#also this is definitely set in the 2000s i looked at a lot of those teen red carpet events with miley cyrus and hilary duff for inspo haha

[emsartwork]

Barbie Girls: Barbie D.

A note going forward! If the Barbie girl I’m drawing is just named “barbie” in the movie and is not a different character i’m just gonna put barbie + an initial, her look won’t always be the same tho haha 

[mejomonster]

To get good at telling stories... writing stories... one must... practice by writing stories ;-;

[suzuran777]

Analyzing some of the very first BL visual novels

First of all, I've talked about most of these topics during my Citrus con panel on Augustus 24th, so for those who missed it or who wanted a list of all the visual novels mentioned during the panel, those are also mentioned in this blog post! Japanese BL visual novels have been something I’ve been interested in since 2010-2011, and even these days many people in English speaking fanbases are familiar with games like DRAMAtical Murder and the other Nitro + Chiral titles. I've played many older titles which I've previously reviewed on this blog, and in this post I will be looking at some of the very first BL visual novels and how the industry has changed throughout the years.

Before the very first "official" BL visual novels were released, some visual novels already existed in which a male protagonist had romantic or sexual scenes together with one of the other male characters. Some examples of this are games like Sotsugyou Ryokou (1996) and Ko-Ko-Ro (1998). Most of the other love interests in these games were girls, so they were not promoted as “boys’ love” games.

The oldest visual novel I could find that was promoted as a game which focuses on love between boys, is a game called Sei Valentine Gakuen, released by a company called B.M. in early 1999. This is a game in which you can name the protagonist, and none of the characters are voiced. While checking their old website through Waybackmachine, it seemed like the game had a lot of game-breaking bugs which they attempted to patch out, however the website quickly shut down within what seems like only a year (or maybe a few years) after its release date. Since there's not a lot of information about this game available online, I was surprised that someone bought the game second-hand and made a youtube video about it, so I recommend checking that out! You can watch it here. Despite being promoted as a game that focuses on love between boys it seems like there’s not really romance in the game, so I am curious why they marketed the game in this way.

Next is a game called BOYxBOY, released a few months after Sei Valentine Gakuen in April 1999. This is one of the games I actually got to play myself, and I was surprised to see this game was released by King Records (the record label) as I didn’t know they used to publish games, let alone BL games. The protagonist has a face and a name this time, but even though all the other characters are voiced, they decided to leave the main character unvoiced for some reason. This game does have romance elements, like confession scenes, but it's still quite minimal. There’s only one character who actually gets a kiss scene for example. This game did get a fandisc a year later, but it seems to be more of a collection of extra materials and minigames rather than something that really adds something to the story of the game.

Another BL visual novel that was released around this time in July 1999 is a game called Graduation (or Sotsugyou) by Joinac, which as the title suggests, focuses on the protagonist spending time with people at his school right before his graduation. This one actually got translated, so it's probably the first BL visual novel to ever get an (official) English translation. Unlike most other games from this time, this one can still be easily accessed too, as a digital version is available for purchase on DLsite.

Entering the 2000s, game developer AliceSoft created their own BL game brand called AliceBlue and released their first BL game called Kakurezuki in 2000. Even though AliceSoft released 18+ rated titles in the past, this first BL title was actually also all-ages. Some reviews mentioned that they don’t really consider the game BL at all, pointing out the lack of romance, and I can definitely see where they’re coming from. Pretty much all the other games I mentioned so far take place in a modern-day school setting, however this game is more of a historical fantasy game (although the plot still only focuses on the protagonist and his daily interactions with those around him).

A lot of the games during this time period still highly resembled the typical dating sim-style game, which was quite popular in the mid/late 1990s. This kind of gameplay means that usually, the player decides what the character is going to do that day, for example, what subjects he takes in school, which club he joins and which locations he visits. In games like Kakurezuki, it’s a bit different you decide what magic skills you want to strengthen that day. This kind of gameplay kind of limits what kind of story the writers can explore, as the plot mostly focuses on the main character’s everyday life and their interactions with other characters, and eventually also became something that’s not commonly used in BL visual novels anymore.

Later that year, in August 2000, one of the most well-known early BL visual novels was released. This was Sukisho (short for Suki na Mono wa Suki Dakara Shouganai) by Platinum Label. The company promoted this game as the “first 18+ boys love game” though Graduation also seems to be rated 18+ on DLsite. Sukisho gained a big fanbase, as many fans really liked the art (drawn by Tsutae Yuzu) and the characters. Even though the plot still focused on boys going to school, some characters do have a darker backstory. The company even created official forums where fans could discuss the plot of the game and fan theories. Some other boards also encouraged fan meetups at local conventions in Japan. It ended up getting 3 different sequels, a PlayStation 2 port, an anime adaptation, and various drama CDs and novels. These days a lot of BL visual novels get drama CDs, but back then this game really got a lot of extra content compared to other games. Like many others, I personally discovered this game through the anime many years ago, but I played the visual novel later as it has also been fan translated and was quite accessible back then.

Another visual novel that stood out, and which also got an anime adaptation, is Angel's Feather (2003). Unlike the rather confusing anime plot, which adds a new character that isn’t in the game, I think the plot of the visual novel is actually much better. Initially it does seem like another game about high school boys, but in reality it’s more of an RPG game that focuses on the characters learning more about the world they’re living in, and their own magic abilities. I think just like Sukisho’s artstyle, compared to many other games that were released at the time, the art of this game quite unique. The artist is Yamamoto Kazue, who worked on many visual novels, and is still active nowadays. This game also got a sequel and drama CDs, but sadly the third game they were working on was never released. The studio was also working on a completely new game called White Shadow, however this one also remains unreleased to this day. If you want to read a little bit more information about this game and other unreleased titles, I wrote a blog post about that too here!

The inclusion of RPG elements I briefly mentioned just now in visual novels was not something only Angel’s Feather did. For example, some of these other screenshots are from Ouji-sama Lv1, Teikoku Sensenki, and Apocripha/0. The gameplay varied from a simple battle system to complicated dungeons and hard to beat enemies, depending on the game. One downside of this is that it’s quite a time-consuming process if you want to see all kinds of different endings, as these parts of the game were usually unskippable. Gradually, this is also something that slowly became less common in BL visual novels.

Generally, a lot of older games were quite difficult to replay as most games only had a limited number of save slots, and sometimes there would be no preview images next to the save files either, so it was quite difficult to remember which save file you were supposed to load. Some of the oldest BL visual novels also don’t have a skip button, which means you have to play through all of the dialogue again if you want to see a different ending. The pictures below are my screenshots from Angel's Feather and Kannagi no Tori, a game that was released in 2001. Luckily both of these games do have a skip button, but there were never enough save slots!

Other than changes in gameplay and artstyles, something that has also changed quite a lot are the dynamics between characters in adult scenes. In most BL visual novels, the protagonist is either a top or a bottom, and this doesn’t really change throughout the whole game. For example, if the official website mentions that the protag is a bottom, that means he’s a bottom with every single one of the love interests. Something I noticed while playing older games is that this order wasn’t always fixed. In games like Laughter Land and Kannagi no Tori for example, the game would often let the player decide. A game that was released a bit later which also has this option is PIL/SLASH’s game Shingakkou -Noli me tangere. In every route, no matter what character, you make the decision. I think it’s kind of fun when the game gives you choices like this, although I’m not sure if they will ever bring it back.

Terminology and target audience When I talk about these games I use “BL game” and “BL visual novel” as these are easily understood when communicating with an English-speaking audience. However in Japanese these games are usually only called “BL game” or "AVG" which just stands for adventure game. In the early 2000s some official websites around this time would refer to these BL visual novels as ''boys games'' to distinguish them from a genre called “girl’s games” or galge, which are games that would typically target a male audience. Even though the term “yaoi” was becoming less common, some developers would also call them “yaoi games” on their website, as you can see in some of the screenshots below . It’s not like the term “visual novel” is something completely unknown to them, but it’s also not a term I ever see them using to promote their games.

As for the target audience, similar to a lot of BL manga, the target audience for many of these BL visual novels was also women. A lot of websites stated that these were games “made by girls for girls”. However, it’s better to not generalize the whole genre as something exclusively targeted towards women, as some games like Hotaru (released by Tarutaru in December 2000) and its sequels were specifically advertised as games "made by gay men for gay men". One of the games I mentioned earlier, Graduation, was also made by a doujin group that calls themselves the Gay Artist Support, and like the name suggests, they support gay artists and alleys. Therefore it can be concluded that even during this time period, it wasn't just women creating and reading BL.

Marketing and sales Some might be wondering; how did people discover these games back then? Around the year 2001, multiple websites were created by fans that kept track of new BL game developers, as well as any updates provided by the companies that were already established back then. A lot of these websites also gave fans the option to chat with each other in their forums. Some examples of these websites are BOY'S STREET and Boyslove Kenkyuujo (which translates to BoysLove research institute). They kept track of both commercial and doujin game releases. Companies and doujin creators would both sell their games at events like Comiket, Super Comic City and J-Garden too, where they would promote their games and chat with fans. Their games would also be sold at stores like Animate and Toranoana, which is not too different than how creators sell their BL games nowadays, as both of these stores still exist. A lot of BL game creators in the early 2000s were quite close to each other and collaborated. For example, some doujin groups like Anubis Label, Ritz, Moon Parrot and more created their own magazine called B-GAME, which featured information about their new doujin games, corporate games, survey results, game reviews and more. The picture below (on the right) is a picture I found on the website of doujin group Moon Parrot, promoting and selling their game Kuro no Tsuki at Super Comic City. Of course official BL game magazines also existed, but I think I will make a separate blog post about that (update: you can read it here!).

