#and I want to get you something meaningful.
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audi0med1c · 3 days ago
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^^^all of this - it’s like enjoying watching a movie you’ve already seen with someone who hasn’t because you want to experience all their raw reactions/emotions all over again for yourself.
***I wanted to write a purposefully morally questionable / ambiguous story because I enjoy hearing different people’s perspectives on my toxic characters. Because everyone is or can be toxic in some sense. We all think our actions are justifiable from our own perspective but life is NOT so simple and people do not resolve conflict in easy linear ways….
I love hearing ppl defend Clarke. Love all the different opinions of who is “more” at fault at each different stage of this messy journey lol or hearing why they blame THIS character or how they fully understand why THAT side-arc is meaningful to character development…. Etc etc.
Creating something that can foster discourse on deeper themes and emotions and HEARING those interpretations and opinions is infinitely better than any actual compliment to myself or my writing.
My favorite engagement every chapter are when people are doing deep-dives into why my characters probably did what they did…. What underlying feelings were probably happening and what they hope to see them do….
and honestly comments/feedback like that DOES shape and influence the story and writing bc it helps me get a feel for how certain things are being perceived by the general reader so if I need it to shift or if its being received in ways I did not want it to be… that’s the only way I know how to try and steer it back where I need it to go for later in the story….
I think there's something that needs to be said about encouraging readers to leave feedback.
For me it's not about "tell me my writing is amazing and stroke my ego"
It's more about "please engage with me so that I can experience your joy secondhand and foster a connection with you"
I understand that not everyone wants this in their reading experience, some people are shy and a million other reasons why maybe someone wouldn't want to engage and that's perfectly fine!
But what I'm trying to steer away from is being a passive content creator with passive consumers. What I want to steer toward is fostering a community that is essential to fandom. I want to see your reactions because it makes me feel like I'm a part of something.
On encouraging reblogs —
I understand that not everyone is comfortable reblogging, especially explicit content. This is ok!
But just consider that the only reason you were able to enjoy a fic or fanart is because someone else shared it, and by not sharing it yourself you are potentially robbing someone else of the opportunity to enjoy it as much as you did.
As OPs our reach only goes so far and this website relies on reblogs in order for anything to truly get seen by a wider audience.
So that's really it! That's why I encourage these two things at the end of every story I post. Not because I'm trying to be demanding and "make people feel bad" if they don't do it.
I know most other social media sites encourage mindless content consumption and that's just the way of the world nowadays, but I am from a time when community was at the heart of fandom and I just don't want to lose that.
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muniimyg · 2 days ago
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𐙚₊˚⊹ bbydaddy!yoongi (9) ⋆𐙚₊˚⊹
series m.list // taglist
note: sorry this update took forever !!! enj <3
//
there are no words that can describe how incredibly awkward you feel when you wake up.
last night—after you and yoongi crossed that unspoken line and messed around—you two ended up tangled together.
it’s strange because in between soft touches and sleepy murmurs—you actually got to know him in ways you never expected.
you recall it all.
his quiet voice filling the spaces between the darkness and your hushed breathing so you could hear every tone, every word, and every breath of his crystal clear. 
yoongi told you stories and confessions that slipped out between shallow breaths. childish yet meaningful things he probably didn’t even realize he was saying.
you remember him murmuring about the way his mom used to hold his hand when he couldn’t fall asleep as a kid, or how he swore he’d never own a fish again because when he was 11 years old... he had 14 goldfishes and they all died one by one 2 weeks later.
he swears it wasn't his fault.
you tell him you believe him.
(you really do.)
he also talks about his quiet love for early mornings, how at peace he feels when he’s the only one awake in a still-sleeping world. in that half-dazed vulnerability, yoongi let you in. 
just enough for you to see a side of him you hadn’t expected, a part that was softer, quieter, more open.
then, you two talked about baby injeolmi.
how you two don't really care about the gender and just want a healthy baby. so much so that you both agreed to not know the gender and to just be surprised on the day of. oh, and how you do want a baby shower and think hye mi is already plotting that...
then, you two talked about the moving in thing again.
that's when you pretended to go to sleep and actually fell asleep. yoongi only laughed at you, fully knowing that you're just nervous. you're moving in one way or another.
he knows it.
you know it...
but aside from the way the talk ended; it went well.
no, the talk wasn’t everything…
but it was something. 
now, with the morning light filtering through the blinds, reality started to seep back in.
the familiar awkwardness of two people who shared more than they’d planned. you can feel his warmth beside you, his hand still loosely draped over your waist, and a twinge of nervousness fluttered in your stomach.
you glance at him, expecting him to be asleep. but then, his eyes blinked open, groggy but sharp enough to catch the slight flush in your cheeks. 
still half-asleep, his voice rough as he mumbles, “hi…”
for a second, neither of you move, as if lingering in that quiet, unguarded space between sleep and reality. suddenly aware of the intimacy, he clears his throat, his gaze softening but pulling back just a bit.
you offer him a shy smile, feeling the weight of everything unsaid between you.
“a-about last night…”
he chuckles softly, rubbing a hand over his face. “yeah… last night…”
then, he pauses to gather his words.
“wait, are you talking about me yapping or me sucking your tits?”
none. you’re talking about pretending to fall asleep regardless, your shy smile breaks as you burst into laughter. he joins your laughter and sighs. 
“i mean, are we gonna talk about any of it or is acknowledging it good enough for now? i don’t know if i’m awake enough for the conversation but i will be if you want to—”
“all good,” you assure him. “i don’t know where i was going with any of it. i guess i just wanted… to know if you—”
“i liked it,” he tells you, not digging any deeper. “you getting to know me, me sucking your tits—all of it.”
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as promised, yoongi takes you to the baby store. 
your eyes light up the minute you step foot in it. it’s then that yoongi remembers exactly who he’s having this baby with. 
you and your fucking babyfever. 
the baby store is a mix of pastel colors, tiny clothes, and gentle lullabies playing over the speakers. yoongi trails behind you as you wander through the aisles. one hand resting on the cart as he pushes it along, his eyes constantly flicking to you with a quiet, thoughtful focus.
though you two are pretty good at communicating—the whole physical affection part? that’s still a little wonky. for instance, every time you pause to examine something, yoongi is right there, his hand slipping gently around your waist to guide you to the next aisle or just to linger beside you. it’s so subtle that, at first, you think it’s an accident, a reflex. 
but then it keeps happening.
at first, it throws you off—his casual closeness.
the way he stays so near, like a shadow. you’re not used to this kind of attention from him.. this quiet and steady affection. but strangely enough, you find that you don’t mind it. in fact, there’s something comforting about the way he stays close, attentive to your every move.
when you stop to touch a soft little onesie covered in tiny clouds, yoongi doesn’t even hesitate. he reaches over, gently taking it from your hands and adding it to the cart without a word. 
you shoot him a questioning look, but he only shrugs, a small smile tugging at his lips as if to say, whatever you want.
“yoongi, you know you don’t have to buy everything i touch, right?” you remind him, glancing at the growing pile in the cart.
yoongi just chuckles, unbothered, and places his hand on your waist again as you reach the aisle full of toys. his touch is warm and grounding, making it hard to argue with him.
“you’re not carrying any of it home, so relax,” he says with a smile that’s both charming and final. “i like this shit too. they’re cute or whatever—”
then, your fingertips brush as you both reach for a soft, star-patterned onesie. he lets go first, letting you hold onto the onesie.
“this one’s cute,” you say softly, running your thumb along the fabric. then, you bite back a small smile when you realizes yoongi hasn’t moved his hand from your waist.
“yeah,” he murmurs, nodding. his voice is softer than usual, but before you can read into it, he takes the onesie and tosses it into the cart. then he grabs a few more items without asking you, each time ignoring your attempts to peek at the price tags.
“yoongi..."
"what?"
"are you serious?"
he looks at you blankly. "don't we need these things?"
you nod but give him a stern look. "yeah, but we can't buy out the whole store."
"why not?"
"first of all, that's insane... and second of all—a-are you just—"
you reach for a soft, stuffed rabbit, just curious to feel it, and—predictably—he plucks it right out of your hands, tossing it into the cart.
"you are."
"i'm what?"
"seriously?" you huff, barely holding back a grin. “you’re not even letting me decide if i want it. you're tossing it in just because i touched it.”
he remains unbothered by your protests. 
“what if i just think you have good taste?” he says, glancing at you with a hint of mischief. 
and with that, he gives you a gentle nudge, guiding you further down the aisle with that warm hand still resting at your side.
“are you saying that just to flatter yourself?”
“what do i have to do with this?”
“well, you’re my type and my babydaddy—”
“i’m your type?” yoongi tilts his head at you. "good to know..."
you blush, eyes wide from embarrassment. before you can make up some excuse to save face, he leans in and playfully pinches your waist.
“you're my type too, mama.”
you clear your throat and redirect the conversation.
"s-should we pick a crib?"
yoongi gestures his hand for you to lead the way.
as you begin to walk, you turn your head and send him a glare.
"... and be serious about this part, okay? this is the crib we're picking out. read the packaging and make your judgement. i'm gonna end up choosing the prettiest one that might not function as well as the ugly one... so, can i trust your taste on this?"
yoongi nods, pushing the cart with a steady, unhurried pace, his hand resting casually on the handle.
“you can trust me,” he says, his voice low and sincere.
... and so, you do.
you trust him.
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when you reach the checkout, you step forward to pay but—
yoongi slips right past you.
casually handing over his card to the cashier before you even get a chance. you cross your arms and narrow your eyes at him, watching as he signs the receipt, completely unbothered.
the total is easily above $3,000. 
he meets your gaze with a look that’s almost playful, his expression all wide-eyed innocence, as if he hadn’t just ignored your efforts.
"yoongi," you begin, voice firm. “we’re both injeolmi's parents, and it’s not fair for you to pay for everything. at least let me pay half—”
he doesn’t respond right away, just nods patiently, his attention focused on gathering the bags the cashier hands him. his face is calm, listening but clearly not swayed. he loads a big box containing the crib into the cart, then places the bags filled with tiny clothes, blankets, and toys right beside it, adjusting them carefully.
you press on, leaning slightly forward, hoping to get through to him.
“we’re both responsible here... i know i'm not a nurse practitioner like you, but it's not like i can’t contribute, you know—"
“i know.”
yoongi glances over his shoulder at you, his mouth quirking in the faintest smile as he stacks the last bag. he seems unbothered by your scolding, more amused than anything.
“this is my baby too and i feel uncomfortable letting you do this much—”
finally, he turns to you, reaching out to brush a stray lock of hair back from your cheek in a gesture so casual it nearly makes you forget your own irritation. 
“do what? provide?”
you're tongue tied.
“all done? feel better, mama?” he asks, his tone light, but his eyes sparkle with a hint of mischief. “if not, go ahead. say what you want. say what you need to say. i’m listening.”
you let out a small huff, crossing your arms more tightly, trying to stay serious.
“you’re not paying for everything, yoongi.”
he raises one eyebrow, his expression softening but still unwavering. 
“i am. i did.” he shrugs, nonchalantly. it feels like he’s teasing you even though he isn’t. “___, i’m all done with this topic now. are you?”
“no, actually, i—” you start, feeling your frustration build.
“great,” he interrupts, his smile spreading into a grin that makes your heart skip. 
he reaches down, taking your hand in his, his grip gentle yet firm, and begins to guide you toward the exit, leaving you no room to protest. 
his thumb rubs lightly over your knuckles as he holds your hand, a grounding gesture that calms you, even as he completely ignores your point. 
“let’s go home,” he says softly, his voice warm, as though it’s the simplest decision in the world.
home.
