#and I need to do things for pleasure

[thepersonperson]

Sukuna’s Loneliness Part 4 (Sukuna’s Negative Rizz)

Part 1 Part 2 Part 3 Part 5

Some warnings before we start.

1) This analysis deals with sexual topics.

2) I will be mainly using the TCB scans because of their accessibility. Raws are from mangareader(.)to.

3) This was written as of JJK 262 266. (I'm just going to keep updating this until I stop finding things I should've noticed earlier.)

4) The raws broke me in ways you cannot possibly imagine.

(Click images for captions/citations.)

Fighting as Communication

Baki the Grappler. This is a manga where men destroy each other’s bodies as a test of strength. It’s poorly written but the art is terrifying and I love it so dearly. Between fights of extreme violence and body horror the characters eat. And that’s it. That’s the manga.

I bring Baki up because Gege is a huge fan of Fujimoto Tatsuki, the creator of Chainsawman. Fujimoto is a fan of Gege too, but more importantly, he is a huge fan of Itagaki Keisuke, the creator of Baki. (His daughter made Beastars btw.) In a way, this means Jujutsu Kaisen has been influenced by Baki. But that’s not a surprise, a lot of manga is.

Itagaki’s work is so massively influetial on Japanese media that it’s kind of hard to grasp since it’s not as popular overseas. When listening to interviews from various Japanese creators, Baki will often be cited as a major influence. And the thing is, you can tell when a creative has read Baki. There’s nothing quite like it. If you’ve read Baki and consume Chainsawman, you will see its bones everywhere. I feel the same about Jujutsu Kaisen.

The main antagonist in Baki is Yujiro Hanma. He is the strongest creature alive. So much so that he has no one to call a rival. He’s bored. He causes trouble. He kills his wife to motivate his son, Baki into becoming stronger. His son, Baki, who he grooms into becoming a fighter that might beat him in combat one day. Kind of sounds like Sukuna, right?

But that’s not my point here. My focus is how Baki doubles as a discussion about strength and manhood. It’s aggressively bisexual. Men love each other with their fists. Straight up the main character says having sex with women is the same thing as fighting men.

And it just doesn’t stop there. The homoerotic nature of the fights is never shyed away from. Here’s an example of my favorite.

He grabs his balls and compliments their size. That’s pretty gay, right? Well there’s this reanimated prehistoric caveman called Pickle that fights Baki’s brother Jack. And how do they fight? They kiss.

I didn’t call it a kiss. Itagaki did. I didn’t say they melded together. Itagaki did. This mangaka overtly calls attention to the homoerotic nature of men fighting men, and how men communicate their love for each other through violence. And yes, it’s sexual. Itagaki wants you to read it that way.

But sometimes he doesn’t want you to read it that way. Sometimes the fights are a dialogue, an emotional conversation. Like one between father and son.

Itagaki is a master of narrative framing. When he wants you to feel a certain way, you will feel it. He also tells his readers that there’s more to the fights than just fighting.

Those are the ideas that help me see the bones of Baki in other works. Men loving men with violence. Men communicating with men through violence. I see these ideas in Jujutsu Kaisen too.

Jujutsu Communication

I’ve gone over how Yuji commucates with other people on their own terms. And a lot of it is through fighting. A conversation without words, learning how someone works. Yuji is good at using fights as tool of communication.

But he’s not the one who tells you that there’s more to the fights than just fighting. Maki does in her spar with the sumo guy.

Just like Baki. Fighting is a means of communication. Gege has told you that there can be more to the fights than fighting. It's a tool used to understand the self and others.

With that in mind, I want to reexamine a particular fight under the lens of Baki rather than Umineko.

Sukuna vs Gojo

Baki tells you that homoerotic readings of its fights are intentional. If you ask me, this probably stems from historical stances on masculinity and homosexuality in ancient Japan. Men loved men and women differently, but both were ok. That’s how Baki can have a girlfriend and his gay fights. Peak bisexual optimization.

What does Jujutsu Kaisen have to do with this? Well it has been extremely queer friendly. We have a multidue of canonical trans characters, non-binary characters, and other flavors of queer characters not disparaged for their identities, Gojo Satoru included. It may not be stated outright, but Gojo and Geto do love each other in a gay way. The subtext is so persisent it’s basically text.

In other words, Gege has already told us, yes please have queer readings of this text. It’s the same way Baki tells you, yes this is straight up convoluded gay sex. So that’s what I’m going to do. I’m going to reread the Sukuna and Gojo fight as some ridiculous mating display between two men who are fighting over can miscommunicate their intent the hardest.

Framed as Courtship

Let’s start with the framing. The pre-fight set up. How does text tell you queer readings are allowed?

Kenjaku does. It’s romantic. It’s a date. This reading has been made valid explicitly. And if there’s room for doubt because of the sarcasm? There’s still additional support for it.

We already know how badly in love Gojo is with Geto. The fight is on the 24th of December, the most romantic day in Japan. And in a fun little Geto parallel, who declared the start of war on this day, violence underlines this new romantic venture.

That doesn’t include Sukuna who recalls Yorozu’s words about teaching love in the context of marriage.

Gojo never heard that conversation which is why the next point is absolutely insane.

The outfit Gojo initially is in resembles that of a groom at a Shinto wedding.

Shinto weddings were implemented after the Heian era. Part of the ceremony includes a priest and a shrine maiden who respectively stand to the right and left of the altar. A purification ritual will occur, lead by the priest, to cleanse the shrine before vows are exchanged. Gakuganji is the priest and Utahime is the shrine maiden. To the right and left of Gojo respectively.

The bride at a Shinto wedding wears mainly white. After the 200% Hollow Purple cleanses the area, the dark shawl is removed and Sukuna remains in mostly white.

How interesting that this battle has been framed as one between groom and bride.

The thing is, marriage in the Heian era was far more lax. There were no major ceremonies. If a man was interested in marrying a woman, he would visit her for 3 nights after receiving approval from her father. Upon the passing of their 3rd night together, the family would have an informal celebration of their union in private. Even after marriage, multiple partners were allowed and sometimes encouraged.

Yorozu’s big celebration proposal to Sukuna and banning of concubines was quite improper by Heian standards. Though it is in line with modern marriages. If Sukuna did not consume any Shinto wedding literature, he probably didn’t recognize that Gojo was dressed as a groom.

But did Gojo dress this way for Sukuna intentionally? The Toji fit served an entirely different purpose. It’s the robes and pre-fight ceremony that catch my attention. So I propose the following:

1) Gojo dressed up as a groom to die and be wed with his one and only Geto in death.

2) Gojo dressed up as a groom in part as an offering to Sukuna. And because Sukuna is from the Heian era it went over his head entirely.