Well-known developers throughout the years Next I made a list of some BL game creators that established their brands in the early or mid 2000s, and who continue to be active nowadays. I will mention some newer games as well. There's way too many BL visual novels to include all of them, so I apologize if I missed some that were quite influential!

Langmaor/Tennenouji: The first game Langmaor released was a game called Enzai in 2002, illustrated by Yura. This game focuses on a boy whose name is Guys, who gets sent to prison as a result of a false accusation. In one interview, Yura mentioned that she was almost afraid that the plot of the game would be “too dark”, as the main character experiences a lot of abuse, but she concluded that at least the game would be unique. In 2004 Langmaor released Teikoku Sensenki, and a year later they released Zettai Fukujuu Meirei (or more well-known as Absolute Obedience). This game had a kind of unique system which focused on not one, but two protagonists. The final game this brand released was a game called Laughter Land (2006. The illustrations of this game were drawn by Yuzuki Ichi who had previously worked on Kannagi no Tori. Yura was also part of doujin group called Tennenouj, which already released their first BL game in 2000 called Sei Crain Gakuen, a BL game that you could play by opening HTML files in your browser. They released their second BL game in 2006, which was Miracle No-ton, a game about a notebook that could grand the protagonist’s wishes (horny wishes only though!). In 2009, Luckydog1 was released, which ended up becoming one of the most popular and well-known games in Japanese speaking BL visual novel fanbases. The game is about the protagonist Giancarlo, who’s a low-ranking member of the mafia and currently in prison, who receives the task to free 4 important members of the mafia from prison. Some BL gamemagazines like Cool-B have an annual popularity poll, and for years, LuckyDog 1 and its characters ended up in first place. On BL information websites like ChilChil it continues to be the highest rated BL visual novel to this day. Two years ago, Tennenouji also released the game Friendly Lab, of which the mobile version is still being updated, so even nowadays they are still very active.

Nitro + CHiRAL: Or just called “NITRO CHiRal” these days. They released their first game, Togainu no Chi, in 2005. In the early interviews the director stated that they wanted to create something different, as a lot of visual novels around this time focused on schoolboys and modern-day settings. So instead, they wrote a story that takes place in a futuristic version of Japan, devastated by a Third World War. Only a year later in 2006, they released their second game, Lamento -BEYOND THE VOID- which also takes place in a fictional world. Even though the characters look similar to humans, they call themselves Ribika and have cat-like characteristics. The characters in this game are struggling to survive, as a mysterious force called “The Void” is slowly destroying their world. Because of their unique stories and beautiful illustrations, Nitro Chiral quickly gained a big fanbase in Japan too. In some articles published in Cool-B magazine, they mentioned that they were taking even bigger risks with their next game, as the plot would be anything but happy. This was about their third game, sweet pool. Despite that, I think fans already expected dark and serious stories from the company, so it was still well-received. Before releasing DRAMAtical Murder, they released two more visual novels called Itsuwari no Alkanet and World’s end Nightmare, though these were only available on Chiral Mobile, an app that could only be downloaded on certain Japanese phones. These days these games are considered lost media, but I wrote a blog post about what I could find about them some years ago. Afterwards they released their more well-known games DRAMAtical Murder in 2012 and Slow Damage in 2021.

Pil/Slash: This is a BL visual novel developer that is well known for writing dark stories, with themes like abuse, noncon, physical and emotional torture. Though of course this is not too uncommon in BL visual novels, as all of the developers I’ve previously mentioned include themes like that in their games too.Their first game, Masquerade ~Jigoku Gakuen SO/DO/MU~, was released in 2006, followed by Koibito Yuugi a year later. In 2011, one of their most well-known titles, Shingakkou –Noli me tangere- was released. This game is about protagonist Michael who’s enrolled in a seminary. However, his school life is anything but peaceful, as his family gets murdered and he also discovers a secret society of devil worshippers in his very own school. At the moment this is the second highest rated BL game on ChilChil, after Luckydog1. After this they released Pigeon Blood in 2014, which was also a horror-themed game, and Paradise a few years later, which was quite popular in Japan too. In 2021 they released their newest game, Dystopia no Ou. This game focuses on protagonist Kiriku who dreams about becoming a rock star. Initially, this seems quite different than PIL/SLASH's previous games, but I promise the story still gets pretty dark. The writer credited for Paradise and Dystopia no Ou is Kyuuyouzawa Lychee, who's also the creator of doujin game group LOVE&DESTROY and games like CAGE OPEN and CAGE CLOSE.

Spray: This company’s first game was Saikyou Darling, released in 2001, but I think they are probably more well-known for their Gakuen Heaven series. The first Gakuen Heaven game was released in 2002, but since then they have released a few newer versions of the game, console versions and a second game. This is another one of these games that people might know because it has an anime and manga series. Spray has released quite a few different games like Soshite Bokura Wa, Piyotan, STEAL! and more recently Tsumi naru Rasen no Ori, but I think other than Gakuen Heaven their most well-known title is probably Kichiku Megane, released in 2007. This game focuses on protagonist Katsuya, a salesman who seems to be failing at everything in life. Just before he’s fired from his job, he receives a mysterious pair of glasses from someone. Whenever he wears these glasses, his personality completely changes. He suddenly becomes very skilled at everything, but also very sadistic. In recent years fans have started organizing fan events for this game at local conventions again, so it’s interesting to see how popular it still is.

Holicworks: Also known as LoveDelivery, as that’s the name they used to release some of their very first games, like Tsukigami (2007) and Beniiro Tenjou Ayakashi (2008). Their most well-known title Taisho Mebiusline, released in 2012. This game is a historical fantasy game which takes place during the end of the Taisho period, in 1923. The protagonist, Kyouichirou, moves to Tokyo in order to go to university. However, he runs into trouble soon after his arrival, as the Imperial Military becomes interested in his ability to see spirits. The writer of this game, Nakajo Rosa, is often praised for the historical research she did in order to write this game. The story covers all kinds of political issues, international affairs and military activity, and combines it with religious themes such as Shintoism. This also means that even for Japanese speakers, the game can be a bit difficult to read, as it tends to use difficult words and kanji. However, I think with a bit of research it’s not impossible. They also released games like Tokyo Onmyouji, Tokyo 24ku, and more recently Tokyo Satsujinki Gakkou no Kaidan, though the only game that has an English translation is Tokyo Onmyouji, which takes place in a more modern-day setting, but still focuses on supernatural themes like ghosts and spirits.

Karin Entertainment: Another developer that has been around for a long time, who released their first BL game series called Bois in 2002. Afterwards in 2004, they released the game Animamundi Owarinaki Yami no Butou~ (Animamundi: Dark Alchemist), which I’m not sure if I should be calling BL game as there are also a few female love interests. The games they released after this aren’t BL games, but instead they created a new branch called Karin Chatnoir Omega, which released the game Omertà ~Chinmoku no Okite~ in 2011. In this game the mafia controls the government, and the protagonist J.J. is a hitman who’s taking all kinds of assassination jobs. In 2016 they also released the game Omega Vampire, which is the first omegaverse BL visual novel.

Parade: This is a game developer known for creating games in which the protagonist is exclusively a top, or seme, which is also something that was not super common in the past. In a lot of other games almost all of the love interests are younger guys, so I think it was interesting to see at least two of the other main characters in NO THANK YOU!!! were over the age of 35. Even though most Parade games have a lot of 18+ content, like NO THANK YOU!!! and their second game Room No. 9, one should not underestimate the plot, as the writing is really good. My favorite game is probably their latest game, which is Lkyt., a historical fantasy game and my personal favorite.

CORE: This is the BL branch of a company called Orbit, and their most well-known game is Messiah, which was released in 2006. Though their first game was a game called Ever Loyalty in 2001, followed by Fanatica in 2004. Most of CORE's games only have 1 or 2 characters the protagonist can end up together with, although sometimes other characters in the game also have their own bad endings. In Fanatica, the protagonist only has one true love interest, but a lot of the other main characters are also paired up with each other, so even if they don't have their own route, you do get to see different scenes with them. Even though CORE released their last game in 2008, which is the Messiah fandisc Messiah ~ Paranoia Paradox. It was announced that they are actually working on a new BL project called Tokyo Gentou/Tokyo Phantasmagoria, under the new name Procyon.

Adelta: Not really 2000s as their first game was released quite some time later, but I think still important because they've gotten quite popular in recent years. This is a doujin game group created by Kurosawa Rinko. The first games this group worked on were Cocoon and Cocoon Black Noise, released in 2014. The game they’re probably most known for is Koshotengai no Hashihime (Hashihime of the old Book Town). This game is quite well known for its references to literature and real writers, and the story also takes place during the Taisho period. Originally it was advertised as a time-loop murder mystery. In 2020 Uuultra C was released, which is a completely different kind of game that takes place during the Showa period and focuses on heroes you’d typically see in a Super Sentai Series, or Tokusatsu movies in which the characters fight kaiju. Adelta is currently working on their newest game, Ooe.

Conclusion Of course there are many more BL visual novels which left a big impact on people, even less serious games like Gakuen Handsome which still get referenced a lot to this day. Another well-known title is Mada Koubou's Hadaka Shitsuji, which was mostly created by artist and writer Togo Mito. It kind of difficult to determine how many BL visual novels currently exist, but BL information website ChilChil currently lists 345 titles in this database. This does however include fandiscs and games that aren't technically BL games, and also doesn't include all doujin games ever released.

The early 2000s was a good time for BL visual novel fans and a lot of developers were making BL games back then, which also meant that there would be many new games to play. These days the number of active developers has significantly decreased, so most of the time you get about 1 or 2 big releases every year. Of course, there are still doujin groups and individual creators who make their own games, but the number of commercial releases is pretty small nowadays.

Some games that were released earlier this year however, are Tokyo Satsujinki Gakkou no Kaidan and Haiiro no Arcadia. I am personally also looking forward to the release of Adelta's new game Ooe, and Procyon's Tokyo Gentou/Tokyo Phantasmagoria, so I recommend checking those out when they're released!

