#am I overworked

[elegantwizardtree]

you know, for being as emotionally and mentally clocked as I am. I SHOULD NOT be staying up this late reading birdflash fanfics…. but here we are.

[eyes-of-nine]

minimum wage coded scrunkly and his very good pupper

[shiraoyagi]

hot take ??

the only reason people say that "mafuyu and tsukasa have nothing in common" when presented with mafukasa parallels is because they equate mafuyu and tsukasa being similar to "tsukasa has depression" because the fandom equates mafuyu's personality to being depressed and nothing else.

it doesn't help that people (primarily younger people in the fandom) who DO believe in mafukasa parallels end up making the mistake of portraying tsukasa as depressed because as of right now he is not (although it's possible he was in past because of his Very Unclear Middle School Backstory but that's irrelevant)

anyways, mafuyu and tsukasa are narrative foils because their core personalities are built off of the concept of wanting to make the people around them— especially their families— happy.

they both developed personalities at a young age based on someone they looked up to. for tsukasa, it was seiichi amami's performance that inspired him to be a star— a hero that could cheer anyone up. for mafuyu, it was her mother taking care of her that inspired her to be a nurse— and you can see the similarities from there.

for mafuyu, her identity would first come into conflict when her mother expressed her want for mafuyu to be a doctor— suddenly, "everyone's" happiness didn't match what she wanted to do, leaving her in a state of disorder and eventual depression.

for tsukasa, his identity was something he nearly forgot in its entirety at the start of the main story— becoming arrogant and fully absorbed in a hero persona, forgetting the kind person he truly is. furthermore, his current character arc seems to be foreshadowing that what "being a star" to him is going to be called into question— maybe it is something more than just being the main character that saves everyone.

their insecurities are incredibly similar.

in mafuyu's first mixed, mafuyu feels insecure towards ichika because unlike ichika, she feels as if her lyrics have no genuine meaning to be expressed to other people— despite them being her very real feelings. this is brought up again in her second mixed as well.

in tsukasa's third focus event, something similar happens. when watching seiichi's performance, he thinks that his acting is "real" and feels inferior towards him, which is ironic because tsukasa has been method acting this whole time. when tsukasa is acting out rio or bartlett or really anyone at this point in the story, it's not just those characters— it's a reflection of his traumas.

just like mafuyu, tsukasa undermines his passions he's poured his feelings into because someone else's work is more genuine in his eyes.

now, then, foils have many similarities and parallels (and i could honestly list a lot more), but how i define them is that they usually have some kind of major branching difference that MAKES them foils.

for mafuyu and tsukasa it's pretty straightforward.

mafuyu's people pleasing behavior comes from external expectations and pressures— her mother's demands.

tsukasa's people pleasing behavior comes internally, from himself— if he can't meet his own standards, if he can't be the perfect big brother or the perfect star, then he is nothing.

and even then, there's some overlap.

tsukasa's behavior was indirectly encouraged by his mother praising him for being a "good big brother" over the phone instead of asking him if he was okay while home alone.

mafuyu's terrified to be herself around other people because she doesn't want to worry or bother them— she doesn't want to be a burden— and projects her mother's expectations onto them, not realizing that they would prefer the real mafuyu if they knew the truth.

and the concept of mafukasa being foils is most perfectly and blatantly portrayed in these two cards.

mafuyu, the marionette, sitting limp on the floor— puppeteered by her mother's demands and donning a mask to hide her true self.

tsukasa, the jester, standing above everything else— puppeteering silenced plushies— his feelings. he's not being completely honest with himself, and he doesn't even realize it.

mafuyu has cut her strings and ripped her mask in half. she has acknowledged her true feelings and expressed them to her mother, even if she had to run away in the end.

tsukasa has not yet cut his.

[deoidesign]

I'm so mad that post was misinformation because there is actually an EXTREMELY important conversation to have about the production schedules artists are forced into. There's no need for exaggeration, the conditions are bad.

I work for webtoon. My publication schedule is weekly. While publishing I'm required 10-15 pages a week. Fully colored.

This means I'm finishing a 150 page fully colored graphic novel every 10-15 weeks.

When my comic is not updating, I am not getting paid. Any time writing, editing, or off is out of my own pocket. I don't get healthcare. They do not provide any assistants. They expect me to promote myself; they chose to deprioritize me before I even launched and gave me an end date half a year in. I never had a chance.

And this is the industry standard! Every company has artists forced into crunch hours, overtime, and burnout. Artists are literally dying early due to it. So many of my friends can't afford to go to the doctor.

It's unsustainable and untenable, and it's also the expectation our audiences have.

If we want to have this conversation, there's plenty of conversation to be had with the realities of the situation. It's bad as is.

