#also this is just the actual movie version not the music video version

[astro-b-o-y-d]

Me last night: Oh, how fun, Youtube's recommended me another Twisted animatic. Let's see what scene they-

Me:

Me: This is the entire musical. This is an animatic of the entire musical.

[youremyonlyhope]

Me: I don't like Cats the musical. You could not pay me to ever see it live.

Perelman Performing Arts Center: We're doing a version of Cats inspired by ballroom culture!

Me: Ok... that's definitely interesting... I could be into it... but NO still you can't make me want to see it.

PAC: Here's some rehearsal footage of the cast vogueing to Jellicle Ball!

Me: ...I hate that this actually is working... it fits a little too well...

PAC: Also André De Shields is playing Old Deuteronomy!

Me: ...Why must satan tempt me in this way...

[vampirehowl]

if we are ok with me being completely honest my dream version of this upcoming barbie movie is written and produced by david lynch and werner herzog in addition to the current use of White Couple Weekly. do i think that this would probably end up in a murder/suicide? yes. but thats a risk im willing to take in the name of Barbie

[reidrum]

hit me baby one more time | s.r

pairing: spencer reid x fem!bau!reader

a/n: i have no explanation for this i just really want spencer to fuck me in a mini skirt. this was also fueled by me listening to baby one more time on repeat for the last week so enjoy my horny thoughts hehe

cw: 18+ minors dni, smut, p in v sex, munch!spencer, blowjobs, soft!dom!spence the loml, praise kink, spanking, suggestive dancing, kissing, afab reader, reader wears the outfit from the baby one more time mv (skirt and bra), i picture s11 spence so don’t mind the inconsistencies, idk if kirk actually wears a tie i am a star wars girlie not star trek, lowkey perv spence at the end but i would do the same tbh

summary: halloween brings spencer joy in many ways, this year he finds a new, and super fucking hot, reason to love the holiday more

wc: 3.3k

___________

spencer loved halloween. this was a known fact by many, he loved the lore behind the holiday, loved dressing up as his favorite characters, and loved playing tricks on morgan and jj around the office.

spencer also loved halloween because he gets to see you. not that he didn’t see you on a daily basis in the office or on the field catching killers, but in a state where you were carefree and didn’t have to worry about the behavior patterns of a psychopath.

in past years spencer has dressed up as different versions of the doctor (still claiming his tenth doctor costume was the best, because it was your favorite), the hobbit from lord of the rings, and nosferatu (to the dismay of morgan’s very scared reaction). you would go a more pop culture route, dressing up as characters from recent movies and shows including barbie, the scarlet witch, and wednesday adams.

he loved being able to tell you the lore of the different characters he was and he loved listening to you explaining the cultural significance and impact that barbie had on society. he could listen to you talk about literal garbage, actually, and still be hanging onto your every word.

what he loved the most, however, was your choice of costume tonight at the karaoke bar the team was out at.

for halloween this year you decided to go with a more nostalgic costume. clad in a black mini skirt, tied up white button up showing your tummy and just the right amount of cleavage to have your hot pink bra pop out, gray cardigan, knee high socks and mary janes, you were the spitting image of britney spears in the baby one more time music video. complete with the ribbon entwined pigtails.

the moment you walked in the bar, spencer knew he was utterly and absolutely fucked.

morgan knew about spencer’s infatuation with you, because, he’s morgan and spencer’s not subtle. so when he watched spencer’s mouth hang open like a beckoning for flies to land in, all he could do was pat him firmly on the back and say, “good luck, kid.”

he watched you walk over to the table the team had claimed, making your rounds at saying hi and hugging everyone. he was last, and when you reached up on your toes to wrap your arms around his neck he had no choice (lie) but to rest his hands at your hips while his thumbs brushed the bare skin of your stomach. he also had no choice (still, a lie) but to be deathly intoxicated by the smell of your shampoo and perfume as you placed your head in the crook of his neck.

“hi spence! your costume looks so cool, i love how it turned out. were you able to find what you needed at that store i told you about?” you bubbled happily.

it took spencer about ten whole seconds of staring at you (and definitely not at your chest) to realize that you were asking him something and tried to quickly (embarrassingly) recover, “um, yeah no i was! she knew so much about star trek and was super helpful, she told me how much she loves seeing you in the store.” 

you giggle, “i’m glad admiral kirk, she’s a sweet old thing.”

he should be ashamed at how you calling him that went straight to his crotch.

“y- you also look great, who are you supposed to be?”

“i’m britney spears! in the baby one more time music video?”, you’re met with a blank stare, “spence, we have to educate you better on the true icons of our time.” you playfully grab his forearm.

he laughs nervously at your joke and the contact and proceeds to down half his beer in one gulp. thank god garcia comes out of nowhere to gush over your outfit, “oh my god girl, you look so hot. you have to get up there and sing it, it’s only right!”

“let me get a few shots in first and then i’ll see, penny” you chuckle back.

after about two shots you were already feeling loose, whatever anxiety you had about tonight dissipated as the alcohol overtook your bloodstream. truth be told, you had a super secret mission up your sleeve. 

you would be a terrible profiler if you didn’t notice the way spencer changed whenever he was in your company, and it never made you feel uncomfortable. you only craved his attention even more, and it made your crush on him run even deeper. he was kind and smart and caring. and undeniably sexy. you knew for a fact he wanted you too, and you were determined to make him do something about it tonight.

knowing spencer hasn’t seen the music video therefore not knowing why the schoolgirl outfit, it turned you on even more knowing he was going to lose his goddamn mind after you were done. the plan was already rolling in your brain as you sauntered up to the karaoke stage and got ready to put on a show.

the beginning beats of the song play and you get a couple of cheers and “let’s go, baby!” from the crowd and your team— sans spencer, who was hanging on your every move as you started swaying your hips.

“my loneliness, is killing me. and i-i-i. i must confess, i still believe, still believe.” you sing and dance the choreography to the song you know so well.

“when i’m not with you, i lose my mind.” you make direct eye contact with spencer, and are more than excited to see him locked in on you too.

you decide to kick your plan up a notch, and walk off the stage mic in hand towards the bau’s table, earning many cheers and phones capturing the moment. you play up the theatrics a little by getting emily and jj to sing along with you, morgan and rossi leaning into you as you wrapped your arms around their shoulders.

“give me a si-i-i-ign,” you’ve reached spencer, and the last step in your plan.

your finger leaves featherlight touches around his shoulders and across his collarbone as you stand behind his chair. a flat hand trails down his chest closer to the bulge in his pants, spencer’s eyes widening at the gesture. your hand reaches the final destination at the base of tie, and you pull it so he’s looking up at you directly.

“hit me baby one more time.” you finish with the biggest smirk, never breaking eye contact with spencer. the cheers and claps became louder but all you could focus on were the deep breaths he was taking to compose himself. you give him a wink as you hand the mic back to the stage guy and walk back to him to sit on his lap.

“you don’t mind, do you? all the seats are taken,” you smirk as you feel his hard on through your lace panties, “plus i really want to hear what you thought about my performance.” you finish whispering in his ear. he shudders in your hold, but the feeling of your ass weighing on the place he needs you the most, his primal instincts take over and suddenly he has a boost of confidence.

he lifts your head so his mouth is right on the crest of your ear, “how about i show you what your performance did to me?” he shifts a little and lightly thrusts up into your clothed core and you let out a small gasp. luckily the team had all but dispersed throughout the bar, getting drinks or dancing, so no one has to be privy to your conversation.

the glint in your eyes was all the confirmation he needed. you stood up slowly with his tie still wrapped around your fingers, and you pull it over your shoulder so he would trail behind you as you walked. spencer followed you like a dog getting tugged by a leash, literally, and stumbles at first when you pull him but he quickly regains his composure as you navigate through the crowds, placing his hands on your waist protectively.

you end up in front of the women’s bathroom and spencer doesn’t hesitate to push the doors open and lead you inside. it was one of those single person bathroom with no other stalls, but it was definitely one of the more nicer bathrooms you’d been in. the maroon pattern of the wall adding to the sultry vibe you’re setting, not to mention a spacious countertop for the sink and amenities.

the possibilities of what was going to happen run wild in your brain, only being pulled out of it by the sharp lock of the door and the feeling of strong hands snaking around your waist again.

you look up to meet his eyes in the mirror and watch spencer fiddle with the edge of your button up, “i don’t think i told you how much i really like your costume.”

“yeah?” you lean back in his touch, “what do you like about it?”

he moves his hands to the middle of your chest, “well, i like how soft the blouse is,” he deftly undoes the knot, “and i really like the color you got on underneath.” he lets the ends of the shirt fall to your side and slides his hands up to cup your breasts through your lace bra, massaging them gently.

you let out a half gasp-moan, “what else?”

