoying the cooling temperature as the sun set. When he checked his phone, he saw that you'd finally texted him again.

My Princess: Noah and I are going to play at the park near the beach. Leftovers when you get home?

He typed out a quick message letting you know that sounded perfect. Thoughts of you and Noah together filled his mind as he entered the jewelry store, and two women looked up at him and Skittles. "Is it okay if I have her in here?" he asked, but they both immediately rushed over, practically screeching about how cute his dog was. Honestly, the pet would have probably worked out better than the dating app had for him.

"What are you looking for?" the first woman asked as she petted Skittles on her head. 

A soft smile made its way to his lips as he said, "An engagement ring."

"Oh! Of course, let's just head over here to see what you like best. Do you have anything specific in mind?"

Bradley followed behind her as he nodded and said, "A princess cut diamond."

------------------------

A princess for a Princess. Also, there is no way Skittles wouldn't be a magnet for all the ladies. A big man with a small dog... just fuck. Thanks to @mak-32 and @beyondthesefourwalls

PART 45

@hotch-meeeeeuppppp

@chassy21

@solacestyles

@daisyhollyxox

@wintercap89

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@bcon24

@chaoticassidy

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@bellaireland1981

@sagittarius-flowerchild

[mythicmanuscripts]

Hi,just wanted to ask if you would be able to write about people reacting to Aegon in displaying PDA with either his wife or lover.

Like the touches are not sexual but like lingering and innocent, people can see how in love they are or how deep their connection is.

It can also be a brothel worker (I love your latest piece of work) that he cares deeply for and wouldn't mind showering her with affections as she did him.

Anyway, just saying your writings got me into knowing the dom and sub in a very gentle and comfortable way. Love you!

I'm so glad to hear you enjoy my content!! Also yeah I love when dom/sub dynamics can be so gentle and sweet and very very healthy and communicative. Loads of people tend to think that BDSM is purely slapping people and calling them whores but that's not even close to the truth. In case you guys couldnt tell I am most certainly a certified soft dom and service dom.

Anyway, I love this idea! I think I'm going to write this with Aegon and his wife instead of brothel worker? I'm very happy to do a brothel worker one if you guys would like I just think he concept makes a bit more sense with wife!reader. If you have thoughts about this with brothel worker!reader and how that would work then feel free to let me know!! I'd be happy to explain on it.

Back to the point, there's nothing too explicit in this answer so no cut to hide behind, but it's very clearly sub!aegon so bare that in mind before you decide to read :))

I've said this before and I'll say it again: at first your marriage with Aegon is like any other arranged marriage and you're only seen together when absolutely necessary. But then you start to get to know each other and your dynamic starts to become more dom/sub and from there he is absolutely OBSESSED with his wife and everyone knows it.

So the PDA starts once the dom/sub dynamic has been sorted out.

As we all know, Aegon is very needy. He's a needy, jealous kinda pathetic little thing and he wants nothing more than to watch his wife be so much smarter than him and get to be her little gremlin cheerleader who followers her around and has no thoughts whatsoever. Now obviously he's the actual king so he needs to be seen a little more in control than that, as Allicent is always reminding him, but that's not to say he actually tries to seem that way.

If you're in public with Aegon then you are always next to him. If you get called away and are gone for more than a few minutes then Aegon will start looking for you because where are you??!! You're his wife!! How are you be away from him for more than a few minutes!!

He's been known to come up from behind you and wrap both his arms around your waist, hugging you from behind and resting his head on your shoulder while you're talking to someone else. He won't actually contribute to the conversation and if the people you're talking to try to include him he simply won't respond. He's not there to actually joint the conversation, he's there because his wife is!

When he's holding court, Aegon will never allow you to be standing with all the others below the thrown. Historically that is where the queen consort has always been, standing with the other ladies of the court while the king sits on the iron thrown.

Before you two became closer you wouldnt even attend Aegon's court and he didnt care. But when you start to get closer and you start come to court, he point blank refuses to let you stand with all the other ladies. You're the queen!! What are you doing down there???

The first time this happens, you had spent the night with him and he asks you to come to court with him. You agree of course, and you enter the thrown room together. He walks as he usually does and goes up the stairs to the thrown. He turns around and he's about to sit when he realises you arent with him. He looks around and sees you've moved to the side with the other ladies of the court.

"What are you doing over there?" Aegon asks you. He tilts his head and chuckles because he thinks it's absolutely hilarious that you'd actually think you had to stand there with all of them. He tells you to come up with him, and you do walk up the stairs to the thrown but when you get there you simply speak softy to him, reminding him that there's only the iron thrown and not anything else to sit on so you ask if he wants you to stand next to him for the entire thing.

Obviously this is unacceptable to him. He would never make you do that.

He ends up insisting you sit on the actual thrown and he literally just sits on the stairs besides you. Everyone, including you, doesn't know what to think of this but Aegon has no issues whatsoever. Honestly he's very happy sitting on the stairs and listening to all the different things people come to him about. Very often he'll look up at you, silently asking for your opinion and when you do start speaking, he doesn't look back at the person you're speaking to but instead he keeps his eyes on you. He looks so very clearly in love and in awe of you and pretty quickly everyone gets used to it.

After that court day you try to suggest he gets another chair next to the thrown or something but he actually refuses? He really likes sitting on the stairs, likes that you get the thrown. When you try to tell him that you're not sure if that's even allowed he simply reminds you that he's king.

Pretty soon all the paintings of Aegon during his reign are actually him on the stairs with you on the thrown, many of them show Aegon looking up at you and not even looking straight ahead.

That really shows everyone what your dynamic is. You're always calm and collected and very kind when needed. Aegon, meanwhile, is utterly obsessed with you and is always looking at you like he's in awe you're actually his wife.

Of course you're also always holding hands when walking together, or linking arms.

[bowtiepastabitch]

Historical Analysis: class and injustice in 'The Ressurrectionists' minisode

Alternate title: why we're tempted to be upset with Aziraphale and why that's only halfway fair

Okay so first off huge thanks to @makewayforbigcrossducks for asking the question (and follow-up questions lol) that brought me to put these thoughts all together into a little history nerd ramble. That question being, Why is Aziraphale so clueless? Obviously, from a plot perspective, we know we need to learn some lessons about human moral dilemmas and injustices. But from a character perspective? A lot of this minisode is about Aziraphale being forced to confront the flaws of heavenly logic. This whole idea that "poverty is ineffable" basically boils down to 'yeah some people are poor, but their souls can be saved just as if not more easily that way, so it's not our problem and they probably deserve it anyway for not working hard enough,' a perspective that persists in many modern religious circles. Aziraphale isn't looking at the human factor here, he's pretty much purely concerned about the dichotomy of good and wicked human behavior and the spiritual consequences thereof, because that's what he's been told to believe. His whole goal is to "show her the error of her ways." He believes, quite wholeheartedly, that he's helping her in the long run.

"the lower you start, the more opportunities you have"

So here's what we're asking ourselves: Why did it take him so bloody long to realize how stupid that is? Sure, he's willing to excuse all kinds of things in the name of ineffability, but if someone in the year of our lord 2023 told me he was just now realizing that homelessness was bad after experiencing the past two centuries, I'd be resisting the urge to get violent even if he WAS played by Michael Sheen.

Historical context: a new type of poverty

Prior to the 19th century (1800s), poverty was a very different animal from what we deal with now. The lowest classes went through a dynamic change leading up to the industrial revolution, with proto-industrialization already moving people into more manufacture-focused tasks and rapid urbanization as a result of increasingly unlivable conditions for rural peasantry. The enclosure of common lands and tennancies by wealthy landowners for the more profitable sheep raising displaced lots of families, and in combination with poor harvests and rising rents, many people were driven to cities to seek out new ways of eeking out a living.

Before this, your ability to eat largely would have depended on the harvest in your local area. This can, for our purposes, be read as: you're really only a miracle away from being able to survive the winter. Juxtapose this, then, with the relatively new conundrum of an unhoused urban poor population. Now if you want to eat, you need money itself, no exceptions, unless you want to steal food. Charity at the time was often just as much harm as good, nearly always tied deeply up in religious attitudes and a stronger desire to proselytize than improve quality of lie. As a young woman, finding work in a city is going to be incredibly difficult, especially if you're not clean and proper enough to present as a housemaid or other service laborer. As such, Elspeth turns to body snatching to try to make a better life for herself and Wee Morag. She's out of options and she knows it.

You know who doesn't know that? Aziraphale.