3) Gojo intended for both of these things at the same time and left who he would end up with to fate.

Regardless of what Gojo was going for here, it’s a visual cue combined with the knowledge of it being Dec 24th that encourages the reader to perhaps consider the fight as something other than just a fight. A date perhaps? Kenjaku made the connection and neither Gojo or Sukuna really denied it. Gojo gave the weak excuse of a death anniversary confusion. But much weirder, given how hostile he was to Yorozu, Sukuna did not object to the romantic framing in any capacity.

Am I reaching? Is this reading intentional?

When I start getting this confused by how a translated work wants me to read it, I try to refer to the original language text and anyone who knows it for missing context. Sometimes localizations add things that weren’t there or push readers towards one interpretation. So for the rest of this analysis, I’m going to be focusing on the raws.

I’m going to be honest. My Japanese fudging sucks. I can barely read kanji and can’t reliably translate anything. Feel free to correct me if I got something wrong. That being said, with what little I do know, I have discovered something interesting.

In this post I talked about how weird Sukuna’s manner of speech is. I focused on his you pronoun usage of お前 (Omae) for everyone else and 貴様 (Kisama) for Gojo since this is a strong indicator of how a character views their relationship to someone.

Here's a summary of the two points I made in that post:

1) Omae is informal and either a casual thing amongst peers or indicates the speaker's higher status. Since Sukuna is arrogant, we can reasonably assume he's talking down to people.

2) Kisama historically was a formal show of respect, but in modern times it is a hostile insult, much more rude than Omae. Since Sukuna is 1,000 years old and hates Yuji (who he uses Omae with), we can reasonably assume Sukuna was being friendly to Gojo when he used Kisama.

With that pronoun usage in mind, while examining the raws for the infamous “You Cleared My Skies” speech I found this:

Kisama. Sukuna is very happy and lavishing Gojo with praise. The assumption it was formal from the start seems to be correct. It's hard to read this any other way.

Though Japanese can easily be dubious in its interpretation, there are instances where context can cut off all other readings. I truly believe this one of those cases.

Now, to confirm Sukuna is still only treating Gojo this way I started looking at his you pronouns as he got excited post-Gojo death. Maki is the person he seems to admire the most.

He’s still just using Omae. What does that mean? Gojo is in his own fudging category for Sukuna and he has been there since the start of the manga. (For more on why this is significant, refer to this post.)

Wow ok. That’s pretty intense! We’ve got Gojo dressed up as a groom on December 24th and Sukuna treating Gojo different from anyone else. I read their fight again under the lens of explicit courtship and focused in on these specific panels.

Satisfaction. Now that’s a word that can easily carry a sexual connotation. Love as well. The parallel syntax fascinated me in English. So I decided to look at the raws and see how close they are.

Pretty much the same except for "the one who will teach you love" and "the one satisfying him now". Since the one being satisfied is Gojo by Sukuna, it really seems we can assume the one being taught love is Gojo by Sukuna.

Time to learn some Japanese again!

Kanji has multiple readings. Most have at least two. The Onyomi (Chinese) reading typically used for nouns and the Kunyomi (Japanese) reading typically used for verbs. (This is not always the case but it’s the basics.)

That’s probably why 満 is read as まん (man) when Gojo and Geto are talking about “satisfaction” using the On version and み (mi), the Kun version, when the narrator is talking about who “satisfies” who.

However 満 on its own does not mean satisfaction. It means full. To be filled. Or fullness. 足 (zoku) is added as a modifier after 満 to be read as satisfaction 満足 (manzoku). 足 usually means feet, but it can also mean to be sufficient. Manzoku therefore has a direct translation of being sufficiently full. It’s not a surprise a lot of food places in Japan use Manzoku in their names or advertising.

But what’s this? Why is this sentence written as 満たして or Mi(tashite) instead of 満足して or Manzoku(shite)? The addition of Zoku is what transforms Man into "satisfying". Without the Zoku, it’s just "fill". The means this sentence can be read as “The one filling him up now is—”

We’ve already established that the blank is Sukuna. The new problem is that he’s filling Gojo up. And boy, does that sound homoerotic to put it lightly. But perhaps I am reaching.

So I did what any sane person would do in this situation. I read hentai.

Surely if the phrase 満たして (mitashite) can carry a sexual connotation I will find it in hentai.

...

I immediately found a yaoi doujin called Fill me with your Big Love aka おっきな愛で満たして (Okkina Ai de Mitashite). Honestly, I found too many doujins about creampies specifically. (You have internet access verify this yourself.) When you search Manzokushite the results are much more in line with life satisfaction than sexual satisfaction. ...So Gege decided to use the more frisky phrasing.

Manzoku is also the name of an active sex toy manufacturer (I’m not linking them use a search engine.) and a discontinued adult entertainment news company. So the satisfaction Gojo and Geto talk about, along with Geto using 妬 (ya), the jealous kanji often used between lovers, is definitely probably carrying a sexual connotation too.

So, I’m not reaching. What the fudge did Gege mean by this?

Now that we've established that I am NOT reaching. What do we do with this information?

Well, we ruminate on the fight with the knowledge that Sukuna, of his own volition, decided to get Gojo off, probably.

I have forgiven Nanami for calling Gojo a pervert. If I watched someone bust a nut after being cut in half by his sworn enemy instead of saving the country, I too would be like what the fudge.

Anyways, the typical phrase used for an orgasm in Japanese is 行く(iku). It translates as to go. And yes it can mean to die, as in going to the other side. To die and go to heaven if you will. Which is what Gojo did with a big old smile on his face.

There’s also the term 心天 (tokoroten). It refers to a dish were a semi-opaque white substance is pushed through holes to create noodles. Literal translation using the kanji for heart 心 (kokoro) and the kanji for heaven 天 (ten). (Don’t ask me why them being smack together turns the Koroko into Tokoro. I don’t know.) Which in slang refers to prostate orgasms. This has nothing to do with this analysis I wanted to drop this fun fact in here. …And this image of Sukuna clutching his heart while looking at someone he sent to heaven.

(This is a reach but the idea of this being an elaborate gay pun amuses me greatly.)

I have another fun slang term: 賢者タイム (kenjataimu) which directly translates to sage 賢者 (kenja) time タイム (taimu). This refers to post-nut clarity sending someone into a meditative-like state.

Oh that’s a bit familiar. Sukuna was giving sagely advice to Kashimo and reflecting on satisfaction and love.

And what’s this? Mitashite has made a reappearance! Sukuna is saying “I’ve never thought about needing another person to fill me up.” Which 1. further supports the 'The one satisfying/filling him (Gojo) now is—Sukuna.' reading and 2. suggests Sukuna is a top suggests Sukuna really doesn’t have sexual interest in people. (Since the context of this convo is relationships and love.)

