#an actual masterpiece
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Got the almost completed bartylus art commission and I am dying it’s so fucking good
#they both look so hot guys you aren’t ready#an actual masterpiece#the marauders#regulus black#barty crouch jr#bartylus
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THEE moody autumn song of all time. btw.
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shout out to when i told my dad about goncharov and he figured out it was fake because i told him "1973 martin scorsese film with robert de niro" and he said that wasn't possible because the godfather came out in 1972 and the godfather part II came out in 1974 and they wouldn't have had time to make a movie in between. a perfectly good jest, foiled by this man's weird and vast knowledge set
#edit i remembered this incorrectly#i confused robert de niro with al pacino he was actually what tipped my dad off#i'll be honest i've never seen the godfather? the only mafia movies i've watched are goodfellas and 1996 lesbian masterpiece bound#so i'm not really familiar with the genre lol#EDIT AGAIN IF ANYONE CARES: I HAVE SEEN GODFATHER PART I AND II NOW. I KNOW HOW WRONG I WAS. WHY DID THIS GO UP 500 NOTES IT'S BEEN MONTHS#goncharov#goncharov 1973#eddie genius posting
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I don't care how excited it might make some people, I don't like this remake
#no heart. no effort. no soul. it looks animated everytime cinematic scenes of Berk or the dragons shoe up what was the poiiint#httyd 2025#aweful set and costumes. barely any cool details. dry emotions. no man i hate it#httyd live action#httyd#how to train your dragon#the only good thing this is bringing that it's giving me a chance to wipe the memory of thw from my mind#lf btw. look at the fur detailson gobber's vest and also the lighting#in these screencaps#try and compare this to whatever the hell they're doing with the remake. is any of it present? no#it looks vooler and better in the animated medium#amd it would've looked good in live action if it wasn't a remake and had good artwork done with some heart to it#like. i can actually imagine a live action httyd looking amazing but not as a remake but as a book adaptation#with changed perspectives and story and cinematography#hey can't replicate the masterpiece#and you know what pisses me off even more?#They based Toothless on his THW model. not even the first movie's model#his movements are all so... wrong
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Someone blaze this.
come out and haunt me
pair. itoshi sae x ghost!reader
content: fluff, angst/comfort with a happy ending, reader is a ghost, platonic + romantic interactions, strangers to friends (to more?), slight pining
synopsis. sae is 13 years old when he moves to madrid. his temporary apartment is old and cheap, and worst of all it's haunted. but he finds your company better than nothing, even if you do tend to knock all of his belongings over.
wc. 5.7k
You are dead.
As it comes to all mortal humans, you have died. You can't remember when, or how, or why— only that it is your duty to haunt this home, that you are abysmally cold, and that you are dead.
You don't know if you had any last words, what it was like to draw a breath, or how to stop feeling so cold. Cradling yourself somehow makes it worse. But you are dead, so what does it matter if you can't remember?
If you had aspirations and meaning in life, then you suppose you should try to find them in death, too. So you float around empty halls, deliberately bump into things just for the fun of it, and pretend that you aren't dead. It is purposeful enough.
There's a boy who lives with you.
You are dead, and he is alive, yet he seems completely unbothered by your loud, obnoxious presence.
Sae feels more dead than alive.
He is 13 years old when he moves into his temporary home in Madrid. It's old and worn. It is all his parents could afford with Yen in a foreign country.
His new home is despairingly lonely. It makes the heart in his chest sink into the pit of his stomach. He misses Rin. His parents. Japan.
He should be thankful. He doesn't mean to be a brat. But the small apartment is cramped and cold and smells like mildew. He's allergic to something in the walls. His light buzzes horribly when it turns on.
And, well. The place is haunted.
You are a ghost haunting an old, rickety apartment in Madrid.
You've never seen your reflection in the mirror, but you're pretty sure you look scary. There has been others before him— a young couple with a dog; a retired carpenter; a businessman complaining about how shitty work is over the phone. Each and every one of them have left you the same way: screaming, crying, colour drained from their faces and packing their suitcase before you could even say hello.
It's a little lonely, being a ghost. Sometimes you wish you came off a little friendlier. You have no ill intent, you're just bored. Bored and lonely and wishing to know why everyone thinks you're so terrifying.
The boy who lives with you is the first. He's the first to look you dead in the eyes and shrug you off. He's the first to fall asleep knowing your presence is watching. He's the first to leave out a bowl of warm, steaming rice for you even though he seems to know you can't physically eat it.
His company is silent, as is yours. It's better than nothing.
Sae is 13 years and 5 months old when he tells Rin his apartment is haunted.
"A ghost? Seriously?" Rin sounds unimpressed even through the static of the phone call. Take it from the kid who watches horror movies in his spare time. Freak, Sae thinks.
