#and I really need to get back to that rewatch

[superblysubpar]

OKAY OKAY OKAY YES?!?!? Like the parallels between them all?!

And it also works the other way too?! Like if it wasn't "flipped" and they truly are upside right on their side, just parallel to the real side?

Like Max is Nancy's place and hello? Yes? Are they not the same person in terms of not fitting the mold being thrust on her, grieving and haunted by a death, and so so so capable of so much and so strong? And also that whole scene even at the end of s4 with Nancy sawing the gun? And the don't miss from Max and Nancy's I won't miss?!

Then that would be Erica where Eddie is and again? Hello?! Lady Applejack & Eddie the Banished?! Thrust into this group. The Dnd. The speak their mind no matter what. The sarcasm. THE LITERALLY BEING HUNTED BY THE JOCKS???? Erica standing up for Eddie and Hellfire at the town meeting? ERICA FIXING LUCAS' WEAPON AND LAYING OUT THE FACTS WHILE EDDIE MAKES SURE DUSTIN ALSO HEARS THE FACTS?!

OKAY. NOW HEAR ME OUT ABOUT THE LUCAS/ROBIN & DUSTIN/STEVE POSITIONS

Not only. Do we have the whole Lucas with Max and Dustin liking her in S2 too and the whole sort of Robin befriending Nancy Steve weird love triangle that isn't a love triangle on Robin's end but Nancy doesn't know that BUT

I truly think Robin and Lucas have more in common than I ever realized. Especially if you think about Lucas trying to hide his nerdy/Dnd side in S4. He just wants to get through high school and fit in and be cool and I mean Robin is literally hiding this huge part of herself and sort of doing the same? Granted she's not a jock and doesnt seem to hide her nerdy side, but I do think the parallels are there. And I think they're both under utilized and smarter than the group gives them credit for (let's just remember that Lucas is the one who does confirm and find out El was lying in S1 and that the Lab is the reason the compass is malfunctioning - see Robin decoding the secret message S3 - in S2 I feel like I could go on about how he stands in front of Max with a weapon - in line with the adults protecting their kid behind them - which just makes me think about Robin staying back with Steve to save two kids she barely knows - and S3 he's the reason they have the fireworks to help fight/distract which makes me think of Robin and the molotov cocktails (see also Lucas and his wrist rocket) ). BUT ALSO SEASON 4 AND THE STATE OF THEIR LOVE LIVES SEEMING VASTLY UNIMPORTANT IN THE STATE OF THE WORLD BUT STILL -

I feel like I need a whole other post about Steve and Dustin to really get into it but 😅 I think when we look at them in the show, we are supposed to think they're completely opposite of each other's characters. Dustin one of the smartest, Steve one of the dumbest. Dustin a nerd. Steve a jock. But in reality, they have a lot of the same characteristics and even mannerisms? Idk. I think they represent the parts of each other that they want to be. And they're both a voice of reason for their groups, even if it's not always listened to immediately or even left out of the group for a bit (see Max going to Dustin after not getting Lucas or Nancy and the kids always looking for El or Nancy and ending up with Steve), but even so they're not afraid to put their lives on the line for the rest of the party - no hesitation when it actually comes down to protecting.

Anyways my brain hurts and I need to go to bed but I also need to rewatch the entire show and analyze this further??????

STRANGER THINGS | 4.07 “The Massacre at Hawkins Lab”

[mistynatruther]

GUYS i keep rewatching that whole scene in episode three and i just LOVE it so much about it

sevika, jinx, and isha’s WHOLEEEE dynamic. jinx covering isha, and sevika covering jinx. they’re so interesting to me. i love traumatized characters who cling to each other. isha clings to jinx and sevika, like it or not, is sort of clinging to jinx because she has nobody left. they are the only two people left who are grieving over silco, and they need each other for that. they’ve already lost so much, and now, it’s just them.

vi and jinx fighting but not really fighting because deep down, they never wanted to hurt each other, that was never the goal.

vi’s face when isha protects jinx. like she’s realizing that jinx has some piece of powder still in her, because if somebody as pure and innocent as isha could love her, then she can’t be gone.

jinx’s face when she sees that vi stopped caitlyn from shooting. idk it’s these small little details we’re getting of their relationship because everything is sooo screwed up and they haven’t even had a chance to really talk and they have so many unresolved feelings that they need to get out. it all shows on their faces. they don’t want to hurt each other, they both just want their sister back.

vi stopping caitlyn from shooting. it means so much to me. and i know it was “because of isha” but to me, in my head, it’s not just that. because it can’t be just that. there was hesitation. there was gears turning in her head. she knew, even when it finally came down to it, she couldn’t watch jinx be killed. she just couldn’t do it. even if isha hadn’t did what she did, i still believe that something else would’ve stopped the whole thing from happening. no matter how much vi says that jinx needs to die, we all know that her love for her sister is bigger than anything else. it’s the only thing that kept her going while in stillwater, and when she got out? it was her sister she wanted to find.

idkkkkk this episode just gave me some sort of hope for their relationship though i’m not gonna be TOOOOO hopeful bc i also have a feeling that it’s just going to hurt me and things will never be okay. but i like to think about the scenario in which things do become okay one day

[ablobwhowrites]

When the bots found out m/n has a favorite

Vehicon m/n in Cybertron school be like

The dynamic of Vehicon m/n and SG Vehicon m/n

Vehicon m/n in the RID universe

Since you plan to have yandere trollhunter

M/n is reconsidering his life rn

A bonus

Vehicon m/n healing

Bayverse transformer universe is vehicon m/n's nightmare, cause he is scared of Megatron cause he'd rather be with Arachnid than being dragged into the bayverse cause he thinks that Megatron will grab him and rip him in two like jazz (he would never...just a leg maybe) he also is scared Quintessa cause like have you seen what she can do?

Vehicon m/n: "I don't have favorites. What makes you feel like I have favorites?" *Looks behind him* "oh my primes

Also love the mental image of Optimus giving vehicon m/n especially when bro need one cause bro is the embodiment of “it’s you!” To the “despite everything it’s still you.”

B-127: "hey guys I found m/n!...but they kinda look weird?"

vehicon m/n: "how the fuck did I get here?"

Trollhunter m/n whispering : "it's okay, we just have to be super quiet"

*loud notification*

Toby: "hey clash of claAAAA-"

*m/n gets snatched by bular*

trollhunter m/n when he gets a magical weapon that they have no idea how to use. (you guys can decide what weapon it is)

Tfa arachnid: "I created you, you created me"

Tfa y/n: "Optimus why did you create that guy?"

