#and Alice has a point

[thevalicemultiverse]

I'm not heartless! Every so often, I sneak into mailboxes and steal letters, then deliver them to my minions. That way, it's almost like someone cares about them.

Alice: [blinking] I -- see. Are you just stealing the letters randomly, or are you picking out specific items for your minions? Because the amount of "someone almost cares about you" is different between a personalized letter to someone else versus a coupon flyer to someone else.

[waytootiredstudent]

Why the CDU/CSU can go fuck itself

Time for another one of these. a quick(ish) summary for all the non-german speakers about why we're freaking out and the state of our democracy.

Spoiler. its not...good. Not catastrophic (yet). But the alarm bells are very, very loud.

Tl;dr: The CDU, party currently prognosed to win the election, has basically worked together with the afd to get a migrationbill to pass that is very strict. The afd are the nazi party that is getting backed by Musk. This might forshadow a cooperation between AFD and CDU. That would put the far right in power. The current response from the general public are demonstrations against that. Like. there are a LOT of protests currently.

Alright grab a drink and lets go.

First, groundwork: Who are parties and who is the guy we currently all want to punch in the face?

on top: Careful, risk of confusion. on the left: on the board of a sleazy cooperation. not interested in the enviroment. Real. On the right: on the board of a sleazy cooperation. not interested in the enviroment. comic figure.

This guy here is Friedrich Merz. no, not the guy on the right. the guy on the left. I know. Easy mistake to make.

He's an asshole. He's also the current boss of the CDU and their chancellor candidate. He's very likely to win according to recent polls.

The CDU has a complicated history, but to simplify it: They were in charge for sixteen years before the now broken apart Traffic-light goverment and are responsible for a lot of shit that we're currently dealing with. Like crumbling infrastructure for example. They were more interested, as a party, to preserve the status quo at all costs, than to invest anything. You could argue that a lot of the enviromental issues we are facing and the reason why Germany is currently pretty stagnant, can be traced back to the one and a half decade the CDU was in charge. They are conservative, not a fan of migration and like to throw around 'tradtional values'.

They are, generally speaking, or better were, center right. More on that later.

The other party that is going to be a major pain in the ass to outright fucking dangerous, is the AFD, short for 'Alternative for Germany'.

this is Alice Weidel, she's the current chancellor candidate for the afd. here is her wikipedia article and lets just say her 'controversies' part is longer than her 'political positions' part.

Those are the, to put it bluntly, Nazis. They are dangerous but also a fucking mess. Like, to just list a few of their hits: They've been getting money from dictators (different ones btw, not just one), infigthing is a sport to them, they try to glorify the nazi-regime, the german intelligence agency is watching them because they are officially considered radical right-wing and a threat to democracy, there is a petition to ban the afd and that is a high bar to cross, the demonize immigrants, hate queer people, you know, the usual. Also of course political correctness has gone too far and climate change isn't real and we need to leave the EU. Elon Musk, you know the rich guy who did the Nazi-salute, also has been appearing and is actively supporting them. Just in case we were unclear before on where they all stand.

(btw the whole 'elon is supporting them' thing is pretty scary bc you could argue the reason that the afd is able to win so many votes is bc, frankly, they're good at social media. Do i need to elaborate why that is a dangerous combination.)

to put them into perspective: The afd is too right for the other alt-right parties in the EU parlament. There is a coalition in the EU Parlament for the right, made up of all the right wing parties from other nations and the afd is too right for them. So. yeeeeaaah.

that should do it as background information.

Now. back to current events. where both of these parties are getting more and more support.

For a short history of why we currently have a non-functioning goverment, i made a post about that. Be aware that it was made as a product of its time and doesn't have all the information. For example back then we didn't know that FDP had actively engineered that break up and wanted it to happen for a while. Yes. They wanted to topple the goverment they were in. on purpose. It's been a fun time over here in Germany as well.

anyways, lets get to the meat of things. Since we don't have a functional goverment currently, Merz has introduced a harsh migration bill. This has been in the wake of an attack with two murders, where the current suspect is a migrant. while this is a tragedy, its getting brutally misused by all out rightwing parties to scream about how we need stricter migration laws and that migrants are a danger. Which to be so fucking clear about this, is such bullshit. It's been proven so many times how that is bullshit. I'm gonna be real and not even bother. They're just the newest scapegoats everything can be blamed on.

But because nobody has a majority, all attempts at governing so far have been pretty stalled.

(our goverment currently)

Quick information from the past:

in 2018 the CDU basically stated they wouldn't, in any sort of way, cooperate with the AFD, declaring basically a Brandmauer (fire wall). This basically means that yes, the afd had been given seats in the parlament, but nobody would give them any power whatsoever.

This has been the position of the cdu. It is why people still considered them center-right.

Merz has repeatedly said he didn't care who voted with him. now with a slight majority, 348 to 344, the cdu has won, with the support of the afd. Many see this as the fall of the Brandmauer. It's not good. Merz has more and more talking points that sound exactly like the afd and that is SCARY. There is still a vivid memory alive here about why having a far-right goverment is dangerous. There is a reason why there are currently a lot of massive protests all over the country loudly proclaiming that 'never again is now'.

This also puts for many the cdu from 'center right' to 'right'. There are calls from inside the cdu to 'stop demonizing the afd'. This is scary. This could mean that we get not just a conservative goverment in a few weeks, but a rightwing one. One who is comfortable cooperating with radical right wingers if it suits their needs. To cooperate with a party that even our own intelligence agencies consider a threat to our democrazy.