“this skirt is really cute, fits you well.” he hums while he smooths over the front close to your core, leaning down to press love bites into your neck.

you turn around in his embrace to face him, lay your hands flat on his chest, and look up at him with the biggest doe eyes you could muster, “want to see what’s underneath it?”

the ghost of a smirk lies on his face and he leans down to capture your lips in a heated kiss. his hand cups your cheek closer to him while his other one grips your ass and lower back.

his tongue slots between yours as he deepens the kiss, and he reaches down to the backs of your thighs to lift you up onto the counter. your legs open up instinctively and he steps in between them letting his hand run up the plush of your thigh to the band of your panties. he toys with the lace pattern of it before he detaches his lips and pulls the skirt all the way up.

he slowly sinks to his knees, never breaking eye contact with you as he whispers, “this is definitely my favorite costume on you.” he’s face to face with your pink panty covered pussy and he lets out a groan when he notices the wet spot in the center. he tentatively traces a finger up and down your slit, gauging your reactions.

soft whimpers fall from your mouth as you let out a whiny, “spencer…”

“don’t worry baby, i’m gonna take care of you.” he coos, “lift your hips.” you oblige as he gently pulls your panties down and stuffs them in his back pocket. his large hands push your legs apart, giving him better access as he tugs you closer to the edge and leans in to draw a long stripe up your core with his tongue.

you let out a high pitched moan at the contact, bracing yourself on the counter with your palms flat down. his tongue draws shapes on you and you feel his finger prodding around your hole before plunging in, driving you straight to delirium.

the sensations begin to overwhelm you and you feel the peak rising in your gut. you tangle your hands in his curls, “pl- please don’t stop.” you whimper.

he groans into your pussy and you feel the vibration sent throughout your entire body, enough to push you over the edge and let the white hot overtake you. he doesn’t stop pumping his fingers or his tongue as he drags out your orgasm for as long as you’ll take it, before you’re yanking him by his hair off of your core and up to your face to kiss him dumb.

the salty taste of you lingers on his lips as you grab his face with both hands and keep him close to you. he lets out a whimper when you tug his hair again, and you smirk as you break the kiss to slide off the counter and drop to your knees. you quickly undo the clasp of his belt, the sound of his zipper going down making spencer’s heartbeat go faster.

the size of his bulge through his boxers was intimidating but it only spurred your desire to please him more. you look up at him and offer an innocent smile as you lean forward to pull back the fabric of his boxers with your teeth and let it fall back into place with a snap.

the impact caused spencer to moan out loud, and he watched with bated breath while you slowly tugged his boxers down to let his cock spring free. you let out a tiny gasp, “spencer…i never knew you were so pretty.” 

his preening turns into a sharp moan as you take in the head of his length into your mouth. swirling your tongue around like a lollipop. you lay your tongue flat on the underside of his cock and slowly let it enter your throat until your nose is flush with his tummy and you’re gagging to keep him inside.

“ho-o-ly shit, fuck.” spencer groans when he looks down to see his whole length down your throat and your eyes bulging with tears at the fullness in your mouth. he wishes he had a photographic memory so he could engrave the vision of you on your knees for him in his brain forever.

you retract back and start bobbing your head on his cock, using your hand to pump whatever you couldn’t easily fit in your mouth. expletives and moans fall from him every millisecond, the feeling being so irrepressible that after a minute spencer had to pry you off him so he didn’t finish in your mouth.

“what, too much?” you grin mischievously, dragging your thumb across your bottom lip to wipe the spit.

his heavy breathing is the only answer you got as he turns your body around to face the mirror, and bends you down at the waist to lean your upper body on the counter. he flips your skirt up so your ass is on display for him and draws his hand back to give your right ass cheek a big smack.

you moan out languishly and he lets out a small chuckle, “kinky, are we?”

“you’re the one who spanked me.”

he bends down to whisper in your ear, “yeah, but you liked it. i can feel you getting wetter.” his fingers return to your core to spread the new wetness onto his cock before aligning it at your entrance. he slowly pushes in, stretching you out bewitchingly. he breaks his gaze from where you connect to look back into the mirror, and god, is he so fucking glad he did.

your face is beautifully fucked out, eyes glistening with tears about to fall over, cheeks flushed, eyebrows furrowed, your arms pressed so perfectly against the sides of your chest your breasts are threatening to spill out of your bra.

“god, you look like a dream,” spencer whispers from behind as he begins thrusting into you. you moan back in response and push back on his cock to meet his thrusts. the noise of your hips meeting and him sliding in and out of you filled the bathroom. 

“i’m so close, fuck, oh my god.” you whine pathetically. spencer can’t help but smugly grin in response, “already? it can’t be over that fast, hold it.”

you gasp out, “i can’t, please, i need to come.”

he wraps one arm around the front of stomach to hoist you up and uses the other hand to tug on your pigtails to lean your head back towards him, “you’ll come when i say you can. you’re my good girl, right? gonna show me how good you can be for me?” he whispers hotly in your ear.

a loud moan escapes your throat as you try to keep your composure and hold your orgasm at bay. his precise and timed thrusts doing nothing to help you, you feel yourself starting to float away, becoming so cockdrunk off of spencer you can barely keep yourself conscious.

“almost there, pretty girl. you’re doing so well, ‘m so proud of you.”

you make the mistake of looking back up at the mirror, becoming grossly entrapped by the image of spencer pounding into you from behind and his equally fucked out face tucked into your neck, “spence…baby, please.”

he whines at the pet name and finally gives in, “okay princess, you can come now.” your second orgasm of the night ravages through you, leaving nothing behind but thoughts of spencer. he continues fucking you through your peak, chasing his own release to come shortly after.

“fuck, i’m close. where d- do you want me to..?” he stutters.

“in my mouth.” you breath out.

he groans out loud, “on your knees.”

he pulls out of you and you immediately drop to your knees, not hesitating to take his length into your mouth and using both hands to pump the remaining. spencer puts a hand on the back of your head and guides you to thrust onto his cock until he lets out another stuttered groan, spurts of his release coating the inside of your mouth.

you make sure to get every last drop of him down your throat, seductively sliding your mouth off his cock with a resounding pop. you’re breathing heavily and you remain on your knees as you try to remember what fucking world you’re even in. spencer grabs you by the forearms to pull you back up to him, and gently perches you back on the counter noting you probably wouldn’t be able to stand on your own anyway.

spencer breathes hotly into your face, his hand coming up to caress your cheek and brush a few loose strands of hair behind your ear. his other hand remains on your waist, drawing soothing circles. you grin widely, and spencer notices and matches your smile without hesitation.

“what?” he laughs lightly.

“nothing, it’s just it looks like my plan worked.” you replied.

“and what was this plan of yours?” he grins.

“well, i just wanted you hot and bothered. i did not expect you to fuck me in a bar bathroom,�� he blushes at your admission, “plus, you don’t even shake people’s hands. i definitely thought having sex in a public place, let alone the bathroom of a bar, would be so not your style.”

“i think if you keep wearing outfits like this around me,” he gestures to your disarrayed button up and bra, “you’ll be surprised at what i’d be willing to do.”

“so, is this a good time to tell you that britney has other music video outfits that are just as iconic as this one?” you gleam up at him.

his eyebrows raise in curiosity, “it certainly would be. on a totally unrelated note, i’m parked right out front.” he half jokes as he pulls you off the counter towards the door. you giggle and follow blindly behind him, when your eyes draw to the back pocket of his trousers and you notice a flash of hot pink.

“spencer! my panties, oh my god. give them back.”

he looks over his shoulder at you, “i have no idea what you’re talking about.” he feigns. you roll your eyes and let him have it, totally ignoring the way he shoves the panties further down his pocket out of sight.

[bemusedlybespectacled]

what's happening with James Somerton right now: a probably-incomplete primer

TW: suicide, including suicide as a threat and a manipulation tactic.

The short version:

James Somerton is a former Youtube essayist who focused entirely on queer history, queer media criticism, and queer issues in general. He is also a flagrant grifter who has made tens of thousands of dollars via fraud, both directly (lying about his finances to beg for money and getting donations for films he never even started making) and indirectly (stealing whole essays and articles and books, reading them out loud verbatim for his videos without indicating they were anything other than his own work, and then using the prestige he gained from using their work to get Patrons and sponsorships).

The story as told James and James apologists was that James attempted to apologize twice, was hounded mercilessly on the internet for weeks, and then, driven to the end of his rope, he posted a suicide note on Twitter, was MIA for several days, and from then on has been avoiding the internet.

The actual story, as revealed yesterday, was that James used two sockpuppet accounts to defend himself and parrot his talking points (again, while publicly claiming to be trying to take responsibility for his actions), using one to try to rebrand the con under a different name and another to deliberately stoke the panic caused by his suicide note. He was not only aware of the pain and anxiety he was causing people, but he encouraged it on one alt while hornyposting about his favorite movies on the other.

He is an unrepentant con artist who successfully used a suicide threat to prevent further interference with future cons. The only reason he was caught is because he is apparently incapable of going more than a couple of weeks without trying to get back in the internet spotlight, allowing people to tie his alts back to him. He lies for fun and profit and he should not be taken seriously, ever.

The long version:

In December 2023, Youtube essayist Hbomberguy (Harry Brewis) put out a four-hour-long video about plagiarism on the internet, and devoted two hours to addressing as much of JS's plagiarism as he could. I strongly recommend watching the entire thing, as the first two hours build on the concepts that he uses later in the video.

He also blew the whistle on James' fraud surrounding Telos, a studio James founded using thousands of dollars of IndieGoGo money that never actually produced any films despite him definitely working on them! Any day now they'll be released! Don't you worry!