[baselicoc]

A small spider-man 2099 reading guide

Just watched atsv and wondering where to start getting into Miguel O’Hara? Hate trying to figure out comic timelines? Well hopefully this guide can help a little bit. Please note its far from a definitive guide and could probably use some work but I'm hoping it helps someone out! Also not including spider-verse appearances or those in most other comics, because we could be here forever listing every comic appearance and this is meant to be a quick guide Miguel's original appearance was in Amazing Spider-Man #365, but that was more of a preview than anything else. I've split it pre-2000's and post-2000's, but listen to me if you have to pick one comic to read out of all of this make it the original 1992 run. You basically cannot go wrong with just reading 1992. A few have been marked with asterisks because you really don't have to read them but it felt wrong to not include them on the list.

Pre 2000's

Spider-man 2099 (1992): Literally Required Reading. Keep in mind that the last two issues had different writers and are kinda disregarded by just about everyone. Issue #16 starts the crossover event Fall of The Hammer, a mini-guide to which I've included below. The Special and Annual take place in between issues but it's easiest to just read them last.

Spider-Man 2099 Meets Spider-Man (1995): It's short, it's sweet, give it a read.

*2099: World of Tomorrow (1996): At the time this was meant to close off all the 2099 plots, theres lots of other 2099 characters in here but a fair bit of Mig.

*2099: Manifest Destiny (1998): Further closure to the 2099 world, again lots of other characters but still a solid read. Basically waves away the last two issues of sm2099 (1992) in a slightly hilarious way and worth reading just for that.

Fall of the Hammer crossover mini-guide:

Spider-man 2099 (1992) #16

Ravage 2099 #15

X-men 2099 #5

Doom 2099 (1993) #14

Punisher 2099 (1993) #13

Post 2000's

*Superior Spider-man (2013) issues #16-19: Largely set up but its cool too

Spider-man 2099 (2014): You can read this without the Superior Spider-man setup but depending on your prior comic reading experience you may be a bit confused. If you're a seasoned reader and used to taking weird comic shifts in stride due to missing some random issues of a completely different comic you'll be fine

Spider-man 2099 (2015): Solid run, I don't have much to say about it honestly

Marvel's 2099 (2019 event): you are better off looking up a separate guide for this one it is not my ballpark

[emomeishibot]

First of all, I’m a proshipper; secondly, this post has no ships in it.

I drew kuro characters as a 2000s Chinese drama costume sitcom 武林外传 My Own Swordsman (no idea why is it translate to this name, the direct translation should be Wulin Anecdotes) Why I did this crossover: it’s just hilarious for me!! To help you understand my casting read further. I was like I want to send these sketches for tumblr but you can’t get this crossover so I might as well introduce it to you. I mean you might be intrigued by the referenced show, who knows? 🤭

Let me give you an analogy if you are not familiar with Chinese Kong fu themes novels: this show is a comedy kong fu drama, and a western narrative analogy for it could be if you have a team of DND characters but they never leave the tavern but instead they are the staff trying to make the tavern successful and solve all the crazy problems in this chaotic world and become family members(I hope this works)

The male lead character is a former Robin-hood-like legend burglar but now settled down working as the waiter; the female lead is an unmarried widow who came all the way to her fiancé only to find him dead and left her his mischievous little sister to look after, so she wiped off her tears and decided to buy the inn and start her business as the landlady right there and then. As for the little niece, rumors are that she’d grow up to be a murderous fiend…! But they don’t know yet…

So I drew Sebastian, Madame Red and Ciel as these roles🤲

y’all couldn’t have known how adorable it is for me without growing up with the show… btw the show goes for a relationship for the waiter and landlady eventually in the show but I drew them as work partners and friends^^Regarding how Madame Red teased Sebastian canonically makes me laugh remembering those early kuro shenanigans 😂I always hoped Madame stayed longer with us in canon, she so lovely. Imagine her running a tavern is such fun, the vibe of this show is crazy… just look at them

There’s a reckless, chivalrous former swordswoman as waitress, another former constable girl who is amiable but has no dating luck as waitress as well. I casted Jane and Mey-Rin (I really want to see Jane join the Phantomhive manor(if possible after the Breton arc)??she slays and I want to see her working with Sebastian! Also Mey-Rin is both clumsier and deadlier than her character)

And more: a fusty, nerdy moderate scholar who sold the family inn to the now landlady and now working for her as an accountant, for which I casted Grelle (her butler persona when she’s undercover is really close to how this character usually is lol but she would definitely hate how nerdy this character is, as she is working for Madame Red again in this crossover)

For the hot-headed, ambitious yet bad cook who was a constable, I cast Bard (I might redo him because I wanted to fit Finny in but I run out of the inn staff; Bard and him could be the constable master and apprentice duo from the show; Diedrich could step up as chef)

The setting is a fictional ancient China so the kong fu element is very overdramatic; also, there's a lot of modern references to the 2000s. If you watch the show's op you'll get it) And it’s a nationally beloved show of my generation^^ I hope my explanation got you interested instead of confused😳but I love this crossover and hope my kuro ppl on tumblr enjoy it😌Such long explanations for them little sketches; Thank you for coming to my ted talk???

[zahri-melitor]

You have been assigned a four issue mini comic [<100 pages]. It can be about whatever you want. The only restriction is that it has to be about a minor support character [IE character friends, character parents, reoccuring minor villains, reoccuring civilians]. Which character do you choose, and what story would you want to tell in a four issue mini?

For transparency, I'm asking this question to a bunch of people because I want to see all the ideas everyone has. See what everyone would do.

You know what I'd really love? Writing a Lady Shiva mini. I am stretching the definition of 'reoccurring minor villain' but she's never actually had a proper mini in her own right and she's very VERY rarely had viewpoint. I'd want to pick and choose from her various established backstories, and tone down as many of the League of Assassins connections as possible. I think I'd frame it as four pivotal fights (because that's the language of Shiva)

Fight 1: Sandra and David Cain (the 'sort out the backstory' issue/the apprentice) hitting the following:-

Carolyn and Sandra's childhood in Detroit as Chinese-American diaspora, including trips back to China to the family village there for additional martial arts training.

Carolyn encounters Ben Turner and David Cain, both of whom are training under Richard Dragon, with none of this LOA-linked

David Cain murdering Carolyn to motivate Sandra who he sees as a stronger fighter

Recanonise the Batgirl 2000 Cass origin

Sandra giving Cass to David

Fight 2: Lady Shiva and Richard Dragon (the 'birth of Lady Shiva' and her quest to match herself against the best fighters on the planet/the journeywoman)

This would revolve around Shiva's quest to seek training from various sensei.

References to Dinah and Shiva's shared mentor

Shiva and her encounters with Vic Sage and the first signs of her fondness for cases in which she sees the potential for greater violence, just as David Cain saw in her

Maybe recanonise the Paper Monkey stuff? Either way, have her win accolade and acclaim by facing off against the greatest fighters, killing many of them, and gaining her place in the hierarchy

Lots of wandering swordsman journey

Finishing point has this fight ending with Shiva not killing Richard because she can now best him and has found herself alone at the top as the 'best fighter in the world' - but she sees the power he still has above her - his ability to mentor and create the competition she seeks

Fight 3: Lady Shiva and Dinah Lance (Shiva the mentor, training those she most respects the potential in/the master)

I picked Dinah to frame this one for two reasons: she's my fave AND I wanted a fight with a woman for the second set.

We hit backstory with Shiva actively encountering Dinah, Tim, Connor, Cass. 'Her' heroes who she becomes attached to and to pushing them to be better competition for her.

This is the only bit where I might lean towards League of Assassins in terms of probably Nyssa and/or Talia approaching her to ask her to help train their troops, but Shiva finds it dull.

"Go to sleep Westley I might kill you in the morning" attitude emerging as she finds herself weirdly attached to the people she's pushing.

I would love to include a pay off for her fight with Helena Bertinelli in BOPv2 that was put on 'hold' in this fight with Dinah.

Fight 4: Lady Shiva and Cassandra Cain (The inheritance and future issue)

This would be framed around a NEW encounter between Shiva and Cass rather than one of their old ones

Leans into Shiva's death wish and viewing she's already passed on her inheritance, and that she's now defeatable

I would also want to see Sin Lance and Bethany Thorne appear in this issue (also Tim)

Looking at all four of these characters and how they have the potential to surpass and surprise her.