So. that is why your german mutuals sit there like

Now. To another part. What exactly is that migration bill merz had wanted to pass so desperateldy?

Well first of all it calls for a national emergency, using the beforementioned murder as reasoning, for the danger of immigration. It calls for closing and controls at the borders permanently, not temporary as is curently the case. They want for people without valid ID to be refused entry, even when they are searching safety. People that are already in Germany but need to leave should be thrown in jail until they actually leave.

Which. just to be clear about this. this what the bill they had, that had the support of the afd, says. This is not a wish list. This what they want to be law.

But to be also clear, lots of this is against our current law, against Basic EU law and principle and also a pretty big violation of our constituation.

Which is what makes this situation so fatal. This bill is going to be fought. In court, in politics, with demonstrations on the streets. this bill is controversial. Merz knew that. he knew that a lot of this wouldn't pass. This is a publicly stunt. This is testing the waters. How much will the public allow? how far can he push? Is cooperation with the afd possible for him? How does everyone react?

It was never about immigration or that bill. All the people this is going to impact, all the lives that are going to be lost because of this shit they are pulling - this is to them all just collateral. Its testing how much is possible, tolerated even. The chances of this bill making it law is slim. It needs to pass again in a different body of the goverment with a two thirds majority and that is nowhere in sight.

Also, lets take a look at who voted what:

it was about four votes. So my german friends who also read this - look at this and be aware of who voted what. Who abstained to vote and gave up the four votes it would have taken to stop this. who accepted that to get what they want they would need to get the support of the afd, no matter how much Merz now claims that he still doesn't cooperate with the afd and that there were no talks between them. Look at the numbers. Look how and with who they voted.

To be frank, i am pretty pissed off. I don't think much about wallowing in self-pity and despair. i am pissed off about what is happening. i am pissed off that these people don't have a spine, i am pissed off at the FDP for enabling this in the first place, i am pissed off that we have Nazis in out goverment, i am pissed off that we have people who are willing to cooperate with them. I am pissed off that i need to settle for damage control instead of being able to see something finally move forward.

Now here we come to the less depressing part of this whole thing. And i want you to pay attention to it.

People are protesting. loudly. And in the thousands. There have been ten to a hundred thousands of people all over the country in the last week, protesting against the rise of faschism and the far right. Its all over the country, in different cities. Where the afd appears to talk, so do the protesters. There are 35 afd people to 1300 protesters. People loudly say 'never again is now'. And they show up to back that claim up.

This shit is vile, yes, but it's not going to be unopposed.

I know this all reads as depressing as fuck but do not give into the temptation of falling into despair. This is far from over. Yes those are the alarm bells and they are ringing loudly. But there is still things that can be done. Don't let the afd lure you into thinking this all pointless anyways. It's not. This is all not good, yes, but no reason to fall into blind panic. The bill isn't law yet. Merz is facing massive backlash for his little stunt. This is not a hopeless situation. It's just a shitty one.

[amaltheas-garden]

I miss when Alicent was allowed to have emotions

the range 🤌

[meanqueens]

thinking about how "History will paint you a villain. A cold queen... grasping for power, and then defeated." could be considered rhænyra threatening alicent that she will control how history remembers her and make sure it won’t be good. alicent once again having no agency over her own life. alicent just goes along with it, because this isn’t anything new.

[stopper-my-heart]

Nick's moments of panic under the umbrella in Heartstopper S1E4 before Charlie kisses him really get me. So I wrote a thing in second person to try to appreciate the weight of the emotions that I imagine Nick is experiencing.

------------------------

You’re into this boy. So into him. He’s been in your thoughts. . . a lot. You've been talking all the time, you keep wanting to see him, and whenever you do, it’s never enough. You can’t help but smile when you think of him, let alone when you see him.

You want this boy. Romantically. You don’t really know what that looks like, but you know it’s true.

And, it seems, he wants you, too.

Your first kiss was good. Really good. All those tingles and flutters and sparks that you felt from just being close to him were amplified into so much more. It was so much better than you could’ve ever imagined.

And then you panicked. You screwed it up. You ran. You went back, but it was too late. You need him to know that you don’t regret it, that you wanted it, that you want him, that you were (are) just freaking out.

You try to be calm, you try to keep your cool. (No need to embarrass yourself in front of your crush.) Plus things are a little weird, restrained, and understandably so. He's probably really hurt. You need to get this out, you need to explain. You can do it.

And then he begins apologising. It quickly becomes clear that he has this all wrong. That he’s wildly misunderstood, rewritten what has happened. You were there because you wanted to be, because you chose to be. Yes, you were scared — are scared — but he has this all twisted.

Charlie.

Charlie!

Charlie.

He's not getting it. So you kiss him.

You make sure he knows what’s going to happen, and even if he seems very confused, he responds readily enough. You attempt to pour all of your feelings into him, to get across all of your regret and sorrow for hurting him as well as (maybe especially) how much you do want this. And for a moment, he loses himself in the kiss. You understand, you do too. Kissing him is just as good as you remember.

And, well, it’s too late for being cool now. You just kissed all your emotions into him, practically begging him to understand; you’d best explain what those emotions are in the hopes that he properly will. (Besides, this isn’t just “your crush”, this is Charlie.) You can’t leave him standing there so lost and confused. You may be confused, but he deserves to know that that confusion isn't about him.

