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lay-z · 1 month ago

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❄️ Day 7 – Make do

Synopsis: Stuck in a safe house on a mission in the middle of nowhere on Christmas Eve, you and your alpha teammates are in dire need of some comfort.

Pairing: alpha!TF-141 x fem!omega!Reader Warnings/Info: No smut. | Omegaverse; military!Reader; a/b/o dynamics; emotional support (dog) omega; fluff; suggestive content; flirting; teammates to lovers/mates; eventual poly!relationship; eventual romance; typical omega/alpha behaviour

Word count: 2.5k

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Location: [Redacted]

EST. remng. time until exfil: 8 hrs. 4 min. 37 sec.

The wind is howling outside the shabby safe house, whistling through the creaks and cracks of withered floorboards while the rain keeps pouring down in ice buckets, fat drops pounding against the leaky windows.

You fear the seemingly ancient hut might cave in like an unstable card house with each violent gust of wind.

It’s definitely not cosy and anything but how you’d imagine to spend your holidays this year, but alas – you’re in the military, freshly recruited by a secret special ops task force just a handful of weeks ago, and neither war nor terrorism take a break, so you won’t, either. And you’re still trying to proof yourself to them, to those rugged, dominant and battle-hardened alpha soldiers.

Still, you’ve been away from a proper nest for nearly a month now and it’s starting to make you terribly anxious. You cannot possibly be of any use for your assigned alphas like this, not if you can’t even take care of yourself properly, and it’s showing.

Sometimes, the novelty of this arrangement catches up to you, makes you question your whole being and purpose. Especially, when you struggle to approach certain members of the squad to even offer your help and do your job. However, Captain Price had informed you in the beginning that you’re their first assigned emotional support omega, that some of his soldiers have never even been in close proximity to one before. He never told you who, but you already have a good hunch.

You don’t want them to know about your inner turmoil, though; don’t want them to think of you as some spoiled, prissy omega when you’re definitely still a soldier, as capable of the same war atrocities as they are – even if your nature gets in the way sometimes.

So, you do what you do best, grit your teeth, keep your demeanour neutral and make your usual rounds, seeing if anyone is in need of your support, though you’re ready for their usual declination – which is something that stings even worse than your own unmet need for comfort.

Nuzzling the cold tip of your nose into the thick collar of your winter combat jacket, you peel yourself away from the raggedy cot in the guest bedroom, boot-clad feet dragging along the creaking floorboards as you square your shoulders despite your own discomfort and walk down the short hallway into the dimly lit, sparsely furnished open living room.

And your nose immediately wrinkles at the concoction of sour, agitated alpha scents, cigar smoke, gun oil and musty wood. It’s bad enough to make your eyes water, but you swiftly blink away the gloss in your eyes, determined not to let them know how bad this is.

“Gentlemen,” you speak your greeting into the room, clearing your dry throat awkwardly as you assess the situation while the men barely seem to acknowledge you.

Captain Price is standing by a cracked window, puffing on a stubby cigar while staring outside into the semi-darkness, watching the storm, his broad shoulders tense and spine rigid.

Gaz is reading a worn softback book, sitting in the corner of the shabby couch where the old standard lamp flickers every couple of seconds, his dark brows drawn together in concentration, though his eyes barely move.

Soap is slumped in the only upholstered armchair, the battered cushions looking like they’ve seen better days; long legs stretched out in front of him, his bulky arms resting on each armrest while his head is tilted back, eyes flickering behind closed eyelids.

And the Lieutenant, Ghost, is sitting at the wobbly table on an equally wobbly chair in the darkest corner of the room, sharpening and cleaning his ballistic knives, the heavy scent of restlessness accumulated in his spot, though, as usual, his expression is hidden behind his skull mask, an air of indifference carefully crafted around his self while his own nature betrays him.

Their behaviour is making your stomach twist into knots and you swallow down a soft whine as your inner omega starts trembling with anxiety.

Then, Soap speaks up, his gruff, roguish voice breaking the tense silence, “Ye busy, sweetheart?”

You blink dumbly, eyes flickering around the room, unsure if he’s truly talking to you or–

But Soap lifts his head then, a boyish grin on his lips as his bright cerulean eyes lock with your, nearly making you squeak in surprise.

“C’mere, Corporal.” He says, lifting his bare right hand and curling his index finger, beckoning you over playfully before patting his thick thighs. It’s not an order, but the sudden interaction between you and the Sergeant has the other alphas perk up one way or another.

Price glances over his shoulder, blowing out a thick plume of smoke around the cigar between his lips. Gaz looks up from the pages of his book, one eyebrow raised curiously, his warm brown eyes flickering between Price, Soap and you while Ghost stops polishing one of his knives briefly before proceeding again.

It’s the first time one of them has made the conscious decision to ask for your presence, disregarding the brief and rare sniffs all of them have taken of your comforting omega scent in between action and battles.

Almost unconsciously, you give a stiff nod before approaching him while he sits up straighter in the armchair, moving his legs and angling his knees to give you more space.

“How–uhm–How do you… want me, Sergeant?” You ask tentatively, oblivious to the double-meaning of your innocent question, struggling to keep up your professionalism as you rock back and forth on your heels, heart pounding in your throat.

Soap’s formerly tired, half-lidded eyes light up with mirth as he drinks in your uncertainty, and deep down, he feels so bad for himself for denying himself and you this comfort that you and the rest of the squad so desperately need – all on orders from Price; the admonition from several weeks ago still ringing in the young Sergeant’s ears.

“Don’t overwhelm her, lads. She’s precious tha’ one, a bloody fine soldier, and we wanna keep her around with us.”

But the Captain forgot that this is literally your job, that this is why you’re here with them in the first place, and gods damn, Soap needs a whiff of your scent, of something else but his or his pack mates acrid stench – something more like candied apples, cinnamon and fresh wildflowers – something more like you, sweet, sweet omega.

Soap holds his right hand out to you and waits for you to reach out as well, before he grasps your smaller, cold hand swiftly, pulling you onto his lap while he keeps you steady with his left, manhandling you until you’re sitting perched up oh so prettily on his broad lap.

Your lashes flitter briskly, bright doe-eyes flickering nervously as you drink in his features this up close and Soap is preening internally at the reaction you’re showing him, so surprised and almost innocent despite your occupation.

“Ye like sitting here with me, aye, sweetheart? Not too much for ye, innit?” He queries nicely, loud enough for the others, especially Price, to hear, while the corners of his eyes crinkle with giddiness.

You scan the room discreetly, vigilant eyes moving left and right, like prey looking out for predators, unsure if this might be some kind of test perhaps, to see if you’re a good omega, able to do what you’re supposed to. Looking back into Soap’s pretty eyes, you give a slow nod, “Yes and no, sir.”

“Aye… thought so.” Soap chuckles gruffly, pulling you closer against his buff chest, eager to have your warmth and scent seep through his clothes, mark his skin and calm his restless soul.

Gaz can’t take it anymore, can’t even continue pretending to be preoccupied with this stupid book in his hands. Not when you’re sitting on Soap’s lap like that, whispering and giggling with him like you’ve never done anything else before. It had already been hard enough, acting as if you weren’t there since you joined the team, when all Gaz wants to do is bury his face in your neck, nuzzle your soft skin, cuddle you close and have your soothing purrs reverberate against his chest.

He didn’t have a chance to hear them yet, but he’s sure you would make the cutest sounds and noises.

His jaw ticks when a whiff of your saccharine scent wafts over to him while he’s still seated on the shabby couch, just a few metres away from you. Perhaps, he could just snatch you right out of Soap’s hold–

The low rumble of Price’s chiding alpha growl makes Gaz bristle, eyes widening imperceptibly as he ducks his head slightly, because how did the old geezer even sense that he was becoming jealous… and possessive.

Suddenly, Soap calls out, “Oi, Garrick? Ye want a turn?”

Gaz perks up; closing the book at once, though he looks over at the Captain for guidance and permission, because he sure as hell won’t disobey a direct order like Soap did when the latter had asked for your comfort.

Meanwhile, Price’s annoyance is still simmering below the surface, vein throbbing rhythmically in his neck as he listens and watches how the Scottish Sergeant is acting with you, all gentle and playful, practically putty in your presence.

The room reeks less of agitation and discomfort now, their aggressive alpha pheromones now dulled and whitewashed by your strong, syrupy omega scent, melodic giggles and dainty demeanour, and Price has to admit, Soap does seem to be in higher spirits now.

So, he meets Gaz’ pleading eyes with a firm nod, and watches the younger alpha scramble to his feet, opening his arms invitingly, while Price keeps his distance, chewing on the glimmering cigar stump to ease his own restlessness.

“Hand her over, MacTavish,” Gaz huffs, long fingers wiggling in anticipation, “You wanna stay with me a bit, hm, sunshine? Aye, ‘course you do–” He coos at you, leaning in a little and getting a first real nose full of your intoxicating scent at this proximity. His pupils dilate at once, making Soap chuckle as he loosens his arms around you reluctantly.

You answer with equal eagerness, eyes twinkling happily as you slip into Gaz’ strong arms, chirping, “Yes, sure!”

You end up sandwiched between Soap and Gaz on the small couch, cooped up in two different pairs of strong, bulky arms while both young alphas gush over you, courting for your attention as they nuzzle, kiss and lick your neck, your hair, any patch of exposed skin they can reach. You don’t mind them scent marking you for the first time, don’t mind the way they’re getting excited as you feel their big bulges strain against the rough fabric of their combat trousers whenever you’re switched back and forth in their embraces.

