#and I got a “wellness check”

[bear-cubs-art-things]

YALL I GOT MORE THAN POKED AND GOT POKED AND PRODDED

AND GOD DAMN THAT SHOT H U R T

[enjoythepetrichor]

Went to Comic Con Stuttgart as Kira this weekend and had the bestest time 🥰

📸 - @calysto1395

[hinamie]

shows up a day early with a nobara birthday tribute

[delicourse]

Another year, Another lesbian pride gown moment🌸

[acasternaut]

its kind of sweet that he was so proud of his bread that he wanted to share it with all of us. it just also happens to look like he placed a sponge atop his cutting board

[raycatzdraws]

ribbonwood

[ricky-mortis]

Hatchetfield @femslashfortnight Day 1: Make It Sapphic AU

[otome-dissection]

Idk man I just think that mizu/ena5 and its progression was really beautiful actually. I just think that the release of the ena5 song was also really beautiful and kind of the nail in the coffin for me and I haven't been able to get the event(s) out of my head all week and that I kind of want to talk about it, actually.

It's about being hurt so deeply and continuously that any kindness that could be offered to you manages to feel like a sin, that it makes you crumble and shatter but for all the wrong reasons, not because of the newfound safety, not out of relief, but something worse and more deeply ingrained in you than kindness ever was. It's about carefully measuring the distance at which you keep others away from yourself, to ensure that it never happens again ("To save yourself the trouble", if that makes it easier).

It's about realizing that the people you've been spending all this time with are drifting closer, that they just might bump up against the unsightly parts of yourself that you've tried to keep locked away, it's about turning around and sprinting at full speed and slamming the door shut and holding onto the handle behind you to stop it from turning, because you're as frightened of the possibility of another wound being inflicted on you as you are of the possibility that kinder, gentler hands will reach out and smooth over the exposed scar. It's about hating eyes that judge and silently condemn you as much as you hate eyes that simply see you and take all of you in without scrutiny, because no matter what they're looking and they're looking at you and they know that your hand's on that door handle and they know that you're hiding something because, as much as you try to keep it shut, they've seen through the crack that you foolishly left open.

(The prominence of eyes in Bake no Hana, specifically eyes looking and searching, and finally landing on you, the viewer, Mizuki, is so fucking. Visceral in my opinion. Every character in the MV stares at the viewer in a deadpan, almost judging way. Even though Mizuki knows deep down that niigo won't really hate them, won't judge them, she just can't stand their kindness either; any gaze directed at her is a loss, another prick in their skin. It screams "don't look at me" while making sure that you know, with horrific certainty, that they're looking for you, that you're being watched. You can't go outside, can't leave your room, because they're searching for you, and while that should be reassuring, to you it's anything but).

It's about not wanting to be dissected, whether it's with hands that want to pull your organs apart or stitch them back together because no matter what they're there, and they're getting frighteningly close to your heart. It's about blinding yourself and covering your eyes to it all because seeing means exposure and exposure means they're taking something from you and you can't do anything about it, much less take it all back, much less have a say in the matter. Everyone's just taking and taking and taking and you wish you could just be alone. You wish everyone would just disappear and you could live in a world all to yourself, for only yourself (but is that really what you want?).

It's about the way that, near the beginning of the Yoka ni Mitoreta MV, Mizuki and her loneliness is represented as a dark, splotchy stain in the shadows. No colors, no patterns, no way to clean it or wash it all away, just raw ugliness marring a blank canvas. It's about the way that Ena reaches out to it anyway, the way she startles when the glass shatters just when she finally starts reaching forward, the way that the rest of the MV/song represents her searching for and reaching only further out to Mizuki, even if the broken shards of glass will only cut her fingers, potentially leaving scars.

It's about how, in every way, subtly, directly, consciously, and subconsciously, Ena shows that she fucking cares.