The rise of capitalism

The biggest piece of the puzzle which Aziraphale is missing here is that he hasn't quite caught onto the concept of capitalism yet. To him, human professions are just silly little tasks, and she should be able to support herself if she just tried. Bookselling, weaving, farming, these are all just things humans do, in his mind. He suggests these things as options because it hasn't occurred to him yet that Elspeth is doing this out of desperation, but he also just doesn't grasp the concept of capital. Crowley does, he thinks it's hilarious, but Aziraphale is just confused as to why these occupations aren't genuine options. Farming in particular, as briefly touched on above, was formerly carried out largely on common land, tennancies, or on family plots, and land-as-capital is an emerging concept in this period of time (previously, landowners acted more like local lords than modern landlords). Aziraphale just isn't picking up on the fact that money itself is the root issue.

Even when he realizes that he fucked up by soup-ifying the corpse, he doesn't offer to give them money but rather to help dig up another body. He still isn't processing the systemic issues at play (poverty) merely what's been immediately presented to him (corpses), and this is, from my perspective, half a result of his tunnel-vision on morality and half of his inability to process this new mode of human suffering.

Half a conclusion and other thoughts

So we bring ourselves back around to the question of Aziraphale's cluelessness. Aziraphale is, as an individual, consistently behind on the times. He likes doing things a certain way and rarely changes his methodology unless someone forces his hand. Even with the best intentions, his ability to help in this minisode is hindered by two points: 1)his continued adherance to heavenly dogma 2)his inability to process the changing nature of human society. His strongest desire at any point is to ensure that good is carried out, an objective good as defined by heavenly values, and while I think it's one of his biggest character hangups, I also can't totally blame him for clinging to the only identity given to him or for worrying about something that is, as an ethereal being, a very real concern. Unfortunately, he also lacks an understanding of the actual human needs that present themselves. Where Elspeth knows that what she needs is money, Aziraphale doesn't seem to process that money is the only solution to the immediate problem. This is in part probably because a century prior the needs of the poor were much simpler, and thus miraculous assistance would never have interfered with 'the virtues of poverty'. (You can make someone's crops grow, and they'll eat well, but giving someone money actually changes their economic status.) Thus, his actions in this episode illustrate the intersection of heavenly guidelines with a weak understanding of modern structures.

This especially makes sense with his response to being told to give her money. Our angel is many things, but I would never peg him as having any attachment to his money. He's not hesitant because he doesn't want to part with it, he's hesitant because he's still scared it's the wrong thing to do in this scenario. He really is trying to be good and helpful. So yes, we're justifiably pretty miffed to see him so blatantly unaware and damaging. He definitely holds a lot of responsibility for the genuine tragedy of this minisode, and I think Crowley pointing out that it's 'different when you knew them' is an extremely important moment for Aziraphale's relationship with humanity. Up until now, he's done a pretty good job insulating himself from the capacity of humans for nastiness, his seeming naivity at the Bastille being case in point.