Just once do you need to correct Soap’s behaviour by pinching the nape of his neck, when he bucks his hips up against your clothed core, rubbing his growing arousal against you briefly. But Gaz chides him, too, and that’s that before you continue coddling them as much as they do you.

Ghost is usually great at blending out his surroundings while simultaneously being hyper-aware of them, but you’re slowly and surely starting to get under his scarred, pale skin, carefully chipping away at his resolve with each tentative offer of your assistance to him and his packmates, always looking mighty eager to please and serve.

Fucking hell.

It's sickening, really, how your enticing omega scent seeps even through the barrier of black cloth covering his nose.

He’s never allowed himself to smell something so sweet, let alone be in close proximity with someone like you.

When Price had submitted the application for an emotional support omega for the 141 to the brass, Ghost had nearly lost it and, in a semblance of panic, threatened with both resignation and applying to transfer to another task force, anything that would put space between himself and any omega, not trusting himself to be around something precious and fragile like that.

And then you showed up one day, pretty as a peach, ripe as one, too, and Ghost reluctantly accepted your presence with a grumble, enforcing Price’s order not to get too close to you, though, that’s easier said than done, he’d learned fairly quickly.

Now, Ghost can barely keep himself from staring at the couch, where both Soap and Gaz are seemingly having the time of their lives – basking in the attention of their own little omega. He’s never seen the two alpha Sergeant’s act so bloody… corny.

And yet, the Lieutenant can’t help and wonder how it must feel like to hold you, to feel your weight on his lap and feel your hair tickle his nose when he leans in to–

“I know what I said about her,” Price clasps his heavy hand on Ghost’s shoulder, bringing him back to reality, “– but perhaps you shouldn’t keep restraining yourself like that, Simon,” The Captain mutters, “It ain’t healthy.”

“An’ what about you, sir?” Ghost counters, not looking up as he finishes up polishing his last knife for the third time.

Price huffs in amusement, fishing another cigar from one of his breast pockets.

“Don’t ya worry about me, lad.”

When Soap pulls back from your kiss-swollen lips at once, you whine softly, chasing after his pretty mouth, already utterly spoiled bit the little bit of attention you’d gotten from the young Sergeants, until the expression on his handsome face makes you pause and snap out of your contented daze.

“Ye ready for a turn, Lt.? Think ye can handle it?” Soap snickers while Gaz scoots to the other end of the couch, clearing his throat loudly, looking at anything but the behemoth of an alpha in his black combat uniform, now standing in front of the couch.

Your eyes go comically big as you tilt your head back against Soap’s broad shoulder to gaze up at the stoic Lieutenant; the cloth of his skull mask now tucked up to the bridge of his crooked nose, revealing dirty blonde stubble and several thick silvery scars along his exposed neck and the lower half of his face while his onyx eyes stare down at you with unmatched intensity.

“I dunno, Johnny,” Ghost gruffs out, tongue darting out to lick his chapped bottom lip, “Think yer pretty bird can handle me?”

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misguidedasgardian · 1 month ago

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GLADIATORS

CREGAN I.

MASTERLIST

Summary: You see your father’s latest acquisition in a closer way, a wild man from the North who had become one of his gladiators.

Pairing: Slave!Gladiator!Cregan x Domina!Reader

Warnings: Ancient Rome AU, Cursing, slavery (and everything that comes with it, technically rape, forced labour, punishments), blood, guts, gladiator battles, lude language, nudity, sex and everything related is no biggie here, we’re a ‘sex positive’ Republic, mentions of sex, same sex couples, orgies, and more.

MINORS DNI + 18

Wordcount: 6,7 k

Notes: This reader is young perhaps… like 18? 20? but so is Cregan!

“Dad, he is old!”, you whined. You heard your older brother snicker by your side, as their silly wives snickered like the silly girls they were. You sighed as you popped a grape into your mouth followed closely by a piece of cheese and bread and a sip of wine.

“He’s got money… and he is in the senate!”, he said then, signaling one of the slaves to start lighting up the oil lamps along the Triclinium, the night had fallen over King’s Landing and it was getting dark.

“I bet you could find someone who’s in the senate who’s got a wife he is willing to divorce, and he won’t die of old age before the wedding”, mocked your eldest brother, but soon got quiet as your father looked at him with severity

“Nobody should divorce their wives on my account”, you said, the notion made your stomach turn. Even though divorce was a common thing, if a man desired another, or another union would ensure more privileges, or if his woman was unfaithful or not able to give in heirs to the family, they could divorce. A woman could divorce her husband too if she had her own reasons.

You knew the dowry of your middle brother’s bride was quickly being spent on the training of the gladiators in the Ludus underneath the house, so he needed to come into some money quickly, even though he would have to pay for your dowry.

One of the greatest events of the year was coming quickly, and his Gladiators needed to be in top shape.

“Tomorrow I want you all there, at the games of Senator Tywin”

“Have we’ve been invited to the pulvinus father?”, asked your eldest brother

“Close enough, right by it”, he said, he seemed pleased, but you had learned to read him better, there was something lurking in his eyes that betrayed a darker desire… for more power perhaps.

“I've heard that Larys Strong and therefore Alys Rivers got an invitation this year to the pulvinus, and her gladiators in the primus at sundown”, whispered Martyn

You had two oldest brothers, Alton and Martyn.

“That Ludus stands as such because of that whore Alys Rivers”, mumbled your father

“A woman Lanista?”, you asked, “how could that be?”

“She is not, but she whispers in her half-brother's ear while he aspires to be in higher positions”, explains your father. “While his brother, first born son and heir goes around playing gladiator”

“He is a slave?”, you asked

“He volunteer himself into that life”, murmured Alton, “you had seen him fight sister, Harwin”

“Oh wow!”, you said, not really knowing what to say, but rather, sipping your wine, you did remember seeing the biggest person you had seen upon the arenas of King’s Landing’s Coliseum.

“Anyways, Alys stands as such because she was advised many years by Daemon himself the demon of the arenas”, mumbled Martyn

“Yes, fine Daemon/Demon”, your father would repeatedly, while on his cups, tell the tale of his biggest regret, and that was not purchasing a young Daemon while he was still in training, he grew to be the greatest gladiator at the arena, so much so he won his own freedom at the games of the Vulcanalia some years ago. Daemon, as many other gladiators, came from the shadowlands of Essos, as he sported beautiful white/silver hair and violet eyes.

You would never say this outloud, but the gladiator battles were never a thing of your interest, not really. You did not liked the bloodshed, the gutting, you had no taste for violence, and yet, there was something to admire as you saw those men fighting

They looked like they were carved from the finest artist, they stood like they were gods above the sands. They stood as fierce representations of the god of war himself.

“Well, her reign of depravity will not last long, I heard the Northman shows great promise”, mumbled Martyn’s wife Adella

“What about the Northman?”, Martyn asked then, you raised your head in question. Oh the Northman.

The man had your father in a lockdown, taking most of his time, money and patience. He was ‘caught wild’ in one of the last incursions of the armies of the emperor to the wild tribes of the North, hence his nickname. Purchased by your father at the slave market, and trained for the last months. With the purchase, your father was hoping to impress Tywin Lannister himself, a senator and a very wealthy man, it did not work, so far, as the man planned to visit your father’s villa upon invitation to see the Northman’s training and hopeful subjugation. So far, no luck.

He was caught fighting, he wasn’t a stranger to it, but there was a long way from being a soldier to being a gladiator. From being… whatever he was up there, to obey command from a man that subdued you into slavery.

But again, your father’s temper has closely returned to normal, so, you could only assume the training was becoming fruitful, even so slowly.

“He will never be tamed”, he said curtly, “but… if we keep managing him properly, we can turn that hate of his into the arena, he shows great promise”

“Forgive me father”, you said, raising from your place in the triclinium, “I take my leave to bed”, you said with a soft smile, nodding at everyone present

“Good, I won’t have you all tired tomorrow”, he said approvingly, and you nodded, thinking for which old bat he would have you presentable tomorrow.

He was determined to get you wed before the autumn plantings at the end of the year, and he didn’t seem to care to whom as long as it brought privileges upon his house.

It was hot, so hot, you could barely stand, you were eternally grateful to your personal slave, Anya, who stood by your side, fanning you with a soft paper fan. She leaned into you as you allowed her, to also enjoy the soft waves.

Although, they brought some stench from all the people around you.

King’s Landing, although the capital of the great republic, stood famous for its stench, having grown rapidly and unprepared for it.

The sun cooking the viewers of the spectacle didn’t help either.

The people cheered, bringing a new wave of hodor that made you dizzy and poor Anya almost faint

“Did you see that?”, asked your elder brother to the youngest, as two gladiators fought to the death, one cutting the other’s arm. HIs screams could be heard all the way up where you stood, near the pulvinus.

You rather stare into the sun, which you did. Soon, after midday, it was going to hide behind the wooden beams supporting the canvas on top of the Arena, there you truly were going to enjoy it. being able to relish in the shadow.

“Tywin demanded only the best this city has to offer present themselves in his games”, the comment alone made you turned your gaze upon the Arena, as people cheered again, some even pushed you in their ecstasy, to see the gladiator in shining white armor decapitate the one missing his arm

“And Cole does it again”, said Martyn. The one who had an armor so polished it was blinding was known as Cole, he stood from the Rhoynar in the south, from Dorne itself, plucked from the desert to fight in another kind of arena.

