#and I literally STILL have more to say about this scene but I was trying to stay focused in on mav and rooster

[jaal-ama-daravv]

dissecting act 3 & emmrichs final romance scene (mortal & lich)

dissecting the graveyard scene dissecting the mortal romance path scene dissecting the mortal emmrich argument scene (all routes) emmrich x rook cinematic (mortal)

lich version dissecting the alternate romance path dissecting the argument scene (lich path) dissecting the emmrich romance scene (lich) mortal vs lich romance path emmrich x rook cinematic

look this is half a thirst trap post im not gonna lie to ya

ACT 3 - OH MY GOD.

Now. We all know that dreaded argument scene that fills us with angst and really gets us in our feelings for the final 4 hours. which was 100% done on purpose, thanks bioware, you succeeded. i did in fact regret that conversation and cried immensely

We have the argument with Emmrich, then we have our mini resolution of Emmrich trying to apologise, and Rook responding with, "We'll talk back home Emmrich, I promise."

Fast forward an hour, and ive just about pulled the plug because emmrich gets trapped by Ghil, someone dies, and then we are sucked into the fade - trapped. FOR WEEKS.

I truly wish bioware included flashbacks, or rook being able to see the lighthouse whilst they were trapped so that we see our LI panic, and fret. Can you imagine Emmrich? The last conversation they had was a fight, and a fight that stemmed from love at that. regardless of the route you took, both rook and emmrich regret that argument deeply. I mean deeply. And most likely regret not saying, i love you in that moment. or any moment. god when emmrich got sucked up by ghil i was locked IN. nothing was stopping me.

Emmrich wouldn't of been able to sleep, he wouldn't of been eating, he would've been working day AND night like a dog on the dagger. he wouldve been irritable, he wouldve been incessant, he wouldn't of been put together, not clean shaven. id bet money on this.

despite bioware not giving us a good reconciliation scene or a glimpse at what happend during those weeks - BOY DID THEY FUCKING EAt with the pulling you out of the fade section. Oh my god. Emmrich's voice being timed right after Varric saying with "You have everything you need", AND THEN PULLING YOU OUT OF THE FADE WITH HIS ARM.

anyway - AFTER T H A T.

You have the romance scene (mortal dissection | lich dissection)

and then my god - i have no words - literally - just look

goodbye ovaries

The Final Goodbye (Mortal/Lich)

Now these are the exact same for both mortal and lich, ill tell you when its different below - to which this is dissapointing as I feel like the final romance scene is so 'meh'? it's very idk, scripted. I feel like there needs to be a dip in emmrichs voice when he says i love you to rook - maybe its just me, but regardless, its meh meh to me. the whole scene is just kinda -

I'll skip to the romance part anyway as there is nothing of substance in the first half

1. I love you, too.

I feel like - underwhelmed with this response. its just slapped on like a bumpersticker

2. I'm glad we met.

I cannot believe that this line of dialogue is hidden beneath the most basic of thought processes - i love it

its emotonal - its hopeful

YESSSS - PLAN WITH ME!!!! This is digustingly impactful if playing the mortal path. the man has hope for the future. oh I need not say more for its delivered so wonderfully.

HEHE

3. Be safe. I can't lose you.

I thoroughly enjoy this path, I feel so much emotion from Rook and Emmrich in these lines. the worry, the love. although it is kind of a shock to the system because we still went from. OH MY GOD DEATH, to oh yeah death with Emmrich.

exactly how the argument scene should've went, BUT, I get it, now if only we had a reconciliation scene in the middle or a conversation, i'd have no notes and be out of business

Now here is the divergence, of like two lines, that occurrs directly after the above dialogue

Lich Version

Mortal Version

its sweet, its sensual, its loving. but there no oomf. theres no, fear. the mortal version is my preference here as I like the slight reminder of emmrich being alive. in saying that, considering what we have been enamored with and reminded of at every single quest of his. but in the last romance dialogue its, gone? the fear overcome? one line, one word makes a difference. idk man. like I have my full speculation that there is a sequel with rook and companins again, and if there is ill let this go. but if this is it, WITH no epilogue screen? please, as much as i like fanfiction and headcanons and art. id like it IN the game.

a fantastic romance, but a stale last conversation. IN SAYING THAT. I choose to look past it as much as possible as it is sweet and I just love him.

ANYWAY, love you all, im pen for questions and the full emmrich dissection with all my very detailed explantions is coming in a few days

♥

[armandaughter]

Interview With the Vampire + Perfumes

i posted about wanting to make this and people were also curious, so here it is :) i absolutely have no qualifications to be making this. i just love perfumes and iwtv and wanted to combine em!! lmk ur thoughts <3 fyi this gets pretty long-winded and analysis heavy at times

louis de pointe du lac (new orleans/paris eras)

very slow world in my mind. i think he'd gravitate to the warm spice of it and the hints of whiskey. this also smells a bit like incense, which i think is fitting for him. louis' religious upbringing will always inform how i approach him. but this scent also reminds me of the clubs in new orleans, cigars and rich drinks, and that transfers over to him exploring new sides of himself in paris with photography and engaging with art and cafe scenes. i question the inclusion of the balsamic top note, it's actually much more tea-aligned! this is also quite masculine to me, which makes sense as, particularly in nola, he had to be a little overly masculine-- older brother, man of the house after the death of his father, business owner, and a black business owner in an extremely racist setting. i like this for him, i'd even go as far as to say maybe it's not quite masculine enough.

runner-ups: full incense by montale, nothing but sea and sky by une nuit nomade (this one is very bergamont heavy, which i also think he'd like) foreshadow by curatrix (this one is in my rotation rn and i am almost out because i use it SO much. musk, tobacco, incense, cypress)

louis de pointe du lac (dubai)

this one isn't similar to the above at all, but i think it sort of stays in line with what we know of louis in dubai. it's a very fresh scent, with residual fruity and cedar/fig accords snuck in there that are more noticeable with longer wear. this feels performative like most of dubai, put-together and appealing to the senses but deceptive at the end of the day. i think it's still something louis genuinely likes, but i see him, when he's happy, wearing something a bit more explicitly sweet-spicy, less wood-spicy. this is an amalgamation of the above scent and other sweeter, floral accords he'd drift to, but not quite leaning into it the way i suspect he'd be were he actually healed, had he actually confronted his past in full and emerged content with his circumstances.

runner-ups: of true minds by liis (this is inspired by shakespeare's sonnet 116, also smells like sooo complex. floral spicy with a bit of suede) angel dust by fugazzi (cashmere, pepper, bergamont)

lestat de lioncourt

i actually took so long to decide for lestat. after consulting @operahouses (thank you for enduring my lengthy perfume character analysis) i'm happy w this. it's very very floral, mostly rose, with jasmine and iris too. there's also the underlying patchouli and according to what i read, a sort of rosewater wine-y feel about it. walks the line of intense and mysterious with an elegant softness that feels very true to lestat coming off of paris and finding his footing (and the love of his life) in new orleans.

runner-ups: l'olympia music hall by histoires de parfums (floral, also the name is very lestat in the vampire lestat to me) baccarat rouge 540 by maison francis kurkdjian

rockstar lestat

this is zoologist, which literally makes perfumes off of animal scents. i think that is so fucking cool. anyway-- this is a very bold scent that takes the sweetness of the initial perfume i shared and expands upon it with some really interesting notes. there's passionfruit, leather, teakwood, and incense. (INCENSE, which i think he'd intentionally wear for the nostalgia it could potentially evoke in louis!!) but, overall, a very impressive and borderline questionable miasma of smells. because of this, it's startlingly unique. verrrry memorable, which is kind of the desired experience of a rockstar trying to get his ex-husband back.