A day later, Todd in the Shadows, a guy whose entire thing is music reviews, posted his own video debunking multiple outright lies that James had told about history, especially queer history. A few more days later, The Ace Couple, who run a podcast about asexuality, released an episode detailing how they'd lost $1.5k donating to Telos.

I have put the videos, Twitter threads, Patreon posts, and Reddit posts by other people discussing different aspects of James' fraud under the cut.

Every other time James was caught plagiarizing, prior to Harry's video, he would lie about it. Either he'd have some excuse (easily proven to be a lie) or he'd retreat to his favorite deflection: "I'm just being harassed because I'm gay."

This last lie was one he'd use not only to deflect accusations of plagiarism, but all criticism in general, no matter how trivial. Every time, the critic or someone associated with them would somehow dox him, or harass him, or send him death threats, or threaten to falsely accuse him of sexual assault.

This happened to The Ace Couple (who'd tried to correct him on something extremely acephobic in one of his videos), Jessie Gender (who'd tried to correct him when he claimed that there were no queer content creators on Nebula, given that she and a bunch of other queer creators were definitely on that platform), and the person who first blew the whistle on him stealing from Tinker Belles and Evil Queens by Sean Griffin (who was accused of being behind death threats he'd received, and hounded so harshly they had to leave Twitter).

It is important to note that every time James faced potentially damaging criticism, or even just a threat to his ego, suddenly he would claim to be harassed by people connected to the critic, including threats to his life. There has never been any proof of any threats being directed at him, nor evidence that, if the threats were real, that they are actually from people connected to the critic.

In the original video by Hbomberguy, Harry makes a compelling argument that James brought on a friend of his, Nick, as a co-writer specifically as a shield against accusations of plagiarism. "How dare you accuse me of plagiarism! Nick would NEVER do that!" This is even more apparent given subsequent developments which I will get into.

When evidence started dropping about different aspects of his fraud (not only Harry's video, but Todd in the Shadows' video debunking his misinfo, The Ace Couple's podcast about their experience donating to his fraudulent film studio, and Dan Olson's tweet thread about James' obvious lies about his finances), he went into hiding for two weeks, and then put out the first of two apologies. He then deleted that one and put out another one a few weeks later. And then he immediately deleted that one.

While his first apology was rambling, vague, and dramatic (lots of sniffing/crying), and his second was more measured, thought-out, and totally batshit (lots of hilariously and bizarrely implausible excuses for why he'd done what he'd done), they had roughly the same points:

Not ALL of his stuff was plagiarized! Actually, a lot of it wasn't! No specifics as to what, though!

Most of the stuff that was plagiarized was just a failure to properly cite sources, as he had no idea that putting someone's name in your end credits or video description (without specifying what parts are attributable to that person or disclosing that you are using their words verbatim) is not sufficient credit,

Also, he totally had permission, in some cases, to use their work verbatim prior to publishing the video (this is not true, and is disproven both in Harry's video and his own screenshots);

He definitely didn't commit fraud with Telos and would soon have a good explanation for where the money went! (he did not)

He was going to keep the videos up so that he could either donate the funds from any monetization to the fund Harry had set up for his victims or to "help Nick's portfolio" by showcasing his work;

He lost his best friend (i.e. Nick) over these allegations, who absolutely definitely wasn't a scapegoat, except Nick was also responsible for a lot of the stuff James was being criticized for;

He was going to keep the videos up so he could either donate the advertising proceeds to Harry's fund for his victims (first apology) or to "help Nick's portfolio" by showcasing the work he'd done; and

As a result of this entire ordeal, he had attempted either self-harm or suicide (he merely alluded to "doing something stupid").

Again, his response was to 1) downplay the severity of his actions or flat out ignore allegations against him, 2) come up with ridiculous excuses for his behavior, 3) throw Nick under the bus, and 4) claim to be in mortal danger. As far as I am aware, he has never taken any concrete action to make amends to any person, not even donating money to charity.

This was coupled with some kind of attempt to profit: monetizing his apology videos, closing and then reopening his Patreon right before the monthly charge cycle happened (totally to let people unfollow him, not at all as a grab for that money), creating a new Patreon under a different name, and changing his Twitter and Youtube handles to distance himself from the controversy while gathering new followers.

At one point (I forget if this was on Twitter or Instagram), he also said that someone had broken into his apartment due to the notoriety he'd received from Harry's video. I believe that was after his first apology, when people started to point out that he'd just changed the name of his Twitter and Youtube channel and had restarted a new Patreon under a pseudonym. (BTW, the pseudonym he used for his new Patreon was "The Gay Raconteur"; this will be important later).

It had what I think was the desired effect: any attempt at pointing out that he was rebranding his grift now came across as weirdly fixated on minor things he was doing, which certainly wasn't worth putting him in physical danger. (Again, he has never provided any proof of this happening, nor provided any evidence that these people allegedly threatening him were, in fact, in some way inspired by Hbomb).

So along comes March 5, 2024, and James posts a suicide note on his Twitter, saying that he is going to set up his videos to automatically publish (for Nick's portfolio), provide in some way for the ad revenue to go to a suicide prevention nonprofit, and then kill himself.

The immediate response from the internet was compassion and totally chilling any further criticism, since you might be callously criticizing a dead person. Harry and Kat worked for a couple of days to get a wellness check for him while a substantial section of the internet called them murderers.

On March 6, a day after the note was published, Nick tweeted that that he had cause to believe James was fine. Kat confirmed that James was safe on March 11. Due to the drama of the "suicide attempt," however, the chill on criticizing James stayed in place for months.

And then yesterday Lady Emily, one of the cowriters for Sarah Z., drops two more bombs:

James has not one but two alt accounts that he was using to rebrand and start over.

The first one was created between his first and second apologies, and originally was for "The Gay Raconteur" until he changed it to "Will"/"thatgayyouknow" and, later, "The Achillean Boy."

The second one was much older, under the pseudonym "Mikey JB," and used stolen pictures from Grindr instead of his own face. However, it is pretty obvious that it is, in fact, a sockpuppet account and not just some other person who happens to like James, as detailed below.

Both accounts, both between apologies and after his "suicide," talked about how criticism of James was unfair because the plagiarized stuff was "like a decade old" and repeating the same excuses that James had also made.

The "Mikey JB" account not only supported James, but actively threw Nick under the bus, saying that a criticized part of a video "reeks of his co-writer."

On March 6, the day after James' main Twitter posted the suicide note, The Achillean Boy account was hornyposting about Ryan Phillipe. James didn't even take a day or two off of Twitter. If he had been completely off Twitter for a couple of days, that could have been an indication that he really had hurt himself and was unable to access his phone, or at the very least unaware of the panic. But he wasn't. He was aware of it and did nothing. Actually, no! Worse than nothing!

On the same day (March 6), the Mikey JB account was actively contradicting Nick saying he was okay (they "haven't spoken in months" so there's no way Nick could know if he was alive) and saying that "people like you" i.e. his critics, "drove him to it." Not only did he ignore the panic he'd intentionally created, he actively drove it.

He saw people going emotionally through the wringer over the idea that they might have somehow caused his death, and intentionally made them keep thinking it. He say people calling his critics "murderers" for "driving him to his death," and he joined in.

Why am I explaining all of this? I want to make a couple of things extremely clear, and the context is necessary to my ultimate points, namely:

James Somerton didn't merely "credit people improperly;" he conned his followers out of more money than some people make in a year with the Telos con, while raking in thousands more per month on Patreon and buying expensive equipment, while claiming to be near insolvency and in desperate need of money.

James Somerton has never taken full responsibility for his actions or attempted to make amends. He has only ever tried to dodge responsibility, particularly by throwing Nick under the bus.

Every time he has ever been criticized, for any reason, he has lied about threats to his life to gain sympathy and quell criticism. This is a standard part of his MO. He has done this over and over and over again. At this point, I think if he says the sky is blue, someone should go out and check first before doing anything.

"But BB, what if he really is getting harassed/threatened or really is suicidal?"

So, okay: people who are attempting to manipulate you may use legitimate problems as a tool. It doesn't need to be fake to be effective - in fact, it might be more effective if it it's true. An abusive ex who says "if you leave me, I'll kill myself" and genuinely means it and actually attempts it (and possibly even succeeds!) is a lot harder to leave than someone who says the same thing but is clearly just bluffing, because the threat is real.

My rule of thumb in these cases is to treat the threat like it's real, without caving to the intended manipulation. Whether your ex is lying or telling the truth when they say, "I'll kill myself if you leave me," the appropriate response in both cases is to immediately call a mental health service or supportive family member. If it's fake, it's inconvenient for them; if it's real, you reacted appropriately. Your response needs to be the same regardless.

You don't get back together with them because it's a real threat (presumably you wouldn't do that if you knew it was fake and they were never in any danger), and you don't tell them that they're a piece of shit who should be dead (HOPEFULLY you wouldn't do that if you knew for a fact that they were telling the truth).

In this case, I am extremely confident in saying that he was coldbloodedly lying the entire time and was never once threatened, and certainly not to the degree he claimed to be. But even if he wasn't, that does not and should not change anyone's behavior in terms of holding him accountable.