So you start to explain…and then it all comes out. You’re vulnerable in a way you can’t remember being before. There’s no one in your life you can talk to like this, especially not about this. And it’s really been messing with you. Because not only has this boy's presence in your life already begun to upend everything, but you're so much happier because of it. And what are you supposed to do with that? What even would your life be if it were entirely different? Do you even want it to be different? . . .Maybe. But it’s scary. But you want him. And you want you.

So you tell him this, more or less. Really, you cry into his chest. Is this too much? Is he overwhelmed? So much for keeping it cool, keeping your cool. But you need this. He seems okay, he seems to get it. The friendship you’ve built is there, it can handle difficult things — it already has. He seems to want to be there for you. So you let him, and he lets you, and things are hard but they’re better in this moment. You’re finally seen and understood, and maybe Charlie now understands why you ran away, that it wasn’t about him, about the two of you.

. . .But now what?

You want him, but being with him will indeed upend every single facet of your life if other people know. You’re not ready for that, you can’t face that yet. It's too much. Everything is still so new and confusing. You don’t want to ask, but you want to be with him and you don’t see any other way to do that right now except to…keep this a secret? He finishes the thought for you. "Yeah," you concede, unhappily, but owning that that’s where you’re at.

He agrees, he tries to reassure you; you’re not completely convinced, but you want to believe him, so you let yourself.

And there's that question again: Now what?

There have been a lot of emotions and things are a little weird, even if a lot better, and you want to say something, or to touch him, but this is new and you’re meant to be leaving and…best to just go. The awkwardness will fade eventually. You’ll figure out how to be in this new dynamic. For now, you’re wanting, but you don’t know how to do anything more than that (would he want you to?). So you smile at him through the awkwardness and start to walk home.

. . .

. . .

What. Just. Happened.

This is good, but awkward, but good, and he wants this too, right? You’re together now, right? You’re really getting to be with him, with this boy you want so much, with Charlie. This is happening?

And then you hear it: Charlie calling out to you. Feet slapping on wet pavement.

“Nick!”

You stop, startled, confused, off-balance. What’s happening? He’s smiling, but.. What could possibly be worth running out into the rain in his pyjamas for? Has he changed his mind already? Does he not want this? Is keeping it a secret too much?

The doubts and fear are filling your mind, but you try to rein it in, to not let it show, to not let him see.

And then he looks back at you. And you know, in an instant, that everything that you wanted for your goodbye, he wanted, too.

Right? Please let you be understanding this correctly. You look at his lips, once, twice — you can’t help it. You’re desperately hoping that you’re on the same page, but barely daring to believe it.

And then he kisses you.

And the world stops.

.

.

.

.

And this is it. This is right.

Charlie.

This boy just ran out in the rain to kiss you. He’s soaking wet, he must be freezing, and here he is, kissing you. That’s the only reason he came out after you. To kiss you.

He smiles — that amazing smile of his that lights up your whole world — and then he runs off again.

There’s no more room for thoughts, only feelings. Massive feelings that well up inside you. So much sentiment that it feels like your heart is bursting.

You thought you were off-balance before? Well now you’re practically drunk.

What have you gotten yourself into?

Maybe the best thing ever.

[end0r4]

Lilia: Can I be frank with you guys?

Agatha: Sure, but I don't see how changing your name is gonna help.

Alice: Can I still be Alice?

Jen: Shh, let Frank speak.

[a-tad-bit-obsessed]

There’s something about the fact that Alice takes Rio’s knife (to do the protection circles) and Rio just lets her

[allyriadayne]

the thing about alicent's "is there no one to take my side?" and ppl saying criston fills this role is that he doesn't. he very famously doesn't heed her order when she asks him to take luke's eye. probably being the first and only time alicent is exerting her power thru him and he denies her in front of everybody. he also is, very famously too, not afraid of the consequences so this more than killing joffrey, would've been "justified" in people's eye. the queen /ordered/ him too, rather than a fit of anger and "maybe joffrey was a threat" or whatever excuse they concocted. he puts himself first and leaves alicent to fail, alone.

she doesn't have any real ally, not in the way she wants and expects because all of them, and i'm including criston, larys and otto, are in there for their own gain and interests. maybe it's otto who has the same vision as her (of course, all that grooming wasn't for nothing) but alicent IS otto's tool while criston and larys present themselves as HER tools, but ultimately uncontrollable and unwieldy. to me, this kind of isolation alicent faces is really interesting because while she's finally otto's equal (as of eps 8/9), this is still the person who manipulated her all her life; criston is her loyal knight and her oldest ally, united against rhaenyra, but too uncontrollable & dangerous to her; larys is seemingly at her service & an intellectual partner but unknowable and untrustworthy at the same time. idk there isn't any point to this maybe that she should frankenstein herself a new ally & friend and be done with this

[lady-of-the-spirit]

I hate fics where Alicent and Rhaenyra talk and Alicent tells her she was afraid Rhaenyra would hurt her children and Rhaenyra's like "I would never do something like that why would you think that?" And Alicent only goes "oh good, it was just my father trying to scare and manipulate me!"

Where's the fic where Rhaenyra says "I would never do something like that" and Alicent says "Your kid literally stabbed my child's eye out and you not only made sure Viserys focused only on you and your thing but also wanted my child to be tortured for it"

Edit: if it wasn't clear by the tags and the argument of the post itself, I am Pro Alicent Hightower. Making an argument of "But Alicent did this-" isn't relevant and won't sway me. Please shut the fuck up about it.

[robinson-graves]

[sits up suddenly from my coffin] anybody fuck with my super danganronpa 2 x guy who didnt like musicals au

[daemon-is-perfectly-unhinged]

Alicent: I suppose you think Jon’s father is more nurturing than I am.

