#an intimate thing for him

[offrozenmemoirs]

There's also a thing i'm working on in regards to Makoto and him cutting his hair as a symbolic act of moving forward with himself. He's a shapeshifter by his nature as both a dragon and a spirit, so he can grow his hair to whatever length he wants it to, but...to me, his hair being kept long was representative of his nature as a sorcerer, he was always distant, and even when he was involved in direct battles, his strategy was to stay in his dragon form and simply fry all of his enemies with his lightning breath.

Makoto becoming a dark knight and cutting his hair short is both for tactical reasons (preventing it from being grabbed) and his actual transition into a protector who will leap in front of others to keep them safe.

[theeroticlover]

Oh babe !!! I can't wait anymore....

[thimblings]

i keep drawing him looking like he has the upper hand but tbh this is their dynamic more likely marisol is a menace, and the rookanis rot continues bonus:

[keii]

late morning

[creative-clawmarks]

Bite your neck and kiss it better.

------------------------------------------------------------------------------

KO-FI

[ruporas]

asking and receiving (bonus below readmore)

[ID: A black and white, digital Trigun comic of Vash and Wolfwood. In the first panel is a close up of Wolfwood's mouth as he says, "Vash". Accompanying it is a close up shot of Vash's eye, widen and cheeks flushed. Wolfwood presses a knee against the open space between Vash's legs and says, "Tell me everything you want from me." Wolfwood's face is equally as flushed. He continues to say, "I'll give it to you. Everything." As he talks, a wide shot shows the both of them in white space. Vash is sitting, leaning a little back with both hands pressed against the surface he's sitting on. Wolfwood is in his white dress shirt, stripped of the blazer. He's still leaning in with one knee in between Vash's spread legs, his right hand touching Vash's lips and his left hand behind his back.

The shot closes in on Vash's mouth and Wolfwood's hand against it, pressing down on the lower lip as he says, "You have to ask though. Go on." His hand moves down to Vash's chin, gently holding it. With a shy and uncertain expression, Vash hesitantly asks, "Um... K... Kiss... Please?" Wolfwood, without wasting a second, leans in and kisses him and indulges by pressing deeper, eliciting a small noise of surprise from Vash.

Wolfwood moves away from Vash first and with a smile, asks, "What else?" Vash tugs on Wolfwood's left sleeve, wordlessly budging Wolfwood to give him his hand that was still behind his back. In the next panel, Vash utters, "Hold me..?" He's holding Wolfwood's left hand with his own while his right hand is reaching for his waist. Wolfwood complies, moving his left hand to Vash's shoulder and his right hand continues to touch Vash's cheek. Wolfwood asks again, "What else?"

More comfortable now, Vash leans in to kiss Wolfwood. Wolfwood catches him immediately, pressing his thumb against Vash's lips to stop him before demanding, "Hey. Ask." Vash looks back in surprise and Wolfwood meets his eye with a quiet, insistent look. They're quiet for a moment before Vash leans in again and curtly requests, "Kiss. Me." Wolfwood says "Good", smiling as he lifts his hand away, and meets Vash's lips. In the next shot, Wolfwood had adjusted his position, sitting on Vash's thigh. The hand that was once on Vash's cheek has moved its way to Vash's nape, pushing away the collar of his jacket with his pinky. His other hand continues to grip on Vash's shoulder. Still kissing, Wolfwood asks again, "What else?"

In the next shot, Vash is starting to turn, moving Wolfwood with him. Vash asks, "Let me on top of you?" Wolfwood says, "Mhm" before asking again, "What else?" The next panel shows a close look of Vash's face. He's looking down, flushed and shy just as he had been at the beginning, but now, more decisive. Vash asks, "Wolfwood... Let me have you..?" A panel of Wolfwood taking Vash's hand into his, pulling it towards his chest. The next panel shows Wolfwood lying down where Vash had laid him. Vash's hand is on Wolfwood's chest, covering the cross of his rosary while Wolfwood's hand lingers against his, loosely pressing Vash's hand in place. He looks up at Vash with a shy smile of his own, flushed cheeks. He says, "All yours."

