#and a similar black and white aesthetic

[geekmystic]

If I had a penny for everytime my ship developed a psychic connection in their second movie together, I'd have two pennies. Which isn't a lot but it's weird that it happened twice.

[kaythefloppa]

Mpishi from The Lion Guard is Gaston Gourmand’s fursona in this essay I will

[hanakihan]

head in hands maybe one day I’ll finish monochrome series, maybe—

[shysheeperz]

[starlooove]

I feel like ppl ignore hobie is a BLACK punk and it’s so tiring

[collegeoflore]

every time i reblog art of a waifish white person to xarrai’s tag bc the vibes are right for him know i am imagining it is not that. he is not waifish or white in any universe

[wheneverfeasible]

Continuation “fix it” of this ficlet where Steve changed himself to try to earn Eddie’s love.

Steve missed his polos.

He missed his light wash jeans, his music, watching his favorite movies, he even missed his stupid plaid walls.

Eddie had laughed at them the first time he’d been in Steve’s room, back before they’d even started dating. Technically they were still there, they were just covered up with posters of bands Steve only knew about because his boyfriend liked them. Eddie had teasingly gifted him a Black Sabbath one back when they had just been friends to give his room more “personality” instead of his mostly undecorated room, which…okay, fair, because Steve had admittedly not done much of it himself just because he couldn’t be bothered.

(And he did, actually, kind of like the poster because it was their own little inside joke. It made him smile when he saw it, even to this day, even if he thought he could still taste the damned demobat sometimes.)

It wasn’t like he really knew much of who he was to begin with. He still had the bowling pin he and Tommy had stolen from the bowling lane their sophomore year (Steve’s idea, though only to impress his friend), and the picture of the car he had bought on a whim because Tommy had said he wanted a car just like it. Any other knickknack had either been gifted or purchased for a similar intent.

Now, that car picture was collecting dust in his closet, replaced by the Black Sabbath poster that Eddie had pinned to the wall slightly askew for ‘aesthetics,’ though it being slightly off-center and at an angle made Steve a little itchy. Soon, however, other posters soon followed, some given to him by Eddie and some he purchased himself after learning what bands Eddie liked, with a large Dio one taking up space by his bed.

Flyers of Corroded Coffin shows or other band merch dotted around the room as well, which he didn’t really mind because he liked supporting his boyfriend, though the clutter and disorganization slightly bothered him. Eddie had grinned at the sight however and called him a ‘real boy now’ for looking like the room of a young man and not a ‘30-something corporate stooge,’ so that would have to be fine too.

But he still missed his room looking like his room, instead of a replica of Eddie’s. It made Eddie feel more comfortable however, so he tried not to think about how it wasn’t his aesthetic at all, because he could learn to like it. He could change for the better. He could be what Eddie wanted. He could be good enough.

Which was why he was confused, staring at the garment box on the kitchen table where he’d been circling car ads in the classifieds, trying to find something cooler than his bimmer. Eddie had come over with a wide grin, sliding a box he recognized from one of the department stores he used to shop at before dating Eddie.

Eddie had proffered it with a flourish, grinning expectantly, practically vibrating with anticipation as Steve had carefully lifted the lid and moved the tissue paper aside to reveal the piece of clothing inside. A polo shirt in a soft, buttery sort of yellow with thick vertical white stripes running vertical over it.

Steve looked up at Eddie with a furrowed brow. “I…you got me a polo?” he questioned, confused and also concerned, knowing the department store was definitely outside of Eddie’s usual price range.

“Yeah!” Eddie confirmed happily, moving to sit in the chair next to Steve, looking down at the soft material Steve had yet to pull from the box. “The check from the gig came through, and I remember you looking at this shirt a couple weeks ago. I’ve been waiting to be buy it ever since.”

Steve blinked at that. He hadn’t known Eddie had caught him admiring the shirt in the window while he and Eddie had been walking around downtown. He felt a flair of panic at the thought, annoyed at himself for slipping up, for reminding Eddie that he was a stupid preppy rich kid. Eddie didn’t look upset though, or at least…he hadn’t. Now his eyes were darting over Steve’s expression with growing worry, chewing on his lower lip.

“Is that…is that all right? Was it a different one you wanted? I-I still have the receipt, we can return it and get the one you wanted,” Eddie rushed to say.

“No,” Steve quickly said, his fingers of one hand tightening slightly on the box while his other reached out of their own accord to slightly touch the shirt within. “I…Eddie,” he breathed, not knowing what else to say, what this meant. Why would Eddie buy him something like this? “You shouldn’t waste your hard earned money on…something like this.” Shouldn’t waste your money on me, he wanted to say. “It’s your first paying gig.”

Eddie shook his head quickly, an almost embarrassed smile curling his lips with a slight blush. “I wanted to, Stevie. You always buy me things, I wanted to return the favor. You’ve been so supportive of me and I wanted to…I don’t know. Thank you.” He glanced down at the polo with a soft expression, though he did frown a little too afterwards. “I haven’t seen you wear your polos in a really long time,” he murmured quietly.

Steve tensed at Eddie’s words. Of course he hadn’t. Polos weren’t cool. Polos weren’t good enough for Eddie. It was why he was so confused at this gift. He didn’t understand why Eddie would buy him something that wasn’t metal. That wasn’t suitable for his boyfriend.

