#american gods s1

[patrocles]

The story I’m writing is about Lugh of the Tuatha dé Danann; the ancient race of gods in Old Ireland. You weren't small.

AMERICAN GODS (2017 - 2021)

[mlobsters]

funny seeing sort of sexy ifrit weirdness happening in evil, like man this seems familiar why do I know what this is... oh right, the jinn in american gods

also really enjoyed their usage of music for it, excellent vibe setting with mission district by the black angels

[theinfinitedivides]

the David Jobs................ oh God the David Jobs no notes 10/10 rating if they had taken them away from me and not come back for the next seasons i would have been bereft

[starsstillshine]

i, who has never seen hannibal, and my roommate, who watched hannibal while airing, are watching hannibal together. having the time of our lives tbf.

[royalarmyofoz]

this outfit was wasted on a scene that lasted less than 2 minutes

[space-coupe]

Need new slurs for people who think DTS is good

[stelashe]

If people loved American gods as much as they love good omens they wouldn't have screwed it up and end it that quickly

[jameszmaguire]

skipping through americ*n g*ds for a gifset and i gotta say. what a shitshow/what a shit show

[fullscoreshenanigans]

For the demon God name... I call them Elari. (Yes I stared at that nonsense of a word until it looked like a name).

Elari definitely sounds more prestigious than Marumaru lol

(Mystic Code Book Chapter 1)

I've also seen the demon language compared to Enochian (mentioned in @puff-poff's analysis of the demon world's culture, which I highly recommend people checking out).

And Kei Toda speculates it's related to Hebrew in The Promised Neverland read with English and American Literature (2020) by Kei Toda (the second chapter that discusses religion can be found here, translated by @thathilomgirl and @0hana0fubuki0).

Introducing her first from the Trio was a really good choice in my opinion, because her cheerful, hopeful, happy and naive personality makes you believe that everything in all right with their lives.

Establishing her as the main character is also so important for solidifying the series as a feminist narrative.

Just like I did with Ray... I have something unique to add to each drawing of her. First let's talk about the Freckles! I'm a big fan of interesting character traits, such us freckles, moles, scars, tooth gaps, vitiligo or anything similar to that. In the manga colouring above if you look closely, Emma has faint scars on her knees and elbows. Since she most likely do what her heart says before thinking, I imagine that she didn't mind if she scrapped her knees or bruised her elbow, while playing with her friends and family. Physically active kids often fall while playing but, falling hard then getting up again all by yourself is a good way to symbolise their in journey.

Ooo that is such a cool detail! I'm sure the demons eating premium meat would groan at seeing their meal in any way devalued with imperfections, but kids are going to be kids, and this especially makes sense for Emma.

Emma simply had to get into the Leader's role after Norman's shipment. I'm sorry to say that but Ray was a bit useless. He was lost in his own pain and gave up all hope (I mean… valid, but still), so she had to plan everything. Norman's letter and the other kids (Gilda, Don, Thoma, Lanni, etc) helped a lot, but she was practically alone.

While she is seen as the central leader/figurehead of this portion of the escape plan, I don't know if I'd phrase it as Emma being alone with how central collectivist efforts and solidarity are in the work, especially in this portion of the story. It feels like it devalues just how integral the rest of the Grace Field kids are to the plan and plays into the front the kids were hoping Isabella would buy into so that she wouldn't investigate further and discover their actual plans (i.e., that it was just one member of the trio behind the plan, and by getting rid of them it would crumble).

(S1 Episode 11 | S1 Episode 12)

It also goes against Shirai disavowing the narrow, arbitrary metrics the farm system uses in the form of the daily tests to evaluate children as the be all, end all of their worth, with the destruction of Grace Field (and later on the farm system as a whole) acting as a symbolic rejection of that worldview, and against Emma's core values that drove her to stake everything on saving all of her family, not just the trio like Norman initially suggested as a matter of practicality.

My forever favourite moment (Idk why didn't I mention this in the Brainrots part 1) is Emma slapping some sense into Ray (pun intended😁). Like that setting and that scenery is my Roman Empire.

She smacked him hard enough all the remaining lighter fluid right out of his hair 🤣😭🤣😭

10/10 moment, peak comedy tbqh.

