"From triumph to failure is but one step."
+ the usual
I love when I can include paper sketches in the process gif. It's very satisfying to see it progress from a very vague imagining of what was in my head to the finished project.
+ version without text
My favorite sketch was definitely the one where I actually put in words what it's supposed to convey. I wouldn't usually write that down, cause it's all in my head, but it was useful to do so when sending it to other people. I'll go into it more but here it is just as a teaser:
Lmao first of all, I like how I was teasing "Spanish GP" art, but as per usual, it's just thinly veiled au art. IM SORRY, I'M NOT INTERESTED IN MAKING GENERAL POSTERS, THAT'S NO FUN! So instead you will get weirdly relevant matador au art. I like it a lot though, I was really shocked I was able to draw 3 different Fernandos, I mean even drawing one figure takes a lot out of me, but this was weirdly easy?? I think it's just the effect of not being burnt out anymore, and actually being able to draw with more ease makes me feel like a god.
Okay, so the text: "Fight or Flight?" I'll be honest, I don't even remember why I chose it, literally came to me in a vision 😭 But I think it's fitting with the narrative of this piece. Is it better to keep going on, keep fighting, or better to finally give up, and flee? Not that I even remotely think he should give up, but I feel like sometimes I can sense him pondering this very question. That was the big fear before he announced that he re-signed. Keep fighting and maybe, just maybe, you'll get the chance to finally go up against the bull again. Or accept it's an uphill battle and the fighting is going to keep getting more and more strenous, and maybe it's time to put down the sword. SORRY THIS IS SO ANGSTY FOR WHAT'S SUPPOSED TO BE "yayyyy home race!!!" Please forgive me <3
I. Renault
At some point, someone pointed out to me that I had drawn all other iterations of matador Fernando with a sword, except for Renault Fernando, and that ended up feeling very poignant to me. In a bull fighting match, they really only pull out the sword at the last minute to deliver the killing blow. So I think it's important to never draw this Fernando with a sword, because it shows the unfailing confidence and stability he has at that point. He only needs to pull out the sword at the end, as a formality almost, there's no reason for him to keep his guard up at all times.
II. Ferrari
Meanwhile this Fernando, he's considering his sword like he hasn't had to in the past. He's checking the sharpness, making sure in advance he can do what needs to be done. He's on guard, he feels like he needs to keep up his defenses at all times because he doesn't have that same amount of trust and stability anymore. He knows though he will be up against the (red) bull, at least that's never in question. At least there's the assurance he'll get the chance to fight.
III. Aston
Oh, Aston Fernando....He doesn't know whether to take up his sword or finally put it down for the last time. While at least Ferrari Fernando knows he's on constant guard against the bull, this Fernando doesn't even have that assurance anymore. He feels like he can never put down the sword, just in case he gets the chance to strike the killing blow on the bull, which feels like it's growing more and more unlikely.
Spanish flag: ? Lmao this was meant to be something to celebrate Fernando's home race and it turned very introspective whoops. Also got the Napoleon quote in there hahaha, can't escape it!! Shame though there is no French gp anymore, if so I'd probably draw an unhinged thing for it :,(
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I finally managed to pin down what exactly was eating at me after reading that whole bit of Jason Gets Mindfucked (aka Batman 138)
so Bruce's (or Zur Batman, or however you might interpret that slippery divide between Zur and Bruce) whole reason to give Jason a new flavor of ptsd-on-crack is to prevent him from killing again, right? Like he explicitly says "This is the only way," when he's speaking to Jason.
and when he goes on to explain it further....
Bruce says he's doing this to make him a better person. That this is the best way to make Jason stop doing what he wants and force him to live a 'normal' life.
And Bruce is saying that in his eyes, what Jason is now experiencing isn't a punishment.
Bruce calls this a gift. This is Bruce saving Jason from himself. This is how Jason will get a chance at a meaningful life. Bruce has decided that anything Jason chooses is wrong, and he is going to correct it.
Even if it means Jason is left unable to move.
Even if it means Jason is left unable to defend himself.
Even if it means Jason is left alone.
And if this 'failsafe' can really, truly, wholly stop someone from killing....
Why isn't Batman putting this in every single one of his Rogues?
Bruce apparently has the key to ending all of the Gotham rogues' murderous escapades, so wouldn't it make sense to put this in the heads of every single one of them? Of every single convicted criminal who has ever killed another human being?
If this isn't a punishment, if this is a way to truly reform a criminal permanently... why only Jason?
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sabezra + start over again by new hope club for the drabbles?
I try to respond to an ask in a reasonable timeframe challenge (level: impossible)
Legally this isn’t a drabble (I only very recently learned what a drabble technically is and this ain’t it) I don’t even think it can be considered a microfic anymore. It absolutely got away from me and is kinda massive considering the prompt.
Anyways, I hope you like it!