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following yoongi inside his condo, the familiar sight of his place tugging at something inside you. 
it’s been a while since you’ve been here. the memories of that night still linger like a quiet hum in the back of your mind, but you push them aside. 
focus on the present. 
focus on the baby.
he leads you through the hallways, and you try to ignore the way your pulse quickens as you walk past his bedroom. you know it’s silly—nothing’s changed here. but still, the weight of the space feels different, heavier now. maybe it’s because this time, you’re here for something else. 
this time, it’s about the baby.
and the fact that you’ll be moving in soon… fuck, your mind begins to spin.
then, yoongi stops in front of a door, his hand resting lightly on the handle. he opens it slowly, stepping aside to let you in. 
“this is the guest room,” he says, but you can tell he’s hesitating, like he’s waiting for your reaction. “soon to be baby injeolmi’s room…”
you step inside, your gaze instantly drawn to the empty space. it’s clean, quiet, the pale walls untouched by time or use. the sunlight pours in from the window, making the room feel warmer, but it’s still just a room. 
there’s nothing personal about it. 
nothing that belongs to anyone yet.
but you can already picture it—nursery furniture, soft colors, the quiet hum of a baby’s lullaby filling the air. you glance back at him, noting the careful expression on his face. he’s watching you, waiting for your approval. waiting for your thoughts, even if you’re not sure what to say. you wonder if he’s nervous too, if this feels as strange to him as it does to you.
for a moment, your mind drifts to that night—the night everything changed. 
the night you slept together. 
the night you felt something more than just friendship between you two. the way his touch felt, the way his lips lingered on yours, and how quickly it all faded into the awkward silence the next morning.
"i also made space for your things in my room. i'm not finished clearing out my all shit but i will be by next week. does that sound okay?"
"huh?" you blink. "n-next week?"
yoongi nods.
"i think i gave you enough time to think things over... and don't act like this is a surprise. i brought it up last night. you pretended to sleep."
your eyes widen.
"i—"
"move in with me next week," yoongi says. "... you can pretend to sleep mid conversation in my bed from now on."
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by an hour and half in, you and yoongi have filled the space with scattered remnants of baby gear—boxes, parts of cribs, and the disassembled pieces of a changing table. they all lay haphazardly across the floor. 
it’s oddly comforting.
the clutter somehow feels like a soft reminder of the chaos and excitement that’s about to come.
yoongi is kneeling on the floor, tools in hand, as he begins to assemble the crib, the sound of metal and wood clicking together filling the otherwise quiet room.
you lean against the doorway, arms crossed, watching him work with a careful, focused precision. his brow is furrowed, his jaw clenched as he concentrates on each piece. his sleeves are rolled up, revealing forearms that make it hard to focus on anything else. you swallow, not bothering to hide the way your eyes drift to the muscle in his arms as he works.
and then, almost instinctively, he looks up at you, his gaze meeting yours as if he can feel your eyes on him.
“baby injeolmi’s clothes need to be washed,” he says, his voice low but firm, his hands already reaching for another tool. “you want to do this 50/50? fine. but i don’t want you getting hurt.”
you push off the doorframe, rolling your eyes as you walk toward him, crossing your arms over your chest. 
you’re not used to him treating you like you’re made of glass, but you get where he’s coming from. still, it doesn’t sit well with you.
“i’m pregnant but i’m not fragile,” you argue. “i can help you with the crib—“
he doesn’t budge, his jaw tightening as he focuses on the task at hand. 
“humor me then,” he says, his tone patient, but there’s an underlying edge of stubbornness that makes it clear this isn’t up for debate.
you’re about to argue further, but the way he’s working—so effortlessly, so damn focused—has you momentarily silent. the way his arms flex as he screws the pieces together, the tension in his shoulders, the occasional glance up to check in on you—it all just feels so... domestic, and so right in this moment.
you step back a little, your breath catching as you take in the scene. yoongi, with his sleeves pushed up, lost in his work, looks so different from the guy you met—still him, but somehow more.
more... grounded. more steady.
your gaze lingers, unable to pull away.
your cheeks heat, a strange flutter in your chest as you realize you’ve been staring too long. When Yoongi catches your eye, his expression unreadable for a split second, you scramble to regain your composure.
“i’ll, uh…” you quickly clear your throat, suddenly feeling the weight of the moment. “i’ll get started on baby’s laundry. do you have clothes that need to be washed too? i can do a load—i mean… fuck—y-you know what? how about i make us some lunch first? yeah. i’ll do that.” you say, quickly backing away before your feelings get the best of you.
your steps are hurried as you leave the room, but you can still feel the heat in your face, the warmth of his gaze following you as you retreat.
yet, the image of him—focused, strong, and all yours—lingers, and you can’t help but smile to yourself as you step into the kitchen.
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in the kitchen, you decide to keep it simple yet comforting. 
something easy to share, nothing too fancy. you settle on making caprese chicken sandwiches with a side of fresh fruit and chips. 
you finish grilling the chicken and layer it on the toasted ciabatta. you add slices of fresh mozzarella, letting it melt slightly, then pile on thick tomato slices and fresh basil leaves. a drizzle of balsamic glaze finishes it off before you top it with the other half of the bread, pressing it together gently when yoongi walks in. 
without a word, he leans against the counter beside you, his presence as familiar as the scent of the meal. he doesn’t wait for you to finish; instead, he picks up a melon slice and takes a bite.
“can’t you wait two seconds?” you laugh, nudging him playfully with your elbow.
yoongi just grins, completely unbothered. he takes another bite.
“fruit always taste better when moms cut them,” he says, his voice teasing but laced with that quiet sincerity of his. “oh, should i say milf? or is that jungkook’s line?”
you roll your eyes but can’t help the smile tugging at your lips.
the way he stands there, so effortlessly himself, makes your chest tighten in a way you didn’t expect. he’s always been like this—comfortable, confident, and somehow, when he’s this close, it feels like everything else fades away.
as he pulls away, you notice a small smudge of melon juice on the corner of his lips. without thinking, you reach up to wipe it away, your thumb brushing softly against his skin. the movement feels natural, almost automatic, but something about the intimacy of it makes your heart flutter. you don’t hesitate, bringing your thumb to your mouth to clean it off.
“mhmm,” you moan. “tastes sweet.”
then, the moment freezes.
yoongi stares at you, eyes wide, as if he’s seeing you for the first time, like the simple action has somehow shifted everything. the air between you thickens, and suddenly, it feels like there’s more than just the space in the kitchen separating you.
you stand still, unsure of what to do next. 
your eyes lock, and in that second, something unspoken passes between you. it’s not just the closeness or the warmth of the kitchen—it’s a pull, an undeniable magnetism that makes your chest tighten and your breath catch.
yoongi’s gaze drops to your lips, and you can feel the tension, the quiet yearning between you both. his hand twitches slightly at his side, like he wants to reach for you, but he’s holding back, waiting for you to make the first move.
and just as you’re about to lean in, your belly gives a sudden flutter.
you gasp, your eyes widening in surprise, and instinctively, you reach for his hand, pressing it gently to your belly. 
“oh my god.”
“what?”
“yoongi… i think… here—”
you hold your breath, waiting, and then—
there it is again. 
a small, unmistakable kick.
yoongi’s eyes light up with awe, his fingers curling slightly around your hand as he feels it, a slow smile spreading across his face. he doesn’t say anything at first, just stands there, his eyes fixed on your stomach, filled with wonder and something deeper that you can’t quite place.
you squeeze his hand, feeling the weight of the moment settle around you both.
“did you feel that?” you whisper, a smile tugging at your lips. 
yoongi looks up at you, his eyes softer now, holding something deeper than the simple wonder of the moment. 
the air around you two has shifted into something more intimate. then, his gaze flickers to your face, his heart fluttering in his chest as he steps a little closer, his thumb gently brushing over your hand.
… and as he looks into your eyes, his pulse quickens. 
it’s not just the baby’s kick he feels—it’s this quiet, undeniable pull between you two. his chest tightens with the weight of it, and for a moment; this is everything to him. 
everything.
he gulps as he soaks in your presence and sinks into the idea feeling of love beginning. then, slowly and then all at once; he accepts it. 
“yeah,” yoongi says, tone warm and ever so sure. “i feel it.”
as you look up to meet his eyes, yoongi’s lips tug into a smile. dipping his head low, he kisses you.
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rookinthecrownest · 17 hours ago
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Some Updated Thoughts on Lucanis' Romance (Both Positive & Constructive)
I want to make this as balanced and as reasonable a take as I can. I'll put everything under the cut and tag as critical so you don't have to engage with it/see it if you don't want to.
As usual, these are just my opinions. If you really enjoyed Lucanis' romance, none of what I'm about to say is meant to dissuade you from that. I'm happy for you!! I'm so glad you enjoyed it. There were parts of it that I absolutely loved too, and I hope I'll do that justice with this post so it doesn't come across as hate. Because I don't hate his romance, I just think there was some places where it could have been fleshed out a bit more.
If you want to engage in discussion with the more critical aspects of this post, my only request is you do so respectfully.
Positives
I'd like to start on a good note by detailing the aspects of his romance that I really liked. There are a few places where I think they did a great job with his romance.
Party Banter & Codex Entries
Although meant to be supplemental material to the story, I think they do a really good job at helping the slow-burn aspect of his romance they were going for. There's one codex entry that goes something along the lines of 'It is not an hour lost, but an hour found' and that is one of my favourite codex entries....ever. It's such a short entry but so meaningful and shows you a lot about his character. You get this profound sense of just how much Rook means to him with this one line.
His party banter once you're in a relationship is also very sweet. I didn't get a lot of it, but what I did get was lovely. Especially when he admits to Neve that Rook is good for him and makes him smile. There's another line about how he doesn't know what Rook sees in him, but he's happy they're with him which is super sweet. Telling Emmrich how Rook is his first relationship? Adorable.
Everything about the party banter and codex entries did a good job of giving us more insight into how his character is dealing with things, when it's not explicitly shown to us in cutscenes (We'll come back to this later). It helps form a more complete picture of the way they wanted to handle this romance in general.
Relationship Cutscenes
There's a few scenes throughout the romance that I enjoyed a lot.
The scene with Illario at Cafe Pietra and the talk of first kisses and kisses goodbye was very cute and well done. It really did feel like a coffee date haha.
The almost-kiss scene was also amazing. The confident stride towards Rook, the wall-lean, his facial expression when he pulls away. You can feel how much he wants it, but something in the back of his mind (whether it's him, or Spite) pulls him away at the last second? I loved that. I'm actually super glad they didn't kiss here. The pull away made for great tension (I'm going to come back to why this is important later).
His line about Rook breaking apart his 'perfectly gathered clouds of doom' was beautiful, and one of my favourite lines in the game.
Although there could have been more to it, his romance lock-in scene with him baking dessert for Rook is also sweet and shows his romantic side and thoughtfulness.
The ending scene of the romance, after Rook comes out of the Fade Prison, is some of my favourite romance scenes in any Bioware game. Any game, period. It was so incredibly well done. From the writing, to the dialogue, to the facial expressions - absolutely everything was perfect. The wings coming out, the fade to black, the banter about falling asleep and playing cards with Spite? Lovely. All absolutely lovely. 10/10, no notes.
His dialogue about killing any god to keep Rook safe is very sweet/romantic. How he wants Rook to tell them this all ends with him asleep in their arms. How Rook's voice is a comfort. This was SO beautiful.
All in all, in some places, I feel that they did achieve the slow burn they wanted with his romance. Even excelled at it, really.
Constructive Criticism
I'm just going to re-iterate that while this section may be longer than the positives, it comes from a place of love rather than just wanting to hate for the sake of hating. I've been a fan of this character ever since I picked up Tevinter Nights, and was looking forward to his romance the most.
The Neve Situation
I'm going to get this one out of the way first because it's probably one of the more.... contentious points in this discussion.
Besties, I need you all to hold my hand so tightly as I say this, but absolutely none of my frustration with the Neve/Lucanis thing is to be construed as hate towards Neve. In fact, I love Neve. I've been a fan of her since she appeared in the comics. I loved her in Tevinter Nights. I love her in the game, I can't wait to romance her. I don't have a problem with these two characters getting together if Rook is not romancing either of them. That being said, there are a few things about his interactions with Neve if romanced by Rook that I can see why they would rub people the wrong way (and why they rub me the wrong way a little bit too).
