#and add like 12 scenes in

[posallys]

im just saying that if netflix picked up the pjo adaptation it wouldn't be nearly as watered down

[youredreamingofroo]

Roo as Benson from The Passenger (2023)

- - Click Roo's pic for better quality :) - -

( Progression pics under the cut :) )

( Latest -> Oldest )

[peridots-pixiwolf]

[Start ID. A dark, warm-toned drawing of Tundra, a robot with bladed legs and mechanical hands both lightened by frost, and a face like that of a fencing mask. She wears a blue jacket with a fluffy white ruff and pockets on the shoulders and chest, a long green skirt with tassels and pale wavy lines at the border, and a brown belt with a pouch at the side. She's shown from the right, leaning back on a stack of pillows and a wooden wall as she looks out to the left, disregarding the open book in her hand, her legs bent in front of her. Under her is a yellow and red rug which pads gritty flooring, over her are series of low, round string lights, providing soft lighting in a room that's partially open to the night sky.]

it's a friend's birthday today yet again... in honor of the occasion here's a Tundra for @automatonknight :]

[hood-ex]

Day 12: Favorite Nightwing comic artist

Listen. When it comes to Dick's hair, I feel like Greg Land and Jerome K. Moore are kings of the wavy/curl pattern. In terms of body-ody-ody? Jim Lee. I've always been obsessed with the way Lee draws Dick's shoulder to waist ratio, and I particularly like Dick's expression/movement here:

Batman #615

See that serious face? I fucking love that. I love it when Dick looks intense, which is why Daniel Sampere gets a place in the ranking as well.

Dark Crisis #2

LOOK. AT. THE. INTENSITY!! He's gonna fuck you up!! No... he's gonna fuck Slade up!!

Dark Crisis #2

[clegfly]

Small thing I’m cooking for idksomethingclever99’s fic MITPP!! For some reason I’m having trouble tagging them but here’s the fic!!

This seemed fun to do… probably won’t get more done than this page though…

[taoistyuri]

after watching some.videos in defense of it from popular critical (or 'critical' in quotes as they were made by bigots) , I decided to rewatch steven universe at least the bits I missed and cared to watch. I dint think it was so bad as people ragged on it to be, but I do think the redemption of the diamonds was very rushed , at least with white diamond because she was the baddest and worst of them but turns around a little too quick. also I'm still never gonna be impressed with people overlooking racist tropes in the show, even the videos I watched, while avoiding the subject , still had to point out that a black man helped create the show, but that doesn't really matter whennits misogyny against black Women that is the main issue here. but regardless well su is a cartoon and yeah its certainly a cartoon

[yume-fanfare]

btw today on super crazy news im actually almost done with the trks filming comic

[caandlelit]

how did you decide what days to write lawnchair for? like why some days and not others?

thats a fantastic question and thankyou for asking it

see there wasnt actually anything that made me choose specific dates over the others, that all fell into place AFTER the moment in writing when id realized this fic was going to deal with all of summer. i'd originally started this as a very basic 'They start to kiss during the time period when it's soooo hot,' and then as the scenes accumulated i figured out i'd need almost a full summer vacation for this story, not just a short ambiguous period of time bc a scene would happen, maybe make reference to other activities, so i'd need to account for those, also VERY ANNOYING BUT HELPFUL just very IMPORTANT was oikawa tooru's "no seijoh volleyball practice on monday's bc we all deserve a day off" schtick. it was important to ME. it was like okay they can do THIS on a monday but the other thing was also monday, so i guess i need another week.

which got confusing! so i found out the typical japanese summer break duration. it tends to be july 20th to the end of august, according to every source i found. now i had a timeline!

so when id figured that out i just made this

every time i had a new scene and i needed to fit it in with everything else i had, and also so i cld make coherent sense of everything id written instead of just having it in my head. it's my best friend. its gotten me through a lot. dont look at it too closely if u dont want update spoilers but if u want to know exactly what dates i'll upload, those r the ones marked 'DAY X.' ive also cleaned it so u cant see what the notes said. i left my colors in as a little hehe moment.

so the dates of each chapter, they are basically a scene i wrote, and then ensured it fit along the 2012 calender, as well as making sense with the other scenes.