"Seriously. I have a picture."
He can hear his brother pulling his phone away from his ear to look at the image he just sent. The call goes quiet for a moment, and then Rin is scoffing in the microphone again.
"Quit messing with me." The younger Itoshi sighs. "This isn't funny."
Rin is only 11. He lives at home with Mom and Dad. He's not alone right now, in a place where everyone speaks a jumbled language he can't decipher yet.
He doesn't understand that even if Sae isn't being haunted, he shouldn't crush his brother's hopes that someone, or something, is watching over him.
"I'm not," Sae deadpans.
"Yeah, okay, and what does this ghost do, then?" He still sounds skeptical.
"Mostly just knocks over my books and stuff."
From his couch, he watches you bristle in embarrassment and scurry away into the darkness of the hall.
You are some sort of untethered soul, unsure of where your actual body rests. It could be 10 meters from this apartment. It could be in Antarctica, for all you know.
Okay, well, Antarctica is a bit of a reach, but you're certain that your body is somewhere. You wonder what kind of clothes you used to wear; what kind of music you used to listen to; what kind of hairstyle you used to prefer.
You wonder if these things are anything like Sae's.
He's all you have right now. It would be nice if you had some things in common. Maybe you could be friends, if he was ever going to acknowledge you to your face instead of gossiping to his brother.
You watch him quietly from the kitchen table, waiting for your bowl of rice. You must make some kind of face when he instead places a plate of eggs in front of you.
He almost laughs, you think. He hasn't shown any sort of emotion in response to you thus far, so it's hard to tell.
"Coaches told me I have to be stricter about my diet," he says out loud. It's the first words he has ever spoken to you. It's the first words anyone has ever spoken to you.
He eats his bland eggs silently after that remark, eyeing them disdainfully.
You have that in common, at least. You miss your warm bowl of rice.
Sae thinks you are funny.
He's only ever known ghosts to be malicious, benevolent beings. Things stuck in purgatory with no way out, forced to wander the mortal plane and thus turning into baneful monsters. Watching spooky movies with Rin has ingrained this into him— hardwired his brain into giving him goosebumps whenever you're around even though he knows you're harmless.
He has to wonder how anyone could ever find a ghost like you genuinely scary, with your avoidant eyes and that patience while you wait for breakfast.
He doesn't mind doing twice the amount of dishes. Not if it means he doesn't feel alone.
You do silly things, like shoving his belongings over when you want his attention, or sitting on the floor and blowing bone-chillingly cold air into his face when he's taking his midday nap.
He's discovered that your inconsistent corporeal interactions with the world are quite amusing.
"What's your name?" He asks one day over eggs that he's shoving around on his plate.
Silence. Of course.
"Don't have one?"
You shake your head, but really, you don't know. You can't remember.
Sae has never been the talkative type, but for some reason he just can't keep his mouth closed. Being a complete shut-in and not having anyone to talk to outside of his team would do that to him, he guesses. He's thankful that you at least don't seem to have a language barrier when he speaks Japanese.
"Should I name you?"
Your offended expression screams: What am I, a pet?
He just smiles, placing his fork down and observing you carefully. And the name he decides on dances at the tip of his tongue, sounds so sweet coming from his lips.
You can't help but think the name was meant for you, in life or in death.
You like listening to Sae talk.
He has a voice smooth as silk, so charming and boyish. He's young, you think. He told you once that you also looked rather young, and asked you how old you were when you died.
Even if you had an answer for him, it's not like you could have told him.
Sae is famous for his age, you discover one night while watching television with him. You're sitting on the floor and he's on the couch. You cause the TV to frizzle and crack with static but he doesn't shoo you away. Maybe he finds your presence more valuable than the background noise of the screen.
He's in a recording, playing what he calls "football"— light blue uniform, eyes wide with adrenaline, sweat sticking to his forehead and a proud shine in his expression. He isn't smiling by any means (you've also discovered that he rarely does), but you can tell he's happy.
"I'm going to be the greatest striker," he says from the couch. He talks about his dreams a lot, which is apparently what he used to do with Rin, but you don't mind filling in that role temporarily. "I'm going to be the best in the entire world."
You don't know anything about football, but you believe him anyways.
Sae is 14 years old when he gets his first contract payment.
This is his chance, he realizes, to move out of his shitty little apartment and into an actual livable home.
He has to consider if you'll feel lonely, if you even can feel lonely, and if you'll like hanging out with your next housemate, whoever it is that's unlucky enough to have a ghost befall them.
He's getting soft. If it were any other point in his life, Sae would have taken the chance to move out without hesitation. But you've been there for him since day one, kept him enough company — no matter how quiet — for him not to go literally insane.