runner-ups: triumph of bacchus by argos (this one has such an insanely diverse array of accords i feel only he could pull off) do not disturb by vilhelm parfumerie (this leans into femininity a bunch, which i am down for with lestat. also has some questionable accords but again i think this era welcomes that)

armand

so i'm not even going to pretend i'm not projecting with my first choice for him because i am-- press gurwitz 0.3 is soooo criminally underrated. it's got the knockout combo of the cinnamon and vanilla but when the smoky spice of it hits... it HITS! it also isn't overly sweet at all. the vanilla subdues the sweet notes and leaves sort of a smoky yet clean spiciness over time. i think also the idea of him wearing a gourmand scent has a lot of interesting character connotations in it-- wanting to be desired, wanting to be almost edible, to attract that sort of temptation. if not a gourmand, i can see him preferring fresh, clean, sharp scents-- hence the choices for him as rashid.

runner-ups: milk by commodity (amber, firewood, tonka bean; ultimately the marshmallow accord felt a bittttt out of line for him but this scent is GOOD. a pinch sharp but in a way that's striking rather than obtrusive) female christ by 19-69 (eucalyptus, woody, with cashmere and cinnamon at the base notes, emerging the longer the scent is worn)

armand as rashid

this one has a lot going on but i NEED you to stay with me and hear me out. first of all-- there's notes of pineapple here, which i feel are soooo good given the 'honey and pineapple' exchange. there's also a lot of sweetness here and while the 'honey' part isn't explicit, i feel like it's still reminiscent of it. also, who's to say rashidmand doesn't wear honey body oil with this? wouldn't put that past him. otherwise, this is also pretty floral, fresh, and long-lasting. my one flaw is it is intense, especially for his playing as rashid. my defense here is this: he's already gone with the slutty shirts and the speaking out of turn, so a memorable scent doesn't seem suddenly too far, at least not to me. also, the bottom notes like the vanilla stabilize the intensity. for the first hour or two after application, i'm sure this lingers in a room (which is what he'd want) but as it fades, you'd have to be in closer proximity to notice it.

runner-ups: honey & crocus by jo malone london (this is the honeyed scent that could replace the pineapple one, with traces of saffron and lavender included too which go nicely) fleur de délice by reminiscence (VERY herbal and fresh)

daniel molloy (1973)

ok i am pretty sure i'm not the first to say this but he's SO jazz club. to me. this on top of probably perpetually smelling like cigarettes. and i've heard it's more masculine-leaning, with the rum, spice, and tobacco staying on the longest. i think in devil's minion canon armand would also be all over this like a bloodhound. not much else to say aside from boozy and kinda sexy. the kind of thing you'd wear to go out and score drugs or a fatal vampire encounter.

runner-ups: none! i stand by this one. possibly book by commodity, which uses cedar and sandalwood to come shockingly close to putting your nose in a book. also accomplishes a sort of smokiness.

daniel molloy

this is kind of like if jazz club matured a bit. from what i read (i haven't smelled this one) it's very leathery and dry with a slight sweetness at the end. it has some pine and dates in the list of accords, which works for me too. it is also a bit sensual and i think daniel would wear this in dubai to see louis for the first time since '73. not too intense, which i think he'd prefer. @operahouses suggested a new car smell and i STRONGLY agree.

runner-ups: ombré leather (2018) by tom ford (this went too herbal for me to attribute to him, but i still think leather is good for him)

claudia in new orleans

getting into headcanon territory. this scent is sweet, light, and rosy. i'm imagining this is a gift from lestat before things soured. also something to wear before she branched out and developed her own preferences. i personally think this one is a bit strong and just a tad like a bath, but then again it's very clean and satisfying when the initial scent sits for a little. the sugarcane there brings it together too. this would also contribute to the infantilization both louis and lestat force upon her, the shared--whether explicit or implicit- idea that she's theirs, only the 'girl' part of daughter and too young and naive to be the 'woman.' i feel like she'd grow to hate this smell eventually the same way she grew to resent what lestat and new orleans meant for her.

runner-ups: rose of no man's land by byredo (i didn't think the spices fit, but could be that's a stepping stone for her)

claudia (paris)

i haven't tried this scent but i do love curatrix. so i think in a similar way to daniel's progression this is an older, sultry, woody-sweet rendition of what a younger claudia would enjoy. knowing curatrix, it's probably a bit intense, but for a woman duelling with the reality she will not ever be properly seen as a woman, i think it's very fitting! the cloves and tobacco lend age to it while the honey and vanilla sweeten it up a bit, dries down into a suggestion of ginger. i think the name would attract her as well. claudia owns being a vampire-- she loves it, wants so badly to be loved by the coven for loving vampirism, so the idea of fatale is definitely something she would gravitate to in my mind.

runner-ups: hypnotic poison by dior (similar wood themes with a bit of floral and fruitiness mixed in, but mostly, the bottle is cute) carmilla by immortal perfumes (the name, naturally-- also has a blood accord!! was my first choice until i remembered fatale exists)

madeline

gets a classic. i wore this for years before i started to present less feminine. it's clean, floral, sweet, a bit powdery, and stays on forever. not too overwhelming but def alluring. one of thee ultimate femme lesbian choices to me!

runner-ups: immortelle by chloé (still white floral with some tonka snuck in. i like the name for her a lot!)

santiago

i really have nothing to say other than this scent doesn't get very good reviews and it kind of pisses me off and that's perfect for him. def wears way too much of this and it pisses off everyone in the coven. the HEIGHT of gay man who is about to infuriate you.

okay i had a lot of fun doing this. so if anybody else matched my freak ab this i would LOVE to do more.

[one-chaotic-neautral]

There's a whole bunch of things I gotta say Abt act 3 that I don't have time to, but my god the SYMBOLISM, so I'm just gonna do the couple of obvious ones that stuck out to me.

Spoiler warning ofc.

In ep7 when jayce was in the pit, he broke his leg and used the design for viktors leg brace (which he knew well enough to recreate, the two likely worked on it together in the past which I love) and then painstakingly climbs out. He's in the undercity at the time.

The whole sequence, due to him wearing the leg brace, is very unsubtly a parallel to Viktors journey of metaphorically crawling his way up out of Zaun and into Piltover. Which is to be assumed as his backstory before meeting Jayce, and was probably still something he felt like he was doing his whole life.

(Also hallucinating both Mel and Viktor in the same place is very bisexual behavior Jayce. and adds to the parallels between Mel and Viktor, they're both mages that go through physical transformation this season, and whole bunch of other scene parallels)

In ep 9, during their little gay transcendence scene he basically tells Viktor he's perfect, that he admired everything about him and that his leg and his illness were never flaws etc. Last season also ended with Silco telling Jinx she's perfect.

Which I think its neat we got that happening at the end of both seasons, in a show where identity is so important, (and toward two of the main physically and mentally disabled characters specifically). Personally I loved Jayce including Viktors leg as being a part of him and therefore something he loved as well, that he never needed to feel ashamed about

Again in ep 9 at the end, when Vi is holding Jinx and Warwick over the ledge. This kinda parallels s1 act 1. (With the obvious first scene of teen and tween Vi and powder on the roof in piltover, where Powder falls but Vi is there to pull her back up)

Vi wanting to save Vander, Jinx trying to save Vi when that goes wrong. Now Jinx is hanging there with the literal weight of her dead family weighing her down, as Vi holds onto her trying to pull her up, despite the baggage being to heavy but being unable to let go. Vander so well representing the guilt and trauma she carries with her.