since the douglas adams chapter is out i can admit that after i'd had enough scenes, i decided the 'forty odd days' of summer break can be a nice round forty two. which it somehow was, magically. a lot of things just kinda fell into place for me, or i kicked and screamed until they made sense. ideally i wldve done something with day THREE, aka july 23rd. one of two matsuhana days in a month u know. 2 and 3. but that didnt happen bc of stuff i'd already written, like 'nothing happened on the next day,' or 'lets just do nothing,' and other matsuhanaisms. i hate them bro!

in the end it was just. day 1 day 2 day all the way till 42, bc that was the amount of days we have in the break, fit along the calender from july 21st to august and the very lucky extra weekend. bc schools not gonna start on a SATURDAY! lol!

the blue block will all be uploaded the same day, red block will be uploaded with day 34, and while counting i'd realized if i juuust put day 42 and what comes next all in one chapter. we would have 23 chapters. alhumdulilah and ameen.

have a good tuesday and see you on ao3 for day SEVEN!

[vacantgodling]

god my headspace when writing a chapter i don’t want to write and one i do are night and fucking DAY

[galaxietm]

it's always so funny to me the way that one pie.ce will get me to come out of my cave and post / try to be active or write on here

one day i'll joke about revamping the blog to be one piece themed. and then may end up actually doing it. just watch.

[s-soulwriter]

Things Real People Do in Dialogue (For Your Next Story)

Okay, let’s be real—dialogue can make or break a scene. You want your characters to sound natural, like actual humans talking, not robots reading a script. So, how do you write dialogue that feels real without it turning into a mess of awkward pauses and “ums”? Here’s a little cheat sheet of what real people actually do when they talk (and you can totally steal these for your next story):

1. People Interrupt Each Other All the Time In real conversations, nobody waits for the perfect moment to speak. We interrupt, cut each other off, and finish each other's sentences. Throw in some overlaps or interruptions in your dialogue to make it feel more dynamic and less like a rehearsed play.

2. They Don’t Always Say What They Mean Real people are masters of dodging. They’ll say one thing but mean something totally different (hello, passive-aggressive banter). Or they’ll just avoid the question entirely. Let your characters be vague, sarcastic, or just plain evasive sometimes—it makes their conversations feel more layered.

3. People Trail Off... We don’t always finish our sentences. Sometimes we just... stop talking because we assume the other person gets what we’re trying to say. Use that in your dialogue! Let a sentence trail off into nothing. It adds realism and shows the comfort (or awkwardness) between characters.

4. Repeating Words Is Normal In real life, people repeat words when they’re excited, nervous, or trying to make a point. It’s not a sign of bad writing—it’s how we talk. Let your characters get a little repetitive now and then. It adds a rhythm to their speech that feels more genuine.

5. Fillers Are Your Friends People say "um," "uh," "like," "you know," all the time. Not every character needs to sound polished or poetic. Sprinkle in some filler words where it makes sense, especially if the character is nervous or thinking on their feet.

6. Not Everyone Speaks in Complete Sentences Sometimes, people just throw out fragments instead of complete sentences, especially when emotions are high. Short, choppy dialogue can convey tension or excitement. Instead of saying “I really think we need to talk about this,” try “We need to talk. Now.”

7. Body Language Is Part of the Conversation Real people don’t just communicate with words; they use facial expressions, gestures, and body language. When your characters are talking, think about what they’re doing—are they fidgeting? Smiling? Crossing their arms? Those little actions can add a lot of subtext to the dialogue without needing extra words.

8. Awkward Silences Are Golden People don’t talk non-stop. Sometimes, they stop mid-conversation to think, or because things just got weird. Don’t be afraid to add a beat of awkward silence, a long pause, or a meaningful look between characters. It can say more than words.

9. People Talk Over Themselves When They're Nervous When we’re anxious, we tend to talk too fast, go back to rephrase what we just said, or add unnecessary details. If your character’s nervous, let them ramble a bit or correct themselves. It’s a great way to show their internal state through dialogue.

10. Inside Jokes and Shared History Real people have history. Sometimes they reference something that happened off-page, or they share an inside joke only they get. This makes your dialogue feel lived-in and shows that your characters have a life beyond the scene. Throw in a callback to something earlier, or a joke only two characters understand.