You're the only thing he has in Madrid that he can come home to right now. You’re the only reason he even comes home at night instead of just sleeping in the locker rooms.
If not him, who else would feed you crappy bland eggs in the morning?
You, football, sleep. You, football, sleep. You, football, sleep. At some point, it became his routine.
"I was thinking of moving out."
Your head tilts to the side. You seem perplexed by his statement.
"Like, leaving. Leaving here."
You blink at him, head tilting the other way. There's a look in your eyes that tells him you understand. There's also a look that tells him it's not your first time being abandoned, left in this terribly lonely, smelly apartment.
"I can never tell what you're thinking," he huffs.
You're still for a moment, just staring at him as if you suddenly can't understand Japanese. But then you get up from the table, walk over to the container of dry rice that's been untouched for so long that it's gathering dust, and knock it over.
"Hey," he scolds sharply, chair screeching as he stands. "I have to clean that, you know?"
You start moving the spilled rice into place. He watches curiously as you sort dry rice into a pile. You don't know any Kanji, he isn't surprised. But you know enough to draw him a universally understood symbol.
When he peers over at the messy counter, he finds himself staring at a giant X. Stay, it means. Don't leave.
That night, when he knows you've retreated into the closet where you seemingly go to sleep, he crumples up the lease for his new place without signing and burns the paper.
It's because he needs to make you eggs tomorrow morning. Only he would know to do that.
"Do ghosts ever have dreams?"
You raise your head from the edge of the bed. You've made it a new habit to protect him in his sleep, from what he can tell. Perching yourself on the floor beside the mattress and resting there, head in your arms, making his sheets cold.
You shake your head. Of course not, he internally smacks himself. What a ridiculous notion.
He rolls himself over onto his side, looking at you from under his duvet. "So when you sleep, you don't see anything?"
Another shake of the head. He isn't sure you're understanding him. There's another pause as he peers at you, and then he sighs, eyes sliding shut.
"Do ghosts ever have dreams?" He asks again, this time emphasizing his words in a different way and hoping you'll answer him the way he wants.
Your eyes shift away for a second, as if pondering. When you look back he's surprised to see that you look... bashful?
You point at him, then at yourself, then shy away again.
You. Me. Friends.
Sae feels silly that it makes his heart ache a little— the sadness carried in your face and a loneliness so powerful he feels it rattling in his own bones.
Well, the two of you have a lot more in common than he thought. How long had you been alone? Was that really all you ever dreamed of? Having a friend?
Suddenly, his doubts about his own dreams feel immeasurably small.
He reaches out to pat your head. His hand goes through you.
Sae is 15 years old when he packs up his belongings for a flight to Japan.
"I'll be back," he promises with a small smile. You believe him. He doesn't lie to you.
You wait patiently at the door for him for two weeks, three days, and sixteen hours. When he comes home, he finds you sitting on the floor like you always do with your head in your knees and a sleepy expression on your face.
He seems colder. More withdrawn, for some reason.
"Miss me?" Sae asks, but he's not even looking at you. He makes his way over to the kitchen and dumps a cup of rice into the cooker, suitcase abandoned at the door unpacked.
You trail behind him curiously, watching him in confusion as he washes it in the sink. He pauses, finally glancing at you before reaching over and dumping a second cup of rice in.
"I stress eat. Don't tell my coach."
The words don't make much sense to you, but you nod anyways.
For the first time in months, he places a bowl of warm rice in front of you. You do as he does, say thanks for the food in your head even though you can't eat, and observe him. You both sit quietly in the dim light of the apartment, moonlight beaming through your single rickety window.
He only gets four bites in before he puts his head in his hands and sobs.
You've never seen someone cry so hard before. Usually, they only do it when they first catch a glimpse of you and flee in terror. You've never known it to be such a painful sound— like a bird singing for the sky but never finding it.
Sae sits there for a long time just crying to himself, not caring that your presence is still watching. It's not like you'd ever judge him or have the voice to speak this secret, anyways.
"Fuck—" he hiccups, wiping up his face. "—Sorry."
You look at him funny. He has no reason to apologize. He's just a kid. A 15 year old kid who needs to stress eat in the solitude of his lonely apartment right now. It makes your chest squeeze; an unfamiliar, horrible feeling that's completely new to you. You wonder if this is what all the anime he watches calls a heart.
By the time he finishes crying, his rice is cold. And when he looks up, his eyes widen. Your lips are trembling and you look like you want to shout at him, but you can't. You are dead. You're a ghost. You can't yell some sense into him, even if you tried.
In the pale moonlight shining into the room, he can see tears illuminated on your cheeks.
Sae is 16 years old when he meets his first partner.