In the end, I think Aziraphale's role in this minisode is incredibly complex, especially within its historical context. He's obstinate and clueless but also deeply concerned with spiritual wellbeing (which is, to Aziraphale, simply wellbeing) and doing the right thing to be helpful. While it's easy to allow tiny Crowley (my beloved) to eclipse the tragic nature and moral complexity of this minisode, I think in the end it's just as important to long-term character development as 'A Companion to Owls'. We saw him make the right choice with Job's children, and now we see him make the wrong choice. And that's a thing people do sometimes, a thing humans do.

~~~

also tagging @ineffabildaddy, @kimberellaroo, and @raining-stars-somewhere-else whose comments on the original post were invaluable in helping me organize my thoughts and feelings about this topic. They also provided great insight that, in my opinion, is worth going and reading for yourself, even if it didn't factor into my final analysis/judgement.

If I missed anything or you have additional thoughts, please please share!!! <3

[exhosionn]

i’ve been here for a while and i still don’t know how to use this app anyways i need somewhere to post all my really random sampard headcannons so here we are honestly it’s really just random bullet points i’ve compiled and also most of this was written at 2am so there might be some spelling mistakes.. probably one other thing to mention, im not a lore reader,, i’ve been trying to recently because i find it really interesting but any details i’ve missed is bc i haven’t read it all yet 💔💔

gepard although hes not too great at taking plants (hes def trying tho) id like to think in his spare time he has like a book on floriography and goes to flower shops to buy sampo flowers with specific meanings?(like he goes to a flower shop and requests very specific types of flower arrangements)

sampo knows a LOT of things about belebog that no one else does some kind of like historical knowledge however i think the reason why sampo wont actually KNOw any floropgraphy is because with all his vast knowledge from across the universe as a masked fool, why would he bother to know something as ‘mundane’ as the meaning behind flowers.

to link to that, i think with sampos big world he sorrta gets dragged down to belebog in like a nice way and through gepard learns that the small things in life ACTUALLY matter or they noow matter. so for example these flowers he gets he never knows the meaning of them, def gets flustered by gepard initiating anything at all lmao.

i think sampo would ask around the underworld such as natasha, seele, even hook tbh about the meaning behind these flowers usually getting information from natasha. BUT he doesnt just outright ask he would like slip it into conversation because hes sly like that. Natasha very obviously catches on quite early on and although shes not as knowledgeable with the meanings she still retains enough information for sampo to start relying on her to help decode gepards bouquet.

one way or another serval catches wind of this (through natasha) and i think thats how she connects the dots

sampo most definitely leaves back notes with kisses on them on gepards windowsill (gep leaves his windows unlocked always.)

i can also imagine sampo to ‘retaliate’ somehow finding some extinct belobog flower and gifting it to geppie being all like ‘i bet ya can’t find the meaning behind this one’ lolll

gepard is a gay in denial in the sense that hes never had a crush on a woman but he sees madam poisson and he has a MASSIVE crush on her. everytime serval asks him if hes gay he brings up his ‘past’ crush on madam poisson.

gepard the 'nuh-uh' vs serval the 'yuh-huh’

serval has gepard as "gay man sighted in belobog" in her phone - sampard nation gave me these last two

serval and natasha they totally hang out at natasha’s clinic occasionally idk why i just see it

sampo kisses the scars on geps body

gep is taller w shoes one but actually shorter than sampo usually but no one believes sampo when he says thisn bc no one sees gep without his boots off.

sampo could be having the most absolute worst day and see gepard and feel beter same works for gepard except he doesnt realise it as much because gepard is more like ‘huh my headache clears from seeing sampo yeah he just uh annoys me so much that i think my heacache is clearing hahahaha’

soarkle and sampo sibling dynamic seems really funny but at times i also dont see it if we apply the whole sampo might be an emanator theory idk i think its silly at times but sometime it doesnt make sense….

on the other hand although it doesnt logically work sampo and seele sibling dynamic i actually really like it like a lot

i feel like gepard wears grampa pajamas?

although gepard def gets flustered by sampos flirting all the time, the one who actually initiated anything i believe would be gepard (ill go more into why i think so at a later date)

both of them are really light sleepers and have trouble sleeping all the time

also gep likes to hold onto sampo a lot when they fall asleep cuz he get scared that sampo might just leave randomly

i love these two sosososo much im going insane i need more headcannons to fill the brainrot

[welcometothejianghu]

Welcome to another round of W2 Tells You What You Should See, where W2 (me) tries to sell you (you) on something you should be watching. Today's choice: 킹덤/Kingdom.

Kingdom is a 2019-2020 Netflix series set in Joseon-era Korea, following the collaborative adventures of an exiled prince, a country doctor, and a scrappy mercenary who's pretty much the only one in this entire zombie outbreak who has a damn gun.

I have very complicated feelings about zombie media. See, in case you hadn't noticed, horror movies are never actually about what they're about. And a whole lot of modern zombie stories wind up being a) metaphors for fears of immigration by mindless subhuman hordes hell-bent on infecting the good, pure people, b) white male fantasies about how the downfall of civilization will put them back on top again and then all you DEI people will be sorry! and/or c) ways to let your protagonists just kill the shit out of a whole lot of humans but it's okay because they're not really human. Soooo yeah. A lot of zombie-flavored things I like, I have to like them despite all that.

But Korean zombie media tends to avoid a lot of these issues. (Maybe because Korea's experience with invasion is less Fox News Lies About Scary Brown Migrant Caravan Again and more [long list of actual historical incidents]? Who can say!) Kingdom is no exception. It's smart zombie fiction, where the zombies are mostly here to make the already-complicated mundane geopolitical situation just that much more of a fucking nightmare.

This is a bloody, violent, grimy, often downright gross drama, so if you're squeamish, you may want to pass on this. If you're into horror, though, and into zombie horror especially, go on and sink your teeth right into these five reasons I think you should watch it.

1. No one here has ever seen a zombie movie

You know how one of the frustrating things about watching a zombie property is seeing a bunch of otherwise competent, regular people act like they had all their cultural awareness of zombies surgically removed, down to making up cute words that aren't "zombie" to keep from saying the word "zombie"?

Everybody in this show has the excuse that they are living several centuries before even the possibility of zombie movies.

This story starts out pretty standard for a historical drama: a sick king, a pregnant queen, a crown prince in a precarious position, questions of succession, accusations of treason, wealth and class dynamics oppressing the poor, shady backroom politics -- you know, the usual stuff. And it never stops being about all that! It just also has zombies. Evil bastards don't stop being evil just because decomposing hordes are breaking down the door. In fact, that just makes them worse! And our heroes are at ends because they have no natural immunity to the genre they've walked into.

Sure, there are some moments of comic relief, but for the most part, Kingdom plays its premise absolutely straight-faced. How would 17th-century Koreans deal with a bunch of walking corpses? With period-appropriate tools, tactics, and mindsets!

In your standard modern zombie setup, everybody has guns, and then some special badass rolls in with a katana and everyone oohs and ahhs. In Kingdom, the wealthy have swords, the common folk maybe have farm implements, and there's one measly matchlock rifle in the party. For a few lucky headshots, you've got archers. For everyone else, things are about to get real up close and personal.

The characters also have period-appropriate worldviews that both inform their reactions to the problem and are frankly bizarre by modern standards. What if you had to deal with zombies in a place with cultural taboos against dismembering or burning dead bodies? What if people felt compelled to treat the corpses of peasants differently from corpses of nobles? What if the scholars won't act in their own defense because it's insulting to ask them to wield weapons? What if you can't ask certain important people certain questions because it's literally treason to do so?

The real moral of Kingdom is that there's not a situation so bad that devotion to Confucian principles can't make it worse.

2. That scrappy bastard

I'm not going to play favorites here-- Wait, what am I saying, of course I am. It's Yeongshin.

You know how, in any given zombie movie, your hapless protagonists survive because early on they find a party member who's about ten levels higher than they are? That's Yeongshin. He's cagey as hell about his shady past -- to the point where we don't even learn his actual name -- but he's going to come in real handy here, because he is also the aforementioned only guy with a gun, and he fucking knows how to use it.

And okay, I'm exaggerating about the gun shortage, but not by much. Firearms are rare, you need training to be able to operate them, and no matter how good you are, they still take time to reload after each shot -- if they even fire at all. (Also, ignore the part where everyone's aim is far better than shitty matchlock rifling should allow.) Guns are not the go-to weapon in this zombie situation. You can't just shove a bunch of pistols in everybody's hands and count on at least a few lucky shots. You could amass all the period-appropriate firepower you wanted, but without specialists, it'd be useless.

Yeongshin is fueled by some very reasonable guilt, since, uh, a nonzero amount of the shit that goes down is kiiiiiinda his fault. But I love that instead of giving him a death wish, it makes him even more determined to survive and do what he can to mitigate the fallout of his unintentionally terrible decisions. He knows he's far more useful alive, so to hell with taking the easy way out. Whether his opponents are living or undead, he's going to make them wish they hadn't messed with him.

This is a good place to note that the whole cast is great, from the thunder-voiced head of the evil family to the prince's wife-guy manservant to the doll-faced bitch queen. And obviously Ju Jihoon and Bae Doona are captivating every second they're on the screen, because they are absolute acting powerhouses and I love to watch them work. His Prince Lee Chang and her physician Seobi are compelling, memorable main characters who perform the important zombie-movie function of being the people you care about when they get put into dangerous situations.

But I walked away from this unable to stop thinking about Yeongshin. Bare-headed in a world of very meaningful (and often very silly) hats, he's feral and bitey and completely unfit for polite society. So of course he's going to wind up side-by-side with the second most you-need-to-be-respectful-to-him guy in the land.

