#and I want to know how common of an opinion that it

[sagekjs21]

The reason I say it's classical conditioning is because I'm trying to make a connection between my child going unaccompanied out into the street and the stimulus of mild pain. Pat loves dogs with salivate simply at the sound of the bell. I would want my child, only if necessary, to make the connection between going unaccompanied out into the road and excessively mild pain.

And as to doing it to an adult. I mean the only reason I wouldn't is because I wouldn't have to but if for some reason I did have to, sure I would do that to an adult. Giving them a mild slap on the wrist or on the butt? A slap that would sing for about 10 to 15 seconds? Sure, if there was a reason of course I do that to an adult. There would just be no reason for it probably. But I do agree with you; if you wouldn't do it to an adult, no it should not be done to a child. But you're assuming that I wouldn't do it to an adult.

But you just said it yourself, you said that it CAN cause trauma for the victim, not that it WILL or DOES. The word can does not make an automatic conclusion, it does not make an every single case scenario. I fully admit that it absolutely can traumatize somebody, but not that it always does. Like I said, every single adult ranging from roughly their 80s down to probably their 50s in the United States who went through the public school system would be traumatized if that were the case and that's just simply not true.

See, this is where we differ. You're saying that what I'm advocating will actually harm a child and I am saying it absolutely will not. It will not under the right circumstances, no not simply because of the amount of pressure applied but more importantly the already established relationship between the child and the parent. If the parent is good, if the parent is attentive, loving, nurturing, under all other circumstances except an instance that would probably happen between one to five times and the child's entire life, no this is not going to traumatize a child. They will love and trust their parent and know that their parent is not abusive. If there was other abuse going on of some sort, then yes, this would only serve to aggravate the problem.

I don't doubt that there have been people traumatized by spanking, probably many of them. That was never in question for me. I doubt that spanking my child like I said a total of probably five times maximum and yet providing them with a stable and nurturing environment for the rest of their childhood is going to cause them to have severe trauma by any means, if any trauma at all. Do I have proof of this? In all fairness and honesty, no I don't. But I do have common sense. I also have the Bible which I strongly prefer to research.

I'll give you an example of how flawed research can be. Take the COVID-19 vaccines. If I want to, I can go online and find a ton of research advocating their effectiveness but I can also go online and find just as much research advocating how much damage they can cause. The point is, with the Internet these days, it is hard to tell what research is legitimate. I'm not saying that the research on spanking isn't legitimate, I'm sure most of it is. But you have to consider the type of study done, was it blind or double blind, What was the bias of the researcher going into such research, there are just so many different factors. I don't have faith in science. It's too biased, it's too easily falsified these days, it's to flawed.

Let me correct you there, I'm not trying to convince the rest of the world of anything. I'm responding to a whole bunch of people who chose to respond to me. I stated an opinion. I stated one opinion. Now? I'm responding to a bunch of people who don't like my opinion. I'm not trying to change any of your minds. I'm not trying to change anyone's mind. I'm trying to convince you that you're not going to change mine.

And as to what punishment is and isn't acceptable, again that is my opinion. If there was a law preventing such punishment then of course I would adhere to it. I do believe in following the law. But as of now, what I am talking about has no type of law preventing me from doing so. 

Everyone is so quick to state that something is abusive. Abuse requires motive, either motive or excessive harm. The motive behind abusing a child is to hurt someone who is powerless and defenseless, someone who is apparently supposed to be weaker than yourself. That's not what I'm talking about doing at all. I'm talking about taking a very small and mild preventative step to try and ensure that my child lives. I am doing this for my child safety, not for some kind of weird sadistic reason. There's a very big difference between this and abuse.

It's OK, you can make my position clear as you say. I think if anybody goes to my blog my position will be fairly clear there as well. But yes, I have made up my mind. And I sleep very well knowing that it provides my child with an extra measure of safety. That a maximum of like three minutes of mild pain in my child's entire childhood could possibly save their life? Yep, all I know is I'm going to make a very good mother, not a perfect one but a good one. 

When people get pregnant, they will give up smoking, give up alcohol, give up coffee and soda, give up fondue and raw cheese, give up cold cuts and sushi, all because they have heard somewhere, from someone, that these things can be bad for the baby. They don’t know the research, haven’t looked at the studies, can’t talk about sample sizes and control groups. But their dedication to their future child’s safety is so strong, their caution is so overpowering, that they give up these things just in case. 

So it baffles me when those same people will insist on spanking their kids. 

Even when they are shown the research.

 Regardless of what the experts in the field say. 

No matter who says it. 

Or how it is said. 

People are so invested in this ability to hit their kids without judgement or consequence, that it absolutely confounds me. 

[kikidoul]

── BROTHER'S BEST FRIEND.

໒꒰ྀི ^ ⸝⸝ ^ ꒱ྀིა박성훈 x fem! reader content established relationship non-idol au older brother's best friend trope reader is jay's younger sister ᥫ᭡ warning explicit sexual content unprotected sex (stay safe!) petnames used kissing pussy eating fingering begging squirting overstimulation sunghoon being a tease and wear glasses (important trust) jay cockblocking (not sorry). . .!? 1111— mlist.

note. another reupload from yours truly. currently writing part two so it will be posted soon, hopefully...