"They're nice," he reassures you as he slicks his bangs up with gel. You shake your head in disapproval and he rolls his eyes. You always liked his bangs down, thinks he looks better that way. "Well, I can't stay single forever."
You scowl at him and swivel on your heel to stubbornly deny his claims. He just laughs.
"You're seriously jealous?"
You shoot him a glare.
"If you really don't like them, you could always scare them away. You are a ghost, aren't you?" He reaches up to pat your head as he always does. And as always, his hand phases through you.
He turns around to fix his hair again, leaning into the mirror to see himself closer.
You're not sure if you even have human features. You can't see them in a reflection, anyways. Even if you did, you're sure they're pretty scary.
You glance at Sae in the reflection. He looks as good as ever, no longer a scrawny little 13 year old kid who eats rice for breakfast every morning. You wonder if his partner is pretty like he is.
He must notice the chill in the air grow ten times colder— a telling sign that your mood is dropping. He turns around to see what has happened, only to find you sulking.
"What?"
You pout, gesturing to the mirror. He looks to the vanity, then to you, and he shakes his head with an exasperated smile.
"I was wondering when you'd ask," he says as if this was a conversation he's been waiting for. And then he talks. Talks more than you've heard in a long time— since he came home from Japan, probably.
He's gotten meaner over the years. He was always a rude little kid, but being pushed around in football must have given him thicker skin and a sharper tongue. You've never known him to be a saint of a human, someone who speaks so eloquently in their descriptions. But here he is now, defying your every expectation like he always does.
He tells you what colour your hair is. Compares the shape of your head to a fruit you can't recall an image of. Gives you a detailed explanation of all your flaws and marks and why he thinks they're so perfect because it proves that you were indeed alive and human at some point.
"You're beautiful," he concludes casually, as if he's not turning the entire world on its head right now.
Silence fills the room as he waits for your response. You don't do anything but gawk at him, and he chuckles.
He doesn't show up to his date that night.
"Your hair got longer," Sae points out one day while he's scrolling through his phone.
Your eyes flutter open from where your head rests on the coffee table. You hadn't even noticed. Can ghosts grow?
"You know, I used to think you'd stay the same forever, but you've been growing up with me. It's cute."
Have you? Is it cute? Are you seriously so tethered to him that you've been unconsciously changing to match him?
Sae puts his phone down at your confusion. "Should I give you a birthday if you're going to grow up?"
You don't know what a birthday is. When he tries to explain it, you're even more perplexed. Ghosts don't have birthdays. They have... deathdays.
He puts a cake in front of you anyways and lets you blow out the candles.
Sae is 17 years old when he gets the eviction notice.
Four years. Four long, hard, unbelievably painful years later, and he's finally being kicked out of his house.
13 year old Sae would have celebrated. All he feels now is despair.
He doesn't tell you. He can't. How can he explain that he won't wake up every morning at 6am sharp to make you eggs? That you won't have someone around who will tell you every little thing that's changed about you from the last day? That you won't be able to doodle him little incomprehensible blobs with dry rice anymore?
He shouldn't care so much. You're not chained to this Earth. You might just disappear once he leaves, inperceptable to anyone else. The thought makes him so sick that he throws up that night. He tells you he ate some bad food.
Sae doesn't want you to feel sad or lonely, but it's not like he can just become a squatter in this place. His dream is to play football, not be thrown into jail.
You wake up one morning, and he's gone.
There isn't a note. There isn't an explanation anywhere to be found. There isn't even a trace of evidence that Itoshi Sae ever lived here.
Well, except for the plate of eggs and bowl of rice sitting on the stove.
You thought you would have been used to being alone by now. For some time, you were used to it. But that was many years ago.
You're not sure how long you've been haunting this apartment in Madrid, nor do you know how much time passes after Sae leaves. The world seems to come to a halt, actually. Without him, what fun is being a ghost?
Now you're just a lost soul like all the others. There isn't anything special about you. You're just the ghost that used to haunt Itoshi Sae and wake him up from his naps.
For the first time in years, you only know one thing. A singular fact that keeps you bound to this world: it's your duty to haunt this home. There is nothing else.
No one moves in after Sae leaves. No one new comes to be haunted. No one dares to set foot into this apartment. You remember that there were moments when life flickered inside of you, if even for just a fraction of your infinite time. The reason for that has abandoned you without explanation.
There's a knock on the door one day. You can't open it, and the person outside doesn't bother sticking around to see you phasing through the door to look around.
There's a birthday cake on the floor with candles that say '19' sticking out of it.
Only one human in the entire world would have deemed today to be your 19th birthday. He's nowhere to be seen.
He moves back to Japan on his 21st birthday. Sae is having trouble remembering what you look like, despite seeing you in his dreams every night.