“See her gloat”, demanded Alton, you all looked towards the Lanista herself, Alys Rivers in the pulvinus, with a smug look upon her face, she of course was the one holding the wip that trained the man in the arena.

She was of extraordinary beauty, long lustrous black hair, long to her hips, wearing a deep green stola, beautifully decorated atop a black tunic, you wondered how she did not bake wearing such dark colors.

She was stuck to the side of her rumored half-brother, he was a.. interesting man, thin and a bit twisted, unruly hair but fine clothing adorned his weak frame.

“People of King’s Landing…!”, presented Otto HIghtower from the pulvinus, a small but central box, where the most prominent people attending the games would sit at. He was a Senator, friend to Tywin Lannister and apparently presenter to today’s games. Maybe he was the patron of the entire occasion, your father had been paid by a HIghtower man.

But this… was far from over.

It was odd to see such a gladiator so early in the day, the sundown was reserved for the very best part of the games, the primus, between the two best and more known gladiators.

You found yourself thinking about like four names at the time.

Harwin, Cole, Aemond, and… the Northman.

Although Harwin was disapparating from latest presentations… he still held name, but he had lost his prowess as the last time he found himself in the Arena he asked for mercy as he found himself losing, he raised his hand in the air with both index and middle finger pointing to the skies begging for mercy, and it was granted.

Against Cole himself. He got terribly injured almost a year ago, thereafter only presenting himself in fights long before midday sun.

Yes, everything you knew about gladiators and fights was learnt unwillingly.

But the primus did not belong to your father, so the Northman was fighting early, thankfully. You might have a chance to survive this heat, by retiring back to your father’s villa early.

Although, these occasions were like the market for older unmarried men. And your father would have you giving everything to sell…

“... I give to you, from one of the greatest Ludus of the Republic, a man, from the wild tribes North of the neck…”, your father smiled proudly as the name of the family was spoken loudly for everyone to hear. “trained to wet the sands with the blood of his enemies… I give you… CREGAN!”, people booed at his entrance, as the wild tribes of the North had been villainized by the Republic, as relentless, violent and above all, uncultured and barbaric, but you had learned to read between the lines, they were described as such because they refused to bend the knee.

The gates of the Arena opened on the west side, revealing the men ready for battle. He stood tall and broad despite his young age, his dark brown hair tied back, although hidden by a thick helmet in the shape of a wolf’s head.

He wore nothing protecting his torso, yet a thick metal belt putting together the lower part of a tunic. He wore forearm and shin protectors, and thick leather sandals

He had a huge sword in hand, and a shield on his other.

The sight alone took your breath away.

You had seen him only practicing, briefly, as your father did not approve of you gazing from your balcony down to the men. As they would, “get distracted”, and you didn't enjoy their eyes filled with lust either. So you refrained from doing so, but…

The mere glimpses you had gotten of the men were nothing when putting in comparison to the men upon the sand today.

In all glory, in strength, as a gladiator was the mightiest representation of a man, or that is what your father always said.

This was a rare sighting though, as he had barely been making a name for himself, this time might be the first he presents himself alone. Your father was right, taiming him was proving to be incredibly difficult, but nobody could deny that even if he presented himself a gladiator today under your father’s ludus, he was still as unruly as the first time you laid eyes upon him, as the first time you gaze down upon him, entering through the gates, kicking and screaming, hair longer than you had seen in a men, even longer than he had now.

He fought your father’s guards and even the ones who he would call his brothers this present day.

Tywin himself called for the start of the fight, his opponent was someone of the Ludus of Larys himself, one with lesser note, his name left your ears as soon as you heard it.

But you couldn't care less, as when he started to move upon the sands, the rest of the world could crumble around you and it would not matter in the slightest.

“He stands superior in all aspects”, mumbled one of your brothers and you couldn't tell which as you were so hypnotized.

Cregan attacked first, and that was very frowned upon in the Lanistas, as the first to strike tended to have disadvantage, his opponent met him half way and the clash of gladious responded all over the coliseum.

There were some gladiators that favored other weapons, like the spear and short shield, or the Retiarius, that were gladiators trained with a net and a trident, in a fisherman fashion.

It sounded laughable in paper, but they were quite impressive in the arena, not this time though, both gladiators stood with a gladious, meaning a sword, and a long squared concave shield.

The fight wasn’t lengthy, the superiority of the Northman was clear since the very first movement.

Although it wasn’t less breathtaking, as each of their movements, attacks, the way they moved, and deflected, its like they were dancing, dancing in a mortal rhythm

The crowd cheered for them, and even though they were not on the Northman’s side, suddenly, they shifted as it became clear that he was the better fighter.

Although you did not enjoy the games, there was this moment, this exact moment in which you felt like your heart was in your throat and you could tear your eyes apart from the fight. The moment where you really cared about who won, about who survived. The Northman, even thought it was the

But it was brief, first Cregan drew blood on the arm of his opponent, and then, after a quick movement, the man was dead, dropped in a growing pool of blood on the floor.

The magic was gone, and the crowd erupted in cheers, applauding, screaming his name, although there were those disappointed because of the outcome.

“He will be the champion of our house!”, said Alton, “mark my words!”, he said, as your two brothers hugged each other in happiness. you turned to Anya, who had a soft smile on her face, but kept fanning the both of you

The rest of the fights happened quickly after that, the sun hiding behind the podium of the magistrates and people of importance in the city, which gave you relief as the day turned quickly, the sun moved above the sky until it hid behind the outer walls of the coliseum.

The last fight ended quickly as well, Aemond killing his opponent in an impressive showing of strength and blood.

Your father was called upon another man near the pulvinus, as you tried to stand your ground as people around you were quickly to leave the arena, but you managed to stand your ground, as your siblings found friends of their own to talk to.

Your father came back to you, rubbing his hands amongst each other with a pleased look on his face

“I must attend a meeting in the magistrate’s house”, he said happily, “He spotted me in the crowd and invited me”, you smiled at him

“I’m pleased, father”, you said with a soft smile

“See yourself to the villa, with our guards and slaves, don’t wait up”, he commanded the lot of you.

“We have been invited to the Lannisters”, mumbled Martyn, your father’s eyes again shone with interest. So he nodded towards your brother.

“I trust you’ll be well taken care of”, he said then, turning to you, he then signaled to one of his most trusted guards and even to the Doctore himself, the trainer of the gladiators.

“Yes father”, you nodded at Anya and the both of you exited the arena, followed closely by a guard.

You turned quickly as you heard your name being called by a familiar voice, as you were int he shade of the hallways, as you turned you found yourself with your old friend from your childhood, Alysanne Blackwood

“How long haven’t we gaze upon one another?”, she said, grabbing your forearms as you did hers, she leaned in a made attempt to kiss both your cheeks as it was accustomed

“Too long”, you said with a long sigh

“We shall remedy that immediately!”, she said then, “you didn’t mind telling me your father’s Ludus was the one who owns the Northman himself?”, she tried

“Oh well, much has happened in the last couple of years”, you said shyly, smiling softly at her.

This was hardly the time, all the people were leaving the coliseum, and pushed you who were trying to stand on the sidelines. She looked at you with those deep green eyes of hers, she was so beautiful, lean and tall, with thick black hair fixed beautifully and big green eyes, her smile was contagious.

“Well it's been too long”, she said then, as you failed to meet what she desired, “and I will wait no longer, to get reacquainted with dear friend”, she said, grabbing your hands

“My villa, its mine for the night, as my father meets with important men”, you offered, her smile was as beautiful as the rest of her

“Perfect, Jeyne Frey is also here”, she said, “we’ll go together”.

To say you were nervous was an understatement

The night found you and your friends in the safety of the triclinium in your family’s villa, where the soft wine flowed freely and also the dining.

“And his cock was huge!”, she said, making you gasp

“Alyssane!”, you chided, “don’t say that!”, you said, feeling your cheeks heated

“What? Cock?”, she teased, “Cock! Cock! Cock! COCK!”

“Stop it!”, you slapped her arm playfully

“I see them all the time!”, Jeyne said then, looking sheepishly, hiding her smirk in her cup of wine.

“Only because you like to peek as your brothers have sex with slaves!”, mocked Alyssane

“No I don’t!”, she said, but you knew she was lying.

“I bet that Northman’s cock is huge too”, teased Alyssane, finally revealing her true intentions behind her and Jeyne’s visit to your father’s villa. You got quiet, so did Jeyne, but the expression on her face said it all, she was as intrigued as Alyssane

“I wouldn’t know, even if I saw it”, you said

“You had never seen a man naked?”, asked Alyssane, raising one of her perfect eyebrows

“No”, you said then, well… you sort of had, men, male slaves on sale on the streets, but you had refused to look long enough to draw a complete image in your mind. What you saw in a couple of seconds did not please you at all, rather… you disliked.. something so… small and wobbly. You shaked at the very memory of it.

“You had never seen any of your gladiators in such fashion?”, asked Jeyne, ready to tease and follow Alyssane’s lead.

“No I have not!”, you said, like it was the most obvious thing in the world.

“Aren’t you at least a bit curious?”, asked Jeyne

“Well, of course I am”, you defended

“You are to be married before the darkest of the winter months, you should at least know what you are up against”, Alyssane said simply, “and I would not deny the sight… of such a man”

“You are here just to gaze upon naked men?”, you said playfully, although, a bitter taste in your mouth, as you were feeling clearly used, and pressured.