This one WOULD end with Shiva in a position where she's pushing Cass to kill her as she's now the tired one and Cass once again denying it to her

[official-darkforest]

i am SOOO unbelievably thrilled by your anthro au omg. do you have fashion ideas for the characters? like their favorite outfits, fabrics, etc? imo one of the best parts of anthro characters is deciding how they'd express themselves through their clothing :]

I HAVE A FEW ALREADY!!!! i dont have many specifics because theres so many characters ahd i havent drawn them all yet LOL but i'll share the ones i do have at least SOMETHING for

im also trying to keep these reasonable for the time period and location, as in my au the clan cats are mostly rural and in small towns set (mostly) before the 2000s so most may dress more modest and conservative (especially if theyre older and very religious)

squirrelflight - the best i can describe her sense of fashion is that it ranged from tomboy as a younger girl and is currently closer to a working class butch. im not sure if masc would be a more appropriate term since i dont hc her as a lesbian (shes bi) but she dresses "like a man" and owns a lot of jeans, slacks, and button-up shirts of all kinds of fabrics and patterns. she also enjoys bright colors as well, but as she got older her fashuon sense got a little more sensible and less "loud" like it was in the 60s and 70s. she also has glasses like her daddy once shes like 35 or so. she and firestar dressed very similarly, and a lot of her shirts and neckties are things she stole from his closet

feathertail - very feminine. hippie adjacent, lots of loose and flowing garments and jingly pieces. breatheable clothes and open toed shoes. her favorite swimsuit had some little frilly bits on it i think. often combines neutral earthy tones with blues and whites

crowfeather - lots of handmedowns from his father. clothes you can do farmwork in like jeans, overalls, hardy flannel/denim shirts and boots. never grew out of this and still dresses this way and he likes it

jayfeather - he looks like a modernized (as far as the 80s goes) version of his father - same hairstyle snd way of dress. he isnt too formal but does have some more preppiness to his clothing style (polo shirts and sweaters). he avoids full button downs since buttoning them himself jjust gets frustrating since he cant match them up every time. new wave band shirts. he also wears orange tinted glasses to protect his eyes (in this au i wrote that hes able to perceive shadows and light pretty okay, but not much else beyond that) And Kinda As A Fashion Statement cuz it goes well with his facial structure and hairstyle i think

lionblaze - hes like if the stereotypical jock and stereotypical 80s rock+metal enthusiast had a baby. muscle tees and bandanas, ripped jeans, those absurdly short shorts, crop tops, etc. he's a drummer i think if that matters LOL

ivypool - punk, also sorta like joan jett to an extent. very homemade, tho sometimes she gets lazy and doesnt really commit to the outfits all the way (but definitely has the mindset, dint get me wrong). one of those girls with a chest small enough to go braless 99% of the time; wears a lot of tank tops and sleeveless shirts LOL

bone/brick/scourge - just google "the outsiders movie" or "greaser" and you'll get the idea. tho i imagine these three in particular also have some kind of bare minimum formalwear scraped together from their escapades. theyre kinda like the jetts/sharks from west side story if that helps at all

daisy - she combines flowing, pretty dresses with a sunhat and work boots. she also teaches horseback riding and owns a few (its a business she runs w smokey and floss. i think its be funny if they were polyam ITS MY AU I CAN CHANGE WHAT I WANT) and she has horseback-appropriate clothing as well

poppyfrost - THEE preppy girl of the 80s. big hair, perm and all. dresses with pastel colors. her sisters cinderheart and honeyfern are pretty similar, tho i imagine honeyfern is a little more sporty and cinderheart takes inspiration from madonna once shes trying to court lionblaze

hazeltail - long haired country girl butch. enough said

spottedleaf snd cinderpelt are nuns lol

[tgmsunmontue]

Saga of Solitude 5/?

Nepo!Baby Bradley and his life at USNA and afterwards. DADT fully in force. IceMav AU. (Begun prior to 'It's not who you know' - the non-angsty version).

PROLOGUE (He remembers)

HANGSTER FIRST MEETING (Lonely Nights - set 2009)

Updating ~weekly (longer chapters).

PREVIOUS CHAPTERS

ONE (2000) TWO (2001) THREE (2002) FOUR (2003)

CHAPTER FIVE – 2004

              He spends three weeks in a submarine and it helps cement his decision to attend flight school, if they accept his application. There is of course the natural competition between everyone, it’s simply how they function, each striving to be better, make those around them better, but also support them and drag them through it if they have to. His third year at USNA wraps up and he’s facing his summer break. The entire year has gone well, no terrorist attacks, although there is definite heightened security since.

              The routine is easy now, he’s an upperclassman, has Natasha and then a smaller circle of people he considers friends, if nothing close to what he has with Natasha. He’s aware that a significant chunk of upperclassmen think that he and Natasha are together, and the one time he checks in with her about whether she’s okay with that she’d just shrugged and said it had stopped the guys expecting her to pay any of them attention. No one asks, and they never correct anyone. When they head out to have leave together no one bats an eye. When they mention having spent some of the previous summer together it’s the same.

              He finds out why Natasha doesn’t talk to her family. Teenage pregnancy. She’d refused to get married to the guy, someone she won’t even tall Bradley the name of, and the shame of either the pregnancy, or their daughter not obeying them, they’d kicked her out. Her application with USNA had already been accepted, her place guaranteed and Bradley doesn’t need to ask to realize what her decision must have been. He briefly feels awful about introducing Tamsin and Petra to her, but she seems to take great joy in chatting to them on the phone and drawing and sending them pictures, so he lets that guilt melt away.

              They’ve both been asked to return to USNA and assist as upperclassmen for Plebe Summer, something he feels immense pride in, glad to have made a good enough impression that he’s being held up as a role model to the new recruits. Of course it makes their leave almost non-existent and they decide to spend it together, which he knows will only fuel rumors that they’re a couple. They go to San Francisco for five days at the start of their leave, and he finally gets to meet Natasha’s sole family member that has anything to do with her, and the way his eyes travel up Bradley’s body leave him blushing furiously. That he’s hot doesn’t help at all.

              “Oh, it is nice to meet you,” Christopher says, shaking his hand and Bradley looks to Natasha with a raised eyebrow and she’s just shaking her head.

              “Nice to meet you too. Bradley.”

              “Mmm. I have heard a lot about you. She didn’t ever mention just how delightful you looked.”

              “Because to me, he isn’t very delightful to look at. There are nicer views.”

              “Hey!” Bradley objects, out of principle more than anything, and Natasha is already cackling and pushing past Christopher with her bags but Christopher is looking at him seriously, completely different to the over-the-top flirtation of a moment ago.

              “Oh my god. You’re…” Christopher makes a limp-wrist gesture which sends Bradley’s eyebrows up in surprise.

              “Uh. Don’t ask don’t tell…” he says, throat tight, wondering where the fuck Natasha has gone.

              “Oh honey, I am not part of your weird cultish military shit. And I wasn’t asking, I was confirming. Holy shit. No wonder Tadpole likes you so much.”

              “Tadpole?”

              “Shut up!” Natasha calls out and Bradley grins.

              “I’ll tell you the story later,” Christopher says, voice low and conspiratory and Bradley nods, hitching his bag over his shoulder. Christopher jerks his head toward where Natasha can be heard grumbling. “Sorry, only got the one guest room. She’s already claimed the bed probably, so you’re on an air mattress.”

              “That’s fine, not the worst place I’ve slept by far.”

              “You’re my guest, I’d like to hope not. I’ll let you guys get settled then we can head out and find some food.”

              He leaves Bradley at the door and Natasha is smirking at him.

              “You couldn’t have told me?” he asks, voice barely above a whisper.

              “Sorry, his sexuality isn’t exactly something I drop into casual conversation. We’re at USNA remember. Repression is being ingrained into us.”

              “Okay, would you hate me if I asked him out?”

              “No. But his boyfriend might.”

              “Oh. Yeah. Okay.”

              “They can take you clubbing. I’m sure you’ll find ways of enjoying yourself here.”

              She’s right, and she’s smug about it. During the days they do touristy things and just spend time relaxing, occasionally working out. In the evenings Christopher and his boyfriend Patrick take them dancing or clubbing. Natasha comes along once, but then tells them she doesn’t want to sit around getting hit on by anyone so instead either goes to the movies or stays at Christopher’s apartment.

              He’s spent previous weeks on leave in New York, having sex with strangers, but this is a completely different experience. One he’s not going to forget in a hurry. For a start he has never had so much sex in such a short period of time, and it’s good sex, the guys that Christopher sends his way clearly more experienced and keen to give him good experiences or teach him how to give better blow jobs. It’s like each of the guys has undergone a screening process, and when one slips that he’s an ex of Patrick’s he realizes that maybe they have been. He can’t bring himself to care, not when he’ benefitting and enjoying it all.

…           …           …

              They get to Ice’s house and there’s a welcome home party and he can’t believe how big Tamsin and Petra have grown. It’s a vastly different experience to their brief time in San Fransisco but he’s glad they have two weeks and Natasha seems to take her role as surrogate big sister seriously, the four of them watching movies, or lying around with slices of cucumber over their eyes. Sarah snaps a picture of them like that, gets it printed and gives copies to both him and Natasha, along with a pile of other photos she’s taken while they’ve been staying.

              Of course, his birthday comes and he’s twenty-one. Maverick hands over an envelope and a key and he looks at it blankly.

              “What’s this?”

              “The deed to the house. It’s to go to you on your twenty-first birthday.”

              “But… what am I going to do with a house?”

              “Live in it?”

              “But… I’ll be deployed or away…”

              “Bradley, it’s the house your parents bought. What you do with it is up to you. I’d like to still live there of course…”

              “Of course! I mean, if you’re not moving in with Ice, then of course you can stay there. It’s just… nothing has to change right? It’s just a piece of paper?”

              “It’s just a piece of paper. And we’ll help navigate any legal stuff. And we won’t be moving in together any time soon,” Ice states, voice soft, but his expression is sad and Bradley wishes things were different.

…           …           …

              Tom wants to wrap himself around Maverick and never let him go. The amount he’s been away on deployment makes every moment they have together even more precious, and he’s starting to second guess his own rules, even if they’ve kept them both safe. He has two kids and an ex-wife which is a damned good cover, even if his best friend comes and stays frequently. He isn’t telling anyone that doesn’t already know, and no one is asking him, even if they have their suspicions.

              He hates the fact that Pete is now effectively homeless, not that Bradley would ever kick him out of the house, but Tom wants him to have somewhere that is his, and maybe not his alone, but something that would just light Pete up from the inside. The way flying does. He pauses mid-thought and thinks back to a couple of years ago, the Beechcraft and the airstrip, Mav taking Bradley up in the air. Huh. Not a plane, not yet, but there were hangars out there. And a hangar beside an airstrip is probably somewhere Pete would consider living if he thought it was a legitimate option. Not that he himself would want to live beside an airstrip, but this isn’t about him.