In the end she knows she'll pull Vi down with her too, so she forces her to let go. By stealing the hex crystal, which is what started this whole mess, but is such a jinx moment of quick thinking.

God I bawled at the end there I kept thinking they've gotta have another scene that shows maybe she didn't die, or Ekko came to save her again, but no.

I'd go into more detail cause there's just SO much about this season but I've gotta go and I'm sure someone else will cover everything. The show was just phenomenal.

[animeomegas]

blowing some boys' back out please x3 your choice of 'em

that's 2 imprecise help neji gaara, sasuke, and minato? :3 bonus if the alpha is big in size. I'll be 🍷 anon if not already taken ! mwah

(Hey, welcome 🍷 anon! Let's see~)

N-sfw under cut

Let's set the scene!

It was a rough night last night, enthusiastic, hot, and very heavy.

And some soreness is totally normal after nights like this, especially when you consider your... greater than average size *cough*

But when your omega gets up the next morning, it's clear that the soreness is more than normal.

He's waddling around the house, holding himself gingerly, still kind of dazed from last night.

He probably has some emerging bruises in sensitive places, a few pulled muscles, too.

Maybe you were a little too enthusiastic 😅

But how does he react?

Neji

He is deeply unimpressed by you.

He's sending you dirty looks, blaming you for his current condition and conveniently forgetting how much he was begging for it to be harder last night.

"How am I supposed to go shopping like this? 😠"

You better be pampering him to say sorry.

He's going to settle down on the couch and you'll be doing all the chores and massaging the sore parts of his body.

Bring him snacks and butter him up with lots of lovey dovey apologies and he'll forgive you.

And then ask for that kind of sex again the next week smh.

Gaara

Concerned boy is concerned :(

Rough sex is extremely out of character for him, and so something must have triggered it. Perhaps extremely heightened emotions?

I'm not sure, but he's regretting it so much :(

He knew rough sex was a bad idea. He kind of feels bad about the whole thing.

For a shinobi, his pain tolerance is pretty low, but he still has to get to work because he has a village to run...

He keeps his composure remarkably well at work, but he goes home early and he expects lots of cuddles and kisses and gentle affection.

It's one of the only sex things that he won't overshare with his siblings because he's genuinely embarrassed by injuries that occurred from his perceived lack of control. He feels like he should know better.

Give him lots of love, okay?

Sasuke

He is SOOOOO embarrassed.

And he's pissed at you. But he won't say that because he's too busy pretending that nothing is wrong.

This lasts for all of 5 minutes before he realises that pretending he's fine means leaving the house like this, and he'd rather DIE.

So, the man who would try to train or take a mission while literally delirious with illness, actually takes a day off and hides in bed.

A bed that he kicks you out of by the way.

(but you can probably sneak back in with some well placed nuzzles)

What is he even so embarrassed about?

People knowing he has sex? Kinda, yes.

How fucking ridiculous he looks waddling around? Absolutely.

Not being strong enough to physically take his alpha without injury? Yes...

DO NOT tease him!

Just apologise once and then make him breakfast and don't bring it up ever again 😅

Minato

He's a bit sheepish about the situation, because he remembers begging for it to be harder, and he should have known better.

Oh well! Now he knows better, and well, it was pretty hot.

He gets a bit turned on thinking about it, which probably hurts, so that train of thought dies quickly.

He will probably tease you about being so big and rough lol

To be honest though, he's totally fine, and he'll say "you don't have to do that" everytime you try to apologise or make it up to him.

He would appreciate you running him a bath and making him some food though, just to show him that you love him.

Let's just hope that he's not teaching that day 🙏🏻 Because he is not as subtle as he thinks.

Or working as Hokage... Because his guard definitely know how he spent yesterday evening 😏

[jesteriajunovix]

(Spoilers) Just a Reminder to Curly Sympathizers

Jimmy and Curly are not "Problematic Favs". They're literally thematic vessels for THE problem.

CW: Mentions of SA, and Abuse

Curly (And Pony Express as a Company) Never Cared to give Anya Pysche Evals. Curly only started to care for that when it doubled as an occupational hazard to him and his image.

Curly actively vouches for Jimmy as a crew member despite his "struggle" on earth. I don't see how it'd be far-fetched to assume that involves some form of Misconduct with the fact Curly literally says

"You've gotten through difficult situations before" RIGHT AFTER talking to Anya the actual Victim.

Curly doesn't understand why Anya was talking about the locks on the sleeping quarters and moves past it to reinforce the company's logic. [The Company and Curly can not be bothered to consider or provide actual safety for women. It is an afterthought that resembles a cruel apathy towards women's perspectives in a corporate work environment.]

Would Curly have given the gun to Anya if she asked? Probably not. While that is somewhat debatable It rings to the shitty isolated environment where Anya would have to take up such a mindset. Not to mention Curly is clearly super pals with Jimmy, so if that was a concern he'd probably take Jimmy's (and the rest of the guys) side considering he later took jimmy's side under the fact he sexually assaulted a woman.

The first thing Curly says to Jimmy after trying to consolidate Anya is "I Can Fix This". Curly enables Jimmy to find ways to get out of taking responsibility for the harm he did to Anya.

Curly buckles to the fact his mind is more focused on his position and reputation as a Captain rather than the personal impact Jimmy's harm has caused Anya. This issue is an occupational obstacle to him first and foremost.

Jimmy: "This can be remembered as a tragedy".

Jimmy: "The Tuplar crew was never found."

Jimmy: "You're standing at the top. Feet in cement. Right?"

Curly: "...Right."

And his complacency and dissonance of that truth leads him to do absolutely nothing.

I have seen so much art, and discourse treating him like he wasn't an active enabler. You know what. Fuck it. Half of this is going to double as an Anya Post. thinking about how people disgustingly twist her character to redeem two shitty men who are completely at fault irks me so much.

Anya

The fact that Anya doesn't really get to build herself as a character outside of the scenes that reinforce her tragedy, and antagonist environment feels super sucky.

The purpose of such a narrative direction is of course meant to feed into Jimmy's resentful apathetic attitude towards her, and emphasize the cold unfeeling corporate entity that hired her to be on the tulpar, but as a narrative choice, it still feels rather cruel to take in. Jimmy literally erases her personhood from his mind and only internalizes her presence as a threatening womb while taking the rest of the games runtime to focus on himself and the other men on board.

I see many renditions of Anya in fanart. Adding to her character in ways people weren't really given the time to appreciate or take in during the actual game due to how little she's left with.

I find her canon resolution both annoying and interesting due to this type of interaction where the fans are being pushed towards an interpretive play pen where they are motivated to give Anya more characteristics, quirks, and perspectives than she was allowed to have or emphasize within the game.

Using such field of creative deliberation to redeem the men that actively harmed her is such a gross way to use that play pen.

To get into some interpretations

A pretty important moment occurs after Anya runs out of the medical room during the painkiller scene with the thought:

"I have to believe that our worst moments don't make us monsters"

I think there are quite a few different ways to take this line in this moment, but to share my own perspective I believe it most likely stems from these potential factors:

Anya is trying to maintain a metric of empathy and trust to continue to control herself in the current conditions and stresses she's under at this moment. The needs of the crew can not be upheld without this kind of thinking while under the orders of her abuser.

Anya still cares for Curly and is disconnecting the harm he caused from the rest of his humanity as a person who is also suffering.