“No, I am here to gaze upon naked gladiators”, Jeyne said then.

But another flavor joined the others, the need deep within you impress your friends, your friends from rich houses of the capital

“Bring me the Northman”, you said to the guard that stood in the corner watching the whole reunion, he seemed terribly nervous, but nodded and left you. You shaked with the resolution in your command, and felt a pit in your stomach in anticipation.

You knew he was going to take a while, so you turned back at your friends and smiled nervously, and they seemed terribly motivated.

“I must say”, began Jeyne, as she saw your face filled with trepidation, “that my tongue will not be kept from wagging about your hospitality to my father”, she wanted to make sure you knew there was going to be recompense for this, and good recompense. His father, as old as time, sat in the senate, she stood the daughter of a senator.

“Thank you Jeyne”, you said with a soft smile, you took a long gulp of your cup, to try and soothe your nerves. Alyssane did the same, but with a smirk on her lips, she said nothing as she studied your form.

Finally, they both took sit position in their triclinium as you heard movement behind you. You looked back to see their trainer Roose Bolton, following closely behind the man himself. The wildling from the tribes of the North, whose name was Cregan Stark, although everyone called him… ‘The Northman’

He stood with thick shackles around both wrists. in front of him. He was wearing nothing but a clean subligaria, and his body was like one of a god, well defined and gleamed under the light of the torches, he had recently been cleaned. The sight made your mouth dry, so you took another long sip of the mulsum in your cup. He had thick brown hair that he used tied in the back of his head, and he had sharp eyes, cold as ice and the same colour. The features of his face were soft, declaring his young age, your own, perhaps.

“Leave us”, you demanded, but the trainer Roose Bolton looked conflicted

“Domina, I don’t think…”

“I said leave us”, you said, about to lose your courage, your friends behind you giggled, weirdly giving you confidence to commit to your own command. With a grunt, the doctore nodded and left you, with only your friends, a couple of guards standing silently in the corners of the room behind veils, and him.

The Northman

He was deadly still, looking forwards, beyond you and your friends, beyond this room, his jaw was tense, you could tell that being here, summoned by you like this… for him was humiliating, but there he stood, tense like a bow. He said nothing, he didn’t move an inch.

“Is this what all northmen look like?”, Jeyne teased, “he is more beast than man”, you didn’t know if that was a real question, but your eyes never left his form, even if it wasn’t he didn’t answer.

“You can answer”, you encouraged

“All northmen do not look like me”, he said finally, the dark tone in his voice made the three of you gasp. “some make me look like an Andal”, Jeyne and Alyssane giggled at the prospect of finding even gruffer men than him.

“Oh he speaks the common tongue”, Alyssane was on fire, making you more uncomfortable. His eyes finally found yours, and you couldn’t take your own out of his.

“Yes he does”, you whispered, he indeed had a beautiful set of eyes. You then looked down at his chest, there was a red line, his injury from the battle in the Arena, it was still fresh, but you could tell it was healing properly

“I think he is handsome”, mumbled Alyssane, taking foot to walk towards him, you feared his reaction, as the guard standing in the corner of the room clenched his hand around the pommel of his sword.

But the gladiator still didn't move as Alysanne walked around him, teasing him with a single finger, touching his skin as she walked. His eyes were still on you.

“He stands as Mars, ready for war”, she whispered

“Alyssane seems taken by the man”, teased Jeyne in your ear

It was a curious thing, this what you were feeling, like somebody wanted to take something that belonged to you, but again, he wasn’t a thing, and you didn’t own him. Not technically at least, your father did.

“Their day starts early tomorrow”, you mumbled, making Alysane stop and look back at you with a teasing smile on her face. “his training I mean”, you said then

“Of course”, she said, you signaled the poor shaking guard and he grabbed Cregan, and took him from your side. You could swear you saw lingering eyes from him to you, but you must have imagined it.

“You should… enjoy him while you can”, said Jeyne finally, once you found yourselves alone again

“What do you mean?”, you asked her, her and Alyssane shared complicit looks

“Well, obviously, before you take an old bat as a husband, you should enjoy one of his gladiators, like that Northman for example”

“No…”, you said quickly, “I couldn’t possibly do something like that”

“Why not?”, asked Alyssane

“He is a man trained as a gladiator!”, you said, “he is a bit dirty…”, you tried, not quite convinced

“You have him bathed and oiled before you”, said Alyssane like it was no issue

“What if he doesn't want to?”, you tried then

“He is a slave, under your command…”, said Jeyne, “...and a man”

“What if he decided to kill me instead?”, you said then, “wrap his hands around my neck”

“I will not shame you is that is to your pleasure”, giggled Alyssane

“Aly!”, you whined, “the point is I really couldn’t, I mean, he is big and thick… and wild looking”

“Delicious then”, she offered

“Dangerous…”, you continued, although you felt your cheeks heated.

“Well if you don't have him, maybe I could!”, she teased

“What are you talking about?!”, you asked, scandalized, “when have you heard that proper Andal women lay with their gladiators?”

“Oh I’ve heard a ludus where such things happen quite frequently”, she teased

“Where?”, you asked

“In Alys Rivers’ ludus!”, your eyes opened wide in shock

“Really?”, you asked, “the bastard sister of the Lanista Larys Strong?”, you asked

“They say she offers her gladiators in… other manners”, she said, winking at you, “perhaps we should find ourselves at her door?”, she asked Jeyne

“Perhaps we shall”, she said back.

“Don’t be mean!”, you teased back, she laughed, as she was clearly jesting, you hoped.

“The hour is late”, said Jeyne with a soft smile, “I should start my journey back to my villa before my father starts a search party”, she said, raising from her chair

“Yes! me as well!”, said Alyssane, “I hope I can meet you tomorrow at the market?”, she asked you, you smiled and nodded profusely, as you accompanied them to the atrium, and therefore the door

As you watched them leave, nervousness started to take a hold on you, as did the warmth of the wine consumed to hide your embarrassment

It was not common to find yourself alone in your villa, your father had allowed it because you were in company of friends -who had influential fathers-, but now there you stood, no brothers, or sisters in law, father or friends to loom over you.

Your lower belly burned with necessity, with something you have never felt before, a longing, your body burned with anticipation and excitement. You didn’t know if it was the mulsum you had drank, or the power you just discovered, all the whole thing combined.

“Bring the Northman up here”, you said to the first guard you saw, he nodded and went to comply with your command. Your body was tingly because of the alcohol and you were excited to say the least, you didn’t even care that you had already sent the poor man down mere minutes ago, tonight, you had the power.

You shakily served yourself some more wine, back in the safety of the triclinium, the room where you ate, met with friends and family, where you were most comfortable. The man was standing right in front of you in minutes, the guards nodded at you and then left you as they had done before.

The gladiator stood there, now he seemed more surprised than before, as he found you alone, and he also seemed to be showing more of his emotions on his face.

“Northman”, you called, he turned to you quickly, anger in his eyes

“That’s not my name!”, it took you by surprise, you couldn’t deny it, the anger in his eyes, the sharpness in his tone.

“What is your name?”, it was of no consequence to you, his domina, and you should express so, that it did not matter anymore what his real name was, but, there you were, asking him nonetheless

“My parents named me Cregan”, he said, “of House Stark”, he said sharply, “as many leaders of my house before me”

There was so much more you wanted to ask, as his words truly shocked you, but as you gazed down the street you came to your senses, realizing that you should not allow such things. As your father tended to say, “who were you before this Ludus does not matter, the only thing in your mind should be sand, and the blood of your enemies”

“That is not what you are here for”, you finally find your voice, minimizing his anger at hand, turning his attention somewhere else.

“Remove your subligaria”, you whispered the command as if you did not wish it, and his sharp eyes were trained on you

“Look at you, a little domina in the making”, he teased, his tone much changed since he let you know of his true name. The very words made your cheeks heated, and you found yourself averting his gaze, his did not stray from your face as he released himself from the only item of clothing he was wearing. Your eyes followed the trail of his perfect skin, down his toned chest to his belly and…

The sight alone made you gasp.

This looked nothing like the ones of the male slaves in the market, if anything, those were… flacid and small, that sight brought you disgust and uneasiness, this one however, made your mouth dry and your skin tingle with desire. Desire that was pooling in your lower belly.

“You can touch me”, he said, he was being amused at your expense, only making you even more nervous, “I will not bite… much”, your hand was placed on his belly, muscles showing in beautiful shapes, you couldn't believe something could be hard but soft at the same time.

As your hand lowered, you found thick dark hairs there, making you shudder

“You are the most beautiful woman I have ever seen”, he whispered, so close to your face your hand stopped right before getting to his base and you looked up at him.

“I’m the daughter of your dominus”, you said, as you believed he was forced to praise you.

“Do you think that’s got something to do with what I just said?”, he asked. Your hand stopped right as the base of his cock, you shuddered, his manhood was terribly hot.

You had never spoken to this man before today, you had barely glanced at him, and now, here he stood, under your command, looking at you with his sharp eyes, not missing a thing.

“I’m sorry, this was a bad idea…”, you whined retrieving your hands like his skin burned you. Cregan grunted when your soft hands left his cock, and that only made you burn more heatedly

“And you are going to leave me hanging like this?”, he asked, amused, mocking you, but inside he was suffering, he was enjoying it too much, it has been so long without a woman’s touch, “you can’t do that!”