-Neve and Lucanis can still flirt after Lucanis is locked into a romance with Rook. This is a pretty big oversight from the devs. Its no secret that characters will romance each other if not in a romance with the player character. It happened in DA2 with Fenris/Isabela, in DAI with Josephine/Blackwall, Sera/Dagna, and Bull/Dorian. In ME, I believe it happens with Garrus and Tali as well. So, I don't think the simple fact that they can get together is really what's bothering people.
Importantly, unlike previous games, once the player character is locked into a romance with the other party, the LI doesn't flirt with other companions. I think if the devs had locked the flirting once Lucanis is locked in with romance, much of this conversation wouldn't even be happening.
DATV is a role-playing game. Nothing would take someone out of a role-playing game faster than their love-interest being flirty with another companion - and understandably so. It just feels...icky? Like your player character is getting in the way of a ship the writers wanted. I don't think it's unreasonable for someone to not want to feel like a third wheel in their own romance.
-In Lucanis' mind-prison quest, even if he's romanced by Rook, Neve will still appear. The way Spite describes her seems to imply he still has some sort of romantic feelings for her. Which.... yikes (but this may also just be the way I read his line). If he's not romanced by Rook, Neve being here would make sense. There's not even a mention about Rook in a note or anything. Spite has one line about Rook opening doors and not closing them but that's about it. There's no special romance reactivity in this scene, even though it happens pretty late in the game and after the romance-lock in. Afterwards, he says he trusts you with his thoughts, which is sweet. But this should have been in the cutscene - not skippable banter at the LightHouse.
Set Up & Pay-off
This is a fundamental aspect of storytelling I'm sure you're all familiar with. The classic Chekov's gun. Don't set up something you don't plan to pay off.
Let's go back to the almost-kiss. They set up some fantastic romantic tension here. If you go see Lucanis again after this scene, I think he has a line along the lines of "I'm sorry Rook... I can't ..." But that's all we get. And the almost-kiss isn't really addressed again. Actually I wouldn't even call this being addressed in the first place, because if you wait too long to see him after that cutscene it may not trigger in the first place. This is probably the most egregious example of wasted set up with no pay off. There's no discussion about it. There's no cutscene of Lucanis talking to another companion, or even having some kind of internal monologue about it.
Another example of set up & pay-off is after confronting Illario. Lucanis says he has a plan to celebrate instead of sticking around at the party.
Cut to him drinking coffee by himself back at the Lighthouse.
Rook & Lucanis could have sneaked off to Cafe Pietra, or gone walking in the Treviso market. Or hell, taken the Gondola ride that was in the concept art. Or kissed in the rain under an awning. (I'm never getting over that concept art they showed us...)
The conversation about sparing Illario, how he doesn't want to lose what he has left, including Rook, is fine. But I feel this was another wasted opportunity.
The romance lock-in scene is another example of a missed opportunity/failed set-up. It doesn't even feel like a romance lock-in to a lot of people. If so many players think their game is bugged because that's how you lock in the romance, I think there's a problem. You go from almost kissing to a full on relationship. There is so much that can happen in between that (none of which has to be physical intimacy btw) which could have helped make the lock in scene make more sense. It's the same scene as the one with Neve - but almost...done worse?
Having coffee with Spite & Lucanis. This one is more a writing issue. At the end of the scene he stands awkwardly next to Rook and says, "Whatever this is, I'll take it" and I couldn't help but feel... the writers really just didn't know what they wanted to accomplish with this scene. 'Whatever this is' could have been 'I don't know what this is yet or what to call it, but whatever it is, I want to see it through with you' or something along those lines. Astarion actually says something similar in one of his romance scenes, but he holds your hand, looks at Tav earnestly, and says "Honestly, I don't know what we're doing. But this...this is nice..". He doesn't put a name to the relationship either, but it's the way he says it and how it's conveyed that make it a more effective scene.
He's been imprisoned for a year. He was made into an abomination. He doesn't sleep. He's dealing with PTSD probably. He's a romantic at heart but needs to learn to trust again. It makes sense that he's not overly flirty with Rook, and the romance isn't very physical. This is all FINE.
BUT.
While I listed the codex entries & party banter as a positive (because I do like it), I feel that they leaned too heavily on that for the romance.
Let's contrast Lucanis' romance to Cullen's romance in DAI. After all, Cullen has also gone through some pretty traumatic shit and is literally struggling with Lyrium addiction when you meet him in Inquisition. I want you to remove all of Cullen's side-banter about the inquisitor, all party banter about their relationship, and all the codex entries. When you watch the cutscenes of his romance in order, you are still left with a solid romance. If you're a mage, you even get some heartbreaking mage-specific dialogue about whether or not he'd cut you down if you ever become an abomination.... And I'm getting off topic here, sorry.
My point is, these things are meant to be extra. They are not supposed to be the way you piece together bits of your own relationship and a substitute for companion interaction. And here is where I think DATV's choice not to let you randomly talk to your companions really hurts it as a game.
Romance Reactivity
There's a few points in the game where romance-specific dialogue would have really helped solidify things.
No, I don't mean flirting. I mean dialogue that reads like he's struggling with building the relationship - not bulldozing right past it. It makes the romance-specific dialogue wheel options feel rather useless.
One example is during one of his personal quests, Rook says
"I'm still here aren't I"
No facial reaction, "We need to talk about Illario"
You can see how this is a bit ... jarring, right? Like you may as well have not even picked the romance-specific dialogue? There's a few instances of this, but that one is just the one I can recall off the top of my head. When I pick the romance-specific dialogue wheel in Bioware games, there's always something about the response from the other character that indicates something more might be going on - it could be something as simple as a nervous smile, or an extra line of dialogue, or hell, maybe they flirt back (although with Lucanis I understand why he wouldn't).
If you're not going to show romance reactivity with Rook, give us a scene with Lucanis where we understand why. Show him fumbling to do something nice for them. Show him pacing and wondering if Rook is really into him. Show him struggling against Spite, if he's worried Spite will hurt Rook. Don't just tell us through codex entries. Show us.
Miscellaneous Sentiments & Final Thoughts
On the whole, I genuinely feel like Lucanis has the least content out of all the companions. Maybe it's because they laid off Courtney Woods & Mary Kirby, maybe there's another reason. I don't know. But so often I found myself going back to the Lighthouse wanting to talk to Lucanis but there's no little indicator thingy for him. But every time I go back Davrin, Harding, Bellara, etc. all have something to say.
We should have had an opportunity to delve a little bit more into his relationship with his family, unpacked the stuff with Caterina & Illario a bit more, and unpacked him being made First Talon. Which, if you read Tevinter Nights, you know he actually doesn't want the job. If they weren't going to include it as a cutscene, then extra dialogue (a-la-Inquisition) would have been a good place to fit that in.
On the whole, I still like aspects of his romance. I'm looking forward to romancing him again. I just feel that the romance could have benefitted from even 1 or 2 extra small scenes. If I can go on 1000 walks in the forest with Davrin and Assan, I should be able to have a real conversation with Lucanis about the relationship, his hangups about it, and try and work through it.
Keep the almost-kiss in there. An extra kiss before the finale would have been fine, but not necessary. What was necessary, imo, is a whooole lot of buildup throughout the course of Act 2 so it doesn't feel like you're getting whiplash in Act 3 when you do kiss and have the implied sex scene.
I think the concept art that was recently released feels like a gut punch to us Lucanis fans. Because it shows that Bioware had the skeleton of a great romance, and chose to axe nearly all of it.
It really feels like they didn't quite know what to do with his character and romance and just said 'put it all in the codex and banter and let them figure it out for themselves'.
Quick Notes
The argument that we should 'run to AO3' to fix our issues with the narrative, to me, is unproductive. Fanfiction should supplement the source material, not act as a replacement for good storytelling.
I don't think telling people to headcanon a majority of a romance they were looking forward to is helpful either. Headcanon is not supposed to replace storytelling either.
Boiling down the criticisms of Lucanis' romance to 'you just want more steam/sex/etc' is also unhelpful. Maybe it's just who I follow, but I have barely seen anyone (on here or reddit) state that this is their main problem with the romance.
Okay, that's it!
Bye!
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urdreamydoodles · 2 days ago
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MCU Characters x Reader (Part.1)
How they react when you are angry with them (Part.1)
Characters: Tony Stark, Steve Rogers, Natasha Romanoff, Bruce Banner, Clint Barton, Bucky Barnes, Sam Wilson, Peter Parker (Tom H.), Stephen Strange & Thor Odinson
I'm back in my MCU era, thanks to Agatha All Along, so expect a lot of MCU headcanons, feel free to request those!
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Tony Stark
- When you’re angry with Tony, he’s a little stunned. He’s used to being able to charm his way through things or brush issues off with a joke, but the moment he realizes you’re genuinely upset, he feels the ground shift a little. Tony’s mind races, calculating what he did wrong, and for a second, he considers ignoring the problem—but not with you. You mean too much to him, and he can’t stand the idea of pushing you further away.
- He doesn’t immediately know how to apologize, so he leans into his classic defense mechanism: humor. He’ll try to make you laugh, throwing out quips, hoping you’ll crack a smile. When that doesn’t work, he gets a little awkward, mumbling things like, “This is why I avoid real feelings, you know?” as he fumbles through an apology. He’s not used to admitting fault, but with you, he’s learning to swallow his pride.
- Tony goes all out when he realizes he needs to make it up to you. He’ll throw himself into making amends, maybe even a little too extravagantly. Expect some grand, over-the-top gesture—a private jet to Paris, a limited-edition piece of tech he’s been tinkering on, or a fancy dinner in some exclusive place with an outfit he’s bought just for the occasion. He’s not subtle, and he knows it, but he’ll do anything if it means a smile from you.
- When the big gestures don’t work, he takes a different approach. He shows up at your door, looking strangely vulnerable, with something small and meaningful. Maybe it’s a handwritten letter he’s scribbled out, confessing how much he hates it when things aren’t okay between you two. It’s raw, real, and completely unlike Tony, but he means every word. This time, he wants to show that he’s willing to put the ego aside for you.
- Once you finally let him back in, Tony wraps you in his arms and doesn’t let go. He’ll joke that he’s not letting you get mad at him again, and maybe throw in a flirty quip about “testing his limits,” but there’s something deeper there too. Being loved by you has changed him, and he’s willing to work on himself for the first time in a long time. With you, Tony’s found a softness he didn’t know he had, and he’s not going to risk losing it.
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Steve Rogers
- Steve Rogers doesn’t like conflict, especially not with you. When he realizes you’re angry, he immediately wants to address it and resolve it, hoping it won’t escalate. He tries to have a calm, level-headed conversation, but he can see that maybe it’s too soon. Steve’s patient, though; he’ll give you space if you need it, even if it pains him to let go for a while.
- While you’re cooling off, Steve takes time to reflect, replaying the situation in his mind, wondering where he went wrong. He’s his own worst critic and can be hard on himself, especially when it comes to you. He’ll try to see things from your perspective, understanding that sometimes his old-fashioned sense of right and wrong can be rigid. He’s willing to bend if it’s what’s needed to bridge the gap between you.
- When he approaches you again, he’s soft-spoken and earnest, offering a sincere apology. There are no excuses, no justifications—just him, owning up to whatever hurt you. His gaze doesn’t leave yours; he wants you to know he truly means it. And as he speaks, he promises he’ll do better, vowing to always listen to you and consider your feelings.
- To make it up to you, Steve chooses something simple but thoughtful, probably something he knows you love. It could be as quiet as a walk through your favorite park or as gentle as a handwritten note tucked into a book you’re reading. Steve understands that sometimes, it’s the little things that mean the most. He’ll give you the space to talk, letting you vent if you need to, always steady, always attentive.