11. No One Explains Everything People leave stuff out. We assume the person we’re talking to knows what we’re talking about, so we skip over background details. Instead of having your character explain everything for the reader’s benefit, let some things go unsaid. It’ll feel more natural—and trust your reader to keep up!

12. Characters Have Different Voices Real people don’t all talk the same way. Your characters shouldn’t either! Pay attention to their unique quirks—does one character use slang? Does another speak more formally? Maybe someone’s always cutting people off while another is super polite. Give them different voices and patterns of speech so their dialogue feels authentic to them.

13. People Change the Subject In real life, conversations don’t always stay on track. People get sidetracked, jump to random topics, or avoid certain subjects altogether. If your characters are uncomfortable or trying to dodge a question, let them awkwardly change the subject or ramble to fill the space.

14. Reactions Aren’t Always Immediate People don’t always respond right away. They pause, they think, they hesitate. Sometimes they don’t know what to say, and that delay can speak volumes. Give your characters a moment to process before they respond—it’ll make the conversation feel more natural.

Important note: Please don’t use all of these tips in one dialogue at once.

[lover-of-mine]

People that want Leah and Walker to dye their hair have never actually touch their hair and it shows , I love dying my hair but I understand the amount of works it is and the fact you hair never truly comes back to the way it was and these are kids ! Why would you even think about wanting to make them do one potentially damaging to their hair when we actually have stories of young kids actors that as adults say they regretted doing stuff to their hair and also walkers curls and Leah braids are so beautiful, when she had the ponytail and pigtails there wasn’t a more annabeth look than that

Honestly tho, I don't think people realize that if they dyed Walker's hair, they would've probably be dyeing it every 2 weeks because of how light his hair is and how the roots would look, and that would be so damaging to his hair in the long run. And people are arguing that since Leah already had braids in, they could've used blonde braiding hair to make her blonde, but there is no point in making that, her braids following her natural color look perfect with the character. She embodies Annabeth so beautifully, her hair color should be the least of people's worries. And the way there are people who are mad they didn't put her in grey contacts too, like, do yall not realize you're actively telling a CHILD she shouldn't look the way she does??????? I knew I would be wanting to fight strangers on the internet over the trio but OH MY GOD

[reidrum]

exile

note: happy december i hope ur all doing well <3 a little something to hold u over until next friday when i start 12 days of reidrumas ok love u

summary: in which you and JJ are the ones held hostage in truth or dare

cw: spoilers for 14x15 truth or dare, hurt/comfort, angst, fem!reader, a heated makeout, reader wears a dress and heels, take a shot everytime reader tears up

wc: 3.6k

p.s. i am a glutton for praise if you couldn't tell from any of my fics but i love hearing what y'all think so plsplspls lemme know your thoughts in a comment or drop in my ask box!!!!

You’re not really sure where it went wrong.

When you joined JJ to pursue Casey, it was out of convenience. You both were simply closer to his last location. No one could’ve predicted he’d take you both hostage or make you play a twisted game of truth or dare at gunpoint.

No one could have predicted that Casey would force you and JJ to reveal details that hadn’t seen the light of day. He didn’t even care for those secrets, egging you both on to reveal something that would satisfy his masochistic itch. When he realizes that neither of you would break, he ups the ante by angling the gun to the middle of your head. JJ panics and speaks before she can even process what she said.

Because as you’re staring down the barrel of the gun clocked at your forehead, you realize the bullet isn’t inside the cylinder, it’s in JJ’s next words.

I’ve always loved Spencer.

You look at her mouth agape, blood draining from your face and tears springing to your eyes. She returns your gaze with one full of remorse and pity. To any onlooker, it would seem like a harmless confession. But they didn’t know the times you confided in JJ about your feelings for Spencer, the late nights at the office she’d stay with you giving advice and words of wisdom, when all JJ wanted was for her friend to be happy.

But now, how much of that can you believe to be true?

Casey seems to be satisfied with your reaction as he lowers his gun, with you reacting quickly grabbing your hidden second pistol and gunning him down. The only audible noise left is the heavy breathing of you both, the adrenaline rush starting to fade. JJ says your name remorsefully, but she’s interrupted by the rest of the team and police arriving to the scene.

The next thing you remember is sitting outside on the back of an ambulance rig, blankly staring out at your new reality. JJ loves Spencer.

You couldn’t compete, how could you? She was JJ. and you were, you. You had lost before you even began, you might as well toss the towel now.