By the way. Acts of eating in Japanese can be modified to carry sexual meanings. It’s a bit more suggestive than English, but it carries over pretty well I think? 肉食系 (nikusokukei) refers to someone who aggresively pursues romantic or sexual relationships. Composed of the kanji 肉 (niku) for meat, 食 (ta) for eating, and 系 (kei) class. If you noticed, 食 isn’t usually read as Soku. It becomes Soku when paired with Niku for some reason. (I don’t know why someone please help me.) Side by side the kanji 肉食 (nikusoku) means meat-eater.

食 is still interesting on it’s own. The 食べる (taberu) reading is normal eating. The 食う(kuu) reading is an innuendo. It can mean to devour someone, like a cannibal, or devour someone sexually.

Sukuna has made it very clear that his eating of people is literal. There’s no innuendo. In fact, if you read into it, he’ll kill you (rip Yorozu and Kashimo).

Gojo, however, appears to be his sole exception to this rule. When Sukuna tells Kashimo not to spoil his pleasure he uses the kanji 興 (kyou). This of course can be directly translated as pleasure, but the Chinese reading of it can also indicate intense excitement or sexual arousal.

Sukuna is pretty good at double-entendre wordplay if his earlier stunts with the kanji for Enchain doubling as Megumi Activities if read a different way is anything to go by. He's a fan of Chinese literature. It's not a stretch to assume there's more going on here.

And if notoriously homophobic Reddit dudebros are posting things like this. Maybe there's a lot more merit to this reading than I can currently grasp.

I’m still pretty convinced Sukuna is aroace. That of course doesn’t bar him from pursuing romantic or sexual relationships. Sometimes there’s the one exception. Sometimes the desire to be with and please an allo partner allows for engagement of activities they aren’t into. Sometimes the actions are pursued without the emotional attachment because they physically feel good. There’s also the gray-scale and demi labels to consider.

With that in mind, I want to emphasize this all points to how important Gojo is to Sukuna regardless of sexuality. He tried to engage with and understand Gojo on terms he won’t for anyone else. And he’s been pursuing this connection relentlessly since the start of manga.

Sukuna’s Negative Rizz

Ok I established that reading the Sukuna vs Gojo fight as unhinged courtship is supported by the text. That doesn’t really say anything about Sukuna sucking at it.

But, my dear reader, that in of itself is proof of his negative rizz. I had to sit down. Learn about Heian era and Shinto wedding rituals, learn more Japanese, splice seemingly unrelated manga panels together, read hentai, and know that Gege is into yaoi to come to this conclusion. I had to rip every little shred of characterization and context apart and rearrange it into something comprehensible.

You know who can’t do that? Gojo.

As far as Gojo is concerned, Sukuna hates him. Kisama is an extremely hostile you pronoun in modern times. And if Gojo can’t tell Shoko (his closest friend after Geto) is stressed over him being used like a meat puppet by her visibly falling back on her addiction, he’s going to default to the assumption Sukuna hates him just as much as everyone else.

And Gojo does just that. He assumes he failed to reach Sukuna. Despite how often they did hand to hand combat and weaponized their knowledge of each other, Gojo believes they never had proper conversation through fighting. He dies not understanding Sukuna, convinced the other was not trying to communicate with him at all.

And if you recall, all of this fight occurred while Sukuna was wearing Megumi’s face. That boy is pretty much Gojo’s adopted child. From my experience, most single parents do not go looking for clones of their kids as partners.

If someone wore the skin of my family member I would assume they were trying to torment me. And torment Gojo Sukuna does. He draws attention to Megumi’s soul being used as collateral and attacks him with the 10 Shadows. We as the audience know this is all for the sake of getting past Infinity using his Shrine. Gojo doesn’t know that. He’s fighting an evil dude who is puppeting the body of his son for god knows what reason.

Seriously, Sukuna sucks at communicating intent.

In Part 3 of my examination of Sukuna’s loneliness, I said Dismantle is a tool Sukuna uses to understand. And that him upgrading it by making Gojo the center of his world was indicative of his desire to reach him. I also said his refusal to use it on Yorozu was him expressing how little interest he had in her.

Yorozu is pissed by this. She sees it as Sukuna rejecting her and I don’t think she’s wrong. Sukuna saved his special Cursed Technique (CT) for Gojo while turning Yorozu down. If we’re considering all the wedding imagery and references that started with Yorozu, I’m certainly allowed to read that as him saving himself for Gojo. (Think of how he lied to Gojo about being the first one he killed.)

There’s also the fact that Yorozu saw their battle as an expression love and lust—that the usage of CT is a type of foreplay under certain circumstances since it is an extension of the self. Combine that with the established premise that fighting is a type of a communication thanks to Maki vs Sumo Guy and you can start to see the courtship logic behind Sukuna’s treatment of Gojo.

If we are to read “The one who will teach you love is…Sukuna” there’s another adorable caveat. Yorozu uses the you pronoun あなた (Anata) for Sukuna.

It’s an informal you pronoun used by people learning Japanese. Native speakers try to avoid using it as it can come across as rude. But in the context of love? This is colloquially called the wife pronoun as its often used by a wife to her husband.

If you wanted to localize its usage in the way Yorozu means it, Anata might become “you, dear”. So here we have Sukuna dressed in white, like a bride to Gojo’s groom, thinking of him as Anata.

The problem is, Gojo doesn’t know that. Sukuna never bothered to open his mouth and say this was an act of love. Sure he told Kashimo in the most roundabout way possible, but Gojo was the one who needed to hear that. If a courtship is going to be this diabolically complicated, there has to be clear hints for the other party. JJK is not Umineko where there’s a witch that can revive the dead over and over until the idiot finally understands this was all for them.

Gojo also doesn’t have access to the kanji Sukuna uses to describe certain techinques or words. He hears the phonetics and runs with whatever best fits the context. This means there’s no way for him to catch the double-meaning unless he’s a certain type of lingust, which he is not. His manner of speech and personal interests don’t line up with the flowery language of the Heian Era. The types of written works Gojo is into are historical war politics from the Sengoku period (known for violence more than the fine arts), Shonen manga, and physics/math.

And what's this? According to CFYOW (the canon light novels): JJK Thorny Road at Dawn, Chapter 3 Asakusabashi Elegy, Gojo doesn't even like ancient poetry. You know, the thing Sukuna enjoys and tries to communicate with.

The Kokin Wakashu Gojo off-handedly disparages is a compilation of Hiean Era poetry known as Waka. This was the primary means of communication amongst the noble class and spiritual leaders at the time. And the thing is, this poetry is supposed to be read into. Down to the quality of stroke and paper, not just the kanji written. Especially for courtship.