TPN Brainrots part 2:

Warning: just like the in the previous part... There will be Manga Spoilers.

Since I was unable to finish part 3 of my comic for Emma's birthday (due to being in a place where bringing a laptop was not advised) I will do my head canons and theories on her.

So today's post is about: Emma

Emma is a protagonist in the wrong genre. That was my first thought when I finished season 1 for the first time. Of course now I know how much more complicated her personality is. Introducing her first from the Trio was a really good choice in my opinion, because her cheerful, hopeful, happy and naive personality makes you believe that everything in all right with their lives. Her point of view up until Connie's death really shows how easy it is to believe in a comfortable lie. (not to forget that in canon they're 11-12)

Emma's appearance explained:

Just like I did with Ray... I have something unique to add to each drawing of her. First let's talk about the Freckles! I'm a big fan of interesting character traits, such us freckles, moles, scars, tooth gaps, vitiligo or anything similar to that. Also the red/orange hair🧡! My second favourite hair color in anime & character history (first is black🖤).

When colouring I like to use vivid colours for her clothes (mostly red or orange to bring out her hair). Maybe that's why, my favourite outfit is what she wore in the Goldy Pond Arc.

In the manga colouring above if you look closely, Emma has faint scars on her knees and elbows. Since she most likely do what her heart says before thinking, I imagine that she didn't mind if she scrapped her knees or bruised her elbow, while playing with her friends and family. Physically active kids often fall while playing but, falling hard then getting up again all by yourself is a good way to symbolise their in journey. (Old drawing of mine😅⬇️)

Leader of the Grace Field Group:

Emma simply had to get into the Leader's role after Norman's shipment. I'm sorry to say that but Ray was a bit useless. He was lost in his own pain and gave up all hope (I mean... valid, but still), so she had to plan everything. Norman's letter and the other kids (Gilda, Don, Thoma, Lanni, etc) helped a lot, but she was practically alone. She couldn't even grieve Norman properly. Don't forget that Emma is smart and an amazing actor. She fooled Isabella thinking she gave up too (not to mention that time she slowed her heartbeat so Mom doesn't know she was lying).

My forever favourite moment (Idk why didn't I mention this in the Brainrots part 1) is Emma slapping some sense into Ray (pun intended😁). Like that setting and that scenery is my Roman Empire. Her catching a burning match just in time, not caring about burning her hand, then convincing Ray to excape with her and the rest of the group (Okay actually... let's be honest... she basically had to drag him out of the House). The first glimpse of what Emma is capable on her own. Nerves of steel for cutting her ear off too (her first big sacrifice just to save the others).

After the Excape, she got a lot of help from Ray who also apologised for his behaviour. The two of them comforting each other after thinking Norman died is just such a heart warming scene. Meeting with Sonju and Mujika was a big turning point for Emma, because of three things;

1: Okay first she was scolded because of her recklessness as well as Ray for trying to play the hero, but that not strongly Mujika or demon related. The world opened up for the whole group. They learnt about the Promise and how the world was divided into two.

2: Emma learned and saw from first hand, that not all demon are evil. Mujika helped them despite their differences and the end of that week Emma thrusted her so much she even showed her the photographs of her family and told her about Norman too.

3: Receiving the neklace and the advice to search for the Seven Wall while they're on their journey.

Arriving to B06-32 and meeting Mister/Yuugo there was a new challenge. All the kids saw another 'Isabella' who tried to kill them. Emma, then Ray were the first ones who saw through his facade.

Goldy Pond Arc was Emma time to shine as a leader and as an individual too. Meeting Lucas and the Goldy Pond squad and immediately connecting to them shows how much she cares about others. Her bonding time with Lucas as they uncover the mysteries surrounding the identity of William Minerva.

Fun fact: In my fanfic I like to age up the Grace Field Trio roughly to Oliver's age, because I think this way their personalities are more dominant and clear.

Emma's relationship with adults:

I like to think that Emma never saw Isabella as a monster (not even after discovering the truth). And as truthful as it is. I think Isabella formed a deeper bond with Emma than with her own son. That's because from the Grace Field Trio, only Emma could have been saved by Mom. With the Mom/Sister Program, Emma would have been able to live on, but it's against her nature to harm anyone. Although I found it interesting that that was the original composition of the manga. Emma becoming a Mom and Gilda becoming a Sister (correct me if I know this wrong). Also this picture under... I found it on Pinterest and it's reflects back to my theory of what might happen to the boys.