It makes hugging Spence for what could be the last time—not to be dramatic—bittersweet. To know that this is an insignificantly normal moment he won’t remember, but one that you’ll play on repeat for the rest of your life.

Spencer holds you close into his chest with his arm smoothing out your back, “Thank god you’re okay, are you hurt?”

You scoff internally. Yes, but not in a way that can be fixed. In a way that you are not privy to yet, but once you are it will rip us to shreds.

“I’m fine, just a few scratches.”

He nods while examining you with his own mental checklist, “Okay, if your head starts hurting or your vision gets blurry you need to tell the EMT.” you nod as he adds on, “I’m gonna go check on JJ, you’ll be okay?”

No, no I won’t. There is no reality that exists where I can be okay anymore.

“I’m good. Go.”

He squeezes your shoulders and with another nod he walks over to where JJ rests on another ambulance rig, her arms instantly opening to welcome Spencer’s warm embrace. His back is facing you and JJ’s face rests over his shoulder, her eyes meeting yours in a look of sadness, grief. You look away before you can read more into it.

Wrapping the foil blanket around you tighter you let your head fall back and stare at the night sky, hoping there was a message out in the stars that would tell you what to do.

Your relationship with Spencer was, on the surface, nothing more than a friendship. He had joined the BAU only a year prior to you and when you came along it was clear from the first second that you two would be inseparable. Small talks in the bullpen quickly turned into mornings spent at the coffee shop, into weekly movie nights debating the superior science fiction franchise, to holding his hand when he needed a friend.

To Spencer, you were his anchor. Through all the trials and tribulations his life had dealt him, he knew he didn’t need to worry so much as long as you were around.

To you, Spencer was all consuming. He was threaded through every neuron and vessel in your body, intricately and impossibly tethered to you that it would take the work of the divine to painfully separate him from you.

Or, one Jennifer Jaraeu.

You don’t even realize tears are falling down your face until the EMT taps your shoulder and asks if anything has started to hurt again. Quickly shaking your head, you unravel yourself from the foil blanket and hand it back to her. You spare one last glance back at Spencer and JJ, eyes immediately zeroing on their joined hands, his thumb gently brushing the top of hers.

Your feet trudge you back to where the team is set up, one look to Emily and she’s already excusing herself from her conversation. She walks over to you phone up to her ear, saying something about you. You’re not really sure, it’s all water noise.

“Anderson will be here in about five minutes to take you home,”

You nod silently, not willing to make eye contact. Emily could sense your turmoil from a mile away, chalk it up to the Pisces moon in her but behind the hard exterior she put up there lay Emily, your empathetic friend who just wanted to hug your shattered pieces back together.

“You’ll be okay?” The second time you’ve been asked, your answer is still unchanged.

No. “Yeah.”

She sighs knowingly. The reason the two of you were such close friends was because of your similar ability to remain emotionally bottled up until it was too late, resulting in an outburst enough to take out armies and yourselves.

Anderson honks the car as he pulls up, alerting you of his arrival. Emily looks from the car back to you,  “I should go check on JJ.”

“Woman of the hour, it seems.” you chuckle under your breath.

Emily gives you that look, the conflicted ‘I’m sorry our friend made you feel this way, I still have to check on her.” look.

You brush her off, your casualness hopefully sending the message that the situation isn’t that deep. For her, you think.

The sound of the car unlocking rings through your ear as you hop in the passenger seat. Anderson tries to make small talk with you to no success, settling for the late night 00s radio station as he pulls up to your house, driving off as you bid him goodnight with a wave.

The breeze of your empty apartment greets you as you open the door, the air chillier than you’d expect for the season. You tug your shoes off harshly, placing your keys on the mail table next to the door. Your heart drops as you catch sight of a floral embossed card lying on top of your mail on the table.

Rossi’s wedding.

The one you were told to absolutely prioritize, the one in which JJ had helped you find a dress for, the one where you hoped you’d feel brave enough to tell Spencer how you truly felt.

You sigh deeply knowing you still had to show up and look presentable tomorrow despite being held hostage only 24 hours prior. But, maybe this is how you make a clean break. All this time you’ve been in love with Spencer and nothing has happened, despite all the signs you think you’re giving him. Maybe this is the opportunity to save Spencer from further tension, albeit unknown to him at this point, and let him finally be happy.