“My apologies”, you said quickly, leaving him there standing

His doctore came to collect him, he retrieved his cloth from the ground, putting it in place

“A little tease that one”, he mumbled to the serious man

“Do not speak of domina in that way”, he growled as he pushed him

“There is not much domina in her”, he chuckled

“That’s it, five lashes in the courtyard”, he said

“I’d think better of it doctore”, he said defiantly, taking advantage of the fact that only the two of them were present in the narrow passage that separated the villa from the training grounds of the Slaves, “the Vulcanalia is merely a fortnight away from now, and they have high hopes for me”

“Keep walking boy”, Roose Bolton threatened.

He led him downstairs and then through the big gate that separated the villa from the ludus, where the gladiators lived and trained. A guard locked it tight after they passed through it

“I advise you to keep what happened to yourself”, he said gloomly, Cregan looked back at his doctore, but nodded.

He was directed straight to a long open room, where the gladiators ate lunch and dinner. He directed himself to the cook, who gave him a clay pot with a white mush in it, just like the day before, and the night before that.

“Here comes the whore!”, someone shouted at him, as his “brothers” started mocking him and winking at him.

It didn’t take much to guess what happened in the villa, there was only one reason you get called upon at such hours, and wearing so little

“Shut the hell up Ben”, he mumbled to his only friend he had in the Ludus, he haden’t say anything, but he was grinning at him like an idiot.

“Was it her?”, he asked him, “the daughter? the domina?”

“Yes”, he said, his friend pushed him playfully

“Did you fuck her?”, Cregan just looked at him angrily

“No”

“Was she not pleased with you then?”. he asked, frowning

“She is young, she doesn’t know what she wants”, he said simply, really not wanting to share what had happened upstairs.

It was humiliating, to say the least, to be treated like that. To be called upon to be gazed at by women who looked at him like a piece of meat, and then again to be touched.

Oh but he meant every word

You were the most beautiful woman he had ever seen, since the first time he saw you, standing on that balcony, looking down at him. He did not blame you for your father, for the blood that ran through your veins, for the republic that created you. You had nothing to do with any of it.

Just by looking at you he could tell the kind soul that moved your body and warmed your heart

But you were the daughter of the man who purchased him, he wasn’t the one who enslaved him, but it was the man that had condemned him to the life of a gladiator.

“Well, maybe you can change her mind”, he teased

The only reason he was playing along with the Andals was to see how to escape them, so far, it had been easy to stay alive, he had been trained since he could pick up a sword on how to hunt, how to fight, how to survive, the North was not a place for the weak

“Father?”, you called out loud, the servants all dropped their eyes as you passed them by looking for him, but you couldn’t find him in his study, so you were on your way to his room at the other side of the villa

“What’s this ruckus?”, he asked, looking at you with sharp eyes as he went to encounter you in the atrium

“My good friend Alyssane has summoned me to go to the market at noon”, you knew he wouldn’t refuse you, not if Alyssane was involved, so he just sighed and motioned for you to follow him. You went back to his study, passing all the statues decorating the atrium. A normal Andal family would display in honor effigies of their most prominent family members, but yours displayed the most prominent gladiators and fighters that had come from this ludus.

“Here”, he passed you a small punch filled with gold coins

“Thank you father”, you said, offering a complacent smile

“Take one of my men with you”, he said then, “one of the gladiators”

“I hardly think that’s necessary, a servant and a guard would do just fine”, you said quickly, always as you were in the market you wanted to pass by as inconspicuous as you could.

“I insist, after the games, and before the Vulcanalia, I want the people to see them, to get excited, take the Northman”, you hid your face before your father could see the embarrassment in it.

One of the guards of the villa went to fulfill his request, and you sighed in exasperation.

You came back to your rooms to get ready to go out, and once you were, you returned to the entrance of the house, where Cregan himself was waiting for you with a severe look on his face, this was not to his liking, he was standing right by a guard, and by Roose Bolton.

The sight alone made you tremble

Had he told anybody what happened the day before? that you had touched him and presumed to have him?

Once his eyes found yours, he smirked.

“If something befalls the daughter of your dominus, fate worse than death awaits you boy”, he said in his ear

“Rest assured, that I will look after her with my life”, he said with a silly little smile.

You took a long sigh, and nodded to the guards and started walking out of the villa.

The villa stood on top of a hill, you had a pretty nice view upon the city of King’s Landing, but the rest of it wasn't quite impressive, the road was made of dirt and the houses around it were less impressive than the one your father had inherited from his father. It had been in your family since the very creation of the city.

You led a small comitive, all on foot, as you bluntly refused to be carried in a cot. You, your faithful slave Anya, Cregan himself, being flanked by two guards.

The center of the city started right at the foot of the hill, so it was a short minute walk.

You reach a street made of cobblestone, one adjacent to the one that led to the main street, as it was time before you had to meet Alyssane, you started to look the small stores

“Did your father hear of the way you handled me last night?”, Cregan whispered as Anya was tending elsewhere, you look back sharply at the Northman.

“No, and he shall not!”, you said sharply

“Oh well, I guess if he had, he’d have me castrated”, he whispered for your ears only, “and I guess you don’t want that as it seems you like what you saw”, he teased

“Stop it”, you said back. Your father was a practical man, and if he had heard of what occurred last night, you would be the one at fault, as everyone involved was just following your command. “My father will never know of this”, you sentenced

“You wanted to lay with me? A gladiator? a slave?”, he asked then

“I was mistaken”, you said, trying to gaze upon what a man was cooking on his store towards the street, it smelled delicious

“You are mistaken”, you heard him claim, his thick accent made your thighs, “for seeking bedding before connecting, to seek sex, instead of love, to want lust before you even began to feel the fondness”, he said sincerely.

“Thinking love is something within the grasp of someone in my position is foolish, and I learned not to be blinded and distracted by foolish things”, you whispered sadly. You nodded at the man and exchanged a couple of aerus for a plate of lamb soup. “I’ll be married before the year is over”, you whispered.

#misguidedgladiators #cregan stark #ancient rome au #house of the dragon au #hosue of the dragon #cregan #gladiator!cregan #cregan x reader #cregan x you #cregan x y/n

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ltwilliammowett · 2 years ago

Photo

Roman oil lamp with a ship in the middle, 2nd century AD

#naval art #roman lamp #oil lamp #2nd century ad #ancient seafaring

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petermorwood · 6 months ago

Note

Recent article on NPR about the history of artificial light somewhat frustrated me -- they portrayed all of pre-kerosene history as dark and heinously expensive at all times. Thing is, the writers based their findings solely on tallow candles, & ignored oil lamps, beeswax candles, clever use of refraction & outdoor light including moon/starlight... Also seemed to ignore the ubiquity of hearths / cook fires. Was wondering if you'd be willing to talk about non-tallow light? This isn't to ignore that truly, artificial lighting WAS much more difficult & expensive for much of human history, but acting like tallow candles were the ONLY light source seems very silly! (Plus your other lovely post about bottles of water used to make those candles more efficient via refraction & focus)

I'm betting the article you mean is this one - which refers back to this one.

For matching reference, my own posts about period lighting are here, One and Two, including observations about painting walls white, how to light candles and lamps without matches, and several other matters.

*****

It didn't take too much listening before I got tetchy, because the first half of this podcast seems more about mocking how WEIRD and PRIMITIVE old-time people were, than passing on any useful information.

Despite the presence of Jane Brox (author of "Brilliant: The Evolution of Artificial Light") whale oil only gets touched on in passing, and olive oil isn't mentioned at all.

Instead she starts talking about using oily seabirds (stormy petrels) as "candles", despite this scholarly study concluding that it was something talked about far more than done, besides being so very, very localised that its relevance to the history of lighting is very, very small.

But hey, WEIRD and PRIMITIVE, right?

*****

By contrast, making candles was so commonplace that it was another of those jobs which created surnames. Fletcher once put feathers on arrows, Cooper made barrels, Fisher, Miller, Baker and Farmer are obvious, and Chandler used to make candles.

Lampier, of course, made lamps, which helped keep those naked candle-flames away from anywhere they shouldn't touch. The man on the left is making the lantern bodies, the one on the right is shaving sheets of horn as windows.

It's cheaper than glass, less easily broken yet is translucent enough, when shaved properly thin, to give quite adequate light.

*****

The podcast has a digression about measuring the light output of a reproduction Ancient Babylonian lamp. Here's an original and a repro.

Yet that too says nothing about what fuel the lamp is or should be burning - olive oil, traded all over the Mediterranean by ancient olive-growing cultures.

These are Roman oil-lamps, from simple and cheap to elaborate and costly.

As for beeswax, so far as the podcast is concerned might as well not exist, despite being a by-product of honey, which was THE principal pre-sugar sweetener for centuries when not being made into all that mead whose existence, production and quaffing nobody questions.

Oh yeah, and then there was the amazed discovery (2:40 / 1:25, depending on which you're listening to) that melted beef fat "...smells really nasty, like, ANIMAL nasty,"

Why is this guy surprised? It's part of an animal!

*****

It's the same sort of infotainment ignorance as displayed by this TikTok twit, right up to complaining about the effort involved in preparation of anything because not having powered appliances was so labour-intensive, oh woe. Yes, it was, welcome to any historical period before about 1920. That's where "the daily grind" originates.