You have met your older brother’s friends a couple of times, having known them since you were young. They were a loud and chaotic group, if one were to ask for your opinion on them. But among them, there was someone who piqued your interest. Sunghoon isn't as talkative as the others. He mostly keeps to himself but you have seen him cracking jokes or making fun of your brother; Jay, resulting in the two bickering back and forth. It’s a common sight to hear them argue about the smallest things, much to everyone’s amusement. 

You knew it was wrong to have feelings for your brother’s friend but you couldn’t help it. Not when Sunghoon was nothing but kind and caring towards you. His features were simply another plus point and everything about him simply makes you swoon. You had to walk around your brother, hiding your relationship with Sunghoon from him. You know how overprotective Jay can be when it comes to you. The last thing you want is to end Sunghoon and Jay’s friendship. You knew how the two are practically glued to the hips, always coming as a pair.

“Ngh, Hoonie, fuck, hah, m-more,” you whined, your back arching off the bed. 

Your legs were slung over your boyfriend’s broad shoulders. Your left hand was covering your mouth; a feeble attempt of muffling your moans while the other gripped onto his abyssal-like hair. You couldn’t help but bucked your hips forward, craving more. It was a miracle you had survived this long before meeting Sunghoon and you came to learn that he was amazing with his mouth and fingers. 

Your boyfriend hums, moving his long, thick fingers in a scissor-like movement, opening and preparing you for what’s to come. Your eyes rolled up at a harsh suck of your clit, his tongue delving deeper. In the span of what felt like years when it was actually an hour, he had managed to make you cum a total of two times. The first was done by his fingers while the second was done by his tongue. Currently, he was pushing you over your comfort zone, hoping you could cum a third time. 

As they always say, third times the charm, right?

You squirmed about on the drenched sheets, gripping onto the pillow for dear life. Breathy moans flowed from your lips, like water falling from a water tap. 

“Fuck!” 

You gasped, thighs buckling as Sunghoon swirls the overly stimulated bud with his tongue. You felt it, the fire in your abdomen and how heat was spreading under your skin. Throwing all caution out of the window with the only thing in your mind was chasing your impending climax, you frantically jerked your hips forward. Your boyfriend got the hint, allowing you to fuck his tongue and it didn’t took you long to reach your climax. 

As compared to the orgasms you had before, this was more powerful and it took a deep toll on your body. You weren’t sure what happened as you laid on the bed, loosening your grip on Sunghoon’s hair, eyes closing to take a much-needed breather. 

“Woah, that was hot. I didn’t know you had it in you.” 

You opened your eyes, only to pause at the lewd scene before you. The frames of his glasses were coated in a thin layer of your juices. Some were dripping as it trailed down the frames, landing on the sheets. Your breath caught in your throat as Sunghoon licked his lips, his chin was glistening underneath the ceiling light. You wanted to apologize but he waved you off, knowing what you wanted to say. 

“You don’t have to apologize, princess,” he grins, moving closer until your noses graze against one another. “But I believe I should get a reward for making you squirt for the first time, right?” 

You light-heartedly rolled your eyes, choosing not to reply and kissed him instead. Sunghoon grinned into the kiss, parting your lips with his tongue, allowing you to taste yourself. He positioned himself in between your legs, one hand trailing down to fondle with your hardened peaks. You moaned into his mouth, the sound doing wonders to his body and mind. Wanting to hear more, Sunghoon broke the kiss. He aligned his cock to your needy, neglected and sensitive dripping entrance. 

“Look at you, I didn’t even have to use lube,” he breathed out, unable to tear his eyes away from the erotic sight of watching his cock disappearing inch by inch, getting swallowed by your greedy clit. 

“Oh god.. Hoonie,” you whined, throwing your head back, your gummy and velvety walls sucking him in, making him groan at the feeling. 

By the time he was buried deep in you, you felt like you were floating on a cloud. Sunghoon started thrusting, hips snapping against yours as he massaged your inner thighs—wanting you to relax and enjoy yourself. The bed moved along with your movements, the bedframe hitting the wall at equal intervals. At this rate, you’ve long forgotten that your brother had arrived home after a hectic day of back-to-back classes. Which was why none of you were prepared for the unexpected moment of Jay opening the door without knocking. 

“Hey sis, could you—Wait, what the fuck!?” He asks, raising his head from his phone, only for him to shriek at the top of his lungs. 

Both of you whirled your heads to his direction and your reactions were immediate. Sunghoon scrambled to move away from you while you pulled the sheets up, covering your body from your brother’s poor eyes. Jay had shielded his eyes with one hand, back facing the both of you. 

“Uh, it’s not what it looks like,” your boyfriend chirps in and you mentally face-palmed. 

“Not what it looks like? Pray tell me, then what does it look like because I can’t believe I saw my best friend fucking my sister. Oh my God, please God, help me,” Jay exclaimed. 

The two of you shared a look and you shrugged your shoulders, having gotten used to your brother’s dramatic antics. 

“Come down to the living room and we’re going to talk about this. And you better not be fucking or I will kill you with my bare hands, is that understood?” Jay directed the threat to his best friend, who nervously gulped. 