“I know that you’re experimenting with your style and all, and I won’t deny you’re hot as fuck in these,” Eddie grinned, moving to pinch the loose sleeve of Steve’s tee between his fingers. It was from some band he didn’t actually know before he’d bought the shirt, something called Leatherwolf, though he had bought their tape as well so that he could pretend to be a fan and know some of their songs. “But you look hot in your polos too. I miss them.”

Steve sat up straighter at that, his eyebrows flying up in surprise. Eddie…liked his polos? “Aren’t the polos…kind of lame?” he asked carefully.

Eddie snorted, smiling as he leaned in to press a kiss to Steve’s neck, causing a startled smile to erupt over Steve’s own lips as he squirmed at the slight tickle of Eddie’s lips and hair. “There’s nothing lame about you, sweetheart,” Eddie murmured, voice roughened with his tease. He pulled back though, a touch of his worry on his expression again. “Do you like it?”

Of course Steve liked it. He loved it. It was exactly the one he had been looking at before, even though he’d tried to hide it, which meant that Eddie really had noticed it and really had been waiting to buy it for him. With his first paycheck from Corroded Coffin’s first real paying gig.

There had been the fear that Eddie’s involvement with the band would limit their options, that no one would want to listen to a band that had a member who was suspected of grisly murders. Eddie had been prepared to step down, to let the others move on without him, had offered it even though Jeff and the others had vehemently opposed the idea. They’d said that Corroded Coffin wouldn’t exist without Eddie and if he wasn’t part of it then they didn’t want to do it anymore.

In a surprise twist that probably shouldn’t have been all that surprising, Eddie’s infamy had actually helped the band. The news of his believed guilt and then later innocence and injury from the actual killer that he had tried to stop had spread even beyond Hawkins, drawing a crowd for their nights performing at The Hideout who began to see more patrons than ever before.

Then they’d been invited to participate in a Battle of the Bands, which they hadn’t won but they’d placed second, and the random shows they’d throw themselves at the quarry or wherever else saw larger crowds than usual, even the one they threw to celebrate Gareth graduating, and they’d even been asked to play at the fair, though it was a free gig.

Then, most recently, someone had approached them after one of their shows and asked to hire them for an event in Indianapolis. A paying event in Indianapolis. With it was the promise of possible future paying gigs as their fanbase grew and spread. There was even talk of a possible scout being at the gig.

Dustin had joked that maybe ‘86 hadn’t been his year, but ‘88 could be, though Eddie had just grinned and denied it, saying that ‘86 had been his year after all. He hadn’t said why, but he gave Steve a secretive smile and reached out to tangle their fingers together.

Steve felt a flare of warmth beneath his skin as he stared down at the polo again, hesitating before giving a brief nod. Eddie’s previously nervous smile bloomed into a joyous one, and he leaned in quickly to plant a smacking kiss to Steve’s cheek. Steve rolled his eyes but couldn’t prevent his own smile from growing on his lips.

“Thank you, baby,” Steve murmured, sliding a hand over Eddie’s neck to draw him in for a slow kiss. He didn’t know what it meant still, Eddie buying him a polo of all things, but it made him more determined than ever to be good enough for his boyfriend.

When they pulled back, Eddie soft with happiness, Steve made the decision. He needed to go all in if he was to keep Eddie happy. He drew in a deep breath and moved to take Eddie’s hand, his finger lightly tracing one of the scars there.

“I was thinking of growing out my hair. Maybe even dying it. Or maybe shaving i—”

“Don’t you dare!” Eddie interrupted, expression and tone absolutely scandalized as he squeezed Steve’s hand. Steve jumped slightly at the sudden explosion, blinking wide eyes at Eddie, causing the other to flush slightly in embarrassment. “I mean. You can, obviously, if you really want to, it’s your hair after all, but…” Eddie let out a small whine of protest as his gaze moved up to take in Steve’s hair.

Steve self-consciously reached up with his free hand to pass his fingers through his hair, which wasn’t quite as voluminous as he used to style it, but was still the last real testament of his former style. His former personality. The bullshit one.

“I mean,” Steve hedged, glancing away with a small roll of a shoulder in an aborted shrug. “It’s not exactly metal is it?” He looked back at Eddie with a slightly strained smile, rolling his eyes as though in commiseration. “I don’t want to embarrass you by making people think you have a prep for a boyfriend,” he laughed.

Eddie’s expression changed immediately as he stilled almost unnaturally, falling into a blank neutrality, even his eyes shuttering as he slowly pulled his hand from Steve’s grip. The response caused Steve to start panicking, worrying he’d messed up in some way, that he reminded Eddie of all the ways that he was lacking.

Steve opened his mouth to start apologizing, ready to apologize for anything, but Eddie held up his hand palm out to stop him, causing Steve’s mouth to shut with a soft click of teeth.

Eddie’s gaze dropped from Steve as his brows slowly began to furrow, a calculating expression settling over him as his eyes fell to the soft yellow polo still in the box. His lips twisted into a frown. After several excruciating moments, his eyes moved towards Steve’s shirt, an even more pinched look settling over his expression.

“Who are you wearing?” Eddie asked, his voice low and slow.

Steve glanced down at his shirt, the panic in him spiking, before realizing that this was a test. He had to prove to Eddie that he could like metal too (he didn’t, not really, though he could appreciate some of it) and wouldn’t be an embarrassment. He could do this.