However the implication (listen, it's there) that cattle were raised just to provide fat for candles is ludicrous. The fat was a by-product, not a main one, and was often a butcher's side-line, while members of the Chandlers' Guild only worked with superior beeswax.

I don't think you could make candles like these with tallow:

...and you definitely couldn't make one meant to be hand-held.

Picture evidence shows, by their clothing, the class of society who bought these, and tallow-greasy fingers would have been a no-no.

A Chandler didn't make individual candles. By the time that fresh batch is hung up, the first batch away down at the end is cool enough to be dipped again.

A chandler's shop in a medieval city would look very similar, and often had a horizontal wheel on which to hang each batch of candles, rotating them up and around to cool, then back to the dipping pot. Non-modern people may not have had modern tech or time-and-motion studies, but they weren't stupid.

*****

By contrast, the podcast's disparaging attitude of WEIRD and PRIMITIVE is emphasised by what seems a deliberate avoidance of anything which counters it (examples of that in my own posts) and finally at 11.24 / 9:50 came this:

"Even when you get all the way to the 1700s (...) most people are still subsistence farmers, living in some kind of hut, trying to grow enough food not to starve to death (...) and light? Light still comes from finding stuff that's lying around and just lighting it on fire."

Some kind of hut...

Stuff that's lying around...

After making such a declaration, I'm surprised - since they'd been implying it for half the podcast - someone didn't just go ahead and announce that "there's some lovely filth down here..."

That's when I stopped listening.

Enough is enough, and I'd had it.

*****

ETA:

cc: @asmuchasidliketo :->

Here's a photo of what purports to be a Petrel (not petrol, that's something else) Candle, held in the Pitt-Rivers Museum, Oxford. It's mentioned in that scholarly article I linked above.

Just as "one swallow doesn't make a summer", so one - and only one - known example of this, which may have been a fake-up to spoof the Southerners, doesn't prove it was a common or even rare practice.

There's another reason to take this with a big pinch of salt, so maybe Jane Brox was on a low-sodium diet when she wrote her book.

Creatures with a layer of fat or blubber for insulation all have it like any other form of insulation, on the outside, where it does some good. A wick passed through the inside couldn't draw on it for fuel since there's a layer of muscle and another of internal organs for the oil to get through first.

The cropped-off bottle just visible to the left is a far more likely way seabirds became lamp fuel: by rendering out their oil. This oil is from the Northern Fulmar, Fulmaris glaciaris (or glacialis, I've seen both. Same bird regardless).

Incidentally, the Wikipedia article on European Storm Petrel mentions a supernatural connection, that the petrels were the souls of drowned sailors, and killing them is unlucky.

Not just killing them but making them into candles sounds like A Bad Idea, and is yet another reason why, IMO, the candle thing may be a folktale, or a deliberate leg-pull, or...

Let's just say "improbable" and leave it there. :-P

#period lighting #research #writer notes #too light too dark #worldbuilding

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thesilicontribesman · 1 year ago

Text

Roman Oil Lamps, Museum of Hull and East Riding, Hull, Yorkshire

#roman #roman lamp #oil lamp #roman craft #romans #roman living #roman empire #roman design #ancient craft #ancient culture #archaeology #yorkshire

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etz-ashashiyot · 6 months ago

Text

Chapter 4: Executed Jews

By Dara Horn, excerpted from People Love Dead Jews

ALA ZUSKIN PERELMAN AND I HAD BEEN IN TOUCH ONLINE before I finally met her in person, and I still cannot quite believe she exists. Years ago, I wrote a novel about Marc Chagall and the Yiddish-language artists whom he once knew in Russia, all of whom were eventually murdered by the Soviet regime. While researching the novel, I found myself sucked into the bizarre story of these people's exploitation and destruction: how the Soviet Union first welcomed these artists as exemplars of universal human ideals, then used them for its own purposes, and finally executed them. I named my main character after the executed Yiddish actor Benjamin Zuskin, a comic performer known for playing fools. After the book came out, I heard from Ala in an email written in halting English: "I am Benjamin Zuskin's daughter." That winter I was speaking at a literary conference in Israel, where Ala lived, and she and I arranged to meet. It was like meeting a character from a book.

My hosts had generously put me up with other writers in a beautiful stone house in Jerusalem. We were there during Hanukkah, the celebration of Jewish independence. On the first night of the holiday, I walked to Jerusalem's Old City and watched as people lit enormous Hanukkah torches at the Western Wall. I thought of my home in New Jersey, where in school growing up I sang fake English Hanukkah songs created by American music education companies at school Christmas concerts, with lyrics describing Hanukkah as being about "joy and peace and love." Joy and peace and love describe Hanukkah, a commemoration of an underdog military victory over a powerful empire, about as well as they describe the Fourth of July. I remembered challenging a chorus teacher about one such song, and being told that I was a poor sport for disliking joy and peace and love. (Imagine a "Christmas song" with lyrics celebrating Christmas, the holiday of freedom. Doesn't everyone like freedom? What pedant would reject such a song?) I sang those words in front of hundreds of people to satisfy my neighbors that my tradition was universal — meaning, just like theirs. The night before meeting Ala, I walked back to the house through the dense stone streets of the Old City's Jewish Quarter, where every home had a glass case by its door, displaying the holiday's oil lamps. It was strange to see those hundreds of glowing lights. They were like a shining announcement that this night of celebration was shared by all these strangers around me, that it was universal. The experience was so unfamiliar that I didn't know what to make of it.

The next morning, Ala knocked on the door of the stone house and sat down in its living room, with its view of the Old City. She was a small dark-haired woman whose perfect posture showed a firmness that belied her age. She looked at me and said in Hebrew, "I feel as if you knew my father, like you understood what he went through. How did you know?"