And I mean actually holding him accountable: making sure he doesn't try to start a new con on new people, continuing to point out that he hasn't paid anyone back for his previous con (so long as it's still true), that sort of thing. It doesn't mean people should tell him he should go die for real or, I don't know, try to get him fired if he gets a job at Tim Horton's or Target or something else that's not fraud. That would be wrong regardless of whether he's actually in danger or not. The point is to avoid being cruel without negotiating with terrorists.

Video sources and links under the cut:

Links:

It's like Breaking Bad, but backwards: a brief history of how Somerton successfully screwed himself Dan Olson's Twitter thread about the financial fraud My Year With James: Todd's post explaining the backstory of his video (Patreon-locked) DJSO#: Dan Olson's breakdown of James' second apology (Patreon-locked) Lady Emily's Twitter threads revealing James' alt accounts, part 1 and part 2

[undyinglantern]

at a glance, yeah sure kpop is just stupid and fun and not that deep or serious like most mainstream/mass appeal music but then again i did end up watching days of being wild (and, having enjoyed it, subsequently watched in the mood for love) because of the bridge scene in the music video for 0x1=lovesong. unfortunately, a consequence of insight to this reference is that instead of being a moment of levity with a silly little dance for an already fairly tonally somber song, the scene bares an even heavier weight to it and is now even more depressing within the context of both the film and music video's stories. this, as well as begin referencing chungking express, (which i also plan to watch, alongside 2046) have made me a fan of wong kar wai.

i also hear songs like these

which -clear as day, have traditional influences- and go on the search for informative comments or videos like these

[plantwriting]

Time for more dumbass posts. Jrwi pcs as content creators (all moved out of their natural habitat except for the suckening and prime defenders for the sake of making any sense) ((i havent listened to total monster kill or wonderlust yet so they will not be included unfortunately))

Riptide

Chip is just a modern day pirate. Channel full of “slime tutorials” and “totally not [insert movie here]” i mean come on of course

Jay makes videos where she just. Builds shit. Tinkering with her inventions and such. Good times :)

Now Gill is a bit of a harder one. I feel like he’d start out making like religious content because thats what he was raised on but then slowly itd just start changing as he discovers himself and such. Alternatively. Swords. Just swords.

Goobleck: ACTUAL slime videos. Of course.

Prime defenders + Ashe

Dakota used to make like parkour videos but after he got his powers hed just start just livestreaming fights with villains and stuff. Just like the le frog type ones though not like the actually serious bad fights (hed still film them and like compile them into edits of his coolest moments or something lol)

Vyncent… video games. That man is an mcyt. Bro was on the prime version of the dsmp

Will used to have a pretty popular buzzfeed unsolved type thing going on but then he died and completely disappeared from the internet for like several years. Season three he just shows back up like “hey whats up guys so a lot has happened. Anyways im going to he switching the style of content to literally just talking to ghosts and spirits and shit!” Hed also have a tumblr

Ashe has a popular tumblr. Hes like one of those people whose posts always end up on those funny tumblr posts compilations

Apotheosis

Thanatos has a tiktok where he just shit talks organized religion. He probably has like a degree on religious studies that he got before leaving his family so bro knows what he’s talking about

Peter has an instagram where he just posts pictures of cool rocks and another instagram just for lizard. He has maybe three followers max but he doesn’t mind

Rumi has just like a music youtube channel. However. They also have about a dozen other channels under different names with different content for all of their different masks! They don’t show their face on any of the channels so they can’t be recognized as the same person

Bitb

Kian. Is a vtuber. I feel this in my heart Kian is a vtuber and he very intentionally keeps his online persona and like irl things separate and nobody knows about both. His vtuber model is just Kian’s canon design (alternatively he could just. Be an onlyfans influencer. You know what maybe he’s both)

Rolan just posts bugs. He has like all the social medias and on all of them he just posts cool bugs that he finds. He has no clue what the bugs actually are and he usually doesn’t even caption his posts but he has like at least a million followers combining all of his different platforms

Rand posts conspiracy theories. His videos are the ones you randomly find yourself on when you wake up at like three am after leaving the autoplay on and falling asleep with youtube open

The suck

Emizel makes minecraft lets plays. But specifically like ones that are horrible quality and clearly made by someone who has no idea how to actually make youtube videos. He has at least five “HEROBRINE IN MY MINECRAFT WORLD REAL NOT CLICKBAIT” and they’re all from last month

I feel like Shilo would excel as a beauty youtuber. Hes just doing makeup tutorials and telling story times

Arthur refuses to go on social media he does not know what a “tick-tock” is and he does not want to know

[fictionadventurer]

Figured if I was going to go on the Snow White rant, I needed to actually rewatch the Disney movie.

The opening credits are much more interesting when you know some of the names. The only women who got on the list were Dorothy and Hazel, but it was nice to see their names at least and know who they were.

That book is gorgeous. All the details of the calligraphy and illustrations and binding.

Wow, the Queen is so much creepier than I remember. The fact that using the magic mirror involves summoning a "slave" trapped in the mirror? Don't like that.

That peacock behind her throne, though? Stunning, fantastic, no notes.

I kind of love how the Queen forces Snow White to be a maid, and Snow White just...doesn't care at all. She's just scrubbing a floor and totally fine. Queen's obsessed with Snow White every minute of the day and Snow White doesn't think about her at all.

Sorry, I don't buy the romance at all. I know it's a fairy tale, but one song does not a life-changing romance make. (There was a version of the scene where the prince was going to rejoice over the fact that she loved him, which might have been too much, but it at least would have helped sell it.)

The scene of Snow running through the forest and then collapsing in tears did make me feel for her.

It seems like Snow White and the Queen are from a completely different movie from the dwarfs. They've got this whole high fantasy feud going on, meanwhile these guys are living in a sitcom.

The dwarfs were the best part. Forgot how cute those guys could be.

There was not enough story here. 75% of the running time is them trying to stretch this paper-thin story to feature length. There's a big long cleaning sequence. A big long sequence of the dwarfs figuring out who invaded their cottage. A big long introduction sequence. A big long washing-up sequence. Multiple extended gags involving a fly. All fun to animate, I'm sure, but not at all up to modern pacing standards.

(I'd kind of like to compare this to other escapist '30s musicals--is this kind of structure common for movies where the point is just to show up and escape the Depression for 90 minutes?)

As a kid, I had one of those sing-a-long videos with a bunch of Disney songs, and I did not realize that I had a deep emotional connection to it until "Heigh-Ho" made me instantly happy and the Silly Song unearthed memories I didn't even know I had.

A lot of the other songs kind of stink, ngl. There's a reason the washing-up song is not in the public consciousness.

Kind of out-of-line for Snow White to just show up at their house and treat them like misbehaving children.

The skeleton in the dungeon reaching for the water pitcher? Can't believe the movie went there.

(Then they drew too much attention to it and kind of wrecked it. But wow.)

I like that they give a valid reason that the Queen thought True Love's Kiss wasn't going to be a problem.

But the queen cackling over the fact that Snow White's going to be buried alive? When it comes to showing this movie to children, I'm not hesitating about Snow White as a female role model, I'm hesitating because it's dark.

(But also--why not just poison her? I get that living death/buried alive is a worse fate than just plain death, but if she's not actually dead, how does the Queen count as fairest in the land? Especially since she magically made herself as ugly as possible?)

They carved her name in the coffin! Just like the bed! They finally get to make her a bed and it's to lay her to rest! It's almost enough to make me tear up.

The castle in the clouds makes me think of heaven/resurrection imagery, which ties in interestingly to my take on it.

There is so much potential to flesh out this story in a live-action version. Since you can't fill up the runtime with comedy dwarf antics, there's so much space to flesh out the relationship between the prince and Snow White, and give texture to the feud between the Queen and Snow White, and to dig deep into Snow's sweet character and how it affects the dwarfs, which is why it stinks that they're going for just another Not Like Other Girls update.

[snapscube]

Hi Penny! I’ve been recently watching dub/abridged stuff (like your dub videos and TFS DBZ Abridged) and I was wondering if you grow up watching any dub/abridged that may have inspired you to do the dub videos? Or just really enjoyed them!

so the primary thing that inspired me to make SRTF specifically was just being a part of the RTF that SRTF is a spin-off from. i wanted to make a gaming-focused version of the show that incorporated some production value improvements i had been floating around for a bit such as recording remotely and making the whole thing a bit more edited with sfx and music and such.

BUT i will say that even before i was a part of og RTF i had previously really loved the idea of dubbing over movies/games on mute and i always had a fascination with it. i remember a few times on road trips i would be watching a movie in the backseat with my sisters and would be like "hey do u wanna mute this and make up stuff over it", which i only ever convinced them to do like one time and i remember having a blast. i also have to give a huge shout out to some old comedic Sonic dubs i ran into as a kid that almost certainly inspired the direction of the show subconsciously. i believe they were from Mardiculous? i dont think they're public anymore, at least not the ones i watched and was rlly into, but it's something that does immediately come to mind when thinking about early influences so i gotta give the respect.

i actually have never really watched the more popular abridged shows though! i have zero history with DBZA or anything of the sort i only hear about it in passing haha.