Optimus: "I didn't! I tried to save her!" (I rewatched transformers animated)

Vehicon m/n: "finally a normal looking motorcycle"

Rid m/n: "odd green motorcycle but hey at least it's normal, let's take it back to base can be a cool present for Russel or-"

*motorcycle transforms into kickback*

Vehicon m/n: "ITS A BIG ASS BUG, IT OFF ME OH MY GO-"

(kickback is a big ass bug so I'd be really freaked out if that big ass cricket got in me. Also I love the minicons in the show but also is like underbite some kind of dog or something like that? Cause steeljaw is a wild) w

I had this thought when watching transformers one for the 3rd time, what if vehicon m/n had D-16’s crash out? Like as vehicon m/n slowly realizing Silas took everything from him, his life, his ability to every see his family again and then snaps at prime basically dong the same talk D-16 did in the movie but only wanting revenge on Silas but if he wasn’t talked out of it by prime then basically I think slowly m/n would turn to the decepticons basically only being blinded by rage and revenge for Silas. Should I let vehicon m/n crash out for a little while? Cause I feel like he deserves a small bit to crash out but I don't know what do you guys think?

Anyways hope you guys are well and please stay hydrated and get plenty of rest guys.

[asraindarkness]

If it’s okay, not necessarily BuckTommy but -

This season feels SO weird. It’s even weirder because for the first time they had a long time to plan it - they knew they were renewed for a Season 8 early into Season 7. So much so that, for the first time, they let the season end with a cliffhanger. Multiple, even.

And they they dropped all of them in a rushed and unsatisfactory way. If they didn’t want S7’s plots to continue on to 8, they could’ve ended them in S7. Never bring Ortiz or Gerard back. But instead, they went with the oddest choice and created a nice cliffhanger, only to disappoint pretty much everyone.

But for me it’s more than that. It’s also the way the characters don’t always feel like them. You’re telling me Buck never went into a deep dive about queer history or rights when he discovered he’s bi?? that Maddie would make the making men gay comment?? that Chimney wouldn’t talk to Hen about the possible second pregnancy?? I could go on and on.

And the dynamics also feel… broken. We barely have friendship moments, at all. Buddie this season feels weird, like Eddie doesn’t really want to be bothered by Buck. Hen and Chim are barely communicating. The firefam doesn’t have moments outside of emergencies (save that montage of them asking Bobby for help).

It feels like the writers have stopped knowing how to write these characters and their dynamics. And for me the found family that I fell in love with at first watch feels gone, you know?

i’ve been saying this since s6!

like aren’t they tried of keep writing buck the same all the time??? he doesn’t get promoted on his job that he’s fucking good at it, they had a kind of story about it when buck wanted to be captain in s6 and then bridge fall happened and buck was a fucking powerhouse in it and i thought they finally gonna show buck more that just a young goofy firefighter that thinks on his feet, show them he’s a leader but then they dropped it.

he doesn’t get into lasting relationship and is always chasing one and apparently now he’s gonna forget his character’s growth and gonna be right back in s1. it’s like buck’s always gonna be the boyish bratt they made in s1 when he was 25/6 not a 33yo man!

eddie can’t fucking move on for 6/7 years and tries constantly to make a mom out of everything woman he dates but now a confession and a random priest apparently healed him like he was possessed not fucking mentally traumatized!

madney are most of the times are dealing with doug that comes out like random jump scares. maddie had 2 stories last season both was about her trauma with him. yes you can’t heal from something like that for a long time or possibly never but for god’s sake that woman raised his brother as his own child when she was still a child herself and what did 911 do with this part of her? NOTHING

and you don’t need me talk about hemren’s endless suffering

and where is athena’s children???

it’s been a mess since s6 but now it’s wors cuz tim starts writing 5 minutes before they start shooting. i said it 100 times the only thing good about s7 was buck’s bi arc. they make a big deal out of problems and solve them in most childish ways in the same episode!

i know it’s basically a soap opera but ffs it’s not a fantasy. they pulled dead wife no.2 cuz it’s a soap but in what word a child can land a plane?

honestly after i reed that tim rewatched the whole thing before writing for bi buck i was sure the show gonna back to its root where chim and hen are besties and hen and athena spend time together etc etc, but apparently all he got from that is abby had a boyfriend named tommy

[crowleysgirl56]

IT’S FINALLY HERE SQUIRRELS!

OMG I’ve been biting my nails for weeks on how he is going to react. Already from the thumbnail we can guess that he is not happy and has reacted the exact same way as us.

So let’s dive into my highlights of his reactions. As always, under the cut to avoid spoilers. Here we go.

- Already from Danny’s opening monologue he’s guessed exactly how most of this episode will go in terms of plot beat and story structure. But it is clear he doesn’t know about the 90 minute finale.

- Love how Danny’s immediate response to Crowley’s heaven disguise is “You’ve only made him hotter!” Funnily enough he mentions “it looks like he invented whiskey”. Funny considering David Tennant did that add for whiskey…

- Danny is everyone when he heavily sighs when Maggie accidentally invites the demons in.

- Danny finally gets his payoff about the fly being the key.

- About Beelzebub and Gabriel. He so casually says “I kinda want them to fall in love and I’ll murder anyone who disagrees with me”. Yeah, well…at least ONE angel and demon couple got to do that and go off together! I also love how within 6 minutes he is 100% invested in their relationship.

- “David Forgettit. Azirawho”. HOW DARE YOU SIR!

- Good Omens fandom: deep dives into why no one recognises The Metatron when he’s in his corporal form. Danny when the Metatron enters the books shop: Who’s this guy? Is this God? Did they recast God?! (Crowley then says the last time he saw him he was a big floating head) Oh it’s Zordon! Proving that, yep, it is THAT simply to trick everyone, no deep dives necessary.

- Danny points out Muriel is holding the Crow Road, but then doesn’t try to deep dive into why that’s important. And yeah, if you didn’t know what that book is it doesn’t really mean anything, but looking back at that scene, it is framed so deliberately that it HAS to mean something.

- And now we finally get to it. Danny’s ENTIRE journey of reacting to the final fifteen. I could devote an entire post to everything that he says and does. The clutching of his chest and chair, the pleading of David Tennant to stop being such a great actor, his joy and heartbreak and yelling of “THEY KISSING!”, the depths of despair of wanting to start up smoking, to getting really drunk even though it’s 11am, and to becoming addicted to cocaine. WE. ARE. ALL. STILL. THERE. MY FRIEND!