Aegon: Mother, there are prison cells that are more nurturing than you are.

[sukibenders]

"I'm team feminist/feminism!" But will quickly drag a female character through the mud without sympathy for their circumstances just because they don't fit your ideals, will get mad when poc criticize a female character's actions that are very thinly coded in racism and say "support her crimes!" while ignoring how that often leads to the harm of poc characters, will shade woc characters or put them on higher pedestals than their yte counterparts while ignoring the harm they face while trying to meet your standards, will victim blame those who suffer (and are still suffering) from abuse when they act out in ways you deem "wrong" because of it, following up with the last point will mock and laugh at said abuse to uplift another female character (pitting women against women, even when the narrative does not ask for that), will dismiss any valuable argument displayed if the said female character is a little mean but then go and say "why can't female characters be mean? 🙄"

I could go on.

[the-labyrinth-of-me]

Wait did both Alice and Zane record Alan when he was at his lowest point? Didn't Alice make her exhibition to show the world what she sees? To show Alan the truth about himself? That it never was Scratch visiting and terrorizing her, but Alan himself? Did she depict his "self" and Zane depicted his "persona"? The two sides of him that he wishes he can eliminate bc they brought him into trouble (Scratch representing anger and the fallouts with paparazzi and stuff, Zane representing his self-destructive behavior with alcohol and drugs and the party nights)? The both sides that caused his marriage to start falling apart? Was that the reason Zane made that video of Alan when they were on that booze and drug-fueled bender while working on the Return manuscript? Is this party video the companion piece?? Alan's downward spiral, same as Alice's photos? Do they fucking work together aasdffjfjfkfk

[frenchkanna1808]

Why chapter 3 was a enormous let down and the possible negative impact it might have on the rest of the game

I remember after finishing chapter three one how exicted I was, how deeply impressed I was with the banquet and the qtaro development. And I mean I wasn't the only one, again and again I had seen so much praise about chapter three and how awesome it was. How great midori was as a villain (my like idk how many words analysis about him is very much explicit of that), How amazing qtaro development was, and mainly how great the banquet was, and I had seen the claim around that 3-1 was as great or even better than 2-2. And so I had decided after the hype fell down a little to play yttd again with friends, and that when I realized, god , wait, chapter three is like, extremely mid. I played the entire chapter 1a and it only got to the heights of 1b. I at first couldn’t tell what was wrong with the game, why did it feel so disappointing? And after a while I have finally looked back at the chapter, and yes this chapter is not only extremely lackluster but also a very bad prediction for the future of yttd if 3-2 is written the same. So here in this long french analysis I will discuss the main problem of chapter three the absolute shit characterization of almost all the characters. But also the destruction of emotion route and the crazy pacing

Hi like always, I’m frenchgremlim, I’m the french kanna fan I write stupid essays on yttd from time to time, this one will be compared to some of my others quite negative. But I will try as hard as possible to be an objective critic. This isnt meant to attack any fan of any character no any fan of yttd 3-2, I just want to discuss a possible problem in yttd writing that personally scares me for the future, this topic was one I brought up a lot in many post, if you have seen any of them then well you will already know some of my grievances with chapter 3. So with all my love thank you for reading this, lets start!

THE GOOD STUFF

Chapter Three 1 definitely has many great points. First off, the plot progression is pretty great, we get ton of infos on asunaro, on ways to escape and clues about the hades incident. Midori was a blast and bullying him became my favorite pastime. The dummies were an amazing concept (remember the word concept it will be important for the rest). Despite me disliking ranmaru deepy his development was interresting. THE QTARO DEVELOPMENT WAS CRAZY GOOD, for the first time I got to be justified for being a qtaro fan since chapter 2. Keiji had ton of development in this chapter??? that is very rare considering how much of a stable character he is troughout the game, his relationship with sara is really highlighted and I think thats great. Gin stays the most consistent character in yttd and despite normally being something I dislike in a game I think it makes sense considering gin is pretty much sara anchor in reality in both routes. The obstructors were an amazing idea and I think, adding new mechanics like that truly freshen up the game. Also shin ai is litteraly one of the best idea ever and maple too. And of course the banquet was a thrilling nerve wrecking experience with so many twist and turns that truly got your blood pumping……. Thats my praise for chapter three, the thing that doesn’t make it outright bad but correct. See how I mentioned a few characters by name, but not all, you can pretty much count any of the other either barely present or useless to the narrative. Which will lead me to my first point, the absolute character waste that genuinely every single yttd character going from the least worst to the worst (if you know me you know who will be last).