Anya is reflecting on her own legitimacy while the internalized trauma she went through makes her feel alienated from herself. Accepting the actual piece of shit that is Curly allows her to hold faith in herself as a person through the shared correlation of pain and "mistakes" as she percieves it bonding her with Curly.

While somewhat ambigous I think its important to generally understand these types of potential layers when interacting with the themes and subjects presented by Anya as a character. Ideas which are critical and dissective of Anya as an actual Subject above a simple generalized understanding of her peripherally as a victim.

also Idea 2 doesn't make Curly vindicated. Curly was the only member that Gave Anya some sense of care (As ingenuine as that care was). That dependency is toxic and was unfortuately potentially of mental necessity to Her. To reframe it as a point for Curly to show he was better than what he presented himself to be so deeply annoys me with how uncritical that reframing is when addressing the actual faults and mentality that led him to his bedridden state. With how little Anya is already focused on, it feels like that interpretation and dynamic hands Curly the position of "Subject" while Anya still remains an "Event" to some people.

That kind of thinking not only significantly reeks of a lack of indulgence in actually trying to further interpret the facets presented in Anya's character, position, and mental state, but also dilutes the meaning to be had in analyzing Curly as an enabler. The framing of Curly as an "Enabler in Rehab" or "Tragic Casualty" feels so utterly ignorant, redundant, and enigmatic to my senses when he is so utterly undeserving compared to Anya who barely gets any other elaboration or analysis from the community outside of "awww wasn't that sad" or sensationalization around "The Event".

I WOULD go into Anya's logic leading up to her death, but thats a post and analysis for a different tumblr user to take care of. I honestly just gradually have developed new ways to hate the Mouthwashing fandom, so I really needed this to make mental space for the next few horrible bizarre takes i'll inevitably see about this game.

[hryniewiecki]

Grand Arcane S2 review

because I really need it to move on

Remember how I mentioned I could write an entire book about everything that went wrong with this season? Well, this is what a little excerpt from it would look like.

Let's start with a personal note to clarify my relationship with this hell of a piece of media.

S1 was this miracle show that was able to break through the several years of depression and anhedonia and make me interested in something, make me try to get back into making art (or at least try to try), to put myself out there on the internet a bit, to try be a part of something and not ashamed of enjoying it, which I never allowed myself before. Coincidentally, I've been at what I thought then was the worst place in my life when it aired and it helped me a lot to get through it. I didn't even think I would make it to see S2, as thee years felt like forever then. Taking all that into consideration, I think you can already tell where this is going.

I honestly thought I was prepared for S2 not being good, as no show could be this perfect. Turns out I wasn't prepared at all. Act 1 made me very happy, so happy I watched it two times, but the rest is something I would've never watch again and rather forget about.

The characters I wanted to see the most were Warwick (body horror, The Wrath of Zaun haunting the streets - got just a glimpse of that, but it felt like nothing) and Viktor (cyborgs and cyber gore, misunderstood idealist, Blitzcrank - got basically nothing; the idea was kinda there somewhere, but got changed so much it didn't matter at all).

I can't believe they took a godforsaken champion like Viktor and not only ruined his story completely, but also managed to fuck up everything else by all of a sudden making him a center of all of this mess. The center being the arcane/hextech/magic, which never even gets resolved/explained. Still no idea why it got corrupted and what was the nature of it; the void was never taken anywhere despite being heavily hinted - everything was evil because it was, but luckily the magic of friendship saved us!! (I'll get to that)

Speaking of crucial plotlines that weren't taken anywhere.. Basically every character got screwed over and made empty. Let's use Vi for a quick example (may not actually be the best example, but hopefully you'll get what I mean) - when I saw the pit fighter scene released early, I expected to see it have a continuation in the show, but instead it ended up just being the exact same music video, nothing more. And that goes for some more events - they get compressed into music videos that make it all incredibly hollow. Fight scenes are fine like this, sure, but not something that was supposed to be a bit more emotional and serious. Anyway, they successfully made me hate most of the characters. Either hate or just straight up not recognize them, and in a bad way.

Long story short the pacing is awful (it only gets back to normal in ep7, as it resembles the structure of S1) and the writing sucks ass. I can't for the love of god believe it was written alongside S1. There's no way in hell - it's literally all the worst fan theories I've seen come to life and get mixed with fanservice. *puts on a tinfoil hat* Maybe this is the real why they needed an extra year or two, as S2 was initially supposed to be released earlier. No way in hell the same people who wrote S1 and cared so much about the characters would do anything like this. Riot must've gotten heavily involved, making us believe they cut the story short (I think 5 seasons in Piltover/Zaun were planned initially?) for the benefit of it, but all it really was is greed - let's make a bunch of bullshit happen and quickly move to another region to sell more skins for new champions.

Now let's get back to the ending. Man, it really had it all - the nonsense, the multiverse bullshit which basically makes nothing make sense anymore (if there was anything left), the (yes, I'm going to say it, because that's exactly what I felt) cringe and embarrassment. Never seen anything more hollow trying to convince me it was deep and emotional (sums up the whole show perfectly).

How the hell the only thing that was supposed to save Viktor from himself was Jayce telling him he's perfect the way he is? Sure, don't try to cure your illness (that my city caused, but "fortunately" another crucial part of the plot, which is the sister cities conflict, ceased to exist), it makes you beautiful, this is who you are (miserable, unwanted, feeling meaningless and like a burden, dying). I am at loss of words.

Now buckle up jayvik fans. I wasn't a fan of the ship as I'm not a fan of any ships in general, but now I despise it. I wouldn't mind if they actually went on with it, which no, they didn't. We don't want two men kissing (women making out is fine tho, won't make the gamers too angry), so let's play extra safe to make sure it could be explained as any type of other close bond (and that's exactly what Christian Linke does when asked about it). You disgusting cowards, either you show me this in plain sight and I wouldn't give it a second thought, or don't even try bring it up at all (and you can't deny it wasn't implied in S1 with all the Viktor's looks and parallels to Mel).

Where do I even begin? Because I don't think you have any idea on how many levels it actually sucks. If you read it as romantic it's basically telling me that if I was a gay man struggling with my feelings and not being able to confess for years, because I'm convinced I'm unworthy of love as something is inherently wrong with me, then the best I could get after surviving all this (what honestly seems like hell) is a hug, because you're ashamed of me and thus I should be ashamed of who I am till the very end.

Something equally bad is Jayce finding out (or rather we finding out) how wonderful the world could look like if he let go of his beautiful dream, his life's work, and killed himself - it never gets denied, as the corruption of hextech doesn't get explained.

Long story short, if you're struggling with your mental health, trauma issues, disability or any of the problems the characters you related to deal with, this show spits you in the face.

I could go on forever about everything that's wrong (even Jinx got played dirty), but let's finish with the few things I liked: act 1 was promising (it's when I believed they could still make sense of Viktor), fun Sevika's arcade arm fight, the epic fight at the Janna's temple (Woodkid goat), Jayce killing Salo (I felt something) and Jayce's glitchy madness in general, young Vander flashback (felt something), ep7 and Singed's story (the only one that makes any sense).

Other than that the show left me with nothing but void in my heart (I guess that's when it all went). The saddest thing being the masses love it anyway, as it seems they'll watch anything that's colorful enough. And Riot will make lots of money of off it, because in the end they never loose. I'm not denying Fortiche absolutely outdid themselves with the art, it's just heartbreaking nothing else even remotely stands up to it.

[thefirstlioveyou]

My interpretation of lonnie and will's (+ jonathan's) relationship from what we get from the show:

Lonnie is a neglectful and manipulative father above all, this is what the show tells us. He is a terrible father and person.