- It’s funny how Danny went from being such an advocate for Aziraphale this entire time to just holding his head in his hands exclaiming “what the fuck I can’t even, I can’t even, why would you do that?” right at the very end.

Danny’s whole reaction is interesting in that it’s such an immediate reaction, he doesn’t have the luxury like us who have spent the last year and a bit overanalysing everything with a fine tooth comb. Because it’s almost like, maybe that is how we should be reacting? Love to hear everyone’s thoughts on this and his reaction.

And that’s the end. Hopefully he will react to the final 90 minutes once it’s released. What a journey. Now, I really feel like I need to rewatch the entire show over again.

[fandomfluffandfuck]

S...... you asked for this. Literally.

But also I am asking you for this - please pretty please can you Evanstan-ify Chris saying a lot of good thing happened to him at age 24 for us??? 🙏🏻🙏🏻 Really intrigued by this and I'd love to find out what thoughts your brilliant mind is thinking about this scenario... Sending lots of love and hugs to you! 💗💗

Literally, I did ask for it, and I asked because...

gif by @/forassgard

Look at this fucking guy

His pretty, pretty princess lashes, his lips, and that wistful look on his face...

How could I not spend hours thinking about him? 😮‍💨😮‍💨

I'm thinking about how when Chris was 24, it would've been 2005, and so he hadn't met Seb yet by that point, but all roads lead to Sebastian, so, when he does meet Sebastian and they've been together for a while, somehow this interview clip comes up.

I don't have a set idea of how it surfaces--maybe someone (probably Mackie, lmao, trolling him because it's fun and because he knows first hand how competitive Sebastian can be when you push his buttons) sends him the clip saying he should if 24 is still his favorite age or not, maybe Sebastian stumbles across it on his own on YouTube and gets curious, or maybe he's missing Chris and rewatching old clips of him when they're in different cities for different projects which Chris finds out about, asking him how he's doing and receiving nothing but a blush, and then Seb gives him lip back for how he looked in those days, handsome yes, but the fashion, Chris, the fashion is... something. Whatever the reason, yes, that clip.

That clip needs a modern explanation.

And Chris, for all his dark eyes, confident smirks, and cocksure manhandling of Sebastian when he's feeling frisky, when something is suddenly sprung on him, he can get quite shy. It's adorable for such a muscle-bound, virile guy if you ask Sebastian. It's too innocent, almost. The way just the right, perfectly-timed out-of-the-blue innuendo, abrupt wink, or slap on the ass, and he's blushing.

The soft embarrassment almost doesn't fit on his large, broad frame, yet it's there. It's there and it's fucking vivid--spread like hot, liquid butter melted into golden toast from one cheek over the bridge of his handsome nose to the other, shaded by his glasses and thick beard. He can't hide behind any of it, though, not his beard, his glasses, or the sweeping wings of his grown-out hair shading his forehead, curling around his ears.

God, Sebastian wants to plaster himself to Chris, tip to tail, he could swoon and press into him so hard right now.

Chris blushing and stuttering--stumbling over his words and his own limbs in the suddenness of Sebastian's filthiness--is almost always accompanied by a narrowing of his eyes and a tilt of his head.

Sebastian is nothing if not the sweetest menace.

So.

Before I get more distracted by more gifs of Seb looking so bratty, Sebastian brings the clip up to Chris, asking a seemingly innocent question that he knows has some undertone to it. He can see the dazed, satisfied look beneath Chris' put-on cool. He knows there's a story there, one he wouldn't tell, couldn't tell, and he intends to find out what, even if he has to pull it out of his man sputtered, pink-cheeked word by sputtered, pink-cheeked word.

Chris tumbles through his answer with his voice stuck in that low, rough register that Seb has become so fucking intimately familiar with, reacting to it like a dog hearing the word "dinner." He could drool. And speaking of drooling and mouths and appetites... Chris' plush lips just get redder and wetter until they're glistening and swollen from all the biting and licking he does as he retells the story. Sebastian doesn't think he knows he's doing it. If he does know, then he's a bastard, a fucking cocktease, but--

That look on his face?

Nah.

He's not teasing.

Really, he's caught up in a heated, sticky whirlwind in his mind, sweeping him off his feet and carrying him into the thick of the tempest deep inside his body. A core of pure want.

As he's thrown roughly about by the winds, feeling the pull of old eroticisms, sparks reignited, he doesn't spare a detail. It might take gentle, urging encouragement from Seb at first, verifying sincerely that he does want to know, and it's not making him jealous to know, quite the opposite--as he listens intently, hanging off the edge of every detail with his fingernails dug in, Seb finds that he has to involuntarily shift in his seat, half-shivering, letting his knees fall wide open as his blood starts to heat and thicken, redirecting to his knotted gut.

Seb thickly swallows the excess spit pooling in his mouth. Inhale, exhale; he has to remember how to breathe. He can't help but imagine every fucking word he manages to pull out from his lover's oh-so alluring mouth.

In the same way that Chris fidgets by sinking his teeth into his bottom lip and licking it lavishly, his eyes move and change; they flit back and forth like a flame pushed by a howling wind. He's staring between Sebastian's eyes--their gazes meeting and all but crackling with the intensity--and some middle distance that Seb can't see but knows holds all of Chris' visceral memories. Memories that wash over him in sticky, hot waves, lapping at his skin in phantom flames, pushing up against him as hot, humid summer breezes.

Chris' skin, normally pale, tints more and more pink the deeper he dives into his tale.

He usually talks with his hands, but as he goes on and on and on... he doesn't.

Rather than making gestures to add emphasis intentionally, he's obscenely absently rubbing his big, heavy palms up and down, up and down, up and down, the length of his muscular thighs. It almost looks like he's soothing himself against the onslaught of intensity; it almost looks like he's groping himself against the onslaught of the intensity. Either way, he can't help but touch.

Touch himself.

Every now and again, though, Chris suddenly realizes what he's doing, his hands creeping inappropriately high on his own body, and he shoves his hands back under his thighs, sitting on them. But. They just keep coming out to play the deeper into his story he gets. He can't help it.

Every new detail is more alluring than the last.

