#and THAT'S what you call foreshadowing | Explore Tumblr posts and blogs

eowynstwin · 8 days ago

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Blackbird, Fly - Four

Cowboy Gaz x mail order bride—only, not his. After exchanging letters for half a year with ranching man Hans König, you finally travel out west to marry him. Gaz had been the only one to try and warn you. previous - ao3 - next

When you wake the next morning, Hans’ side of the bed is empty, the linens already cold.

As sleep leaves you in fits and starts, the aches pull you inward—glowing dull and orange like banked embers. Your whole body feels like a twisted ankle. Nothing is broken, exactly, but every muscle feels as if it’s been pulled in a direction God never quite intended it to move.

Your shoulders. The meat of your thighs. Your hips.

The entrance to your womb.

It isn’t the knife-sharp pain from before. Only the muted, persistent throb of a wound left alone to heal. In the cottony space between sleep and waking, you think there should be more damage—for all of what happened last night. And yet, there isn’t.

Still, you don’t move when your eyes finally open. Stillness seems the only defense against the bare truth of the gray morning.

Your husband used you hard on your wedding night, and did not care for the pain he caused.

You are not fool enough to think your experience unique. Women talked as much as girls did. Your mother’s friends were wont to complain when they thought the children out of earshot: husbands who grunted and sweated over them in the night, often without uttering a word. Sometimes not even waiting for the pain of childbirth to subside before claiming their marital due.

You just had come to believe, with every letter that arrived, that your fate would be different.

But it turns out none of this is a dream after all.

Your throat closes, then. Tears prick hot in the corners of your eyes.

Stupid, stupid girl.

You swallow hard. Sit up away from the pillows, even as the aches flare in protest.

Beside you, where your husband slept, there’s a noticeable dip in the mattress. Worn in over years of slumber, and you, you suppose, on Anna’s side of the bed.

Was Hans kind to her too, before?

Abruptly you swing your legs out from the linens, and go to find one of the dresses you brought along from home.

The house is empty when you descend the stairs, as far as you can tell. You hear the steady tick, tock of a grandfather clock somewhere in the sitting room that you hadn’t noticed yesterday, in all of the commotion of the wedding preparations. The floorboards creak beneath your feet as your grumbling stomach leads you along to the kitchen.

The space is as modern and well-appointed as the rest of the house, and bigger than any kitchen you ever imagined needed to be. A cast-iron wood stove with four burners and a large oven, a sink with a pump right there by the basin, and—you nearly stop dead at the luxury—an ice box, right there beside one long counter.

You momentarily forget the troubles of the night, crouching beside the little box in fascination. A cloud of cool fog descends when you swing open the door; you brush the tips of your fingers across the huge block of ice on the top shelf, jerking them away when the cold unexpectedly burns. Not once in your life have you ever seen so much ice in one place.

On the lower shelf, you find cuts of pork and beef, wrapped in brown butcher’s paper and tied with string. Bacon for breakfast, then, and biscuits if you can find flour. Your mother always said that a difficult thing was easier after having a meal.

You find the larder stocked with further luxury. Nowhere are the home-jarred goods that would populate your family’s pantry, garden-grown vegetables pickled in vinegar or hand-pressed jams fresh from the blackberry bushes along the road. Instead you find rows and rows of cans, factory-sealed tins of manufactured uniformity, colorfully labeled and containing everything you might have ever thought to grow yourself and more.

Beans of every variety. Corn. Carrots. Peas. Beets. Tomatoes.

How much must all this have cost? So many, and lined up deep into the back of the larder. You and Hans couldn’t possible eat them all before some of them began to spoil. Of course, if he could afford to buy so much, maybe that didn’t matter.

You find the flour, and baking powder as well. Breakfast is a quick affair after that, and thankfully so, as your stomach really begins to complain as soon as the food is ready.

There’s a small table in the kitchen—yet more luxury, you think, remembering the long dining table you saw yesterday—and it’s there you sit down to solve your hunger.

The hard wooden chair is not kind to the ache between your legs.

You bite into the bacon, crunching it to pieces. There—it’s all right. You have your breakfast. Isn’t that something to be grateful for? Breakfast, and a nice stove, and an ice box, and a kitchen so stuffed with food that you can’t imagine ever running out.