You knew about the Redskins game, how excited he was to go with JJ and yet it turned into something he hadn’t anticipated. You were new to the BAU at the time but your heart still ached for him, unable to understand how anyone would pass up on someone so special like Spencer Reid. It seems she’s finally come to her senses.

You take your dead phone out of your pocket to place it on the charger and you head into the bathroom to take a quick shower. The hot water loosens your tense muscles enough to prick tears in the back of your eyes, and you turn off the water before you can get too worked up. Once you’ve dried off you check on your phone on the bedside table seeing it’s turned back on, a flurry of missed texts and calls showing up.

11:14PM - Emily: Get home safe?

You heart the message and reply with a simple ‘Yes.’, scrolling to the next messages.

10:09PM - JJ:  Did you get home? 10:10PM - Missed Call from JJ 10:15PM - (2) Missed Calls from JJ 10:24PM - JJ:  I’m sorry, please let me explain. 10:25PM - Missed Call from JJ

You consider leaving her on read, not willing to entertain a conversation at this point, but you settle for an ‘It’s fine.’ for the sake of having communicated your safety.

10:13PM - Spence: Hey, where are you? 10:20PM - Spence: The EMT said you took off? Did you leave? 11:34PM - Spence: Emily just told me Anderson drove you back. You could’ve told me, I would have taken you home.

Your chuckle sadly at the text, Spencer hated driving but he would do it for you. It almost makes you think that your relationship could withstand the harsh weathering it’s been subjected to.

12:07AM - You: Sorry, phone died. I’m home now.

A response dings through a minute later.

12:08AM - Spence: I’ll go to the store tomorrow and get you a portable charger to keep in your bag. You should get some rest, I’ll see you tomorrow for the wedding right? Well, the wedding that’s today seeing as it’s past midnight. You know what I mean.

A single tear falls down your face at his rambling words. Oh, how you’d miss this once he learns what’s really happened.

12:10AM - You: I’ll be there. See you tomorrow, or today? You know what I mean. Good night.

12:11AM - Spence: Good night :)

—

You smooth out your dress before going up the steps, making eyes with Penelope at the top. You’re wearing a silk chiffon dress in purple, deliberately picked for Spencer’s favorite color, some strappy heels and some dainty jewelry painting you in as the picture of elegance.

“Hey hot stuff, look at you!” Penelope exclaims squeezing you tightly, “You look sooo pretty, doesn’t she look so pretty?” she gestures to the two men behind her you now acknowledge to be Luke and Spencer.

“Like a dream.” Luke agrees.

“Yeah,” Spencer clears his throat, “You look…beautiful.”

Penelope the Oracle of All Time quickly senses the 

atmosphere created and grabs Luke’s forearm, “Come on, you owe me that dance now!” She looks back and slyly gives you a thumbs up before dragging Luke further onto the dance floor.

Spencer slips into the vacated space to be right next to you, “How are you feeling?”

You know he’s asking about how you were held hostage at gunpoint, and not about how he’s about to become the loss of your life.

“ ‘M fine,” you swirl your champagne glass, “You?”

“Better now.”

A ghost of a smile creeps up on you, but you don’t let it travel further than that. He’s just being nice.

“Well, I’m just going to find the bathroom really quick.”

He holds a hand out for your glass, “Here, I’ll hold it.”

Your smile returns with bearings this time as you wander off in search of the bathroom. You’d feel embarrassed by how long it took you to find it but this place was massive, the Rossi money ran deep. Retracing your steps back to the main room you find Spencer and your glass not in the same place he was when you left. You scan the room looking for him and finally find him deep in conversation with—oh.

They’re too far for you to be able to hear them, but you can imagine that it’s the conversation. You watch JJ squeeze his forearm with affection and suddenly you can’t take it anymore. You couldn’t stand there and watch yourself become collateral in real time. Spencer turns at the sound of rustling up the spiral staircase followed by a door closing, catching the last glimpse of purple before it vanishes.

Spencer feels sick. He’s overwhelmed and overstimulated at the new information he’s learned about what really happened in the gas station. Then he comes to the realization of how walking in on him and JJ talking must have made you feel. His feet are carrying him up the stairs before he even realizes he’s made the choice. 