Sebastian hoards every piece of them, stowing them away like something gleaming and precious. They are. The way he's describing it, god, it is precious in the most perverse way--trusting her completely, feeling so vulnerable and exposed to her, all but on his knees at her mercy while certainly not literally, physically being on his knees, just emotionally, gutting, so gutting, his eyes rolling for it, his mouth gasping uncontrollably, no, moaning uncontrollably while the rest of his body shook, boneless and limp at the same time that he wanted to writhe, maybe he was writhing, squirming, fisting the sheets, arching his back to get more without stopping to think of if he should or not, fuck, whether or not he was squirming for it, he definitely was crying during it, his first time crying from the intensity of the physical sensations, he's cried during sex before for emotional, connecting reasons, he had never been so fucking turned on like that before that he couldn't help it, the tears just came out, falling, spilling over, running down his cheeks, smeared into the pillows, so fucking insane, so good it was shocking, nails digging crescents into his lean hips, embarrassing, but not, impossible almost, the way it felt, stretched, raw, full, too much, and, just, too much--swearing after the fact that he couldn't fuckin' have that all the time of he'd go crazy.

Too good.

Chris got pegged.

Chris Evans got fucking pegged in 2005 and it was too good.

Having all that spilled out in front of him in a beautiful, messy masterpiece, Sebastian honestly fucking wants to shove his hand into his pants right here and now. Fuck getting into his own pants, though, he could just sliiiide his hand down over the front of his pants and cum in his pants like an overexcited teenager, panting, whining, picturing his biggest crush on the backs of his eyelids in varying positions, all these possibilities, not really knowing, but wanting to know so fucking bad it hurts. He is so fucking turned on. He's a goddamn glowing neon sign, lit with bright, obvious red arousal.

Jesus Christ.

But, Chris keeps going and the hot-shower thick, foggy air dulls slightly. His voice takes on something gentler and softer. As good as that was, it just happened a few times, maybe not even a few? Kinda hard to exactly remember. Maybe just twice? Three times? Four... nah, not actually four. Less. It had to be less. There's no way it was that much. They broke up eventually--obviously, for him to get to Sebastian. He'd much, much rather be with Seb, of course, he fucking loves him and they work great and it's so. good.

However, continuing down the path, investigating more and digging deeper, hoping to hit that deep, raspy register again like you hope to hit water when digging a well, Sebastian pushes him a little more, a spark of hope (or something else, something more inappropriate) within him--did he seek it out more, then? It couldn't've just been that one woman, right!? Just with her? And not even a decent number with her. Just a rarity? If it really was all that, wouldn't've it have been more!? Sebastian just fucking can't get that image out of his head: Chris, big, muscular, masculine, so gutting-ly masculine, and, ugh, just manly, yet bent over some plush bed, ripping through the pile of pillows crowding his red-hot face, the sheets and bedding all fucked up around his thrumming body, sweating so badly he glistens temptingly, moaning so loudly as he takes some brightly colored strap up the ass for the first time, and uncomprehending of how good it feels to be fucked. Unable to deal with it. He'd be totally consumed in the pleasure the lucky lady is giving him--fucking him. And if he's not grasping at the sheets then he'd be touching himself, gripping his own body bruisingly, trying to ground himself, trying to deal with the exquisite pleasure and failing, failing so hard with, shit, maybe some lipstick or makeup from earlier making out smeared over his gaped mouth, smeared into his bearded jaw, and smudged down his thick throat--

But, no.

Chris explains that at first, he was too tender to think of it for a while--no matter how mindblowing it was--then when he was recovered enough to wonder about it... he trails off. He doesn't know. He doesn't know why, really.

Out loud, Chris wonders if maybe he just doesn't attract those kinds of women? Girls that would be into that, though--he laughs--he can't imagine there are many women totally fucking put off by the thought. But, he's aware of how he looks, and with a casual, all-too-smooth, stretch-and-rest, he sprawls an arm out to cover Sebastian's shoulders, his hand scruffing the back of his neck meaningful look, he knows what Seb's preference with him is. It's fine. He likes that, too. A lot! He likes it a lot--getting rough and throwing him around, giving him orders, folding him up into a ball, and fucking him until he cries. Yet, at Sebastian's prompting, he finishes with how it just never came up. So he didn't do it again. Just that time.

A few times.

Seb needs a m i n u t e to catch up.

He needs to get a handle on himself.

He's not sure if he'll be able to deal with the knowledge of 24-year-old, in 2005, Chris letting a woman put something up his ass. That was not cool then. And Seb'd, just, kind of assumed based on their fucking around that Chris hadn't done anything like that (Sebastian thought he was the kinky, experienced one between the two of them but maybe that needs to be teased out of Chris, too (that is SO a pet project for another day)) and, honestly, Seb doesn't know if he should be jealous of her for being his first or if he should demand to be given her phone number so he can call her up and thank her, maybe he'll send her fucking flowers, for Christ's sake. That mental image is delicious.

Thank you.

Of course, though, he's sensitive to Chris' big heart. He can understand that waiting while still heartsore completely. And, yes, he shivers continually from Chris' hand, still heavy and big on the back of his neck, making everything around him shine just a little brighter, feeling a little dreamier. But, he is nothing if not constantly on edge because of Chris, anyone would be, he's a walking wet dream, at any given time, Sebastian's mind is half-full of dirty fantasies, so he can't really be blamed for it when he just blurts that shit out--

"I could fuck you, you know."

Chris' mouth opens and shuts. Multiple times. He's gaping like a fish out of water, no oxygen to be found. But he can't seem to help it. Some wordless sound that is supposed to be communication but isn't comes out of his open-shut-open mouth.

"Chris, babe," Seb jokingly pleads with him, leaning in, hand on his thigh, "did I break your brain? Are you okay?"

His mouth moves more as if trying to say that his brain isn't, no, it's--it's fine, he's fine, he... Chris apparently gives up as quickly as he starts to defend himself, stumbling through, "you know, I, uh, um," he shifts in his seat, "don't laugh, okay?"

"Okay," Seb agrees immediately.

"I-I didn't think of that," Chris mumbles in his general direction.

Seb slaps a hand over his mouth to muffle what is, certainly, a laugh despite what he just said.

Chris glares, "Seeeeeeb," he drags out, whining in that Boston-boy way he has sometimes. Nothing but a big, jovial kid at heart.

"I think I should feel insulted," Seb recovers, choking back one last humourous bark, but before Chris can protest to his words, he continues, "I don't." He clarifies. "I don't feel insulted. And don't look at me like that, I'm pretty sure I know what you mean, anyway, you don't have to say it. Y'know? Yeah, like, yeah," he agrees with himself, "we started hooking up but you didn't have experience while I just wanted it bad," he bites his lip, shooting Chris a hopefully killer, dark glance before carrying on, "so there was one way that was easy. Big deal," he shrugs, "we got into the habit of doing it one way," again, he shrugs, this time with one shoulder instead of two, "I should've asked. I just assumed."