[masterrainb0w]

Riz "The Ball" "Dragon slayer Legend Lore" Gukgak you will forever be famous.

[micc0ro]

It's fun to draw with office ballpoint pens!🤗

Error belongs to loverofpiggies

[w1lmuttart]

Coolest depressive spiral I have witnessed tbh

[blackkatdraws2]

Another drawing featuring Stanley whispering to Narrator (Grey.) He's annoyed and flustered every time Stanley does this.

[createandconstruct]

Thinking about Peter's absolute cry of anguish after the final boss battle when he finds Harry unresponsive. Thinking about how all he can say is I'm sorry. Thinking about the fact that in Peter's head it was him at May's side sobbing I'm sorry. Thinking about how "with great power comes great responsibility" can never be separated from the guilt Peter feels. Thinking about how that guilt extends to May. How it extends to Ben. How it cripples Peter so much that he tells Miles that he can't do this again. Thinking about Peter's voice as he'd begged Harry to fight - pleaded with him to not make him do this. Thinking about how when consumed with the symbiote Peter had screeched out I'm the hero, I don't get saved! Thinking about how that's not just pride, how that's not just responsibility, how it's guilt. How it's always been Peter and the weight of the world, the life of his loved ones, and their blood on his hands. And now it's Harry's and Peter just breaks. Always the hero, he's done the right thing, but this time it's the last straw. His best friend. The last sacrifice Peter Parker can take...

...and it's then... that Miles saves him.

[to-be-a-dreamer]

I just think that Kristen "I was my God's chosen one and I met him and he adored me but he wasn't what I needed and I didn't like the kind of divinity my church had turned him into so I left and created a pantheon dedicated to the lost and the confused and the hurt because no one should have to feel the way I did" Applebees and Ostentatia "My God barely knew my name and I met him and he was dismissive of me but he loved me and always provided what I needed and when I looked at him I only saw my father so I helped him because no one should be left to drown under their burden when all they need is a little help" Wallace should meet and be friends and maybe kiss on the mouth

[bubblegumflavor]

Happy Birthday Sodapop~ :3

[soysaurus]

There's a trait that runs through every hero, regardless of if they've spent the last couple months in prison, rehab, or wrangling pyjamas onto a stubborn five-year-old: they're a workaholic.

Thank god Jason is not a hero. Roy, on the other hand, definitely is. He might be ‘inactive’ or ‘I’m just focusing on Lian right now, thanks’, but Jason has dropped by Roy's shitty apartment in Star often enough that he can confidently say Roy, no matter what, is a hero.

So he kicks him.

“Ow! What the fuck, Jaybird?” Roy glares as he brings his fingers to his lips, slurping up the bright orange liquid that’s currently coating half his sleeve.

More keeps dripping onto the floor in radioactive bursts, and the bowl is steaming. It has a chip in the side from when Jason was teaching Lian how to shoot, and Jason knows what the ceramic feels like when steam is escaping from every orifice. He had to use his Red Hood gloves to hold the damn thing last time. He had to do a lot of things, but Roy's fingers don't shake as he holds the bowl in one hand.

He kicks Jason lightly back. “You're a fucking asshole, Todd, ya know that?”

Jason's head is a slow buzz. It's a sound that he can feel spit behind his eyes, sing with sharp vowels and harsh chords. It's something that's attacking him from the inside-out, digging deep until he can feel the green of the pit flare in his throat.

“Fuck ‘ff,” he murmurs, turning his head to look anywhere but Roy. “Don't need your shit-ass soup. Don't need anythin’.”

He moves to stand, to sit, to do anything but be useless on the sofa.

Roy only needs one hand to hold Jason down, and Jason tells himself it's just this once. It's because Roy is a hero and Jason is anything but.

“Dude, you're, like, what? Two seconds from passing out my couch? Eat the damn soup.”

Jason doesn't look as the bowl is shoved in front of him. More sloshes over the sides, lapping at Roy's thumb. He needs to get his mind out of the gutter. He needs to remember why he came here in the first place.

Roy groans, deep and guttural with his head thrown back and all the muscles in his neck straining. Sometimes Jason wants to curl his fingers around the thick flesh, cord his soul into the pieces of Roy he can never get back, and take him. For real this time.

He looks at the damned fucking soup.

It's tomato or carrot, or maybe even something that has never been orange in the first place. Jason can feel the steam hitting his nose hairs but he can't smell anything. “Needs more seasoning,” he spits.

Roy sighs. The soup nips his fingers again as he plops down onto the sofa. Their thighs touch, brush, hold on tight enough to blur the lines.