He finds you at the end of the hallway and calls out your name with a firmness you’d never heard from him. But you’ve cut all the strings of sanity by now, and you whip around and snap, “What?”

He doesn’t like that tone. “JJ told me what happened.”

You snort and don’t meet his eyes, “Oh, did she?”

His brows furrow, “Yes, she did.”

“And?”

“And what?”

And what? Is he serious? Did you have to spell it out for him? It borderlines sadist the way he’s putting you through the ringer.

“What happens now, Spencer?” you exasperate, “Is this the part where you tell me we can’t be friends anymore because she finally confessed?”

Confusion colors his face more, “Why wouldn’t we be friends?”

A halfway scream—groan leaves your throat in frustration. “Spencer, come on.”

“Honey, I don’t understand—“

“That! See, you can’t just say things like that knowing what has to happen, and expect me to react like a normal person.” you exclaim with hands flailing.

“I’m really confused—“

“Because I’m in love with you!” you cry, “Now do you see why?”

Time all but stills in the hallway you’ve found yourselves in. You don’t know how long you’ve been up here. It’s a little farther down from the stairways so there’s no threat of evesdroppers, but with how worked up you’re getting the proximity renders itself useless. The faint muffle of animated conversations and lively jazz music fills the silence between you and Spencer, who looks like…well, actually for once you can’t decipher what he’s feeling. 

He looks like he’s about to open his mouth when you both turn your head to the ascending footsteps—JJ looking for you, or Spencer probably, to come cut the cake. Spencer darts his eyes between the walls, a nervous tic you’d caught on to, before you realize he’s looking for a door and pulling you inside one. You yelp at the unexpected force and quickly quiet down again. The light switches on and based on the furniture you conclude that it’s a powder room, because of course Rossi’s venue has a powder room.

It’s a tiny room, big enough for a vanity table and a chaise lounge. Small enough to not have any room to leave without going past him. You stand an arm’s length away from him, the faint muffles of talk and music replaced by your sniffling. You shouldn’t have come, you start to realize. Having to say goodbye to him in person might actually rip you apart. Your chest weighs heavy with that familiar sad irony of mourning someone who hasn’t even told you they’re leaving yet. Preemptive measures that turned into routine practice. 

You sniffle, “Look, it doesn’t matter anymore, not that it ever did. I’m sorry I just sprung it on you like that, that was unfair. JJ…I thought JJ was my friend, I guess she is still but I’m not too sure now. But…she’s JJ and I’m just me and I know both of your pasts with each other so obviously it would be her. I’m making this too big a deal, I think. I just want you to be happy, in whatever capacity that looks like and I know it’s not with me so—“

Spencer stops your rambling by silently reaching out for your arm to pull you right in front of him, his hands reach to cup your face up to his, thumbs naturally swiping away the tears. He says your name like a coo, with a softness and delicacy you don’t feel you deserve right now. It hurts your heart entirely.

“Please don’t make this harder than it is.” you whisper through soft sobs.

You don’t know when it happens. Maybe in between scrunching your eyes or staring at your feet—but it happens. A cold pressure, then warmth, his lips are warm when he kisses you. A little surprising that he still tastes like Penelope’s sugary mocktail from earlier. A welcome pressure on your face as he holds you in place, as if you’d slip away further if he let go.

He stills in place, thinking he’s overstepped, until you finally remember that his lips are on your lips. You return the force back with as much as he gave you and let your arms loop around his neck, his own sliding from your face to take purchase on your hips.

That’s when Spencer starts kissing you. His hands grip your hips and tug you even closer as he deepens the kiss, plunging deeper back into the plush of your thighs to sit you on top of the vanity table. He slots himself between your legs, your hands wandering up to tug at the hairs on the nape of his neck. A soft groan leaves his throat and he detaches from your lips to amble down your neck, leaving a trail of lovebites in its wake.

This is wrong, like so wrong. You’re practically opening a salt box and pouring its entire contents on your wounds. But dammit, if this is the only time you’ll ever get to kiss Spencer, you’re sure as hell going to make the most out of the fleeting moment.

He mumbles something in between kisses to your neck, you instinctively ask him to say it again not expecting a response, and you immediately regret it as you feel his presence get lighter as he pulls away.

One more kiss to the spot behind your ear, he feels you preening below him and makes note of this—amongst everything else—for later, he pulls back to meet your eyes again.