It's a terrible realization. So terrible that it makes him sob into his pillow at night when no one in the world is awake to hear his anguish.
Japan is lonelier than Madrid. He never thought it would happen, and he blames you entirely.
He doesn't have anyone waiting for him when he opens the door to his luxury penthouse apartment. He only washes one plate in the morning. He wakes up from his midday naps undisturbed and rested.
Sae misses you deeply. And he can't help but wonder if you feel the same.
(You don't know what the yearning ache inside of you is. You don't know what to call it.
You miss him, too. You just can't put a name to the feeling.)
He doesn't stop seeing you in wisps; little blurs in his peripheral that make his head turn fast as lightning. Wherever he looks, you're gone.
It's not fair that you're a ghost who both literally and figuratively haunts him. He'd like to move on in life and forget about those 4 miserable years he spent living in that damned apartment.
He can't. Sae is incapable of moving on from that place. The irony of it is that you actually can't move on from that place, for some reason.
He would give anything to have you haunting him again. It doesn't matter where in the world the two of you are, if you were together everything would be okay. He's impossibly lonely without you.
You start to think that you're the selfish one.
The idea of leaving this terrible apartment in Madrid scares you to your very core— whatever soul is resting in your incorporeal body. It's not fair to place the blame entirely on Sae. Not when you're too wimpy to leave this place and find him.
Death is lonely without him.
One step forward, one day at a time. It's the advice Sae used to mutter to himself while getting ready in the morning.
One step forward, one day at a time. One step forward, one day at a time. And day by day, you're slowly inching closer to the door.
Sae talks to Rin and all he can think about is your confused smiles and head tilts. He talks to his parents and all he can imagine is how cold the room would be if it were you. He talks to his fucking therapist and thinks that all of her shitty advice can't compare to your quiet understanding— that your tears of solidarity are the only thing that could make him feel better.
It's fucked up, really, that he can't move on. His body is in Japan going through the motions: playing football, being famous, being interviewed and going home to nothing. His heart is in Madrid. You took it with you and refuse to let go.
You're the closest thing to love he's ever felt, perhaps— his only friend in Spain. His only reason not to leave. A ghost from his childhood that protected him in his sleep and ate bland eggs for breakfast across the table from him every morning. A ghost that would sit on the floor and wait for him to come home every day. A ghost that kept him company when he had no one else.
He loves you. He doesn't. He needs you. He doesn't. He misses you. He doesn't. Whatever. What does it matter now?
"So playing football has always been your dream?"
Sae stares blankly at the interviewer. He's reminded of a distant conversation: he is laying in bed looking at a ghost with a lump in his throat, and then he makes his first and only friend in Spain.
"Yes."
"And now that you're back in Japan, will you be playing for the national team?"
"I have no interest in playing on such a weak team." In other words, he has no reason to stay in Japan.
"So where will you go?"
Anywhere but here, he wants to say. In reality, he doesn't know where to go anymore if not to his old apartment in Spain. He just knows that he wants to come home to your sleepy face.
(That night, he makes two bowls of rice. He cries like he's 15 years old again and just ruined his relationship with his brother.)
You've never been outside before.
You've heard about it, almost entirely from Sae but also from little snippets of anime he liked to watch. It's brighter than you imagined it to be, and warmer. You're not sure you've ever felt so warm before— it's hard to when you are a walking freezer.
There isn't anyone to tell you where to go. No one pays you any mind. You wonder if you even exist anymore outside of the small confines of that old apartment.
Something tells you that you do.
You don't know where to start looking. He could be all the way across the globe for all you know, though he did used to talk about his home country.
You have no map. You have no sense of direction. You have no one to ask for help.
All you have is the soul caged within your ghostly body tugging in one direction, and wispy feet dragging your body along in response.
Sae is 23 years old when he finally signs the contract to play for Japan, after months of being pestered by Rin about it.
His relationship with his brother is complicated. On one hand, he feels as though Rin will never truly forgive him for what he did when he was 15. On the other, he looks so ecstatic to be playing football together again that Sae wonders if their discourse was imaginary.
Japan is just a smidge less lonely with Rin in his life.
He wants to tell you all about it. That everything worked out and it's fine now. That you can stop weeping for him and to wipe up the tears that fall into nothing.
He counts the distance between you. Fourteen thousand kilometres separate him from telling you how he's living his new dream: playing football with his little brother again.
Fourteen thousand kilometers, ten years of needing you, and a reminder set on his phone to buy you a birthday cake again this year.
His heart aches.
Japan is loud and busy and everyone is always in a hurry to get places.