It’s not that Gojo is stupid. He just doesn’t specialize in the studies that would give him a more critical ear to Sukuna's words. And Sukuna doesn’t seem to understand that no one in the modern era communicates like this anymore.

If you didn’t know, this is why Japanese characters introduce themselves they often describe what kanji their name is spelled with. Take for example: Satoru. He uses the kanji 悟 meaning enlightenment. This kanji can be read as Go instead of Satoru. Additionally, the name Satoru can be written in kanji as 聡 for smart, 智 for wisdom, 知 for knowledge, 了 for understanding, 哲 for philosophy, 聖 for virtuous, or 暁 for daybreak. That’s 8 different kanji possible if you hear the name Satoru.

This is why Sukuna’s wordplay for everything else can be easily missed by other characters. They hear the words and cannot read the kanji like us. Context decides what Sukuna means for them. And since Sukuna’s context for most is violence and insults, it’s very hard for them to think about his words in any other way.

And boy howdy does Gojo miss it. Sukuna straight up calls him his husband and it took me several rereads to catch it. While mocking Gojo for being unable to open his domain, Sukuna calls him "painfully ordinary". This is localized from the word 凡夫 (bonpu) which can also be translated as unenlightened. (A layered insult! Sukuna is pretty much saying Gojo's sorcery is so boring he shouldn't even call himself the Honored One.)

The thing is...Bonpu is comprised of the 2 kanji 凡 for mediocre, and 夫 for husband. (Please note that there are many other ways to call Gojo a ditz without using the kanji for husband.) And an update from the Replies: Turns out there's layers to the gayness too.

It's come full fudging circle. Gojo came dressed as a groom for a wedding and Sukuna thinks they're already married. The miscommunication is off the rails.

But wait! There's more...

Earlier I mentioned that the kanji for Enchain doubles as Megumi Activities. Let's break that down more. (Unfortunately the Twitter account of the person I referenced may or may not be nuked so here's this screenshot I've doctored.)

So we have the translation of Enchain from 契闊 (Keikatsu), which might be better localized as Separation.

This term comes from a Chinese poem about lovers who are husband and wife in The Book of Odes, Section I (Lessons from the States), Chapter 3 (The Odes of Bei), Poem 31 (Banging the Drum). (Here's a link to the full poem and context of it.)

In summary, it’s about a soldier who is on the brink of death, having lost nearly everything after being abandoned by those in power, lamenting the happiest days of his life with his love are ones he can never get back. (Hey that sounds just like what Sukuna did to Yuji!)

Keikatsu specifically comes from this passage:

“Our vow is beyond death and life”, I and you are together I always remembered. I will hold your hand, And together we grow old.

Too pitiful we are faraway apart, The distance separates us to meet again! Too miserable this takes forever, And it does not let us fulfill our vow!

Keikatsu is used to exemplify how the physical distance between the husband and wife prevents them from fulfilling their wedding vows. And that's just what Keikatsu/Enchain does to Yuji and Megumi, it causes painful separation neither of them wanted.

Keikatsu also tells Yuji exactly how Sukuna plans to do it. 契(kei)闊(katsu) can be written as 恵(kei)活(katsu). The kanji 恵 can be read as Kei or...Megumi. (It's the literal kanji used for his name.) The kanji 活 (katsu) can mean "activities", which is how we get Enchain=Megumi Activities.

A two for one special! Sukuna mocks Yuji for being so close with Megumi while telling him exactly how he's going to destroy their relationship.

It seems this has nothing to do with Gojo until you consider the 3rd possible reading from wordplay with 契闊 (Keikatsu). The kanji 契 when read as Kei refers to a promise, pledge or vow. When 契 read as Chigi? It can refer to sexual intercourse, especially between husband and wife.

So we have 契闊(keikatsu, separation), 恵(kei Megumi)活(katsu, activities), and 契(kei chigi, spousal sex)活(katsu, activities). It's no wonder he erased Yuji's memory of it.

Keep in mind, that when Sukuna uses Keikatsu, the only vow that he has made at this point is his promise to kill Gojo. He eventually does that using Megumi's body during a fight framed between groom and bride. And for reasons beyond their control, Sukuna and Gojo have been unable to fulfill that vow through lengthy separation.

Notes from poem "Banging the Drum" Sukuna references include the following:

"And during the operation, he lost his horse, which was a desperate situation (horses in ancient time carried soldier supply and weapons, are life companion for soldiers in advance or retreat), he lost his horse, his supply, maybe his armor and weapons, and the road he was facing that we may lose his life so he may never go back. In all these mess, he started searching, and somehow at this hopeless moment he started to revisit his happiest moment, when he together vowed in marriage ceremony with his wife, and he was even afraid that he might never see his love again."

"And His last statement for his true value is his home, his love, his fulfillment of his vow is his true duty. Hero's duty is to pursue love."

In Buddhism, which JJK is heavily influenced by, horses are a pretty big deal. Horses can represent the path to enlightenment, especially since The Buddha's horse is what takes him on this journey away from his wife and children. They separate in the end though, the horse dying of a broken heart.

Remember how Sukuna called Gojo unenlightened? He sort of guided Gojo to enlightenment using Mahoraga, whose Eight-Handed title is a reference to the Eightfold Path to be followed for enlightenment. Buddhist enlightenment is centered around liberation from suffering. (Just check the wiki entry to verify this.) Infinity was the source of Gojo's suffering and Sukuna cut right through it.

Sukuna has been running around with a broken heart for a good chunk of the post-Gojo fight. And if you take that into consideration with this poem and all the other symbolism, he's somehow a Buddha, a Bodhisattva, the dying husband, the widowed wife, and the heartbroken horse all at the same time. Not unlike his wordplay taking on every possible meaning at once.

But my point here is that Sukuna might’ve seen his fight with Gojo as consummation of their marriage. (There's probably a joke in here about the husband reaching climax while leaving his wife unsatisfied.) Remember in the wise words of Itagaki Keisuke, "Fighting and sex are exactly the same!"

In Conclusion?

This is possibly one of the most bizarre and elaborate expressions of love I have lost my mind over. Sukuna gave everything Gojo ever wanted from Jujutsu violently. He did it in such an unpleasant and cruel way that the target of his affection thought there was nothing between them. Sukuna also hid his intent under social norms that no longer exist. Unless Gojo happened to be into ancient literature, there was never a scenario where he would catch onto this. Sukuna's failure is critical on multiple levels.

It’s impressive. It really is. No one knows how Sukuna’s strange little brain works so he’s stuck being loner without anyone that fully understands him. (I’m still thinking about how Uraume didn’t know Sukuna was a twin for over 1,000 years.) He’d have to let people in and tell him outright, but he’s just like Gojo so I guess that’s never happening.