A panel shows a close up of Vash's tender gaze before he leans down to be closer to Wolfwood. The final shot is a front view of their positions, Vash's face turned away from the viewer; Vash is leaning over Wolfwood who's lying down with his right leg draped over Vash's legs. Wolfwood's left hand holds onto Vash's left arm. With finality, Vash says, "...Mine." End ID]

[ID: A follow up bonus comic in a looser, sketchier style. They're laying comfortably in bed when Vash asks, "What was that earlier?" referecing to the start of the previous comic. Wolfwood glances away and says, "To get you used to it. Asking. And getting what you ask for. Since you're alwasy hesitant about it." Vash's eyes widen, tight lipped. Wolfwood continues, "Knowing you, it'll be a tough habit to break..." When he says this, Vash can't help but laugh, unable to deny it. Wolfwood slowly brings a hand to Vash's cheek and continues to say, "So I'll keep trying -- whatever ways I can... to get it through your thick skull." Vash takes Wolfwood's hand with his, kissing the the palm gently. Wolfwood's eyes soften and holding onto Vash's cheek, he leans in to try for a kiss. Vash says, "Hey..." before stopping Wolfwood's lips with the back of his hand, a smug look on his face, "Ask." Wolfwood's embarrassed and with little irritation, asks, "Really?" Vash smiles, saying, "You're in need of practice too." They pause for a moment, Wolfwood looking contemplatively, before he's leaning in again, asking, "May I please kiss you?" Vash looks him in the eyes and says, "Yes." The comic ends with a "chu", indicating an off-panel kiss. End ID]

[reineydraws]

i just. wanted to draw them kissin'. so here's a modern au mistletoe thing. :') happy december!!! also i think shanks would look amazing in a cream-coloured cable-knit. 😌💞

[ywpd-translations]

Ride 800: Blue sky of joy

Pag 1

1: A climb's outcome is always

2: decided at a place that's close to the sky

4: You bet everything on it, and when the wheels cross the finish line

5: The winner....

Pag 2 / 3

1: raises their hands to the sky and rejoices

A blessing for Manami, the wide sky is Hakogaku's blue!!)

Pag 4

1: The first day's mountain prize goes to Hakone Academy's number 13, Manami Sangaku!!

3: He clearly raises both his arms up to the sky!! For the third year in a row the mountain prize goes to Hakone Academy!!

The sky... is so blue!!

Pag 5

1: I feel alive!!

2: Hakogaku...!!

Kanagawaaa!!

The kings!!

3: Manami took it!!

He beat Mountain King!!

Pag 6

2: Amaziing!!

3: Manami-saaan!!

You're so cool!!

Hakogaku is so strong!!

4: The strongest!!

Manami-saaan!!

6: Waaaaaa

7: Amazing, what a nice scenery

We really climbed to such a nice place

I don't know why, it's strange...

Pag 7

1: but everything looks brilliant

Pag 8

2: The vividness of the greens

The vitality of plants

3: The birds' chirping

The buzzing of insects

Pag 9

1: I can feel the life of every living being

2: Manami-saan!!

You were so cool just now!

It was so exciting!

Manami-kuun!

I took a video!

3: The scenery looks brilliant, doesn't it, Manami

4: In road racing, “victory”

5: is something that's so important it changes the way your body feels

Pag 10

1: Not to mention that it's against the opponent against who he lost for two years in a row

2: The delight makes your cells vibrate all throughout your body

Here's a bottle!

Ah, thanks

4: Manami, that... you managed to get so far while going through so much suffering, you worked so hard and endured

(I threw it away

But I didn't answer)

5: This is

Pag 11

1: a “rewarded joy” for all of that

2: Manami

Hakogakuu!!

Manami-kuun!!

Pag 12

1: Congratulations

Pag 14

1: Thank you for fighting with all your strength

3: After the mountain line there's still the finish line

Keeping your energies for the team is part of the strategy

4: But you used all your strength until your limit to fight against me

5: So, I'm thankful

Pag 15

1: Ah... yeah, but... I couldn't... win...

Even though everyone worked hard to push my back...

2: You're amazing, Manami-kun

You're even stronger than that time on Minegayama

3: Well... at the time I was still at around 75%, I was still in the middle of it

Yet I could still get a lead on you

5: Honestly, this time, when there were around 100m left I thought I couldn't win

But

6: I didn't know until the very last moment

7: You got stronger too!!

Pag 16

1: No no no no

That's not true at all, not true at all

Woah....

2: I just followed, I just did the best I could

3: Aren't you self aware?