The answer to that question goes back several thousand years.

~~~~~~~~~~~~~~~~~~~~~~~~

The teenage boys who participated in competitive athletics in the gymnasium in Jerusalem 2,200 years ago had their circumcisions reversed, because otherwise they wouldn't have been allowed to play. In the Hellenistic empire that had conquered Judea, sports were sacred, the entry point to being a person who mattered, the ultimate height of cool — and sports, of course, were always played in the nude. As one can imagine, ancient genital surgery of this nature was excruciating and potentially fatal. But the boys did not want to miss out.

I learned this fun fact in seventh grade, from a Hebrew school teacher who was instructing me and my pubescent classmates about the Hanukkah story — about how Hellenistic tyranny gained a foothold in ancient Judea with the help of Jews who wanted to fit in. This teacher seemed overly jazzed to talk about penises with a bunch of adolescents, and I suspected he'd made the whole thing up. At home, I decided to fact-check. I pulled a dusty old book off my parents' shelf, Volume One of Heinrich Graetz's opus History of the Jews.

In nineteenth-century academic prose, Graetz explained how the leaders of Judea demonstrated their loyalty to the occupying Hellenistic empire by building a gymnasium and recruiting teenage athletes — only to discover that "in uncovering their bodies they could immediately be recognized as Judeans. But were they to take part in the Olympian games, and expose themselves to the mockery of Greek scoffers? Even this difficulty they evaded by undergoing a painful operation, so as to disguise the fact that they were Judeans." Their Zeus-worshipping overlords were not fooled. Within a few years, the regime outlawed not only circumcision but all of Jewish religious practice, and put to death anyone who didn't comply.

Sometime after that, the Maccabees showed up. That's the part of the story we usually hear.

Those ancient Jewish teenagers were on my mind that Hanukkah when Ala came to tell me about her father's terrifying life, because I sensed that something profound united them — something that doesn't match what we're usually taught about what bigotry looks or feels like. It doesn't involve "intolerance" or "persecution," at least not at first. Instead, it looks like the Jews themselves are choosing to reject their own traditions. It is a form of weaponized shame.

Two distinct patterns of antisemitism can be identified by the Jewish holidays that celebrate triumphs over them: Purim and Hanukkah. In the Purim version of antisemitism, exemplified by the Persian genocidal decrees in the biblical Book of Esther, the goal is openly stated and unambiguous: Kill all the Jews. In the Hanukkah version of antisemitism, whose appearances range from the Spanish Inquisition to the Soviet regime, the goal is still to eliminate Jewish civilization. But in the Hanukkah version, this goal could theoretically be accomplished simply by destroying Jewish civilization, while leaving the warm, de-Jewed bodies of its former practitioners intact.

For this reason, the Hanukkah version of antisemitism often employs Jews as its agents. It requires not dead Jews but cool Jews: those willing to give up whatever specific aspect of Jewish civilization is currently uncool. Of course, Judaism has always been uncool, going back to its origins as the planet's only monotheism, featuring a bossy and unsexy invisible God. Uncoolness is pretty much Judaism's brand, which is why cool people find it so threatening — and why Jews who are willing to become cool are absolutely necessary to Hanukkah antisemitism's success. These "converted" Jews are used to demonstrate the good intentions of the regime — which of course isn't antisemitic but merely requires that its Jews publicly flush thousands of years of Jewish civilization down the toilet in exchange for the worthy prize of not being treated like dirt, or not being murdered. For a few years. Maybe.

I wish I could tell the story of Ala's father concisely, compellingly, the way everyone prefers to hear about dead Jews. I regret to say that Benjamin Zuskin wasn't minding his own business and then randomly stuffed into a gas chamber, that his thirteen-year-old daughter did not sit in a closet writing an uplifting diary about the inherent goodness of humanity, that he did not leave behind sad-but-beautiful aphorisms pondering the absence of God while conveniently letting his fellow humans off the hook. He didn't even get crucified for his beliefs. Instead, he and his fellow Soviet Jewish artists — extraordinarily intelligent, creative, talented, and empathetic adults — were played for fools, falling into a slow-motion psychological horror story brimming with suspense and twisted self-blame. They were lured into a long game of appeasing and accommodating, giving up one inch after another of who they were in order to win that grand prize of being allowed to live.

Spoiler alert: they lost.

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I was in graduate school studying Yiddish literature, itself a rich vein of discussion about such impossible choices, when I became interested in Soviet Jewish artists like Ala's father. As I dug through library collections of early-twentieth-century Yiddish works, I came across a startling number of poetry books illustrated by Marc Chagall. I wondered if Chagall had known these Yiddish writers whose works he illustrated, and it turned out that he had. One of Chagall's first jobs as a young man was as an art teacher at a Jewish orphanage near Moscow, built for children orphaned by Russia's 1919-1920 civil war pogroms. This orphanage had a rather renowned faculty, populated by famous Yiddish writers who trained these traumatized children in the healing art of creativity.

It all sounded very lovely, until I noticed something else. That Chagall's art did not rely on a Jewish language — that it had, to use that insidious phrase, "universal appeal" — allowed him a chance to succeed as an artist in the West. The rest of the faculty, like Chagall, had also spent years in western Europe before the Russian revolution, but they chose to return to Russia because of the Soviet Union's policy of endorsing Yiddish as a "national Soviet language." In the 1920s and 30s, the USSR offered unprecedented material support to Yiddish culture, paying for Yiddish-language schools, theaters, publishing houses, and more, to the extent that there were Yiddish literary critics who were salaried by the Soviet government. This support led the major Yiddish novelist Dovid Bergelson to publish his landmark 1926 essay "Three Centers," about New York, Warsaw, and Moscow as centers of Yiddish-speaking culture, asking which city offered Yiddish writers the brightest prospects. His unequivocal answer was Moscow, a choice that brought him back to Russia the following year, where many other Jewish artists joined him.

But Soviet support for Jewish culture was part of a larger plan to brainwash and coerce national minorities into submitting to the Soviet regime — and for Jews, it came at a very specific price. From the beginning, the regime eliminated anything that celebrated Jewish "nationality" that didn't suit its needs. Jews were awesome, provided they weren't practicing Jewish religion, studying traditional Jewish texts, using Hebrew, or supporting Zionism. The Soviet Union thus pioneered a versatile gaslighting slogan, which it later spread through its client states in the developing world and which remains popular today: it was not antisemitic, merely anti-Zionist. (In the process of not being antisemitic and merely being anti-Zionist, the regime managed to persecute, imprison, torture, and murder thousands of Jews.) What's left of Jewish culture once you surgically remove religious practice, traditional texts, Hebrew, and Zionism? In the Soviet Empire, one answer was Yiddish, but Yiddish was also suspect for its supposedly backwards elements. Nearly 15 percent of its words came directly from biblical and rabbinic Hebrew, so Soviet Yiddish schools and publishers, under the guise of "simplifying" spelling, implemented a new and quite literally antisemitic spelling system that eliminated those words' Near Eastern roots. Another answer was "folklore" — music, visual art, theater, and other creative work reflecting Jewish life — but of course most of that cultural material was also deeply rooted in biblical and rabbinic sources, or reflected common religious practices like Jewish holidays and customs, so that was treacherous too.

No, what the regime required were Yiddish stories that showed how horrible traditional Jewish practice was, stories in which happy, enlightened Yiddish-speaking heroes rejected both religion and Zionism (which, aside from its modern political form, is also a fundamental feature of ancient Jewish texts and prayers traditionally recited at least three times daily). This de-Jewing process is clear from the repertoire of the government-sponsored Moscow State Yiddish Theater, which could only present or adapt Yiddish plays that denounced traditional Judaism as backward, bourgeois, corrupt, or even more explicitly — as in the many productions involving ghosts or graveyard scenes — as dead. As its actors would be, soon enough.

The Soviet Union's destruction of Jewish culture commenced, in a calculated move, with Jews positioned as the destroyers. It began with the Yevsektsiya, committees of Jewish Bolsheviks whose paid government jobs from 1918 through 1930 were to persecute, imprison, and occasionally murder Jews who participated in religious or Zionist institutions — categories that included everything from synagogues to sports clubs, all of which were shut down and their leaders either exiled or "purged." This went on, of course, until the regime purged the Yevsektsiya members themselves.

The pattern repeated in the 1940s. As sordid as the Yeveksiya chapter was, I found myself more intrigued by the undoing of the Jewish Antifascist Committee, a board of prominent Soviet Jewish artists and intellectuals established by Joseph Stalin in 1942 to drum up financial support from Jews overseas for the Soviet war effort. Two of the more prominent names on the JAC's roster of talent were Solomon Mikhoels, the director of the Moscow State Yiddish Theater, and Ala's father Benjamin Zuskin, the theater's leading actor. After promoting these people during the war, Stalin decided these loyal Soviet Jews were no longer useful, and charged them all with treason. He had decided that this committee he himself created was in fact a secret Zionist cabal, designed to bring down the Soviet state. Mikhoels was murdered first, in a 1948 hit staged to look like a traffic accident. Nearly all the others — Zuskin and twelve more Jewish luminaries, including the novelist Dovid Bergelson, who had proclaimed Moscow as the center of the Yiddish future — were executed by firing squad on August 1952.

Just as the regime accused these Jewish artists and intellectuals of being too "nationalist" (read: Jewish), today's long hindsight makes it strangely tempting to read this history and accuse them of not being "nationalist" enough — that is, of being so foolishly committed to the Soviet regime that they were unable to see the writing on the wall. Many works on this subject have said as much. In Stalin's Secret Pogrom, the indispensable English translation of transcripts from the JAC "trial," Russia scholar Joshua Rubenstein concludes his lengthy introduction with the following:

As for the defendants at the trial, it is not clear what they believed about the system they each served. Their lives darkly embodied the tragedy of Soviet Jewry. A combination of revolutionary commitment and naive idealism had tied them to a system they could not renounce. Whatever doubts or misgivings they had, they kept to themselves, and served the Kremlin with the required enthusiasm. They were not dissidents. They were Jewish martyrs. They were also Soviet patriots. Stalin repaid their loyalty by destroying them.

This is completely true, and also completely unfair. The tragedy — even the term seems unjust, with its implied blaming of the victim — was not that these Soviet Jews sold their souls to the devil, though many clearly did. The tragedy was that integrity was never an option in the first place.

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Ala was almost thirteen years old when her father was arrested and until that moment she was immersed in the Soviet Yiddish artistic scene. Her mother was also an actor in the Moscow State Yiddish Theater; her family lived in the same building as the murdered theater director Solomon Mikhoels, and moved in the same circles as other Jewish actors and writers. After seeing her parents perform countless times, Ala had a front-row seat to the destruction of their world. She attended Mikhoel's state funeral, heard about the arrest of the brilliant Yiddish author Der Nister from an actor friend who witnessed it from her apartment across the hall, and was present when secret police ransacked her home in conjunction with her father's arrest. In her biography, The Travels of Benjamin Zuskin, she provides for her readers what she gave me that morning in Jerusalem: an emotional recounting, with the benefit of hindsight, of what it was really like to live through the Soviet Jewish nightmare.