“Leatherwolf,” he answered, thankful that he had done his job well enough to answer this pop quiz. He straightened his spine and pulled up the information he memorized with a slightly relieved smile. He could do this. “They’re from California. They were founded in, um, 1981.”

“What’s your favorite song of theirs?” Eddie asked, and there was something slightly off in his tone, but Steve couldn’t place it, not when he was frantically trying to recall the titles of the songs he’d made himself remember.

“Um. Cry Out?” he hesitantly asked more than answered, which caused Eddie’s lips to press into a thin line. He felt his breath catch at the obvious displeasure on Eddie’s face, wondering if he’d answered wrong. Was that a bad song? “O-or no, um, not that one. Uh. I like…um. I like…Magic Eye?” Fuck no, that wasn’t right. “Magical Eyes, I mean,” he corrected himself hastily.

Eddie’s eyes slowly dragged over Steve, his lips compressing again into a thin line as he drew in his own deep breath through flared nostrils. “Fuck,” he muttered, obviously not meant for Steve but it caused Steve to panic anyways as Eddie looked away, his brow furrowing in thought as his gaze settled on the newspaper on the table and the circled ads there.

“I’m sorry,” he quickly apologized, though he wasn’t certain what he had done wrong this time. Maybe Eddie didn’t like that band?

“Steve…” Eddie heaved a heavy sigh, rubbing his hand over his face before he looked over at Steve again. “I had thought you were just…trying things out. Experimenting. Lord knows your folks never let you be your own person,” he muttered before waving a hand as though to swat that thought away. “I didn’t realize you were actually trying to change.”

Why did Eddie sound so appalled by that? Wasn’t that a good thing? He was willing to fundamentally change who he was just for Eddie, to become someone deserving of Eddie, who fit in Eddie’s life. Didn’t Eddie want Steve in his life?

“Why are you upset about me changing?” Steve huffed, his worry turning into annoyance in his tone. “I thought that was a good thing. Not being the douchebag I used to be.” He scowled, crossing his arms with a roll of his eyes to cover his unease.

Eddie just looked at him in that way that made it seem like he was seeing inside Steve, which normally Steve liked because no one ever actually saw him, but now it just made him uncomfortable. Like he had done something wrong. He was just trying to be a good boyfriend, however. Besides, it’s not like he had come up with the plan on his own.

Everyone always talked about how different he and Eddie were. Always pointed out how preppy he was, made fun of Eddie for falling for a jock, had even asked at the start when they first came out publicly to their friends who was blackmailing whom into the relationship. Steve knew he had to change. They were too fundamentally different. It was the only way to keep Eddie.

Except Eddie didn’t look like he was going to be kept. He had started slowly shaking his head, pulling back, his eyes skittering over Steve again but in a way that said he wasn’t liking what he was saying. Steve’s panic spiked again.

“Eddie. This is good. I’m willing to change for you, that’s how much I love you,” Steve breathed, reaching out to grab Eddie’s hand with desperation. “I listen to your music now, and I play Dungeons and Dragons, and I don’t even talk about basketball around you anymore. As long as you’re happy, I’m happy. Don’t you see? Isn’t that all that matters?”

Eddie’s lips turned down into a sharp frown. A shuddering breath left him before he all but yanked his hand from Steve’s, his dark eyes turning even darker as he pulled away from Steve and said those damning words:

“But I’m not happy, Steve.”

Steve felt all the air leave his lungs, felt all the blood first rush to his head and then drain out of him, felt his mouth and tongue and throat shrivel into dryness as his eyes widened in horror. Eddie was shaking his head, stumbling out of his chair and back, an unreadable expression on his face as he distanced himself from Steve and this revelation.

“This wasn’t what I wanted, Steve. This doesn’t make me happy.” Eddie’s took another step back when Steve stumbled from his own chair, putting the table between them. “I…I need to go. I need to think.”

Steve knew with certainty that if he let Eddie leave now, that this thing between them would never be the same. His heart clenched in his chest painfully, and he felt his eyes sting with encroaching tears. “Eddie, please…” he begged, his words cracking.

Eddie only shook his head, sending his hair arcing around him, before straightening his spine. “This isn’t you. I don’t want this to be you. I love you Steve, but this version of you? The one that I created—” This time it was Eddie’s voice that cracked.

Clearing his throat, Eddie backed away. “No. No, this isn’t what I wanted. I’m sorry, Steve, but I need to go. I need to think. I can’t be here right now. I’m sorry.”

And with that, Eddie spun on his heels and all but ran towards the door, escaping from Steve’s incompetence, his unworthiness, his undesirability while Steve could only stand there in frozen horror, the tears he couldn’t hold back any longer slowly dripping down his cheeks.

Because he knew. He knew this would happen. He knew that no matter what he did, he would never be good enough. He knew that Eddie would leave him one day. Knew that he would never be able to keep the one he loved.

Knew that he, like his love, would always be complete and utter bullshit.

-

Part 3

-

tag list: @derythcorvinus @katyawriteswhump

[crystalliumdaisy]

redesigning star dresses part 1!

part 2 and part 3

notes and individual pieces below <3

keep this in mind i love the og stardresses! i just wanted to challenge myself and i’m an inspiring fashion designer!!! my goal was to create dresses that reflect the spirits and u could easily match them up.

these were my initial sketches, i wanted every dress/outfit to have a different colour and silhouette to make them more recognisable.

aries ~

- pink was the obvious choice for a colour. I didn’t want to use any major black like in the og design because aries design is so light and bright!