- Once the air clears, Steve is more affectionate than usual, holding your hand, pressing soft kisses to your forehead, grateful to be back in your good graces. He values trust deeply and doesn’t take your forgiveness for granted. Steve knows relationships take work, and he’s fully committed to making it work with you, one respectful conversation at a time.
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Natasha Romanoff
- Natasha doesn’t like it when things are off between you two, but she’s used to people being mad at her. Initially, she tries to shrug it off, acting like she doesn’t care, maybe even trying to ignore it. But you’re different. You’re not just anyone; you’re someone she actually trusts, and seeing you upset with her hits her hard.
- Natasha is far more comfortable dealing with enemies than emotional confrontations, so when she finally comes to you, she does it in a roundabout way. She might casually ask, “Are we good?” as if it’s not a big deal, but the nervous tension in her voice betrays her. She’s not great at apologies, so her attempt is awkward but sincere. It’s clear she’s trying, even if she doesn’t always have the words.
- To make it up to you, Natasha doesn’t go for big gestures but rather something deeply personal. She’ll take you to a place she loves—a quiet spot on a rooftop, a hidden café she discovered, somewhere she can let her guard down. She’s careful, almost shy, as she opens up a little about herself, sharing stories she rarely tells. In her own way, she’s letting you know how much she values you.
- Natasha doesn’t usually do comfort, but she’ll go out of her way to make you feel loved and safe. Maybe she’ll surprise you with breakfast or bring you something she knows you’ve been wanting. She pays attention, after all, even if she doesn’t always show it. Little by little, she’ll find ways to let you know that she’s there, committed to making things right.
- When you finally forgive her, Natasha breathes a sigh of relief, leaning in for a hug that lasts a beat longer than usual. She’s not big on words, but she’ll whisper something soft and sincere, just for you. Natasha’s fiercely protective, and after a falling-out, she’s even more attuned to making sure you feel cared for. She’ll stay close, a steady presence at your side, her quiet way of showing just how much she values you.
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Bruce Banner
- When you’re angry with Bruce, he’s instantly anxious, worried he’s done something terribly wrong. Conflict isn’t his strong suit, and he’s painfully aware of his capacity for anger. He’s cautious, almost timid, when he realizes you’re upset, giving you space and time. He doesn’t want to make things worse or risk saying the wrong thing.
- Bruce spends time overthinking the situation, dissecting every detail. He questions himself, often getting caught in a loop of self-blame, wondering if he’s ever really been suited for a relationship. But even though he’s scared of confrontation, he values you too much to leave things unresolved. He wants to show you that he’s willing to work through whatever the issue is.
- When he finally comes to you, Bruce’s apology is soft, heartfelt, and a little self-deprecating. He’ll stumble through his words, not wanting to sound defensive, and there’s an earnestness in his gaze as he tries to convey just how much he wants to make things right. He’s not perfect, but he’s open to listening and doing better.
- To make it up to you, Bruce goes for something intimate and personal. He knows you appreciate small gestures, so he’ll show up with something that reflects his feelings for you—maybe a small book he thinks you’d love, or a little experiment from the lab that made him think of you. He’s shy about it, maybe a little embarrassed, but it’s his way of showing he cares.
- When you finally forgive him, Bruce visibly relaxes, wrapping you in a hug as if he never wants to let go. He’s careful, soft, and almost tentative, savoring the warmth of your embrace. Bruce cherishes the trust you give him and is deeply grateful to have someone willing to weather his insecurities. He might even joke, “You’re way too patient with me,” but the gratitude in his voice is genuine.
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Clint Barton
- When Clint realizes you’re angry with him, his first reaction is a mix of regret and a slight laugh. He can’t believe he’s managed to mess things up this badly with you, of all people. He knows he tends to joke around a bit too much, so he tries to laugh it off at first, but when he sees how serious you are, his grin fades. He’ll look a bit awkward, rubbing the back of his neck, knowing he’s got some work to do.
- Clint’s never been one to give big, elaborate apologies. Instead, he’ll pull you aside, speaking quietly and genuinely. He’ll admit that he messed up, explaining that sometimes he forgets to take things seriously or considers others’ feelings the way he should. It’s a simple, heartfelt apology, showing his honest side that not many people get to see.
- Once he’s apologized, Clint is all about making you laugh. He’ll start cracking jokes, doing his best impressions, and even pull some ridiculous faces just to get a reaction out of you. Clint knows humor is his best weapon, and he’s shameless about using it if it means making things right. He’s determined not to let you stay mad at him for long, no matter what it takes.
- When his jokes don’t quite cut it, Clint switches gears and puts effort into something he knows will mean a lot to you. He’s a guy who pays attention to the little things, so he’ll show up with your favorite takeout, a warm blanket, or maybe even a funny book he picked up just for you. He knows that it’s the small gestures that can speak volumes.
- After things settle down, Clint wraps you in a warm, comfortable hug, one arm wrapped around your shoulder, making you feel like everything’s back to normal. He’ll joke about how lucky he is that you put up with him, throwing in a wink, but there’s a hint of seriousness behind his words. Clint doesn’t take his relationships for granted, and he’s grateful you’re in his life, even when he messes up.
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Bucky Barnes
- Bucky’s heart sinks when he sees that you’re angry. He’s used to pushing people away, and now that he’s got you, he’s terrified of losing you over a misunderstanding. Bucky’s first instinct is to retreat, his mind already whispering that maybe he doesn’t deserve this, doesn’t deserve you. He’ll avoid confrontation if he can, hoping things might smooth over on their own.
- But when he realizes he needs to talk to you, he’s hesitant, nervous, almost as if he’s bracing himself for rejection. Bucky approaches you carefully, speaking in a low, almost shy voice. He struggles with apologies, but he looks you in the eyes, opening up about how hard he finds it to express his feelings. He’s used to running, and being with you is the first time he’s tried not to.
- Bucky tries to make it up to you in the most low-key, thoughtful way possible. He’s not one for grand gestures, but he’ll do something meaningful and heartfelt, like leaving you a note explaining how much you mean to him or bringing you something that he knows you love. He’s nervous about whether it’ll be enough, hoping you can see the sincerity in his actions.
- When he feels things softening between you, Bucky relaxes just a little, offering his support in any way you need. He’ll stay close, maybe cooking a meal for you or sitting quietly with you, sharing a comfortable silence. He wants you to know that he’s there, without needing to say much, because he’s always believed that actions speak louder than words.
- When you finally forgive him, Bucky is beyond relieved. He’s more open with his affection, drawing you into a tight embrace, his touch lingering as if he’s afraid to let go. He knows he doesn’t have many people he can count on, but he’s grateful that he can count on you. Bucky’s still working on believing he deserves happiness, but having you in his life makes him want to try.
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Sam Wilson
- Sam immediately notices when you’re angry, and his first instinct is to find out what’s going on. He’s straightforward and doesn’t like tension hanging in the air, so he’ll ask, “Alright, what did I do?” in his calm, genuine way, hoping you’ll be willing to talk it out. He’s good at reading people, but he wants to hear it from you directly.
- Sam listens intently when you explain what’s bothering you, nodding and giving you his full attention. He’s respectful and thoughtful, making sure you know he understands where you’re coming from. He’s not the type to dodge blame; if he’s at fault, he’ll own up to it right away. There’s no defensiveness, no excuses—just an honest desire to make things right.
- To make it up to you, Sam takes you on a simple, meaningful outing—something where the two of you can connect and have fun. He’s all about shared experiences, so maybe it’s a long walk, a favorite food spot, or even a small adventure he’s planned just for you. He’s careful, attentive, making sure the focus is on you and helping you feel valued.
- When things calm down, Sam offers a mix of humor and reassurance, wrapping his arm around your shoulder and promising to do better. He’ll look you in the eyes and say something like, “I don’t like seeing you mad. Tell me if I mess up again.” He’s genuine and open, showing you he wants to grow from this experience and be a better partner.
- Once everything’s back to normal, Sam goes the extra mile, making sure you’re laughing and relaxed. He’s always there to lift you up, pulling you in for a warm, affectionate hug and giving you his full, unwavering attention. Sam’s presence is solid, reassuring, and he’ll make sure you know just how much he values having you in his life.
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Peter Parker (Tom H.)
- Peter’s heart sinks when he realizes you’re angry with him. He’s young, a little clumsy with emotions, and absolutely hates the idea of upsetting you. His mind starts racing, thinking of everything he could have done wrong. He gets a little panicked, maybe even rambling apologies before he knows what’s going on, hoping you’ll give him a chance to explain.
- When you tell him what’s bothering you, Peter listens carefully, nodding along with wide, earnest eyes. He’s genuinely sorry, his voice soft as he stumbles through an apology. He’s never been great at handling relationship tension, but he’ll try his best to make sure you know how much he cares and how sorry he is for letting you down.
- To make it up to you, Peter goes for something heartfelt, maybe even a bit awkward, but completely sincere. He’ll show up at your window with a little homemade gift, something quirky and thoughtful—perhaps a playlist he made just for you or a funny little gadget he put together in the lab. He’s earnest, a little shy about it, hoping you’ll see how much effort he’s putting in.
- Peter spends extra time trying to lift your spirits, using every ounce of his playful personality to make you laugh. He’ll crack jokes, do silly impressions, or even attempt a bad dance routine just to get you smiling again. He knows he’s a bit of a dork, but he doesn’t mind if it means cheering you up. Peter’s all about making you feel comfortable and loved.
- When you finally forgive him, Peter’s face lights up with relief. He’ll pull you into a warm, enthusiastic hug, holding you close and babbling about how he’s “the luckiest person in the world” to have someone like you. He’s young, optimistic, and just incredibly happy that you’re not mad anymore. To Peter, you’re his world, and he’ll always do whatever it takes to make you feel special.
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Stephen Strange
- When Stephen realizes you’re angry with him, he’s a bit taken aback. He’s used to being right and doesn’t often see things from others’ perspectives, so it takes him a moment to understand the weight of the situation. His initial reaction might even be a little defensive, but he quickly catches himself, knowing that with you, he has to try harder to listen and understand.
- Stephen struggles with apologies, often trying to explain away his actions or getting caught up in technicalities. He’s intelligent and analytical, but that doesn’t always work when emotions are involved. Eventually, though, he manages to offer a genuine apology, admitting that he’s not always the easiest person to be with and that he respects you enough to take responsibility.
- To make things right, Stephen will probably use a bit of magic to create something special just for you. It might be a small charm to keep you safe, a little illusion to make you smile, or even a glimpse into some place you’ve always wanted to see. It’s his way of saying he cares, using the one skill he knows best to bring you a little joy.
- As he tries to smooth things over, Stephen is careful, more attentive than usual, and visibly trying to understand your emotions. He may not be great at expressing his own feelings, but he’s willing to try if it means keeping you close. He’ll listen to you, nodding thoughtfully, and maybe even opening up a bit about his past mistakes and how much he values you.
- Once you forgive him, Stephen is visibly relieved, though he keeps it subtle. He gives you a small smile and pulls you close, brushing a gentle kiss to your forehead as he wraps his arms around you. He might even joke, “Guess I need to work on my bedside manner,” but there’s genuine affection behind his words. Stephen knows he’s lucky to have you, and he’s determined to keep learning how to love you better.
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Thor Odinson
- Thor is visibly surprised when he realizes you’re angry with him. He’s naturally cheerful and doesn’t take most things too seriously, so the idea that he’s done something to upset you takes him off guard. At first, he tries to brush it off with a booming laugh, but when he sees the seriousness in your eyes, his smile fades. He immediately wants to fix things, willing to do whatever it takes to get you to smile again.
- Thor is quick to apologize, his voice earnest as he promises he didn’t mean to hurt you. He’s not one to overthink things, but he’s deeply sincere, and his apologies come straight from the heart. He’ll look you in the eyes and tell you he values you and never meant to cause any harm, his words laced with the kind of honesty that only Thor can deliver.