Meeting Yuugo and Lucas were a complete different experience for the Grace Field kids. The Bunker Dads were the caring parents both group (Grace Field & Goldy Pond) needed and deserved. Not to mention how Emma reminds me both the young and hopeful Yuugo from the past and the clever and patient Lucas of the present. Spending almost two years on the B06-32 shelter while searching for the Seven Wall makes their last goodbye 1000% more heart breaking.

Back to Grace Field Arc is when Emma meets Isabella again. She gets closer slowly but she doesn't have an emotional barricade as high up as Ray or even Norman. Emma forgave her easier, but that doesn't mean she justified the things Mom did with her family. She simply realised that Isabella had no other choice if she wanted to stay alive.

Making the new Promise and the Human World:

First of all King of Paradise Arc? Realising that Norman is still alive?! Oh the the happy tears when I first read that🖤🤍🧡. (Although to tell the truth Ray slapping Norman as soon as he sees him was such a right choice in my opinion) Emma breaking down in tears and hugging Norman was such an emotional and wholesome scene. But the argument after... let's just say I don't like miscommunication and/or characters keeping important secrets to themselves. (*glances at the GF Trio* "All three of you is in trouble")

Ohh Seven Wall Arc my beloved 🧡🖤. I like every bit of this story but Seven Wall Arc holds a special space in my heart. That Arc still holds so much potential to play around. The demon God's power to manipulate time, space and play around with Emma's and Ray's memories was wild. For the demon God name... I call them Elari. (Yes I stared at that nonsense of a word until it looked like a name). It was such a nice touch that the demon God only wanted to talk to Emma, but I couldn't help but feel a bit bad for Ray, because I think he was worried as hell when he woke up alone without Emma on his side. (I also sometimes think about what kind of Reward he would have received if he stayed with Elari).

The Reward Emma got is... without a question... cruel, and I think it was not needed, but I also can't think about something else what she could have gave to Elari if not her memories.

She deserves happiness and I can't say how much I cried when the Ray and Norman + everyone else found her in the human world. In the end I'm happy that Emma and all of them got a relatively happy ending.

Head canon to Human World and Reward: Emma's necklace!! It holds her memories. They just somehow have to find a way to unlock it.

HAPPY BIRTHDAY TO EMMA!!!🧡🧡🧡.

Okay. That's it for Emma. If you have anything else to add, correct or you want to share your own theories just write it in the comments or reblogs. Next post will be the 3rd part of the comic. Then brainstorms on Norman will come.

[ladylightning]

you don't understand supernatural is 6 different shows that have nothing to do with the showrunner eras. s1-3 is a cult classic tv show nobody watched when it was on air that is now revered as an american gothic-western family drama that ended too soon. s4-5 is a critically acclaimed american gods inspired limited series that won two emmys. s6-8 is a weird spin-off of the vampire diaries that's considered a camp masterpiece by a niche group of weirdos online for its simultaneously gay AND homophobic subtext. s9 is a terrible cw show that's ripping off so many things at once and no one watched it. s10-11 is the passion project of a famous screenwriter and it's later revealed that the concept started as s4-5 fanfiction, but it's still pretty good so everybody lets it slide. s12-14 is the reboot of the s6-8 vampire diaries spin-off because the weirdos campaigned for a reunion but it didn't live up to hype, but the gay subtext stuff was pretty good anyways. s15? there wasn't a s15 sorry you must be thinking of a different show.

[stonenumberone]

SUPERNATURAL REC FEST (@spnficrecfest)

DAY 1 - SPECIFIC ERA: PRESERIES/STANFORD DAY 9 - VINTAGE FICS (2005-2010)

But I Never Could Sharpen No Blade, Quite the Way He Said | onelittlesleep/halfhardtorock (2006)* (Rated T, 4.6k, Sam&Dean, gen, roadtrip) Dean takes Sam to Palo Alto. "Me. You’re gonna let me drive...your car."