              He makes a few calls. Then a few more calls. He’s got to consider leases, and taxes and whether it might just make more sense to rent. He doesn’t want to rent though, wants to make some sort of large gesture and present it as a fait accompli that gives Maverick no wiggle-room to turn it down. He feels pretty confident it wouldn’t be turned away regardless, unless Mav was feeling particularly difficult on the day. Then he gets a call, someone had heard he was looking, and it’s an old Navy hangar, located at the very same airstrip and it feels serendipitous and he agrees to come out and have a look.

…           …           …

              Of course, with how much mentoring he’s doing with the Plebes come the questions, and he remembers his conversation with Ice, a couple of years ago now. When they ask him questions about his parents he simply pulls a face and shakes his head, ignores his own peers, fellow Firsts, who he can see from the corner of his eye who were shaking their heads at the Plebes, trying to stop them from simply asking.

              “My dad was a naval aviator who died in a Top Gun training incident in eighty-six and my mom died of cancer in ninety-four. I was raised by my step-father after that. Any other awkward questions you want answers to?”

              It’s probably why they never ask him or Natasha anything, and another First slaps the Plebe on the back, mutters I tried to warn you off asking but he doesn’t feel upset about it at all. It’s not at all a lie, even if his step-father would be here in a heartbeat if Bradley needed him to be. He knows that both Ice and Mav intend to attend his graduation in formal roles, and while they might night get to acknowledge their roles with each other in such a formal setting he doesn’t care. They want to be there and they’re planning to be there, special leave already requested and granted long ago, considering they’ll be in uniform.

              He and Natasha both work hard, both at their studies and also on their physical fitness. Their applications for flight school were submitted months ago, he really wants to go with her, can’t imagine not going without her. They’re both consistently in the top two or five percent, which he knows bodes well for them. Knows that their involvement with extra curriculars and being friendly with pretty much everyone has them well liked and respected. He just has to be patient and wait.

…           …           …

              They both look at the envelopes, slapping them on empty palms. They look identical, but unlike his USNA acceptance letter, this is a single piece of paper and it could be flight school acceptance, or a decline.

              “On the count of three?” Natasha asks and Bradley admires her courage.

              “Yeah. Three.”

              They rip them open.

…           …           …

              “I knew it!” Maverick screams, his joy palpable through the phone for their Saturday afternoon call. “Ice! Ice! He got in! Hold on, let me put you on speaker…”

              “Of course he did… well done Bradley. Congratulations.”

              He blows out a long breath, because he’s glad they have seemingly unshakeable confidence in his abilities. God, he never wants to disappoint them.

              “Thanks. Natasha got in as well.”

              “She’s a very capable young woman. Proud of you both. Please pass that on to her.”

              “Yeah, thanks. I will.”

              “Yeah, we’re both very proud. You can go back to work now. I’m going to go outside and talk to my godson…”

              He hears Ice mutter something in the background, not clear enough to make out, but then Mav is telling him off for rolling his eyes and he can just imagine what he said, the gentle laughter between them and he can’t help but smile.

              “So. did Ice tell you he bought me a hangar?”

              “He did what?” Bradley asks, because such a move seems like something Mav would make, rather than Ice.

              “He bought me a hangar. Said that I was obviously always welcome wherever he was, but that he knew I needed my own place and that I now had a space for the plane I’ve been eyeing up.”

              “You’ve been eying up a plane? Wait. A hangar. For you to live in? What about the house? You aren’t moving out are you?”

              “No. Of course not. But I’m going to be there as often as you are, probably less considering Ice has become a lot more, uh, relaxed about his stupid sleepover rules. The hangar isn’t currently habitable anyway. But there’s this P-51 Mustang I’ve been looking at. It’s beautiful.”

              “He proposed to you with an aircraft hangar. Oh my god, that’s so… romantic and practical of him.”

              “He didn’t propose.”

              “Mav. If a guy bought me an aircraft hangar what would you think about the guy?”

              “That he was crazy in love with you, and utterly committed… oh shit. I’ll call you back.”

              He is not surprised when he doesn’t get called back.

…           …           …

              He hadn’t expected it.

              They hadn’t warned him.

              The emotions of the day, coupled with the fact that they’d asked every single member of the 1986 Top Gun class there, along with a few other friends of both his parents. He clearly has the biggest cheering section and he feels like a mess inside, although outwardly he’s all smiles and calm togetherness. Four years of training helps with that at least. Ice and Mav are both up on the stage, part of the VIP section, along with several others who are still serving, and he recognizes them from his birthday a couple of years ago.

              “Did you know they were all going to be here?” Natasha asks, and he shakes his head, throat working against the tightness of his collar.

              There are photos, Ice agreeing to so many photos with newly minted graduates and Bradley lets them all go, fights his way through the crowds to find Mav. He and Ice can stage photos later, there will always be times when they’re in uniform. Just the fact that they’re here is more than enough and he’s so happy that he has had them supporting him every step of the way.

              “Captain Mitchell.”

              “Midshipman Bradshaw. Congratulations. Your father would be very proud. I flew with him you know?”

              Bradley blinks.

              Blinks again.

              Hopes his internal dialogue somehow is being telepathically beamed into Mav’s head.

              You are such a dick. Hopefully his expression does enough to convey his exasperation.

              “Really? I didn’t know that sir.”

              Mav gives him a shit-eating grin and Bradley wishes Ice were there to hit him around the head. Not that he would, not in this setting, but damn he sees why he’s always so tempted.

              “I’m going to have a photo with all the graduates who are going to be heading off to Corpus Christi for flight school. I think they want us over there.”

              It’s chaos. Positive and energetic happiness with everyone feeling the sense that they’re about to begin their careers, that they’ve made it through what is meant to be the hardest part, even if Bradley secretly thinks flight school might be even more challenging, it’s only for eighteen months. He manages to get photos with Maverick, Natasha and Ice and nearly every available combination. Then there are photos with the 1986 class, and he ignores the fact that several of the other men seem to shed a tear.

              Then it’s dispersing, the crowd thinning and families are gathering, taking more photos and he can see Sarah pushing through, the hands of Tamsin and Petra clasped and he grins, starts heading toward them, already thinking that Tamsin has grown a couple of inches, can see both his sisters pulling Sarah toward them before she decides to let them go.

              “Natasha! Natasha!” Petra screams, and she’s running across the quad, hair streaming behind her with gold and navy ribbons mixed in, running past him and Natasha is grinning broadly, bending down to swoop Petra up in a hug. Bradley stands back up from where he’d been just about to scoop her up himself before she’d breezed past him.

              “Wow,” he says to Sarah as she comes to a stop to stand beside him.

              “Hurts doesn’t it?” Sarah says, not really asking and Bradley nods, murmuring a quiet yeah under his breath. He doesn’t begrudge Natasha the joy and love of his sisters, love isn’t in finite supply, it’s just a little hurtful to not even warrant a hello. He has to remind himself that Petra is only seven.

              “I love you Bradley,” Tamsin says, arms coming around his waist to give him a hug, as if she can tell how he’s feeling and he hugs her back.

              “Love you too Tam.”

              “You’re dressed up all fancy like Daddy and Papa.”

              “Yeah. You look pretty fancy in your dress too. Is that new?”

              “Yep. Mom bought is especially for today!”

              “We can look fancy together.”

              “Congratulations Bradley, we’re all very proud of you.”

              “Thanks.”

              “Are you proud of me? I go to school too,” Tamsin says, and Sarah looks heavenward and Bradley wonders if she’s been fielding questions like this for a while.

              “I’m proud of you, going to school can be really hard work somedays,” Bradley says.            

              “Daddy!” Tamsin says, and then Ice is there, pressing his cheek against Sarah’s in greeting and nodding at Bradley again.

              “Bradley! Up!” Petra demands, appearing at his side and Natasha is grinning.

              “Hello to you too Miss Petra, happy to be of service.”

              There are a few people doing a double take as they see who he is standing with, who he is clearly family with, but he cares less now. He’s finished here, no one can claim he played any favoritism card. He knows flight school will be different, wants to be in the air as soon as possible.

              He can’t wait.

CHAPTER SIX (2005)

[chimaerakitten]

so @darlingofdots's awesome Temeraire!universe historian post mentioned the wreck of the HMS Allegiance and I have been thinking about where it is literally all day.

Not just where as in "somewhere in the South Pacific" (because duh) but also, specifically, how deep, and therefore how the wreck would be studied.

Because a lot of archaeologically significant shipwrecks are pretty shallow, since they're the wrecks we can dive to, either on normal air scuba tanks or mixed gas. The Uluburun shipwreck off Turkey, for example, sits between 44 and 61 meters deep, which is right on the edge for air diving. The archaeologists could only be at the bottom for 20 ish minutes at a time, two times per day, with careful decompression timing as they went up to avoid the bends and not-insignificant amounts of nitrogen narcosis at the bottom. Mixed gas goes deeper, 100 meters or so for some of the more available ones. (there's a Phoenician shipwreck off the coast of Malta that's about 110 meters deep, and was excavated by technical divers) Beyond that it's just commercial divers laying oil pipelines with the super $$$ gas at depths of up to 500 meters or so. Anything deeper than that is the domain of submarines and robots.

and really, all of that ^ paragraph is just tangential set dressing that I added because I like shipwreck archaeology, because knowing the Allegiance went down in the middle of the South Pacific meant it was always going to a be a submarines-and-robots wreck. The middle of the Pacific Ocean is uh. deep. but I wanted to find out exactly how deep.

so the map from Crucible of Gold puts the sinking at a little under 50°S and a little over 121°W, which the NOAA bathymetric data viewer says is just about 3000 meters deep

Since that's an extremely boring screenshot, here's the CoG map overlayed on a bathymetric map:

It's actually on a bit of a ridge there! which is why it's at 3000 meters and not deeper.