Setting: Modern au, they are in college (idk the details just college)
-
He was an idiot.
He’d been told that before but now he was sure of it because only an idiot would do what he’d done yesterday.
It had started out going extremely well for him, after taking nearly three years to work up the courage to do so, he’d finally told Sabine how he felt. How he saw his best friend as more than just a best friend, how he wanted them to be more.
And she hadn’t killed him surprisingly enough.
He thought such a heavy confession would ruin what they already had, which is why he’d taken so long to admit it, but she took it well. She didn’t hate him for one, and she even agreed to go on a ‘date’ with him. Not a real go to a nice restaurant type of date, but something slightly more intimate than their usual hangouts, to see if it would be a dynamic they might want to pursue.
He didn’t really know why she’d agreed, he wouldn’t dare hope it was because she reciprocated even if she wouldn’t admit it, but maybe…
They’d agreed on a picnic in the park near his house, casual but not anything like what they would normally do together. All their cards on the table, but without the pressure, the stage was set to be a perfect day, and he’d been thrilled.
That is until he had to go and kriff it all up.
His first mistake was being chronically late, not on purpose of course, but late nonetheless. She had to wait for him for nearly half an hour, it was a miracle she hadn’t just left, and maybe she should have. And then he had to go put his foot in his mouth when he tried complimenting her, he couldn’t even remember now what he’d said, just that it had sounded like a borderline insult.
He should’ve just told her she was beautiful, because kriff, she was.
Then, the cherry on top to the disaster of a date was when he knocked over his drink and spilled it all over her dress. Like an idiot.
It hadn’t ended with her yelling at him like he probably deserved, but it had been three days ago and she hadn’t so much as texted him. They usually talked every day. She was rightfully upset and he didn’t know how to fix it.
He needed to, his relationship with Sabine, friend or otherwise was one of the most important relationships he had. Also if he didn’t Tristan was going to kill him the next time he saw him.
The sound of a door closing snapped him from the doom spiral he was having face down on the couch. Looking up he saw his roommate Zeb walking in. The older boy gives Ezra a disapproving once over, “You still moping?”
Ezra doesn’t dignify him with a response, so he keeps going. “You know moping here on the couch isn’t going to fix anything.”
He rolls his eyes, “Thank you for that astute observation, Zeb.”
Zeb pushes through their tiny living area towards his room, “Fine, if you want to sit here in your misery then do it, just don’t bother me about it. But, if I was you, I would go apologize.”
With that he’s gone and Ezra sits up, he was right and Ezra hated it. He’d known for the past three days that was what he needed to do, he was just terrified of the response he might get. What if she chewed him out and never wanted to see him again.
Well, maybe that was a little extreme, she had every right to be upset but he might have been making the situation more drastic in his head. He had been known to be dramatic over things on occasion.
As he is pondering the extent of his dramatization of events, his eyes land on a picture stuck to the fridge, he could barely make it out from where he was, but he knew what it was of. It was a picture he and Sabine had taken when they went to the amusement park outside town last Summer. It was one of his favorite memories, not just with her, but ever. Was he really going to ruin that over his stupid cowardice?
No. He wasn't.
He was going to make things right.
-
The trip to the coffee shop where Sabine worked was quick. It was the prime spot to run into her for two reasons. One, because it was currently her work hours and he didn’t want to wait. Two, because if he risked waiting till later and trying to go see her at her and Tristan’s shared apartment, there was always a chance he would be there and she wouldn’t, and he didn’t fancy getting punched in the face today.
However, that still wasn’t out of the question with Sabine.
The bell above the door rang as he entered, and he was greeted by the familiar smells of coffee and pastries. It was quiet inside, only a few customers sitting at tables and no one in line at the register. Behind it sat Sabine, hunched over what he could assume was a sketchbook, golden eyes narrowed in concentration, purple and pink hair framing her face. She really was the most beautiful girl he’d ever seen.
He cautiously approaches the counter, and she doesn’t look up, even when he reaches it, clearly not noticing it was him. Without so much as a glance she asks, “How can I help you?”
He clears his throat, pushing down the nerves in his stomach. “Could I have a hot chocolate please… and a second chance?”
Her head snaps up, eyes locking with his, shock written on her face, “Ezra-”
He cuts her off, which probably wasn’t the best idea in terms of trying to make it up to her, “Sabine, I’m really sorry about the other day. I messed up completely, and I know you’re probably really mad at me because I was a total idiot.”
It all comes out as one big word vomit, and he looks at the ground, embarrassed both because of why he had to apologize in the first place, and also because of his delivery of said apology.
“Yeah, you were kind of a total idiot weren’t you?”
When he looks up, instead of the disapproving scowl he’d been expecting, he finds a mischievous smirk. He could cry from relief at the fact that she apparently didn’t hate him.
He rubs the back of his neck awkwardly, “Could we start over?”
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