Lonnie wants to fix Will and change him. He forces him to play baseball and get into things he doesn't like to make sure he grows up to be a "real man." Joyce knows Lonnie believes he's a queer, a fag. There is no indication that he said it to Will's face, HOWEVER this doesn't make it any less worse. Lonnie still has homophobic opinions about his own son and is trying to "fix" him.

Then we get to the Jonathan and Will scene. Jonathan is trying to distract Will from their parents fighting. When Jonathan brings up Lonnie, Will just seems... Indifferent about him. He doesn't tense up or begin to show fear. He literally asks Jonathan "he isn't coming, is he?" with disappointment. In Billy's childhood memory playing baseball with his father, he literally tells him to leave him alone and runs away. (the parallels are indeed there, but are there to show different situations. billy fears his father because his father is explicitly cruel to him. will is clueless to his father's behavior because his father's cruel intentions are communicated differently through manipulation and control.)

He's indifferent because Will is manipulated by the false hope Lonnie may be giving him. Lonnie does this to Jonathan as well but he sees through it. He knows Lonnie already.

Will is holding onto hope Lonnie may show up more as a father. He wants more time with him. But what he doesn't know is the time Lonnie spends with him, he's actively trying to change him. Will goes with whatever he says because he's young and that's the type of person Will is. He doesn't stand up for himself and goes with whatever is being presented to him.

Jonathan points this out.

He makes Will aware of what Lonnie is actually trying to do. He's making it clear Lonnie isn't trying to be a father to him and spend time with him, he's trying to fix him and make him 'normal.'

Based on Will's body language and choice of words when talking about Lonnie, it seems to me he knows a different Lonnie than Jonathan does. Lonnie would pretend to be someone else to him and mask his true intentions.

Are there implications of physical abuse?

In a way? To me, Lonnie was physically aggressive in a playful but controlling way. In his eyes, it's playing. But he gets to choose when they play with no regard for what Jonathan wants. Lonnie masks it as playful behavior when in reality it's him wanting control and power over someone else. It still hurts Jonathan though. I don't know what to classify this as exactly, but it's wrong It's about the fact there is no consent.

Another example of Lonnie wanting control: Lonnie forces Jonathan to kill an animal with a gun, traumatizing him for a good while, in attempt to make him more of a man. Lonnie gets Will to play baseball to make him more of a man. There is a huge difference obviously, and it could do with their age. Lonnie has a more subtle approach with Will than Jonathan. Will could've eventually been in Jonathan's position if Lonnie had stayed.

From what we are given, between the two siblings, Jonathan was the one that got more shit from Lonnie. It possibly has to do with age and their personalities clashing. Jonathan protected Will from it and made sure Will learnt to not listen to Lonnie at an earlier age than he did.

About the trunk: In my honest opinion, looking back at it, he could have been looking for bags. The more I think about it, it'd just ODD to open a scene with implication he was kidnapped and stuck in the trunk, and not even touch on it and leave it there. Just speaking from a writing perspective. That's a VERY heavy subject to bring in just like that and to treat it like whatever. It's weird to just CASUALLY imply he kidnapped his son like nothing, but the writers want us to actually know Lonnie forces Will to play baseball above anything else. And then just never imply anything else similar to kidnap ever again. It feels off and inconsistent. So I can't fully see the interpretation that Jonathan was looking for Will's body in his trunk. I get why some could come to that conclusion but there's just not enough evidence to support that he would do that.

To me it seems more logical that he believed Will was staying there, especially with the scene between the two. Jonathan sees Will is indifferent to Lonnie. He knows Will's easily manipulated. He plays baseball because that's what Lonnie wants, he'd probably stay at Lonnie's for the same reason.

Will shows no indication of physical abuse unless we're talking about the trauma he has from the UD and possession. Outside of that, he shows more signs he was emotionally abused. This is something we know. We know he's experienced bullying and possibly knows what Lonnie thinks of him, because we know Will can tell when someone think he's different. He's internalized it. The bullying, the UD, and the way people think of him -- it all made him feel like one big mistake.

There are indications of **physical** abuse in other characters in the show and they are quite in your face. From the top of my head, you've got Billy's aggressive behavior, El taking her clothes off in front of the boys, her trauma response from being hid in Mike's closet.

ST and TFS does not hesitate to show us physical abuse on children. They will show us what we need to know. We aren't shown that with Lonnie. The show emphasizes his neglect and need to control/take.

Our first introduction to Lonnie is through Joyce. This is important. They have to tell us exactly what we need to know about Lonnie with little words. And from her description, he sounds like a deadbeat of a homophobic father who is critical over his children. Joyce even says he has nothing to do with it. It doesn't cross her mind that Lonnie could play a role in Will's disappearance because he is an absent father. I think she would have a different mindset if Lonnie was this vicious physical abuser. But no. She sees him as a deadbeat, because that's what he is

When Joyce tells Lonnie to leave after figuring out Lonnie was just there for the money, she goes on a rant on how he was never there. That's what she chooses to bring up. That's what the writers want to emphasize over anything else. His absence. His controlling behavior. His lying and manipulation. This is what makes Lonnie a bad father.

Lonnie is very manipulative, controlling and neglectful. I don't think physically abusive fits in the most. This show in particular will tell you when a father is very physically abusive and bring that to light through several instances (ex: billy's dad). They will show signs a child was physical abused.

Will still struggled in his home. It was a broken home. He wasn't accepted by his father, whether Lonnie made it clear or Will could just tell. His parents fought. Lonnie was never there for him or rarely was. He was abandoned by him. But I do not think Will is fearful of him. I don't think Lonnie is to Will is how Neil is to Billy (Which doesn't make him any less of a bad father! Just different). He's indifferent because Lonnie (from what we can infer) presented himself in a certain/different way to him. Jonathan shows more distaste and anger towards Lonnie because he knows his real intentions.

Now, S5 can obviously introduce something. I bet there is more to Lonnie and the Byers. But this is just how I see it based on everything we're given. Please do not attack me. I am not a fucking Lonnie stan. This is just an analysis.

[yourlowkeyidiot3]

Salty rant v2

This is basically me angrily screaming about Ford again (wow what a surprise) to a wall (myself, my rotten brain and my blog) so feel free to skip this

Fuck it I'll bite

Gf fans when you tell them Ford had every right to be mad at Stan for ruining his Project (he saw it as the only chance to prove himself and get accepted in his dream school, and even tho WE know it was an accident, Ford doesn't he thinks it was a purpose sabotage and it really doesn't help that Stan didn't told him which resulted in him making a fool of himself Infront of ppl he wanted to impress and then Stan tried to pass it off as something that didn't matter even tho it mattered so much to Ford, like of course he'd be mad everyone would be mad in his position)

Gf fans when you tell them it's not Ford's fault that Stan got kicked out it's all Filbricks fault (seriously guys, blame the fucking abusive father, not the 17 year old living in an abusive household)

Gf fans when you tell them standing up against an abusive person (especially if they're your parent) is hard to do for yourself let alone for someone else

Gf fans when you tell them Ford wasn't the "golden/favourite child" Filbrick dgaf about him and only wanted to use his intelligence for money and both Ford and Stan were abused just in different ways (seriously find a different dynamic to describe an abusive household than "golden child" and "scapegoat" I say as I put a gun in your head)

Gf fans when you tell them Ford wanting to go to college isn't egotistical

Gf fans when you tell them Ford wanting to make a name for himself doesn't make him egotistical (he literally grew up in an abusive household, and was bullied and treated like an outcast for most of his life, him seeking out validation is a trauma response not egotism)