We do find and investigate wrecks at that depth and deeper these days. The Titanic is at 3800 meters, and it has been investigated extensively (though we also have a recent pretty major news story about why thats still difficult and uh, very dangerous) The USS Samuel B Roberts was found at 6895 meters, and perhaps most relevantly, the search for Malaysa airlines flight MH370 turned up two 19th century shipwrecks at 3500+ meters deep, over 2000 kilometers off the coast of Australia.

One of those wrecks was a wooden ship from either the 1870s or 1880s, and though, being wood, it was pretty badly decayed, its cargo (coal) and metal features (anchor and water tanks) were still extant. On the Allegiance, that would also include her guns and her metal keel (which would probably be the identifying feature TBH, the keel marking her as definitely a dragon transport)

That wreck is probably the best parallel to the Allegiance in other ways, being a wooden sailing ship with a wreck not only very deep but also very remote. It also probably went down due to an explosion, just like the Allegiance. They were common on coal-carrying vessels, and the sonar images showed the cargo was scattered across the seafloor like something catastrophic happened.

The Allegiance would be more remote than its real-world parallel, but anyone looking for it would be hunting for it specifically and would be armed with probably a decent idea of where she was when she went down, seeing as there were survivors who would have been very keen to remember where they were so they could know how close they were to land. Plus, much like the Titanic (though not to the same extent) there'd probably be funding to investigate the Allegiance once found, as she had a part to play in major political turning points on at least three continents. People tend to be interested enough to throw money at that sort of thing.

So, there you have it. It would take a pretty serious effort to find her, though not an impossible one, and once found she'd be investigated by shipwreck robots, which would bring back pictures and samples of her metal remains, with organic matter being mostly absent by the time she was found.

[yaboirezzy]

Any of you ever find a new thing you're interested in and you want to know and see more of it, only to find out that thing has been dead or gone for a while and the person/people behind it did something awful or got in some bad controversy?

Cause I have and it's with this:

So I was rewatching some old/classic web animations (mostly Eddsworld, SMB Z, and archived newgrounds animations) and I saw this in one of the playlist that has a bunch of those animations. I only watched it because it was next in the queue but after a couple of minutes I was kinda hooked on it and kept on watching, after a while I decided to watch it till the end, and well...I was really interested.

Sure it was REALLY dated with how it looks and feels, plus the characters and the concept or setting are really standard and could use some improvements, but I thought to myself while searching for more stuff about this series: "Eh, it's part of the charm with these old web animations. Also this was just the pilot episode so surely there's more to come, surely it'll get better from here, surely this'll be a good or at least fine series that'll have some charm and laughs with absolutely nothing bad happening to-" yeah that didn't happen and I wished it did instead of what actually happened.

Yeah so going over every unfortunate thing that happened would take like forever (I think based on what other people have said) so I'll just give you a short summary of what happened: The creator (animated james) canceled the series after two short seasons, he was exposed to have some questionable actions and/or interest which of course led to controversy, and he disappeared from the internet (wherever he is I hope he's doing well). Yup it's another "a classic content creator's downfall" situation...

Okay but you might be thinking to yourself: "What about the series itself and it's two short seasons? Is it any good, is it another case of separating the art from the artist, did it at least leave a bittersweet taste behind?" well....no. Yeah I'm very sorry to any C Students fans out there, I understand if you like this series and think it's really great or an underappreciated gem from the past, I get that and I respect it, but C Students is just really meh to me.

"Well what is C Students?" you might ask, well according to the wiki: C Students is animated web series centered upon a group of teenagers and their life and misadventures in Hartlane High School. Yup, that's all it is from the wiki, and it's actually fitting because that's is ALL this series is about, it's literally just another "teen high school - slice of life & comedy" series kinda like the ones you would find on Nickelodeon or Disney Channel back in the 2000s, except this time it's animated...which isn't really giving it much, like aside from the expressions, some of the movements, and a few things here and there you can have this series in live action instead and it would not be any different.

The characters don't improve or change even slightly from their basic one-note roles/stereotypes in the pilot, similarly the misadventures and situations they go on or find themselves in aren't that interesting or different compared to those from any other series in the genre, and the humor is...the same as those from any other series of this kind, not to say that it's all bad but it's definitely got a lot more misses than it does hits as the later episodes go on, hell even the mature jokes have all aged in varying conditions (both generally and based on the controversy). Speaking of which, that's kind of the overall problem I have with C Students: It clearly looks and feels like a comedic slice of life high school series, but it also tries to be serious and act like it has something important to tell, and it's obvious that it doesn't mix together or handled well. Like for example there's the music video "Creative Types" which is great to watch and listen on it's own, but when put alongside the actual episodes it feels out of place and doesn't feel like it's from the same series at all, which it is even if it's not canon to the main series' timeline. So TLDR: It peaked at the pilot and it slowly and sadly went downhill

However the thing that upsets me more than anything else about this series is...It could be good! It could've been better! I wish it could've been better! I wish it could've entertained us with something different or interesting to it's concept or genre in the same way as The Looney Tunes Show does to suburban sitcom, I wish it could've mixed/handled/balanced the more serious and mature stuff better like Smiling Friends, I wish it could've had some nice charm and laughs to it at least.

Which is why I'm planning on making my own take/version of C Students! Yes I know it's another one to add to my pile of "stuff I've planned out but never actually making", but that's the thing with me unfortunately: I'm good at planning or making ideas and not so much on actually making them come to life, I'm just one person and the idea of making a long running thing on your own without any help whatsoever is terrifying, I'm the one with the blueprints and I need other people to actually construct the thing. But anyways yeah, that was my personal thoughts on C Students (If you don't like or disagree with it then feel free to do so as it is MY opinion and you shouldn't feel obliged to agree with it) I'm PROBABLY gonna make my own take on this series sometime soon, hopefully we'll see how that turns out

EDIT: So I found out that the seasons I watched was a fan-continuation of the series not by the OG creator, but all my points still stand as it would've been more or less the same as canon (according to the creator and people in the comments)

[salt-baby]

As someone who is currently working in the healthcare field and looking at attended medical school, can you please elaborate on the ableism and doctors post you made? I’d very much like to avoid inadvertently falling into that category.

Somehow this missed my radar, my bad!

It's a difficult question to answer, although it is the right question to be asking.

You can find my other elaborations here and here, which will likely be helpful.

But to address your specific question, when I think about the ableism of practitioners, in some cases it is just bias, but in many it's just your run of the mill ignorance.

It takes experience to work well with disabled people - both because of the heterogeneity of them, and because the disabled experience is so far removed from the able bodied one.

Some people like myself call themselves disabled as an identity they're proud of, some people call themselves disabled but are uncomfortable with their condition to various degrees, and a lot of people would find it offensive for you to call them disabled because they would call themselves chronically ill or not impaired at all.

In your medical practice, "disabled" is going to be a legal term with a set definition, used to distribute benefits. You'll be taught an impairment model of disability, and your first instinct will likely be to try and fix the problem your patient is experiencing.

In a case like mine, that's not a mindset the patient is going to appreciate, as backwards as it sounds. Yes, I'm in a doctor's office to get treated, but the reality is that expert doctors have already evaluated my conditions and done all they can to help me. There's no quick fix - the fantasy of curing a difficult case is impossible with me, but it doesn't stop some young doctors from trying. My disability isn't one illness, but ten, and often what disables me is the environment around me rather than my actual illness (this is called the social model of disability, and that's where you should start studying).

I'm in a doctor's office to find relief from specific symptoms, or for a new problem (secondary to my existing conditions) that has popped up. Some residents have reviewed my entire medical file, and asked about things that weren't followed up on, and there's only so many times I can say "there's nothing we can do about it". Many premeds, when I mention the medications I'm taking, think that there must be some kind of better medication setup for me. Except there isn't, all of my meds are essential, and at this stage of illness, all medications have nasty side effects. I will never get better and will likely live the rest of my life on immunosuppressants and I'm okay with that, but that's very difficult for able bodied people, esp medical practitioners, to accept.

And in many cases, medical practitioners have put their foot in their mouth by just being ignorant. One person working at a rehab hospital asked if I slept in my orthotics - the answer is no, obviously, orthotics are painful to wear (it's also bad form to ask a disabled person about their disability just because you're curious). Someone told me it'll be okay, they used to wear wrist braces too and they're fine now - in reality, their supervisor just told me to consult surgeons, I was recommended casts, and my wrists remain permanently displaced to this day. I lost most of my ability to write. Our issues were not the same.

On another occasion, a premed picked up my orthotics and moved them away from me without asking - those are expensive (2000$ USD) and irreplaceable, and I need them to walk, I'm vulnerable without them. But to others, they wouldn't be aware that those braces are that valuable. Many disabled people, myself included, view mobility aids as an extension of their own body. For all intents and purposes, my orthotics are my "knees". I often compare it to a phone - it'd be really weird to take someone's phone and move it away from them, or even to touch it unannounced in the first place.

The reality of what a disabled life actually looks like is obscure to the vast majority of able bodied people. Let me be clear, I live a happy and satisfying life, where I enjoy my work and my friends and my family. My existence is not a tragedy, and when it's treated like one, it devalues my hard-won happiness in life and what I have to contribute to the world. But at the same time, every hour of every day is impacted by my disability. I have to change how I cook because I struggle with lifting a pot or standing on my feet for too long, my closet has to be adapted for my orthotics and nerve pain, a number of medications have to be kept basically within ten feet of me at all times, and I have to be very careful anytime I eat something I didn't prepare myself.

You may prescribe a medication which you know can cause nausea, and not realize to your patient, that side effect looks like being sick everyday, skipping meals, wearing a mask so a smell doesn't set you off, and not enjoying eating anymore. You may write a script for the test which is medically the correct option, but your patient may be sensitive to the specifics of the procedure (ie, for religious reasons, it may be difficult to strip down to a gown for some of the more involved imaging procedures). Cystometry and other urological procedures especially. I find this is where doctors sometimes inadvertently do harm. The best option for your patient isn't always the best option medically - it's what fits their priorities and improves their quality of life.