It's about the way that Ena lets Mizuki have autonomy, despite the situation being so horribly out of their control. And it's such a delicate thing: If she really wants to, Mizuki can take the opportunity to just run away, keep running forever, repeat the cycle over and over, and maybe she'll just destroy herself with it again, but it can't be denied that it's something important to them, something she can't quite live without just yet, their means of survival. Mizuki's autonomy is their identity, it's her tailoring her own clothes and choosing her own ribbons and styling her own hair the way she does. Ena letting them have that is as much about trust as it is about understanding that Mizuki of all people should have this right, when control was something stripped from her throughout so much of her life. She couldn't control how she was born, how people look at her or why, can't control what they think of her; lacking control has only left Mizuki vulnerable to the cruelties of others, has only caused them to suffer, which is why it's so important that it's given to them now.

She had the control to make the choice to see niigo's welcoming love and run away instead of staying, and she has the control to make the choice now whether she wants to keep things the way they are or take a step forward to be at their side again. She has every right to have it, and I think the fact that Ena realizes and respects that, even if it's subconsciously, is really beautiful (there is an entire fucking Verse about this in the new song and just. God Look at this. It's so caring, unconditional, and for fucking What. I think there is something to be said about how much Ena is willing to put aside for Mizuki, and maybe deep down it isn't healthy, but for now I'm just kind of in awe)

It's about how insanely patient Ena has been this whole time. Mizuki says that she basically lied to Ena's face about telling her their secret, even after Ena said with such conviction that she would wait for Mizuki as long as it takes, and Ena is just kept waiting and waiting and worrying like this seemingly indefinitely. It's about how Mizuki danced around it, avoided it, kept the distance, straight up ran when she was finally pushed, but Ena still chased anyway when she saw that she couldn't wait anymore, kept chasing just enough to intervene and get a straight answer out of Mizuki when she really needed to, but still leaving her enough space to leave if that was truly what she wanted. It's about how relieved Ena is the moment that Mizuki finally says outright how much they want to be with her and niigo, how much she wants to try, how much more light Ena's voice sounds when she grabs her hand, relieved, the way that the relief she feels can be felt through the music, throughout the entirety of Yoka ni Mitoreta, the way that warm colors always follow her when she chases after Mizuki, just to hold onto her and stop her from running away completely.

It's about how that careful combination of Ena's directness, Ena's persistence, Ena's warmth, her patience, her bluntness about her feelings, the way she chases and holds on but not too tight and her regard for how unsafe and exposed Mizuki feels actually works and breaks it all down. It's about how she really did reach through to Mizuki, despite the thorns and broken glass shards and nearly-unfulfilled promises, the way that Mizuki did finally let her turn the door handle and step through to see what she'd been hiding all this time, the way that Mizuki's hand, limp, when Ena first grabs onto it, shifts to hold hers back as they cry in the face of Ena's gentleness.

Despite how harsh Mizu/Ena5, and even Ena herself as a character can be (or at least was in the very beginning of pjsk), everything is somehow gentle and warm in the end, blindingly so. And you know what, I think that's beautiful. And what's even more beautiful than that is how Mizuki allows themself to crumble and shatter under that kindness, that warm light, but this time, finally, out of relief.

On a final note, I just want to say that I also appreciate how all that didn't have to solve everything. The scars haven't disappeared, haven't gone away, and Mizuki knows that their desire to run hasn't gone away forever, and maybe it never truly will. But for now they've calmed it, at least a little. She's learning to allow herself to be seen, learning that when someone's fingertips brush over their scars the way Ena's did that it's only out of care, and that maybe taking in that care and allowing herself to feel kindness and safety is okay. They're safe, for now, somehow. They're learning. They're trying. And I think that's cool :)

[vaguely-concerned]

'varric's vibe when you pick the 'I'm worried' option after he asks you how you feel about having solas in your head is so fucking funny. the very careful 'so, uh, just... out of casual interest why -- why aren't you putting wards on yourself and your mind to keep him out, and incidentally exactly how might you do it if you did. no reason why I'm asking just. curious. I have no stance on this' probing of it all (that should be the giveaway in itself, really, in hindsight I think real varric would be a lot more freaked out on rook's behalf about this even if he might still have reached the conclusion that the connection to solas was worth the risk, he's got kirkwall blood magic trauma to fill a telephone catalogue). that and the '>:) then I see you've made a choice (so this is basically a little bit on you now, you got fairly outsmarted etc., I don't have to feel as guilty thank you for having youthful hubris that will be your undoing so I can feel less bad about my role in it). honestly if anything I'm doubling down on my previous 'mind!varric is directly controlled by solas the majority of the time and rook's mind is mostly a collaborateur' post. this conversation is transparently solas gathering intel and giving you the 101 on leadership while you're building a small focused rebel force.

