#and I don’t use her much

[bloobydabloob]

maybe a rq- have you ever drawn terezi? would love to see hir in your style

Nyeeeesss I have, but only every once in a while and all of the ones I have are very old and not very good at all. Have these quick things

[andro-dino]

thinking a lot abt how grumley hardly ever takes his armor off. I just want him to be safe and comfy

[digitalmyyth]

Evil awful women and the blond guy who hangs out with them (he is also evil and awful)

[puppppppppy]

Wyrm on a string

[feelingtheaster99]

Riz is much too tired to defend his friends to his mom but him saying “NOOO mom Kristen does CrossFit now” to explain how he’s not carrying Kristen was so fucking funny

[kurthummeldeservesbetter]

I feel like something that should have been explored more in Arcane is that despite the dangers and pretty much horrific conditions, Zaun children seemingly grow up a lot more caring and have a larger understanding of family in comparison to Piltover children. And if such a reflection of the real world in a sense.

The kids of Zaun seemingly grow up with a lot more adult support. Ekko is easily welcomed under Benzo’s wings. Vander adopts 4 kids (two of which we learn he knew of before their parents death, two of which we can’t be sure of). Silco, despite all what happened, and his ulterior motives, shows no problem adopting Powder/Jinx. In the alternate universe it seems as though he’s still played a part in the kids lives. Jinx adopts Isha easily and Sevika cares for her as well. Hell, even Mr. War Crimes Against Humanity does well with little Viktor (until ya know, the animal abuse).

Hell, up until Vander dies (the first time) there seems to be a large understanding of if there’s an orphan or a kid in need of guidance, take them in! (And certainly don’t inform them of your plans to turn a giant pink salamander into drugs and be confused when a nine year old doesn’t understand). If a kid wants to be your apprentice, let them! For the most part, until things all went wrong in the end of act 1 of season 1, the worst parts of Zaun seem pretty typical for any city in poverty.

Match that with what we see with how Caitlyn and Jayce grow up. Caitlyn is given adult support, yes, and it’s clearly a good adult mentor, but it’s not entirely by her choice. It’s been chosen for her. She’s safe, but there’s a lack of freedom of choice. Meanwhile, when Jayce gets older, and that same accident in Act 1 happens, the family that supported him and his mom turns their backs. His own mom doesn’t support him either, because she’s afraid of what he’s talking about, but also because he’s damming them to being outcasts.

Conversely, Vander is more than willing to take the fall for what Claggor, Milo, Vi and Powder did. He’s willing to go to prison for a long time, in order for them to have a better future. Despite Vi’s best efforts, he’s not going to listen to her (she is just a kid) and he’s not letting his family go down and get hurt.

Meanwhile, a man who grew up in this mentality, where there’s a wide sense of family support from people who aren’t your biological family, is the one to go to Jayce, a stranger, and tells him he believes in him. It’s why it’s such a shock to Jayce; his own family and family friends denied him. They didn’t support him.

I think that’s what makes all the difference. Piltover and Zaun have wildly different understandings of family and forgiveness. For Piltover, it shuns and damns the lives of those who upset the balance. For Zaun, it provides safety and never ending understanding.

Just. I’m thinking.

[pygmypouter]

This place is a message... and part of a system of messages... pay attention to it!

[ariariari-freehounreal]

When the test subject they told you was aggressive is actually just angsty and autistic

.

I figured if Wheatley were a human he would probably be part of a team that cares for test subjects. Which involves basic medical checkups and general wellness checks. Maybe in Chells case, since she’s so anti-social, he was tasked to be a sort of companion so they could get more information out of her for testing purposes. :3 he’s classified as a nurse and has basic training in it. But he’s not making sense because he’s kinda scared of Chell at first. She just thinks he’s weird and kinda smells bad.

.

I have a hc on why Chell is a test subject I’m just gonna try to write it here

Basically her mother was too young and poor to raise a child so she felt it better to put Chell up for adoption. The orphanage she was raised in was being used by aperture to scout out children with certain “exceptional skills”. They noticed that Chell was highly intelligent and a great problem solver, but had no interest in spending time with others. She had no friends. And none of the other children noticed or cared when she left. She was probably adopted by a high ranking scientist and raised for the specific purpose of testing. She has little concept of social norms or things outside of aperture because she was taken from a “normal” environment so young. [like. Before she was 10 maybe? Idk.] but it doesn’t mean she’s dumb or anything, she just doesn’t really get it yk. Sorry if this is actually so stupid and embarrassing ignore me

[zuppizup]

My angsty brain: So… Callum’s Dad died of some kind lung condition, eh? Sure would be a shame if that was hereditary

[fumifooms]

Dad always said I was like him

Meijack and Chilchuck Tims Dungeon Meshi, Ryoko Kui

^ 1: Moony moonless sky, Fatima Aamer Bilal / 2: Bug like an angel, Mitski / 3: Woodtangle, Mary Ruefle / 4: The Third Hour of the Night, Frank Bidart / 5 & 6: FROM THE MAKERS OF "TWO-MOM ENERGY DRINK," IT'S "LET YOUR FATHER DIE ENERGY DRINK,", Daniel Lavery & Cecilia Corrigan / 7: Batman: Year Three (1989) / 8 & 9 : FROM THE MAKERS OF […], Daniel Lavery & Cecilia Corrigan / 10: Wilt, CJ the X / 11: How Do We Forgive Our Fathers, Dick Lourie / 12: Milk and honey, Rupi Kaur / 13: And My Father's Love Was Nothing Next To God's Will, Amatullah Bourdon / 14: Moony moonless sky, Fatima Aamer Bilal / 15: Someday I’ll Love Ocean Vuong, Ocean Vuong / 16: untitled, Joan Tierney v 17: Drunk, The Living Tombstone / 18: unknown