Together with a Roof Right over Our Heads (We'll Share the Shelter of My Single Bed) | britomart_is (2009) (Rated PG, 1.6k, Sam/Dean overtones, recreational drug use) "You gonna let me buzz it this time?" Sam's back shakes when he laughs. "No." Dean doesn't know what he'd do if Sam ever said yes. He squints at Sam's hair, tongue caught between his teeth in concentration, and makes a snip.

Landmarks | estrella30 (2006) (Rated M, <1k, Sam/Dean, underage, PS/S1) Dean gives directions by landmarks.

Via Negativa | oxoniensis (2006) (Rated E, 1.5k, Sam/Dean, sam-centric, established, angst) Everything he was before, he's left behind.

High Wire | candle_beck (2006)* (Rated T, 4.3k, Sam/Dean, underage) He hates the way Sam is now, the way Sam cripples him, the way Dean can’t sleep in a twin bed or breathe normally anymore. Notes: ~20 years later that ending still drives me crazy.

Pray to God I See Headlights | onelittlesleep/halfhardtorock (2006)* (Rated T, 6.5k, Sam&Dean, gen, sam-centric) If you could only have three essential tools for hunting, what would they be?

Homesick | whereupon (2010) (Rated T, 4.7k, Sam/Dean, recreational drug use) Sam is leaving, and taking with him the long hot summer of their lives.

Odysseus, American | coyotesuspect (2010) (Rated M, 10k, Sam/Dean, dean-centric) But Dean’s already lost half his family; he has no intention of losing the rest. He keeps quiet.

*originally published

[borninwinter81]

Library tour - Pratchett and Gaiman focused with some honourable mentions

Of course I've constantly had full bookshelves since I was a child, but I'd always wanted a room I could properly call a library. The house my husband and I now live in has 3 bedrooms, so as we're child free we've each taken one of the spare rooms to do with as we wish.

The majority of the furniture you see is thrifted (aside from the bookcases) and it was self decorated with a lot of cut corners-for example I decided instead of proper flooring it would be cheaper just to pull up the carpet and varnish the actual boards.

I spend more time in here than I do in our living room 😁

Gaiman stuff. Sandman alongside some Alan Moore, Preacher, Hellblazer, my signed copy of The Crow and one volume of Sin City. Two copies each of Ocean (one illustrated), and American Gods (original and authors preferred text). And of course one of my copies of Good Omens. Plus you can see the novelisation of Pan's Labyrinth sitting next to Neverwhere. Del Toro is another favourite fantasist of mine.

Pratchett stuff. Complete Discworld of course, and I'm slowly increasing my non Discworld Pratchett collection, my second copy of GO, the Paul Kidby illustrated edition (makes sense to have one living with the Gaiman books and the other with Pratchett). Soul Music and Hogfather are both signed, I met Pterry when I was 14 on the Hogfather signing tour.

The crocheted toy was actually from a pattern for a mimic I made (pattern by Complicated Knots on YouTube), but it's luggage-y enough that I put it with the Discworld books, Rob Wilkins' biography of Pterry, and a Librarian to look after everything, make sure the books don't get rowdy and take care of the L-space. I've had him since I was 18.

Specifically Good Omens stuff: a pair of felt plushies a friend made for me after S1 was released (@diedarlingsuk on Instagram), a pair of drawings I bought from a very talented 15 year old artist at a tiny comic con also after S1, (I'd credit her but I've no idea of her name or if she has an online presence), the script book, the TV companion, and an art book by the wonderful @mistysblueboxstuff, who I'm sure most of the fandom know and love. This contains all her GO art from S1 and S2.

Honourable mention stuff - I put above that I love Del Toro, so I've got to share the Angel of Death from Hellboy 2 as its one of my favourite things in this room. And its an angel, so that's kinda linked.

Made for me by another friend from clay on a doll's body and the wings on wire frames (@sids_workshop on Instagram).

Finally the Complete William Blake illuminated works, a guidebook to a Blake exhibition I went to, and Gustav Dore illustrated copies of Dante, Milton, Coleridge, Tennyson and Poe. I am a huge poetry nerd, and I think many GO fans would find a lot to interest them in some of these, particularly Blake and Milton.

I could go on, there's tons of other stuff I'd like to include but this post is fairly massive already and I wanted to try and stick to my theme.