“You're sick,” Roy says. He holds up a spoon. It's caked in red. “Here comes the aeroplane…”

Jason wants to punch him, and it's fine because even though Jason rescued Roy first, Jason was also the first who left. He was the first who walked away and didn't return. He was the first one who died, and then died again.

It's stupid. Roy likes to say he died too, but Jason doesn't like thinking about explosions. He can't think about anything right now anyway. His brain hurts. The words in his head buzz. A hot tip touches his lips but it's not the right kind.

“Open wide.” Roy's using his Dad voice, and it's horrifying. Jason can feel his heart in his lungs and sometimes he forgets Roy has green eyes too.

They're earthier. Grounded. They're nothing like the look Jason stares at Roy with when Lian's gone to bed and the bowl's still chipped and the dishes haven't been scrubbed but everyone is too tired to touch it.

Roy sighs. The spoon clatters into the bowl, and he sucks the soup from his thumb again. “Jay, you gotta work with me here. You're sick. Being a stubborn asshole isn't gonna change that. What're you even doing here, man? Thought you were tired.”

Jason has never said he's tired before. At least not to Roy. The voice in his head that glows green and grins acid is different. He thinks he loves the voice and also hates it. He doesn't know if it's himself or someone else.

“Shut up, Harper.” He sniffs without meaning to and promptly closes his mouth.

Roy's lips break into that sly grin that means he's going home with at least a couple numbers and a body or two hanging from his elbows. “Only if you eat the damn soup. Otherwise I'll keep going, baby. I can keep this up all night long.” He winks as if Jason doesn't know him. “You know I've got the stamina to prove it.”

Jason rolls his eyes. Kind of. It hurts and the world spins, and then Roy's whispering meaningless words into his ear. He thinks his eyes are open but then he blinks and sees the ceiling. He does a double take but his body doesn't move. The air swirls. Something pinches his hips, then his legs, and then Jason is in Roy's room and the sheets smell like his body wash.

There's another smell, something heady and unmistakably Roy. Jason's not in love because he's never been in love. He doesn't know what it looks like.

He smells soup.

A ceramic bowl clatters gently, and a duvet is tugged up to Jason's chin. The bed dips next to Jason's waist and Roy's hair is long. It isn't tied back, but it was before. With the lamp light, his eyelashes look brighter. Almost like they're glowing.

Jason's not in love because Roy could never love him. He's just not the type. He's someone who dedicates his life to one person and one person only, and Jason is nowhere near a hero.

The tip of the spoon touches his bottom lip. It's cooler.

“Open wide.”

Maybe it's because it's half-one in the morning or Jason's running a fever higher than he ever has before, or because he's only twenty-one and yet he has over half of Gotham's underground under his control. His chest clenches. Tim said Jason's going to end up with heart attacks if he keeps this going, and then Jason yelled about all the empty Red Bull cans littering Tim's floor.

Jason's only twenty-one but he's never been in love. He was, maybe, once when he was fifteen. But that was before the voice in his head was impossibly loud. He doesn't remember who it was, and they're probably gone.

He opens his mouth. Roy grins, sly and dirty. His Dad voice slips out: “Good boy.”

Jason's going to kill him. He doesn't remember why he came to Star City tonight. He doesn't remember a lot of things.

His chest tightens even more as he swallows, and maybe Tim is right. Maybe heart attacks are going to be what finally takes Jason out.

[pain-is-too-tired]

Leo and Will being buddies always one my fav headcanons because honestly it's so fun to think about.

Both from Texas. Both a mommas boy. Both with no concept of self preservation/self worth when it comes to caring for others they care about. Both literally carrying the people around them on their back.

Like Leo built a whole ship and kept it running. He constantly would be running around and doing anything he could to help the team. Even when he felt they hated him he would still do what he could to save their life.

Will literally is head medic for a whole camp. As well as being in charge of his cabin. He dragged himself through Tartarus,why literally dieing the whole time,just for his boyfriend. Like there's a scene in ToA where Apollo is pretending to sleep and Will drapes a blanket over him and wishes him good night. Like that's his father and he's practically tucking him in-

Jason and Nico are just constantly fighting to get their boyfriends to rest for once 😭 now I want to write a one shot of where Jason and Nico team up to drag their overworked boyfs to bed dhdh

Anyway. Yeah, Leo and Will being buddies and having movie nights and everything.

[pansyfemme]

taking it hour by hour at this point

[delicioustarong]

Sorry if im not active that much at the moment. School is beating me to oblivion (I'm srsly drowning in school work)

Have this very old sketch of Beyond Reach Branch and JD.

JD is probably giving him like-- dad advice or something. Branch's just wants to hang out lol

[thekitofit]

• Lt. Bush •

[ reblog please instead of only liking and save an artist's life ✨ commissions open ✨ ko-fi ]