[respectthepetty]

Bad Guy My Boss is going to give me romance messiness, gun fights, workplace scheming, and, hopefully, color-coded boys in love.

Because Elyes is a dark guy (possibly a Black Brooder) while his assistant extraordinaire is a light guy (possibly a Happy Human).

But the thing is, Elyes is much lighter when he is alone with Pat.

Or at least he was.

And perhaps that was because they were very close when they first started out, sharing meals and their dreams with each other late into the night.

But now there is a wide distance (and many men) between them.

They no longer share plates side-by-side at home and small restaurants, but instead discuss the next day's schedule with a large table of options laid out in front of them.

So Elyes has gotten darker.

And so has Pat, but it's not the job that has gotten to him.

Pat's friends figure out that he is in love.

And even though he won't admit who has him heartbroken,

It's clear only one color-coded boy has all his attention because Elyes has demanded all of Pat's time for over five years.

Even though they still exist in their own little world,

The distance is getting worse all the time.

So I'm surprised that in the end of the episode, Black Brooder Elyes was the one to step up.

And close the distance that is growing between them, literally.

Because based on how the episode began, I know he is successful.

Because if he wasn't breathing down Pat's neck before, he definitely will be now that the possibility of Pat quitting has become a reality.

Bless.

[luv-again]

sea shanties/tavern songs my beloveds <33

[cadere-art]

Almost done.

[gingermintpepper]

hi I love your tags so so much! they were so sweet and so interesting and creative and the whole Aphrodite type of beauty thing sounds really interesting do you have any articles and recommendations to read further into it??

-hogoflight

Hello my fine feathered (I am assuming possession of feathers if you are, indeed, capable of flight) @hogoflight! I'm always always happy to hear that people appreciate my frenzied rambling in the tags :D! I have a lot of articles and recommendations :D!! Ancient Greek notions of beauty and representations of it in their art and sculptures is a pretty well studied topic! There isn't any way for us now to know definitively what the beauty standard was (it varied widely from region to region and culture to culture after all) but here are a couple of my favourite reads about Aphrodite and what her representations tell us about idealised beauty!

Probably the most empirically extensive one I can list is Krönström's thesis which compares statues of Aphrodite and literary text referring to both the goddess and mortal women to determine physical ideals for women in five specific eras of Grecian antiquity. Including measurements of the statues there are many descriptions of Aphrodite as 'curvy' with a 'voluptuous figure' and with 'ample buttocks and bosom'.

"When the beauty traits are described in the texts, they are never extreme or anything that could not be found in normal people just that they are more beautiful in every aspect. Furthermore, the sculptures’ physical forms look healthy, they are tall and have distinct curves. Great examples of this are the Knida sculpture and de Milo (the Melian) sculpture."

Of course, these images are still idealised, and there was still a concept such as 'too fat' or 'too skinny' found in written records (and this thesis even includes analysis of pornographic writings and descriptions of the fashion and stylings of pubic hair of women from different regions!!) but from an interpretational standpoint? There is absolutely no reason why these can't refer to a fuller figure. Height was also a very important factor after all and over the course of many eras, it seems like being well proportioned in addition to the length and appearance of one's hair were the most important factors (and, like Apollo, greater beauty was given to those with curlier hair)

Mireille M. Lee's 'Other Ways of Seeing' essay which talks about the forgotten female viewers of Knidian Aphrodite which is also extremely illuminating on how Aphroditic sexuality and sensuality was perceived totally differently from the well documented male voyeuristic gaze (which was overly preoccupied with the statue's nakedness and therefore over-sensationalised the statue's physical appearance) vs women's perspective on the statue which is more centered on the beauty of simplicity in Aphrodite's garment and decoration and in her power and ability to captivate both in her finery and without it. I think it's especially useful in exploring the importance of finery, jewellry and adornment in representations of Aphroditic beauty.

"Some of the small-scale copies are heavily jeweled, especially those from the eastern Mediterranean, for example the Hellenistic gilded terracotta statuette in the Çanakkale Museum (Fig. 5) in which the goddess wears, in addition to the armband on her (right) arm, the following: a necklace with multiple pendants; cross-bands extending over both shoulders and hips, with a cascading pendant in the center; a coiled snake armband on the left arm and another snake on her left thigh, and a twisted anklet on her right leg. (The left leg has been restored, and might also have featured an anklet.)"

"Jewelry is especially associated with Aphrodite in Greek literature. As seen above, in the Homeric Hymn to Aphrodite, the goddess adorns herself with gold jewelry, dress-pins, and earrings in the shape of flowers (162–3)..."

Finally, and to me, the most important one in the argument for an interpretation of Hyacinthus as fat, beautiful and fundamentally Aphroditic comes from Brilmayer's brilliant brilliant thesis done on Aphrodite's work and influence in Archaic Greek Poetry which does away with all of that masculine preoccupation with physical proportion, measurement and bodily ideals for a focus on a Sapphic Aphroditic ideal centered in clothing, ornamentation and, most importantly cunning as symbols of Aphrodite and ultimately a feminine idealised form of beauty. This paper also discusses Pandora and Helen in these terms and it is just kind of a wonderful read tbh.

"Combining Homeric and Hesiodic elements with her own ideas, she [Sappho] alters the way female beauty is viewed. For example, the Homeric war chariot – a symbol of male, military prowess - comes to symbolise the totality of Aphrodite’s power uniting in itself male and female qualities. Having addressed the concept of beauty directly, Sappho then concludes that beauty lies in the eye of the beholder. With the help of Helen of Troy and her beloved Anaktoria, Sappho sets out to reinvent the concept of female beauty as a godlike, subjective quality that may be expressed in many ways, yet remains inspired by Aphrodite."

The conclusion to all of this of course is that Aphroditic ideal beauty is much more fluid compared to its stricter Apolline masculine standard. The nuances and understandings of both are of course, constantly being studied, analysed and scrutinised but really, if Dionysus who was both bearded and clean shorn, effeminate, birthed and rebirthed (and twice gestated!) and strongly associated with vegetation can be popularly portrayed as fat and handsome, why can't Hyacinthus?!

[lemonduckisnowawake]

You know. Something I noticed about myself is that I enjoy learning to like something. In other words, sometimes I "force" myself to like something or sit through it until I start to actually genuinely enjoy the piece of media. Because, sometimes, it's less about "forcing" and really about training yourself to the direction and way you care about being. I care about seeing better females written in fiction, for example? Then I'll force myself to sit through a story that is well-done, even if it doesn't grip me immediately or even at all. And sometimes, it'll be something I enjoy fondly, sometimes it'll end up consuming my life and give me a new genre to suffer and die over, which is actually the worst. BUT THE POINT

[respectthepetty]

I can only watch one show today, so in normal trashy fashion, I picked my Wattpad BL Bad Guy My Boss because I'm ecstatic that PAT had a girlfriend while Elyes has been the gayest motherfucker in all the lands since Day One! Look at him. He doesn't understand bisexuality! He can't even fathom a man wanting to sleep with a woman.