AN ENSEMBLE CAST IS AN ENSEMBLE NOT SARA AND HER MINIONS NANKIDAI

MAI AND KURUMADA

okay so I will start with them because funny enough new characters have better characterization, than actual character we knew since chapter 1. If I had a word to describe both ami and kurumada it would be good but lacking. Let’s start with mai, I think mai concept of her starting has a sort of traitor and then becoming a true ally is very good, same for kurumada startinga s a heartless asshole only caring about himself to him literally on the ground crying that keiji doesn’t cause the doom of the other dummies. Overall Mai and Kurumada have the strongest character out of all the dumies and are truly multi layered characters. Mai is depicted as a fake idol like girl who hides herself behing the pop like smilling persona (inverse of shin) to hide the fact that she is terrified but can also be a cunning manipulative person too. She truly wants the best for others but is terrified that she might die and would do anything to survive. Kurumada is a brute, he acts like a bully toward the others, act heartless and values himself over others, he has a sort of superiority complex and rejects affection. But trough the power of the bucket, kurumada starts to warm up, and he starts truly caring about the others. He starts devaluing his life after getting destroyed by maple. But in the end he was the only one of the surviving dummies wishing not to be brought back but avenged. Both have interesting dynamic with their pairs and overall importance on the narrative, something that can’t be said about all dummies. Why lacking then. I think kurumada and mai still suffer from what I will call the dummies problem, they feel like there is so much like missed potential its crazy. Seriously we had like one scene where kurumada learns to warm up to kanna, thats it, it feels like we had the basics but it was very rushed. Which is a shame considering THIS IS THE THING THAT MAKES KURUMADA CHANGE AS A PERSON. Mai has less of this problem I think, but still she has no relationship with like anyone in the group except qtaro ( I still think in logic route we should have had the obvious parralele between her actions and like keiji/shin actions it feels like wasted potential) But again this is a flaw that is ommitable since reminder the characters are well written despite being rushed. What isnt forgivable is that kurumada has no relationship at all with shin in logic route, its clear that nankidai envisioned emotion route kurumada before logic route kurumada. Overall I think the pairing system was terribly done for some characters, which is apart of the overrall dummies syndrome.

But lets take a look at the other dummies where my praise will quickly end.

ANZU AND HAYASAKA:

I am deeply sorry for anyone who is a fan of those characters, but I need to be objective, anzu and hayasaka are the most nonexistent characters in yttd. I complain about the lack of kanna content, but the absolute uselessness of those two is crazy disappointing. Remember how I described mai and kurumada, full rich descriptions, what is anzu character. She is a dumb clown girl, thats it there is nothing more. And the problem isnt that she is a simple character on paper, because for example mishima is quite a simple character, its how nankidai decided to utilize them. Lets start with anzu because I think she shows off well the problem, what does anzu do during the narrative, when is she useful, not even like talking about like puzzles or stuff like that kanna also doesn’t help that much, I mean overrall, what is the goal of this character. A character can be a bit flater personaility wise but he has to HAVE A REASON TO EXIST EXCEPT FILLING IN THE BLANKS.

Why was she paired with the yabusames, because reminder all the dummies were paired with a human for a reason, sara with ranmaru because of joe, keiji and hinako because they are edgy emo dyed hair dodgy person, kurumada with greenbling because he has one of the highest percentages while they have some of the lowest, hayasaka because he is similar to mishima with gin. Anzu was paired up with the yabusame, because she had to be paired up with someone, she has NO relationship with them, isnt a contrast isnt anything. My problem with anzu is that she is a a boring character because they did NOTHING WITH HER, she feels like an C rated anime girl in the fucking cast of death note. And no I’m not saying a nice person is boring not at all kanna is my favourite character of fiction, what I’m saying Is that creating just a nice girl is a problem. If we go to hayasaka its the same, which is even worse because hayasaka IS TIED TO THE NARRATIVE. I would say haysaka is more plot interresting but his personality is so boring that it doesn’t help at all. He is just clone non chad mishima. They can die and it will genuinely almost affect nothing at all(which is also a problem the death problem). You get surprised when they actually talk because you had forgotten they existed. Thats how I will define the dummies problem, it feels like the characters were added but had very limited impact in the end, because while it makes sense for asunaro it doesn’t make sense for the cast, why add characters if they have no meaning, thats just bad writing.And why does that piss me off, because you could have done so much more. Remember the mishima comparaison? Mishima is the most good guy ever made but how does he shine, by his interractions, he is a light of joy and good and shines from how kind he is towards others. He’s a bit silly but his unwaring kindness and undertsanding is what makes him a compelling character. Especially I contrast with brooding characters in the cast. ANZU COULD HAVE BEEN THAT. I think especially in logic route, anzu isnt the brightest light bulb, but she can shine in her unwaring compassion, her passion is making others laugh as a clown. While she isnt the best and can sound awkard she tries her best for others, because thats whats right to do, despite how much she is scared. After keiji gets coffined, anzu goes to see keiji in the coffin and tries to cheer him up with the worst joke ever and it makes him truly laughs from how bad it is. Reko see nao painting and gets depressed about it,feeling like she was able to save nobody whether her brother or lover, anzu decides to show her some epic clown skills and absolutely fails, reko laughs finding the kiddo endearing. After alice discovers that midori had hanged out with reko, he wants to destroy him and get filled with rage but anzu tells him to do the breathing exercises she used to do before any performance. Anzu could be used as this idea of childlike kindness a little light in the dark of the group especially in logic route. She can still be a fail girl clown make her bicker with kurumada more, make her be so impressed by how calm mai is, make her despize ranmaru in logic route, make her a dumb kid with tehir cool aunt/uncle with the yabusames. MAKE HER EXIST. SAME FOR HAYASAKA, hayasaka is supposed to be a straight man type character make him even more of a loser, make him silently judge the crazy ass people he is with, do his development litteraly not Five minutes before his death. A character being simple isnt a problem, what is a problem is not using them to their fullest, and for me in the state that they are in currently anzu and hayasaka are bad characters in term of the narrative.