Gf fans when you tell them if Ford is petty for correcting Stan's grammar then Stan is equally as petty for refusing to hold his hand over a thank you literally seconds ago (of course he had the right to want him to thank him and be mad, but it was the END OF THE WORLD, they are both responsible in that scene)

Gf fans when you tell them Ford isn't ignorant for being manipulated by Bill cuz 1) Bill is a master manipulator who's managed to manipulate and terrorise humanity since forever using lies/flattery/fear 2) despite having a high IQ he has a low EQ and therefore isn't able to tell if someone has ill intentions due to being....an outcast and therefore doesn't have the social skills to be able to tell others true intentions/manipulations which made him an easy victim for Bill (do u guys even know what manipulation means)

Gf fand when you tell them the reason why Ford didn't try to reach out to Stan was because he thought he was doing fine since he had seen an ad of his on tv (he had no way of knowing Stan was still homeless anymore, and you don't usually see homeless people's ads on tv), not because he didn't care

Gf fans when you tell them Ford didn't force Fiddleford to do shit for him, and that he was against the use of the memory gun and wanted him to get rid of it but Fiddleford literally erased his memories of it so he could continue using it. And that therefore Ford isn't to blame for everything that happened with the memory gun just cuz Fiddleford had bad coping mechanisms. (Seriously you all are acting as if he pointed the memory gun on his head and forced him to abandon his family and build him the portal. No!! Fiddleford made those decisions himself he could had left Gravity Falls at any moment and return to his family but no he didn't, he chosed to stay and start a fucking cult. That is on him. Not on Ford)

Gf fans when you tell them the way Ford acted during the time where he was literally being abused, manipulated and isolated by a demon is way more complex and naused than "ego! ego!".. because he was literally being abused and manipulated...

Gf fans when you tell them the reason why Ford called Stan to hide his journals wasn't because he only wanted to use him as a way to fix his mistakes but because he was literally really desperate and feared for the safety of the world and he didn't have anyone else he could trust and that he was hella traumatized due to being literally tortured both physically and phycological and sleep deprived and on the bring of insanity (of fucking course he wasn't gonna act logically and say mean shit he didn't actually mean, he was losing his mind! Stan had also said mean shit to him because he was angry but nobody talks about that)

Gf fans when you tell them Ford being mad at Stan for opening the portal is understandable, because 1) he literally ignored all the warnings that the portal could potentially destroy the whole world and 2) he was literally about to FINALLY killing Bill after 30 years of fighting for his life in the multiverse to try and find a way to

Gf fans when you tell them Ford's trust issues are completely understandable because he was literally betrayed, manipulated and abused by the "person" he trusted the most (Bill). And the other two people he trusted did something that hurt his trust on him (Fiddleford erasing his memories, Stan ruining his project)

Gf fans when you tell them Ford's and Bill's relationship isn't "toxic yaoi/messy divorce!" And that it was incredible abusive and that FORD was a victim ( average gf fan claims they "don't romantize/support the toxic ((call it abusive guys, that's literally what it is)) elements of this ship I just like to explore unhealthy dynamics in fiction:) *proceeds to make 10 posts of "he fucked the triangle!" jokes and gets mad at you if you actually point out the abuse and makes 100 aus where they get back together/stay together*

Gf fans when I tell them that I really don't care about what Alex has said about Ford being "egotistical" or "ignorant" because that's also the same guy who said he didn't intended for Pacifica to come off as a victim of abuse because controlling your child with a bell is total normal parent behaviour guys (/s). (I stopped listening to most of the stuff he said after that, not gonna lie, cuz most of the stuff he says about Ford's "ego" and "ignorance" are flat out victim blaming) ((I mean come on guys, he literally says he based Ford's and Bill's relationship off REAL LIFE toxic relationships he's seen and then he goes and says shit like how it's Ford's own "ego and ignorance" fault that he's ended up in that situation. Don't you guys think that's a bit weird))

[lanalaynetalks]

Tenrou Island is one of my favorite arcs! I love this arc so much. I think this is possibly a controversial take. I don’t know. My favorite thing about shows is learning more about systems in the world. I think it’s just so interesting to see how wizards become s-class. This is going to be long. I am so sorry I love this arc so much. It’s a lot of Cana… I ADORE CANA. Plus a lot of Levy and Gajeel! I just think this arc features so many fan favorite characters so well. This is also before The Thunder Legon was nerfed so they have some cool moments. Just I love this arc so much!

1. I do think it’s crazy that they really just throw us into the arc with no filler episodes/arc between. I think this is one of the only arcs that doesn’t have filler episodes before or a filler arc.

2. Fairy Tail having a sacred place implies that other guilds do as well.

3. Something I find weird about S-Class wizards is why does the title follow you from one guild to another. Juvia and Gajeel were S-Class in Phantom Lord, but not Fairy Tail.

4. Silly thing time! Hiro Mashima trying to put all the main characters and main side characters on the island.

5. Lisanna and Juvia. I wish we kept seeing them as friends.

6. Evergreen and Elfman are one of my favorite ships and should be a main ship. It should be the big 5 instead of big 4. They were more together by the end than any of the other ships! I LOVE THEM!

7. Oh Mest… I miss your silly personality. Also how did he go from ok looking, to hot, to Nastu wannabe. I will be mourning when we see hot Mest for the last time.

8. Why did Makarov keep picking Cana? It seems a little cruel.

9. First Mavis mentioned. Mavis is one of my favorite characters of all time. I love her so much. Fairy Tail Zero is so good and made me love her more.

10. While pacing was my biggest issue for the last two arcs I feel like this is when the show found its pace. Without this arc the grand magic games would have not been as good as it was. I said what I said!

11. If I walked into the route and saw it was Mira I would have just walked away. Mirajane scares me the most out of all characters in the show.

12. I’m going to say it! I ship Lily and Carla! I said what I said!

13. I never got why Hades was so obsessed with Zeref. Because Zeref literally taught him how to use magic. I also wish we got more info on why he turned evil. It’s hard for to believe e he would attack Fairy Tail because he was a founder and was like best friends with Mavis. Him being Precht makes no sense because we never get a full explanation on how he turned evil other than he basically accidentally went down the alt right pipeline

14. I will never get over the Iron with a heart in the O. When I saw it for the first time I screamed and I still scream and fangirl over it!

15. Makarov talking Gajeel into joining Fairy Tail will forever be one of my favorite Gajeel scenes.

16. This arc is really when we start seeing Wendy come into her character and she becomes less of just the little kid to a true character.

17. It’s heavily implied you can’t say no to being Fairy Tail’s guild master. We see Makarov be like lol no and Precht being like lol too bad. Then we see Guildarts being like lol no and Makarov being like lol too bad! Then we see Guildarts being like lol as master you are now master again! Like can they really not say no?

18. I wish we could see Makarov in his prime. I know there has been discussion about how the series is going to continue. I don’t want next generation Fairy Tail I want to see old generation Fairy Tail. I want to see Makarov and his old team beating people up. I want to see Precht as guild master. Or even early days of Makarov being guild master! I would even be ok if it was like Fairy Tail Zero where it was a one arc story.

19. I do have a theory that Precht made Fairy Law. I don’t think it’s stated ever that Mavis made all the grand fairy spells but I maybe wrong. So that’s how he was able to make Grimoire Law.