I love this Black Brooder pendejo who won't let his Heavenly Human secretary resign yet won't actually communicate that he loves him.

And it's because I get him! He was so light before and watched his boyfriend just get darker. He communicated everything! His worries. He dreams. HIS LOVE!

Yet Run didn't say he loved him back, and regardless of Run's reasons, he hurt Elyes.

Even at the very end, with a clear barrier between them, Run couldn't even admit that he ever loved Elyes.

So despite how happy Elyes is with Pat,

He will use any means possible to avoid telling Pat the simple truth.

I don't know if Run actually loves Fei Long, but Elyes is now incapable of telling Pat what he wants to because of the way his relationship with Run blew up.

Elyes wants to lighten up!

But he can't for too long because life always reminds him that Pat could be snatched away if he isn't stalking him 90% of the time.

And Lord forbid Elyes go to therapy for his dark past of trust issues! No! Instead, he will threaten Pat as his boss because that is all Elyes has to fall back on, which is why he refuses to let Pat resign.

Thank goodness Pat is a smart cookie, but even when Elyes can't get at Pat directly, he forces others to track him down and make Pat come back to him.

Elyes continues to tell Kim that Pat is the best secretary who he can't live without instead of just owning up to the fact that he loves Pat, but Elyes. Cannot. Do. That!

Pat has always been honest in his relationships, and for it, he has been rewarded with a healthy breakup due to long distance, but Elyes has not! He was honest, and for his honesty, he got his heart ripped out and stomped on.

So he is going to continue to do The Most™ in attempt to avoid doing the bare minimum.

But Pat keeps proving that all he wants is the simple life.

Which is why I'm proud that Elyes, in his attempt to be light, learned his lesson regarding food and continues to bring the two of them closer by eating meals on tinier tables.

Because the first episode emphasized one of the problems was the fact that the distance kept growing between them as the tables got bigger and longer.

And he also picked up his phone just to tell Kim he was busy with another man, which isn't perfect, but is a hell of lot better than him leaving Pat to go to Kim. Evolution doesn't happen overnight for a Black Brooder.

As far as I'm concerned, Elyes is doing everything right according to his color because some Black Brooders are far more comfortable being arrogant assholes.

Who do not utilize space appropriately!

Which is why I want to know why Run, who is dark around Elyes, is so light around Fei Long. Is it really love?! Or is it Maybelline blackmail?

But shit is getting messy before that question can be answered, and now my color-coded boys in a situationship (since Elyes refuses to say love) are being visited by thots of Booty Calls Past AT WORK.

And by the looks of that big ass barrier between these exes, I don't think Elyes is going to lighten up after this conversation.

Because just like bisexuality and viewing women as attractive, Elyes doesn't seem to understand what a healthy relationship or healthy conversation looks like.

I love him.

[hewhobreathesfire]

I cannot overstate how out of character doing this was for us. for whatever reason, we are extremely resistant to watching new media and it can take quite a while to talk us around to trying something, even if it's popular or absolutely something I would enjoy. it still takes weeks. but our partner asked us to go via text while he was at work and I just.. agreed to it? I just did it. my heart rate was through the roof while waiting for the movie to start.

and it was good. really, really good. it's nice to be rewarded for doing something so far out of my comfort zone.

[beastsovrevelation]

Imagine if these incarnations of Archangel Michael met 🤣

(My girl would throw that insufferable boy character off the nearest cliff, and by the way, same)

[necrotic-nephilim]

Any ships you don’t like in the batfam fandom that is popular?

OOOH this is such a fun question because I have quite a few

StephCass - i'll be honest this is one of those ships where the fandom ruined it for me. because 2000s StephCass is an elite dynamic, they care for each other so deeply. but the fandom has been intent on defanging and purifying this ship. i don't know *why* but StephCass seems most popular with the anti-Batcest crowd who get very mad if you compare it to ships they deem Batcest. i have an entire meta commentary on this in my drafts I'll likely never post discussing why the only reason StephCass gets the pass for not being Batcest ties directly into misogyny (because the women of the Batfam need to exist as love interests first, not family members so Steph was never going to truly get to exist as a "full" Batfam member so long as she could remain a viable love interest for Tim, and the same can apply to Babs, Helena, and even Cass in some cases) and that just sours me to it. like if i want yuri in Batfam i think there are far more interesting/fucked up ships for Steph like Babs/Steph or Helena/Steph. and when it comes to what i'd actually like to see in canon, i don't want to see Steph relegated to love interest of a Batfamily member, even if it's queer. let her date and exist outside of Gotham the way every other Batfam member gets to, DC *please*.

Bruce/Selina - i can't fully articulate why this ship isn't my thing, it just isn't. i think i just can't conceivably agree with Selina letting go of so many of her fundamental morals and beliefs for the sake of a man, even one she loves such as Bruce. ironically, i think that's one of the few things Gotham War got right about these two. the only canon love interest i like for Bruce is Zatanna and i mourn we'll never get much of that.

JayRoy - i will admit when i was newer to DC the first comics i picked up for Jason were all New-52 and i shipped this. but now that i'm a pre-Flashpoint truther and i've actually read well-written Roy Harper comics, i only see the flaws in this ship. ngl if ppl were actually fun and interesting with it, playing with the idea of Roy knowing Jason as Robin and still seeing him as just Dick's little brother who's gone a little mental, it *could* be fun. but this Red Hood & the Outlaws (2011) and Red Hood/Arsenal (2015) dynamic *butchers* the fuck out of Roy and strips him of everything interesting. and even as a Batfamily stan, my number one pet peeve is when other DC characters get *butchered* in a Batfamily character's book just for the sake of propping up the Bat as some kind of savior. free Roy Harper from this mans.

Bruce/Oliver - we could be here all day if i listed all the Bruce ships i don't like, but i figure this one has to be included. because oh my god either the people shipping this *really* don't understand Oliver Queen or they just hate his ass because why would you subject Oliver to this man. he can't *stand* Bruce. i really hate the popular BruOliie shipping dynamic of like "oh they were boarding school besties" because if you want that, you *should* like Bruce/Zatanna, not these two. Oliver just always gets butchered in these fics and i won't stand for it.