Isn’t this what a loving husband provides? A good home, for his wife to live comfortably in? Pretty dresses, like the one he gave to you last night? A nice ring on your finger—the little gem glittering in the sunlight streaming in through the kitchen window?

Hans loves you. Of course. This is love.

You bite into one biscuit, hot and steaming from the pan and burning your tongue. Your mother can make them better, but you tried the best you could to follow the recipe she taught you.

The front door opens outside of the kitchen. Something quick and sharp travels up your spine. Heavy boots step inside—your husband, come looking for you—you freeze without realizing it, holding half-chewed food in your mouth—

“Mrs. König?” calls Kate Laswell, the foreman, and you relax.

“In here,” you call, after swallowing.

Laswell enters the kitchen, and turns to you, at the table. She’s dressed in mens’ clothes, dusty trousers and a heavy jacket over a button-up shirt, and a wide-brimmed hat still on her head. She looks like she’s dressed to travel.

“I’m afraid I can’t show you the accounts today, like I said I would,” she tells you, no preamble, no pleasantries.

You remember then your brief conversation with her the previous night—and Hans’ disapproval at the idea.

You set down your biscuit. “Good morning, Miss Laswell. Why not?”

“I’m going over to visit the Vargas place. We’ve been working on a leasing deal. I’ll explain when I get back.”

“Of course,” you say. “Would—” you clear your throat, embarrassed— “Would you know where my husband might be?”

The lines of Laswell’s face tighten. She has a severe look to her that you think is always present—ranch work must harden anyone, man or woman—but there is no wedding happening around you now to distract you from the unmistakable displeasure on her face.

“Last I saw he was out with the herd,” she says shortly. “Anyway, I’ll be gone for a few days. The ledger is in the cabinet by the desk. Take a look at it if you find the time.”

She tips her hat to you before you can figure out how to respond—some part of you bristles at being given orders by someone who is now, ostensibly, your employee—and leaves the kitchen. You scramble to follow her, and catch her when she’s nearly out the door.

“Miss Laswell,” you call, “is Hans—is my husband—”

You’re not very sure what you intended to ask her, before you began the question. Nor, you realize, do you think she could answer honestly, if you asked her what you really wanted to know. It wouldn’t be her place, and it would be inappropriate of you to ask.

If you could actually work up the courage to approach it.

So you settle for, “Is my husband angry with me?”

She stops, and blinks at you. You see her look you up and down, briefly, but when she meets your eyes her expression is impossible to read.

“I have no idea,” she says, and her tone betrays nothing. “Gaz wants to see you in the stables when you have a moment today. Ma’am.”

She nods farewell at you and leaves.

The steady ticking of the grandfather clock punctuates the end of the odd exchange. Disoriented, you return to the kitchen to clear away the remnants of your breakfast, flushing in confusion.

Do you really want this?

His question rings now in your ears. Along with it come memories of the previous night. The Madame’s odd interest in you. The store owner Miss Boucher’s sidelong glance at Hans. Myriad other quirks of the brow or mouth that you only now grasp the meaning of.

Everyone knew, somehow, what was coming. Everyone except you.

And Gaz had been the only one to try and warn you.

You tug on a shawl as you step out onto the front porch, breathing in the mountain air. The morning chill hasn’t yet burned off, and the sky has yet to gain its full color. Across the clearing, Kyle Garrick is at work in the stable’s corral.

He holds one end of a long lead, attached at the other to the bridle of a red-brown horse, which trots in a wide circle around him. Occasionally, with the lunge-whip he holds in his free hand, Gaz taps the horse’s hindquarters, redirecting it patiently whenever it tries to move inward or otherwise deviate from its orbit.

Horses are scared creatures, Miss, I don’t know if you know this, Hans had written. You must be gentle when you train them, or destine them to a lifetime of anxiety.

When you approach, the horse’s attention briefly turns toward you, but Gaz taps it again and it goes back into its pacing. You have a moment to admire the long line of the cowboy’s body, the focused angles of his shoulders and hips, before he addresses you, sensing your presence without having to turn and look at you.

“Good morning, miss,” he says. “Did you sleep well?”

“Yes, thank you,” you say. It feels dishonest, even if it isn’t a lie. “Good morning, Mr. Garrick.”

The horse makes its way past you, and then Gaz brings it to a stop. He winds up the lead in one hand and makes his way over to you, meeting you where you stand by the corral fence.