SHIN

Okay so shin isnt a character in chapter three, he’s just there, I’m putting that low because he is a main character. The problem with shin being a bot, is that we just left one of the craziest chapters for him to do nothing, I understand him being stunned by midori and stuff. But I still think this is quite a letdown, especially for the obvious parralels between him and maple almost never being utilized. You can tell nankidai didn’t have the time or want to do much with the guy, which is bonkers considering THIS IS THE CHAPTER WE MEET HIS ABUSER. Then why isnt shin lower? Because shin is the type of character to have development throughout the story, who has a continuous storyline etc, which means that even though he didn’t get anything special this chapter next chapter he will get it. Its not a case of actual waste of character ,its more so, putting the character in the drawer for now. I am not scared for shin writing because he will always get something and always had something. Which makes is non importance in chapter 3-1 not that bad

KANNA

OKAY SO I WILL TRY TO NOT BE BIASED. Kanna characterization disappointing me In 3-1. As the biggest kanna fan, I think nankidai doesn’t care that much about her character as an actual protagonist. This one will be a bit longer but to explain why it was bad I need to do some sidenotes.

Sara is the protagonist of yttd, and keiji and gin are deutarogonist (idk how its written forgive me I’m french, please tell me if its badly written). Sara throughout the story goes trough many changes and developments, while characters like gin and keiji stay pretty much the same the whole story before 3-1. Sara main development is her living with the grief of losing joe and her importance in the group. While keiji is this morally grey, in the end bad person because of his actions guy, that still deeply cares and wants the best for sara, but what he does for her like putting so much responsibility isnt good for her in the end, it creates this codependent dynamic where keiji wishes to protect sara but in the teaches her how to be like him despite him wishing the inverse. Is keiji a good influence? A bad one ? I would say a bad one, but does he care for her? He sures do, and would do anything to protect her. Why am I going a tangent you might say, because shin and kanna are the mirror to keiji and sara. They are in the end the same. Kanna is a direct parralel to sara story wise, which is why I think if the story was twisted the point of view would be either shin or kanna. Kanna is the emotional core of the game, the soul I would say even, her development has a character is the deepest and most complex. Going trough hell, wishing to die to then deciding to live not herself yet but for the people that loved her, Kanna went trough some of the worst events out of the cast, litteraly everyone she even remotely liked or was friends with dies. And yet she decided to stand, for them, for their wishes, that makes kanna the most emotionally strong character in all of yttd. Because compared to sara she had almost no help and was left to her suicidal tendencies. Kanna represents hope and bravery in its purest sense. Thats why kanna is the soul of yttd, she litteraly made shin realised that he could care about others again. But despite all of that kanna was always in the shadow of someone, lacking self worth and self confidence feeling the need to be protected by others, hiding behind shin schemes despite how dodgy they were. Shin was her shield, and now he is gone, and kanna has never been more alone than now. Two people died for her, she hates herself and wishes to go seem them deeply, but she has to stand up for them. And what do we get for chapter three!!!! One scene. Thats fucking it. Okay maybe a little bit more but like god its bad. Kanna is implied in one scene that she doesn’t understand why shin would sacrifice himself for her, which implies that she doesn’t understand that people could love her, which could imply that in general she doesn’t get why either kugie or shin did this for her. COOL ONE IMPLICATION. And like if you read the scene where she says that she will like be epic for them, its implied that kanna doesn’t feel better and is still very much suicidal she still hates herself, kanna doesn’t think she can live, but she has to survive for them. Kanna is implied to be in survival mode more than having hope to be outside. OKAY COOL.

Now I have a question, why does for kanna we have to acively search for her to have any actual development and like relevance, while for other character its more laid out. Why does sara get a scene where we see her change mentality after seeing the joe ai, while kanna GETS OFF SCREEN DEVELOPMENT. IF THERE IS ANYTHING I HATE ITS OFF SCREEN DEVELOPMENT. WE SHOULDN'T HAVE TO GUESS A REASON A CHARACTER CHANGED. Plus kanna is a victim of this almost all the time, which is why people call her flat or not as interesting as shin (I heavily disagree I could write so many pages about her). Kanna is a character which is made in subtlety, which isnt a problem, what is a problem is that she is perhaps the only one. Kanna like I said is a very important character for both routes and yet she is barely treaten has a main protagonist, she is a sidekick, and thats a problem. Because of that her individuality and complexities are not explored. For example I think kanna has many many actual flaws that are barely treated in the narrative, she is far from a perfect kind person, but never tackled on. Kanna is a character that not only never gets a W but also get no breathing room. THIS IS THE FIRST CHAPTER KANNA IS MORE PROACTIVE AND YET WE DONT SEE HOW HER. Yes there is some things that show that, but again its not protagonist level of development, it feels like non important side character development for a character that shouldn’t be that. Kanna SHOULD be a protagonist of yttd, and should get finally her chance to shine instead of always being in someone shadow. I not making pessimistic claims right now since the last chapter isnt out, but I’m very much not hopeful about how nankidai will handle her #challengewriteafemalecharacterwiththesamerespecthasamaleone.

ALICE AND REKO

I Have already written many post about this, but post chapter 2-1, Nankidai had no idea what to do with yabusames, they havent had any actual interresting impact except from lore in any chapter. They become background character especially after nao death. Despite being actual game changing choice, alice and reko are useless to the narrative. WHY? Because nankidai had decided to get them killed by sheep boy, and since nankidai clearly wrote emotion route before logic route, in emotion route he had no idea what to do with them so the became npc’s. Alice relaionship with cast has not evolved from chapter 1, and reko became just one of sara goons. I think this ties into another problem, the emotion route problem, what should make emotion route compelling the character which is supposed to represent it, kanna and the emotion route based choices, but since kanna and the other yabusame gets zero content, emotion route seems like the least interesting route. Because nankidai was more lazy doing it which is a clear problem. That affects the yabusame heavily, sicne he had no plans with them past death. Thats why they are static. Its also linked to another problem which I will mention later. But yes nankidai simply doesn’t know what to do with them, which is especially worst for alice a character that is LINKED TO THE ENTIRE CHAPTER. I think its not only a waste of alice and reko, but also a sign of favoritism. I think nankidai simply cares less about complex ideas for emotion route, I will perhaps write in another post all he could have written interesting for emotion route. Now lets get into THE REAL STINKER OF THE CHAPTER.