“Yes, sir.” 

When Jay left after closing the door along with him muttering about how he needs to bleach his eyes, you ran a hand through your hair. “Well, I guess we’re going to die under the hands of my brother.”

“...Please don’t say that. I’m actually scared of my life now.” 

[thieves-never-say-die]

if a leverage x white collar collab happened, how do you think each character would react to each other? would peter become another one of their fbi buddies? would sophie and neal compete against each other? how, in your opinion, would that look?

I think my ideal of what would happen is pretty much what I wrote in The Neal Caffrey Job, but I do have a LOT more ideas about possible interactions between teams:

Parker and Mozzie know each other from when Parker was younger (pre-Archie) and Mozzie took her under his wing to teach her how to be a thief (I wanted to include more of them together in TNCJ but it didn't fit)

Parker and Neal both tried to steal the same item at the same time once before, and fucked up the other's plan enough that neither was able to get the item in question (or one of them came out on top, leading to a lifelong grudge which rears its head when the two teams have to work together)

I do think Jones and Hardison would geek out over tech together. That's another thing I couldn't quite make fit in TNCJ, but Jones is the tech guy of the White Collar team, and I think they'd get along

Peter is too smart to get duped by the Leverage crew for long and (unfortunately) his morals are not flexible enough to willingly work with them, though I think El would be much more sympathetic and could convince him not to pursue too aggressively. Like, the Leverage crew would kick marks in NYC Peter's way once they're done with them and have had the big reveal, allowing Peter to arrest them, but Peter would never condone what the Leverage crew does, if that makes sense

I think Neal would want to work with the Leverage crew if he heard what they were doing, but wouldn't be able to help too directly so he does his best to help by putting Peter in the right place at the right time to catch the bad guys (Neal definitely joins Leverage International post s6)

I looooove the idea of Diana recognizing Sophie from her life as the child of a diplomat (yet another thing I couldn't make fit in TNCJ). I think it would be hilarious if Diana saw Sophie and got curious and went looking up a bunch of her aliases, suddenly realizing like two dozen famous people are actually all just the same woman

I also think it would be fun if Neal saw the Leverage ot3 being together and then looked at El and Peter with a little lightbulb moment

Ok last thing to consider: Sarah moves to London at the end of s4. We know that Astrid Pickford (Sophie's step daughter) is an Interpol agent, presumably based in London. I think they would have a lot in common, and they should definitely meet up for drinks and talk about the thieves in their lives and about how they both had to put aside their morals a bit to make sure the right thing got done and then make out about it

[ara-arachan]

Honestly, I really don't like when people call Reigen "just a regular guy". Because he isn't that regular at all. Well, to me, at least.

He's extremely social, he has a lot of skills, he's smart, he's creative, he's kind. He always knows how to solve problems. He listens to people, and, most importantly, he helps them. He's wise, he's realistic, he's funny, he's open-minded, and he's scared but he often takes the risks. For himself, for Mob, and for everyone else. Also, yes, he loves his student and is ready to put himself in danger just to save him (friendly reminder that he was ready to die during the Confession arc, and even took his shoes off, which is very common for Japanese people to do before committing suicide). I really don't think your typical regular guy would do that.

Maybe he seems like he isn't special because of his lack of psychic powers, but isn't it quite unusual that he doesn't even want any to begin with? Reigen was never jealous of Mob or any other ESPer, even though, logically, he should be since it's very useful for his business. Yet he isn't. When Mob shared powers with him, Reigen didn't really care. He acknowledged these were Mob's instead of thinking that he suddenly got awakened, then kicked villains' asses, and that's it. Never even mentioned any of that after (if we exclude the book situation).

It's very fascinating how Mob, the most powerful (modern) psychic, lives a regular life, while Reigen, someone who doesn't possess any type of powers at all, is seen as someone eccentric. And, well, of course Reigen does have common adult problems, but it's the way he deals with them what makes him different. Or so I think.

No matter what your opinion on Reigen is, it's out of the question that his relationships with Mob are absolutely beautiful. Both of them complement each other perfectly, two lonely souls finding solace in one another, rejected — though temporarily — by society just to have peace in the inner worlds: Mob in Reigen's, and Reigen in Mob's.

[utilitycaster]

I can’t help but feel that the people who are complaining about the people criticizing this campaign are the types that are going to be pissed if BH does just kill Predathos and lets the gods live, especially if that comes at the cost of some supposed deserved happy ending for their faves. And what’s maybe ironic is that I feel that an ending in which BH choses to save the gods, the campaign does rise a bit in my esteem, and might in the eyes of some other critics as well, as it would, i dunno, maybe play into these themes of forgiveness and love and overcoming resentment that keep being used as a defense of this campaign and these characters? 

Anyway, godspeed on the quest to find good faith arguments on why this campaign is excellent. would genuinely like to see one.