- To make it up to you, Thor goes all out. He’ll sweep you off on a grand adventure, maybe a spontaneous trip to Asgard (or at least what remains of it), or he’ll bring you somewhere beautiful and awe-inspiring. Thor loves to celebrate life and wants to remind you of all the incredible experiences the two of you can share. His enthusiasm is infectious, and he hopes that a bit of excitement will make things right.
- As you spend time together, Thor is extra affectionate, showering you with praise and hugs. He’s genuinely sorry and makes sure you feel loved and appreciated, maybe even telling you tales of his own mistakes and what he’s learned from them. He might tease himself a bit, but it’s all to make you laugh and remind you of his dedication to you.
- When you finally forgive him, Thor’s smile lights up the room. He laughs, pulling you into a bear hug, lifting you off your feet, and spinning you around. There’s nothing subtle about his relief and joy, and he’s not afraid to show it. Thor values you immensely and will do everything he can to make sure you know how much you mean to him, promising that he’ll try to be a little more mindful in the future.
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danthepest · 3 days ago
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"i am outraged. im outraged at people who put their mental health above other people's survival. im outraged at the whole world for what's happened. i will not stop being outraged."
I'm sorry, I have to ask.
What does your constant outrage solve?
What does invading people's hobbies and spaces and bitching at them about the suffering of the world do to stop said suffering?
What exactly has your outrage and ranting accomplished besides letting you feel like you're doing something meaningful and sit on your high horse when there are people out there genuinely doing things, risking their lives and pouring their blood, sweat and tears into helping people and making the world a better place?
You're so worried about genocides? Go do something about it.
No, not making ranting posts about it on tumblr or twitter or whatever. Go get into politics or the army or what have you, go to ground zero and do something.
"Oh no the poor autistics in Gaza!" What about they gays? The women? What happens when the war between Hamas and Israel ends? You think the gay, autistic and female population will be safe and liberated? You think they give a toss about them or you? Go gather your "activist" friends and protest in Israel or Gaza or Iraq. Then maybe we'll listen.
Want to save people who are suffering? Become a firefighter or doctor. Actually go to places where people are suffering and extend a hand. See how far you'll actually go and put your money where your self-righteous mouth is.
We ALL suffer and we ALL need to survive. Engaging in harmless hobbies and fandoms can prevent people from committing self harm or suicide. Do those people not matter to you? Does their personal and mental suffering not meet your quota of "enough" for you to care about their needs?
Don't bitch and moan at people because they're sick of insufferable twats like you who talk a good game about compassion and helping their fellow man but do fuck all when the chips are down.
I am actually begging some people to just let some spaces exist untouched by real-world issues and horrors.
Like I've lost count of the amount of times peaceful game or fandom servers have been ruined by people stampeding in with political rants, bitching about world issues, demanding internal activism, demanding vent channels so they can whine about their shitty parents, ect.
Like. Respectfully. Not every single space has to be inclusive of and welcoming of outside topics. The real world sucks. We don't needed to be reminded of that absolutely everywhere.
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bitchslapblastoids · 2 days ago
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Prompted by your post about dnp inviting audience interaction: it /is/ really brave, and so interesting! I haven't been watching them for long at all and one of the biggest things that just drew me in and deeply fascinated me about them is how so much of their work (not just on stage) is in some way a conversation/interaction with their audience and the more you watch the more you notice it. No wonder its easy to be parasocial about them and about the Phandom itself!
To me, at least, they seem to be the sort of performers/creators that need a relatively high level of audience interaction in order to be inspired or for their work to feel meaningful. Like, im absolutely sure they could also create things without this close relationship with their audience but it seems to be what their naturally drawn towards? Obviously the problem has been in maintaining boundaries within that but it seems like that's going better now than at some points in the past, which makes me really happy for everyone!
Sorry about the long yap, this is so interesting to me and I just needed to express it a little
yes!!! i love this!!! so beautifully worded! no need to apologize at all - i am in such hearty agreement and actually think about this so often. i think the engagement with their audience is their superpower, and it runs so deep. what was one of dan's favorite things about phil before he met him? phil's interactive adventure videos, in which he was creating an interactive experience for his viewers.
when they film pinof1 together, what are they doing? they're answering an audience-submitted q&a. the audience interaction is literally baked into their foundation! <3
2010, dan's uni dorm. what's displayed behind him on his wall? art and letters sent to him by viewers. he films danmail vids where he opens and reacts to said art and letters and personally thanks the senders.
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for years and years and years, what's at the end of every phil video? fanart! draw phil naked! (in retrospect literally so weird lol but shhh)
the ongoing avalanche of vyous and younows and tumblr reblogs/follows and responding to yt comments and retweets and and and. so much interaction. the videos directly engaging with twitter and tumblr creations. they see us, they know us, they get us.
their first book? included a double-page spread with dozens of pieces of phanart.
every single one of their tours has multiple essential audience interaction components, and even more brilliantly, with multiple different access points that are perfectly calibrated to their audience. too shy to speak up? send in a submission ahead of time. want to be a part of the masses? shout something out during the audience participation segments! and there's always the likelihood that they'll include fanart in the show itself, casually mention an actual actively popular fic, throw in an ancient phwedding manip, or just build whole segments of the show around our tropes and the world that we created with them. all of that keeps things exciting and engaging on stage, bc you never know exactly what's going to come next. but it also keeps their audience feeling seen, valued, and like co-creators in a way.
When you look at the other britcrew and big yters from the 2010s, they simply weren't generating that ongoing, authentic conversation with their audiences. their approach followed the simple format of: i post, you watch. and then it became: i post, you watch, then i try and sell you something while i call you my 'community' because you are all watching me and sometimes you talk to one another in the comments. but it's not like zalfie or joe and casper etc. were chiming in on the convos too, or at least not in any meaningful way. it wasn't a community in the same way.
dan and phil truly built community. i think communities require mutual exchange, communication, a sense of value and worth, commonly agreed upon truths, shared experiences, touchstones of connection, and leaders who have integrity. i know this is all starting to sound a little lofty, but i really do think dan and phil are good humans who have worked hard to wield their power and influence responsibly and compassionately. they set the tone for us, constructed this world, paid attention to what landed for us, how we responded to things, everything that we were up to in response to what they were up to. they listened. they made us feel seen and celebrated and appreciated, and in turn we continued to celebrate them. they created weird inside jokes, we adopted them, then we all shared the weird inside jokes. they existed, we created our own language and lore and encyclopedia in response, and now there's a whole stage show about it.
that's how you get people sticking around for 15 years. that's how you get people to actually want to spend money on you. and yeah, some more boundaries at times couldn't have hurt. they fostered a sense of proximity and entitlement that obviously put them in harm's way. but i'd say ultimately what they've manage to do has been a net good for them and a tremendous success.
you raised such a good point that it seems to be what they are naturally drawn towards. i think it's because they, too, were fangirls. phil was writing buffy fic. dan was running a lost wiki. they both understood the power of online fan community before they were the titans of their own. they get it, they get us <3
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urlocaldesertdweller · 1 day ago
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if you are available to take requests that Prime reader encounter with starscream that the reader couldn't help but teasing starscream with affection or prime reader being dominant over sentinel prime in power as reader always ordered sentinel prime around
Tf1! Sentinel prime x Prime! reader (pt 2)
wowie its been a hot minute but i desperately crave more of sentinel. and we are doing this! (prime reader is much meaner in this one)
Sentinel is a freak and a horndog, reader is aggressive, manhandling
As you know before, you never felt too close to Sentinel in comparison to your other fellow primes.
Nothing to but rude about he just felt off. Especially around you, like he wanted something but what?
You didn’t know what to make of it, from his stares and tempts to speak with you alone from the other primes? Yeah no thank you.
Besides it all felt like his conversations towards you left meaningless, you could do something more meaningful than listen to the birdie tweet. All he’d talk about is how much he loved to train with you…learn from you, be with you, fight together…
How sweet, it’s repulsive.
But he only continues and purses. You were much older, stronger, and wiser than him! How could he not admire you? Yes, admire was a good word.
A total yapper when it comes to you. His willing to talk about anything with you, even you couldn’t care less. Even some of his more personal details he tells you, and only you.
But you stay staring off, trying hard to ignore his sweeter softer tone, stoic as ever. He wanted to break that. But how could he when he adore this rift between the two of you?
His words would drift off, his servos tempted to drift to yours, his digits barely able to feel you.
The more he did it the more irritated you’d get. When he nearly get a few words in you raised you digit to his dermas hushing him in a passive aggressive manner.
You are so done with him.
But it only makes him want more.
Sentinel started to get ideas, to push your buttons just so you can get him any ounce or attention. As if the attention of the other 13 weren’t enough…
He start to fiddle with your things when you weren’t looking or gone, purposely making sure to put it out of place for you to notice. Your weapons, personal possessions, anything really that was yours.
You hated when someone, especially someone you think they can act like they own the place messes with you things.
That’s it.
From the moment you noticed your precious weapon misplaced? You knew exactly what to do.
And boy did Sentinel smirk when he heard you rush through the halls and bash through the doors, fuming. Just what he wanted, what a freak.
You are tired of this act and it shows in your body language.
Without a moment you stride your way towards him. He only expected a scolding but boy did his filthy smile disappear when you kept on moving, a gasp nearly left his lips before he say you servo enters his view.
With a tight iron grip on his throat you lift him up to your height, his legs dangle helplessly. His servos desperately hold onto yours. His strained voice, barely in a hushed whimper he begs for you to let go.
He wants your attention? He’s going to get it alright.
You pull him close and speak, this is what he wanted. This is what he just had to do? Why pester and be a parasite to someone so above him?
Your words spit with vile and disgust towards him. You enjoyed giving him what he deserved, but you never knew at the time he was enjoying every bit of this. Yes he was surprised but in every good way possible.
His once kicking legs go limp, the occasional twitch with pleasure as you fingers dig deep into his throat… They threaten to damn near prode at his voice box. And he dreamed of that risk especially if it were to be you to do it.
Your optics tighten as you listen to him rasp and continue to plead for you to let go. Oh so hopeful.
You drop him without warning, he falls to his knees, with a yelp that thankful only you’d hear. He found sick pleasure in you being able to tell the world how much of a touch deprived bot Sentinel is for you. The risk of it all.
That one of the beloved primes loves being manhandled by another stronger bot. It all sends a delightful shock up his spine!
You stomp you pede on his chassis without a second to spare, he groans at the pressure the weight of it all drawing down on him. His body creaks and groan which makes to cover a bitten moan behind his clenched denta.
You twist your pede, hearing him react to your pressure sends a smile to your dermas. His servos rise to hang on, his digits gently rub you legs. You still seem to be fueled by rage that you ignore that intimate rubs. You grip on them as though tempted to crush them in yours.
You go low to his face plate, telling him that his is going to personally go back and put your weapon where it belongs. You voice so strong and fearless makes him cross his legs, thankful you are unable to see the shameful sight as you pull him up with force and lead him into where you weapon was stored.
The heat for Sentinel was becoming too much for him to bear. If your lesson continues theres a chance his hard spike from the touching could be showed off to make a scene. The thought of it only makes it hard to contain himself. Just enough to fix your weapon back in its “rightful place”.
Your gaze still hard on him appears at least pleased, until Sentinel notices your optics fall to his new friend coming to say hi to you.
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latenightreadingpdf · 11 hours ago
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Beneath the Moonlight - Remus Lupin
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₊‧⁺˖⋆ Masterlist ⋆˖⁺‧₊
Summary: In the days leading up to a full moon, Remus Lupin receives an anonymous gift basket filled with potions, chocolates, and a carefully-brewed Wolfsbane Potion.
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Y/N considered herself a rather observant student, especially when it came to the Marauders. It was hard not to notice them, really. They were practically a four-person parade through the halls of Hogwarts—pranks, laughter, and charm trailing behind them like a comet's tail. James Potter with his messy hair and endless attempts to impress Lily Evans, Sirius Black with his dazzling grin and effortless cool, Peter Pettigrew following close, always eager to please. But one Marauder stood out to her more than the rest. Remus Lupin.