More than anything, I love watching him work. He's a very physical character, but all his stats are in speed and agility, so he will just literally throw himself full-body against doors or into fights and let his momentum do the work. His actor, the handsomely exhausted-looking Kim Sungkyu, brings such a great physicality to the role. Yeongshin may be the Gun Guy, but he's not sniping from the back row. He's right there on the front lines, pulling off stunts none of the other characters would dream of trying. I cannot stress enough what a delight his action sequences are. It's such a good visual counterpart to the zombies, who also have no sense of bodily self-preservation.

And speaking of the zombies...

3. Zombie rules

I find that Korean zombie properties are the best in particular at zombie physics. Their directors seem very interested in pondering exactly what the weight of that many bodies would do. The answer is usually pretty gruesome and visually fascinating!

Kingdom's main use of zombies is by volume. While there are a few (memorable!) one-on-one scenes, the show delights in seeing just how many zombies it can fit in the frame. The danger is always from the sheer number of hostile bodies. You can use those numbers against them, if you're clever, but wait too long and you run the risk of being completely overwhelmed.

I've seen some people criticize the zombie extras by accusing them of not moving like zombies, which is the kind of nonsense you say when your only exposure to zombies is Slow Zombies. Kingdom's zombies are Fast Zombies -- they don't shamble, they swarm. They all just plow on full speed ahead until something stops them, and they definitely don't watch where they're going. Those extras do some incredible work flinging their bodies over obstacles and into solid objects. I sure hope one of the benefits of all that voluminous period-appropriate costuming is how much good padding you can probably stuff under there.

Continuing the thought exercise about what a 17th-century zombie outbreak would look like, Kingdom does some clever things with putting humans and zombies alike in situations you wouldn't find in the modern world, ones made possible only by the time period. I really like that it never forgets that part of the fun of this whole enterprise is making the best of the social and technological concepts that would have been present then. It doesn't feel like a modern zombie movie with incidental hanbok -- it actually makes the most of what a rural medieval setting both gives and takes away.

The rules Kingdom makes for its zombies are also an interesting take. You, the modern viewer, know how zombies work in general, but you don't know all the quirks of these zombies in particular, so you're learning at the same time the characters are. And sometimes you learn wrong! Sometimes you have to rewrite your whole strategy because you realize at a critical moment that both you and the characters misunderstood something very badly.

...And yeah, okay, it plays a little fast and loose with those rules sometimes, but so what? You know how this works! You know that the lead actors will dodge more and get bitten less than the random extras will. You know that named characters will last longer than their NPC counterparts. If you're going to hold that against it, maybe horror movies aren't the thing for you. Go do a Rubik's Cube or something.

4. The parts without zombies

Plenty, plenty of people have made the Game of Thrones comparison, which ... yeah, sure, I can see it. It wouldn't have been my first thought, but I get where people are coming from. And you know what, if you're a Game of Thrones enjoyer, you'll probably like this too. It hits a lot of the same beats and has a lot of the same vibes. It's kind of like if you shrunk Game of Thrones in the wash, until there were only two warring families and not a conlang in sight.

This show isn't historically accurate to the letter -- think of it more as AU Joseon-Era Korea, where specific people are fictional but the larger context is more or less the way things would have been. You never get given a specific year, but from technology and various context clues, you can kinda narrow it down to the 1600s. It never commits to a single year, though, which dodges a lot of nitpicks. Its fictional aspects are nice, too, because that means you don't have to know any real history at all. The show will give you all the information you need to understand the campaign setting, just in case your knowledge of medieval Korean dynasties is not up to snuff.

The conceit of the series is that some very specific devious political backstabbing and corruption has been happening since before the show began, making everything vulnerable to catastrophe. Unsurprisingly, the sudden appearance of zombies does not magically mend those rifts and make everyone come together! In fact, the reason the zombies are happening at all is related to these treasonous power plays, and while we never learn the full story (see my later note on the drama's ending), we get a whole lot of it. And it's a good, complicated reason! Here we return to the idea that zombie movies are always metaphors for something else. Set against the backdrop of multiple Japanese invasions during this period, Kingdom sure does have some things to say about the dangers of considering certain lives disposable in the service of the greater good.

I will be the first to say that IT TURNED OUT MAN WAS THE REAL MONSTER ALL ALONG storylines are tedious, so I'm glad Kingdom didn't decide it needed to beat that drum. The truth is, nobody's surprised when the bastards who have treated other people like shit all their lives continue being bastards in a crisis situation. It's the Joseon Dynasty. Everybody's locked into a rigid neo-Confucianist hierarchy. They don't need an apocalypse to reveal how much the people at the top would sell them all for a single corn chip. They've been clear on that one for a long time.

What this means is, if you're not traditionally someone who goes in for zombie horror, but you like a good political thriller and can roll with some supernatural elements, you might consider giving this one a shot anyway! It's not some hugely complicated and sophisticated plot, but it's still plenty to chew on. (See what I did there?)

5. Time to spend that Netflix money!

This show is gorgeous. It looks beautiful and it sounds beautiful. It's shot beautifully against beautiful sets and even more beautiful landscapes. Everyone's wearing beautiful costumes. What little CG there is is even beautiful. It's just visually a treat.

Light is such an important part of the show that I can't not comment on Kingdom's use of it, production-wise. The show is often shadowy as hell, but in a high-contrast way, as opposed to the awkward near-blackness of so much prestige TV. Even when it's dark enough that faces and details are obscured, there are still light sources that provide visual interest. Besides, I'll cut it some slack because it is a horror property. You should be watching it in a dark room anyway! And sure, there's some awkward day-for-night stuff, and transitions around sunset can be downright goofy, but if that's the worst of the jank we have to suffer through, it's fine.

As beautiful as it is, it's also very ugly. The story takes place over a period of time so short that barely anyone has time to change their clothes, much less take a bath. The grime just accumulates: sweat, dust, mud, sewage, smoke, spit, and all kinds of blood and viscera. By the time the story's done, everyone looks realistically beat to shit. (Bless those poor makeup artists, having to keep such close track of all the damage characters have suffered.)

I feel as though I should note for context that while I'm a horror movie fan, I'm still pretty squeamish when it comes to gore. I made it through Kingdom okay, but there were definitely parts I had to watch through my fingers. It hits the realism middle ground that gives me the wiggins, where it's neither absurdly chaste about bloodletting nor dumping comedic buckets of corn syrup on the actors. It suits the tone of the show perfectly! Just, you know, if you're a little tender (like I am), be ready to look away from the screen sometimes.

Korean historical dramas sure do have a real advantage on the wig front, in that most everyone is wearing some kind of historically appropriate hat or headband that covers the places their wig joins. And then you have Yeongshin, who looks so good all shaggy because that's clearly at least mostly Kim Sungkyu's real hair.

I've seen a lot of shitty low-budget horror in my day, sure -- but I've also seen a lot of shitty high-budget horror, where a production has a lot of money and spends it all on exactly the wrong things. Kingdom uses its funds wisely. It's not extravagant (except for the queen's amazing outfits). There are practical effects aplenty and some beautifully framed shots. It gets a little gimmicky with the camera work in season 2, but you know what? It's fun! The gimmicks are action-movie fun, and I will not criticize something for having fun in the midst of some otherwise grisly subject material.

It's also got great rewatch value. There are just enough secrets running throughout that going back for a second viewing makes a lot of things make more sense -- in, of course, a horrible way! But that's just the way we like it.

caveat: Beware of cliffhangers

The show is two seasons long, and it's clearly set up in expectation of a third season ... which never happened. What did happen was a separate, largely unsatisfying movie that tells the backstory of the cool character you meet in the last ten seconds of the last episode.

But that's it. There was also a prince-focused prequel planned, but that got scrapped before production even began, and that was four years ago. I'm not holding out much hope that we'll ever get anything more from the Kingdom universe.

I am not super-bothered by this, though, and here's why: The two seasons are enough to wrap up the main political plot. Most of what's left is zombie lore, and I am so bored by zombie lore. Still, would I have watched these characters roll around in that zombie lore for another six episodes? Without question! Are there loose ends I wish had gotten resolved? You better believe it! Do I want to know what the super-duper secret behind the zombies is? I sure do!

But I also don't feel like I got cheated out of an ending. Those two seasons hang on a story that's 90% the political succession crisis and 10% figuring out where on earth this whole zombie thing came from. That means what you get feels like 90% of an ending, which is pretty damn good by my standards.

Still, it's enough of a bummer that I feel I should give a little heads-up about it -- working, as I always do, on the principle that something can't disappoint you if you know it's coming. If you go in with the right mindset, you can be happy with what you get while not being sad about what you don't. And what you get in Kingdom is, in my little horror-loving opinion, worth it.

(Also, am I giving it extra credit points for how it did not sink my ship? Buddy, you better fucking believe I am.)

Ready to watch?

Netflix money means Netflix. It's got two seasons, and then you can make the decision about how much you care about the movie. I found it mostly disappointing with a few really cool moments, so it's your call if that's enough to justify your watching it.

The series itself is a pretty quick watch, too -- twelve episodes total, all 30-50 minutes long once you skip the opening and closing credits. You can blow through the whole thing easily in a single weekend, which is not something you can say about your standard Korean television season of sixteen hour-long episodes.

And then pretty please come back and do fan stuff for it! I couldn't find exactly what I wanted so I had to write my own. One Quiet Night remains one of my comfort fics that I self-soothe by rereading, which may be a weird thing to say about a smutty gay fanfic about a violent zombie drama, but hey, we all make our own fun.

Also, I know I usually end these with a cute behind-the-scenes photo, but this promo video is too adorable to leave out, so we're going with it instead. It's slightly spoilery for season 1, but not in a way that makes sense out of context. And if you didn't have a crush on Kim Sungkyu already, well, you will after this!