Oh definitely. Like...look. I hope I conveyed the point of "I don't particularly think either of us are approaching this with a deep respect for the other, but we can at least make a polite fiction of good faith that, if you actually can come up with an argument that assumes that, I will accept in genuine good faith" and so in that interest I'm trying to scale back on attacking people. But also...I've been down this road before. When people complained about how bad Campaign 2 was, firstly, it specifically took hold either right after a ship competing with theirs became canon or at least was strongly hinted towards; or was in response to Molly not coming back; and secondly a lot of this happened after they'd been effusive in their praise for the campaign up until that point. Whereas for Campaign 3 you can, if you actually wished to do the research, go to my blog or most of my mutuals' blogs and do an archive dig and trace the optimism and excitement turning into skepticism turning into "yeah, this ain't it chief" with fairly consistent complaints (poor pacing, plot-character mismatches, indecision, failure of the characters to ever really challenge each other meaningfully in a way that leads to growth) throughout, coupled with, if I am being honest, a massive deal of grace and patience and "maybe this is the course correction" that was not always earned. Dorym becoming canon did not shift this among the many people who like Dorym and also think the campaign isn't very good, myself included, so I don't really think it's shipping wank that's the problem. I'm not inclined to respect arguments that either, 118 episodes into a campaign that's very close to its end, demand I consider its ~potential~. I have. It has, for the most part, failed to deliver over the course of those 118 episodes.

If a common complaint within the fandom of people who have watched hundreds of hours of this story is "it's unclear what story it is telling and the party is aimless" and small pockets and echo chambers are like NO YOU DON'T GET IT...I don't want to say its impossible for this to happen and that the majority is automatically correct, but were I an outside observer I know where I'd place money in a bet.

And yes, I agree. I think a lot of of the people defending it are either, to be very blunt, in a sunk cost fallacy situation/dedicated to a certain level of contrarianism more so than having their own opinions that exist independent of the fandom; or believe it will give them a happy ending for their faves or validate their belief the gods should die or they just want Exandria to burn at this point for whatever reason. I don't feel it's actually something that follows from the narrative, which, as this post so aptly puts, is just kind of sailing towards the rocks while the crew sort of bickers and doesn't do anything. It feels like the most satisfying endings possible are either achieving what the gods couldn't and destroying this existential threat for once and for all (in which case the gods survive, and hey, they actually did take a third option that no one was really talking about, the indecision was still boring as fuck but at least there's a scrap of payoff), or tragedy befalling them (loss of party members, killing a large swath of Exandria) as a consequence. And neither of those are what they want, which is like. the abstract concept of change and the less abstract and deeply unflattering concept of killing everyone who didn't give you what you wanted.

It is in fact unsurprising that the arguments in the fandom are the way they are. Wow I wonder why people who think "I asked this person for something and they didn't answer so I think letting loose an endless hunger entity to eat them" is a good and noble thing to do can't handle the idea that existing in the world means you and things you like will receive criticism, and other people won't just do what you want if you whine loudly enough.

[frozenjokes]

it’s so over

convex week day 3 - embers/frost - prev/next

this one follows the prompt because he’s fire boy and he’s water girl trust @convexweek

Cub wasn’t used to being around this many people, much less talking to them, and so far from his sun he was cold, it was loud, and all of these things were making him quite irritable.

Apparently being on fire at all times was a ‘bad look’ and Cub should really try to ‘cool off’ lest people get the ‘wrong impression,’ but maybe Cub wanted to be on fire, maybe he was cold and angry and didn’t want to be touched not even on the shoulder, seriously would people mind their own fucking space, Cub didn’t care about the court of public opinion, he just wanted to be left alone.

His lawyer was alright at least, a star called Mumbo who took a similar form to Cub, which Cub assumed was common practice; it’s not like he attended many court hearings in his lifetime, being the sun was a full time job. Mumbo looked a lot like a human through the lens of someone who had never actually seen one, and only had it described to him from a friend whose cousin’s wife’s ex husband’s sister in law’s dog saw a human once, so, fairly accurate and appropriately unnevering. Long, lanky body, arms, legs, fingers, tiny eyes, squareish head. Despite looking like he might unhinge his jaw and swallow Cub whole at any given moment, Mumbo was well mannered and just a touch anxious, but he seemed to know what he was talking about at least, which would have been nice if some of the things Mumbo said didn’t make Cub want to leap over his desk, rip out his tongue and then gouge his own eyes out.

“Listen Cub, I think you have a pretty strong defense here. Besides being generally unpleasant, based on the more major accounts against you, I don’t really think you’ve done anything illegal per se, but the bigger problem here is that no one can stand you.”

“I don’t care.”

Mumbo knit his fingers, expression strained, “Well you should care, because Scar is going to build his case around well disguised personal attacks, and where he’s very charming, you are not. Scar is looking to win the public opinion and sway the judge and jury that way, which, given his long history of successful cases, you should be concerned. Scar is going to try to strip you of your position and possibly all future positions in desired systems, so if you don’t want your current fill-in to be the new Earth sun, you’d better pull it together.”

Cub frowned, deep. He really didn’t want that. She was so annoying, and so smug too, like come on, Cub wasn’t going to be gone for very long.

“I just don’t understand how Scar even has the grounds to sue me. My moons aren’t even moonionized, complaints ledged against me are few and far between, and I don’t go out of my way to be a dirtbag unless moons go out of their way to make themselves a problem to me.”