[youryurigoddess]

Maggie’s pendants and good omens

Yes, you’ve read it right. This post is going to deal with some literal good omens, not just title drop! But first things first, let’s take a closer look at the topic of this analysis.

A toucan

The top necklace is a lovely design involving a crowned toucan — believed to be a messenger of gods able to travel between the spiritual and the physical world, often associated with rain and rainbow (a Christian symbol of divine love, grace, and mercy, a reminder of the covenant between God and humanity to spare the latter from future trials like the Flood) — encircled by a gold band (a symbol of infinity, eternal love and promise) spun by a small butterfly (a symbol of transformation, hope, and rebirth). All three symbols combined seem to deliver a divine message of hope for rebirth, possibly resurrection, and the eternal life. Very fitting in the context of the Second Coming.

The fact that toucans were revered by the native South Americans as rainbringers strengthens the symbolic meaning of another type of bird we can spot on Maggie’s clothes in the very first episode, as her character introduction — a swallow. Swallows flying low are also believed to be harbingers of rain and bad weather. If you see one close to Earth or a building, it means that there’s a storm — or a certain biblical tempest — on the horizon.

In Ancient Greece and Rome swallows were representing Aphrodite, goddess of love. In Christianity they were considered to be of God and symbolized hope, awakening, and revival of life as messengers of spring and protectors from winter colds. Also helped Jesus on the Cross — according to a Christian legend, a group of swallows was supposed to take out the thorns from the Crown of Thorns and alleviate His Passion on the Cross. Humans banding together in the name of good have been a big theme in the series ever since The Them made an appearance, and from what we already know about the unpublished Good Omens sequel, we can assume that Jesus is going to take the spotlight in the upcoming season.

Maggie definitely attracts sudden inexplicable weather changes, like a thunderstorm with weirdly localized lightning strikes or a sudden downpour. And we’re still waiting for some vavooming (and the following happy ending) to happen in S3.

A heart with an eye

Now, the more nuanced clue hidden in the bottom necklace. I know that some of us were trying to tackle the concept of Maggie’s eye in a heart pendant suggesting her Masonic connotations, but this symbol (or the Eye of Providence in general) isn’t strictly Masonic, it isn’t even limited only to Judeo-Christian art. And while it is used a lot in Christian iconography, we should focus on a very specific example of it already referenced in the show.

Buckle up, we’re making a parachute dive into S1.

It seems like our old friend, Agnes Nutter, still has our backs.

Prophecy 4020:

Let the wheel of fate turne, let harts enjoin, there are othere fyres than mine; when the whirl wynd whirls, reach oute one to another.

If you look closely at the bottom right corner of this frame, you will see that as an illustration for the above prophecy the production team chose a 1611 engraving titled The Minde should have a fixed Eye On Objects, that are plac’d on High first found in Gabriel Rollenhagen’s Nucleus emblematum selectissimorum.

In 1635 it was published in A Collection of Emblemes, Ancient and Moderne Quickened With Metrical Illustrations, both Morall and Divine, Etc by George Wither with the accompanying hymn:

A Heart, which bore the figure of an Eye

Wide open to the Sunne; by some, was us'd,

When in an Emblem, they would signifie

A Minde, which on Celestiall Matters mus'd:

Implying, by the same, that there is nought

Which in this lower Orbe, our Eyes can see,

So fit an Object for a manly thought,

As those things, which in Heav'n above us be.

God, gave Mankinde (above all other Creatures)

A lovely Forme, and upward-looking Eye,

(Among the rest of his peculiar Features)

That he might lift his Countenance on high:

And (having view'd the Beauty, which appeares

Within the outward Sights circumference)

That he might elevate above the Sphæres,

The piercing Eye, of his Intelligence.

Then, higher, and still higher strive to raise

His Contemplations Eyes, till they ascend

To gaine a glimpse of those eternall Rayes,

To which all undepraved Spirits tend.

For, 'tis the proper nature of the Minde

(Till fleshly Thoughts corrupt it) to despise

Those Lusts whereto the Body stands inclin'd;

And labour alwayes, upward to arise.