You have to wonder if Sae really grew up in a city like this, and how he turned out so calm and unmovable. The street names are all in Kanji you can't read, but your soul tells you that you're going the right way, anyways.
There's a crowd gathering when your feet finally come to a halt. Lights flash and there are fancy looking people with microphones clamouring toward the center.
It's only a fraction of a second that your eyes meet, and then someone shoves him into the back of the car and they drive off.
He must be famous here, too.
Sae is 24 years old tossing and turning in his bed, wondering if you were just a figment of his imagination or if you were truly standing there under a streetlamp watching him.
It wouldn't be the first time he dreamed you into existence; on some occasions you feel so real that he nearly reaches out to attempt to pat your head, like he always used to do when he was younger.
He goes back to that spot a couple hours later. The crowd is long gone and it's the dead of night— no one would be around to witness Itoshi Sae looking psychotic.
He doesn't find you in that spot. Instead, you're two blocks down and crouched in front of the window of a 24 hour shop. There's an ad for sparklers, and though you can't read the poster itself, the picture makes you stare with wide eyes.
He crouches down beside you as if 7 years of distance never existed between you.
"Do you want one?" He asks. You look at him in a strange way and his knees grow weak beneath him. You nod.
He comes out five minutes later with a few packs in his hand, walking away from you down the street to the park. You follow him quietly as if 7 years of distance never existed between you.
Sae holds one out, flicks the lighter in his pocket open and ignites the first sparkler. You watch it in fascination, ghostly form illuminated in warm orange and yellow light.
He smiles at you as if 7 years of distance never existed between you.
When the sparkler dies out, he lights another. And another. And another, until he's gone through all the packets he could afford with the Yen in his wallet right now.
As if 7 years of distance never existed between you, he reaches out to pat your head. His hand falls through you.
You think Sae's new apartment is pretentious, but it's clean and open and doesn't smell like mildew.
It's hard to imagine what kind of purpose you had before him— all your memories are flooded with his hands and eyes and bangs and small smiles reserved for you. You think that the only reason you were ever materialized into the mortal plane was to haunt him, and only him. Itoshi Sae's permanent looming presence.
He doesn't seem to mind. In fact, you've noticed he's been smiling more lately since you started waiting for him to come home by the door.
Sae is 25 years old when you fall asleep beside him in his bed.
You don't care that he's a kicker or a blanket hog in his sleep. It's not like either of those would affect you. He watches your sleeping face carefully, waiting to see if he would ever wake up from this blissful dream and be alone again.
But every time he wakes up, there you are.
You've grown since he left you in Madrid— you don't look like some lost little kid anymore, at least. He wonders if your souls are truly so intertwined that you would change alongside him, regardless of the distance.
Your eyes flutter open and his breath catches in his throat. You blink at him slowly in the pale moonlight, brows furrowed.
You point at him. Then yourself.
You. Me.
He nods in understanding.
When he drops a plate of protein pancakes in front of you for breakfast, you look confused.
"Oh, sorry. Do you want rice?"
You shake your head. You don't care what's for breakfast, as long as you're sitting across from him while he eats it.
"I'm going to be the world's best midfielder," he tells you one day. You're on the floor and he's on the couch, and it's like time had never even passed.
You don't know what that means, but it's his dream so it must be important. The most important thing in the world.
What you don't know is that it's not his entire dream. World's best midfielder doesn't mean a thing if he can't come home to tell you all about it.
You are dead.
You're a ghost haunting Itoshi Sae— one that followed him from Madrid all the way to Japan. You don't remember how, or when, or why you died. You can't remember what your face looks like either, no matter how much Sae tries to describe it to you.
You are dead. You're a ghost knocking over Sae's belongings to get his attention when you want it. You're the ghost curled up in bed with him even though he has to wear two layers to stay warm because of it. You're the ghost watching him rotate through different breakfasts that he says could never compare to a good old warm bowl of rice.
You are a ghost, and Itoshi Sae gave you a name. A birthday. A purpose greater than being a loud nuisance.
You are a ghost who likes to watch him light sparklers on his balcony. Who feels the things described only in the books he reads to you. Who learned to love somewhere along the way.
You are dead, and somehow alive at the same time.
(One day, Sae will be brave. One day, he will tell you he loves you. One day, he will thank you for waiting for him at the door when he comes home.)
© ALABOADOA 2023 — please do not translate or post my works to other platforms.