in solas' defense... this whole situation is very very funny in an extremely dark kind of way he is nothing if not on brand. the stuff he says about himself in this conversation is like. he's both reading himself for filth AND he can't read all of a sudden he can't uh......... he has plenty of self-insight (a single flower with blackened petals) and it helps him exactly not at all in breaking his patterns lmao

also it makes the relationship between solas and rook so. so much. what an insane intimacy in grieving for someone so much you both conspire to raise him from the dead together, just for a little while, because neither of you can bear to let go. what a violation in being the only knowing party in that. solas can hear rook following through on relaying his apology to 'varric' no matter what else they think of him. and he still does what he does to them in the end. he's feeding them affection (some of it even real eventually, I think, he clearly respects rook as a pure agent of chaos on some level and has some incredulous amused fondness for them no matter how you end up in your relationship with him) and confidence with one hand, and readying a knife in the other the whole time. solas my love my friend my genuine darling I think I will have to strangle you unfortunately

[sqtorux]

december 7 in japan means it's gojo day and in celebration to that, it's abt time i make an announcement... im actually... married ... to gojo :00

first pic is when he proposed (so to our adoptive son toge) and second is our wedding day when he hollow purpled someone who objected (while looking hot asf) only congratulatory messages and birthday wishes are welcomed guys <3

[poorly-drawn-mdzs]

Remember: The burning sensation is part of the process.

[solarmorrigan]

It’s impossible to sneak up on Steve

Like, actually impossible

Dude has eyes in the back of his head. It’s some kind of mom superpower. (Or maybe it’s just the hypervigilance. Whatever)

Eddie first notices because the kids try to sneak past him a couple of times and he always catches them

He even calls them out by name. And he’s always right

Every single time

He catches Henderson trying to get a snack before they’re about to eat (not that Henderson particularly cares he’s been caught; he eats his chips without remorse)

He catches Small Wheeler trying to smuggle an R-rated movie over the Buckley’s side of the counter while Steve’s back is turned (not that Buckley would’ve rented it to him)

He catches Red and Supergirl both sneaking junk food into the cart while they’re out grocery shopping (neither of them are repentant, and Steve rolls his eyes but does exactly nothing about it)

Eddie’s interest is piqued

The first time he tries sneaking up on Steve, Steve catches him before he gets within three feet

How

“You jingle when you walk, Eddie.”

Okay, yeah, that’s fair

Next time, Eddie takes off his wallet chain and all his jewelry

Steve still catches him before he gets close enough to reach out and touch

“Your shoes squeak.”

Eddie’s pretty sure they don’t, actually, but fine. The shoes are next to go

And Steve still fucking catches him. Eddie can hear the goddamn smile in his voice as he says “Hi, Eddie,” just as Eddie is reaching out to grab his waist

“I could smell your shampoo.”

He could smell Eddie’s shampoo?

His fucking shampoo??

Alright, no, actually, that’s kind of sweet. But Eddie can’t exactly stop using shampoo, because then Steve will probably just be able to smell his hair grease or something. Eddie has to get creative, but he makes sure he’s not downwind of the AC vent next time

Yet Steve is the one who manages to ambush Eddie while Eddie is ambushing Steve, turning around and pulling Eddie right into him before Eddie can pounce, kissing him hard and quick, asking if that’s what Eddie was going for when he pulls away

Half dazed, half aroused, entirely frustrated, Eddie demands to know how the fuck Steve caught him this time, and Steve shrugs

“It just... feels different, when there’s someone behind you. The air, maybe? I dunno.”

Is this man even human?