20. Another theory I have is that Precht took care of Makarov after Yuri’s death.

21. Now this is an out there theory. I know it. I believe that Yuri called Laxus back to the island. HEAR ME OUT! We know that some things just happen in Fairy Tail especially with the living and the dead. Yuri promised to always protect Mavis also his son was in danger. His legacy (Fairy Tail) was in danger. I also think that it could have been Mavis, but I think it’s more poetic coming from Yuri.

22. Makarov saying it’s up to his successor and us being shown Laxus… I am going to call it right now. The end of 100 year quest we will be seeing Laxus becoming master. This would be a perfect way to end his character. This is not the post to get into it, but ya that’s my prediction.

23. God Slayers… oh the magic that was sort of forgotten about. How sad.

24. I will die on this hill. Laxus should have been the Lightning God Slayer. This would had been able to connect him, Ivan and Hades together in a perfect way.

25. This arc also has some of my favorite speeches.

26. One thing about me is I am absolutely sat every time Mirajane transforms.

27. Elfgreen is such an underrated ship.

28. I love Evergreen so much.

29. Capricorn is cool! I really like him even if he isn’t used enough. I love him! Probably second favorite spirit. First is Aquarius because I am an Aquarius and she is just awesome.

30. Favorite Juvia moment is when Meredy said she was wanting to kill Gray.

31. Also wow the show that has shown over and over again to become more powerful is to channel your emotions is showing how emotions makes people more powerful. I really don’t get why people give Fairy Tail so much hate using the power of friendship. It’s almost like we are shown over and over again that is literally how it works. More emotion = more power. It also makes me more mad now knowing the show was created because Hiro Mashima was lonely.

32. One of my favorite things to come out of this arc is Juvia and Meredy’s friendship.

33. Honestly Juvia vs Meredy is my favorite Juvia fight.

34. Cana my love. We both have daddy issues. She just like me for real!

35. Me realizing I’ve misspelled Gildarts name this whole time… oops

36. Seeing Cana’s mom’s will and seeing Cana’s cards being around it. I think her mom also used card magic.

37. Can we talk about how Cana was defeated by Laxus in her first S-Class trial. We don’t talk about this enough!

38. I truely believe that any minor inconvenience Cana threatens to use Fairy Glitter.

39. Fairy Tail having grand spells implies that other guild have grand spells

40. Rip thunder legion…. They aren’t dead they just get hella nerfed after this arc. Well more than they already were after the battle of fairy tail.

41. One thing about Gray is going to try to cast ice shell.

42. I love Ultear so much. She is one of my favorite villains.

43. Lily being scared of thunder and lightning. Adorable. I love him.

44. I do think Hades being a founder was added later on because when he revealed he was the second guild master he didn’t mention being a founder and I think that’s something that would have been mentioned.

45. LAXUS IS BACK BABY! ONE THING ABOUT LAXUS HE KNOWS HOW TO MAKE AN ENTRANCE!

46. We are so spoiled in this arc. We got so much of side characters showing their skills.

47. So Nastu just got the flame lighting power. Honestly don’t understand how it worked! But I don’t care because it’s cool! Wanna know what’s not cool? The fact that Wendy is the only 1st generation dragon slayer to not get an extra dragon slayer element. I hope by the end of 100 year quest she gets something. I want cobra to give her poison. Because that would be badass.

48. The exceed side mission is so adorable and goofy. I LOVE IT.

49. To think of Hades just kept his Fairy Tail emblem he would have been able to win the final fight because the tree was restore

50. People say it’s a plot hole that Ultear was able to restore the tree because she said she can’t use her magic on living things, but I think it was just bad phrasing and really it’s like humans and animals she can’t us her magic on.

51. The Laxus ship that makes the most sense to me is that him and the thunder legion are just a poly relationship. Yes Elfman is apart of this.

52. Another reason why I don’t think Hades was always supposed to be a founder of Fairy Tail is because how did he not recognize Zeref as the man who taught him magic?

53. I love Gildarts and Cana so much! I know if Cana told him from the start he would have stopped going on his long jobs to take care of her. He is such a girl dad.

54. Everyone begging Makarov to let them stay and fight is another moment that makes me cry every time. Honestly the whole episode does.

55. Most iconic scene in Fairy Tail is them holding hands and no one can change my mind.

56. Mavis protecting her guild. Her babies! I love her. The foreshadowing of fairy sphere being more powerful than Acnologia.

Tenrou Island is one of the best arcs. It is also a soft reboot of the show. I can’t wait for the grand magic games. I don’t know if I’ll watch the clock arc. I haven’t watched it in years. It is always a skip for me because I want to get to the grand magic games. I know I missed a lot during this arc and forgot to write things down. I watch the show while working on my school work. I love talking about Fairy Tail so don’t be shy send me things! Thank you for reading me fan girling over my favorite piece of media! The grand magic games post will likely be multiple parts because I think it’s peak Fairy Tail.

[marycom15]

Thinking about mary pcfc again,,, per usual. [LONG POST]

They're such a simple character but so interesting!! It makes my blood boil how much mischaracterisation i've seen seeing of them in the fandom because they're literally the easiest chara ever like HOW do you get them wrong :/// some people clearly just don't care about any characters other than their blorbos... not dropping names this time though.

The thing about Mary is that we never get to fully see them. Sure, both Mary and Mark appear quite often, and the lines between those two characters often blur, but we never quite get a full picture of them. I strongly believe that the true character of 'Mary' lies somewhere between the God and Mark persona. The distinction between them two gets stomped all over by the show, and often times the fans can’t quite tell whether the other characters see Mary or Mark in certain scenes, some going as far as to speculate that the others know both are the same person. But that's just obviously not true.

PCFC is known for its unclear distinctions between canon and non-canon episodes, most of its runtime composed of semi-canon lore where the direct events probably never took place in canon, yet the relationships and traits established through them persists. It's a curious phenomenon clearly sparked by the fact that the writers do not know shit and should all be fired. It's no wonder then that when they have a character who's split into two different personas, they often entirely forget about it and just write them as something inbetween - a compromise between their two sides. Which, funnily enough, is as close as we ever get to seeing the 'real' Mary.

For those a bit slower and Mary haters, let me explain this even more simply - and to do that, we need to get to the core of Mary's character, their defining trait in the series. Their divinity.

We actually don't know that much about it. Despite how well-established divine beings are within the PCFC universe, they're mostly more minor deities that operate under Mary's watch (like the love pantheon) or have been directly gifted power by them (like the mods). Mary themselves rarely expands upon their divine power and whenever they're seen as the God persona, they act generally distant and closed off. While they're still a kind god, they make sure to leave space between themselves and the mortals - Elo being an exception, but we'll get to them.

When it comes to the origins of their powers, we only know that they ascended rather suddenly, and presumably without much say on the matter. There's been mentions of a previous god and the 'Champion' who ruled under him, but they both presumably left, leaving Mary to clean up the chaos caused by the Lawless Time. We don't know exactly when they rose to power, but considering how clumsily they were handling their godhood at first, it's safe to assume they only gained divinity quite some time AFTER the previous rulers left, and probably rushed to try and fix the world before even fully understanding their powers.

Inexperienced and suddenly given a unimaginable power, they actually handled it all pretty well. Fuck you Mary haters and all those who think they were shit in the early episodes!! Mary haters DNI!! They just rose to power DURING a long-term crisis and they were just one guy with no guidance! But one thing's right - while they still took care to be kind, they were disconnected from the actual civilization. In my opinion, it's partly because obviously their status as a god made it harder to have casual interactions, but also partly because Mary was desperately trying to act 'godly'. Let me explain

They were obviously unsure of their power and role, doubting their own abilities, but they were still the god, protector of people - so they needed to appear strong. Partially to try and convince themselves they're not entirely unfit for the role, and partially to reassure the public. They developed this distant and rather unemotional persona, hiding their face and heart - sure, they were still a 'good and kind god', but they couldn't quite connect. Connection isn't meant for gods. It's mortal.