"I should've asked," Chris emphasizes, then under his breath, he adds, "I should've thought about it."

"Well," Sebastian's hand lands back on his knee, dragging itself, fingertips teasing and light, up the length of his thigh towards his crotch, "you're thinking about it now, right?" He's looking up at Chris through his lashes, knowing (because Chris has confessed as much to him) that he looks deceptively sweet and coltish for someone who damn well knows how to get into trouble--especially with that mouth of his.

When he expectantly sucks on his bottom lip, waiting for an answer, Chris' eyes fall there.

Predictable.

He gets lost. It's easy to see--to hear, even with the catch of his breath.

So, to help him out, because he's nice like that, Seb tilts his head to the side and clears his throat at the same time. He could just giggle with the apologetic look that graces Chris face, acting like a good, respectful man caught staring at someone's boobs on accident. As if he hasn't done worse to Seb. As if Seb doesn't want him to do worse.

"Yeah..." Chris finds his voice. Eventually. First, his eyes get that same foggy glaze as they have in the video, right fucking in front of him this time, better than any camera could ever capture. He's thinking about it. Fuck, he's probably overlaying that past pleasure with his ex and every wicked, filthy thing Sebastian's already done to him and new possibilities. New delights and overwhelming pleasures that Seb could show him, threatened with a good time. More than good. Seb is gonna ensure that it's better than good. Chris' impossible eyelashes flutter, "yeah, I am. I'm thinking about it."

"Good," Seb whispers back, a smirk sharp on his lips. He folds himself into Chris' lap, following the line of his arm back towards its owner, taking it and curling it around his waist.

Instinctively, those lovely fucking hands find their way beneath Sebastian's shirt. Skin to skin. His heart races.

"I could fuck you," Seb breathes, repeating himself nonsensically.

"Yeah," Chris agrees, blinking up at him from where he's perched in his lap.

A bolt of arousal stabs through Sebastian's chest suddenly, all but making his bones fucking rattle, god, he cards his hands through Chris' hair, sliding through his grown-out locks like silk, and manages to catch at the end, tilting his head back so he's really fucking looking up at him, "tell me you want it," he hushes, their lips just barely brushing.

Chris' paws harder at his waist, squeezing him, "I want it," he groans. Arching his neck, he fights to connect their lips for real, he just wants a kiss, but Seb deftly evades him. He lets his hands fall from his luscious hair and instead holds his head, his jaw, in his hands, feeling that thick fucking beard and reveling in it. He's gonna have this fucking beard between his legs again. Soon. He has to. He will. Yes. "I want it," Chris repeats.

"What?" Seb asks, letting his thumb rest on the pillow of Chris' bottom lip.

"I want you to fuck me," he shuts his eyes against the sheer tidal wave of lust carried in his proclamation, the words punched out of his chest in a breathy moan, gently biting at his thumb, kissing the tip.

Fuck.

Sebastian rips his thumb out of that lush mouth with a distinct 'pop' and smashes their lips together instead. Immediately it's fucking hot and heavy and a little wet and--

God.

Sebastian wants to fucking eat him.

He doesn't give a shit about Chris' glasses pressing against his face a little too sharply. He isn't thinking about how normally he wants to be the one torn apart and swallowed. He can't give any more fucks than the one he's gonna fucking give this man. He's gonna fuck him hard. He's, he's--

He's thinking about nothing but the exotic, erotic way Chris is opening his mouth to him and letting him have. Seb is ravenous to devour and Chris has tilted his neck back beneath the weight, letting Seb lick into his mouth. Seb makes something of a purr that he can't really help, it just happens. Kissing. They're kissing so much, lips locking, and it's as fucking toe-curling-ly good as it always is just a little different. Different, novel, but they still fit together like they were meant to be. It's hot. Intense. Flush against each other. Chest to chest. In lap. Rocking, grinding. Kissing.

Making-the-fuck-out.

Usually, Chris is the one running his mouth with dirty talk between filthy hot kisses while Seb humidifies the scant inch (if that) of atmosphere between their bodies with moans, whimpers, and other wordless, involuntary cries of pleasure that he can't hold in. But, in this moment, thrillingly perilous, Seb can't keep up with the words spilling out of him. There's nothing that can dam the flood. Lust all-expansive inside him, no more room. He's gonna fuck Chris. He's gonna fuck him good. He's gonna fucking fuck the shit out of him until he cums his brains out.

He wants to see Chris broken in the best way--broken open with his fists curled so tight that his blunt nails dig into his strong palms. He's gonna dick him until he's dumb, mouth wide open, hanging open, making garbled, needy sounds with red, red, red lips, but blushing redder. Hotter.

Good.

Seb wants to fuck him good, he wants to slide inside him, tight, tight, tighter than anything as he clenches down on his dick. He wants Chris' eyes to roll back as he feels what it's like to have a blood-hot, throbbing cock in his ass. He wants him to choke, feeling it in his throat. He wants to reduce his confident, cocky man into a pile of mush. He wants to hear him swear like a sailor, speared on his cock, as Seb laughs weakly, shaky, in over his head with how it feels to fuck him, pressed up against him, chest to back, balls deep in that fucking ass (oh my god, don't even get him started on that shapely ass), lost in it just as much as he is.

Christ.

They're gonna be a hot mess.

Chris has ruined Sebastian for everyone else. He's that good. The best he's ever had. So, it's time to return the favor again. He already has, he knows he has, but there's always room for improvement, yeah? He wants to make it good for him, he will make it good for him, and he'll be good for him--gonna blow his mind with his dick. Fuck yes.

I could go on forever with this, really, I could. If only I had the time. I would fucking love to write Chris' shock and dirty thrill at being opened up, feeling the tip of Sebastian's cock pushing into him for the first time, audibly letting go of every half-coherent thought he has, biting off, "Seb! Seb! Ah! God! Seb, Sebb, Seb, it, fuck, it feels s'good, you're so thick, oh my god, ohmygod, it's so hot, s'thick, fuck, how do you take it, how--how do you take me, mmngh, its so much, ah!"

