#among other people ^_^

[kodasea]

Son of Gondor

[valtsv]

an angle i enjoy in cosmic/eldritch horror is when, instead resorting to the old classic "the horrors being so incomprehensible that they break your brain and drive you mad" cliché, the premise is that in comprehending the horrors you are so changed by the experience that your new state is indistinguishable to an outside observer from madness. you comprehend the unknowable just fine, but actually communicating that to anyone else is impossible because they just don't have the mental framework required to understand it. the eldritch horrors don't drive you mad. what does is the ordinary everyday horror of finding yourself isolated, ridiculed and doubted at every turn, no matter how hard you try to make yourself heard and understood.

[poorly-drawn-mdzs]

Out of sight, out of - wait.

[First] Prev <–-> Next

[gascreates]

when aang doesn't explain everything

[cloudbends]

something I feel like isn't nearly appreciated enough about mob's arc in mp100 is that his background is... Completely normal. I see a lot of people interpreting mob's parents as neglectful or distant based on the few scenes we've seen of them, which greatly baffles me because their few scenes aim to establish his family life as.. completely normative. They have the normal, average quips of a normal family. And I think it's very unique and refreshing because it means mob's troubles and internal hardship isn't a product of his upbringing, it's a byproduct of a traumatic experience and of his own personality and how it coalesces with his psychic powers. And I personally think more media should acknowledge that some people, even with perfectly normative and healthy familial dynamics and circumstances, will still develop very complex internal issues and personal psychology. and on the same note, some people with perfectly normal upbringing won't feel comfortable to confide in their parents and seek an external authority figure to look up to, which doesn't necessarily mean them and their parents are estranged. I dont think mob's (or ritsu's) life have to be unhappy to legitimize or explain the fact he has the personal struggles he does. Embracing normalcy is the main theme of this series.

[leserattevirginie]

[crippledasinfuckyou]

sometimes a healthy relationship isn't 50/50 because it can't be, and that's okay.

disabled people who cannot take on an equal portion of the work in a relationship deserve to be loved too, if that's what they want. and as long as their partner is getting the support they need, and is happy to take on that work, then what's the issue? it's nobodys business but your own the way that works in your relationship.

if you or your partner are disabled, and you can't split the work in the relationship 50/50, that's okay. you're not abusive, or a baby, or unloveable because of that. I promise

[arcanewebs]

personal take on fem tsukasa

[okmyguy]

always on the hunt

[radiance1]

Danny has been kidnapped.

Well, more like he was mistaken for someone and then dragged off to who the hell knows where because of said mistaken identity.

Where to?

The Wayne Mansion.

Unfortunately for him, they never noticed until said person he was mistaken for just walked into the room, looking like they just got out of bed and was questioning if they should go back or not.

He got to stay, at the very least, introduced to wonderful cooking, and is given a closed-door view of the Wayne family up close.

He has so MUCH to tell Vlad when he gets back, well, he'll have to kick the man in his shins before that since he somehow FORGOT to pick up him.

Either that, or Vlad was running late because it's Gotham and he's rich and got held up by a mugging or something and then he was kidnapped before he got there.

He took out his phone to check the news because he was bored.

Oh. Vlad's been kidnapped and held for ransom.

Well there went his plans of being picked up for the evening.

[eldritch-ace]

Coming out as a Hey, Melissa! defender, she’s just girlie pop and I think catboy Paul and dogboy Ted are great additions to the lore ✌️🐈💖

[periwinkla]

Pokeattorney AU x 15th anniversary skit because I take great personal enjoyment in making fun of Edgeworth

...just as much as Phoenix does. The video in question :

_ pokeattorney AU tag

Btw just for the record whenever I mention the unnecessary feelings bit keep in mind that I didn't bat an eye when I first saw it, but in restrospect it's hilarious and now I just really like to make fun of him for it. Unconfortable Miles hides and/or says things in the most convoluted way possible adding in further embarassment upon himself. And I like to make fun of him for it <3

[slumberdoe]

we can talk about the vast wilderness of allegory in yellowjackets when it comes to the cannibalization of girlhood and others lives and we can talk about the inevitability to never escape fate despite circumstance and we can talk about the complex character subtleties and their purpose but what i want to talk about is the fact that no WAY do i think a dozen girls would be trapped in the wilderness for 19 months without starting to kiss each other

[bayetea]

love thinking about the underworld siblings just being absolute fucking creatures. they stare at you too long after a conversation has ended and quickly look away if you notice and look back. they sit catatonic on the floor of a pitch black room and get mildly annoyed when someone turns the lights on. they get each other in a distinct way that no one else ever really could and hold hands creepily like the twins in the shining. nico notices the tiny little things of another person's life and when they ask him How he knows he says "the ghosts in your walls told me" (it's a joke and no one laughs). hazel has a fun night on the town with friends when suddenly she lays her fingertips to the earth and says "oh... someone was murdered here in 1998" and the mood is killed instantly. they have a shared macabre that looms over others like the presence of an urn in the corner of a room. percy/frank/will/jason/reyna are used to it but even they get caught off guard by their behavior sometimes. they need to be Weird in a way that makes other people uncomfortable

[dinozaurtual]

its weird how as israelis, or even just as jews in general, as soon as you extend sympathy towards the people who were massacred on october 7th u immediately get blamed for "supporting israel" and "not holding your state accountable".

when its like. WE are the ones who have been fighting non-stop to make our government and military officials take responsibility for this. WE have been begging our leaders to take accountability while u guys are sitting there overseas typing out shit like "its actually okay to murder babies as long as theyre settler babies"

[tofusfortbhk]

Tbhk Ch120 Analysis:

(Warning: Spoilers)

#1: Teru did not kill Kou on accident or by reflex.

I’ve seen this take on tumblr and Twitter and I disagree. As much as I like the poetic irony of Teru’s violence towards supernaturals causing him to hurt whose he’s sworn to protect from them, I think it’s wrong.

As Teru blasts Kou, Teru is already upset.

Comedy moments in the manga aside, this is the 1st time we’ve ever seen Teru visibly devestated. Prior to this he has always, consistently approached supernatural danger with whimsy and lighthearted cheer. Even when there were dire stakes:

Teru after realizing Aoi was essentially dead after coming getting kidnapped by Number 6. (Ch70)

Teru in ch79, after learning his baby brother went into the notably deadly Red House. (Ch79)

Teru after getting betrayed and apprehended in the Clock Keepers’ boundary. Where they’re supposed to be “undefeatable.” (Ch109)

The uniting factor is that Teru had some level of control. That there wasn’t any true danger/death. He’s gonna get Aoi back, he had faith in Kou to not succumb to the house’s wishes, and you can’t die in boundaries (applies to when the gang got jumped by Num 6 too).

Here, Teru is devastated — not bc Teru is sacred that Kou may get hurt (active threat) but bc Teru knows Kou is already dead.

Look at how Teru walks to the well immediately.

Teru isn’t falling to his knees like “Wait, I didn’t mean to kill him. What have I done?“

He walked there immediately. With intent.

He’s not acting like someone who’s killed his brother on accident. On reflex. He’s acting like someone who knows. Who’s already grieving. Who’s checking for confirmation.

Confirmation that his little brother died in that well. Has been dead.

This isn’t a boundary or fictional world. That is the real Kou — just of a different timeline — and in this one he died. No control, no games, no convenient truth. And Teru couldn’t protect him.