Some, therefore, thought those Goblins which appeare

To haunt old Graves and Tombes, are Soules of such,

Who to these loathsome places doomed were,

Because, they doted on the Flesh too much.

But, sure we are, well-minded Men shall goe

To live above, when others bide below.

And hey, guess what 4020, i.e., the number of the prophecy, symbolizes in Strong’s Concordance? Periergazomai, a Greek word meaning “to waste one's labor about something” — to meddle, going beyond proper boundaries (where a person doesn't belong); to fixate on what others are doing, instead of doing what the person himself is supposed to do.

It appears only once in the Bible:

2 Thessalonians 3:11: We hear that some among you are idle and disruptive. They are not busy; they are busybodies. Such people we command and urge in the Lord Jesus Christ to settle down and earn the food they eat. And as for you, brothers and sisters, never tire of doing what is good.

To make things slightly more interesting, in the Hebrew version of Strong’s Concordance 4020 has another meaning — migbaloth, meaning “twisted things, i.e. cords”. Which doesn’t make much sense until we read the actual passage:

Exodus 28:24 and two chains of pure gold, twisted like cords; and you shall attach the corded chains to the settings.

And compare it to the most recent post on the topic published directly by Word of God:

What if all these clues didn’t apply to Maggie and Nina, but Aziraphale and Crowley instead? What if Maggie served as a messenger — consciously or not — just like the toucan, delivering the prophecy to those who need it most?

“When the tempest comes and darkness and great storms, and the dead will leave their graves and walk the Earth once more and there will be great lamentations for the end is near, don’t lose hope, hold hands and look up.”

Basically what Aziraphale and Crowley already did when they performed the 25 Lazarii miracle, only with no interference from Gabriel this time around.

And, if both Strong’s Concordance and Maggie’s personal addition to her second pendant are to be believed, with a wedding band somehow involved in the process.

[justlikeeddie]

all of layton and nikita's strictly dances ranked CORRECTLY by ME

14. Samba, Week 1

unfair to have to rank this one really because nobody really knows what they’re doing in week 1. FASCINATING to go back and watch this though. obvs this is strong in the context of a first week dance! but knowing where they’re going to go from here… this is the one and only time you can see that nikita is dancing layton through the steps and keeping him afloat. they’re not yet a PARTNERSHIP here. they don’t KNOW each other!!! anyway good luck to these boys with navigating what they are going to experience over the next three months <3

13. American Smooth, Week 10

the infamous bottom-two dance. a result which i believe was undeserved!!! but the american smooth IS the most boring category on strictly unfortunately, so it’s a humble placing for this one. i did not love their outfits, for once! why don’t they go together. why does nikita look like peter pan. however, obviously i liked it when they both picked each other up and did a little skip in the air. also enjoyed how much craig enjoyed being bammed up by the ending.

12. Rumba, Week 12

controversial to place this so low in the ranking perhaps?? obviously this was a complex routine that they performed beautifully AND was very tender and intimate. but the rumba is the second most boring dance on strictly after the american smooth i’m afraid I’M SORRY. however, points awarded for nikita saying afterwards that dancing this felt like the rest of the world fell away and they were the only two people in existence. girl what

11. Salsa, Week 5

a great dance! fun! good vibes! their first lift! followed by a bit that i like where nikita has to sort of kick layton upright again. loses points ONLY for being perhaps their least homoerotic dance, which one of them, i guess, has to be.

10. Tango, Week 6

all the ingredients for greatness are here. TANGO. HALLOWEEN. layton is in high goth drag. nikita looks a bit like paul gross as geoffrey tennant as hamlet in the flashback sections of slings and arrows s1. but weirdly i don’t think this dance quite lives up to the level of drama i expected from it. having just rewatched it i think it’s because they’re ACTING like it’s a MELODRAMA, and it FEELS like they’re acting, as opposed to the way they usually totally inhabit the narrative of a dance. however. the switch from this vibe into the denouement - the BACKFLIP (fuck!!!) - and then the breathy, drawn-out final moment, which they suddenly ARE inhabiting, braced over each other and staring into each other’s eyes like they are ON GOD going to fuck in the middle of the dancefloor, is astonishing. once again i am asking the bbc if this is what they thought they were going to air

9. Cha-cha-cha, Week 4

okay. we are entering the section of the list where everything from here on down pretty much makes me feral. layton is everything in that jumpsuit. the THROW into the SPLITS. the raw sexual dynamism somehow contained within nikita taking layton’s coat for him. unbearable.