Bonus:

I keep thinking about this Chris, too, like 🥴🥴

gif by @/b-n-a-o

[prapaiwife]

My tiktok is making me cry this morning 😭😭😭😭 but that's something that always gets me 🥺 when I rewatch lita and now knows with all the context on Sky. It's like, well, how could anyone know through payurain Story? u really wouldn't grasp on the fact that he has been through the most absolute pain, and his friends didn't notice. But also Sky didn't want them to know and let alone the full extent of his relationships or anything he went through understandably so. But when prapai comes into the picture, he is so fully aware and in tune with his emotions, and that makes him emotionally available to see the sky who is clearly holding so much in.

Back when they first met and slept together, he immediately felt so curious to sky as a person cause he's not like anyone he's ever met. And it was something that wasn't leaving his mind he kept thinking and thinking about him and how and why he looked like his eyes were crying out for help when he picks Sky up for breakfast, he now knows it's definitely more than what meets the eye here. This situation is serious, and he doesn't know what exactly, but he can see sky is in such a fragile, vulnerable, anxious state of mind. And no one's there to take care of him to tell him to stop. And so pai steps up and wants to be all of that for him and more as well. But he wants sky to see that his motives changed and it's so much more than what he wanted at first, he now sees sky as someone who Cleary needs someone and through that sky was able to see his genuine feelings and that trust that built up over time into their relationship🥺

[doctahpants]

This has been in my drafts for ages, but in honour of 10 years since Death in Heaven aired, and my rewatch, which reminded me of this, I thought I'd finish it.

Okay, so I am such a sucker for the Master losing their composure, just for a moment (although sometimes longer). Something happens, and Master.exe stops working.

There's the graveyard scene in Death in Heaven, which I have spoken about at length and is (at time of writing) my profile picture. The first cracks show with "I need you to know we're not so different! I need my friend back," but then the Doctor kisses Missy, and she's lost for a good few minutes.

There's the moment in The Magician's Apprentice where she realises they're on Skaro and you see and hear the utter terror that she can't quite disguise. She takes a step backwards as though that might help.

There's a moment in End of Time during the showdown between The Doctor, The Master and Rassilon. He's goading the Doctor, challenging him to shoot, but the second he thinks he might actually do it, there's a sudden moment of vulnerability and he gives that little shake of the head.

There's that moment when Delgado!Master gets really worried because he thinks he's killed Three in Mind of Evil

There may be more examples, but it's been a while since I last watched Classic!Masters and don't recall beyond that one. I'll get to them in my Classic watch through eventually, but I'm still on Hartnell at the moment!

I don't know where I'm going with this really, I'm just an absolute sucker for those moments!

[unnaturalequilibrium]

Capítulo 7

- Mafin rewatch (Sueños de Libertad)

Fina in that green dress - she is beautiful. Damn. She also is Isidro’s daughter through and through, she too seem to have that way of getting people to open up, getting them to accept her advice and comfort. She is soft and reassuring as Claudia spills her mistakes with Tasio. And Fina’s hug looks so nice. I’m pretty sure this is what “everyone needs a bosom for a pillow” means and I agree, they do. To get lost in her embrace looks like it could solve a great many personal problems and maybe a few societal ones too. I don’t know if it’s the solution to climate change, but if 2025’s Nobel prize winners tell me it is - well I won’t be surprised. I also like that she one hundred percent share my exact opinion of Tasio, he is trash, unredeemable trash and should be avoided like the plague.

Aww, Fina arguing her case that a marriage doesn’t equal happiness and that her father shouldn’t be so quick to wish one upon her. The old man really just wants her to be happy, you can tell though that it’s a conversation that makes her ill at ease because of the way she has to stretch and stitch the truth in her replies. I already know it’s going to hurt a lot when he later on rejects her.

Marta confronting Elena - I know that it won’t officially happen for another hundred plus episodes, but Marta is the boss. The way she just slides into that armchair and takes hold of the entire office with what seems like nothing more than an innate sense of authority and a raised eyebrow - yeah, she exudes in charge. But I enjoy the little exhale at the end as Elena leaves. Like so much of who Marta is at this point this too is a game face. Maybe she carries it with what looks like ease, but it might actually come at a fairly high price, just not one we’re allowed to see yet.

Petra, I’m telling you - back off the Marta insults, or - If I remove myself from the narrative though, I love this. I love how they try to build Marta up as this stick in the mud, firm, cold and distant. Unsmiling, no sense of empathy, all business and with very little sympathy. If I hadn’t know what was to come maybe I’d buy it, maybe I’d laugh along with Petra as she mocks and says that Marta needs to smile more. Because yeah, all we’ve seen of her so far actually fits that vision of the demanding ice queen, except for these brief micro-expressions on Marta’s face when no one is looking, when she doesn’t have time to catch her true reaction. When Damian brings up marriage and children, when Elena turns her back, when Fina confronts her and tells her she demands a lot of respect. For a second you see something else, but only for a second, before it is hidden behind the wall again. So yeah, if I had watched this for the first time I would probably have thought of Marta as a bit of a bitch to approach with extreme caution.

That said, back to the narrative, fuck Petra. Fina is a fucking cinnamon roll and I ache so hard for her as this woman clearly leads her on, only to slam the door in her face and call her disgusting as wine and a win makes Fina bold enough to go for a kiss. And invertida is never a slur I’ve had to personally experience, but the way it is delivered and the way it lands makes it feel like I share its burden too. It’s a slap in the face and I wish I could reach through the computer screen and return it, with interest.

Marta’s relationship with her dad, ugh. She talks to him about being happy with being more involved in the company, getting a shot at running the business alongside her brothers. And what does Damian do? He turns the table on her and brings the conversation back to her marriage, talking about how it isn’t what he wanted for her. Granted it’s nice of him to want more than the isolation her current marriage gives her, but it’s also another dagger in Marta’s side, isn’t it? Whatever she does, or achieves, with her dad it always boils back down into her marriage, her role as a wife and the failure of it all. That shit really has to feel like someone ripping out the feathers of her wings every time she tries to take flight. It’s a nice parallel though of both Isidro and Damian wishing happiness and partnership for their daughters. I’m looking forward to when this will come full circle in 170 episodes and they discuss how their daughters have found just that, in each other.