When your father tried his best to provide for you but he worked all the time and even when he was home he was either tired or stressed and he’s always liked to get drunk to relax and cheer up. When you know he values work ethics and respectability so you grew up to be capable and quiet. And when he says you’re like him you’re sort of puzzled, does he really know you so little, or does he know himself so little? But you like the feeling of your father ruffling your hair so you accept it, and still you stand next to your mother just as silent and just as stoic as her during family gatherings. He leaves again and again and when your mother leaves him nothing changes, really. You wonder if it’s more telling that you know him better than he seems to himself or that you don’t know him as much as you wish you did, or that you don’t think about him all that much these days. Out of sight, out of mind. And he’s never really been there, even when he was there, after all.

[ivanscarf]

some kazakhstan doodles

[puppetmaster13u]

Prompt 251

Danny is tired and annoyed. On one hand, his parents took the whole ‘so I might be slightly dead’ pretty well! Which is good! On the other, they decided to send him and his sisters to their uncle while they take care of the Guys in White and refurbish the house to be, well, him safe. Which meant a ridiculously long flight all the way to New Jersey. 

A flight he was pretty sure happened to be illegal what with the fact that neither of them were asked for their IDs or anything despite having them with them. Hm. Y’know he’s not going to question it, he’s getting a nap the moment they get to Uncle Harvey’s. 

[dykedvonte]

Curly not immediately punishing Jimmy for assaulting Anya is something I don’t think a lot of people are viewing in the complex context for Curly as the superior to both of them and closest confidante they had.

Like I am in no way saying he didn’t under react or fail Anya by not being harsh or direct with Jimmy but it really is the case that he really couldn’t. Imagine being stuck in such a confined space with very little areas to genuinely hold someone if they commit a crime. It’s not like this was an event that occurred before they departed or that they have easy communication with The Pony Express to ask for how to proceed when something like this arises. Not to mention, Jimmy’s relative power in relation to Anya as the co-pilot and second in command, he has the knowledge and access to do something to her had Curly directly punished him in this setting.

They were also Curly’s friends. It’s not just the case of him mediating something between his subordinates but people he is personally invested in don’t want to see spiral further in Anya’s case while also not wanting believe his friend go that bad in Jimmy’s actions. They were both suicidal and Curly putting Jimmy’s stability first is both out of bias but also the fact he’s aware at some level Jimmy is a danger to himself and others if not constantly placated. Combined with the fact he was in denial or just not piecing together what Anya said it’s hard to say what he buying time for and what he had treat as urgent. This isn’t even saying he doesn’t care about Anya but he’s not going jump to the worst conclusions about his friends even if part of him acknowledges the evidence saying so. It’s a complicated thing but he’s still human and needed to process it on top of trying to keep a ship that already took on a lot of water from further sinking, metaphorically.

I just personally think that while Curly failed Anya, it was a scenario where there wasn’t much he could do to the best thing by her safely and like Jimmy, we are underestimating what a good leader would do in a very fragile and tense situation like he was in. By the time he may have been ready and had a plan, things were much too late.

[silverfoxstole]

A few of the photos from the Paul and India interview in this month’s DWM, plus a couple of snippets:

[binglepringle]

Idek what this is but here you go 🤲

[beware-of-you-98]

“people only like agathario as a ship because of the actresses”

NO actually because do you know how fucking insane the concept of having a character whose soul purpose for even existing is to Lead people to the Afterlife, like that’s literally it. There’s no rules** or feelings or certain way to do things. She literally just IS.

And then suddenly this Character meets This other character who has been rejected by the only people she’s ever known, called a monster and nearly executed by said people. She thinks she’s a fucking monster but Death gets her because that’s the one THING that makes her so alike with this witch:

They aren’t Monsters. They can’t control what they do. They aren’t cruel.

They just are.

Now imagine this character, who has never once in her life has felt Anything because it’s not who she is. She’s not supposed to FEEL things.

But this other character, she makes Death feel for the first time ever: anger, jealousy, longing, anguish, sadness, turmoil and, above all love. And this love LITERALLY humanizes her.

Death isn’t supposed to have a Heart that beats.

And yet, out of this love, comes life.

Death isn’t supposed to be a Mother.

And when Death is doing her job, her Love begs her not to do it. To not do her job.

And, perhaps maybe for the first time ever, Death has a rule she can break.

She can’t NOT take the dead.

She doesn’t take Nicky from Agatha for six years. Nicky was never, ever meant to even exist. But because death broke her own rules, he lived for far longer than he should have.

And then she Had to take him.

And suddenly, for the first time EVER, Death is affected by the loss.

The loss pushes the person to give her Life, humanity and more to hate her. And then she feels guilt, and sorrow, and further down the line, anger and frustration because she can’t Find her.

And when she finally does, she’s at Peace. She’s enjoying herself because her person is here and she’s talking to her and suddenly Death feels whole again.

She’s not supposed to feel.

And, still, when her love dies, Death feels it like she never has before. She cries. She mourns.

She’s not supposed to do anything but be Death, and yet because of Agatha Harkness, Death had become so much more.

And THAT is insane to me.

The fact that agatha and rio are played by two incredibly talented and Stunning actresses is literally just the cherry on the cake.