[the-solar-system52]

ok who the FUCK was going to tell me that my favorite musician ever made a demo based off my favorite movie ever AND I DIDNT KNOW ABOUT IT???

so there i was, scrolling on google through some 2010 content, and I see a song on Genius titled "ALL THESE WORLDS ARE YOURS EXCEPT EUROPA ATTEMPT NO LANDING THERE" and out of curiosity i click on it and get jumpscared by NEIL FUCKING CICIEREGA????? AS IN? LEMON DEMON NEIL CICIERGA? AS IN MY NO 1 SPOTIFY WRAPPED ARTIST SINCE 2021?? THAT NEIL CICEREGA???

and I hit play and ITS THE OPENING TO SPIRAL OF ANTS?????

SPIRAL OF ANTS WAS ORIGINALLY BASED OF 2010 THE YEAR WE MAKE CONTACT??? WHAT WHAT WHAT

(here is the youtube video the Genius site leads to: https://youtu.be/QuFv1jAo2CE?si=ceAdnsvOxEgcMBp1)

so ofc i relistened to Spiral of Ants and started digging for any hints towards its 2010 origins. i couldn't find much literal stuff since alien warnings about one of Jupiter's moons and a bunch of ants dying don't really have much in common. there is one lyric that uses the word 'odyssey' that could be referencing 2001: A Space Odyssey but idk.

but! in regards to the themes of Spiral of Ants instead of just the plot then there is plenty in common! SOA has an overarching theme of fusion and collective consciousness, since the story follows a hivemind of ants mindlessly following each other into a spiral and eventually becoming one ant and dying. i always took this song as a metaphor for mass hysteria and/or capitalism since fusion is viewed in a negative light. the ant's lack of individuality prevents them from recognizing the colony is just being led in circles since they are all only focusing on following the ant right in front of them via pheromones, and the fusion is what ultimately leads to their death.

2010 also has the theme of fusion! the scene the demo title quote appears in happens right after the scene where Hal and Dave fuse (technically. the exact time they literally fuse sort of depends on who you ask, but they definitely metaphorically fuse in this scene. cuz yk "Don't be. We'll be together.") the Europa message is basically Halman's first words. and although some out-of-context lyrics from SOA may fit Halman, 2010 overall has a more positive view on fusion. Halman doesn't count as a hivemind since he's only a fusion of two people, and because of that, he still retains all of his intelligence and memories from his past life unfused, if anything he's smarter. Instead, Halman acts as a metaphor for a functioning symbiotic, and possibly romantic, relationship between Hal and Dave. They fused because they actually wanted to be together, and not out of mindless instinct like the ants in SOA did. Fusion is the thing that saves them, instead of the thing that dooms them.

I think it's really interesting to think about how Spiral of Ants could've originally been based of Halman but then evolved into the song we know it today. And what would the song have been like if it stuck with the initial 2010 inspiration? Would it have been more hopeful and positive instead of the story of inevitable death we got in the finished project?

And am I a little pissed off that we could've gotten a Lemon Demon song based of my favorite fictional character ever but instead we got a song about ANTS? Maybe yeah. But this knowledge certainly gives me a new appreciation of the song overall.

Though I do wish this could've been an Ivanushka situation, a demo of Touch Tone Telephone that was released fully with completely different lyrics and story but the same melody. But the demo we have of Europa has no lyrics and is basically just opening of SOA with no major musical differences I can make out. If lyrics were ever written for this earlier Halman-inspired version of SOA, then it's been 10 years since the demo, I don't reckon our chances of getting the full song. But I can dream I suppose.

Also! Here's picture of Neil in Hal cosplay that I found on Pinterest. You're welcome.

Honestly knowing Neil was a space odyssey fan makes me think of what other songs could've had space odyssey influence? Ancient Aliens always gave Dawn of Man vibes to me, but even more vague stuff like Soft Fuzzy Man, Cabinet Man, No Eyed Girl or Aurora Borealis?? Who knows, the possibilities are endless!

Edit: Guys. I found a scrapped instrumental named 'Kubrick and the Beast'. As in. Stanley??? Kubrick??? Neil said this about the song:

"The albums tone ended up going in a different direction" what do you MEAN?? WHAT DO YOU MEAN IT WENT IN A DIFFERENT DIRECTION?? WAS SPIRIT PHONE ORIGINALLY INSPIRED BY THE SPACE ODYSSEY SERIES??? OR MAYBE MORE JUST KUBRICK IN GENERAL?? EXPLAIN??

[gigisnetwork]

NERDIFYING UR DEMIGODS 🗣️🗣️ (things I think they’d enjoy :3)

Nico

- Batman - in fact, the whole DC universe (he would collect figures + comics)

- The Maze Runner (he’s read all the books and watched all the movies and has a crush on thomas) (maybe newt too)

- Gravity Falls (insane lore, enough said) (also he’s the one who introduced it to Hazel) (They see themselves as Mabel n Dipper) (also went ballistic over the Book of Bill)

- Song of Achilles (LOVES madeleine miller) (Bonds over her books w annabeth i don’t make the rules 🤷🤷)

- POKÉMON (YOU DONT UNDERSTAND ITS SIMILAR TO MYTHOMAGIC I KNOW IT) (also had a HUUUGGEE hyperfixation on pokémon go) (collects cards (ofc) and plushies too)

- My Little Pony (hazel got him into it) (thinks it’s super cute) (collects plushies of them)

- Fallout (Thinks it’s sick and loves dystopian stuff) (frank introduced it to him 😇😇) (sometimes like redesigns things so they look like they’re from Fallout) (like MrsFallout on yt)

Annabeth

- AGGTM (you can’t tell me she wouldn’t love pipravi)

- The Hunger Games (shes read all the books and absolutely LOVES katniss) (also she definitely sees her n percy in peeniss)

- Murder Most Unladylike (idk she seems like the kinda girl to be into murder mysteries n stuff) (also i just think it’s fitting for annabeth)

- Circe (again LOVES madeleine miller) (hasn’t read medusa yet, i don’t think she would) (hubris + she isn’t fond of medusa AT ALL) (bonds over her work w nico 😇😇)

- The Sims (SHE THINKS ITS SO FUN) (she absolutely loves character customisation, and interior design n stuff) (has so much custom content it’s insane)

- Minecraft (Again, loves designing things) (makes the most intricate builds EVER) (super skilled like it’s actually insane how she makes her builds) (usually plays on creative but absolutely has a hardcore world she’s been working on for YEARS)

Hazel

- Bee and Puppycat (she loves how pretty the show is) (also she kinda sees herself in Bee)

- Steven Universe (Again, pretty art) (also, the lore goes crazy and has pretty good music ‼️)

- Gravity Falls (again, pretty art n insane lore) (also she went BALLISTIC over the Book of Bill) (She and Nico see themselves as Mabel n Dipper)

- Dolls (haunted/creepy dolls, cute dolls, ball jointed dolls, figures, you name it) (she’d try and communicate w the haunted dolls w nicos help) (its actually pretty fun to her)

- My Little Pony (it’s cutesy) (also she likes the message it gives ^^) (has a ponysona) (LOVES EQUESTIRA GIRLS YOU CANT CHANGE MY MIND) (AND THE NEW GEN TOO)

- Animal Crossing (she likes all the versions but mainly plays new horizons bcus she thinks it’s like the best) (loves the character designs, and being able to basically make her own island)

Percy

- Spider-man / The Spider-verse - actually, the entire marvel universe (He thinks it’s sick) (also ABSOLUTELY relates to peter parker and miles morales) (only really got into it bcus of the movies, before starting to collect comics)

- One Direction (no one knows this) (was absolutely HEARTBROKEN when they broke up)

- The Hunger Games (annabeth got him into it) (but he only watched the movies, got half-way into the first book before being like “i can’t do this anymore” and watched the movies) (RELATES TO KATNISS 🗣️🗣️)

- SEGA/Mainly Sonic (he thinks it super silly) (also sonic boom was incredibly funny to him) (CONSTANTLY quotes him too) (has every single game w him in it)

- SUBNAUTICA. (you CANNOT TELL ME HE DOESNT LOVE THIS GAME) (EVERY TIME HE PLAYS HE IS SO INVESTED LIKE YOU CANT TEAR HIM AWAY FROM HIS PC OR CONSOLE)

Frank

- POKEMOONN 🗣️🗣️ (he introduced it to nico) (they both play in both mythomagic and pokémon tournaments, when they can find some) (they also love playing them together) (he has all the games)

- Unpacking (thinks it’s super relaxing and absolutely loves the visuals) (also loves how it tells a story, ykwim ???) (introduced it to hazel) (really, he’s the one who introduced hazel to all the video games that she likes)

- Resident Evil (people are like incredibly surprised when they find out he’s into that game) (he really likes the lore/story, thinks it’s super sick)

- The Last of Us (again, people were super surprised he was into this game) (he likes shooter games) (also thinks ellie and joel’s dynamic was super sweet) (has a love/hate relationship with the hbo series) (100% thinks dystopian stuff is sick)

- Yu-Gi-Oh (another card game) (idk i feel like he would really be into it) (this definitely came before pokémon to him) (he’s known this before mythomagic) (the OG 🗣️🗣️)

- Fallout (he introduced it to nico) (again, game mechanics are sick and loves the lore 🗣️🗣️) (sure, he’s the one who liked it first but he isn’t as big of a fan of it as nico)

(will update when i think of more 🗣️🗣️)

[compactstreamer]

(source)

Transcript below the cut:

Roscoe: You could say Jerma985 is something of a performance artist. He creates huge, elaborate, surreal productions complete with cast and crew, and it's all streaming live for hundreds of thousands on viewers on Twitch. NPR's Alex Cheng takes us inside Jerma's latest big show, a baseball game between clowns and magicians, to ask how—and more importantly—why?