Understand that the current culture in medicine, for doctors, is often very callous and frustrated towards their patients. Recently I heard someone express that their patient needed to just accept their disability already and start being compliant with treatment - they had been disabled for three months. It took me a year to feel even remotely settled with becoming disabled, and my disability isn't nearly as severe as that patient's. Do not follow in your colleagues' footsteps.

If you spend the time trying to understand your patients (which may look like reading disability theory papers, memoirs, watching documentaries, possibly even volunteering, talking to some of your seniors with more experience, etc) then you're already miles better than most of your coworkers. Take the time to consider it from your patients point of view, and even though it's not what's in your textbook, appreciate the value of the information your patient brings to the table (their experience, their concerns, their gut feelings), and you've already done what most disabled people are desperately searching for in a practitioner.

The reality of a minority identity, is that for adults who have become accustomed to something like being disabled, it matters a lot more where your heart is than what you actually say. I don't care if someone is politically correct - I care if they're trying. Even if they're not quite there, that effort will pretty much always be seen and appreciated. I'd far rather someone call me "handicapped" but never view me as lesser, rather than someone who falls over themselves to "accommodate my limitations" and never actually intends to accommodate anything. Be sincere, and you can make mistakes, we'll know what the intention was.

Best of luck, my friend.

[its-rat-time-babey]

Figuring out when the fuck Glitch Techs takes place.

Spoiler Alert: Not when you’d think.

Also probably spoilers for Glitch Techs idk.

Alright. Glitch Techs. I watched it, I liked it, I mourned that it was shelved by Netflix and will never get a season 3 or a conclusion to the story it was in the process of setting up, and I thought to myself:

“Hey, when does this show actually take place?”

Because we see technology from the past, present and future all in one timeframe being presented like it’s perfectly normal.

For the present (or at least 2019-2020, when the show was made), we see modern smartphones and VR gaming is a regular thing.

(Although do keep in mind that Smartphones seem to look more like the older models of Smartphone compared to our modern 2020 ones. This will be important later)

But that’s where the first flaws start showing up.

Starting with the evidence for the past: There’s fast, modern internet and social media exists, which is a point for modern day, but social media doesn’t seem to be a completely universal thing, with only a few characters we see actually using it.

Streaming and Streamers exist, with Mitch being a former streamer and member of a streaming group, but given how little social media is relevant in the show it’s actually arguable how popular or widespread streaming is.

People definitely know about Mitch Williams and the Furious Four, but I’d argue that those people are limited to more hardcore gamers and Hinobi game enthusiasts and not many (or even any) people outside that niche really know or care.

Mitch’s career as a streamer and any fame he has in general is only really noticed by other hardcore gamers like Five, other Glitch Techs and that one kid in the Hinobi tournament (the fact that they’re in the tournament to begin with means that they’re one of the best gamers Hinobi could find) after all. Miko, a hardcore gamer, doesn’t even know Mitch had a streaming career at all until someone else tells her (although she does kinda get a pass because it’s implied that Miko is homeschooled and just doesn’t know much about social media or streaming in general).

So it appears that in the setting of Glitch Techs, social media and streaming exists, but is a rather niche concept, with only a few demographics of people being interested in that sort of thing. High schoolers and older teens for social media, and hardcore gamers and game enthusiasts for streaming. So in that regard it’s a lot like the early 2000s when that kind of thing was just taking off and wasn’t as popular.

There’s also the far more obvious fact that arcades are common and very popular. Not something that you would expect if this show happens in the modern day.

Even TVs don’t line up with the present day. If you see a TV in glitch techs, it looks more like a TV from the 2010s than the modern day.

Note the stand and the fact that they’re not wall mounted and too thick to be proper modern TVs.

But on the topic of TVs and video games, this is where our one piece of big future evidence exists, so I’m going to disprove it real quick to make things easier for us.

There is holographic technology easily available and commonplace in gaming equipment.

And this isn’t just a regular case of Hinobi having advanced, futuristic technology that it only gives to its Glitch Techs (which I’m fully willing to overlook) because these holographic screens aren’t limited to just Glitch Techs. It’s an ordinary part of Hinobi’s commercial technology.

However, It can just be counted as Hinobi being really shady and advanced in terms of technology, especially since it’s only Hinobi technology that has this stuff. Phones, TVs and etc don’t have holographic screens, and there’s a canonical reason for that in the form of plixels, the Hinobi technology that creates all those glitches in the first place.

Plixels are canonically a thing that Hinobi invented to store massive amounts of data in very small spaces, which they use to make their products as advanced and high quality as possible. They’re also somewhat unstable which is what creates glitches, but that’s a whole different topic.

Point is. Plixels are extremely advanced Hinobi technology used in all of their products, and as seen in the show, can be used to create solid objects if used correctly. The holographic screens are just Hinobi Plixels being used for their intended purpose and it makes perfect sense why Hinobi has this technology, and as such doesn’t really provide any evidence of Glitch Techs happening in the future. Hinobi is strange, shady and has very advanced technology for it’s time, so we’re going to ignore most of the super advanced technology they have.

We will not however, ignore their older technology, especially the tech that parallels our own. That stuff is very useful.

Part 2: Actually solving this thing:

Here’s what we have so far for Glitch Tech’s setting:

VR gaming is a perfectly normal thing that matches or even somewhat surpasses modern VR (2020)

Smartphones exist, but visually resemble older smartphones from the early to mid 2010s

TVs resemble early 2010s TVs

The state of Social Media and Streaming seems similar to how it was in the 2000s

Arcades exist and are very popular, which dates things to anywhere from the 1970s to 1990s

Hinobi’s advanced technology fuckery can complicate things, and provides no evidence for any one time

For actually solving this, we need concrete data and that needs some assumptions regarding our world and how it relates to the world of Glitch Techs.

Because we have about three and a half pieces of hard evidence for the time period that Glitch Tech takes place in, and they don’t give completely conclusive dates, just a time frame of a few years that Glitch Techs can happen in and some explanations and rationalizations are needed to explain things that don’t line up.

It also uses the ages of some characters that I got from the wiki (which may not be completely reliable) and some educated guessing.

Those pieces of evidence are:

Ping’s creation and Emilio Nieves

Spec Ops

Phil’s files, Bitt and Bolybius

One crucial part of figuring out the Glitch Techs timeline is the fact that Video Games as a concept were created rather recently compared to our world. Five’s dad, Emilio Nieves was a former employee of Hinobi and was the creator of the first three video games, including this world’s equivalent of Pong, is still alive and according to the wiki is somewhere in his 40s.

Now we just need to figure out how old he was when he made Ping, and we have some pictures that might help.

In the episode “Ping”, we see Emilio Nieves at three different points in his life.

A young man who appears to be either in or fresh out of college judging by the other people around him that resemble college students.

An older man (that looks the same as before) raising Five that i estimate to be around his 30s considering his current age, Five’s age in the photo and Five’s current age.

Emilio Nieves in his 40s in prison, how he currently is.

Emilio Nieves is somewhere in his 40s, and judging by the pictures and how he was responsible for the first three games, probably made ping fresh out of college, and then made the other two a few years later.

Ping’s real life equivalent, Pong, was made in the year 1972, and if we assume that Ping and Pong share a birth year and Ping really was created when Emilio Nieves was in or fresh out of college, that would put the current year of Glitch Techs in anywhere from 1992 to around 1998, depending on exactly when Ping was made in relation to Emilio Nieves’ time in college (the average college student spends about 4-5 years in college, plus 1 year for time after leaving college).

That’s a pretty big timeframe, but it can be reduced by quite a bit with the help of another equivalent game.

Spec Ops.

Spec Ops is a game made by Hinobi that was freshly released when Five bought it in “Karate Trainer”. It’s also a very obvious parody of Metal Gear, so if we can figure out exactly what game in the Metal Gear franchise it’s closest to, we can compare its release date to the show.

And I narrowed it down to two games in the franchise. The original Metal Gear from 1998 and Metal Gear 2: Sons Of Liberty from 2001.

I apologize for the terrible pictures of the Metal Gear Games, I just couldn’t find any good ones.

I can’t figure out exactly which of the two games are closest to what we see in the show and I don’t really believe it’s possible, but this narrows our timeframe to 1998-2001.

Next up: Phil and his secret files.

According to Bitt, Phil has been working as the manager of Hinobi’s Bailley division for 20 years, and it’s implied that he worked as a Glitch Tech for several years before becoming a manager and being given Bitt. According to the wiki, Phil is somewhere in his 40s.

Now, we see Phil in his 20s in “BITT Prime” courtesy of Bitt’s photo album and we see a much younger version of him in Phil’s hidden files at the end of the episode.

However, you’ll probably notice that these two Phils are not the same. Notice the small beard on File Phil that’s absent on 20-Years-Ago Phil.

But we do still know roughly when this Phil existed because we have a photo close to that.

I’m not joking here. This is 100% serious. Notice the beard. This is the first appearance of said beard in all of Phil’s photos. Hippie Phil does have the beginnings of a moustache that File Phil lacks, but that still helps figure out when File Phil happens because it dates him to just before the photo was taken, in between Hippie Phil and the photo before it.

Hippie Phil is the 3rd picture in that photo album and assuming that each photo was taken one year apart, that means Hippie Phil happened 17 years ago, and File Phil Happened somewhere between 17 and 18 years ago, which I will simply round down to 17.

Hippies were a thing mostly in the 60s and early 70s, so if we assume that the photo was taken in the early 70s, that would place us around 1987-ish. But there’s a massive problem here: Ping puts us around 1992-1998 and Spec Ops somewhat narrows it down to 1998-2001, but now we have evidence pointing to way earlier than even the oldest possible date of 1992.