“These are all good points, but with moonion popularity on the rise and Scar being the moon that spearheaded that movement in the first place, I really wouldn’t come out and start talking about how anti-moonion you are.”

“I’m not anti-moonion, I don’t think suns should get to blow up their moons, that’s not cool, but I don’t think I should have to go out of my way to be nice either when I think I’ve made it extremely clear to the entire galaxy I don’t want anything to do with anybody because everyone sucks.”

“That’s certainly a stance.”

“It’s how I feel.”

“I wouldn’t bring that up in court either. Insulting the jury is a bad idea.”

“How do I get them to not dislike me then. I’m going to say right now that I will not put out any fires and I will not smile.”

Mumbo pursed his lips, fingers knitting tighter, “Well, I definitely don’t think you should smile in court, no, but it might help you not to look like you intend to kill everyone in the room and then yourself.”

“This is my resting face.”

“Your resting face sucks.”

“Go fuck yourself.”

“I would advise against telling the jury to go fuck themselves.”

Cub leaned back in his chair, exhaling a vent of hot air through his nose. He would try very hard not to tell the jury to go fuck themselves, but he could not express this thought out loud, so he chose silence.

“Right then,” Mumbo, apparently, was not one to let the silence lie, “Well I want to discuss a few other points with you, things I’m positive are going to be brought up in court, so please try to be receptive and honest with me, and remember that my job is to help you. First, for the more ambitious stars, Scar is going try appealing to them by making the argument that you hate your position in that extremely desirable system of yours, and the only reason you’ve commandeered it for so long is out of spite; you don’t want it, but you don’t want anyone else to have it either. I know it’s rumor, and I will make this argument in court, but that doesn’t necessarily-“

“No, that’s true.”

Mumbo gawked, at a momentary loss for words. “Seriously.”

“Well, mostly. I do like that system, I want to keep it. I like the Earth. But I will never give it up, never, because all those stars with their grubby little hands want it so bad, and they can’t have it because it’s mine. ‘You’re so sad looking for a sun, you should try smiling, you don’t act very much like a sun, you should really smile more, why don’t you blink, Cub?’ They will never see the Earth like I do. A moon would have an easier time witnessing my system’s life, and that’s perfectly fine, I like moons, it’s the stars that are having their penance paid. If you had a star on your back every day of your formative years telling you you’d look more sUnNy wiTh a sMiLe you’d be a soulless hermit too.”

When Cub looked up, Mumbo’s head was in his hands. “Don’t say any of this in court. Actually, do not speak at all in court, just let me handle it. If you must speak, deny deny deny. Lie. Anything but your true feelings please.”

“Are we done then?”

“Yes, we’re done.”

Cub got up from his chair, stretching. He felt a little calmer now; who knew it could be nice to talk about your feelings? Maybe it helped that Mumbo’s office had a similar fire to Cub’s sun back home, not nearly as hot as Cub preferred, but almost pleasant when compared to most other shared moon/sun/planetary environments. The familiar yellow orange of the walls and furniture made Cub feel at home, safe and relatively blended in, though that was only coincidence. Mumbo had a whiter fire to him, and stood out quite a bit against the backdrop. Cub couldn’t imagine wanting to be seen.

Just as Cub was about to leave though, the door to Mumbo’s office burst open and in walked a very jolly looking moon with half a face, his silver cold brilliant against the bright fire, but in a world of constant light, Cub couldn’t stop gaping at the inky dark that soothed his strained eyes.

“Mumbo Jumbo! Wow, you look terrible today! Tough case?” Scar grinned, leaning nearly all of himself over Mumbo’s desk, dark eyes utterly jubilant. Cub was so starstruck, he hardly grasped the implications before Mumbo spoke.

“Scar, I’m seeing a client right now, I told you to knock before you-“

“What client? I heard no talking, no one’s in the waiting room, and no one’s here. Y’know, Mumbo, if I didn’t know any better, I’d think you just didn’t want to see me.” With a frown to match Cub’s own, Mumbo moved his files out of the way before Scar swooned directly on top of his desk, turning over with unnatural grace to lay on his stomach and kick his legs. “So.” Scar said, all movement stopping to accentuate the word before he started back up again with his legs, “How’s it going.”

“Bad. You literally have no case and it’s going bad. But Cub’s right there, he can tell you himself.”

Scar turned around and screamed, exactly the way he had when they’d first met, rolling off the back of the desk and directly into Mumbo’s lap. Emotionlessly, Mumbo scooped Scar up and set him on his feet. Cub still couldn’t stop staring.

“I think it’s against my best interest to speak to you,” he mumbled, silently pleased when Mumbo gave him a thumbs up. “Not unhappy to see you though.” Cub didn’t know where that last bit came from, but he wasn’t embarrassed either. He was speaking his truth, as he’d always done.

“That.. so..” Scar eyed Cub suspiciously, stalking around the corner of the room like a bobcat across from a cobra. “I hope you’d forgive me if I said I didn’t believe you.”

“That’s fine. We were done anyway, I just like a place that feels like home. Do.. whatever it is you were doing.. intimidation tactics or..”