It's as close as we can get, anyway. Her father Benjamin Zuskin's own thoughts on the topic are available only from state interrogations extracted under unknown tortures. (One typical interrogation document from his three and a half years in the notorious Lubyanka Prison announces that the day's interrogation lasted four hours, but the transcript is only half a page long — leaving to the imagination how the interrogator and interrogatee may have spent their time together. Suffice it to say that another JAC detainee didn't make it to trial alive.) His years in prison began when he was arrested in December of 1948 in a Moscow hospital room, where he was being treated for chronic insomnia brought on by the murder of his boss and career-long acting partner, Mikhoels; the secret police strapped him to a gurney and carted him to prison in his hospital gown while he was still sedated.

But in order to truly appreciate the loss here, one needs to know what was lost — to return to the world of the great Yiddish writer Sholem Aleichem, the author of Benjamin Zuskin's first role on the Yiddish stage, in a play fittingly titled It's a Lie!

Benjamin Zuskin's path to the Yiddish theater and later to the Soviet firing squad began in a shtetl comparable to those immortalized in Sholem Aleichem's work. Zuskin, a child from a traditional family who was exposed to theater only through traveling Yiddish troupes and clowning relatives, experienced that world's destruction: his native Lithuanian shtetl, Ponievezh, was among the many Jewish towns forcibly evacuated during the First World War, catapulting him and hundreds of thousands of other Jewish refugees into modernity. He landed in Penza, a city with professional Russian theater and Yiddish amateur troupes. In 1920, the Moscow State Yiddish Theater opened, and by 1921, Zuskin was starring alongside Mikhoels, the theater's leading light.

In the one acting class I have ever attended, I learned only one thing: acting isn't about pretending to be someone you aren't, but rather about emotional communication. Zuskin, who not only starred in most productions but also taught in the theater's acting school, embodied the concept. His very first audition was a one-man sketch he created, consisting of nothing more than a bumbling old tailor threading a needle — without words, costumes, or props. It became so popular that he performed it to entranced crowds for years. This physical artistry animated his every role. As one critic wrote, "Even the slightest breeze and he is already air-bound."

Zuskin specialized in playing figures like the Fool in King Lear — as his daughter puts it in her book, characters who "are supposed to make you laugh, but they have an additional dimension, and they arouse poignant reflections about the cruelty of the world." Discussing his favorite roles, Zuskin once explained that "my heart is captivated particularly by the image of the person who is derided and humiliated, but who loves life, even though he encounters obstacles placed before him through no fault of his own."

The first half of Ala's book seems to recount only triumphs. The theater's repertoire in its early years was largely adopted from classic Yiddish writers like Sholem Aleichem, I. L. Peretz, and Mendele Moykher Seforim. The book's title is drawn from Zuskin's most famous role: Senderl, the Sancho Panza figure in Mendele's Don Quixote-inspired work, Travels of Benjamin the Third, about a pair of shtetl idiots who set out for the Land of Israel and wind up walking around the block. These productions were artistically inventive, brilliantly acted, and played to packed houses both at home and on tour. Travels of Benjamin the Third, in a 1928 review typical of the play's reception, was lauded by the New York Times as "one of the most originally conceived and beautifully executed evenings in the modern theater."

One of the theater's landmark productions, I. L. Peretz's surrealist masterpiece At Night in the Old Marketplace, was first performed in 1925. The play, set in a graveyard, is a kind of carnival for the graveyard's gathered ghosts. Those who come back from the dead are misfits like drunks and prostitutes, and also specific figures from shtetl life - yeshiva idlers, synagogue beadles, and the like. Leading them all is a badkhn, or wedding jester — divided in this production into two mirror-characters played by Mikhoels and Zuskin — whose repeated chorus among the living corpses is "The dead will rise!" "Within this play there was something hidden, something with an ungraspable depth," Ala writes, and then relates how after a performance in Vienna, one theatergoer came backstage to tell the director that "the play had shaken him as something that went beyond all imagination." The theatergoer was Sigmund Freud.

As Ala traces the theater's trajectory toward doom, it becomes obvious why this performance so affected Freud. The production was a zombie story about the horrifying possibility of something supposedly dead (here, Jewish civilization) coming back to life. The play was written a generation earlier as a Romantic work, but in the Moscow production, it became a means of denigrating traditional Jewish life without mourning it. That fantasy of a culture's death as something compelling and even desirable is not merely reminiscent of Freud's death drive, but also reveals the self-destructive bargain implicit in the entire Soviet-sponsored Jewish enterprise. In her book, Ala beautifully captures this tension as she explains the badkhn's role: "He sends a double message: he denies the very existence of the vanishing shadow world, and simultaneously he mocks it, as if it really does exist."

This double message was at the heart of Benjamin Zuskin's work as a comic Soviet Yiddish actor, a position that required him to mock the traditional Jewish life he came from while also pretending that his art could exist without it. "The chance to make fun of the shtetl which has become a thing of the past charmed me," he claimed early on, but later, according to his daughter, he began to privately express misgivings. The theater's decision to stage King Lear as a way of elevating itself disturbed him, suggesting as it did that the Yiddish repertoire was inferior. His own integrity came from his deep devotion to yiddishkayt, a sense of essential and enduring Jewishness, no matter how stripped-down that identity had become. "With the sharp sense of belonging to everything Jewish, he was tormented by the theater forsaking its expression of this belonging," his daughter writes. Even so, "no, he could not allow himself to oppose the Soviet regime even in his thoughts, the regime that gave him his own theater, but 'the heart and the wit do not meet.'"

In Ala's memory, her father differed from his director, partner, and occasional rival, Mikhoels, in his complete disinterest in politics. Mikhoels was a public figure as well as performer, and his leadership of the Jewish Antifascist Committee, while no more voluntary than any public act in a totalitarian state, was a role he played with gusto, traveling to America in 1943 and speaking to thousands of American Jews to raise money for the Red Army in their battle against the Nazis. Zuskin, on the other hand, was on the JAC roster, but seems to have continued playing the fool. According to both his daughter and his trial testimony, his role in the JAC was almost identical to his role on a Moscow municipal council, limited to playing chess in the back of the room during meetings.

In Jerusalem, Ala told me that her father was "a pure soul." "He had no interest in politics, only in his art," she said, describing his acting style as both classic and contemporary, praised by critics for its timeless qualities that are still evident today in his film work. But his talent was the most nuanced and sophisticated thing about him. Offstage, he was, as she put it in Hebrew, a "tam" — a biblical term sometimes translated as fool or simpleton, but which really means an innocent. (It is the first adjective used to describe the title character in the Book of Job.) It is true that in trial transcripts, Zuskin comes out looking better than many of his co-defendants by playing dumb instead of pointing fingers. But was this ignorance, or a wise acceptance of the futility of trying to save his skin? As King Lear's Fool put it, "They'll have me whipp'd for speaking true; thou'lt have me whipp'd for holding my peace." Reflecting on her father's role as a fool named Pinia in a popular film, Ala writes in her book, "When I imagine the moment when my father heard his death sentence, I see Pinia in close-up . . . his shoulders slumped, despair in his appearance. I hear the tone that cannot be imitated in his last line in the film — and perhaps also the last line in his life? — 'I don't understand anything.'"

Yet it is clear that Zuskin deeply understood how impossible his situation was. In one of the book's more disturbing moments, Ala describes him rehearsing for one of his landmark roles, that of the comic actor Hotsmakh in Sholem Aleichem's Wandering Stars, a work whose subject is the Yiddish theater. He had played the role before, but this production was going up in the wake of Mikhoel's murder. Zuskin was already among the hunted, and he knew it. As Ala writes:

One morning — already after the murder of Mikhoels — I saw my father pacing the room and memorizing the words of Hotsmakh's role. Suddenly, in a gesture revealing a hopeless anguish, Father actually threw himself at me, hugged me, pressed me to his heart, and together with me, continued to pace the room and to memorize the words of the role. That evening I saw the performance . . . "The doctors say that I need rest, air, and the sea . . . For what . . . without the theater?" [Hotsmakh asks], he winds the scarf around his neck — as though it were a noose. For my father, I think those words of Hotsmakh were like the motif of the role and — I think — of his own life.

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Describing the charges levied against Zuskin and his peers is a degrading exercise, for doing so makes it seem as though these charges are worth considering. They are not. It is at this point that Hanukkah antisemitism transformed, as it inevitably does, into Purim antisemitism. Here Ala offers what hundreds of pages of state archives can't, describing the impending horror of the noose around one's neck.

Her father stopped sleeping, began receiving anonymous threats, and saw that he was being watched. No conversation was safe. When a visitor from Poland waited near his apartment building to give him news of his older daughter Tamara (who was then living in Warsaw), Zuskin instructed the man to walk behind him while speaking to him and then to switch directions, so as to avoid notice. When the man asked Zuskin what he wanted to tell his daughter, Zuskin "approached the guest so closely that there was no space between them, and whispered in Yiddish, 'Tell her that the ground is burning beneath my feet.'" It is true that no one can know what Zuskin or any of the other defendants really believed about the Soviet system they served. It is also true — and far more devastating — that their beliefs were utterly irrelevant.

Ala and her mother were exiled to Kazakhstan after her father's arrest, and learned of his execution only when they were allowed to return to Moscow in 1955. By then, he had already been dead for three years.

In Jerusalem that morning, Ala told me, in a sudden private moment of anger and candor, that the Soviet Union's treatment of the Jews was worse than Nazi Germany's. I tried to argue, but she shut me up. Obviously the Nazi atrocities against Jews were incomparable, a fact Ala later acknowledged in a calmer mood. But over four generations, the Soviet regime forced Jews to participate in and internalize their own humiliation - and in that way, Ala suggested, they destroyed far more souls. And they never, ever, paid for it.

"They never had a Nuremberg," Ala told me that day, with a quiet fury. "They never acknowledged the evil of what they did. The Nazis were open about what they were doing, but the Soviets pretended. They lured the Jews in, they baited them with support and recognition, they used them, they tricked them, and then they killed them. It was a trap. And no one knows about it, even now. People know about the Holocaust, but not this. Even here in Israel, people don't know. How did you know?"

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That evening I went out to the Old City again, to watch the torches being lit at the Western Wall for the second night of Hanukkah. I walked once more through the Jewish Quarter, where the oil lamps, now each bearing one additional flame, were displayed outside every home, following the tradition to publicize the Hanukkah miracle — not merely the legendary long-lasting oil, but the miracle of military and spiritual victory over a coercive empire, the freedom to be uncool, the freedom not to pretend. Somewhere nearby, deep underground, lay the ruins of the gymnasium where de-circumcised Jewish boys once performed naked before approving crowds, stripped of their integrity and left with their private pain. I thought of Benjamin Zuskin performing as the dead wedding jester, proclaiming, "The dead will rise!" and then performing again in a "superior" play, as King Lear's Fool. I thought of the ground burning beneath his feet. I thought of his daughter, Ala, now an old woman, walking through Jerusalem.

I am not a sentimental person. As I returned to the stone house that night, along the streets lit by oil lamps, I was surprised to find myself crying.

#People Love Dead Jews #Dara Horn #Soviet Jewry #Soviet antisemitism #antizionism is not antisemitism #jumblr

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