8. Charleston, Week 12

off the charts crazy. how can people move like this. they CARTWHEELED across the STAGE for what felt like YEARS. points only deducted for the fact that when nikita cried in the interview afterwards because he loved layton so much he had to do it in this extremely silly outfit.

7. Quickstep, Week 2

they danced the equivalent of a gay leyendecker illustration in week 2. IN WEEK 2 THEY DID THIS. they’re having so much FUN here. and to follow up on the week 1 ranking, the transformation from them feeling like a professional and a celeb to two people actually dancing together happens SO fast. it’s only a week later, but already something’s changed; layton’s totally at home in the routine and nikita’s REALLY enjoying it. it’s just so nice and i love them so much :’) also the quickstep is one of my favourite strictly dances because it’s inherently funny watching grown adults run full-pelt around a room and occasionally do a little skip. perfect 90 seconds of television.

6. Viennese Waltz, Week 3

ok so this is actually one of their lowest scoring dances on the show. but NOT according to my ranking. this ought to feel as faux-dramatic as the vampire tango but it doesn’t. something is HAPPENING between them in this dance and it’s real. i could write paragraphs about the eternities contained within the long, long seconds of them holding each other after it’s over, which goes on for long enough that the editor just has to like. give up and cut away from them. i’ve been linking to the bbc’s youtube clips throughout this post, but if you have access to iplayer i strongly recommend you watch this dance as aired (i have linked to the timestamp for your convenience) in order to see the full effect of this ending. there’s something about the combination of… the sincerity of the dance. the gender of it all. the refusal to break character. nikita’s slightly baffled-looking parents in the audience lending whatever the fuck is going on here a bizarre frisson. i’m completely obsessed with it

5. Jive, Week 7

the first thirty seconds of this dance genuinely make me feel like i’m coming up. overwhelming transition from the sexy sexy opening section (why are they dressed as little sailor boys? why are they touching like that?) into the supercharged beat of the side-by-side. people pay good money to feel like this. as has been pointed out, the jive is not a traditionally racy dance, and my question to nikita as choreographer is: why

4. Showdance, Week 13

cunt. cunt. cunt. cunt. the absolute fucking serve of the matching slutty magician elbow-length gloves. nikita dropping his hat while layton executes everything perfectly. obviously in the finale, homophobia won <3 but my god. they ATE. no notes.

3. Paso Doble, Week 11

i have said this before. but dancing to BACKSTAGE ROMANCE. in a show where i (facetiously) believe they may be experiencing a BACKSTAGE ROMANCE. seems illegal. anyway. this dance is insane. almost worth them being in the bottom two in week 10 in order for them to produce the unbridled energy of this comeback. as a category the paso doble has similarly melodramatic energy to the tango, but this performance is so unlike the slightly campy vampire number; they’re IN it, they’re living and feeling and breathing every moment. something about the mood of this dance, the power dynamics of it, nikita on the floor looking up at layton in awe as he emerges at his absolute fucking fiercest - happening in THIS week, rising above the stress of relegation and the overwhelming tide of online hate, is, like, pretty incredible, tbh. also the series of searingly erotic snapshot poses at the beginning of this routine are among the worst things i have been subjected to on this show, and as you may be gathering from this list, this is a crowded category.

2. Argentine Tango, Week 8

god it was a TOUGH GODDAMN CALL on these top two places. and tbh i think this is actually, truly, their best dance. the sheer SKILL here… whatever the move is where layton has to jump in the air and kick his little leggies around… stunning. i don’t really have a comical paragraph to write about this because i genuinely think it’s an incredible piece of dance and there’s not much more to add to that. however, extra points for the truly unhinged decision to do some dom nikita roleplay at the end? again, please watch this one on iplayer to experience the full unedited effect.