“No, no, I really didn’t mean to intrude. I will knock next time, Mumbo, especially when your clients are.. so difficult to see.”

“You still won’t,” Mumbo sighed, as if resigned to the fate. “Cub, when Scar follows you out, keep your mouth shut. Not a word.”

Scar scoffed, mock offense, “I’m not going to follow him out, Mumbo, geez!”

“Well, the last reason I had to stay was the temperature, but you’ve gone and taken it down, so I’ll be going now,” Cub shrugged, giving Mumbo a small nod, “Bye.”

“Goodbye, Cub,” Mumbo sighed, and Cub was not at all bothered by the strain in his voice. Very good, very good, he was not here to make friends.

But just as Cub was leaving this star to travel to the one he was staying at nearby, Scar cut past, stopping him over the vast expanse of nothingness all around them. Scar looked brilliant on this backdrop, the light reflecting off him less intense, and the dark holes in his form as beautiful as they were unnerving. Cub very rarely looked at people’s faces when he spoke, but with Scar, he couldn’t stop staring. Maybe that’s why he missed the first thing Scar said.

“Hello? Hello hello? Earth to Cub, anyone home?”

“I’m here. Was leaving, though.”

“Humor me for a moment before you go then, will you?”

“I don’t think I mind, but my lawyer might.” Scar must have found this funny, but to Cub his laugh sounded fake. Though, so did his scream, and regardless of how exaggerated it sounded in Mumbo’s office, Scar had absolutely been frightened.

“Well then, Cub, I just came down to tell you that you do something many suns do that I fucking despise,” Scar continued on sweetly, never wavering, “Would you like to know what that is?”

“I don’t really care, honestly.”

“Well I’m going to tell you.” Scar clapped his hands together and Cub flinched at the noise, which seemed to please him. Bits of frost floated like dust off Scar’s fingers, and Cub got the sense that Scar’s anger was real. “I can not stand it when I meet a sun in their domain and I’m treated like the scum of the galaxy; useless, unimportant, insignificant, but after I reveal myself, after I drag them to court, suddenly everything’s so civil, almost nice, like I’ve earned your faux respect by evening the playing field, by meeting you face to face as a fellow, and not someone to stomp beneath your heel. I’ve forced you to care by bringing you here, yes, but when you’re bordering on friendly after showing me how you really feel, that makes my blood boil. So let’s cut the shit, alright?”

Cub stared, not that he wasn’t staring before, but this time it was a more confused kind of stare, one he made when someone had said something that didn’t make any sense. “Do you think I’m treating you differently?”

Cub squinted against the wave of icy fury that surged off Scar, his crooked smile forced and eye twitching. “Do you take me for a fool?”

“A little bit. I think this whole endeavor is a pointless waste of my time, but the only difference between then and now is that then you were an obnoxious pest looking for a fight, and now you’re still a pest, but there’s nowhere I can avoid the company of others, so I’m not too fussed. Comparatively, on the scale of bullshit I’ve come across after being forced to leave my sun, my encounters with you rank relatively low. You are cold, which I hate, but you’re also easy on the eyes, which is a huge relief everywhere.”

“I- I’m what?” The fierce chill that radiated from Scar’s form faltered, and Cub didn’t know what was wrong with him, but this was much better.

“Cold. Not as bad now, but it’s honestly cold everywhere here, so I’m eager to get going. Only thing keeping me speaking to you right now is that the star’s going to be so damn bright everywhere, and it’s rare to get reprieve like this. You forget what it’s like to rest your eyes, and then you remember, and you never want to leave.”

“I- Oh! Oh, right, I..” Scar bit his lip, glancing back and forth as if looking for an escape, “That.. That makes more sense. That makes a lot of sense actually, I did think you were looking at me weird, but not because- you know, it’s not very nice to stare.”

“I don’t particularly care, if I’m being honest.”

“You might give someone the wrong impression with a look like that.”

“Let them think what they think.”

Scar stopped for a moment, looking at the ground. He seemed to feel a little more awkward looking at Cub now, but that didn’t stop Cub from staring at him, gosh, his own eyes had never felt so free of strain.

“You know, Cub, I take back what I said here. I think you’re callous, but I don’t think you’re pretending. The circumstances then and now are different enough that if I really try to worm my way into this horrible little brain of yours, I almost see where you’re coming from.”

“Please get out of my brain.”

Scar laughed that fake laugh of his, but for some reason this one rang true, and Cub might have smiled, maybe, something unnatural definitely happened on his face, but he was too caught up in Scar’s infinite dark to be disturbed by it.

[lesbian-sunshim]

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rare pairs for your consideration - starlight x discord

[donnydamakkk]

unpopular opinion: there is no point in the show in which jeid would have made sense. jj never seemed interested in him, and his feelings always felt misconstrued and misplaced. they never had that kinda chemistry.

[cottagecori]

hey. send the message. do it.