[clip of Sportscaster continues in background: Welcome to Carshield Field, where we have Jerma Baseball Association action for you!]

Cheng: At a baseball stadium in suburban St. Louis...

[Sportscaster: ...a big-time match-up between the California Circus and the Maryland Magicians...]

Cheng: ...a team of clowns in full face makeup and baseball uniforms runs out onto the field. Those clowns played a four-hour game of baseball in real time against the Magicians in the opposing dugout, and tens of thousands of viewers tuned into the live-stream on Twitch. There were breathtaking acrobatic displays...

[Sportscaster: Actually we've got three outfielders unicycling currently!]

Cheng: ... and even the umpire himself stepped up to the plate.

[Sportscaster: The umpire is about to enter this game for California?!]

Cheng: That umpire was the mastermind behind the whole show, Jeremy Elbertson, better known as the streamer Jerma985.

Jerma: I'm just, y'know, calling balls and strikes and doing all these wacky things. I'm just, in my mind I'm going "I hope this is funny. I hope this is funny. I hope this is funny."

Cheng: To create this high-production fantasy world, Jerma had to hire real baseball players, real circus performers, and actors from across the country who wanted to play make-believe. He gave his cast an outline of the baseball game, along with pages and pages of gags he'd come up with, but he let them make decisions on the fly.

Jerma: It's like a live comedy improv show.

Cheng: And Jerma says the real key is his relationship with his streaming audience on Twitch.

Jerma: I'm coming up with a scenario that I think is a fun time for everybody. That's all I care about.

Cheng: Cecilia D'Anastasio covers the video game industry for Bloomberg. She says these big, performance-arty shows are unusual for Twitch.

D'Anastasio: What Twitch's bread and butter is, is a streamer going about their life quite casually and playing video games and just chatting with their fanbases.

Cheng: So why does Jerma do these shows on Twitch, instead of making a movie or a TV show? Well, for one, the liveness of the platform creates a unique sense of unreality, and of course, money is always a consideration.

Jerma: Movies are expensive. Way more expensive than trying to get a bunch of people together to do a show on Twitch for a few hours.

Cheng: Jerma studied communications and video production in college. Then, about a decade ago, he started messing around on YouTube.

[clip of Jerma continues in background: Hello Ladies and Gentlemen! Welcome to episode one of Jermacraft!]

Cheng: Several years later, he switched his focus to Twitch. He mostly streamed normal gaming stuff, which he still does plenty of, but he also tried a couple of small, outside-the-box experiments, like hooking himself up to a lie detector to answer questions from viewers, or...

Jerma: I hired a fake family to come be my family at a family dinner.

Cheng: Jerma built a team of collaborators, some from his tight-knit viewer community, and together they started staging bigger and bigger events. Things hit a high point in August of 2021 with the Jerma985 Dollhouse Stream.

[Jerma Dollhouse theme music plays in background]

Cheng: Imagine a live-action version of the video game The Sims, on a sound stage, with a big cast and crew, and starring, of course, Jerma.

Jerma: The nature of that whole show was "I'm a person in a house, you get to decide what I get to do."

Cheng: Over three days of streams, Jerma's viewers made him simulate eating, sleeping. They even made him fight a bear.

[clip of Jerma in the dollhouse: You wanna do what?!?]

Cheng: Or at least, a guy in a bear costume.

[clip continues with Jerma yelling, bear grunting, and audience applause]

Cheng: The show was a smash hit. The third day of the Dollhouse peaked at over 100,000 concurrent viewers. That's a lot for Twitch. Cecilia D'Anastasio at Bloomberg says popular streamers can make good money on the platform.

D'Anastasio: Subscriptions, donations from fans, advertising, sponsorship deals.

Cheng: But Jerma's big shows are way more expensive than sitting in a gamer chair playing Elden Ring. They may not be on the scale of a movie, but Jerma says some of his productions can cost hundreds of thousands of dollars, so he has to find big-money sponsors for his events.

Jerma: It can be a real challenge trying to convince a team of marketing people, "Hey so there's this idea, it's gonna cost a lot of money, and it's gonna be really fun, don't you think?"

Cheng: And some big sponsors are seeing the potential. Jerma says the shows are paying for themselves. For the Dollhouse stream, Coinbase chipped in, and Jerma found new sponsors for the baseball stream. Here's D'Anastasio again.

D'Anastasio: It's not that the streaming space is maturing, it's that it has matured.

Cheng: But even if Jerma's big shows are making money now, he knows there are no guarantees in the world of live-streaming.

Jerma: Nobody really knows how long this is gonna last. Does this evolve and become even larger than it is now, or does it go bust at some point?

[clip of Sportscasters continues in background: And oh my goodness, everyone clearing the dugout!--oh, clearing the bench--the Maryland Magicians... oh my goodness, this is bad!]

Cheng: Why fight for a vision that's so hard to explain and even harder to realize? Like making clowns brawl with magicians on a baseball diamond.

[Sportscasters: Oh boy--utter chaos!--This is just an all-out brawl, the mascots are stripping down...]

Jerma: Why not? It sounds like fun, and it seems like something that could make a lot of people happy, so I'm gonna do it.

Cheng: Alex Cheng, NPR News.

[instrumental outro music plays]

[supercalifragipopculturevomit]

THE BEST OF DANIEL BRÜHL

It’s dumb, honestly.

You get this seemingly brilliant idea of turning to foreign films so you’re forced to read subtitles and focus—a problem you’ve been noticing of late—but in doing so, you end up with a more destructive distraction.

“Who’s that guy, again? The one in all those international productions?” That’s how I found myself on my Daniel Brühl marathon-turned-obsession.

It was his role as the cute Nazi in Inglorious Basterds that first put him on my radar. Over the years, I would see him in The Fifth Estate, Burnt, Woman in Gold, The Zookeeper’s Wife, and The King’s Man. Midway through All Quiet on the Western Front, I was like, “All this needs is that German actor…” and I had to chuckle when he later appeared on screen. I also checked out the first season of The Alienist because I was intrigued by what he and Dakota Fanning as leads would do with such a spooky-looking show.

Adorable as he was in his breakout role in Good Bye, Lenin!, it was his performance in the critically-acclaimed Rush that caused me to spiral. Similar to when Benedict Cumberbatch took on the modern version of Sherlock, it was like seeing Brühl with new eyes. His playful take on Helmut Zemo in The Falcon and the Winter Soldier was the final nail in the coffin. I don’t imagine it’s all too different from what Tom Hiddleston did to fans of Marvel as Loki.

I’m actually at the tail-end of this obsession now that I’ve seen everything I can get a hold of—around 39 films, two TV shows, a documentary, a music video, countless interviews, a bunch of ads, and a handful of fan cuts—but he has a lot of works worth recommending so I thought I would share them on here. This will mostly be a subjective list with priority on projects I found most interesting which showcase his range best. Like, I enjoyed The Bourne Ultimatum but he was on screen for a total of 2 minutes so I wouldn’t include that here.

RUSH (2013) This biographical sports film written by Peter Morgan—the man behind The Crown—centers on the rivalry between Formula One drivers James Hunt and Niki Lauda in the 70s. Not a fan of F1 or sports in general. I have nothing against either, just zero interest. But this character-driven film, much like Ford vs Ferrari, had me at the edge of my seat the entire ride. And it surprisingly has one of the best meet-cutes—and accidental wingmen—I’ve seen yet.

Brühl delivers an Oscar-worthy performance in this role. For someone who needed a lot of convincing he could do the character justice, he truly went above and beyond. For one, he befriended and studied Lauda, the iconic F1 figure he was portraying. No easy feat considering Lauda being, well… Lauda. In interviews, Brühl recounts the story of the memorable invite he got from Lauda to meet in Vienna. This would be their first meeting and Lauda told Brühl outright that he should only bring hand luggage so he can piss off if they don’t like each other.

He would end up staying a few days and buying additional clothes.

He also spent a month in Vienna to nail the accent, making sure to capture the arrogance and irony innate to it. And although he got driver training for the role, he also considered the tiniest details like which went on first: helmet or gloves? There was also the tricky business of looking graceful entering a tiny F1 car—a bigger challenge for Chris Hemsworth who plays Hunt—but an obstacle all the same.

All the hard work paid off. It was well-received by audiences, critics, and the F1 world. The first time Lauda saw the film he went, “Holy shit, that’s really me”. Lauda’s friends thought he did voiceover work for it. Director Ron Howard was so pleased with Brühl’s performance that he went out of his way to show an unfinished cut of the movie to the producers of The Fifth Estate (2013). This gracious act would land Brühl the co-lead role opposite Benedict Cumberbatch.