Tim/Bernard - the ESSAYS i could write on this ship and why i dislike it. the fucking *fear* DC (and most popular media tbh) has with depicting queer relationships as anything other than totally perfect and cute for fear of accusations of homophobia has stripped this ship of *any* real grit. Bernard is a non-character in Tim Drake: Robin, he exists to cheer Tim on and prop him up and just be The Boyfriend. we occasionally get glimpses of an interesting character with really interesting trauma and nothing is *done* with it bc at the end of the day, Tim and Bernard must be perfect and cute. what's fun about Tim is he is the *worst* boyfriend alive. that boy is *ass* at dating. all of his relationships are rich with conflict and yet the moment he dates a guy suddenly all of his flaws vanish? i hate it. i mourn what this could've been if we kept messy Tim Drake and had a Bernard who was actually informed by his trauma. DC please let gays be messy again. also of all of Tim's 90s/00s friends to bring back as a love interest, Bernard Dowd was just a *bizarre* fucking choice. Sebastian Ives was *right* there come on now.

Any Crossover Ship - look if crossovers are your cup of tea i'm happy for you but oh my god if i have to see that little green ghost boy or that ladybug girl in the Batfam one more time i think i may explode. i have a lot of thoughts on *why* i think specifically Danny Phantom and Miraculous Ladybug get crossed over as often as they do with the Batfam, but i don't think anyone wants to year that. my only exception to this is Jason/Bucky Barnes, but it *has* to be comics!Bucky. like. Judd Winick's Jason and Ed Brubaker's Bucky would hatefuck and that i wish to see it. any other crossover ship (especially the Peter Parker ones that seem to be rising in popularity) just do *not* do it for me.

honestly besides that i don't think i dislike many ships. (aside from being super opinionated on Bruce ships, but that's mostly bc ppl will use him to butcher the character they ship him with) there are some ships i'm neutral to because i simply do not know enough to have an opinion (like Dick/Wally). i guess the only Batcest ship i'm not particular to is Bruce/Damian, but I wouldn't say that one is popular nor would i say i dislike it, just that it's not my cup of tea. most Batcest ships click for me in one way or another because i like their Weird dnyamics. i guess i could also say i dislike most ships that have come out of Young Justice (tv) because. oh my *god* why were those group of characters put together on a team. it's baffling. but even then it's not disliking those ships, it's moreso disliking that show's depiction of those characters so. everything is really dependant on the canon context for me!

[ronnierosest]

Astarion & Angel Dust fusion ❤️🩷🤍

[kanerallels]

For @laughingphoenixleader, who requested Kanej in a superhero/villain au

(tw for vague mentions of drug deals and human trafficking, though there's nothing explicit)

The streets of Chicago were clogged with criminals. One couldn’t take a step without seeing a carjacking, a drug sale, a mugging. It was the perfect place for a criminal enterprise to begin and flourish.

It shouldn’t have been a surprise to anyone, then, when someone other than the corrupt law enforcement rose up to stop them.

The Wraith. No one had seen her face, but everyone knew the name. A figure in dark clothing, using knives and carrying out judgment against the traffickers and the dealers before disappearing into the shadows again. Those who used humans as a commodity seemed to be the biggest targets.

Which was lucky for the city’s latest big player.

“Kaz Brekker,” Inej murmured, studying the blurry image on the computer screen. He looked young, though how old she couldn’t tell with the quality of the photo. All that was really obvious was dark clothing and hair, a pale face, and the cane in his gloved hand. Both of which look…familiar.

“Why is he on our radar?” she asked Nina, who was slouched in the wheeled chair in front of the computer.

The young woman shrugged. “Possibly because he’s the main suspect in seventeen different robberies, but no one’s been able to prove it. Or because his right hand man shoots like no human being should be able to. There’s also the fact that he sprouted up out of nowhere overnight. Looks like he took control of Per Haskell’s gang, but he was there all along. We just didn’t see him until now.”

Inej frowned. “Why?”

Getting up from her chair, Nina headed towards the kitchenette in the corner of the basement room Inej used as her headquarters. “Probably because he didn’t want to be seen. And you’ve had other, bigger problems on your mind. Toaster waffle?”

Absently, Inej waved her off, mind spinning. Kaz Brekker. If his plan was to set himself up as the crime lord of the city, that could be a problem. Especially if he was as good as Nina said he was. “I might have to pay him a visit,” she muttered, more to herself than anyone else.

Nina answered anyway as she popped two waffles into the toaster. “Just do me a favor and don’t get stabbed. I have class tonight, and stitching you up doesn’t actually count as homework.”

Despite her cavalier words, Inej could hear the concern hiding behind them, and she smiled. “I’ll be careful, Nina. I promise.”

The other woman didn’t look overly comforted, but nodded all the same.

Later that night, after Nina had cajoled her into eating and resting, then swept off to her night class at Ravka University, Inej slipped out of her civilian clothes and into her suit. It wasn’t quite Superman quality, but the clothing was comfortable and good for sneaking and climbing. She checked to make sure her knives and gear were all secure, and set off into the night.

Brekker seemed to have set up shop at the Crow Club downtown. Inej knew of the place, but Per Haskell—the former owner—had never caused enough trouble for her to have risked the trip, not yet. She’d had bigger prey to track.

Slipping in was a simple matter. One of the windows was unlocked, and Inej eased through into what looked like an office. A desk lined with papers and books stood in the middle, with a cot pushed up against one wall. Does Brekker live here?

A key clicked in the lock, and Inej ghosted into a dark corner, keeping her steps quiet and smooth. A second later, the door swung open, and Kaz Brekker stepped inside, limp obvious, cane swinging.

She caught the barest glimpse of pale skin and high cheekbones before his back was to her, standing at the desk. His movements precise, he flipped through a file, gloved fingers tapping against the outside.

The tapping paused, and his head lifted a little. Then he spoke, his voice rasping and rough.

“The Wraith, I presume.”

How did he know I was here? Inej brushed aside the surprise. There was no use in pretending now. She moved out of the shadows, and Brekker turned to face her.

Inej’s heart skipped a beat. Not for any silly, romantic reasons—though the young man facing her was handsome enough, in a severe way. He was all sharp angles and dark shades, his dark brown eyes taking her in like she was a problem to be solved.

No, the reason her heart skipped a beat was because she knew him.

She hadn’t known his name at the time. But they’d met once, years ago. Before Inej became the Wraith, before she’d escaped the life that had driven her to take this path.

The police had found her. An undercover cop, Detective Nazyalensky, had made contact, and promised her that if she informed on Heleen and her entire organization, she would go free. Inej had been going to meet her the day of the bust when Heleen had summoned her into her office.

She’d known. Inej was sure of it, and if she went into that office, she would be beaten, or sold, or worse. Fear had threatened to choke her, and she’d wavered. Should she run? But she wouldn’t have made it, not if Heleen wasn’t distracted.