You can’t help but notice how handsome he looks in the light of late morning. The serious expression on his face is the same one he’d worn the day before; you suspect it’s his natural disposition.

You remember the brief smile he’d shown you last night, before Hans had taken you away, and your cheeks warm despite yourself.

“I thought I might introduce you to the horses today,” he says. “If you’ve got the time, that is.”

“Oh,” you gasp, suddenly eager, “Please! I’ve been looking forward to it ever since Hans proposed! I told him about the two old nags we had on our farm, to pull our wagon, and he said—”

We must get you on a proper horse, then, to show you the true pleasure riding may offer.

You stop mid-sentence. Something about what Hans had written rings in your memory now with a different note. It seems…mocking, almost. Imbued purposefully with a meaning intended to escape you, given you had not the experience enough to catch it.

Shame blooms painfully behind your breastbone.

“…He mentioned he’d bring me to meet them,” you say lamely.

The smile Gaz gives you doesn’t reach his eyes. “He’s very busy, or I suppose he would be today.”

“I suppose,” you echo.

Gaz inhales deeply, and then he gestures to the red-brown horse. “Well—this here is Newt. I’ve been getting him used to the bridle today.”

“Hello, Newt,” you say to the horse. You reach a hand out, briefly, but then pull it back; your instinct is to let the horse get your scent, like you might with a farm dog, but you don’t know if you should. Your father had always handled the nags.

Gaz notices, and brings one big hand to Newt’s long face, squeezing the arch of his muzzle. The horse’s eyes droop in obvious pleasure.

“He’s a big baby,” says Gaz, expression gentling. “I’m trying to see if he’ll make a good cutter, but it’s too early to tell.”

You reach out again. Newt’s velvety nostrils flare as he inhales, and then his hot breath bathes your hand and wrist. You suppose you have his approval, because Newt simply works his teeth a little and makes no indication of displeasure.

“A cutter?”

“Yeah. The kind of horse that can cut a steer out from the herd so you can drive it someplace else,” Gaz explains. “Horses either got cow-sense, or they don’t. Here, come around inside and I’ll show you the rest.”

Long Mask Ranch, Hans had written, built its reputation on the quality of its quarter horses. In the early days of its inception, his father had struck an extremely lucrative deal providing the US Army with its cavalry mounts, which had turned out to be a perfect way for the ranch’s reputation to spread. Even after the army mostly withdrew from the region, every state in the surrounding countryside knew: if you wanted good horses, you went to Long Mask.

“These are the yearlings,” Gaz explains as he leads you through the stable. “Just now we’re getting them trained to follow directions. Won’t be riding ‘em for a couple years yet.”

He puts Newt away and beckons you to follow. In the neighboring stall, one of the horses pokes its head out over the gate. It’s a light-colored colt, yellowish in the body and white-maned.

“This is Gus,” Gaz says, scratching its fuzzy chin. “He’s a big flirt, yeah, aren’t you, boy?”

You also reach out to give Gus a pat, and the colt chuffs and butts his nose into your hand, proving Gaz’s accusation. You can’t help giggling a little.

When another horse across the building snorts, Gaz chuckles, and leads you in the direction of the noise. “Ah, yeah, and that’s Woodrow. Him and Gus are always goin’ at it, but you won’t ever see better friends.”

Woodrow is dark gray horse with a distinctly unamused face. He accepts a pat on the forehead with what you can only describe as resigned patience. Gaz feeds him a sugar cube from one pocket for his trouble.

He takes you further along down the line of stalls. You meet a spirited filly named Elmira, and a colt beside her named July whose love for her is unrequited.

“We’ve already gelded him, so it wouldn’t matter much anyway,” Gaz relates.

He speaks fondly of every horse as you meet them, with the familiarity of long days working beside each of them. It relaxes him, you realize, to speak of them—the hard set of his expression has softened, the serious line of his brows eased from their iron setting.

It makes him look—not younger, you decide, but properly his age. A cowboy just beginning the best years of his career, still hale and fit enough to meet the rough demands of the job, but with enough experience under his belt to confront any challenge with confidence.

Such confidence is obvious in the way he moves. He walks loose and easy through the stable, his every step as assured as the sunrise the next morning. The line of his broad shoulders, the swooping curve of his back—they tell you at a mere glance that home is in this place, working with these creatures, and there could be nothing more Kyle Garrick might long for besides.