That means

4: I just practiced very hard...

That those two control the practices

Their base power has grown

5: Mo- more importantly, huh... I'm sorry!!

Pag 17

1: Huh.... right before the finish line... uhm... I...

Actually...

3: In my mind I referred to you as “Sangaku” without any honorifics!!

4: In....

6: In your heart?

Without honorifics?

Pag 18

1: Hahahaha

2: Hahaha

Huh!? What kind of reaction is this!? Huh!?

3: I'm- I'm sorry

I just... I was really excited at the end!!

4: It's fine

6: I'm actually glad you referred to me without honorifics, it's like... we got so much closer

No, but... I... huh

I don't dislike it...

7: But I guess adding the “kun” really feels like the most natural thing...

Ugh....

8: Besides

Pag 19

1: While you're shouting inside your heart you don't have to add it

3: And at the end, I too, inside my heart

4: I called you “Sakamichi”

6: That, that makes me happy

Right!

7: Ah... now finally...

8: Uhm.....

Pag 20

1: We fulfilled our promise... thank you

Yeah....!!

2: We haven't reached the finish line yet, so we can't rest (haha)

This... this time, since we raced for the mountain stage we still have to keep running even if our race is over

Looks like there's still a little more to go

Ugh...

Pag 21

1: Buaah, yeah!!

It's Hakogaku's victory!!

2: You're too loud!! San-na!!

It's Hakogaku's victory, buah!!

How many times are you gonna say it...!!

3: I'll say it over and over again!! Manami is stronger than Onoda!!

Ugh...!! Onoda-san..!!

4: Humph

Pag 22

1: Amazing, amazing, he's really so cool!!

Uh... he's cool, I guess...

(Tobirama-kun is acting cool)

2: He did it

3: Yeah, and thanks to him

4: The team's morale is rising!!

6: This is bad... Hakogaku-san's power is increasing

What do we do, Hotshot

Pag 23

1: Don't worry, even if they raise their power, let them do it

5: Or, Naruko, are you worried that their morale is rising?

7: Worried? What is “worry”, some sort of rock?

8: That's right. Us third years, me, you, and Onoda have already increased our base power with a program

Pag 24

1: that was sure to make us stronger!!

3: Kakaka!!

4: Huh... what's that... “base power”!?

Pag 25

1: Does that mean they're getting stronger?!

2: Those two's pressure is suddenly rising!!

Pag 26

2: Imaizumi and Naruko's....!!

3: They're getting stronger... than last year

Is this connected to that time at the beginning of spring...

4: when the third years didn't come to practice for a week?

Pag 27

1: Hakogaku's morale is rising? That's just what I was looking forward

Yeah!! I can't help but feel excited!!

2: The “finish line” is waiting!!

[witsserviceablesubstitute]

Nie Huaisang is my favorite Untamed character because he's the heir to the biggest baddest warrior sect of them all but his best weapons are his mind, his theatrics, and his sense of dramatic irony.

[rose-void-789]

So I said I was going to explain so hear me out. I was looking at this twitter thread and realized something, guys, this is a queer ending.

Do you all remember Korrasami? This is that ending! Korrasami wasn't explicitly canon til the end, and even then, that scene had to still be confirmed romantic afterward. Yes, looking lovingly at another while entering another realm is romantic, but it's not a kiss, it's not a confession, and while so many saw it without confirmation, it could so easily be shoved aside as platonic.

I've been racking my brain trying to figure out how this seemingly generic ending made Bones handle the anime adaptation differently. We can think about alternative endings, about phrasing but maybe it just has to do with that final scene. Horikoshi didn't need to have Katsuki reaching out his hand the parell at the end was towards Izuku receiving his power. Didn't need to emphasize Katsuki's involvement with the project, but he did. He did all this. And Bones knew they couldn't shy away from what even the Japanese fanbase has deemed a marriage proposal. They knew they had to emphasize Katsuki's importance, and haven't you noticed how much more they have done so. Korrasami's cannon moments aren't filled with blushes but the closeness of their relationship. Queer ships, especially before them, had their moments in the in-between in looking at the analysis we make. Call it cope, call it whatever, but I refuse to believe these moments don't mean something. He could have so easily ended the series with All Might giving him the suit. Katsuki didn't have to reach out in the end. If he wanted an opening ending he could have had the whole of 1A there reaching out for him or even just skip to the ending scene with everyone. He could have had Ochako, but no, he emphasized Katsuki. You realize that if Ochako had reached out and told him to go with her, there would be no denying the implication there. There are a couple of things I wished from the ending, but we ultimately won. If Korrasami was never confirmed that ending scene would still be pretty romantic. If all a ship needs to be canon and make sense within the story is the author's approval, I think that ship is at least heavily implied.