[isaaagloom]

BEEN SOOOO INACTIVE ON TUMBLR BC OF THE NEW SEASON AND AARRGGRGRGRHDN (obvious warning for spoilers!!!! s2 act1)

ive rewatched the breakup scene 14 times in total i think. this is terrible.

in that time ive noticed things about it that just make it SO much more sad OH MY GOD I HATW THEMMMMM.

i really like how even with how upset jayce is with viktor, he never once talks over him!!! like he was so so focused on hearing everything viktor said:(( this isn’t limited to just the breakup scene, basically every jayvik focused scene is like this!!! jayce always seems so focused on everything viktor says, even small things like how hes feeling. DO WE REMEMBER THE UNCHARTED WATERS SCENE???

two, its obvious that now, coming back, viktor has a very different attitude towards everything. he seems tired, a lot quieter, and even less energetic than s1.. somehow. but he still makes an effort to look up at jayce / look jayce in the eye when he’s saying things!!! when he’s explaining how he’s not exactly cold, just feeling like something’s uncomfortable, he still looks at him in the eyes as hes talking

i really hate pointing out the obvious on rant posts like these but ARGRGGG the whole point of their “breakup” was that they were at colliding points. viktor had spent basically all of s1 working on hextech and risking his life honestly just to help jayce and keep working, there was no reason for viktor to keep doing that other than that he loved jayce. and now in s2, jayce is ready to give up the council just to help viktor. this was clearly a last minute decision, something he realized he needed to do only after the hexcore bonded itself to viktor to save him!! sure it was done out of love and affection to viktor and wanting to help him, but it was only done when things hit rock bottom for viktor (almost dying from jinxs council bomb)

may be reaching but i saw someone say that viktor and jayce were mirroring judas and jesus and that theres some kind of religious symbolism there (there DEFINITELY is with viktor, but idk if its a reach to say that with viktor and jayce)

ok rant post over!!!!!!!! i may reblog this in a few days or whenever act2 comes out and we get more jayvik content ^_^

[thequeenofsastiel]

We REALLY need to talk more about how Angel has never tried to kill Spike, even when he was soulless. I know I've mentioned it in other posts, but I really think it should be examined and discussed. Spike is literally the only vampire Angel has never attempted to kill. He's never aimed a stake at him, tried to push him into the sun, set him on fire, or chop his head off. Despite the fact that Spike had been a danger to Angel and Buffy, had absolutely tried to kill both of them, Angel still never tried to kill him. So why? Was this intentional or unintentional? Was it just an oversight on Whedon's part, or did he do that on purpose?

Since there's no way to know the answer to that question, I'm just gonna go ahead and assume it was intentional. So since I'm going with that assumption, I have to wonder why. What makes Spike so special to Angel? I mean hell, in 5x19 of ATS, Angel shoved Spike aside to take a stake for him with absolutely no hesitation whatsoever. This despite the fact that their relationship had been varying degrees of antagonistic over the whole of s5, though with admittedly a handful of soft moments between them that I'll probably document at some point. But for the most part, their relationship was aggressive and even violent at times. And yet when Spike's life was in danger Angel was entirely willing to risk his life to make sure that Spike wouldn't die. Where does this devotion come from?

I think part of it comes from the relationship they had in the almost twenty years that they traveled with Darla and Drusilla. Angelus was into him from the moment they met. He got VERY salty that Spike was more interested in Drusilla than he was in Angelus, and was petty enough to insult her to try to make Spike like her less. He had sex with Drusilla in front of Spike to, in my opinion, shatter Spike's illusion that Drusilla would want only him, and make Spike more amenable to the idea of being with Angelus as well as Drusilla. I strongly believe that what happened after Spike lunged at them was that Angelus threw Drusilla aside and initiated rough sex with Spike that may or may not have been entirely consensual.

Now, to be clear, I don't think Angelus is capable of love, at least not the way soulless Spike is. But I do believe he's capable of feeling possessiveness and desire. I think Spike is the only man Angel/us was ever in a relationship with, and when you're bisexual, as I believe Angel/us is, that can be VERY meaningful. I think Angelus felt more possessiveness and desire for Spike than he did for anyone else. And I think those emotions lingered in Angel.

Whether or not Angel was in love with ensouled Spike in s5 of ATS is up for debate for me. They didn't seem to like each other all that much, and yet they still spent time together, still protected each other, and still provided emotional support sometimes. I think the desire was definitely still there. As for love, I'm not sure yet. I'm still doing my rewatch so I'll get back to y'all.

Sorry, this post got out of control. The point is, it's absolutely fascinating to me that Angel never tried to kill Spike, soul or no soul. Discuss? Why do you think that is?

[djevelbl]

I went back to rewatch the guy's (Frostbyte Freeman on yt, btw) video - more specifically, the part where he talks about Whitepine - to see if I'd misinterpreted anything, taken his words out of context in a bout of misdirected anger and a sense of offense at his opinion, had completely missed the point by nitpicking some obscenely specific issue as a gotcha! moment, anything, really. It feels bizarrely weird, I guess, to be so hung up on this random dude's words, vague-posting about it on a platform I'm not entirely sure he's even on or not (it's a toss-up, really) and going slightly off the rails in anger at his (perceived, of course) stupidity; so, I went back to hear his opinion on the series again, especially when in contrast to the other two. Kinda to say one last thing, and then let the topic die. The thing is, he never spoke of Whitepine's story - it was always the artistic intention, the clear love put behind its creation, the color palette, the cinematography. Never the story. Which, y'know, you'd expect would be the point of discussing minecraft storytelling? And he hides behind calling the process of explaining Whitepine and its nuances as "doing it a disservice" - well, I don't give a fuck about "doing it a disservice", because if you're doing a video essay on the fucking topic of minecraft STORYTELLING you better be ready to talk about the fucking STORY, GENIUS; so, what's Whitepine's story? ... Kinda hard to say. The wiki says it is: "a minecraft series developed by IvoryTV and posted on YouTube, where a newly hired maid is tasked with taking care of the members of the Hemlocke Family and to prioritize their every need. However, what was suppose to be a normal job turned disastrous as the maid's next day was struck by the tragedy of a murder case in the Whitepine Estate." Which is true, the story is a period drama and a murder mystery - Frosty over here decides to use different words, however:

"Whitepine is a 2024 period drama serial written and directed by IvoryTV. It is the story of a mysterious young woman (maid) assigned to work for a wealthy manor that is, if not literally, then figuratively haunted by shadows of the past - hers, and everyone else's."

Personally I find that interesting cuz like, while it's implied that's the case (in terms of the "shadows of the past" comment) I have no idea where in the fuck he got that from - except maybe he came up with it?? He's SO wordy oh my god, half the time I didn't get what tf he was talking about. My point is: he could've used the official description, he could've omitted mentioning the murder if he was OH SO INSISTENT on not spoiling anything, yet instead uses a description that puts more emphasis on aspects of the series BARELY EVEN EXPLORED RIGHT NOW instead of on the oh idk FUCKING MURDER???? He goes around willy-nilly speaking of certain aspects of the story while willfully concealing others in the name of "not spoiling the experience".