Quite obviously that put them under a lot of stress. They treated their relationship not as an interaction, an equal exchange, but as a chance to prove themselves to be likeable and get people to revere them. Early season, they were so focused on their role as a god, they completely forgot that they were still partially human, and had human needs. This is where, sadly, I do have to mention a certain character. Yes, I'm talking about sk*w. CW for all of the shit it does in early seasons, trust me guys i hate it just as much as the next person (or even more!!), but it's undeniably an important part of Mary's storyline.

In some ways, Skew is a folly to Mary. While Mary struggles to interact with others, Skew seems to be a natural people magnet. Mary's divinity is forced upon them, and they solemnly decide to accept this life in order to fullfill their duties, Skew ascends fully willing and eager to take up his role. Mary's a good person, and Skew is the definition of evil and problematic. But it can't be denied that he is liked by the other characters, at the very least during the first few seasons. And Mary's jealous.

At that point my poor baby has been working so hard to rebuild civilization, yet they're rarely met with any actual appreciation. The people are clearly evil :(((. And so they try to fit into society, by mimicking the way Skew acts - this is a trend that persists in all of their arcs btw, mimicking others and failing a bit. This is where the whole seemingly random part of them claiming to be evil comes from, in case you non-Mary fans didn't know. But instead of being appreciated, they get ridiculed instead - with Skew as the main perpetrator.

We all know how the evil arc goes. It’s no wonder they target Skew, really. They’ve been bottling up frustration for a long time now, simply pushing forward to do best by their beloved civilization, and when they get attacked by him for trying to fit in, Mary decides to make him.. Just like them. Kind, good and caring – and everyone *hates it*. I think that at first robo-skew represents Mary’s true values, but of course they get twisted as Mary rages on.

And this is where Elocom comes into play!!! My OTP <333 Elocom haters you’re the worst, dni I hope you get exposed and cancelled. Elo’s the only one who stands up for Mary, and they get immediately attached. She’s their most devoted follower, and they’re obsessed with her in turn. Their relationship is definitely incredibly codependent during the evil arc, but that barely lasts after it ends. Mary sees someone who offers them a bit of sympathy and immediately starts showering them with love. They were desperate for this connection, no matter how much they might’ve been denying it.

Which makes it even more tragic when Elo falls.

No matter how much ‘divine wrath’ they instilled upon the world during that arc, this is when Mary finally felt humanity again. Since the day of their ascension (which for all we know could’ve been well over a month ago!!) they’ve been living as a divine being, despite their body still being mortal. Sure, many things changed once they rose to power, but its clear that they haven’t fully transformed. There are changes, and they’re definitely the most powerful of the divine characters we know, but their power level is still oddly close to the lower deities considering their status as Parkour God.

They aren’t fully divine, which isn’t actually something we get much info on, though many visual clues point towards their distaste of fully embracing godhood and god boots being the reason for this. I am absolutely insane about the fact that the writers refuse to elaborate on Mary’s divinity because there’s !! So much we don’t know. I really hope this gets expanded on in the reboot ;(

When Elo falls, Mary doesn’t visit. They lose that one piece of humanity they had, but this time, they’ve tasted enough to realise their yearning for it. And so, the Mark persona is born. It says a lot that we basically know nothing about their life as a pro, and says even more that they themselves barely seem to remember it. Not in a typical way, they do recall people and events, but they fully cannot piece back together the person they used to be. A few of the background characters remark on how Mark has changed, but chuck it up to the chaos of the godless era. They no longer know who they were – in a way, they’re rediscovering themselves in this new role of God alongside the viewers, who have a similar level of knowledge about pre-godhood Mark. Which is pretty much zero.

So, who does Mark end up being? An exaggerated idea of humanity. They’re odd, a bit off-putting, but generally seen as just a bit of a funky and harmless weirdo. Mark tries so hard to blend in by simply repeating the things he’s noticed others like – but by looking solely at the moments which get most attention and laughs, he completely misses the mundane aspects of being mortal. In a way, Mark’s an amazing human disguise when it comes to their odd bits of personality, but they lack the casual and mundane parts, which makes them feel odd and unnatural to others. They’ve forgotten what it’s like to be human, and their notes are faulty.

With both the Mary and Mark side of this character established, it’s time to repeat my point – neither of them are the true Mary. The truth lies somewhere inbetween. ‘Mary’ is them desperately trying to be a god, and ‘Mark’ is them desperately trying to be a human. Their whole issue stems from not being able to fully embrace godhood, being stuck between two worlds with no real place to be. Maybe that’s why there are so many new deities and other divine-esque beings. Maybe Mary’s just observing them, hoping to find a way to exist without fully detaching themselves from their humanity.

To summarize, we know exactly as much about Mary as they do – which is not much. I see many ways for their story to go. They could embrace divinity and gain a higher level of power, or they could do the opposite and forfeit godhood in the name of humanity. Maybe they manage to find a way to exist in this odd space between two worlds they’ve found themselves in. Maybe something completely different will happen. The longer the series goes on, the more the lines between Mary and Mark blur, which makes me believe that it’s building up to some sort of big moment – especially if you remember that no matter how blurred the lines are for us, the characters still act as if Mary and Mark were separate people during the important scenes.

There’s still a lot to be explored about them, and I hope the writers don’t butcher my beloved babygirl :((((( they don’t deserve it!! Skew traumatized them so bad. I hope Elocom is endgame and Skewlocom burns in superhell <3 Also I literally can't stand the people who say they don't "get" Mary like bitch be for real with me!! Their character is literally so easy to understand its sooo annoying like wdym they're complicated. They're literally just stuck between two worlds. That's so simple it's got the number 2 in it, which is a low number. Which means its not complicated. Idiots.

[poorly-drawn-mdzs]

Council of lovefools.

[First] Prev <–-> Next

[galedekarios]

the plagiarist posting an "apology" to creators, including myself, who he has ripped for months on end despite us asking him not to while he still has us all blocked is... a choice

[dazais-guardian-angel]

kinda wild to me that one of the most compelling aspects of both Chuuya and Kunikida's characters to me, that I never really see talked about, is how they're heavily set on a doomed crash course towards complete and utter destruction, and how I am so, so worried for them both.....

[transannabeth]

hi. for people who saw gatsby: an american myth. do you remember mckee asking nick for lunch. and then gatsby in like the next scene inviting nick for lunch. because i remember.

[chibi-scone]

It’s been said before and the fact that I’m an Izzy simp aside like having a character who survives the most certain death shit ever (shooting himself in the head at point blank) and literally being nicknamed by another character “indestructible” and then become a symbol of protection for a whole group of people die from a fucking bullet to the side that was established in universe to have no vital organs in order to “atone for his sins” or however you wanna spin it and have him say he wants to go after (see point one) literally trying to kill himself in the show that is literally about growth and betterment of the self in a cruel world that wants you dead and where the main (and mostly queer) characters survive the most batshit insane injuries is like COSMICALLY stupid writing like I don’t even understand how you get there and the fact that it’s supposed to be a kind/ happy/meaningful ending is beyond me

[phantajam]

my hot take about descendants is that NONE of the core four were ready for a relationship until maybe like, the third movie (rant in tags)