GOOD BYE, LENIN! (2003) Can't tell if it's just because the two films have the same composer and were created around the same time, but this tragicomedy set in East Germany reminded me so much of my beloved Amélie. This is definitely more dramatic and political but it has that same mix of whimsy, heart, and charm. With its budget, it was meant to be an indie film, but the story of a son who would recreate a faux-socialist world to keep his mother alive captured the heartstrings of audiences, not just in Germany but also worldwide. Brühl plays the son and his success with this film was a double-edged sword: although it would open doors for him internationally, he would also be typecast as the “nice guy” in his home country.

INGLORIOUS BASTERDS (2009) This has one of the best, most intense opening sequences in all of cinema… and one of the greatest villains. In this wild alternate universe from Quentin Tarantino, he rewrites the ending of World War II. It’s the right balance of dark, hilarious, and entertaining—my favorite from the auteur’s works. Here Brühl plays a cute and charming Nazi, which is very confusing to the senses.

Aside from Brühl, it was also my first introduction to Christoph Waltz, Michael Fassbender, and Melanie Laurent—all fantastic European actors who’ve crossed over to Hollywood after the success of this movie. “Crossing over” seems ubiquitous now but, at that time, giving most of the lead roles to then relatively unknown actors must have been a risk. But for this, it was necessary. Language plays a huge part in this trilingual film and casting native speakers grounded it in authenticity. Tarantino originally had Leonardo di Caprio in mind to play Hans Landa. Whether he meant for him to learn German or to speak English with a German accent, who knows. Either way, it’s safe to say that would have been a different film.

THE EDUKATORS / DIE FETTEN JAHRE SIND VORBEI (2004) This anti-capitalist film, which has become a cult classic, captures the spirit, idealism, recklessness, and angst of young revolutionaries who just want a better world. Where one stands on the measures taken, or even their sentiment, can be considered a litmus test. With or without reference to this quote from the movie—“Under 30 and not liberal, no heart. Over 30 and still liberal, no brain.”—is up to the viewer.

There needs to be a suspension of disbelief for the series of events that takes place but the setting is necessary for the clash of worlds to happen. It’s not a perfect movie but the issues they debate about in length… they’re still discussions we’re having nearly 20 years later.

p.s. this has my favorite behind-the-scenes of all of Brühl’s projects. Though he hasn’t lost his sense of humor, he seems to have become more reserved as he got older. HERE, at this period in his life, he’s a total goofball bordering on loose cannon.

THE FALCON AND THE WINTER SOLDIER (2021) Though I’ve enjoyed quite a few MCU movies, I’m not invested in the universe at all, so watching this wasn’t a priority. In fact, I was ready to settle on YouTube compilations made by devoted fans of all the scenes Brühl was in. Upon seeing clips, however, I got intrigued by his character so I still ended up watching the miniseries and also Captain America: Civil War (2016).

Both were better than I expected. Civil War is more serious, while TFATWS is more playful, but both face relevant issues along with formidable foes. Brühl’s villain in Helmut Zemo is fascinating because he tears the mighty Avengers apart with mere patience, fury, and intelligence… and his motivations are understandable. He lets his character loose in TFATWS—at one point, on the dance floor—and it’s magnificent. His mission is still the same, but this time he does it with a lot of charm, humor, and fabulous Sokovian style. A Turkish delight, personified.

ME AND KAMINSKI / ICH UND KAMINSKI (2015) Brühl’s Sebastian Zöllner is a repulsive and sleazy journalist who has greasy hair and wears too much cologne but I can’t get enough of his chaotic energy. His magnum opus is hitched on a legendary artist dying and his fantasy is to turn the orphaned daughter into a sugar mommy. It’s all kinds of messed up but he plays the hell out of the smarmy dirtbag so it’s a lot of fun. This is Brühl’s second collaboration with Wolfgang Becker, who directed Good Bye, Lenin! Daniel Kehlmann, the writer whose eponymous book this film was based on, would later write Brühl’s directorial debut, Nebenan.

NO REGRETS / NICHTS BEUREUEN (2001) This is reminiscent of the slightly problematic but highly enjoyable teen comedies and coming-of-age films of the 90s. It’s like an edgier Can’t Hardly Wait: boy goes through cringe-worthy measures to get the girl he’s long been pining for, his two closest pals have nothing but dumb advice to offer, yet he still ends up on the path to self-discovery. It’s awkward, chaotic, frustrating, and beautiful—but such is adolescence.

Brühl and his co-star Jessica Schwarz fall in love on the set of this film. And although they would break up years later, the tenderness between their scenes together is palpable and there’s something rather bittersweet about seeing that captured in perpetuity.

For a more straightforward rom-com, he has Lila, Lila (2009). It’s about a guy who passes off a manuscript as his own to impress a girl and the hilarity that follows. It’s on YouTube for those who need a fun and light watch.

THE ALIENIST (2018 – 2020) Based on the novel of the same name, this moody psychological thriller set in late 19th century New York follows a psychiatrist—then called an Alienist—who investigates a series of grisly murders with methods still considered new and controversial at that time, such as psychology and fingerprinting. He gets by with a little help from his friends, John Moore, an illustrator for the New York Times, and Sara Howard, a society woman who works in the NYPD.

In the lead role of Dr. Laszlo Kreizler, Brühl plays the dark, complex, and mysterious Alienist whose study of mental pathologies and deviant behaviors reveals much of himself and his past.

LESSONS OF A DREAM / DER GANZ GROßE TRAUM (2011) This film is loosely based on Konrad Koch, an educator and pioneer who brought football to Germany in the late 19th century. In the movie, the sport is used as a means to pique students’ interest in the English language and culture—both considered barbaric by the Germans at that time. A heartwarming tale of a teacher who overcomes insurmountable odds and inspires students along the way, it’s the German equivalent of Dead Poet’s Society.

ALL QUIET ON THE WESTERN FRONT (2022) This story, the third adaptation of the 1929 novel, “Im Westen nichts Neues”, conveys the futility of war like no other. There aren't as many films on World War I as there are on World War II, fewer ones that tell it from a German perspective, so this is doubly unique in that regard. Powerful watch but 10/10 not like to relive it again. Apart from producing it with his company, Amusement Park, Brühl plays Matthias Erzberger, the German State Secretary who pushes for armistice talks with the Allied forces.

An ideal companion watch to this would be Joyeux Noël / Merry Christmas (2005), another WWI movie Brühl stars in, which depicts the unbelievable Christmas truce between French, German, and Scottish soldiers in 1914. His linguistic ability shines here as he shifts between German, French, and English effortlessly. (Half German, half Spanish, Brühl speaks a total of five languages: those three plus Spanish and Catalan.)

The Zookeeper’s Wife (2017) and Alone in Berlin (2016) also recognize the bravery of defiance at the height of tyrannical regimes. Although between the two, I would skip the latter.

JOHN RABE (2009) This biographical film set in China tells the incredible true story of a German businessman who uses his Nazi Party membership to create an International Safety Zone in Nanking. This was in the late 1930s, during the Rape of Nanjing. In this six-week carnage by the Imperial Japanese Army—which includes sexual assault, mutilations, and killing contests—upwards of 200,000 Chinese are brutally murdered. The protective zone manages to save around the same number of civilians.

Brühl doesn’t play the titular Rabe, but his character, Dr. Georg Rosen, is one of few Westerners who decides to remain and protect Nanking even as conflict escalates. Dr. Rosen was a German Diplomat instrumental in the creation of the safety zone.

p.s. with all these heroic roles in his catalog, I’m convinced Brühl would be a frontrunner to play President Volodymyr Zelenskyy, should a movie be made about him and Ukraine’s conflict with Russia. You heard it here first.

NEXT DOOR / NEBENAN (2021) This is Brühl’s directorial debut. Here he plays a darker, fictionalized version of himself. Definitely not for everyone but quite enjoyable if you’re familiar with his major works and public persona, appreciate the ingenuity of one-location movies, and delight in British-style meta humor.

Pre-requisite viewing for maximum enjoyment: Good Bye, Lenin!, Captain America: Civil War, and The Falcon and the Winter Soldier.

[dittydipity]

what is kagepro? - a quick guide

you may be seeing the word "kagepro" around a whole bunch, especially during august, but what the hell is it?

you may have heard or seen something from kagepro without realizing it! you know that vocaloid song, kagerou daze, about the kids who get hit by a truck and are stuck in a timeloop of saving each other? that's actually one of the songs from kagepro.

kagepro, short for the kagerou project, is a series created by vocaloid composer jin (also known as shizen no teki-p). it's a mixed media series that has music, manga, an anime, movie, a radio talk show, books, etc but i’ll try to keep it simple!

basic premise: people who die on 8/15 are taken to another world called the kagerou daze and if they return to the real world, they will have gained a “snake ability” that will turn their eyes red when used. a group of teens that have these abilities form a little gang but are thrown into an endless timeloop.