(Given the general state of... everything, Eddie feels this is a legitimate question)

But Eddie isn’t one to give up once he becomes fixated, so he bides his time

He waits

And he waits

And he waits, until it seems like Steve is engaged in something distracting enough that he’s not going to be paying attention to how the room behind him feels, or however the fuck that works, and takes his shot

AND HE SUCCEEDS

He has to promise never to do it again, because his ribs are now bruised from Steve’s very surprised elbow, and Steve is mad and handing him and ice pack and bitching at him at full volume, but y’know what?

Fucking worth it

[katabay]

THE JETSET LIFE IS GONNA KILL YOU, ERIC CARTER!

my laptop charger uhhhhhh. met its end in a very permanent, very fire hazardy kind of way last week. while waiting for a replacement I decided to try and get some work done at the library and was asking around for some urban fantasy (extra points for a mystery plot of some kind) recommendations to check out while I was there

the eric carter series was mentioned a couple of times, AND had the added bonus of having a necromancer for a main character. I love necromancers. someday I'm gonna play one in a game instead of immediately defaulting to vampires.

Fire Season, Stephen Blackmoore

[hiding-under-the-willow]

Quick interest check for a project I'm currently considering!

I've been given an assignment in one of my studio classes regarding ephemeral (nonpermanent) art and have had an idea that requires a bit of community involvement.

To keep it basic, my idea involves opening a public Minecraft server for a short period of time (somewhere between 3-5 hours is my current estimate) and recording through the whole duration to document what people use that time to do. Essentially, seeing what kind of things people choose to do or create in a survival sandbox like Minecraft when they know in advance that their time in the world is extremely limited.

I would set up a discord server in advance for those interested to get more information and to connect with other players before the opening, meaning that if you wanted to you could plan in advance as a group.

The server would likely be advertised here, to a few people/groups I know IRL, and in a local campus discord server or two. I would leave it open for anyone involved to invite others. So, you would be playing with strangers.

The server will be vanilla. I'm debating between using in game proximity chat or just letting people use voice chat in the discord at the moment. Obviously using VC wouldn't be required, but I want it to be available.

I would be spectating and recording the event. A ~10 minute compilation of the events of the server would be made for me to turn in for the assignment and would be shown to the class. There is a possibility that compilation or a longer one may end up online afterwards. Anyone else who participates would be free to record, and obviously if anyone wanted to send me their footage to possibly be included in the final edit that would be great

You could do whatever you wanted with the time given. Organize a speedrunning group. Race to kill the dragon. Raid an Ancient City. Work on a build you haven't had an opportunity to use in other servers. Create some weird art. Organize a civilization. Hide in a cave the whole time. Roleplay. Create a fight club. Kill unsuspecting players. Just play casual Minecraft with some friends. Literally whatever.

This would likely be happening somewhere near the 2nd half of this month so that I had time to edit down the footage for class before the end of the semester

[hballegro]

"It's more than something. It's everything."

s8e11 "Life Time"

painted screenshot. cannot give a time estimate, i lost track long ago. still gouache brush, my beloved, with blur tools to fade edges and so on

i have to go to the zoo now and will be making the version with the clock later [i cannot express how long ive been battling with hawkeye's face, gamers]. background went very fast like i said it would lol

version 2 [as in, w/ clock] will probably be done later today, and i will edit this and add it when that happens [and prolly make a separate post too, for celebration purposes, and will link them]. i will also compile progress pics for that post. they are terrifying early on lmao

"A lot of very touching songs came outta that war" previous painting

"It was pink, and perfect, and I tossed it in the scrap bucket" previous painting

everyone say thank you to bj to being a perfect painting subject today he was very polite and he looks about how i wanted unlike SOME PEOPLE

that was me to my sibling last night, and i stayed up til 1:10ish and still didnt finish the final pass over hawkeye's eye. everything else took like 5ish minutes

also everyone say thank you to margaret and nurse kellye for also being perfect and lovely and pleasant to work with

photo used blatantly stolen from this post thank you again @remyfire i owe you my life

update edit;

clock back

[sleepsucks]