NAO EGOKORO: HOW TO MESS UP THE MESSAGE OF CHARACTER

What. The. Actual.shit. I have no words except from that. This out of every charcater bothers me probably the most and actively pisses me off. Imagine writing a character, a female character who was shown as capable and strong despite being an emotional person, imagine creating a character which showed the defiance of asunaro, the fact that yes despite their overwhelming sense of control and power, that there was in fact a way to beat them at their games, imagine writing a character that fought against adversity and had the only canonical route where despite all their wishes that character won, imagine creating a character with a doomed fate which is in direct parallel to another character and shows why he somewhat has the right to be scarred, imagine writing a tragic story about a girl who was only brought here to suffer and be a tool for the progression of A MAN in the canonical narrative, imagine writing a character who entire existence was a tool for asunaro and died because of them, imagine writing that the floormasters consider her useless and non important because she isnt some holy participants, imagine writing that. Okay so imagine that after this poignant ending you decide to do another chapter where you mention her 1 time in a non essential dialogue. THIS IS INSULTING. Because what this honestly says is that, yes nao life truly was unimportant, we get references to greenbling death in the chapter, NAO DIED LIKE THREE HOURS AGO. THIS MESSES UP THE ENTIRE MESSAGE.

This feels like nao was some kind of rug, that when not needed could be trhown out, was her death just shock value, was that the goal of her character. I wanna remind that yes nao was only brought to boost mishima percentages, which mean she was only a tool for another man progression. THERE IS SO MUCH META POSSIBLE COMMENTARY ON THIS. Asunaro who uses children and women as toys for their own goals, that they will throw out when not needed. But instead the fact that nao was completely forgotten just deepens this idea that yes in fact they were right, she was unimportant, and thst deeply isulting I think. Why does every chapter mishima comes back while we get no mention of nao. Why is there a clear focus in this game about more stereo typically strong stoic figures, isn't this entire game about the conflict between emotion and logic. Why does characters like kanna and nao representations of the conflict get zero content. Characters like kanna and nao MATTER, they are perhaps some of the only representation of empowerment that people like me can relate. Because I will be truthful, logic route is in fact not the good choice, not in narrative standpoint (logic route is awesome for the narrative for sure), in a moral standpoint, its an extremely good idea of course. But the message of the game is that in the end its wrong, it’s a wrong choice to act or pretend to be an emotionless logic based robot, keiji is in the wrong, shin is in the wrong, midori is in the wrong. Whats the point of a moral dilemma if you don’t talk about it from one side. THEN WHY DOES THE CHARACTERS THAT REPRESENT THE INVERSE GET ZERO CONTENT. I think nao disappearance is not only one of the most disappointing things in all of yttd but genuinely gets me scared for the future of yttd themes.

Now that we finished every character, you may wonder, why, why is this chapter characterization so bad? What even happened? Ill tell you what happened, there is two reason everything went to shit and let me list it here:

THE SARA PROBLEM OR WHY THIS CHAPTER PLOT FOCUS IS ASS .

YTTD chapter three was way more plot focused than any of the chapters I would say, and honestly thats great for the narrative, if only it was done well. Remember my speeches about the characters about how like 60% of the cast is useless to the narrative, characters we know since a while, why do characters have no development, why does the dummies gets jack shit to do etc. Thats because of one thing, this chapter prioritized PLOT over CHARACTERS. And how can I claim this, because most scenes are sara and her doing everything. This chapter wasn't really about her, at all even, yet we have focused more on her reactions to the events that literally any characters. Chapter three at least half of it shouldn't have been sara focused. You might say what are you on about french? I’m gonna explain. I wanna state some example to show my point clearer, the reveal of why non candidates were brought here, why, in the flipping heck is sara the charcter in particular they choose to only know that, to have the big emotional scene, why especially in logic route, why?????? Yes she knew nao, sure thing, yeah she knew kai, but she wasn't the only person that knew them, sara didn’t even like mention nao almost the whole chapter, you want me to buy some emotional ass scene, for a charcter you barely even cared about showing in the narrative. I could think of a million characters who knwing this would flip out and have ACTUAL CHARACTER MOMENTS (kanna, reko, shin when he would learn that they brought kugie only to die which in the end CAUSED KANNA TO BECOME SUICIDAL AND DECIDE TO KILL HERSELF, GIN).

Another example the final scene where sara presses the button to get rid of midori that scene feels so empty, it doesn’t feel like a revenge or anything, midori has no emotional connection or link to sara, it doesn’t feel deserved, why out of everyone of the cast, why is midori getting killed by the person who he hurted the least. It feels like yeah sara the protag so she has to do it, it doesn’t feel cathartic because the characters that deserved the most to get this final bow didn’t get to get it. IM PRETTY SURE ANYONE IN THE ROOM COULD HAVE PRESSED THE BUTTON AND IT WOULD HAVE BEEN MORE EMOTIONALLY DRIVEN. I wanna discuss emotion route sara in particular, sara isnt as interresting as before in emotion route, since now she is healing and is closing her arc, which means that compared to logic route you don’t really have this want to see her arc which make scenes that should have been about other characters feel even more flat. I am not saying we should stop having sara as a protag no no of course, my problem is that we have seen that sara can work as the protag while focusing on other characters drama.