- i really think the og stardress hair is lacking. A fun fluffy 80s hair adds to the whole sheep aesthetic and creates a different silhouette to other designs.

- the 80s hair also inspired a more 80s look with fluffy legwarmers and big hoop earrings.

- i also wanted to bring in those pink pompoms on the side of aries dress so i made them star shaped and put them in lucy’s hair

taurus ~

- why put her in a bikini if she’s a cowboy??? this haunts me everyday.

- I couldn’t put her in mainly black and white cos that’s virgo i comprised and landed on a brown.

- for inspiration it was pretty obvious to go with a cowboys and the wild west! i always disliked the one leg pants her og design has so i modified it to a cut out.

- her og design was a mix of the aquarius and scorpio one and it always didn’t stand out to me, so i think by exaggerating the cowboy aesthetic it stands out much more.

gemini ~

- her og design is actually one my favs. so i really only made minor changes

- the colours stood out against other dresses and were easily identified as gemini. the dual colour symmetrical dress is a great way to reflect the double spirit.

- Gemini is a pretty symbol spirit so to reflect them i used circular shapes and organic lines. i changed the head piece mainly because i struggled drawing it but i realised it made the design too top heavy anyways.

- i extended the dress width and length mainly for silhouette reasons (she wears so many skin tight dresses) as well as to give a nod to the dresses the alternate geminis wear.

cancer ~

- my issue with cancer star dress isn’t the dress itself. I actually love the dress in the manga. it’s the colour. WHY IS GREEN?!?

- if it weren’t for the symbol i wouldn’t be able to match this dress with cancers design, so it had to change.

- other than that there’s no major differences, the ribbon tie is meant to resemble scissors, i love the claw shape hair ties in the og design so i brought them back and i brought the stripes in cancers top to her bow.

leo ~

- i was inspired by beauty and the beast, in the movie the beast kinda looks like lion.

- i swapped the yellow and black in the og design since it has a pretty similar colour story to virgos dress. The og kinda gets lost next to leo since the black doesn’t have variation and leo is in a deep black too.

- i wanted to make her hair bigger like a lions mane and curled around her face.

[illinoaventing]

Taylor is so Tiktok-y. She is a culture vulture yes, but she is... also in it.

See, whenever something is popular, especially in the culture of white women, she will release an album with similar aesthetic.

In 2014, Tumblr was major and we have photos with these kinds of faded filters and Polaroid pictures. 1989 follows that too, but it looks off yk not like a deliberated attempt to create an artistic statement for the album like other artists. But what do I expect from a goofy ahh album title wdym your special trait is being born in the year 1989? Are you Christ?

And then in late 2019 early 2020 the cottagecore aesthetic was trending and she released folklore... like she wore long flowery dress and touched grass and stuff.

Then the Fall/Downtown girl/Rory Gilmore aesthetic. Miss girl wore thick jacket standing among trees 😭.

Then the whole 80s era came back and people loved it hard. Of course the next album must copy what the most mainstream aesthetic is trending! The lighting must mimicks the dreamy, glowing vibe of 80s pictures, with lots of contrast to create a vintage air. Tabloid of course must be sitting in a room with vintage interior design she damn well never lives in and even with a bloody vintage keyboard piano to complete the look 😭!!

And here we have the rise of #booktok and literaturetok community where people quoted Dostoyevsky and Kafka and Jane Austen and stuff. Is it a coincidence that Swifties start to chant about Taylor's pen and compare her to Emily Dickinson just by accident? Idk. But there she is promoting a whole album which is essentially about making literature an aesthetic, and she did it in a very surface-level way, like what do we imagine when we think of literature? Books, typewriter, fountain pen, cursive writings right? She basically grabbed them all and display it everywhere in the blandest way possible. Like, there's nothing visually artistically stimulating and curious. Black and white filter, paper, typewriter? Ground breaking. This MV should be preserved as a cultural relic. Even when a movie or video game tried to take an aesthetic but wrong, they still intertwine some modern twist on it to look more interesting.

So my take is that Taylor has no artistic individuality. She hops from trend to trend like a chameleon. She thinks of herself as an aesthetic enough of its own. Of course nothing is wrong about wearing what everyone is wearing but as an artist? You know how important personal artistic style is, it's to establish your own image. I think her signature is her blond hair, that's all. So despite being very famous, the general public just don't recognize her much except for being a white blond woman who sometimes sings with guitar... and there are many white blond women singers with guitar, they're just not as famous or insufferable as.

[taylorswiftstyle]

The Eras Tour | The Tortured Poets Department section | Version 1

Vivienne Westwood custom

For my own predictions post guessing at tour designers for The Tortured Poets Department set on the Eras Tour I noted: “When it comes to designers, I feel Vivienne Westwood would excel at this assignment.” The theatricality, the dramatics, the corsetry, the Britishness of it all (that cavalry / Black Parade moment). It’s the perfect style match and I’m so happy that Taylor and team fully hit the nail on the head when it came to selecting the right design partner for this moment.