“I love you.”

Your face drops, “That’s not funny.”

“I’m not being funny.”

Yes he is, he has to be. Because the universe in which Spencer Reid allows a piece of—the whole of it according to him, unbeknownst to you—his heart to be fully yours is not this one. You’ve never had luck like that.

“Then you’re lying to me, and that’s worse.” your voice cracks, Spencer feels the same crack imprinted on his heart.

“Sweetheart, I’m not lying. I love you.” He says it again to your surprise, the tenderness of his touch returning as he deliberates how to disarm you. The defensiveness you have isn’t surprising to him, it’s the note of insecurity in your tone he isn’t ready for, like you are unable to even believe it could be you. 

You’re a dandelion, he thinks, the puffballs teetering attachment to their base with one wrong move sending them astray into the wind. He’s wading treacherous weather but he finds that for you he’d do anything and everything eyes closed if he had to.

“…Really?” you ask meekly. He nods slowly, never breaking his gaze on you. “But…JJ.”

His eyes soften and he nods in understanding, “There was a point in my life where, yes that was all I was waiting to hear,” he starts, “But, I am no longer at that point in my life anymore. I’m here now. She knows that.”

You’re unconvinced, Spencer can see it clear as day. Maybe it’s more apprehensive than unconvinced, but no one could blame you. How are you to believe anything when you went through what you did in the last 24 hours? You look defeated if anything, like you’d accepted your fate of always coming second place.

Spencer racks his brain hard trying to think of a way to show you that the podium doesn’t even exist, it’s only ever been you.

He pulls out his wallet and rifles through the many things inside, finding what he’s looking for before handing it to you. You look up at him in confusion when you make it out to be a movie ticket stub from the Korean film festival you’d both attended a little after you started at the BAU, the first time the two of you ever spent time together. The edges are soft and smoothed out as a result of time, like it’s been held and comforted for many days.

“There’s more in my apartment.”

“Movie ticket stubs?” you ask bemused.

“Commemorations of you,” his fingers brush the span of your arm up and down soothingly, “I probably have something for every time we’ve ever hung out. If it reminds me of you, I have it.”

Tears well up in your eyes for the umpteenth time, a few spilling over rapidly.

“Hey no, you’re not supposed to cry at that.” he whispers softly between you, his thumb taking the rightful and familiar place under your eye to catch the tears.

You shake your head, “I don’t think I’ve ever been loved like this.”

His heart tightens, “No? Well, I think you have to get used to it now.”

“No choice?” you pout.

He catches the timbre of humor in your voice and smiles widely. He hugs you tightly, pressing your head into his chest, “I guess you don’t have to. Just because you’re not used to it doesn’t mean I’ll stop. If you’re like this now, wait till you see the box I have of our things.”

You sniffle again, your head reeling as your tears stain his shirt and the scent of him invades your being. It’s overwhelming and all consuming, just how you know Spencer to be. He doesn’t expect you to believe him right away, you’ve been through so much that it would be unfair to ask that of you. You don’t know what tomorrow holds, or even the rest of this night, but one thing you have learned is that to Spencer you are known, and therefore you are loved.

[bookwyrminspiration]

2k words later I've gotten as far as *checks notes* chapter 1

i want SO BADLY to see the first part of keeper from Fitz’s pov. you’re on another one of your dads stupid missions, expecting nothing, and then you find “the girl”, but you can’t quite get out of your head that somethings different this time. and it turns out she’s the girl, after 12 years. and you desperately try and convince her to believe you, to trust you. you show her things you’re not supposed to, and you can’t stop looking at her in wonder. because she’s real. you tag along as your father shows her around, explains things, but she keeps looking to you for comfort and confirmation. that’s why your father brought you after all, because you’re her lifeline. and then you ruin her life. she drugs her family and even though you met yesterday you hold her as she sobs on the floor, and you race to find her stuffed elephant to try and offer her some comfort because you did this to her. your search is finally over and this is what it cost. and even though you met yesterday, you care. and are gentle with her, and try to help as much as you can even though she’s your fathers project. because you want her to feel safe, and you want to get rid of that look you put on her face, and even once she leaves and your life is “normal again”. no more mystery girl, no more mystery missions and missing school like you have for years. you can’t stop thinking about her. the girl you held so close who looked at you with wonder. do you see my vision