There was something about him that had Y/N hooked from the beginning. Perhaps it was his quiet brilliance or the way he seemed to carry a world of mysteries in those warm, honey-colored eyes. Or maybe, it was the way new scars seemed to appear on his face and hands every so often, faint but unmistakable. They fascinated her, those scars, and as her gaze lingered on him in class or at meals, she found herself trying to figure him out.
And, admittedly, somewhere along the way, Y/N developed a bit of a crush on him. But who wouldn’t? He was brilliant, always top of the class without trying too hard, and—and yes, he was gorgeous. Handsome in that annoyingly effortless way. Soft, tousled hair that practically begged to be touched, sharp cheekbones, and—Merlin, those knit jumpers that always made him look so adorable. How was that fair? It was like he’d been sculpted by some benevolent god of tall, bookish, sweater-loving dream boys.
But Y/N’s interest in him was more than just attraction. There was something… otherworldly about him. She’d started to notice patterns—how he would seem worn and pale every few weeks, how he would disappear entirely from school grounds for a day or two, only to return looking exhausted and, if possible, even more scarred than before.
A month ago, after endless speculation and careful observation, Y/N had arrived at a conclusion: Remus Lupin was probably a werewolf. She wasn’t completely certain; it was more of an educated guess. But what could she do with this theory? It wasn’t like she could walk up to him and blurt out, “Hey, Remus! You don’t know me, but I’ve been watching you for months, and I just wanted to ask, are you, by any chance, a werewolf?”
The thought alone made her cringe. Y/N sighed, tapping her quill against her parchment. Remus Lupin might be full of mysteries and maybe—just maybe—she’d get the courage to actually talk to him someday.
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The full moon was only a few days away, and Y/N could already see the toll it was taking on Remus. He was limping slightly, a stiffness in his stride that made her heart ache, and the dark circles under his eyes were more prominent than ever. He looked exhausted, like he hadn’t been sleeping in days, and though she knew he had his friends—the Marauders, always fiercely loyal—she couldn’t help but feel he needed more comfort than they could provide. She wanted to do something for him, something small but meaningful.
The idea hit her while she was rummaging through her bag in the library: an anonymous get-well-soon basket. She could leave it outside his dorm, a collection of little comforts to ease the days leading up to his transformation. She’d make sure it was subtle, not too personal, just enough to lift his spirits without drawing attention.
Excitement and nerves mixed in her stomach as she mentally listed what she’d need. A couple potions to help with sleep, pain, and anxiety, some of Honeydukes' finest chocolate, a soft blanket to keep him warm, and a few baked goods from the kitchen elves. She might even add a small note with a simple message—“Hope these bring you a bit of comfort during the full moon. Take care of yourself.”
Over the next couple of days, Y/N carefully gathered everything. She bought him a midnight-blue wool blanket that felt like a hug in fabric form and a variety of different chocolates. She used her advanced potion skills to make Murtlap Essence, a Calming Draught, and a Healing Potion.
But the most important addition was a small bottle of Wolfsbane Potion. She’d somehow managed to get her hands on the recipe, even though it wasn’t officially taught at Hogwarts—and she’d acquired a secret stash of the rare ingredients needed to brew it, though she'd never admit where from. It had taken several nights of brewing in the abandoned classroom she’d found, but she’d done it.
The full moon was only two days away when she finished assembling the basket, carefully placing the note on top before leaving it right outside the boys' dormitory. With a final glance over her handiwork, she quickly walked back to her dorm, satisfied with her work.
As she returned to her room, a little thrill of satisfaction bubbled within her. Maybe, just maybe, her small gesture would help Remus feel a little less alone, a little less burdened by the full moon’s approach. And that thought alone was enough to fill her with quiet joy.
⋆˖⁺‧₊☽◯☾₊‧⁺˖⋆
Just a few floors below, the Marauders were still lounging in the Gryffindor common room, sprawled across chairs and couches as the fire crackled low. They’d spent hours discussing pranks, arguing about the latest Quidditch match, and bickering about everything from Potions homework to the best way to dodge Filch. When the last embers started to die, they finally decided it was time to call it a night.
As they made their way up the stairs, it was James who first spotted the basket. He froze mid-step, eyebrows raised as he pointed it out. "Er, lads... anyone know what this is?"
The other boys crowded around, peering down at the unexpected sight.
“No clue,” Peter murmured, squinting at the note resting on top.
Sirius, with his usual curiosity, leaned down and plucked up the note, inspecting it with a grin before his eyes gleamed mischievously. “Ooooooh, Remus, it’s for you!” he cooed, reading the note aloud for the group: ‘Hope these bring you a bit of comfort during the full moon. Take care of yourself.’
The boys’ faces all fell at once. Whoever had left this knew. Someone had figured it out. Their carefully crafted excuses, the timing of their sneaking around, all the little tricks they’d come up with—they thought it was foolproof. But apparently, someone had been watching more closely than they’d realized.
Without another word, they grabbed the basket, exchanging uneasy glances as they rushed into the dormitory, shutting the door firmly behind them. They gathered around Remus’s bed, where James set the basket down, and just stared at it.
“Well? Open it already!” James urged, his voice a mix of curiosity, excitement, and a tinge of concern.
Remus took a steadying breath. His friends were watching him closely as he slowly lifted the wrapping, half-expecting some kind of prank to burst out at him. But instead, he found an assortment of thoughtful items neatly arranged within the basket. A stack of Honeydukes chocolates, carefully tied together with string. A blanket, dark blue and soft, lay folded at the side. Several small bottles—potions, each labeled with precision, sat in the center, cushioned by tissue paper.
They all scanned the contents in awe and curiosity, but Sirius was the first to notice something unusual. He gasped, eyes widening as he pointed to one particular bottle.
“Holy shit, is that—”
“Wolfsbane,” Remus finished quietly, staring at the vial with a mixture of shock and disbelief.
They all fell silent, taking in the implications of that single bottle. Wolfsbane Potion was incredibly complex, nearly impossible for a student to brew, and yet here it was—crafted, sealed, and ready for him. Someone had not only figured out his secret but had gone to lengths far beyond casual concern. The potion’s presence in the basket hinted at more than just kindness; it was a deeply personal gesture, an unspoken understanding that spoke volumes.
Remus swallowed hard, his fingers brushing the cool glass of the bottle. "Did the card say who it was from?" he asked, looking over at Sirius, who shrugged and handed him the note again.
Remus read the short message over and over, searching for any hidden clues, some hint that might give away the sender. But the note was short, simple, and entirely anonymous. He turned it over, checked for invisible ink, even held it up to the light, but there was nothing.
“Not a single hint?” James murmured, peering over his shoulder, a frown deepening across his face. “Nothing?”
The group exchanged baffled glances. They examined the basket once more, handling each item carefully to make sure nothing seemed dangerous. The potions were labeled clearly and accurately, the chocolate smelled rich and sweet, and the blanket was incredibly soft—perfect for a night when he’d be feeling cold and drained. Every item seemed genuine, carefully chosen, with not a hint of a prank or hex.
As they finished examining the basket, they slowly started getting ready for bed. Remus sat quietly on his bed, his mind racing as he took in the kindness of it all. He tucked the potions into his bedside drawer, hiding the chocolate where he knew Sirius wouldn’t be able to steal it, and spread the blanket over his bed. It was soft, warmer than his own, and the weight of it settled over him like a quiet comfort he hadn’t realized he needed.
Sliding under the blanket, Remus felt a warmth blooming in his chest. Someone out there knew his secret, but instead of using it against him, they’d tried to make things a little easier. And he knew, without question, that he had to figure out who it was.
⋆˖⁺‧₊☽◯☾₊‧⁺˖⋆
The full moon had passed in a calm that Remus had never experienced before. He woke that morning still feeling sore, but the aches were manageable. Normally, the transformations left him scarred and hollow, as if all the energy and warmth had been drained from him, leaving only exhaustion in its wake. But this time, thanks to the Wolfsbane Potion and the potions from the basket, he felt… human. Less broken.
After seeing the other Marauders off to class, Remus leaned back into his bed, feeling the softness of the new blanket wrap around him like a gentle hug. He’d spent the morning drinking one of the calming potions, using the healing salve for his aches, and nibbling on a bit of chocolate to ease his nerves. And though he was grateful, he couldn’t shake the strange blend of curiosity and unease that swirled in his mind. Who knew? Who cared this much? The secrecy felt like a burden, yet he couldn’t help but feel a small glow of warmth every time he glanced at the basket.
Meanwhile, James, Sirius, and Peter were trying to answer that very question in their own way. During Potions, they’d had an idea. Whoever had brewed Wolfsbane Potion had to be incredibly skilled, so finding out who had the best marks in Potions could narrow things down. The second Slughorn dismissed them, they pounced.
Sirius leaned casually on Slughorn’s desk, grinning with exaggerated innocence. “Professor,” he began, “say I wanted to improve my Potions skills. Just hypothetically.”
Slughorn’s eyebrows lifted, clearly intrigued by Sirius’s unusual interest. “Oh? Well, it’s about time, Mr. Black. I’d say your marks could certainly use a bit of boosting.”
“Oh, I know, I know!” Sirius waved his hands, laughing a bit. “That’s exactly why I was thinking maybe a bit of tutoring could help. So… who would you say is the top student in your class?”
James sidled up next to him, nodding earnestly. “Yeah, Professor. Who’s the best at brewing?”
Slughorn looked delighted, his chest puffing with pride at the idea of his Gryffindor students taking a sudden interest in his class. He lowered his voice as though he were sharing a prized secret. “Ah, if you’re looking for someone with real talent, you’d want to speak with Y/N Y/L/N. A truly gifted student! Absolutely meticulous with her brewing, and a Gryffindor as well! You boys ought to know her.”
Sirius and James exchanged baffled glances. “Y/N Y/L/N?” James muttered, frowning in thought.
Peter piped up, looking a little surprised. “Oh, I remember her. We did a project together in second year. She’s very sweet. I suppose she’s easy to miss, always keeping to herself.”
“Right…” Sirius trailed off, scratching his chin. “Doesn’t sound like the type to be sneaking around in the dead of night to drop off mysterious gift baskets, does she?”
“People can surprise you,” Peter shrugged. “I bet she’s got her reasons.”
After classes were over, the three Marauders nearly sprinted back to the dormitory. They’d waited all day to tell Remus their findings, and as soon as they saw him, they launched right into it.
“So,” Sirius said, flopping dramatically onto Remus’s bed, “we might know who left the basket.”
Remus looked up, eyebrows raised, though he tried to appear casual. “Really?”
James nodded, practically bouncing with excitement. “Y/N Y/L/N. Slughorn says she’s his top student in Potions. And she’s a Gryffindor, so she’d know where to find us.”
The name caught Remus off guard. “Y/N Y/L/N?” He knew exactly who she was—quiet, always hanging at the edges of things, never drawing attention to herself. He remembered her from their earlier years, especially a few years back when she and Peter had done that project together. She’d been kind and incredibly smart, but she always seemed to fade into the background.
Sirius shot him a curious look. “Wait—do you actually know her?”
Remus hesitated, carefully picking his words. “I mean… I remember her. We’ve been in classes together since first year.”
But what he didn’t say was that he’d once felt drawn to her quiet kindness. She wasn’t like other students; there was a thoughtfulness to her, a gentle intelligence that had always intrigued him. He remembered her now, the shy girl who had somehow made him feel seen, and the idea that she might have left the basket stirred something inside him—a mix of hope and nerves.
Sirius smirked, leaning in conspiratorially. “Oh, you remember her, do you?”
Remus rolled his eyes, trying to hide his blush. “Look, it’s probably not her. There’s no way she’d still remember… I mean, we barely ever talked.”