Envy twists your intestines around its fingers. There’s an empty space inside of you that you’d been expecting, as your wedding vows had finally taken flight, to fill with that same feeling.

At the end of the stable, in a stall in the back corner, a horse pokes its head out over the gate. It’s bigger than the yearlings, with a pale face and a dark, gray muzzle. It looks right at you, with such a clear focus that it startles you.

“Ah,” says Gaz, when he sees. “Was wondering if she’d notice us.”

“She?”

He nods. “A mare. She’s…difficult.”

The mare stares at you, with deep, night-black eyes.

“What do you mean?” you ask.

Gaz works his lips over his teeth. “Mr. König bought her last year off another rancher who was ‘bout fit to shoot her. She’s a thoroughbred, and she ain’t never met a white man she likes. As like to buck a man off as to let him ride.”

“Oh,” you say.

Gaz leans against the wall between two stalls. “Mr. König thought he might be able to break her. So far she hasn’t gotten him off her, but she won’t let him come near without putting up a fight. I’m the only one can saddle ‘er.”

You frown. “Why would he ride a horse that doesn’t want to be ridden?”

At that, Gaz’s eyes go cold. Shockingly cold, like an empty winter’s night. “Suppose he just likes taking what he wants, I guess.”

You should reprimand him. You know it immediately. It’s no way to talk about his employer, and certainly nothing he should ever say in front of you, his employer’s wife.

But you remember the blood, and still feel the ache. You have to look away from him, ashamed. Embarrassed.

You cannot defend your husband, and he must know it.

“I imagine he must know what he’s about,” you mumble.

Gaz gives a derisive snort. “I don’t know about that. He’s of a mind to start with thoroughbreds, but she will not let him breed her. Damn near killed every stallion he’s brought her to try.”

It hits you so sharply that you inhale with sudden pain, pressure knifing at your eyes. You turn away from Gaz entirely now, pressing your hands to your chest. Every ache from the night previous ricochets around inside you again, knocking all the way down into your bones.

You tip your head upward, as if it will prevent the gathering tears from falling. What’s worse, Gaz puts a hand on your shoulder behind you. You flinch at the touch, hips aching where Hans had bruised them in his grip.

“I’m sorry, Miss,” Gaz says softly. He sounds like he means it. “I shouldn’t have said that.”

He knows exactly what ails you. And why wouldn’t he? He’s known his employer for years. He’s worked this ranch for longer than you’ve even known of its existence.

He knew the previous Mrs. König, who first endured Hans’ attentions.

You are a terrible fool, and you are the last to know it.

He doesn’t remove his hand as you tremble. He squeezes you gently, the same caress he’d given to the young colt Newt. It is so kind that it nearly breaks you.

“Here,” Gaz murmurs, “let’s see something.”

You turn back to him; he takes your hand, and leads you to the back of the stable. The mare follows the two of you with her eyes, expression unchanging as you approach her.

Closer now, she is a stunning creature. You’ve never seen anything like her. Her coat is silvery-gray, with darker patterns all over her body, like ink absorbed into paper and then laid beneath a light rain. Her legs and mane are the same dark color as her muzzle, and there is a deep intelligence in her eyes as she beholds you.

“You might be the first woman she’s ever seen up close,” Gaz says.

He takes up a position behind you, and turns your hand over in his, opening your fingers. Then, slowly, so the horse can see it, he brings them to her face, pressing your fingertips to the soft whorl on her forehead.

The mare’s eyes do not leave you. She exhales a little through relaxed nostrils, chuffing, flicking her ears toward you. You play with the starburst of pale hair, following the direction it grows; her lids, heavy with thick, black lashes, drop a little.

“I’ll be,” Gaz murmurs behind you. “I think she might like you, miss.”

A loud BANG claps against the wall on the other end of the stable, and the mare jerks her head immediately, flinging your hand away. She grunts, snorts, and dances away from the gate, shaking her head, eyes flaring wide.

You and Gaz both look to the commotion—

Your husband stands in the open doorway, cast in a dark silhouette by the late morning light.

“Just what the hell are you doing?”

a/n: the horses' names are all references to characters in my favorite western, Lonesome Dove by Larry McMurtry.