[skitskatdacat63]

Kinda 😾 rn cause I realized the Senna show made the "can we be equal? 👉👈" scene SOOOO much less intimate/cute. Upon watching it, I was too distracted by "Oh! They're referencing dialog that actually happened!!" but now I'm peeved having rewatched the actual clip 😭

Why would they do this to me specifically

[to-the-batcomputer]

considering the idea of dick subconsciously thinking "when WE were kids" about him and bruce

[merp-blerp]

TW: Discussion of sexual assault and suicidal ideation

I've been seeing some debate about Calypso and whether or not she sexually assaulted Odysseus and I want to throw in my two cents.

I'll say straight out of the gate that I don't currently like her much. I feel pretty icky about her personally.

Comparing Ody's behavior in Epic prior to "Love in Paradise" vs during the song feels so... clearly different. He seems very traumatized by whatever has been happening on that isle. It almost feels out of character for him to consider dying instead of fighting to get home alive like he had been, but putting myself in his shoes I can see how he came to that through what's textually known. He has been trapped on that isle for 7 years—that's nearly a decade, with no way to get out, everyone he knows and loves dead or far away with no way to know where he is or if he's alive. While I obviously would never think that's a good decision, I can see how he got to the point of wanting to end it. And if he's been sexually assaulted like he was in The Odyssey, I understand it more due to how that can warp a person's mental health.

I've seen some say, "Calypso is just a sweetie who doesn't know how to love properly" (paraphrasing of an actual comment I've seen). Even if she really just doesn't know how to care for a mortal, as many of the gods seemingly don't, I think she understands her power over mortals with her "Bow down now to the immortal Calypso" comment. She also understands that Odysseus doesn't want her, with the first part of her response to Ody's threats being "Oh handsome, you may try". She knows that he may try to escape by killing her (even though she can't die). Honestly, why would she feel the need to trap him if she didn't know good and well that he would want to escape her? She knew what she was doing was something that would make him want to run. Calypso being a goddess automatically gives their dynamic a power imbalance of course. Even though the assault is only implied, the fact that she's trapping Ody against his will, super infatuated by him, and still says "Soon, into bed we'll climb and spend our time", makes me feel like the indication is clear. What's stopping her from trying to have "sex" with him (sex isn't sex without consent)? She's already ignored all his declines. She seems to think that forcing her "love" onto him will make him love her. Yes, she uses lovey-dovey language so I doubt it would've appeared violent, but sexual assault doesn't have to look violent and the perpetrator doesn't have to appear aggressive. It's telling that I've seen some say, "Save that energy for Antinous" because Antinous is much more obviously bad, but this kind of thing isn't always obvious. That kind of assault is still extremely traumatizing whether it's sugarcoated as if it's love or not. It's dismaying that some reactions to Calypso bypass her potential assaulting or "She's weird, but she seems to care for him!" And since the sexual part of the assault is technically subtext (for now, who knows about later), I'll say that even if Calypso didn't sexually harm him, she still forces physical and verbal intimacy onto him and traps him so he can't leave. We see that. That's still assault. The only reason why I don't feel similarly about Epic's version of Circe is that her intent wasn't to have sex with Ody but to distract and throw him off with talk of sex so she could stab him as he's vulnerable; Circe never wanted to have sex with Ody in actuality. Calypso's intent was romantic intimacy and she didn't care if Odysseus said no, she completely bypassed it. Calypso saying "You're mine, all mine" feels as threatening as Circe's "I've got you" was meant to be.