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whitepine is amazing. have a whitepine ivory. please tumblr do not obliterate the image quality i worked so hard on this i like never do paintings. or backgrounds. goes to show how much whitepine has altered my brain chemistry i am going to be thinking about this show forever and ever and ever
alt version with rain under the cut
#please watch whitepine if you havent#it is an actual cinematic masterpiece#just. yeah. its so good.#whitepine#ivorycello#whitepine fanart#ivorycello fanart#red draws
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"Kevin isn't that bad it's not like he beats her, why does she need to kill him or fake her death, just get divorced" you are the point of the show, you are missing the crucial reveal. Allison sees Kevin in every single scene as she does their last scene together, but we as the audience aren't privy to that and we only see sitcom Kevin which is Kevin's self perception. He is not suddenly becoming scary and threatening to her. He was like that the whole time. We only see Allison's feelings about Kevin and the aftermath of her interactions with Kevin -- this is the ONLY time we see Kevin from her POV except for the brief initial breaking of the sitcom cam. Every other time we see Kevin on screen it's from Kevin's POV. Even after she cuts her hand we only see the bandage in her singular pov when she is away from kevin, but when it shifts back to sitcom Kevin it's gone.... We do not see the reality of her interactions with Kevin, that's the point of the show!!! Because when Kevin is on screen, it's Kevin's world! We only see Kevin from anyone else's lens in ONE scene at the end, which is when Allison decides to leave, so yes the sitcom cam "softens his abuse" but it also just fully acts as an unreliable narration because we never literally see Kevin from anyone else's POV until the series finale so every time Kevin is on screen it isn't even an accurate portrayal of what's happening, it's Kevin's perception of what's happening. Allison has viewed him like that the entire show, we as the audience just did not get to witness that POV until the end
#personal#this is exactly how it feels to have someone like that in your life!#everyone is like 'hes not that bad' bc they are in the sitcom cam!!!! you dont see it from the other pov#i like. didn't relate much until the sitcom cam dropped and then suddenly it was like being slapped in the face#bc that is how Allison ALWAYS sees kevin...... we just didn't get to witness it until then. and then that felt extremely relatable#screeching....#ik im years late bc i only now just watched but honestly???? masterpiece of television holy shit#kevin can fuck himself#kevin can f**k himself#Allison is not just 'trapped in a marriage she hates' we are just not privy to her terror bc we dont see kevin from her pov at all#we only see kevin from kevins pov#we see her talking about kevin a lot but we dont actually get to see how trapped and scared she feels until that last moment#hhhh
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It's the way you can literally see him panting in panic, with the chaos energy crackling over him — AAANDD it's cold outside. You can literally see his breath in the cold air. 😭😭😭❤️🖤
#shadow being shown with ptsd we won#no actually this short ended me#IT WAS A HEARTWRENCHING MASTERPIECE#UUUGHGGHHHHHH#sonic the hedgehog#sth#shadow the hedgehog#sonic x shadow generations#shadow dark beginnings#shadow dark beginnings spoilers#spoilers#ptsd#poor dude#put him in a warm bed with a blanky and give him cocoa#gif
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i never felt a moment while watching where my attention was split, each hook comes as naturally and subtly as the previous and I was hooked from start to finish
I binge watched severance yesterday
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It's interesting how Buck's love interests are all written in a way that ends because of the reason they meet/happen in the first place and then of course, we have Eddie.
Abby, who changes Buck's view of a healthy relationship but then turns around and ghosts him, making him wait for months on end and letting him realize she's not coming back on his own.
Ali, who meets Buck during a dangerous situation in his line of work and then leaves him for how dangerous his work is.
Taylor, who lashes out at Buck for using her as a fake date and saying she thought she could trust Buck to be a friend who then ends up using him for her career and chose to put his friends in danger.
Natalia, who's there to help him embrace and deal with his temporary death but it leads to their break up because of the constant talk surrounding death when Buck's not comfortable with it.
We can't confirm for Tommy till it ends but it's important to note how he offers to get Buck into his interests like flying and muay thai yet doesn't show effort with Buck's interests like dressing up according to the bachelor party theme despite Buck being stressed about it. And we also have the fact that the entire reason they got together was due to Buck's jealousy for Eddie which he then claims to be was for Tommy. Makes me think they are either going to end because of differing interests OR because of the jealousy issue popping up again.
Funnily enough, every scene above has an Eddie parallel:
Eddie co-parents with Buck and not only does this not stop after a dangerous event but Eddie also has Buck down as a legal guardian (healthy relationship - Abby).
Eddie is in the same dangerous line of work and they have each other's backs. This happens right off the bat too.(dangerous job - Ali).
The Lawsuit era and The Dispatch era - both where they "betray" each other but manage to work through it (betrayal/lie - Taylor).
Eddie doesn't pressure Buck to talk about his temporary death until Buck's ready and is more focused about him living than in his death (death doula - Natalia).
Eddie who has different interests than Buck (poker, basketball and UFC/MMA) but also manages to show interest and actively takes part in whatever Buck comes up with; he suggests their outfit for the themed party AND ends up staying there for Buck even when others leave (different hobbies & showing interest/taking part - Tommy).