[atopvisenyashill]

When Ned pulls Catelyn up to her feet when she receives Lysa's letter, he leaves red marks on her skin. I forget how good Catelyn's chapters are especially compared to Ned's chapters.

OKAY SO i think i was conflating her memory of asking him about ashara & this, re: my hallucination tags 😭 they’re the same chapter i’m valid.

but YES okay so first of all NO NED WHACKINGS PLEASE REMEMBER I AM A NED STARK REGIME APOLOGIST I AM THE BARRISTAN SELMY BUT FOR NED OF THE STARK SUBFANDOM.

second of all tho YEAH i love how catelyn like doesn’t even shrug at the red marks, i think this gets across a) how anxious he is obviously, ned has started having ptsd flashbacks & he won’t stop till he bites it and b) how casually strong ned is and c) how usually in tune nedcat are.

i think because our introduction to ned and nedcat is ya know, not only the worst moments of their life (they both literally die) but also when ned specifically is probably at his lowest since the immediate years after the wars, it makes people forget how competent ned has been, like from a leadership standpoint. they all think he’s stupid (let me not start) but there’s a reason they’re trying to get his ass south to the politics of kl bc they KNOW they can beat him there, and the north is a very dangerous ally - slow moving maybe but they’re historically effective and ned is VERY effective at mobilizing the north.

and Catelyn has been his partner for over a decade!! those two are in SYNC. he doesn't even FLINCH when they say she took tyrion hostage, he backs her up 100% without conditions right away. i think when we get this letter reveal, and you really see their dynamic laid bare, you get this couple that's like. very balanced, very familiar with each other are a very intimate level (the soreness she talks about lol). catelyn frames so many of her thoughts as like "well ned would have done x" and the reason catelyn is so willing to see herself as this extension of ned is because he's good to her, he's smart like her, he's strong like her. ned is really drowning all throughout agot but I think catelyn is really in her element a lot of the time - she understands how this stuff works and she's good at it.

[samadhi-fire-forged]

i talked about this on another account (a non-genshin related account) but the way that culture in genshin is handled is absolutely awful in my opinion.

clearly, the devs for genshin/hoyo do not respect black, indigenous, and west asian cultures. we get this clearly demonstrated with both natlan and sumeru.

natlan has three different ethnic groups (broadly). african (specifically more northern, it seems), polynesian, and latin american. that means it's two completely different countries, as well as one region. technically, it could make sense with polynesia and latin america, but... for the most part... probably not africa included? unless you were interested in exploring like, the complex dynamic of afro-latino culture. which. likely not. (if you want more research on WHY it could make sense to have latin american - polynesian cross, check these sources: x x x x - all of these are relatively about the same content. dna crossing. if you want to ask me about how i, personally, would've wanted to execute natlan in this regard you can shoot me an ask).

sumeru is... well. we do see aspects of zoroastrianism iirc - west asia has a hodgepodge of religions, honestly, with having an incorporation of our very well-known abrahamic religions (judaism, islam, and christianity). but as i said, there's zoroastrianism. yet, most of sumeru's religious references tend towards vedicism, buddhism, so on so forth. which... is interesting. if it had clear influences from a lot of west asian culture (and north african, specifically egyptian), then why didn't it have much focus on zoroastrianism? why would we incorporate south asia for seemingly no reason outside of grouping so so many ethnic groupds together.

this might surprise you all, but inazuma is.. pretty interesting. i've had a few opinions on this, given the fact that i am japanese. inazuma is depicted as a pretty dictator-esque nation, as well as being isolationist. its ruler is horrible and the such - i genuinely believe that this might have been some bias on the devs' parts. given the fact that, well... china has historically had multiple dictatorships and was also isolationist, much like japan. i understand depictions of china given laws in china, so yeah, sure, but... throwing the japanese-based nation under the bus was pretty interesting. they didn't need to do that at all, and there could've been an interesting storyline without this at all.

mondstadt. god, no one thinks about mondstadt in this regard, but mondstadt is the only nation that pretty much has zero places named with the language its culture is based on, other than its own city name. even sumeru has this - albeit some names do come from sanskrit words (kinda... complicated? most of it derives from sanskrit, though, or egyptian in the desert). whispering woods, starfell lake, brightcrown mountains. all of that. even its characters - many of them don't have german names! (jean gunnhildr, diluc ragvindr) i understand that scandinavian and german do have incredibly similar roots, but... still.

like, no matter what hoyo does, it seems that the only culture that they really "respect" is their own. no matter how much research they do - and believe me, there is a lot they've done! listen to a lot of the music, you'll notice they incorporate a lot of traditional musical instruments.

and yet... when executing it? it comes out quite terribly?

and then, even with their liyue characters - there's plenty of characters where it'd make so much more sense if they were dark skin (ex: yaoyao). and yet.... they aren't? some of them are paper pale

i'm just saying. genshin is riddled with flaws.

and don't even get me started on just... their general character design.

[beevean]

https://www.google.com/amp/s/www.beyondgames.biz/43436/from-vampire-video-game-to-hit-netflix-animation-an-interview-with-the-castlevania-nocturne-creator/%3famp=1

This...should also be interesting

man you're having fun sending me peak :P

This got a bit long, so under the cut it is - I'm also afraid I'm annoying others with this lol

Castlevania, the long-running and influential platform game series launched by Konami in 1986, follows the generations-long battle between the Belmont family and vampire lord Dracula. The Castlevania TV show told that story across four seasons.

This is a lie. Not only the og show only adapted one adventure and not the entire legacy, but that adventure barely took half of the runtime.

Yes I'm being petty, but can you blame me? They can't even gush about Best Videogame Adaptation Of All Time right.

I didn’t know the games, but I’d seen the earlier [Castlevania] show and liked it very much.

I had no doubts 🙂

Even as a fan of the show, though, Bradley's knowledge is lacking. Dude forgot basic worldbuilding like Devil Forging and the effect of crosses on vampires.

"Konami also gets sent notes and the scripts." I find funny how there is zero mention of their input lol. "yeah they get kinda warned that we're doing stuff with their brand. just in case someone cares"

I did quite a bit of reading up about it, especially the two games in particular. One of the difficulties in terms of working out a story is that in many of the games, including these two, Dracula was prominent. But in the original TV series, the Dracula story is kind of put to bed! Dracula gets a happy ending after season four. So I had to work out how – or whether – to handle Dracula. I started looking into other villains. There were two. I researched the games and cherry-picked what I could use. Olrox is in the game, but he’s different. And there’s Erzsebet Báthory, who appears in a different Castlevania game with an Anglicised name. I knew who she was already: she’s a famous historical figure. I decided to treat her as the historical character (who’s supposedly the worst female serial killer in history – [folklore] turned her into a vampire).

Nice to see Bradley has learned from Ellis' school of thought of just randomly selecting elements you might recycle with no further consideration. I'm surprised he chose Erzsebet and not, say, Barlowe, who was definitely alive back then.

To be fair, though, I can understand his frustration at the absolute idiotic ending of the og show.

[The Deats brothers] know how to use things from the games creatively and in ways that will work even if you don’t know the games.

... no. Moving on.

There is a character called Annette in Rondo Of Blood who is Richter’s girlfriend. She’s trapped in Dracula’s castle, and he has to rescue her in the game. Now, I was never going to do an eight-episode season, never mind two seasons or more, of Richter running around a castle rescuing a girl.

I can just hear the scoffing.

Alright, fair, I understand his point. You want a more dynamic plot, I get it. But you basically went "this is shit, I'll just turn her into my OC", just like you did with Olrox and Erzsebet, and just like Ellis did with pretty much everyone in the cast. You all just take names and create your own stories by leeching off the popularity of the source material and then expect to be clapped for writing the Best Adaptation of all time.

One of the tasks in developing the show and its story is that, of course, the reason it exists at all is because of the game. So you want to please fans of the game. But it can’t only be for fans of the game. It has to have a broader appeal. There’s a significant fan base, but you need more to justify a Netflix show. You have to have something that will work for a wider audience. It has to be something on its own, and you have to find the logic of the story that you started to tell. Sometimes, the problem with adaptations (especially if they aren’t very complex stories to begin with) is that if you keep trying just to come back to that, you’re going to lock yourself into a dead end. What you do is you develop characters and then the characters have a logic. And the story has its own logic. And you have to allow that to happen, or it will fail on every level.

... so, what was I saying?

This speaks for itself. I have nothing to add.

The name seems to work for a Mexica background – although it’s not really Aztec

the fuck are you saying? Olrox is a mistranslation of Orlok. It's German! What, just because there's an X there suddenly it can pass off for Aztec? So much for hiring writers that can help you with writing other cultures

So we have a bunch of kids who are out of their depth. Richter’s too cocky. He thinks he can handle everything, and he can’t. Maria is even younger than Richter and Annette. They’re all very obviously out of their depth. And there’s something very Buffy about that, in a way.

And Annette is just perfect, isn't she :) it's not like her brash outburst lead to Edouard becoming a Night Creature and she, instead of blaming herself, kept snapping at Richter for wanting to make her reason :)

also lol that Maria is only described as "young". She really has no personality and contributes nothing to the story.

There’s a lot of that in Olrox, and Drolta also has a touch of Anne Rice about her. Those particular vampires are quite ambiguous – and sexy!

Drolta is literally what the fandom believes game Isaac to be, a shallow evil horndog simp, but with tits. Ambiguous my ass.

We knew that the vampires in this universe are aristocratic.

bro accidentally wrote a story about vampires infiltrating human nobility to the point of becoming an accepted part of their world because he forgot that not all vampires are inherently aristocratic. i'm shitting myself.

The Night Creatures are in the old Castlevania show, and the game. But they tended to be a bit gross-looking. In contrast, we wanted something a bit more beautiful. It fits with the story about [transformed singer] Eduard. It felt important that in his Night Creature form, you could still see the beauty of the character. He needed to be a beautiful Night Creature, preserving his voice, and you needed to see the sadness in his eyes and everything. And he couldn’t be stupidly different from all the other Night Creatures, so they changed a little, too.