James raised his eyebrows. “Barely ever talked? That doesn’t mean she wouldn’t care. Besides,” he added with a grin, “you clearly want it to be her.”
Remus glanced away, not trusting himself to deny it. Because if it really was Y/N… she’d have gone to extraordinary lengths just to help him. It would mean she knew his secret and, rather than fearing him, had quietly found a way to ease his burden. And perhaps the most surprising part? He found himself hoping it was her.
Finally, he cleared his throat. “Alright. I’ll talk to her. See if there’s anything to this theory of yours.”
The next morning, with a hint of apprehension and excitement, Remus set out to find her. He decided to look in the library first, where he thought she might be studying between classes. But as he crossed the common room, he spotted her in the far corner, curled up in a chair with a thick book on her lap.
He took a steadying breath and made his way over to her. She looked up, clearly surprised to see him, her eyes widening as he gave a small, nervous smile.
“Hi, Y/N,” he said, trying to keep his voice steady. “Do you mind if I join you?”
She blinked, a little flustered, but nodded, gesturing to the seat across from her. “Um, of course, Remus.”
They sat in a slightly awkward silence for a moment, and Remus could feel his heart beating hard in his chest. He cleared his throat, feeling the weight of her attention on him.
“So… I, uh, wanted to thank you,” he started, not sure how to bring it up. “For… everything.”
She stiffened slightly, her cheeks flushing, but kept her gaze steady. “I’m not sure what you mean,” she replied quietly.
He watched her, seeing the faintest hint of a smile playing at her lips, and knew then, without a doubt, that she was the one. “The gift basket. The potions. The blanket.” He lowered his voice. “The Wolfsbane. It helped me… more than I can say.”
Her face softened, and she nodded, understanding in her eyes. “I’m… really glad to hear that. I just wanted you to have what you needed. It’s not easy going through all that on your own.”
Remus felt his heart swell. Here she was, fully aware of the truth and yet sitting here, calm and kind, accepting him exactly as he was.
He met her gaze, feeling a sense of calm he hadn’t felt in ages. “Thank you, Y/N. I don’t know what I did to deserve that kind of kindness from you, but… it means a lot.”
They sat there in a comfortable silence, the unspoken words passing between them, understanding filling the space. He knew he’d found a friend in her—someone who saw through the mask he wore and had chosen to help, not out of pity, but because she understood what it meant to care quietly, deeply, and without expectation.
And perhaps, he thought with a hint of warmth, this was only the beginning of something much deeper.
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A/N ~ this is kinda rushed sorry, school is killing me :P
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leighlew3 · 10 hours ago
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You don't even understand.
YOU DON'T EVEN UNDERSTAND.
Gather 'round young wlw fans.
Lemme tell you the story of two actresses who didn't get along so well, through no fault of Ryan's really and later apologized for by Mulgrew as it all really just stemmed from misunderstandings and the misogyny they both faced all around them at the time. But whom had INCREDIBLE chemistry and portrayed these characters with such intense emotional connection, humor and heart -- an inexplicable belief in each other and devotion to each other. Two women from across the galaxy, brought together with their own form of quantum entanglement (ahem, Supercorp fans). They had a mentor/mentee dynamic that evolved into something so much deeper. Enemies to friends to -- what should and could have been lovers. But it was the 90s. So instead they had bland male love interests thrown at them of course, which never lasted of course, and sadly Janeway/Seven were never canon.
BUT THEN -- 25 YEARS LATER, one half of the ship -- one of the greatest, most well-written and well-acted Star Trek universe characters of all time, "Seven of Nine" (played by Jeri Ryan), was CONFIRMED as queer on Star Trek: Picard and shown to have more than one female love interest on screen: a past lover who betrayed her in early S1, and an active interracial ship called "Saffi" (Seven/Raffi) that they teased in the S1 finale, which developed into a full blown relationship in S2, but then for some reason the show tanked/pushed aside as having broken up off screen for S3 -- but a ship which both of the actresses supported very vocally and still hope to see reunited in a possible spin-off.
Seven of Nine is a character that means more to me than I could ever put into words due to her struggles and character arc (and she's whom I named my cat after). But it's also meaningful because those of us back then... we just KNEW. We just KNEW that this brilliant, complicated, frustratingly pragmatic yet deeply and surprisingly empathetic, beautiful ex-Borg was not straight. And that she did not belong only to the cishet men who liked her due primarily to her ridiculous and actress-torturing cat suit uniform. But to us.
And it took A QUARTER OF A CENTURY to finally be confirmed.
But the validation in that for many of us, especially for me as a sad, abused, old soul kid to grown ass pansexual woman and screenwriter specializing in women-lead stories -- was indescribable.
If you want to experience the greatness, it all started with the Star Trek: Voyager Season 3 finale, that carried over into Season 4 and the rest of the series (7 total seasons). And then Seven of Nine's story, which continued in an epic return celebrated by all fans years later, in the Paramount+ series Star Trek: Picard (2020-2023).
Enjoy.
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That's probably because you've been standing here by yourself.
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celestialtarot11 · 22 hours ago
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Hi! Have you done Aquarius men yet? 🤍 I love these posts!
Aquarius Man—
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—Misunderstood. Always felt like the black sheep of the family, the outcast for his ideas and intentions. People projected their narratives onto this native, expecting the native to be molded from their fantasies.
—Sticks alone mostly, or has a small group of unique friends. Friends who understand them at their core. Friends who fit into their “niche.” They may prefer staying alone most of the time however, just to remain independent and not get sucked into social norms.
—Can have an issue with being avoidant, shut down, or callous with emotions. He can have a pessimistic outlook on life and project perceived limitations onto others.
—When evolved this sign loves deeply, and looks at the world with new eyes. This is my canvas. There is something unmistakably prominent about this native that stands out in their family, friend group, etc. whether it be their knowledge, social status, skills, degree, childhood, etc.
—They see the world as their oyster where they can create meaningful relationships and new experiences. When evolved he can encourage others to try new ideas, with an open mind. He has a great sense of humor and may lean towards dark humor.
—Looks out for you. When he cares and embraces relationships, he will be the one to check up on you randomly. Although he is in and out, he never really forgets you.
—In deeper relationships however, these individuals are observant and chatty. They have so much on their mind and the reason why they don’t open up to everyone is because not everyone is worthy of seeing the beauty of their mind. They understood this at a young age. Especially the people who took advantage of their ideas and mind.
—Can appear quirky, prominent, or standoffish. It can be their clothing which can make them appear “darker,” or “moody.” They can wear a lot of gray, black and overall a monotone palette. Their standoffish nature is a way to protect themselves, they appear nonchalant to keep those who want to leech off their energy at bay.
—Future oriented. Every decision they make now can affect their future so they try to be conscious. An Aquarius man who is disempowered can neglect this, and more-so focus on whats restricting and limiting him. He boxes himself in as a defense mechanism and closes off.
—Fast. Quick thinkers. Good with the trends. Can predict what will trend before it does, so they can be great at stocks, trading, the market, etc. also great with fashion, the arts, and creating beautiful pieces.
—Wants the limelight but shys away from it. Has a hate love relationship with being seen and vulnerable, and hiding. He feels his duty is to protect everything, including his expression of creativity. He wants others to find their niche, not copy his.
—Something unique is in their features. Whether it be their intense eyes, shaped brows, or how their facial structure is, it is different. They may come from a mixed family, and have seen different cultures, traditions and values.
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zhuoyichenpretty · 1 day ago
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Ep 26 Commentary
Alrightyy I've mustered up what's left of my brain for a belated ep 26 commentary post. IRL responsibilities are getting a bit away from me so I wasn't able to spend as much time on this as usual; apologies if the haste shows through! Consider this more reaction than meta.
As always, spoilers under the cut:
A carry-over comment, but I really do appreciate the Li Lun/ZYC scene in ep 25 for how it solidified ZYC's resolve and reminded him of where his heart is, what he believes in, what he chooses to defend. Such a load-bearing and pivotal conversation for both characters in opposite directions of development. It also makes ZYC's return to the Bureau triumphant in a way, despite all the preceding trauma, despair, and hopelessness. WX embraces him in relief that he's safe and in comfort for what they've all just been through, and for us, it's doubly meaningful as a sort of homecoming after a confrontation that only we have witnessed. It's also interesting, the cutaway as they hug, the things we have been made privy to and the things that are kept private from us.
Ouuughh the lines voiced over as ZYZ and ZYC meet eyes for the first time since all that transpired in Tianxiang Pavilion. It gives such a deep sense of wordless understanding and intimacy. I'm reminded of when the show did that for Ranyi and Miss Qi's final lines.
As I mentioned previously, a lot of subtext became text in this episode, which was quite exciting (and also extremely adorable the way ZYC was like "I think I've said too much" /// afterwards). I didn't expect ZYC to convey his understanding of ZYZ to him so soon, but that really goes back to something I love about ZYC: that he doesn't really waste time expressing something once he's come to an emotional conclusion. Maybe there's something to be said there about how he knows, after the loss of his family, how important it is to say the words when you have them to the people in front of you while they're still here.
If ZYC's words and his tears offered to a catatonic ZYZ in ep 23 were an expression of star-crossed and conflicted love, this parallel scene is just an utterly unrestrained confession, the stars be damned.
Also, tbh I never found ZYC's reactions to ZYZ to be unfounded or unreasonable, even when misguided in the beginning (and necessarily so, given the narrative and premise) or at times harsh (which I also found much-needed for ZYZ to hear, and delivered with obvious sympathetic anguish). He was clearly reflecting and actively revising his own preconceived notions this entire time, feeling for ZYZ the whole way through, and I do think he's demonstrated realistically and impressively the full extent of empathy perhaps as far as it can possibly stretch without personally experiencing ZYZ's life himself and while still living and feeling for his own. But to see ZYC so ready to address his previous flaws, to admit them and correct them, to go beyond them and to reach out so plainly for ZYZ in front of him now that he has that personal experience—the relationship between them has transcended the initial set-up of two opposing characters meeting in the middle. The show has gone that extra step and made their perspectives one. And given that I didn't personally find that step to be narratively necessary, so to say, (as in, even without it there's not truly a narrative obstacle because I already believed ZYC loves ZYZ despite everything and we've already seen the lengths he'll go to not to kill ZYZ), it feels like a choice in every definition of the word. Like a development motivated by love all the way down.
WX gets the least traumatic cloak-draping scenes out of the three of them, thank god.
Oh shit I forgot about fixing the Wilderness I'm so glad they didn't lmao.
Ahhh the crossroads moment at a literal (kind of) crossroads right before entering the Bingyi Clan's forbidden area. ZYC suddenly wanting to go alone or back out, stuck weighing the danger to everyone's lives, who they can and can't save depending on his choices. It makes me think of what happens when we let intense love in and it comes with intense fear, makes us freeze up. Suddenly, the stakes are in sharp relief, and the courage to move forward isn't so simple anymore.
"修好了,你也別死" ("Once it's fixed, don't die either.") Head in hands. ZYC's voice here, his expression, that desperation. Yeah I think this episode was so draining because of how all pretense is being stripped away and all that's left is ZYC's profound love for everyone, so raw and vulnerable that it hurts to watch, especially knowing he won't have it easy trying to keep everyone alive.
Kind of love how freely ZYC cries and says the vulnerable things in front of all his loved ones. Like. That's truly his family, his people, his heart.
ZYZ please. Imagine ZYC's grief without you. Please just stay.
Yay 12 seconds of angst-free bickering right before (as someone else called it) the trolley problem
Ok so, I'm not sure how common this interpretation/reading of the following scene is, but it's been rattling around in my head for a while now so I'm just gonna include it here. If y'all disagree, pls disregard! Basically, when ZYC first turned to PSJ and thanked her, I was terrified for a moment that he would ask her to stay. Because on one hand, ZYC would never, but on the other hand, imo there's a lot of (I think deliberate) ambiguity baked into the scene. In ZYC turning to PSJ right after we're told "one of your friends or all three of them," in him starting the series of goodbyes with the character he has the least onscreen development with, in the finality of what he says to her but also the lack of clarity on just who this is final for, in PSJ's expression and WX's reaction, in the dramatic turning away at the end. Like, until he turns away from her, I think there's room for interpretation on what he's decided to do, and as someone who's grown quite surprisingly invested in the ZYC-PSJ dynamic, I'm kind of morbidly interested in this reading of events.