The white colour of the gown ties into the established colour-leached palette of #TTPD while also adding to line of similar white gowns she wore for the 2024 Grammys announcing the album and in the album’s lead single music video “Fortnight”. There’s of course the wedding gown comparison, particularly for the way the skirt seems to mimic the gathers of a bride making a harried exit after being left at the altar. The way her lyrics are scrawled all over the garment also seems to combine Taylor’s emotive vulnerability in wearing her heart on her sleeve (and centering the ownership of her work) while also reading a little like the scribbling psychosis from The Shining when a single phrase was repeated in a typewritten manuscript. A part of me wonders if there will be additional variants of this skirt with other TTPD lyrics as we saw on the backs of the different album variants and Taylor’s grief playlist titles.

It also feels notable to me that this is an area in Taylor’s costuming that is absent of her signature sparkle. Sequins aren’t just a glittery aesthetic that Taylor loves to wear, but they also serve a function for stage to draw eyes to a performer and catch the light. In the same way she’s said that she can show us lies when “the lights refract sequin stars off her silhouette every night” in bravely going on stage every weekend amidst trying to heal a broken heart I also think there was a lot of catharsis and healing in performing these songs, her proudly owned body of work, for tens of thousands every weekend.

Photos by Kevin Mazur/TAS24 via Getty Images

[steddieasitgoes]

Steve and Robin have spent most of their shifts at Family Video, whispering and giving each other suggestive glances whenever a pretty girl walks through the door. Steve used to hate it whenever Tommy H. made him do stuff like this, but it's different with Robin. Less about objectifying and more about admiring a woman's beauty — at least, that's what Robin tells him when he brings it up one day. 

With his conscious clean, he leans into it, and the two have so much fun silently staring at pretty girls. They learn that they have pretty much the same taste in women — minus Tammy Thompson — which isn't surprising considering they share just about everything in common. 

And while it's fun sharing glances and watching each other blush red when the cute girl gives one of them more attention, Steve also wishes he had someone who would do that with him when he spots a cute guy in the mix. Steve tried to bring it up to Robin once, but she wasn't having it. 

"Stevie," she leveled. "All I see is a faceless blurb that smells too much like pine. You're the only guy for me." 

So, he let it go. 

- 

Eddie and Gareth have a similar game they play whenever they drive out to Indy. Gareth is usually the one to point out a petite blonde walking in their favorite record shop. If she heads to the metal section, Eddie can make a move. If it's anything else, Gareth gets to try. 

Nine times out of 10, it's Gareth who flirts his way to a phone number. 

Not that Eddie minds. 

He has just as much fun watching his friend hopelessly flirt while casually checking out the guys who wander in the record store. 

Gareth always gives him a friendly nudge whenever he notices Eddie staring too long at the back of some guy's short haircut, but it's not the same as the gentle ribbing they give each other when a cute girl walks in. 

Gareth isn't into guys like he is, and that's fine.

But sometimes Eddie wishes he had someone to compare his taste in men with. 

- 

When Steve and Eddie realize they're both bisexual, they rejoice. Finally, they have someone to play their silly games with.

 Except, it doesn't go at all like they'd except. 

See, Steve and Eddie are both so used to having friends share their tastes in women that they don't even consider the fact that they might have different taste in men. 

But they do.

They're hanging out in the lobby of the Hawkins Theater, waiting for the kids to finish getting their snacks, when Steve sees him. A guy with disheveled auburn hair and a black denim jacket cuffed at the sleeves with random patches on it. He's got a blue bandana tied around his forearm and bulky black boots. 

"He's cute right?" Steve asks, nodding his head toward the guy in question. 

Eddie scoffs. Scrunches up his nose like he's just smelt the worst smell imaginable and turns towards Steve. "You're kidding me, right Stevie? That dude is a grade-a-punk! A wannabe one at that! I bet he smells like cheap cigarettes and hasn't washed his hair in days." 

"You smell like cheap cigarettes and don't wash your hair every day," Steve says, rolling his eyes at Eddie's outburst. 

"Yeah, but I'm also broke. That guys doing it for the stupid aesthetic." 

Steve scoffs and lets his eyes follow the guy until he disappears inside one of the theaters. 

"Alright then, what's your type, Munson?" 

Eddie hums and takes a moment to scan the crowded theater and the stops. When he turns toward Steve, he's sporting a giant grin. 

"Guy. Six o'clock. By the butter dispenser." 

Steve slowly turns around and nearly buckles at the knee when he spots the guy in question. 

Short hair, combed back so every strand of hair is in place. He's got on a letterman jacket from one of the neighboring schools, crisp white shoes, and his left hand is tucked into the jean pocket of who he assumes to be his girlfriend. 

"Him?" Steve chokes. "But he's so…" 

"Pretty?" 

"Jock-ish!" Steve supplies instead. "I thought you hated jocks!"

"I hate what they represent," Eddie says, crossing his arms in front of his chest. He tears his eyes away from the guy and stares right at Steve. "But I can't help it if they have a cute face that's begging to be corrupted." 

It isn't until days later when Steve and Eddie are both complaining to their best friends, do they realize that having different tastes might not be such a bad thing. 

Especially when their taste in men is each other.

[2spirit-1spoon]

Everyone asks what I read and truth be told I learned a lot of politics through experience and listening to Black revolutionaries.

There is nothing- nothing- that I say on my blog that Malcom X or James Baldwin or Frantz Fanon or Thomas Sankara or Frederick Douglass didn't say first (and much more eloquently)

Further, their words have given me the tools to think critically about not just my place, but everyone else's and what we owe each other.