... what?

So you fucked over the entire lore of Night Creatures just to have a pretty Edouard??

I. No. Moving on again.

(also this is an insult to abel, even the one in the show)

There’s been less complaint about the portrayal of the Church than I thought there might be!

Yeah, because the audience of NFCV is so anti church that they cheer at the sight of the Devil sending human-eating demons to slaughter peasants who did not stop one execution.

Talk us through some of the other characters, please. You’ve got some great voice actors! Alucard was always going to be in it right from the beginning of working on this. The question was just when. We decided to end it on a cliffhanger. If you’re going to have a cliffhanger, you might as well make it as good a cliffhanger!

question: hey would you like to talk about the voice actors

bradley, not containing his boner: OMG HAVE YOU SEEN ALUCARD ALUCARD IS SO COOL WE ALWAYS WANTED TO GO BACK TO ALUCARD THE ONLY CHARACTER PEOPLE CARE ABOUT

One of the things that was great with this – and it’s a credit to Kevin Kolde and to Netflix – is that it is a very ‘free’ adaptation. They were very open to that and okay with it. Nobody at any level was saying, ‘Hold on a minute! You can’t do that.’ With any adaptation, there are things which you probably want to be more faithful to, because the story is already so great.

... is it me, or does it seem like he's saying "we were free to do as we pleased, while usually we can't because the OG story is already great - which was not our case, RoB's story was so shallow that nothing was worth keeping"?

Like. I don't think it's what he meant because it would be rude as fuck. But it sure sounds like it.

But yeah, I can tell no one gave a shit about Nocturne being an actual adaptation.

[centrally-unplanned]

Since you mentioned it anyway... Ghengis Khan VOR?

Ghengis Khan does require a grain of salt, given our lack of strong historical evidence for his life and inner workings. But still, given what we have, his story is one of endless setbacks before his incredible victories. He is left destitute after the death of his father, kills his half-brother over a fight over hunting spoilers, is imprisoned by rival tribes multiple times, and spends several years as a slave later on of the Jin Dynasty after his early armies are defeated. A lot of his VOR comes from the fact that he was the one to do it at all; he shouldn't have even lived, let alone come back to forge an Empire.

Past that, the Mongolian steppe was in a constant step of flux of political (dis)unification, but even when unified was never built for sustained conquest. Meanwhile the Jin Dynasty had just had a string of victories imposing tribute on the various tribes - it was not the case that the Mongolians had this inherent "nomadic cavalry" military advantage that, if unleashed, bordering nations could not compete with, they got wrecked by them all the time. Re-unifying China as a successor kingdom, for example, is something of a given at some point, its inherent dynamics lead to that - for Mongolia that was not the case. Genghis just has this miraculous ability to get coalition partners into his camp, and all the way in, ride-or-die in, over and over and over.

Finally, he is a pretty tireless-but-flexible operational commander, combined with institutional innovator. His siege of Xongjing fails due to poorly constructed earthworks on their dam attempt, then a second siege of Xijing also goes poorly? We build an entire siege corps built out of captured and defected engineers of our Jin dynasty enemy that we then integrate into force structure and fling about as far as Persia. Next stab at the Jin Dynasty runs out of steam penetrating too far into their territory, so our army starts starving? Go back, build a new logistics & supply requisition system that we have never had before to extend campaign duration, and repeat. These might sound 'obvious" but no Mongol commanders really did these before - they instead would sign a peace treaty, take some tribute, and go home. This is a huge VOR - a demonstrated track record of asset-building where others simply settled for the equilibrium.

Finally he has many moments of "consensus bucking" - in particular on peace and restraint, funnily enough! It was very common - the first siege of the Jin capital & the planned invasion of north India come to mind - where his commanders would recommend pushing forward, Genghis would go "hold up", then retreat, sign a temporary peace, then come back next year or choose a new target and win for real. These you do have to be skeptical of - classic literary tradition, to portray the Great Leader as the wise one out of a sea of idiot advisors. But still, its attested enough to be worth noting.

So yeah, tremendous VOR - one of the few leaders in history who, if absent, could result in their empire simply vanishing from the record, never occurring at all.

[bryverros]

YAP MY LIEGE WHAT ARE THE HAPPENINGS IN THY KINGDOM

im going to be real immature on main so turn a blind eye guys

so. my beloved firefighter show. first, a brief introduction to the massive fandom drama. we have buck, eddie and tommy. buck and eddie are best friends since season 2 episode 1 (we are on season 8), tommy becomes an important(?) character in season 7.

- buck and tommy are canonically in a relationship. i want them broken up asap. its not even personal. i just dont think they work, even all the buckandeddie theories aside. and if they do break up, i will call it a win and clap my hands jollily. their fanbase is honestly making me feel stupid because theyre acting like bucktommy is this soulmates endgame couple and i tried seeing it. but i just dont.

exhibit 1. eddie appears in practically every single bucktommy scene. and when he didnt appear directly, he sure as hell was mentioned. a lot. which??? weird??? considering the fact that bucktommy are supposed to be in a relationship and very in love. like maybe i dont know shit about dating but im pretty sure that its objectively weird to include the best friend in all scenes the couple has. so far, in s8, buck and tommy had one (1) scene. and it had eddie in it.

then there’s the whole weird thing on how buck and tommy got together in the first place and one might argue that buck was trying to get eddie’s attention, not tommy’s. so like yeah eddie sure is haunting their narrative a lot and for seemingly no reason which kind of stops me from feeling attached to the ship. which i tried initially before i started praying on their breakup.

- in the scenes buck and tommy (+eddie. cant forget that he was there) did have. sigh. their dynamics is just weird. first of all, tommy is older than buck. like, he was in the flashbacks of the older coworkers (he was kind of racist and kind of homophobic and misogynistic in those too, but ok ill let that pass, people change blah blah). and he called buck kid before they got together. which. sigh. im generally against age gaps i dont fw that stuff and theyre not letting me forget that they do have an age gap. but fine, ill put the age gap aside. theyre both adults so yk. surely it wont be THAT bad. alas. it is. moving to the next exhibit

exhibit 2. the bachelor party. so buck is really excited to organise this themed party for their his brother in law (a dude tommy was kind of racist towards in the flashback btw). the theme is. 80s. buck and eddie do matching costumes (suggested by eddie. very enthusiastically)! matching each others freak! yay! what does tommy do. he arrives in a henley. and as a person who kind of relates to buck in a way that i get excited about things. tommy’s low effort uninterestingness wouldve kind of been hurtful to me? like the way he casually kind of discarded that excitement buck had about this party was giving “im not interested in your interests babe 🫶” and from personal experience! not nice! and buck already had like a shit ton of self esteem issues and like yeah im projecting but please please break up w tommy you deserve better buck please

- name. so evan buckley has been going by buck. everyone calls him buck except his parents (bad. he doesnt like that) and his sister. sometimes. tommy calls him evan all the fucking time. which feels. condescending. i do not like it in the slightest. break up bucktommy. for me. please.

now! onto the clowning part.

ok look. buck and eddie. theyre so special. their friendship is so special. and if they go canon. that would be absolutely historical. like a queer non established from the beginning romance? that has 6+ years of shared history? they were friends before they were lovers and they could be THE friends to lovers in my eyes. and look if they dont go romantic, i really wont be that sad? their friendship kind of remains regardless so like while i do think it would be bold and take some good writing to have them go down the romantic line. i also do really cherish their friendship. but i am strongly gaslit that they will go romantic. to the point where i fear that im clowning about it.

- the actor playing buck recently said that he wants some slowburn for buck. some will they wont they kind of relationship. that the audience will have to yearn for. like my man your character is in a relationship and that relationship came together in, let me check… 2 episodes? slowburn? bucktommy? i have a VERY hard time believing that. there were a whole bunch of other quotes that could be interpreted as bucktommy breakup (yay 🫶🫶🫶🫶🫶🫶🫶🫶🫶🫶🫶🫶). like you dont see any other member of the cast speaking about their love interest the same way this man does about tommy.

- the episodes 5 and 6 are centred on buck and eddie respectively. episode 5 will have tommy “weirded out by something about buck” (surprise surprise). episode 6 is called confessions. eddie has a lot of potential queer coding (eddie: “i just hate having to date. it feels like i have to perform”; someone else about eddies relationship: “just make sure youre following your heart. not christopher’s [his son]” ahh stuff). and episode 6 is centred on him. it also is coming out on nov 7th, 2 days after the infamous destiel election day. so having eddies coming out in that episode would be the funniest thing ever. and the marketing for these episodes is driving me insane. like. will they. wont they. will they. wont they. i feel like im clowning so hard but i also feel like i cant be wrong about this stuff yk? too many coincidences?

so yeah. episode 5 is coming out today. wish me luck (bucktommy breakup ⁉️)

[lifesver]

Im so in love with you and your friends’s interpretations of the victims, can I ask how you and your friends are able to develop such interesting lore for them?

hey anon! this is so, so kind, thank you sm for the message <3 ;; honestly like, i think the best answer is everything my writing partners/pals and i have written on these blogs has been a slow-cooked built over time kind of endeavor! stuff that has definitely changed and developed majorly over the months that we've been hanging around on this goofy website, haha.

i started with this blog back just before the public beta test happened for the game, and for a little bit it was just me and rae sitting here like 'well what if we just made blogs for super niche horror game characters'. which tbh, something rae and i have historically loved to do with our diff muses on diff blogs, just kind of grabbing characters that have limited lore but exist in a cool universe and have a cool 'starting point' to jump off from, sort of. it gives a lot of space to really get creative imo.

ALL THAT TO SAY rae and i were working with like... beta gameplay, character models/cosmetics/baseline lore snippets, and doing dumb stuff like combing through gameplay vids just to try and collect voicelines to see how these characters might interact w each other! and we had some months to wait before the game would actually release, so in that time we simply started crafting our own ideas and it kinda built organically! just sending prompts back and forth, trying to think about what some of the key story beats would be, as if we were retelling a movie or w/e. but i think the most fun part about tcsm is that the inherent gameplay, and how differently each match can go, lends itself well to creating all kinds of different trajectories of where the story Could go, some endings happier than others, some allowing us to explore more dark themes.