And my biggest problem with the inclusion of Whitepine as one of the three different stories he wanted to comment on, is the fact that Whitepine is barely starting - it doesn't have enough of anything right now to call a story beyond the first foundations of it, and no matter how pretty it looks or how beautiful the songs are, if your story has no, well, story then it doesn't matter. It's empty. I don't say this as a critique to the series itself - again, barely starting; I don't like punching under the belt - but more as a critique to the tunnel vision that Frosty was exhibiting as he wrote the script out; doesn't it make you wonder if, at ANY POINT of his video creating process, he read over the Whitepine section and thought "hm. is it appropriate to talk about a series with only 2 episodes (as of making that video) and not a lot of story, bc I think it's pretty?" cuz I sure as all hell wished he did

I just. what was the point? Whitepine doesn't have enough story right now to be thrown into an analysis with stories like Unstable Universe (which is WELL underway) and Parkour Civilization (which is LITERALLY FINISHED), and do it justice - it has its character moments and beautiful music, it has its great cinematography and intriguing mystery, but story? No. Not right now. And it's just because it was started a few months ago - I'm sure that in time it's gonna be the next best story that has ever been recorded in Minecraft, no doubt. But until that happens: if I ever see this guy on the street I'm giving him the london treatmen, if you will /j

Also just finished watching a video that made me ACTUALLY ANNOYED at the guy who made it and like. ok if you don't want a story told through Minecraft that is made through the lens of content creation in ANY capacity then don't??? watch stories told through Minecraft????? Cuz like. they're mostly like that; even parkciv which is still good IS done through a content creation viewpoint — either as a parody on the medium it was being told through (scripted Minecraft content/Minecraft storytelling) or just as a result of telling the story and like. needing to pay the bills or whatever is a bit up in the air I guess BUT STILL. don't sing praises to a series that's GREAT in all cinematography aspects that JUST SO HAPPENS to be told through Minecraft all the while you're saying "oooh Minecraft storytelling shouldn't be scared of being called cringe just bc it's embracing roleplay to tell it's narrative, it shouldn't pretend to be non-scripted when it so clearly is" which true, JUST TO THEN critique parkciv for...

*checks notes*

... Embracing its medium AND its limitations to tell its story, JUST bc it didn't necessarily strive to be groundbreaking??? What??????

From what I understand, the series the guy was singing praises to like it was his own child at the local school's dance recital, Whitepine (which I'm currently watching so I'll just come back to this once I've finished — let's see if I'll eat my words [doubt it]) is GREAT in terms of visuals, audio and the likes — it obviously takes great care in forming its atmosphere and from the little I've seen the youtubers are genuinely being actors, not just their normal selves masquerading as characters (something that, admittedly, happens A LOT in scripted Minecraft content/Minecraft storytelling like SMPs or solo series [I'm looking at you, later half of the DSMP]). But it isn't Minecraft storytelling — in my opinion, at least.

Minecraft storytelling implies that it includes Minecraft and its mechanics in some way, shape or form that becomes impactful to the story that is being told — it isn't just a REALLY good story that just so happens to use Minecraft as its movie set. This, ultimately, is why I think the guy was wrong — not necessarily in the idea that the stories he critiqued had more room to grow (which parkciv at least does. I haven't watched ParrotX2's Unstable Universe videos and I don't really plan to; they're not my thing) but in what "Minecraft storytelling" should strive to be.

I have a vivid memory — trust me, this is related — of when I was younger (they say, like she's an octogenarian instead of not even being halfway through his lifetime. anyway) having played Minecraft Murder Mystery with my friends in the playground bc I really REALLY liked Gona89's video series on it. This is like, not really the same storytelling but they did have a sort of story — the chemistry between the youtubers felt like watching a series of characters interact with one another, and certain jokes from one video would seamlessly move into the next as well.

And y'know what? IT DIDN'T FUCKING WORK — playing the thing in the playground, that is. Because the thing wasn't made for that; stories have their medium of expression because they're tailored to it, or the medium is tailored to that story — if your Minecraft story can be told perfectly fine when divorced from its primary medium of expression (Minecraft), then it's LITERALLY not a Minecraft story: it just happens to use the game as the backdrop

... Kinda like The Lego Movie: a lot of the mechanics within the movie CANNOT be divorced from lego that easily BECAUSE it's a fucking LEGO MOVIE — partially related but not really the point of this rant: this is why A Minecraft Movie's trailer fucking FLOPPED. It showed absolutely NO POINT in being made bc it's NOT a Minecraft movie (pun accidentally stumbled upon but I shall confidently roll with it, actually), instead it JUST SO HAPPEN to use the videogame as its set.

TLDR: IF YOUR STORY DOESN'T INCLUDE MECHANICAL ELEMENTS THAT ARE INTRINSICAL TO THE GAME YOU USE TO TELL IT, THEN SAID GAME IS JUST THE FUCKING SET. IT'S NOT A MINECRAFT MOVIE JUST BC IT HAPPENS TO BE RECORDED IN MINECRAFT FOR FUCK'S SAKE

[regallibellbright]

[ID: Image of a reblog notification by @gay-fandom-menace of my Birdie Wing Post, with tags reading “#it’s beautiful. it’s a hot mess #i’ll take twenty #birdie wing golf girls’ story” End ID]

Always good to see that post making the rounds again. Always a joy to see it hit its target demographic.

[seagreenstardust]

When Katsuki Bakugo needed saving, Izuku came up with a plan where Todoroki, Iida, and Kirishima went rocketing across the sky to reach him.

When Izuku Midoriya needed saving, it was Katsuki, Todoroki, and Iida who went rocketing across the sky to reach him.

Both times, our Twin Stars decided to set their own needs aside and allow the other’s trusted friend to take the lead in bringing them home. Izuku knew Kirishima was the right choice to get Katsuki away from the league quickly and safely, and Katsuki knew Iida was the better man for the job of catching up to Izuku and bringing him back.

Can we please just take a moment to appreciate the parallels. Please.

[pa-pa-plasma]

hey i feel like we're really sleeping on that time Danny possessed Vlad & framed him for assaulting a minor

Editing with the clip because people don't believe me. Episode is 41: Eye for an Eye.

[venelona]

A pic I drew for my fanfic 'Write My Report' where we're doing paperwork mafia-style