Absolutely fascinating when you start noticing that Buck's relationships keep failing for one reason or another and then we have him and Eddie who face the same sort of situations but they still come out of it stronger together.
It's clear that there's a reason Buck is able to overcome anything when it comes to Eddie (that conversation with Maddie about being there for each other even at their worst 👀) and we've already established that everything Eddie looks for in a partner is already something he has found in Buck. So really, all that's left is for them to realize that hey, the one I'm looking for is right in front of me! 🤷🏽
And yes, it's been said to death (hah) but you don't find it son you make it. And Buck and Eddie have already made it.
#character meta#relationship meta#think whatever you want it's up to you#but narratively tommy is a plot device#there's no if's or but's about it#I'm saying it like it is#the parallels between Buck's LIs and Eddie is insane#i just thought about making one about it since we mostly talk about how Buck fills all the things Eddie needs in a partner#this is my interpretation of how they've basically written themselves into a corner and the only possible way to go forward is with Buddie#doing anything else is a disservice to the characters and narrative so far#as Tim said#it's only natural and this is it#buck and eddie just naturally embody the ideal partner for each other#tim minear if you make me go through another destiel i will actually personally come and eat your kneecaps i can't do it anymore bro#it's literally all there!!#it's a masterpiece#i don't trust you enough but in Oliver ryan and jlh i trust#buddie#911 abc#eddie diaz#evan buckley#evan buck buckley#911 spoilers#I'm too lazy to tag all the characters because they're unimportant#the entire point of the post is Buck's LI vs Eddie anyways#so there
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Woof
#my art#bloodborne#vicar amelia#warmup sketch ref'd from a screengrab#this is actually from over a year ago lol#anyways have u guys played the 2015 fromsoft masterpiece Bloodborne(tm) yet? u should play it come on riley told u to u gotta trust me bro
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sketches doodles useless thingies
sorry guys I'm dead summer finally killed me so baii 😁
#ninjago#ninjago fanart#lego ninjago#spinjitzu brothers#ninjago wu#ninjago garmadon#young garmadon#ninjago morro#morro wu#<- Idk how to draw him#ninjago euphrasia#dragons rising#ninjago dragons rising#there's so much tags...#if u think that spinbros thing is a li'l bit ooc.#u're right actually#I just thought it's silly#ughh I want to talk sm I just don't feel like shitting under images#got your nose!! I ate all of 'em bcuz Im lazy#it's not like I have to post masterpiece everytime. it's just that I feel kinda shitty when all I have is doodles about nothing#y'know#goddess my handwriting is so messed up#I was really sleepy and all I have is my finger sorry guys#bred's art
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Actually had to stop and sit up straight to watch this
the bright, blessed day // the dark, sacred night
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Chiang Tien as AI DI & Chen Bowen as CHEN YI KISEKI: DEAR TO ME textpost memes | part 1/?
#kiseki: dear to me#kisekiedit#kdtm#kiseki dear to me#ai di x chen yi#chen yi x ai di#kdtm: textposts#nat chen#chen bowen#louis chiang#chiang tien#jiang dian#userspring#uservid#pdribs#userspicy#userjjessi#userrain#*cajedit#*gif#ive been wanting to make these for. SO LONG#SECOND ONE IS MY FAV BC THE OP IS JUST CHEN YI IN THAT SCENE#ai di: fuck.#chen yi: imsoofuckingsad-deactivated#i refuse to explain the third. im right. dont worry about it#i dont actually have anything to say about any of these here they all speak for themselves#they are all their own masterpiece (ai di and chen yi included)#i cant believe i had to gif zherui for this. arent you all so lucky </3 (*covers him with textpost so u cant see him* this aint about him)
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Prometheus stole fire from the gods and gave it to man. For this he was chained to a rock and tortured for eternity. Oppenheimer (2023) dir. Christopher Nolan
#oppenheimer#filmedit#cillian murphy#oppenheimeredit#henricavyll#usersilk#useranimusvox#jokerous#dailyflicks#barbenheimer#nikolatexla#this masterpiece was way beyond me. way beyond anyone else#think of a movie that everything about it is perfect#the soundtrack. the actors. the script. the atmosphere.#i don't remember if i ever watched a scene before where my heartbeat was that fast#there were more than 100 people inside and no one made the slightest sound and it was like i could hear every heartbeat#this was my first nolan movie. i couldn't go tenet (which was amazing too) but i'm glad i didn't bc this was the best one#mind you the only thing i understood at first sight was a scene about black holes in which i was genuinely interested before#you know the movie becomes way more fun when you actually understand it - not as a whole but also the details
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