Anything can change between now and the next two sagas. It could either be fully confirmed or denied that sexual assault took place. I actually don't expect either, as I don't think Jay would go too deep into such a traumatic concept in Epic, but then again I also didn't expect suicidal ideation to be brought up at all and it absolutely shocked me when it was, so I could be wrong. But whether it's confirmed or not, I don't blame any Epic fans who don't like Calypso or even hate her over what she did and what it's implied she did. It's icky watching some fans tell others they shouldn't hate Calypso because of this or that as if this isn't a sensitive and complex topic. It's creepy. I don't think we should tell people not to hate a character associated with sexual assault. The sexual assault might be subtext, but subtext is important and sometimes is implemented intentionally. Not every part of a story is going to be given to you at face value. Just because "Epic didn't say that" doesn't mean that the implication doesn't matter. People interact with stories in different ways, so you can disagree with others—no one can take that from you, but you don't get to tell someone they can't feel a certain way about a character. I don't like saying this because I really shouldn't have to put it in this perspective for it to be understood, but I can't help but feel like if Calypso and Ody's genders were swapped some people would treat this implication differently. Sexually or not she hurts him.

Normally I don't like taking lore from The Odyssey and automatically applying it to Epic, as Epic has changed a lot of rules from The Odyssey because Jay wants to tell this story his own story. For example, I personally choose not to assume Eury and Ody are brothers-in-law in Epic like they are in The Odyssey because that hasn't been stated in Epic so far. But to me, the implications of Ody's sexual assault are there enough for me personally to think that it might take place in both stories. Jay seems to want Epic to be accessible to many people, so it doesn't surprise me that this element of The Odyssey was brought up in a more subtextual/"hinted at" way.

Calypso is a very interesting character, maybe the most out of all the Epic antagonists so far for me, but we don't have to think of her as not doing anything wrong in order to enjoy that character, her songs, her cute physical character design, or Barbara Wangui's beautiful voice.

[The remainder of this post contains potential spoilers for the unreleased (to date) Vengeance Saga under the cut]

[Edit: Now complete with some post-Vengeance Saga release points]

Another defense of Calypso I've seen is that in the snippets for "I'm Not Sorry for Loving You", Ody says he loves Calypso, but not in the way she wants him to. This could mean they're friends and therefore doubt about the sexual assault could be cast.

It's hard to assess this because the saga's not out yet, but it's worth remembering that abuse can come out of care, in a complicated way. You can care for someone so much you end up hurting them, usually out of wanting to control them. Calypso seems to fit that concept. And most Epic snippets don't give full context, naturally, so who knows why Ody says this at the moment. Maybe he means it, or maybe he's bluffing to guarantee he'll get what he wants (which is to be set free in this instance), like when meeting Athena, or to appease a god, like when "apologizing" to Poseidon in "Ruthlessness". And of course, victims don't have to hate their perpetrators if they choose not to. Odysseus can care about Calypso and she can still have hurt him really badly. Both of these things can be true.

The way I read it, Calypso doesn't love Odysseus like she thinks she does. She's infatuated by him and cares for him enough to not be obviously cold like all the other obstacles Ody faced initially are. She declares that she loves him as soon as he wakes up on her isle without knowing him at all. She didn't even know his name. The washed-up person on her isle could've been anyone and she likely would've "loved" them. Calypso only loves Ody because he stops her loneliness, not for who he is. When she begins to state that she loves him she doesn't even know him. Over the 7 years, she seems to have potentially gotten to know him a bit, saying "I know your life's been hard", but Odysseus himself asserts that she doesn't really know what he's been through. You can call someone (against their will, let me remind you) "my dear, my love for life" all you want, but that doesn't mean you love them. Ody's her first companion in years if not ever, of course she cares for him on a basic level. She won't kill him or let him jump off a cliff. But she doesn't love him or treat him like a human and obey his boundaries and wants. She treats him like an object or pet she owns and has to guard.

In "I'm Not Sorry For Loving You" Calypso says that Ody is all she's ever known because she was abandoned. It's understandable that she would latch onto a living creature after being alone for so long. But that's not necessarily love, at least not to me. If I love someone I wouldn't bypass their refusal to do something. And I wouldn't trap them with me and not let them go, even when they're about to jump off a cliff because they see no way out. I'm not sure if Calypso means to bring malice, she at least says she "bring(s) no pain", but she does regardless or if she intends to. Calypso hasn't had anyone in her company, let alone someone to love, for so long, maybe in her whole life. That's why she doesn't know what love is, so of course when she catches fickle feelings for Odysseus she assumes that's love and has no clue what to do with her "love", as she admits in "I'm Not Sorry For Loving You". Calypso's actions are understandable, but that doesn't mean they're excusable or not abusive. What she does to him is understandable, but selfish and only serves herself, which isn't what you do to someone you love. Note that the way I use understandable here does not equate to forgivable, it just means conceivable. And her apology to him really waters down the magnitude of her actions, saying she "pushed" him, "came on too strong", and that her love might've been "too much" for Ody.