1. Couple’s Choice, Week 9

as i say. probably, technically, the argentine tango is better. but if i think about any element of this routine, i immediately black out. i cannot stress enough that he is standing on his back. he is STANDING. on his BACK. nikita choreographed this dance and he was like. i want you to stand on my back. PLEASE don’t worry about it. watching this routine is like looking into the sun. if i saw two men doing this in the club i would have to politely turn away to respect their privacy. also sorry to do this for a final time but i also need you to watch this one on iplayer because nikita stays on that pole at the end for so much longer than you are expecting and then does something sooooo unnecessary. this dance should be expunged from the internet so that i never have to contemplate it again.

[genericpuff]

I’ve seen some people try and defend Lore Olympus by saying that movies like Hercules and such aren’t accurate to Greek myth, yet they’re still loved. And I somewhat get where they’re coming from, i really do.

BUT- I feel like part of the problem with LO is the fact that if you replace the names, you’d almost be right to assume it takes place in a completely different setting. Meanwhile, if you take away the names from the Hercules movie, you can still tell where it’s supposed to take place. (And who’s who, if you know your myths). Plus the writing of Hercules is 100% better than LO.

The difference between LO and Hercules is that Hercules clearly has respect for the source material put into it. It might not be accurate to the source material - because it's being retooled as a Disney movie for children - but you can tell there's still a lot of thought, love, and effort put into it. The team behind that movie did research on the art and culture of Greece, and adapted it into a movie that was entertaining and recognizable as a Greek myth adaption.

They put our home boy Heracles/Hercules in a tunic! Do you know how shocking that must have looked to American viewers who didn't know a shred of Greek myth and wondered why the big buff hero was being drawn in a skirt? Still accurate though!

LO, meanwhile, writes Greek myth as if it hates Greek myth for existing. It comes across more as a white woman using these stories purely for profit and colonizing it with American-esque culture. The outfits have become noticeably less Greek since the beginning, the characters never eat Greek food anymore, and the locations are left as vague as solid color backdrops to indicate "The Underworld" and "Olympus" without actually showing any set pieces or understanding of how these locations would look and feel in a modern setting.

All of these examples I gave are things we saw a decent amount of in S1. But since then it's just become talking heads on top of flat color backgrounds, eating Chinese food and dressing in American-style clothing. When was the last time we saw a mortal? There's just nothing Greek about the comic anymore because either Rachel has gotten so complacent that she just defaults to what she knows without any research (so what she watches on TV and in movies) or she only bothered with her research in the beginning to get people hooked and convinced that she's a "folklorist" so that they'd keep reading the series and giving her money on good will alone.

Using Hercules as an example of "well it's not accurate to Greek myth either!" completely misses the point of what people are getting at when they say that LO is a bad Greek myth retelling. Guess what else isn't completely accurate to Greek myth? Hadestown. Hades (the game). God of War. Stray Gods. They all take creative liberties with the source material in order to adjust it to the medium and audience they're creating it for, but none of those adaptions are quite as disrespectful as LO's. And God of War literally has little angry man going around and brutally murdering the gods. It still respects the setting of Greek myth more than LO, but unlike LO, it doesn't try to constantly sound smart with its inaccuracies, it knows fully well that it's a video game first and foremost.

And that's the beauty of myths. They can be adapted across generations and used to tell new versions of the same stories. So it begs the question, why bother writing a Greek myth retelling if you're going to make it so non-Greek that you could have just as well just written a normal soap drama and have it still be virtually the same?

Compared to all of the other examples, LO is the definition of confidently incorrect. It should have stuck to just being Greek myth inspired, not a retelling.

[indieyuugure]

God I love Mutation situation version of Mikey. I do think he’d be pretty well off to help with some kind of cure though, because of the season 1 episode with the mind control larvae that takes out the other boys. He memorized the formula, and was able to make the antidote all by himself, WHILE slowly succumbing to the poison (?)

Also them just going around barefoot with WEAPONS in an American high school is sending me lol

Lol, shoes are overrated.

Hm, you are not the first to point this out to me.

I think it is definitely a valid argument for Mikey. Remembering back to that episode (“Parasitica” ep 23, s1, if I remember correctly), Mikey did do a pretty good job. Considering TMS is meant to take place in later season 2, I think that I might rewrite it slightly to include that.

I believe it was @thejavavoid who first pointed this out, thank you both! I’m very glad to have people who are also super fans of the show who can nit pick my work to make it perfect!