for me that's a big part of what keeps me writing on this blog-- the possibilities for exploring, esp within the slasher genre. esp within the texas chainsaw franchise, where imo, the protags are often sidelined/cut down, and where the antagonists can sometimes be more complex and even sympathetic at times. the game itself, despite what the creative team later said, implies that there's the possibility that the victims survive this horrifying event. and there's like, not a lot of exploration done in that area within slashers, i feel? when i do see it, i cheer furiously tbh like hell yeah halloween hell yeah friday the 13th 4-6 hell yeah anoes 1 + dream warriors hell yeah scream movies. i just think there's a lot to expand on in terms of the effects and healing process of trauma, the emotional connection between the characters, and complex dynamics in general that might tend to get overlooked in stories like this usually.

but anyway, through just being silly and passionate, we met our other friends who were equally silly and passionate about the game/genre/franchise/characters/etc, and started slowly connecting our ideas. like sometimes we'll just slam our general verse ideas on the dash, and someone else will start cooking with it and thinking about it, and then we have a whole connected au going. sometimes we'll be writing with each other, and naturally bring up other characters in those replies and it gives a little bit of worldbuilding too.

roleplaying is honestly such a rewarding hobby, bc i get to collaborate with really talented writers and help bring a cohesive narrative together. idk it's like instead of having to sit and write your story by yourself, you got a funny little writers room. except we're all throwing paper airplanes and also crying on the floor sometimes. but like, you naturally get to bounce ideas off each other and learn how your muse would handle certain situations just by interacting with another muse, you know? and i get to read my friends' stuff and go wow! that was a cool use of wording! or wow i really love how they visualized this scene/character thought process, and then i am able to implement certain things to improve how my own writing goes.

when you find writing partners that really Get You on that front and have the same style of worldbuilding as you, it's just really awesome and keeps the passion and muse flowing in a funny echo chamber almost. and it's like, even for people i've written with that haven't stuck around for whatever reasons, sometimes pieces of their portrayals of their own muses will stick with mine, like we all kind of help each other build our character interpretations out. and even if they end up very very canon-divergent as lore is slowly drip fed to us by the devs, we're confident in what we do have built and just kinda change and work things in as we go. it's just nice and no pressure around here, and it's rly just built off of and inspired by each others individual creative passion. ik that's how it is for me, anyway! i love seeing my friends just say w/e random hc about their muse bc then suddenly we might all be talking about a related hc for our individual muses, that kinda thing!

i'm sorry this was super long winded! i hope that kinda answered the question, i got a lil carried away LMAO but thank you again for idk, perceiving our stuff! it's not like fic writing on ao3 so it's always a pleasant surprise when ppl stumble upon our nonsense it's like oh hey man- welcome to our weird little corner!

[oliolioxenfreewrites]

Writer Questionnaire ❦

Taking a break from writing to catch up on my tags writing 2 books at once is not for the weak 😭 so thank you @drchenquill for the tag as always!

- how long have you had your writing tumblr/writerblr? a fast and loose estimate is fine!

At least since April or early May!

- what lead you to create it?

I wanted to connect with other writers and creatives to make new friends!

- what's your favorite thing about the writer community?

My favorite part is the absolute powerhouse of creativity and innovation. You all have this incredible knack for coming up with unique ideas that never fail to inspire me. Plus, they're hilarious! Their sense of humor adds a delightful twist to everything we do, making even the wildest ideas feel approachable and fun. Honestly, being around such talent and laughter is a constant source of my motivation and joy!

- what’s one thing you'd like in mutual to know about you?

No notification I receive on this app goes unnoticed. I'll be at work, smiling because someone found my writing and enjoyed it! It means so much to me and only makes me want to write even more!

- is there anything you'd like to see more of on your dash?

I would love more collaboration and interaction in my messages. I am open to discussing and exchanging ideas with another writer. I’m particularly interested in co-creating a planetary system and bouncing creative ideas back and forth.

- which wips or writing projects are you noodling about lately

I'm currently working on fleshing out a novel titled Journals from The Whitmore Estate, which is a modern/historical fiction story. The novel explores the slave and civil war era, and also delves into our near future. It centers around the actions of a power-hungry ancestor who sought to shift power dynamics, and the resulting centuries of generational backlash.

- how long have you been working on them?

Its been about a few months, I had to take a break to give myself new perspectives and coming to a decision on who the main character was!

- do you remember what inspired them/what got you started

I was looking at writing prompts and came across one that said something along the lines of “Your character inherits a manor from a distant relative. Upon moving in, they discover what lies within its walls, answering why your family has been plagued by bad luck for as long as anyone can remember.”

- how much time, in your best estimation, do you spend thinking about them?

Wayyy too much! Now rhat I've found the main character, I can't put it down!

- when someone ask the dreaded "what do you write about?" question what do you usually say?

“I write whatever comes to mind!” Or “You can read my writings to find out.” 😗

- name any characters you created. Side characters, protagonist, antagonist, characters who’ve never been written, the first original abomination you ever pulled from your ass; whomever you’d like!

Kirjani is my favorite oc to date! Her chosen family: Rick, Raelin, and Lena. The three sisters from the Isles of Aurorith! Imani, Jade and Jasmine, the first ocs I ever created, they deserve their story to be told. (I’m working on it!!) My scrapped character folder is at about 60 something, but the one I just couldn't figure out completely was their grandmother Queen Amara, those who've followed me for a while probably remember her! She was just a bit too sinister and I tried to work around certain motivations and rationality kept getting in the way 🤣 I might use her for another story of mine I've been thinking about

- who’s the most unhinged?

I think it would be between Amara or Kirjani for sure. One of them is justifiably so, the other… not so much LOL

- who comes the most naturally for you to write?

Jules a gay sophmore in high school who is grieving the sudden loss of his mother (I haven't introduced him yet!) He's the first character I've ever based on myself or someone like me rather.

- do you ever cringe at them?

Oh yeah, that’s when I'm writing his best romantic scenes. Love, especially teen romance is supposed to be cringy and awkward at times. That's what makes it so!

- how much control do you feel you have over your characters? do they ever “write themselves,” refuse to cooperate, or do things you didn’t expect? to what degree? are some less cooperative than others?

They literally form their own lives that I just go with, its their world I’m just living in and writing it! I'm considerably outnumbered lmao

- do you enjoy people asking questions about your characters? and do you have a preferred means of receiving said questions? for example, as asks, as replies, as reblogs, as tag notes, as comments on ao3, etc.

More than words can express, that's why I love sharing my characters and their personalities. I want to open discussions on humanity and how the human condition can create dynamically and perplexing people!

- what makes you want to follow another writeblr account? do you follow ‘em as you see ‘em, or take time scoping out the blog to make sure you align with its content? do you follow based on wips, or vibes?

I don't really have enough mutuals or followers, so I follow people based on their creativity and if they're on Writeblr. I don't have much discernment at the moment :)

- what makes you decide against following?

Just depends. I guess I haven't found a page I've ever said, “Oh no, can't follow that,” too.

- do you interact with non-mutuals often?

Not really, and if I follow you and you don't follow me back, I will give you 24 hours before I unfollow. We're all creatives here; no one is more creative than the next person, in my opinion.

This was so much fun to answer, I have so many more tags to do, but I’m not gonna stress ah finishing them all today 🥲 I have some short stories I wanna post as well from the weekend.

I tag @leahpardo-pa-potato, @slenders1ckn3ss, and @coffeewritesfiction. + open tag to any writer interested!

[cabeswaterdrowned]

I had been trying to figure out where some of my issues with Emma's characterization post LM came from you are absolutely right, it definitely feels like CC stopped focusing in Emma's gray morality to focus on Julian's

In theory I think the idea of their arc being Emma starting off the more ruthless and revenge driven character then easing up on that mindset as things unfold with Malcolm (I really like that little moment where she tells Julian about how her conceptions have changed since killing Malcolm didn’t give her closure, but we should have seen more of her introspection on this after it happened before bringing it back up in QoAAD) vs Julian being more of a wolf in sheep’s clothing whose manipulation and ruthlessness becomes more apparent over time, until eventually Emma is willing to do something morally gray (break the parabatai bonds) that in this set of circumstances Julian will not do, is compelling to me but the execution on Emma’s side falls short after LM because there’s not consistent enough exploration of her changing attitudes towards glorified vengeance and violence, more of an occasional check in. Part of this has to do with pacing/structure and although I love TDA and find the ensemble probably the most compelling overall of tsc series it is overstuffed with how many povs their are as much as tlh is. But also Julian clearly took priority to her at some point and his arc is more the focal point of books 2 & 3 despite all the povs, maybe if that was only the case for LoS it could work because then LM is more Emma focused LoS is more Jules focused but even though QoAAD is pretty all over the place Julian’s emotionless + grieving arc feels like it’s at the heart of the book, and I like that arc I mentioned I related to quite a few of the grief manifests as repressed/controlled emotion aspects so subjectively that clicks for me, but it does put Emma in the role of having to be more of a tether morally for most of the book and then there’s not enough of a transition between that and the moment where she goes to break the bonds. So yeah it’s partially cc prioritizing exploration of the male mc’s gray morality as the series goes on and being less interested in the female leads corresponding gray morality (and I know I would be far meaner about this if I didn’t like Julian as much as I clearly do) partly just other pacing and point of view distribution issues towards the back half of TDA that lead to this. Is how I see it. I do also think there’s something to critique about how while I adore blackstairs and enjoy that they flip some gender roles typical of cc’s earlier books couples, if when gender inverting the bad-boy-with-a-heart-of-gold x good-girl-going-bad trope the male version of the good girl with a dark heart thing gets to have a more centralized arc that is allowed to go further gray morality wise than female chars you’ve written in that vein (I would say that both Clary and Lucie count as this, Lucie in particular has a lot of parallels to Jules imo which is fun family tree wise ) and have the more centralized arc whereas while I do think Emma is a much better written character than Jace who she was clearly originally conceived as the female version of, she doesn’t have the centralized status Jace does narratively.