I myself, wouldn't have a Lot of the politics I do had I not been exposed to the ideas they talked about with such knowledge and experience. Whether it was by following activists or looking up things up or learning about them myself, they're influential and I would even say foundational to decolonization and dismantling white supremacy.

My usual recs are Wretched of the Earth and Braiding Sweetgrass, but those are just starters since people just usually ask where to begin.

So I wanted to make this post and for them to be Very Much credited for the following I have and my politics since I don't often mention them.

For example, I talk a lot about how the comfort of the privileged is an obstacle that stems directly from their privilege. How libs who only conditionally support peaceful protests don't understand what's necessary; that challenging the status quo can't be done comfortably and it's never been "peaceful" for the oppressing classes. How it's detrimental to progress to compromise on how we fight for our rights and to have been liberals telling us we demand too much.

Frederick Douglass:

Frantz Fanon:

Privileges multiply and corruption triumphs…Today the vultures are too numerous and too voracious in proportion to the lean spoils of the national wealth. The party, a true instrument of power in the hands of the bourgeoisie, reinforces the machine, and ensures that the people are hemmed in and immobilised.

Thomas Sankara:

Malcom X:

James Baldwin:

In a way, I owe the invitation to the incredible, abysmal, and really cowardly obtuseness of white liberals. Whether in private debate or in public, any attempt I made to explain how the Black Muslim movement came about, and how it has achieved such force, was met with a blankness that revealed the little connection that the liberals' attitudes have with their perceptions or their lives, or even their knowledge—revealed, in fact, that they could deal with the Negro as a symbol or a victim but had no sense of him as a man.

Bonus MLK Jr quote:

Over the last few years many Negroes have felt that their most troublesome adversary was not the obvious bigot of the Ku Klux Klan or the John Birch Society, but the white liberal who is more devoted to “order” than to justice, who prefers tranquillity to equality. In a sense the white liberal has been victimized with some of the same ambivalence that has been a constant part of our national heritage. Even in areas where liberals have great influence— labor unions, schools, churches and politics—the situation of the Negro is not much better than in areas where they are not dominant. This is why many liberals have fallen into the trap of seeing integration in merely aesthetic terms, where a token number of Negroes adds color to a white-dominated power structure."

Whether your medium is a PDF, a book, movie, clips, quotes, podcast, whatever. However you digest info easiest: learn about them and their words. Think about them. Talk about it and process it with friends.

That's how you shape your politics to be similar to the ones you find on my blog.

[sabrondabrainrot]

Bring back LAES!

I'm steadily making progress on catching up on sun and moon show along with foxy and monty etc etc but it's pretty difficult when one of the main key plot lines is gone. I know a few spoilers thanks to fanfiction but I want to see the drama in person.

Here's some outfit ideas for tsams cause I'm a sucker for fashion and redesigns!

Order is, SolarFlare - Lunar - NewMoon - Old Moon - Sunny (Solar's dimension) - Sun

closeups and more brainrot under the cut!

Explaining my redesigns! Lunar - he's not really a redesign and more so an overdesign. I love adding tons of little details to him to really hammer home his star-ness. He's such an interesting little guy, like yes he acts childish but I can see he's really growing (SAD I CANT WATCH MORE CAUSE THE SHOW IS GONE). I saw the ep he killed Eclipse and homeboy revived. The entire time I was like "Waaahh Lunar??? Waaahhh???" but I love the drama ngl.

SolarFlare - Same as Lunar, not really a redesign I just drew him with no dirt. I really love his base design it's so neat it makes me think of like sci-fi concepts from the 80's. Something from fallout really. I think it's kind of funny Eclipse's aesthetics for SolarFlare when you compare him next to say Jack who Solar designed.

OldMoon - I just wanted to give him a sleek mad scientist cool guy suave vibe. I saw the more recent thumbnails of him with a turtle neck and idk that's just peak character design for me. I'm a simple woman put the dumb-dumb in a dark turtleneck. I want him to kind of look like the BadGuy TM (he's not actually) so he gets all edgy and hard edges and stuff.

NewMoon - I wanted to do a similar color scheme but instead he has lighter colors like more white incorporated into his fit. To give him the whole 'reborn' aesthetic. He's all like "old moon wore black well I wear white now I'm nothing like him so hah!" kinda thinking. I gave his cap a fur texture cause of that one ep he turned into a furry. I drew rounder stuff on him cause he's a big ol' softy sweety pie.

Sunny - Sunny is my headcanon of Sun from Solar's dimension. I think it's really interesting his default with no personality was theater performance and not say...doing daycare stuff? I feel like honoring the FNAF books with this design by leaning heavily into the theater performer look. I like to think in Solar's dimension Sun and Moon were originally made for theater. (so far in the show I've noticed Creator says 'they needed a daycare attendant' something like that so it comes off more like they were intended for the daycare from the start VS. Solar's dimension where Sunny's core seems to be more so for the performing arts.) I also wanted to make Sunny look different from Sun for the extra angst potential of "They're similar but not the same" so I leaned more into a blue palette for him.

Sun - I just wanted to give him big puffy everything. I took away the tutu. nothing against the tutu I just hate drawing the damn thing. I like to think Sun in main has white eyes because he's so burnt out from within. *badum tish* (eyes are the window to the soul-) I also covered him in stickers because he totally would just be covered in stickers from the kids. I also decided to give some of his rays cracks because I think he's extremely sentimental and even in a newly upgraded body (after using star power to defeat Eclipse the first time) he'd keep rays from his original body? I also put the cracks ones on the side of his face where Old Moon hit him. Why? Because it just seems like something Sun would do. I love him so.