What might be going through PSJ's head at ZYC's words, if at this moment she hasn't yet realized his self-sacrificial intent? Does she think she's going to be asked to stay? Does she assess the situation, conclude that she's the person ZYC is least close to and perhaps the one least able to contribute in whatever comes next as the only human here, and begin resigning herself to this outcome? Are the tears in her eyes the sole indication of her conflicted unwillingness to die here that makes it through because as he's talking, she's evaluated that this is the best possible scenario for them all (esp for WX) and will commit herself to his decision even if it also breaks her heart to be chosen this way?
I may be taking this and running a bit far with it, but I just think the ambiguity of this one brief moment can create such angsty implications between the lines (as if we needed more angst...) and despite their scarce onscreen interactions, I'm kind of a sucker for the "extremely noble (to the point of tragedy) knight choosing to acknowledge and follow and dedicate their silent loyalty to a leader they deeply respect" dynamic, even if it is understated with all the other relationships going on in this show. Given how reticent PSJ is, it makes a meaningful impact on me every time she displays concern for ZYC, so you know it crushed me to watch her desperately and irrationally (the most pragmatic of them all!) try to shoot at him with her arrows while knowing there's no way it'd work. The way she was the first to act, the sound of nothing but the ice and the stretch of the bowstring. I really do love their platonic bond much more than I expected to.
Oof. The freezing. I don't want to sound like a broken record but I loved TJR's acting here because I think it's so easy for this scene to look awkward as he's stuck facing forward and pretending to freeze haha. His microexpressions as he realizes ZYZ is behind him, as he tries to chase him away with his words, as he's probably burning from the inside out with all that ice. That last tear as his gaze turns hollow. A+
I also love ZYZ's lines about not believing he can't overcome ZYC's powers like yeah this is a newborn demon with no inner core and ice powers that he taught him lmao
Okay, that's a wrap for my thoughts on this ep! I was originally going to include ep 27 reactions here too, but seeing as this is getting a little long, maybe I'll roll 27 into my thoughts on ep 28? We shall see!
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geneticdriftwood · 2 days ago
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on dick grayson & roy harper & marriage
I mostly stand by what I said here on the dickroy marriage poll (in short: lmao, they’d barely even admit they’re in a relationship) BUT after more thought I believe there actually is a world where they’d get married ‘for love’?
now, imo roy would never be the one to propose. marriage just isn’t that meaningful to him; it’s not something he really cares about. (and even if it was, proposing would feel like an ultimatum he doesn’t want to set. when everyone always leaves you, you learn to be careful not to ask for too much.)
and while I DO believe marriage means something symbolically important to dick, it’s a pretty fraught topic for him, given past experiences! so I think dick would resist putting labels on his relationship with roy, because acknowledging that there’s a romantic element to the way they love each other opens their relationship up to failing the way dick's past romantic relationships have failed.
but if they’d been in a stable relationship for a while, and dick had worked through some of his issues? well. so much of their relationship has been defined by leaving and being left, by other things getting in the way. so if they finally worked it out, I could see dick proposing as a promise to roy that he’s committed to roy and the life they’re building together. that he’s sticking around. that their relationship (that roy) is worth prioritizing!
and marriage might not mean much to roy, but he knows that dick takes it seriously. he knows that if dick is offering ‘till death do us part’ now—after working through his shit enough to be honest with himself—then dick means it. and that would be VERY significant to roy. it wouldn’t change anything about their relationship on the surface! but it would soothe the part of him that’s always bracing for abandonment, and let him believe that this is something he might get to keep.
they still wouldn’t have a wedding tho. they’d get courthouse married on a random afternoon with just them and a witness, and then probably not actually bother to tell anyone* unless asked directly, besides casually referencing it when quipping at each other.
*except donna. she knows because dick talked it through with her before proposing.
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korrasera · 2 days ago
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Like I said, this is a good example. When you're arrogant you tend to think you know everything despite being uninformed about the topic you're talking about. People who are like this also tend to either react really poorly or retreat into their talking points when called on it.
As an example, aside from the fact that Israel isn't a vassal state just being obvious on its face, you can also look at that talking point up there about Biden sending smaller amounts to bypass Congress, which is just straight up not what happened.
It's because people like the above don't understand what the congressional bypass is or how it works.
The US sends aid to Israel every year. Period. We've done it since the country was founded. The power to send that aid, in the form of military sales, is invested in the office of the US president. Congress has a 15 day period to review such sales before they go through. If Congress wants to block the sale, they can pass a joint resolution to do so, but no Congress ever has.
In the case of what Biden did, he didn't choose smaller amounts to bypass Congress, he used a waiver that's also part of his powers to send aid in situations where it's deemed a special case, something Biden did to provide aid to both Israel and Ukraine. If he'd sent smaller amounts of aid he wouldn't have needed the waiver at all because Congress wouldn't even get a chance to review it.
So, as you can see:
These arguments try to convince you of is that Biden is some sort of genocidal cowboy that's bypassing the checks and balances meant to keep deals like this from moving forward. That's not just propaganda, it's not just false, it also demonstrates that the person making the argument doesn't know anything they're talking about.
Also, this aid is the aid that was delayed, by years, by Biden, as a political poker chip.
Oh, sorry Bibi, we approved the aid but you know it's just going to take forever and also why don't you listen to all of the military advisors we sent over telling you that you should stay the hell out of Gaza?
As an example, the last time that I know of where the US did something even remotely like this was when Reagan banned the sale of cluster munitions to Israel because the Israeli government had been using them to strike civilian targets. And apparently even Reagan had a limit.
Is the US complicit in Israel's genocide? Absolutely. Unfortunately, it's just part of being an American. We've been fighting constantly to tear out the authoritarian warmongering parts of our society and this is as far as we've gotten.
Is the US a fascist genocidal state? No, not literally and not figuratively. We are very much a people working to build a better tomorrow, built on unthinkable bloodshed and crimes against humanity.
We have not yet won that fight, but it is absolutely going in our direction, and the work the Biden administration has put in to oppose Netanyahu's government is a sign that it's gotten better. His administration is the first one that's taken meaningful steps to rehabilitate our foreign policy towards Israel.
It really sucks that all of that progress is going to be lost when Trump takes power, but we've been knocked down by setbacks before. We're not done fighting.
Don't listen to propaganda. Don't let people tell you it's hopeless. They're just scared and looking for you to be scared with them.
Be brave instead. Fight.
We tried to warn you, and you wouldn’t listen to us over the sound of your own self-righteousness. You must be so proud of yourselves.
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maslows-pyramid-scheme · 11 hours ago
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Is it just me, or did Taash feel like a last-minute inclusion, almost as if the devs shaved off part of another character's arc and gave it to her to make her seem more relevant to the overall story?
[Major spoilers]
Bellara: She provides an expert opinion on ancient eleven technology and is one of the two characters capable of controlling the Blight, she provides the background for Anais's appearance, and she provides an insight into how the elves want to remember their religion, culture, and history.
Davrin: He has a major contribution to the world lore (Grey Wardens, Griffons, the Blight), and needs to be there in the beginning to kill the Archdemon. I'd argue that he provides a counter to Bellara on eleven culture - Bellara cares a lot about who the elves are and how they should be seen, and Davrin is just an ordinary Dalish elf, the sort who'd benefit/suffer by the spread of the information about the ancient elves.
Plus, I think he was actually supposed to be the 'dragon hunter.' His personal quest establishes that he knows how to track and attract different kinds of creatures, but that he's looking for meaning, rather than just something to hunt - and so it would have made a lot of sense for him to provide the expert advise on tracking and trapping the various, the ultimate 'meaningful kills,' no? Especially given he's one of the few people, including the only person on the team (sans a Warden Rook), who'd be able to kill them if either of the eleven gods decided to turn them into archdemons or whatever, no?
Emmrich: He makes major contributions to world lore (Fade, Lighthouse, spirits), and is also necessary for tracking the weak points in the Veil when Solas traps Rook there.
Harding: She's the 'personal cost' of Solas's actions, being both a former associate (and able to guide Rook on Solas's personality) and a dwarf (and able to understand what Solas did to the dwarves).
Lucanis: He's necessary for the team to kill the eleven gods, but I'd say his main contribution is being the Treviso contact - you find out the human costs of the war through his story (if you choose to save Minrathous, and the Treviso gets blighted), or you find out where the gods are hiding (if you choose to save Treviso).
Neve: She's necessary for the team to infiltrate the Venatori gathering and one of two characters capable of controlling the Blight, but I'd say her main contribution is being the Minrathous contact - you find out the political costs of the war through her story (if you choose to save Treviso, and the Venatori seize power in Minrathous), or you find out where the gods are hiding (if you choose to save Minrathous).
Meanwhile, Taash just... hunts dragons, which you can do without her because you're actually surrounded by people who are better at tracking and killing dragons (Davrin, Harding, the Grey Wardens)? Even her personal quest is completely irrelevant to the overall story; she's not showing the cost of the war, or the cost of greed, or grappling with legacy, she's just trapped in her own world, doing her own thing.
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whateverisbeautiful · 2 days ago
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If Rick’s plan for the bridge wedding happened - what do you think that would’ve looked like?
Love this one too! These questions are putting instant smiles on my face. I would have loved to see that bridge wedding. 🤩 And I think it would have looked beautiful because Michonne has the best eye for style and Rick’s s7 premiere dream (which is so clearly meant to be a Richonne wedding to me) shows he also has great taste as well. The main thing I always picture when I (quite often) imagine their wedding aesthetic is lots of flowers. I see the bridge being decorated with gorgeous purple flowers for some reason.
I was going back and forth on whether they’d want a more private ceremony or something with friends and community members in attendance. I could envision both. But I feel like maybe they would have done a best-of-both-worlds thing where they have a more intimate ceremony on the bridge and then a larger family dinner thing afterward. And the way Rick and Michonne have been shown to poetically put their love into words, I just know that no matter what both their vows would be the most moving, powerful, tear-jerker vows possible. And I know they’d have found a meaningful way to include little Judith in the wedding too. 🥹 I really do like to think that Rick and Michonne still go on to have that wedding now that they��ve reunited and returned home and that Judith and RJ get to be part of it. 😊
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tevanbuckley · 20 hours ago
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in an attempt to calm people's fear about the show making tommy the bad guy, i'm just gonna point to this (x) interview from tim.
Tommy's older and Buck is very new to this, and whether Tommy was correct or not, I think what he felt like was exactly what he said...and I think based on what we know of Buck, he's maybe not wrong. Tommy's a little older and wiser or maybe at some level he feels like he doesn't deserve Buck, I don't know. But I think he accurately diagnosed Buck. Buck's still figuring himself out, and boy, that would be quite risky to move in with that guy as much as you would love to.
and yeah, yeah they talk out of their ass a lot, but oliver said something very similar (x).
Tommy's trying to protect himself and I think that's a totally fair thing to want to do. And he will always...be such a meaningful person in Buck's life because of that. And now Buck has to take some steps on his own and really find out who he is and who he wants to be with.
neither of which scream, "oh yeah tommy's such an asshole, fuck that guy." regardless of if they get back together, they both seem to interpret his actions as justified. and even if we have (justifiable) criticisms of the framing of "bi guy needs multiple partners to figure himself out", the show seems to be treating it earnestly.
and yeah, madney tell him he needs to move on in the sneak peek, but he's also clearly spiraling/not in a good place, and 'move on' isn't exactly unreasonable advice in that situation imo.
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