[sunanthrope]

Asshole-proofing yourself: Dogpunk edition

Edit: hey! A lot of people like this post! So I wanted to add in where I coined the term Dogpunk

i attach my tails to stretchy/coil hair ties so if it gets pulled, it won't snap, the tie will just stretch. sometimes the tie itself will get too stretched out, but it's easy enough to replace. make sure it's stretchy enough that it won't go slack and break your tail anyway

spiked collars. so serious. if people try and grab your neck/collar they'll get poked. Breakaway collars might not be such a bad idea either, but admittedly i hate how they look so i usually just go with a buckle lol

when i was younger and just getting into the punk scene (maybe 12 or 13) i got a pair of combat boots and had my dad (also a punk) to put holes in the toe and superglue in 4 heavy duty spikes on each boot. then i painted them to look like dog toe boots, the kind that you see on pinterest. They were against my school dress code, but i wore them on walks through my redneck ass town to keep myself safe, and the spikes looked like claws. super cool imo way to go 12 year old me

if you go masking, doing quads, or even gearing in public, please for the love of fuck don't go into sketchy areas alone, and make sure at least one of your friends knows if you're going out. plus faking a phone call has saved my life before

continued >>

if you aren't safe, don't wear it/do it. i promise being safe but looking like a 'normie' is better than getting your ass kicked because you're wearing a tail

find friends! seriously, there are probably others in your area. just sitting in my summer school class, i met a cat therian who was doing over her math class who sat with me at lunch. if you're wearing stuff, people will strike up a conversation. don't be afraid to chat with people! the buddy system has also saved my life!

[sexlapis]

actor! toji fushiguro thoughts 💭

actor toji would be one of those hot dilf actors that women would always be drooling over, edits of him always popping up on your fyp, the most outta pocket comments underneath all of his insta posts, he would be the number 1 dilf for all the old man fuckers.

toji rarely posts on social media. he’s at that age where he just does not care to post his whole life online, but that only attracts people to him more because he is so mysterious. he would have like 10 million followers and only follow 12 people (including you)

toji would probably be one of those actors that have no variety in their roles, but everybody would still eat it up anyways. toji as an actor would typically play a villain/antagonist or an anti-hero, typically in an action movie/series and he plays them well. toji can embody an intimidating, frightening, intelligent villain very well. he could be cast as one of the most horrendous, horrible villains and be a menace towards the main cast but because he looks like that, he is forgiven.

but there are those rare times toji is casted as a father or father figure and his character would do anything for their daughter and everyone just loses it. he plays the father role well, almost too well. he is so caring, protective and sweet towards the actress playing as his daughter, even behind the scene clips with one another, he is just so gentle and dreamy. the fans cannot handle it!

during interviews, toji can be charming. he cracks jokes and he answers questions honestly, even if they make him look unprofessional. he really does not give a fuck about that, which only makes him even more attractive. he’s a little sleazy sometimes, but that just adds to his lazy effortless appeal.

he just has such a dominant personality and not in a bad way either. like if an interviewer asked a question that made a cast member uncomfortable, he would smoothly change the subject and the mood, making everyone forget about it entirely. also, his stare is really intense…like when the interviewer or a fellow cast member is speaking, he makes sure to look at them and listen really closely, not even realising how intimidating that could be 😭

despite his unprofessional personality and wealthy background, people who work with toji cannot say anything bad about him. he is a great actor with great work ethic and is always respectful to his cast members. and most of all, he is humble. due to his background and accomplishments, other actors on set expect him to be all flashy and all head in the clouds, but toji isn’t like that. toji is very aware and down to earth and he doesn’t see himself as superior because of his wealth. he sees what that power does to some people (his family) and he wants nothing not do with it.

overall, for the most part, toji is a respected actor, with a loyal (albeit crazy) fanbase, he actually enjoys his job and lives a relatively private and quiet life. people barely know anything despite his wealth and fame and prefers to keep it that way.

a/n: this was inspired by jeffrey dean morgan lmao. also i’m thinking of maybe doing a mini one shot with actress reader x actor toji in the form of one of those youtube videos like “(reader) & toji fushiguro being a couple for 10 minutes straight” i think that would be fun 🤭🤭

edit: toji & reader being a couple for 10 minutes straight is here <3