Ok just some brainrot stuff, look away to avoid spoilers .

RUIN DESTROYED HOW MANY DIMENSIONS?? SOLARS DEAD. LUNAR KILLED ECLIPSE. DARK SUN IS PLOTTING??? MOON BE CRYING??? Also Francine just had a birthday! ONE OF THE BLOODMOON BOYS ARE DEAD AND SAME WITH ONE OF THE STITCHY BOYS??? HELLO?!?

I love the drama.

Also, I love how every single kid vibe checks Sun and he passes every time. Francine? She loves Sun and learns from him. FC? He ONLY feels safe with Sun for a bit. Barry? He hugged Sun after gonad checking him (a right of passage for the bunny kid). Jack? I'm pretty sure he literally is just one room away from Sun at all times (he also calls Sun's cats his master???). I have yet to see Dazzle, but Dazzle 10000% loves Sun (I've seen the edits).

ALSO? When Lunar was first brought into the family the first person he hugged was Sun and then later on when Earth was in danger he ran into SUN's arms for safety/comfort. They're family your honor.

Sobbing and Crying laying on the floor over Solar's death but I think he'll be back.

Also the molten thing with Ruin? I'm excited to see more.

I don't have a youtube account to post about saving LAES but if anyone wants me to draw more LAES just to help the community please let me know. I'm planning to draw my idea of Earth next.

[flightlessangelwings]

While we’re on the subject on inclusivity:

Inclusivity in your mood boards is just as important as inclusivity in the fic itself. Please try to include poc and curvy images in your mood boards as well! Please!

Your moodboard is the introduction to your story and sets the mood and the vibe. When you only have skinny white girls in your moodboards, you’re communicating a message that’s all who you thought of while writing and that’s the only type who is attractive and desirable to the characters. Poc deserve to feel seen too and feel like they were thought of while writing. Especially so when you’re writing for characters of color!

You don’t even have to use *only* poc or curvy pictures for your mood boards. Including different skin tones to show that you made the effort is much appreciated. You could also use shadow images or fully blacked out silhouettes to hide the skin tone altogether. There are plenty of resources and images out there that you should be able to find more than just skinny white girls. I know is it takes a little extra digging but it’s very much worth it to show inclusivity!

I know Pinterest is the bane of image finding, but it can be a good resource to find poc images. Just search (whatever aesthetic you’re looking for) + dark skin or person of color or something similar and you’ll find plenty of images. And the more you save the more images will show up in your feed. I constantly collect images to have references later when I need them.

Unsplash is another good resource to find poc models and images. And there’s also models of color pages right here on tumblr! There are resources out there it just takes a little effort to find the right images!

And as an ending note: using only skinny white girls in your mood board and then putting a disclaimer like “images do not represent reader they’re just fitting the aesthetic” isn’t the work around you think it is. I understand it’s not done in purpose and you most likely don’t realize it, but saying that says poc don’t fit your aesthetic and it’s still alienating and hurtful. Just something to keep in mind.

[thecrowsart]

people: omg we finally get to see hyper! me: omg we finally get to see more angles of kusuriuri's clothes! observations and (A LOT OF) ranting under the cut:

1.)

The inside sleeve design has been revealed! It's pretty similar to the outside design but instead of that four-petal design, it's a gold circle. Also, it looks like the large eye is shared by both sides, but based on how the sleeve looks in other images, it must be really really big..... I guess they can get away with it lol. Like, if you laid out the sleeve fabric, I think it would look like this:

2.)

THE BACK OF HIS OBI. What the hell kinda knot is this actually... like, does anyone here know about obimusubi because I'm not very good at knots but if it comes down to it I will learn how this works. I already thought this based on the promo art but it seems like his obi fabric is double-sided, with purple on one side and the check pattern on the other, with a red trim. That lighter salmon color in the knot seems to be a different fabric, maybe an obiage? It's not tucked into the front so I'm not sure if that's the right term, but in any case it's some kind of extra fabric. If the purple and check are really one piece of fabric, then the knot is like... a hitch? It's some kind of one-loop bow, and it's quite bulky so he might have an obimakura in there. Whatever it is, it's considerably more elaborate than OG Kusuriuri's obi, which was that red brocade just tied into a large crooked bow. Who is helping movie Kusuriuri get dressed in the morning? (I'm sure he can do it himself and I commend him for the dedication to the aesthetic lol).

3.)

His mirror is now kept looped around this thick cord that kind of comes out of nowhere and disappears into his obi. First of all, how is the mirror staying up like that since the string is only looped once. Second, the thick white cord looks the same as the one that comes out of the left side of his obi and loops around his back, but I'm not sure how they would connect. Logically, they probably are the same cord and it goes through his obimusubi somehow. 4.)

This one was actually noticeable in the very first trailer as you can tell, since the second screenshot is from that trailer, but I somehow never noticed it until now. Kusuriuri has neck markings now! In a different frame I caught a glimpse of the part that goes into his collar, it looks like a circle, though it's not visible in either of these screenshots. But from the first screenshot and some other frames I saw, it looks somewhat off-center. I wasn't sure if it was just a weird frame at first, but it looks consistent the few other times (time?) that part of his neck is visible. It looks like the strip of red that leads down to the circle curves off to the left rather than going straight down the center. I didn't realize this before but his neck is actually concealed in most of the promo images.