Example chapter 2-1, in 2-1 the focus is on reko and alice, and yet sara still has conflicts for herself, but they don’t seem to overpower the narrative. This intense sara focus destroyed the other characters screen time, and caused a lot of scenes that should hav been more impact to be less impact. Sara story in emotion route should have been the keiji stuff an ranmaru stuff mainly(and the whole logic route sara becoming crazy stuff too), the whole conflict with midori just felt like it was created only for the narrative. NOW I CAN FINNALY COME TO MY POINT. The sara focus was because yttd decided to focus more on the plot progression that character driven story, thats why sara does everything, thats why the characters have overall less to do. And imma be honest I did not come for yttd for the plot, people love yttd because of THE CHARACTERS, why do people play logic route, because they want to see shin evolve and sara too, why do people save kanna to fullfill shin wishes and save a kid they care for, what most people play yttd for is not the plot. YTTD IS A CHARACTERS DRIVEN STORY, characters not character. I genuinely don’t give a flying fuck about the plot if the characters are non existant, a bad plot can be carried by good characters, but a good plot will never carry bad characters. I know we are getting closer to the end, but yttd always had that balance between action and character moments. But I don’t think its only the direction of the story that is faulty. ITS the:

PACING

YTTD CHAPTER THREE PACING, wow we met this new guy midori, WTF REKO DEAD, anyway who cares lets move on. Thats it thats the pacing. THE CHAPTER IS WA TOO FAST. We go trough plot points so quiclky, we randmoly see reko/alice die then nothing, they don’t exist anymore, characters the cast know since the beginning, again for the dummies its logical, in a way, they don’t really know them, plus they are robots. RANDOM AHH REVEAL KANNA AND SHIN ARE ACTUAL SIBLINGS THEN NOTHING, NO MENTION, NO ACTUAL IMPORTANCE TO THE ROUTE, this only felt like this was added in for plot for logic route so that we know in advance that shin and kanna are siblings. The dummies just die at the end of the chapter in five minutes, qtaro dies in five minutes then the chapter ends. How do you want us to feel emotional weight for a character dying if you give us no time, joe death is one of the most viceral death because its slow and painful to watch, while if he died in chpater three he would have just exploed for shock value. Shock value thats how reko and alice death felt like, just that. Sara figuring out the whole participant thing, shock value thats it. The pacing is just horrible in this chapter so much so that I had actually forgotten kanna and shin were revealed to be siblings at the end of my first playtrough

CONCLUSION

I don’t think chapter three was bad per say, half of it was amazing truly, but the other half was incredibly disappointing, the whack characterization, the horrible plot focus and the pacing are terrible. Emotion route suffered the most because of this and I think on an objective standpoint is the worst written route (i’m the biggest emotion route glazer but like I can’t lie on how bad nankidai fumbled). I still love yttd and am full of hope that chapter three two will be the most amazing thing ever made, but I am scared of dissapointement now, I hope nankidai comes back to his roots wirting like chapter 2. If you like loved chapter 3-1 then honestly I wish I was you, I don’t like being dissapointed, I don’t like being let down, I am not critiquing from a place of hatred but from a very passionate fan, I know my opinion is pehaps not one of the most shared but as a fan of yttd for so many years I think we need to open our eyes to flaws. Perhap chapter 3-2 will fix everything I say and I hope so, I hope this post becomes outdated, but if it doesn’t then it would in my eyes truly ruin yttd. It won’t change chapter 2-2 changed my life and that kanna kizuchi saved me from a lot of dark times.I love yttd and i belive in nankidai and that why as a fan we shoudl critic his work

[hona-hona]

hi!! i hit 300 followers a couple days ago, and even though i dunno how common this is in tumblr culture i wanted to make a little celebratory post

this is just to say thank you to eveyone who has followed me, but also even if you don’t, to the people who regularly show up in my notes (if this reaches you somehow) — thank you too!! you mean so much!! every interaction, every nice word in the tags, even if it’s just “!!” encourages me to keep making stuff. i am very happy that my art can make your day a little bit better 💛

that is all!! i have so much more to say, but i didn’t wanna drag this on, so just know that there’s a longer and significantly sappier version of this post in my head.

also reminder that i have an ask box, where you can ask me a question, request a drawing or just say something nice. see you soon !!

[lagosbratzdoll]

This is a very very unfinished thought but I've been thinking a lot as I reread the books about how the women of House of the Dragon don't really get catharsis and how that'll likely be worse in S2. Say what you want about asoiaf but a number of named women there experience catharsis.

They kill their abusers (Lysa, Cersei, Dany). They regain some agency after a violation (Lysa, Cersei, Lady Stoneheart, Dany), and they refuse to forgive the people complicit in their subjugation (Lysa, Cersei, Dany, Lady Stoneheart, Jeyne Westerling).

Obviously, three or four isn't enough in such an expansive cast of characters but the point remains that they claw back their autonomy however they have to. They're allowed to be angry, bitter, unforgiving and cruel to their abusers in a way women in House of the Dragon just aren't allowed. They're allowed grief, grief that is violent and destructive.

The women of House of the Dragon don't get angry. They stand around and stare plaintively at the camera, they cry prettily, and they plead for peace and non-violence. They suffer and suffer and suffer and there's no relief.