I apologize for this being such a long rant, but I wanted to cover all the excuses for Calypso I'd seen and speak my mind on why I think they're misguided at best.

Post-Vengeance Saga Edits:

Now that The Vengeance Saga has been released, I can comfortably say that I still don't like Calypso, and I think this saga just encourages me to do that. I wasn't anticipating the entirety of "I'm Not Sorry for Loving You" to basically have been featured in the snippets. I was expecting the official song to give more context, maybe showcasing Ody and Calypso having a dialogue, but no! That was really it. And I'm honestly happy for it. It seems like the show recognizes that Calypso is in the wrong, with the way we aren't meant to really ruminate on Ody leaving her. The excuse I talked about above using the theory that Calypso and Odysseus would turn out to have been friends because he said he loved her? I just don't think that held much water by release. I particularly want to point out the way @gigizetz drew Ody's face as he leaves in the commissioned animatic from Jay's stream:

While I can't say for certain that he doesn't mean the "I love you" in some way... he doesn't look like he means it to me. There's no lovey-softness in his eyes, like you might have when you look at your friends when saying I love you. He looks beaten down. Tired. Above, I proposed that Ody might just be blowing smoke to further get what he wants from her. I don't think there's quite enough insight for me to say I was necessarily right on that, but Ody doesn't actually appear that attached to her, certainly not enough so for me to confidently say that I think his "I love you" is genuine. He doesn't even look like he'll miss her, he looks beyond ready to go as she shouts, not pained by her tears. Honestly, Ody might've just said that so she'd stop talking so he could leave. Now there is one more saga left, so maybe he'll wistfully mention or remember her, but I'm not really expecting it based on the official visuals that Jay okay'd. Humbly, I'll say that I don't think Odysseus feels much for Calypso. We don't get happy moments of them together and not even a proper goodbye filled with mutual pain. We just get her backwards apology that basically says, "Sorry I hurt you, but not fully. Shut up and let me talk about me and justify why I trapped you. Wish you'd stop rejecting me despite the fact that I've hurt you. Let me shout that I hate that I fell for you—only because this hurt me unlike I wanted when I kidnapped you—who cares if it hurt you." This moment is not at all a redemption for Calypso. It's her downfall. Her negative character arc. She didn't want to be alone so bad she trapped a person against his will and now she is alone forever (in this show). She can't even have Ody as a friend (and she won't accept purely his friendship anyway based on how the song ends). Who knows how different things would've been if she had just been more... normal when he washed up on her isle? The situation was tragic for them both in different ways, but I'm not sorry for Calypso. Calypso is so interesting as a character. Side-lining her actions just bards us from being able to assess her.

[toasterdrake]

do you ever think about hiccup not being able to find valka for a bit and having an initial burst of fear that she's left him again even though he knows, really, that's an irrational conclusion to come to so quickly, but a little voice in the back of his mind is yelling that it's not impossible

do you ever think about valka feeling stifled and uncomfortable being among people again so, overwhelmed, she allows cloudjumper to take her to peaceful respite in the sky, too desperate and too urgent to tell anyone. do you ever think about it weighing on valka -- after the first time, after thinking she'll 'only be a moment, he won't even notice' -- that it isn't right to do that to hiccup, but she has to juggle a burning need to take herself away before it all gets worse or a fear that can be soothed later

do you ever think about valka's autism and hiccup's abandonment issues clashing

[stagefoureddiediaz]

If this scene shows me Medic Eddie tending Bucks wounds whilst standing between his legs - I will promptly expire

[crimeronan]

i think my favorite thing about that fic is hunter rolling a nat 20 in perception of raine and going "they're a really calm, seasoned manipulator who can play people to their own ends. they could be hiding literally any political agenda or wild secrets. also they've made excuses to cut short a bunch of meetings where luz happened to be having An Episode (TM) for some reason" and then immediately rolling a nat 1 on insight like "we cannot possibly guess at their intentions. this might be the biggest threat to luz right now,"