THE MEDIA

if you want to get into it, there’s a bunch of different ways you can do it, but do keep in mind: each form of media is NOT just a different adaptation of the story.

kagepro is a timeloop story, and each form of media is actually a different timeline (or “route”). the music videos, the anime, the manga, the books - each one is only a piece of the whole story. that’s why many people may have seen the anime, mekakucity actors, and gotten super confused because the anime is actually one of the last routes haha.

but the order of media that has been generally agreed upon to be the most coherent is music videos -> manga -> light novels -> anime

a lot of kagepro media, esp the light novels and manga, are hard to find since they’re almost entirely out of print, but there’s translations or e-book versions of them available, or if you skip them there’s summaries that people have made. you can also ask me if you want :]

music videos

i’ve actually made a couple playlists for the songs! one is in release order and the other is in story chronological order (mostly).

release order: - i tried to get all the original ia/miku versions of the songs with the original pv if there was one - a couple might be a little out of order since some songs came out together in the same album

this is the order that fans got the music, so if you want to try to figure things out and put things together the way we did you can go with this order!

chronological order: - tried to grab some english covers where i could, but if you don’t like eng covers there are plenty of noneng covers or you can use the videos from the other playlist. there's plenty of really great covers out there! - exceptions to the “chronological”: children record acts as the cover/opening song for the series and summertime record is the ending song for the series - some songs aren’t in here bc they’re not part of the music route (they’re mostly from the newer albums and are kinda like ‘epilogue’ songs after the ending of the anime/good ending or are songs made for the anime)

THE STORY

if you don't want to go through all the media yourself, here’s a video explaining the whole story by breadbox/david toth! he also has other really great kagepro videos

[a bit of an extra] a very common misconception about the story/mechanics: people do not have to die in pairs or with somebody else on 8/15 to enter the daze. i didn’t realize this myself until super recently

all in all, the kagerou project is a story about finding strength and support from the people around you, moving on to look towards the future, and overcoming trauma.

there’s definitely other people who have also made guides or summaries or videos that are much better and cover much more than i did, but i hope this was a decent introduction!

feel free to reach out and/or ask me anything! i'm sure there are also plenty of people who would be willing to help newcomers understand kagepro as well :]

happy kagerou day!

[shizucheese]

So full disclosure, I actually listened to episode 7 on Saturday, but this episode had so damn much to it and I got a bit side tracked by a theory that I'm still working on but I really want to get this out before episode 8 comes out.

As usual, if you want to see the continuously updated and reblogged version of my red string board, you can find it here.

Today is Tuesday, 2/27/24. Episode 7 came out 5 days ago on 2/22/24.

“Talkers”

Norris (Voice: Martin?/ Alex)

Episode 1: “Reanimation (Partial) -/- Regret [Email]”. The Stranger? The End? The Dark? The Lonely? The Flesh? Arthur (Nolan?).

Episode 3: "Infection (full body" -/- Arboreal [Journal entry]". The Spiral? (Paranoia? Auditory, visual and olfactory hallucinations) The Lonely? The Corruption. The Flesh? (Callbacks to the Flesh Garden from S5)

Common Themes: Hearing the voice of a dead/ missing loved one?

Chester (Voice: John?/ Jonny)

Episode 1: “Transformation (eyes) -/- Tresspass [chat log]”. Magnus Institute, The Eye. (Involves a forum; the Web?).

Episode 5: "Disappearance (undetermined) -/- Invitation [Internet blog]". The Eye (Movies. Movie name: "Voyeur" "Must be seen to be believed"...). The Web? (Another website?). (Very reminiscent of Mag 110: Creature Feature.) The "poor old guy" at the theater is totally an Eye avatar, right? Kinda gives me "Simon Fairchild when he was first introduced" vibes.

Episode 7: "Agglomeration (miscellany) -/- congregation [email]". The Stranger. The Burried. The Desolation. Possibly all of them if my theory about the items the Volunteers brought in is correct...

Unsure if this is Eye related like the other statements were. This is also the first "Chester" statement where the source material wasn't from a website or blog, which don't have the same expectation of privacy that the sources of the other statements do. Email, though, so still internet related, and this seems to be an open letter rather than personal correspondence, so it still might align with the theme.

Agustus: (rare?)

Episode 4: “Collection (blood) -/- musical [letter]” The End. The Lonely? The Slaughter.

Letter writer thinks passing on his violin might allow a part of himself to live on in his nephew. Very Jonah Magnus of him.

Music teacher hears “faraway music”, then goes crazy and throws himself out of the carriage and dies. Reminiscent of Mag7 and the Piper? The merchant’s wares include dice (Mag 29?). Got the violin from him (took his blood?). Effect of the violin reminiscent to Grifter’s Bone (Mag 42).

(Oliver Bardwell lol very funny guys)

Non-Talkers (?)

Episode 2: "Transformation (full) -/- dysmorphic [video call]". The Spiral? The Flesh. The Stranger. Ink 5oul (avatar/ entity?)

Episode 6: "Injury (needles) -/- intimidation [999 call] "Corruption? The Spiral? The Flesh? The End?

"Needles" reminds me of Michael!Distortion.

Notes and Thoughts:

"It's not like we're dealing with Tape Recorders..." I'm side eying you real hard, Celia. And what's with all of the questions? The "looking for patterns" question is 100% fair but those examples are AWEFULLY SPECIFIC. I wasn't entirely sure I bought the idea that Celia was the same Celia from TMA, but no this is totally her for sure. "DO YOU KNOW WHO JOHN" IS EXCUSE ME? WHAT REAL STUFF?

HILLTOP CENTER BRANCH?!!! 0 managerial or other support from HR; very reminiscent of the weird circumstances surrounding the house on Hilltop Road. Bear skin rug very reminiscent of the Gorilla Skin in TMA S3. The Volunteers remind me of the medical students from Mag34. The email is about events from 2015. This was the same year Gertrude died and John became the Head Archivist in TMA. Why am I not seeing anyone else talk about this?

I have a theory that I was originally going to put in this post but detangling that giant ball of red string entirely is taking too long so I'm just going to put the TL'DR here and maybe make a proper list later if I can ever finish pulling the string on that particular red sweater. Between the items the Volunteers bring in, and the events of the incident itself, what if every single Entity is represented? The gunshots that were heard were the Slaughter. The fire was the Desolation. The person who wrote the email being crushed by all of the items was the Buried. There are a number of artifacts that get listed off that could represent at least one if not multiple Entities (which might be their purpose; considering how many times the fact that the categorization was imperfect got brought up in TMA, it's probably more helpful to view them as a spectrum more than anything else), including some that are very reminiscent of things from specific TMA statements (The bear skin rug -> The Gorilla skin, Old medical equipment -> the syringe in mag 45? The telescope -> Maxwell Rayner was originally Edmond Halley, the Astronomer, etc. etc). So...okay, hear me out: what if this was all part of a ritual, and that's what the "good cause" was? A ritual that involved all of the fears being represented? Sound familiar? Except instead of it being a ritual to start an apocalypse or reshape the world in the image of one or more of the fears, what if it was a ritual to summon something that was associated with all of the fears? Or, rather, what if it was a ritual to summon someone who had been touched by all of the fears? And that's also why so many of the items seem to be analogous to things from statements and events from TMA? Like....maybe I'm wrong entirely. Or maybe I'm right about this being about summoning someone, or something, (maybe someone from TMA? Maybe Celia?), but wrong about it being John who was being summoned. But, again, this incident took place in 2015, which was the same year Gertrude died and John became head Archivist, and I feel like this means something.

[naughtygirl286]

So yes we did go see Ketchup and Mustard also known as Deadpool and Wolverine! I actually wanted to go see the movie before leaving for vacation but that ended up not working due to stuff that was going on here in life but we did get to see it shortly after we left home for vacation.

Now yes there was plenty of in Theater Merch which I picked up way before we seen the movie which is explained here in the teaser pic but for everything that we got you can go here.

As for the movie itself I'm not going to say to much being by now everyone probably has already seen it by now.

but honestly for me I absolutely loved it!! every minute of it! all the references, Easter eggs, cameos and just pretty much everything was amazing the movie was totally orgasmic on a geeky lvl

The movie was hilarious! and some of it is just flat out ridiculous! but there was some nice dramatic moments in there which mostly center around this version of Wolverine. The action was wild, crazy and fun! I'm so happy this was left alone to be a R-rated movie if it wasn't I don't think it would have been as great as it was.

The production design, costumes, visuals were all great and even the music fit this so well!

I loved seeing the return of some of the original pre-MCU Marvel movie characters and did anyone one catch that Daredevil burn that Elektra did while they were in the cave? I was like "wow, ouch!" lol I'm also happy that Channing Tatum finally got to play Gambit after all these years.

I also thought Emma Corrin did pretty good as Cassandra Nova at lease a some what boiled down version of the character I didn't feel she was a major villain in this she was more of a secondary one.

One thing tho with the movie is when Hugh Jackman wears the mask for the first time near the end of the movie when they fight the Deadpool Corps. I felt him wearing it seemed a bit strange and maybe a bit jarring? its like you waited what 25 years to see that and it it kinda didn't look right? but yet there is promotional material with him wearing it and it looks fine but I think it was because you are so use to seeing him as this character with out it when he finally puts it on it looks strange because your not use to that.

but other then that the movie was excellent and like I said I loved it every minute of it. and yes there is some credits stuff first while the credits roll there is a really nice I guess you can say "farewell" video to the 20th Century Fox marvel universe which I thought was really nice.

Then there is a lil funny end credits scene at the very end of the movie.