5.)

A better look at the back of his socks, plus two things that were visible this whole time but I didn't notice: first, his black leggings have this folded layer you can probably see on top. I'm not sure how to describe it and I don't know exactly how it works. It seems weird to me that he would have three sock layers (outer black, inner black, white), so I think the two black layers are probably still part of the same sock. I'm just not sure exactly what's up with it. Secondly, his geta have metal corners on the teeth! I don't think I've seen that on real geta, so maybe it's just a random detail, but if it's a thing on some real geta, I wonder if it's to keep the wood from wearing away there. Also another think I'm just noticing, there's a reinforcing wedge of wood under the front part of his geta that overhand the front tooth. You can see it a little in the second image.

Overall, that's all the new design stuff I noticed. Since I just drew him twice and spent like all day thinking about this, I've realized his design is way more elaborate than the original one. He has a bunch of little doodads, like the ties around his ankle or that decorative tie that comes out of his ohashori:

which still bothers me because I've never seen the back of it. Where are those strings going. And how is it secured in the first place? is it tied or pinned underneath his ohashori, like on the tie under the obi (not sure if there's a name for it)? What is it? Why does he have this here?

These details as well as things like the corners and wedge on his geta, the red trim on the obi and the check pattern, and his elaborate eye make up are all design elements that could never really have worked for a tv show. It's impressive to me even that OG Kusuriuri had that hand drawn brocade texture and the designs on his kimono that he did. It's the type of thing animators usually avoid, lol.

I like the movie design visually, but my god is it a pain in the ass to draw. Due to the aforementioned details of course and the wider variety of colors. Oh yeah, my last (for real) observation is that this Kusuriuri looks a lot less human than our OG friend. His skin is entirely whitish-grey, and he has that white/purple and red hair, and now he has markings on his neck instead of just on his face. (Unrelated but I feel like they made his lip tattoo less prominent and it makes me sad because it's one of my favorite things about Kusuriuri's design). But Hyper, from that very small glimpse we caught of him, looks more mundane than the original. I think it's the combination of his black hair and his markings being red instead of gold. I wonder what the rest of him will look like.... It was interesting to me that his face is drawn differently from Kusuriuri. In the TV anime, they have the same face shape and features, but their hair and coloring is different. And OG Hyper had a slightly different version of Kusuriuri's clothes. We can't see this new Hyper's clothes, but his face is more square looking. He looks like a different person... interesting lore implications.

Okay, I really must stop there.

[goldxnfemme]

I've been thinking quite a bit about this conversation I had with a butch I had a thing with, a few years back. To be honest, it crosses my mind a lot. In this conversation we were talking about butch/femme, aesthetics, stereotypes etc. The context to it is that I saw a video that showed, unfortunately stereotyped, femme as these 4 styles of clothing and whatever, you can think it was funny, it's not the end of the world certainly, but we got to talking about this notion that I think the community forgets, regardless of verbally recognising "we're not aesthetics".

He showed me a picture that he really liked of this butch/femme couple in a bar and they were both wearing the same outfit and yet we could recognise them as a butch/femme pairing. Reminds me also of this black and white picture of two butches with a femme in the middle, they were in similar clothes, only the shirts said "butch" or "fem" in the case of the one I now bring up. Both of these were taken before the 1980s, if I recall correctly. Of course these are pictures, so we don't get the full context of their identities, but the intention here is to illustrate the concept of, in a way, the silliness of separating us by clothes and aesthetics. What this expectation of femininity or masculinity means considering both of these can be presented in such a subjective way.

When I talk about this, and how I view femme through my own femme lenses, I want to once again, shed light to some parts I love of The Persistent Desire: A Femme-Butch Reader by Joan Nestle:

"the femme is the lesbian who poses this problem of misinterpreted choice in the deepest way... Femmes are women who have made choices, but we need to be able to read between the cultural lines to appreciate their strength. Lesbians should be mistresses of discrepancies, knowing that resistance lies in the change of context." - the resistance and the strength of femme, along with its meaning, isn't quite obvious and a lot of people tend to miss it.

"Butches were known by their appearance, femmes by their choices."

And this part of Butch Is A Noun by S. Bear Bergman:

"(For the record, I believe that the same is true of femmes; the femmes who get the most admiration, the most approbation in the queer community in which I live seem to be the ones who cherry-pick exactly what of femininity they want, mix it with a hearty dash of traditionally masculine characteristics like sexual agency, stompy boots, assertiveness, fondness for power tools, and so on, and shake up a gendered cocktail that makes traditional unexamined cultural femininity look a little watery, a little pale. This is what I see, as a longtime admirer of femmes in all their variations, but I freely acknowledge that I only see what any femme cares to show me, and it's really not for me to say."

I think femme identity can become this pale misconstrued concept because we're not as obviously recognizable and people aren't as prepared to recognize us. People get used to, when thinking of lesbians, noticing and expecting butch signs, in such a way that femmes flew under the radar as an identity and definition and we still deal with that heavily today. And lately I've been seeing somewhat of a guessing game of what it all means that doesn't encompass our full range, truly it's hard to encompass that in any case.

But the moral of the story, I guess, is that femme needs more than a glance, more than one size fits all, more than what meets the eye, if we can recognize the multitude and holistic nature in the other side of our coin, we're capable of recognizing it within us.