I do think both modern TSC arcs end up prioritizing Jace / Julian over Clary / Emma in terms of who’s character and dynamics the series eventually revolves around most (although again TDA being so ensemble changes this a little). I’m meaner about it with tmi because I don’t like Jace and Clace doesn’t work for me as a ship, and more just passively critical about it with tda because I do love Julian and Blackstairs really works for me as a ship, so I’m definitely a bit of a hypocrite there but I’ll still critique what’s relevant. I think both historical arcs do better with this I’ve spoken before about how Tessa is my Favorite tsc char as well as protag, and I think her arc and narrative is really really good and that she is central, maybe tied with Will towards the end but definitely her narrative isn’t given less importance than the guys and I’ve disagreed with takes on that to the contrary. Cordelia is an interesting case because again, the overstuffed nature of the cast means she often does not feel like the protagonist in her own story and I found that aspect worse in tlh than for Emma in tda. However I actually really don’t agree with takes that Cordelia’s story went badly because she was turned into ‘just a love interest/got lost in her romance plot’ because imo James is way less of a character in his own right than she is even in the last book where he has more agency than he did with the gracelet. Her emotions and struggles drive the plot of their romance much more than his do, and outside of it she does get to be a more proactive character in the Lilith paladin plot, dealing with her familial relationships etc. So while I did often feel like I would rather tlh focus on Cordelia herself more that really had nothing to do with James who I think was just not a priority for cc a lot of the time. Perhaps there is something to the cursed plots Will / James start out with and that device creating a need for cc to lean on the female protagonist’s characterization more (but also I’ve only read TLH once so maybe my opinion would change if I revisited I do want to say I don’t think I am a TLH or TMI expert).

[revenantghost]

Hey! So i must i adore you analysis on Wolfwood as you compared his story beats to maximum and how they got changed, something that I dont really see people commenting on

I must say however, do you think vash and wolfwood are bound to have the same kind of relationship they had in trimax? I adore stampede like crazy and was enjoying it so much until around ep 10/11 where it got cleared they were very much going a seemingly different route than what we thought. And to be honest the moment i saw they pumped Knives and Vash dynamic like crazy got me thinking tristamp will be completely about them and not also Vash and WW/others (which i think is as important as K and V for trigun to work out) or tristamp will be mostly Vash and Knives and WW and Livio.

You seek to have a super optimistic (lol) look for s2 and beyond so i wonder if you think (either by beats laid out by tristamp, maybe i am too blind or pessimistic to realize them) there may be something similar to vash and wolfwood’s relationship in trimax???

Oh man, thank you so much!!! I’m honestly so happy that people even read that rambling because it’s been driving me absolutely bonkers. (I’m just gonna link that post here in case anyone’s interested)

But tl;dr: I think that it’ll be similar! Honestly, I think the Vash and Wolfwood dynamics have to be similar, because that’s such an integral part of Trimax. I jokingly called it the Vash and Wolfwood show to a friend when I started reading it—and yeah, that sums up a lot. Though I REALLY see your worries about this. I think we got a much heavier dose of Vash and Knives to really make the stakes super personal, but I have a feeling Knives will fall into the more distant role he takes in Trimax because, as he says, Nai is dead. Long live Knives.

Tristamp season one is a prologue, confirmed by the team very purposefully calling the continuing work the final phase despite saying the sky is the limit on future content depending on fan support. It speed ran a lot of stuff, and I think that was knowingly done because the staff has stated multiple times that they needed everything to be as perfect as possible, but they didn’t know how it would do. I don't even know if they thought they could do a second season. Trigun has historically not been popular outside of the cult following ’98 had in the west—Trimax was just an afterthought that many fans hadn’t read before Tristamp grabbed us all by the throats.

To touch on the other relationships, I like that Tristamp is that it's already expanding on characters that I felt could have spent more time in the spotlight. Like, I'm very eager to see where they take the girls! Because Meryl’s falling into the same role but with a vastly different career in this, and she’s already way more present . Why are they following Vash? How present will the girls be? MILLY!!! With Meryl ripping down Vash’s wanted poster at the end of season one, I wouldn’t be surprised if it’s her mission to clear Vash’s name, and hijinks ensue. She already has deeper ties to Wolfwood than any other version before, which makes both of them stronger for it. I’m nervous to see how this all plays out because change scares me and I love this story so much lmao, but I do think it’s good! I already went off about how I love how important Meryl already is in the story, she’s a foil to Vash and the faith in himself he never had, and I feel like that only strengthens and reflects against the foils Vash and Wolfwood have going on. And Milly! I’m so excited to see where they go with her.

But this does change everything with Wolfwood. I keep thinking that Tristamp has changed Wolfwood fundamentally and keep needing to go back and rewatch because he is Wolfwood. He’s younger and rougher around the edges, but he’s still that moron I know and love. (Sometimes I’ll be reading fic and I don’t even realize that the person’s only seen Tristamp because they just get him and the dynamic right—Orange is doing a good job even if it scares me deeply lol)

I do have complete faith that they need to and will let Vash and Wolfwood’s dynamic shine just as brightly as it does in Trimax. I think, actually, a lot of that comes from outside of the text, though I could probably do another rewatch to pick up on all the loose threads they’re laying down to grow Wolfwood’s character and his dynamic with Vash in particular.

First, a new bit of info I saw recently is that the director, Kenji Muto? Apparently hasn’t even seen ’98, or at least hadn’t seen it as of making season one. Of course there are other writers on staff, and the crew has admitted to being huge Trigun nerds, but if your only exposure to Trigun is Trimax??? Wolfwood is massively important to Vash. Doing that dirty would be greatest sin you could make against this franchise.

Second, Nightow is so involved in creating this. He was involved way before most manga authors are brought in on anime, and even said that pretty early on he basically gave it his blessing and said that they got Trigun. (Though he still approved everything from then on as well.) And Wolfwood and his story arc in Trimax is so powerful and so moving. Nightow obviously had some significant investment and emotion in it, in Wolfowod and Vash’s relationship and journey. Like, I cry at things sometimes, generally just ooze tears, but Nightow and this damn manga made me sob. I can’t imagine he would tell the crew they understood Trigun without Wolfwood’s character and his ties to Vash being a priority. I know typically Japanese creators won’t throw shade at adaptations like we see in Western realms, but I rarely see the level of enthusiasm Nightow has for this project.

Okay, because this is getting long, and I’m getting into Trimax spoilers next, putting this next bit under a cut, continue at your own risk.

It’s actually funny, because for the end of that Wolfwood post, before I started my rewatch for it, I originally had a pretty specific prediction about what would happen. Then the ‘sky’s the limit’ on future content came out, and idk what to expect. I thought that the next season was going to be the Vash and Wolfwood show ala Trimax, we were going to fall in love with Wolfwood, and we were gonna have him couched at the end of that season. Because the couch is so essential, it’s so critical, but my god do I want this man to survive the narrative, if only once, and have it mean just as much. (Can you tell I’m torn on this every second of every day of my entire life) And after writing up that whole post I’m even more confused because I have no idea where the fuck they’re taking him. But at the same time, we have major plot threads tying us to that scene so much earlier. The vials existing way earlier, Livio and Razlo being introduced, that line about grieving but still deserving to smile and eat that Wolfwood gives Vash in the episode he’s introduced??? We're making everything more coherent and tied together, and fuck, we're screwed.

For now, all I’ve got is that I think some shit is going to happen to Wolfwood during our two-year time skip, maybe something with Chapel, idk how they’re going to inevitably use Livio against us, but we saw a softer Wolfwood in Tristamp. He needs to harden to be who we know. Orange said they’re going to be more like their other selves here, and though Wolfwood already has some faith in Vash, but he does not have faith in humanity. That’s the growth we have yet to see, and that’s what is really at the core of their relationship and development. It’s still there.

Many people who read Trimax are absolutely gutted and wrecked by the couch. That defines a lot of readers’ experiences—Wolfwood’s character arc is an absolute masterclass in writing a satisfying and meaningful conclusion for a character. So for them to change this much about someone who is that important, they have to have a plan, and a damn good one for Nightow to sign off on it. I’ve seen folks talk about how apparently the team spent the most time working on Knives, Vash, and Wolfwood’s characters (this one I haven't seen a source for), but as you said, we can already see it in the brothers’ relationship. They have a plan for Wolfwood. It’s only a matter of time before we’re wrecked by it.

Yeah, they are gonna keep doing stuff that you or I won’t agree with, or that we think could be better. Every version of Trigun is pretty flawed in certain ways imo, even though it might be beautiful or a favorite piece of media. But all of the concerns of mine that Orange could answer in the first season, they did so with flying colors and blew me out of the water. So don’t get me wrong, I’m scared. I’m so fucking terrified. Both Vash and Wolfwood are my favorite characters in Trigun in such different, integral ways to me. I love them deeply. And Orange is changing so much.

But Orange adores Trimax as much as I do. Nightow is 500% on board. So I’m biting my nails about it, but I choose to have faith. We’ll get wrecked by this adaptation, and I’d bet money on it if I had any lol

OOF, THAT WAS LONG. I hope this was actually helpful/useful and not just incoherent feral rambling!