[yume-fanfare]

people will say they want evil women and then they can't even handle a slightly mean honeyworks 16 year old

[longagoitwastuesday]

So so indebted to u for posting those lovely illustrations from Cyrano <333 & even more so for yr tags!! I'm completely in love w yr analysis, please feel free to ramble as long as u wish! Browsing through yr Cyrano de Bergerac tag has given me glimpses of so many adaptations & translations I'd never heard of before! I'll be watching the Solès version next, which I have only discovered today through u ^_^ As for translations, have u read many/all of them? I've only encountered the Renauld & Burgess translations in the wild, & I was curious to hear yr translation thoughts that they might guide my decision on which one I buy first (not necessarily Renauld or Burgess ofc). Have a splendid day & sorry for the likespam! 💙

Sorry for the delay. Don't mind the likespam, I'm glad you enjoyed my tags about Cyrano, and that they could contribute a bit to a further appreciation of the play. I loved it a lot, I got obsessed with it for months. It's always nice to know other people deeply love too that which is loved haha I hope you enjoy the Solès version, it may well be my favourite one!

About translations, I'm touched you're asking me, but I don't really know whether mine is the best opinion to ask. I have read... four or five English translations iirc, the ones I could find online, and I do (and especially did, back when I was reading them) have a lot of opinions about them. However, nor English nor French are my first languages (they are third and fourth respectively, so not even close). I just read and compare translations because that's one of my favourite things to do.

The fact is that no translation is perfect, of course. I barely remember Renauld's, but I think it was quite literal; that's good for understanding the basics of the text, concepts and characters, but form is subject, and there's always something that escapes too literal translations. Thomas and Guillemard's if I recall correctly is similar to Hooker's in cadence. It had some beautiful fragments, some I preferred over Hooker's, but overall I think to recall I liked Hooker's more. If memory serves, Hooker's was the most traditionally poetic and beautiful in my opinion. Burgess' is a whole different thing, with its perks and drawbacks.

Something noticeable in the other translations is that they are too... "epic". They do well the poetic, sorrowful, grief stricken, crushed by regrets aspects of Cyrano and the play in general, but they fall quite short in the funny and even pathetic aspects, and that too is key in Cyrano, both character and play. Given the characteristics of both languages, following the cadence of the French too literally, with those long verses, makes an English version sound far too solemn at times when the French text isn't. Thus Burgess changes the very cadence of the text, adapting it more to the English language. This translation is the one that best sets the different moods in the play, and as I said before form is subject, and that too is key: after all, the poetic aspect of Cyrano is as much true as his angry facet and his goofy one. If Cyrano isn't funny he isn't Cyrano, just as he wouldn't be Cyrano without his devotion to Roxane or his insecurities; Cyrano is who he is precisely because he has all these facets, because one side covers the other, because one trait is born from another, because one facet is used as weapon to protect the others, like a game of mirrors and smoke. We see them at different points through the play, often converging. Burgess' enhances that. He plays with the language itself in form and musicality, with words and absences, with truths masking other truths, with things stated but untold, much like Cyrano does. And the stage directions, poetic and with literary value in their own right in a way that reminded me of Valle Inclán and Oscar Wilde, interact with the text at times in an almost metatextual dimension that enhances that bond Cyrano has with words, giving them a sort of liminal air and strengthening that constant in the play: that words both conceal and unveil Cyrano, that in words he hides and words give him away.

But not all is good, at all. Unlike Hooker, Burgess reads to me as not entirely understanding every facet of the characters, and as if he didn't even like the play all that much, as if he had a bit of a disdainful attitude towards it, and found it too mushy. Which I can understand, but then why do you translate it? In my opinion the Burgess' translation does well bending English to transmit the different moods the French text does, and does pretty well understanding the more solemn, cool, funny, angry, poetic aspects of Cyrano, but less so his devotion, vulnerability, insecurities and his pathetism. It doesn't seem to get Roxane at all, how similar she is to Cyrano, nor why she has so many admirers. It does a very poor job at understanding Christian and his value, and writes him off as stupid imo. While I enjoyed the language aspect of the Burgess translation, I remember being quite angry at certain points reading it because of what it did to the characters and some changes he introduces. I think he did something very questionable with Le Bret and Castel-Jaloux, and I remember being incensed because of Roxane at times (for instance, she doesn't go to Arras in his version, which is a key scene to show just how much fire Roxane has, and that establishes several parallels with Cyrano, in attitude and words, but even in act since she does a bit what Cyrano later does with the nuns in the last act), and being very angry at several choices about Christian too. While not explicitly stated, I think the McAvoy production and the musical both follow this translation, because they too introduce these changes, and they make Christian as a character, and to an extent the entire play, not make sense.

For instance, once such change is that Christian is afraid that Roxane will be cultured (McAvoy's version has that infamous "shit"/"fuck" that I detest), when in the original French it's literally the opposite. He is not afraid she will be cultured, he is afraid she won't, because he does love and appreciate and admires those aspects of her, as he appreciates and admires them in Cyrano. That's key! Just as Cyrano longs to have what Christian has, Christian wants the same! That words escape him doesn't mean he doesn't understand or appreciate them. The dynamics make no sense without this aspect, and Burgess (and the productions that directly or indirectly follow him) constantly erases this core trait of Christian.