And then he’d walked in. He couldn’t have been more than sixteen, but carried himself like a full grown man. But he didn’t look at the girls as he came in, and that struck Inej as curious. The other customers ogled freely.

Maybe he wasn’t a customer. Perhaps he was one of the information dealers who came to Heleen for what the girl’s customers knew. In which case…

She moved toward him quietly, her feet brushing the floor. He was standing at the door of Heleen’s office, facing away from her when she said, “I can help you.”

He’d been startled when he turned to face her, though it faded quickly. He’d lifted an eyebrow, looking a little curious when Heleen’s voice had rung out from the office.

“Enough hiding, little lynx! I said I wanted to see you, and I want to do it now.”

Inej had flinched, unable to prevent the visions flooding her mind. The boy facing her frowned, just a little. Then, he’d spoken. Not to her, but to Heleen.

“You have an appointment to keep with me, Heleen. Haskell won’t wait forever.”

Grumbling, Heleen had appeared at the office door and waved for the boy to follow her in. Before he moved away, the boy had looked at her. “Don’t let them see your tell,” he’d said, voice too quiet to Heleen to make out. “And don’t look back.”

He’d entered the office, and Inej knew. It was time to run.

And so she did. She made it, and Heleen was locked up 24 hours later. Inej was free, and it was thanks to the actions of a stranger.

He had, whether he knew it or not, been the reason she’d gotten away, the reason she’d been able to tell the police everything.

His eyes narrowed a little as he looked at her, and for a second Inej thought, He knows. But then—no. He couldn’t. Her face was covered, and it had been close to four years since her escape.

“And you’re Kaz Brekker,” she said, keeping her voice cool. Business like. “The newest boss on the block.”

“Here to stop me?” Brekker asked, an eyebrow going up. “Bring me to justice like the Black Heretic? The Lantsov family?”

“The police took the Lantsov family,” Inej said, and Brekker snorted.

“The police in this town couldn’t solve their way out of a cardboard box. You handed them the arrest.”

He’s smart. “How do you know that?”

“I make it my business to know.” Folding his hands over his cane, he said, “So, what have I done to merit your attention? I thought I’d kept a fairly low profile.”

“You haven’t done anything. Yet,” Inej said, letting her hand rest on the knives at her waist. Brekker’s gaze followed the movement for only a heartbeat before locking back onto her masked face.

“Ah. Threatening me into submission. Interesting method. Unfortunately for you, I have plans that can’t be put on hold. And you don’t kill anyone unless what they’ve done meets your criteria.”

Inej wouldn’t show her surprise. “You’ve done your research.”

“It’s good to know who I’m dealing with. And to know how you intend to be rid of me.” Continuing, he said, “If you were going to kill me, I’d be dead. Everyone you don’t kill gets handed over to the police, and there’s nothing on me for the police.” The thinnest sliver of a smile appeared. “So, Wraith, your threats are to no avail.”

Oh, he could be dangerous. “Then consider this an appeal to your better nature,” Inej told him.

He laughed, sharp and bitter. “I don’t have one.”

“You have common sense. Don’t give me a reason to come after you, and I won’t.” Inej met his gaze, hoping he would see the intent in her eyes.

He was still for a moment, then inclined his head. “Then perhaps I will see you again, Wraith. Or perhaps not. We’ll see what your code dictates.”

Without another word, he turned back to his desk. Inej hesitated for a fraction of a second, then slipped out the window. Activating the ascension cable she wore strapped to her wrist, she fired it and swung out across the city. She needed to find somewhere to think before her nightly patrols began.

She had a feeling then that she would meet Kaz Brekker again. And she truly didn’t know if she hoped for it or dreaded it.

[respectthepetty]

Look at my pobrecito.

He is suffering because he is a pendejo who can't communicate even when his (love) life is depending on it.

I know the colors mean things, but Pat has no idea that Elyes wearing white signifies his love and devotion for his Happy Human.

I love this damn show so much.

So here I am in the tenth episode of Bad Guy, My Boss watching Elyes make the same damn mistakes he has been making for nine episodes.

But I'm not mad at it, and neither is Pat since he is wearing Pat's darkness even though they are in the middle of ANOTHER fight.

But neither of them remember that once Pat gets hurt.

And this is why I love this show! Elyes is just so light around Pat.

And Pat eats it up!

Elyes is ridiculous! He legit told his guy that he didn't need anyone killed CURRENTLY. Like the man has no chill!

And Pat is right next to him for the ride *wink*

So just as much as these two color-coded boys love each other for no good reason, I love them even more!

Pat takes on Elyes' darkness, and Elyes gets to bare his soul to Pat (but not communicate any of that because Lord forbid this pendejo use his mouth for anything other than kissing and blowjobs!).

Oh, but Elyes did use his mouth to be petty and remind Pat how he didn't believe him when he said his cousin was not to be trusted.

I genuinely do not care what the plot is of my Wattpad BL or how messy it gets.

Because it's giving me everything I need.

Exactly how I want it.

[grimoirefate]

TAG DROP 001

[ ooc. ] i'm a nice person so long as you are nice to me. my muses are not the only ones with teeth.

[ ic. ] i once feared mythal would consume me were i to carry her. but twas not so. i remain free willed and mortal.

[ mythal & solas ] ...are not for you alone to bear my friend. the many wrongs we did. we did together. I release you from my service.

[ mythal introspection ] I pulled you from the fade you loved and sent you into war. I used your wisdom as a weapon and it broke you.

[ introspection ] when she intended me to become the next host of an ancient gods soul I feared naught would be left of my own.

[ veilguard ] I have been advisor to orlais. witch of the wilds. daughter of flemeth. and once long ago an old friend.

[ inquisition. ] I knew the empress was intrigued by the arcane and I could answer questions no chantry mage could.

[ origins. ] well. well. what have we here? are you a vulture I wonder? a scavenger? poking amidst a corpse? or intruder?

[ answered: ooc. ] its me. the equivalent of a spicy kitten in a corner.

[ answered: ic. ] yet she survived and returned ages later to aide the inquisition in its hour of need. how?

[ psa. ] hear ye! hear ye! use those things on the side of your head or be doomed.

[ saved. ] im like a dragon when it comes to things i like.

[ prompts / memes. ] twas both a pleasure and necessity to help them as it is now.

[ crack. ] ooooo! you fear barbarians will swoop down upon you!

[ salt. ] i'm bitter and now i'm making it everyone's problem.

[ birthday. ] its my hatch day!!!!

[ self promotion. ] would that I could become them I would for now this will do.

[ promotion ] look! its the people I like! I think you will like them too!

[lady-caden]

Tbh i think I'm aro/ace and maybe that's why relationships are so whatever for me and that's why I have a hard time telling between platonic vs romantic. Or at least I'm somewhere on the aro/ace spectrum