Another key moment of Christian Burgess butchers is the scene in Arras in which Christian discovers the truth. Burgess writes their discussion masterfully in form, it's both funny and poignant, but it falls short in concept: when Cyrano tells him the whole discussion about who does Roxane love and what will happen, what they'll do, is academic because they're both going to die, Christian states that dying is his role now. This destroys entirely the thing with Christian wanting Roxane to have the right to know, and the freedom to choose, or to refuse them both. As much as Cyrano proclaims his love for truth and not mincing words even in the face of authority, Cyrano is constantly drunk on lies and mirages, masks and metaphors. It's Christian who wants it all to end, the one who wants real things, the one who wants to risk his own happiness for the chance of his friend's, as well as for the woman he loves to stop living in a lie. That is a very interesting aspect of Christian, and another aspect in which he is written as both paralleling and contrasting Cyrano. It's interesting from a moral perspective and how that works with the characters, but it's also interesting from a conceptual point of view, both in text and metatextually: what they hold most dear, what they most want, what most fulfills them, what they most fear, their different approaches to life, but also metatextually another instance of that tears/blood motif and its ramifications constant through the whole text. Erasing that climatic decision and making him just simply suicidal erases those aspects of Christian and his place in the Christian/Cyrano/Roxane dynamic, all for plain superficial angst, that perhaps hits more in the moment, but holds less meaning.

Being more literal, and more solemn, Hooker's translation (or any of the others, but Hooker's seems to love the characters and understand them) doesn't make these conceptual mistakes. Now, would I not recommend reading Burgess' translation? I can't also say that. I had a lot of fun reading it, despite the occasional anger and indignation haha Would I recommend buying it? I recommend you give an eye to it first, if you're tempted and can initially only buy one.

You can read Burgess' translation entirely in archive.com. You can also find online the complete translations of Renauld, Hooker and Thomas and Guillemard. I also found a fifth one, iirc, but I can't recall it right now (I could give a look). You could read them before choosing, or read your favourite scenes and fragments in the different translations, and choose the one in which you like them better. That's often what I do.

Edit: I've checked to make sure and Roxane does appear in Arras in the translation. It's in the introduction in which it is stated that she doesn't appear in the production for which the translation was made. The conceptualisation of Roxane I criticise and that in my opinion is constant through the text does stay, though.

[noisytenant]

i think computer literacy is a critical set of skills and that being able to have and use a personal computer has a lot of obvious benefits. more than just being able to navigate a digital environment, computers structure information in an intuitive way--one learns abstract, hierarchical thinking through the process of learning to use the computer. additionally, basic troubleshooting can go a long way in teaching problem-solving strategies.

also, the shift toward mobile devices is one that heavily restricts user control, disempowering users from having the agency to change their digital environment and take calculated risks. especially with the increase in cloud-based file hosting, users are often unwittingly putting their lives in the hands of demonstrably untrustworthy companies. there are many reasons to challenge the dominance of mobile devices.

but i feel pretty annoyed when i see posts scandalized about how Young People These Days only know how to use their phones and can't navigate a desktop to save their lives. i think we adults who grew up around personal computers can be so caught up in how critical they are to our daily lives that we fail to respect the subjective experience of those growing up in a mobile world.

from an experience design and user research perspective, you need to understand the attitude and experience of the people you're complaining about if you want to offer coherent solutions. there are a lot of genuine issues with the current paradigm, but nostalgia can cloud the benefits and draws of the mobile shift.

if we treat pc use as an unqualified good, and mobile use as an unqualified bad, we'll ignore opportunities for cross-generational learning. we'll also feel discouraged by the sentiment that society continues its slow decline toward hyper-late-capitalist technocracy.

but even if a young person's only experience is with mobile devices, we can still teach them how to navigate file structures; we can still introduce troubleshooting and self-directed learning; we can still teach good typing habits (if they have a full-size keyboard). and if we genuinely want young people to have the same computer literacy we do, we need to listen to them about their concerns, frustrations, and questions about PCs. if we want them to use computers, we need to be ready to do a little convincing.

we also need to respect that some people will genuinely prefer mobile devices, because that's what they grew up using. even if mobile interfaces have very distinct priorities from computers, they aren't always worse. being able to identify the logic behind design decisions, even ones you ultimately dislike, is an important analytical skill that primes you to thrive in a changing world.

in short, i know it can be really jarring--and kind of scary!--when skills and ideas that are critical to our generation are being lost as new forces take their place. but if we genuinely think these skills are worth passing on to the next generation, we need to accept that we're in a different world now and that we need to adjust strategies accordingly. a little bit of patience and openmindedness can go a long way in connecting across tech barriers.

[icewindandboringhorror]

my personal Media Genres tier ranking and also Neopets Species tiers. put together in the same post just due to being adjacently related because they're on the same website lol

links to the specific tier makers: Media Genres --- Neopets

[kkujo]

last night i had a mix of tinnitus and sleep deprivation induced auditory hallucinations which was basically just like. literal microphone feedback. and i think it was triggered by me testing my microphone yesterday bc the feedback was awful but yeah i was lying awake and all i could hear was extremely loud microphone feedback in my brain i'm so glad it's over 😭

[martyrbat]

playing an ongoing game called ‘learn whats acceptable to say in someones tags or get blocked’. a lot of you are losing.