Luckily, although HIPPIES were a thing in the 60s and 70s, TIE-DYE specifically was a thing that went in and out of fashion during the 70s, 80s, 90s and even the 2000s. Phil isn’t being a Hippie in that photo, he’s just wearing tie dye, which happened to be in-style when the photo was taken, and I can’t explain the peace signs and stoned expression. Maybe some things are best left unanswered.

But this gives us another problem. Now the timeframe is too wide, spanning nearly 40 years of time. But this too can be solved using a completely different theory involving a certain arcade game that I have a love-hate relationship with:

Polybius. More specifically it’s in-universe equivalent Bolypius.

Almost nothing is known about Bolypius other than a few hints we’re given sparsely throughout the show, including:

Bolypius is a glitch of some kind that’s incredibly dangerous and important, possibly being intelligent and able to act human

Hinobi has no idea where Bolypius currently is

Miko may be important in locating Bolypius’s current location, for reasons that are unknown but probably linked to her reset immunity

If the show hadn’t been canned by Netflix, we would have had an episode dedicated to Bolypius, named “Bolypius”

An animatic from an unreleased episode exists bringing up “Bolypius Chess” as a very old game in the Glitch Techs universe

Bolypius presumably takes many details from its real urban legend equivalent

Now taking that last fact into consideration, here’s some important, basic details about Polybius:

Polybius was made by the government and caused all sorts of physiological effects on the people that played it

Mysterious men in black would often be seen messing with the machine and taking strange data from it

One day, Polybius just vanished. Taken away by the government never to be seen again.

Taking that into consideration and assuming that Polybius and Bolypius share similarities with each other (which they most likely do), you can assume some things about Bolypius, mainly that it was most likely purposefully created by Hinobi (who take up the role of the government here because it’s Hinobi, of course they do) for whatever reason and like Polybius, just vanished one day, with the difference that Polybius was taken away BY the government and Bolypius escaped FROM the government (or Hinobi in this case).

How does this apply to Phil’s messages to his future self? Well we’ll never know what those messages involve because Netflix is a bitch but judging by Past Phil’s comments about Hinobi wiping the minds of employees, the warning he delivers about “things getting glitchy” in the future and the slow reveal of Bolypius that was supposed to happen if the show didn’t get canned, it’s pretty safe to assume that these messages involve Bolypius in some way.

We also know that this information isn’t a clue to Bolypius’s location because for one, Phil’s mind was wiped at some point after making these videos, and if Hinobi is trying to FIND Bolypius they probably wouldn’t erase the mind of someone who has a clue to their location.

No, the video is definitely talking about Bolypius, but I don’t think it’s about its location or where it went. Past Phil mentions that he took a bunch of files from Hinobi’s development lab, aka the part of Hinobi responsible for making new technology and games, so I think these files aren’t about Bolypius’ location, but rather Bolypius’ CREATION.

Like it’s real equivalent, Bolypius was made by the government (or in this case, the equally shady Hinobi), and Past Phil somehow stole files detailing that process or was possibly even directly involved in the project, but had his mind wiped afterwards. It explains not only why Hinobi would wipe Phil’s mind several times in the past, but also his Phil’s warnings and why he bothered to send his future self a message in the first place.

But more importantly than that big theory that honestly deserves its own post, Polybius has a release date: 1981.

If Bolypius was made in the same year as its real world counterpart and Phil’s message involves Bolypius’ creation like I theorized, the year 1981 lines up with everything else.

It’s 9 years after the invention of Pong/Ping, so Hinobi could be a proper game company with designated Glitch Techs by that time.

That 9 years gives us more than enough time for Phil to have gotten those pictures taken over the course of 3 years.

The 80s were a time where Tie-Dye was in style, lining up with the Tie-Dye Phil picture.

And finally, taking the year 1981 and adding 17 years (the rough amount of time since that last photo was taken) gives us the year 1998, a year that fits with the other bits of evidence perfectly.

Part 3: 1998 Evidence:

1998 specifically lines up with almost all other pieces of evidence I’ve given.

Bolypius’s presumed birthday plus the age of Phil’s messages and photos gets us 1998.

If Emilio Nieves built Ping at the end of his college years or when he was fresh out of college, it’s fully possible for him to make at least 3 other games, have Five, be arrested for hacking and end up in prison by his 40s in 1998. In fact, this is even more likely given that the Ping machine has Hinobi’s logo on it, meaning that Emilio Nieves was a Hinobi employee when he made it. He probably got hired fresh out of college and invented Ping very early in his career, something that is entirely possible because Emilio Nieves is a master programmer.

The year 1998 is the exact year that Metal Gear (1998) came out, perfectly lining it up with the in-universe Spec Ops that came out in the current Glitch Techs year.

Arcades like we see in the show were popular in the 90s, albeit losing popularity at the time, and as even more evidence, the 80s and early 90s were the time when animatronic restaurants were at their most popular, lining up with in-universe things like Joystick Jr’s using animatronics when Five was a kid.

However, there’s still the existence of high speed internet, streaming and social media (in an early 2000s-like state), VR games, smartphones and TVs (which both resemble the 2010s versions of themselves).

Luckily for that, we have an explanation in the form of Hinobi’s high tech tomfuckery. More specifically the impact it would logically have on the rest of the world’s technology and technological advancement.

High speed internet can be explained by the invention of plixels, which are supposed to be an extremely compact and fast form of data storage. The invention of that technology would 100% kickstart the internet into a version that’s a lot closer to the modern version in terms of availability and speed. Even without directly using plixels, their invention would kickstart the invention of other high speed data storage technologies that would also bring the internet up to our modern speeds.

The extremely fast upgrading of the internet courtesy of plixel technology would also probably kickstart things like social media and streaming into becoming a thing way earlier than normal, but we see that it’s still not completely known by everyone.

Hinobi’s advanced technology (at least the stuff it actually sells) could also end up influencing things like smartphones into existing early and speed up the development of TVs from bulky CRTs to the significantly less bulky plasma screens (presumably they’re plasma screens based on their looks) we see in the show. The extremely fast advancement of the internet may also affect the invention of smartphones. They’re not as advanced as the modern stuff we have as they resemble smartphones and TVs from the 2010s, but they’re still more advanced than what you’d normally see in 1998.

VR being common and actually more advanced than 2020 VR is just Hinobi being Hinobi.

So TLDR: Glitch Techs takes place in the year 1998, in a universe where certain technologies were heavily influenced and advanced by roughly a decade or two due to Hinobi’s high tech tomfuckery.

[aporeticelenchus]

While struck down by Covid (alas, alack, etc), I’ve been watching operas on my mom’s Met Opera account. So far we’ve gotten through:

Barber of Seville (2007, Peter Mattei and Joyce DiDonato):

Charming! A delight! I want to spend more time with the music later to get a better sense of individual movements. Largo Al Factotum looms large and is as good as promised. I enjoyed Peter Mattei as Figaro and Joyce DiDonato as Rosina a lot too! Bartolo’s patter songs are fun. Looking forward to hearing those again.

Marriage of Figaro (1998; Bryn Terfel and Cecilia Bartoli as Figaro and Susanna; Renee Fleming and Dwayne Croft as Countess and Count):

Finally watched a Figaro production after listening to it a million times! Also a delight! For some reason they switched out Susanna’s two solo arias, which threw me. I saw some reviewers thought Cecilia Bartoli did a little too much physical comedy, but I really liked her. Renee Fleming was a great countess; Porgi Amor is still a dead bore to me but that’s not her fault. Cherubino was adorable, but seemed to struggle a bit with Non So Piu.

This continues to be my favorite opera, and I enjoyed this as a production. I plan to watch the other two productions available on the Met on Demand later.

Don Giovanni (2000; Bryn Terfel, Renee Fleming, Solveig Kringelborn, Hei-Kyung Hong):

I’ve now spent enough time with Don Giovanni to have an opinion: it’s good, but I don’t like it nearly as much as Figaro. The plot flow and pacing frustrate me. There are some standout musical moments, but also some parts that drag (hi act 2 Donna Anna). I do love La Ci Darem and Hei-Kyung Hong’s Zerlina was charming. Finch’Han Dal Vino and Deh Vieni A La Finestra are songs I enjoy from Don G, and of course Lepprello’s little list is fun. Donna Elivra generally has good music behind her, as does Act 1 Donna Anna.

Does Don Ottavio need to be in this opera? I’m just…not sure he does….

Every time I hear the Statue sing “Don Giovaaaaaaaannnnniiii” at the end, my brain fills in “from thy dark exile thou art suuuuuuumoned”, and it took me a bit to realize I was pulling that from Iolanthe. I like to think it’s a deliberate musical homage by Sullivan.

I definitely want to watch some more stagings of Don Giovanni; overall I enjoy the opera and I can imagine it changing a lot with different directorial choices.

Die Fledermaus (1986, Kiri Te Kanawa, Judith Blegan, Tatiana Troyanos, and some men probably)

I love an operatta. I love a dumb musical comedy. I love a catchy waltz I can’t get out of my head. Two thumbs up; great use of my time listening, bad use of my time trying to follow the details of the plot because it did not really matter. Special shout out to the Overture for being a jam. It almost renders the rest of the operetta superfluous.

A+ joke having an opera singer character who won’t stop singing during the talky bits. Love that the prince is a trouser role; that helped me through some of the dumb gender stuff elsewhere.

Total blast. I plan to listen to some more recording, including two English-language adaptations. (The POP Opera project did their English-language adaptation set in 1920s Hollywood; that’s on my short list to watch) I think I like J Strauss II!

Carmen (2014; Anita Rachvelishvili and Aleksanders Antonenko)

I’ve seen Carmen before, but it’s been awhile. My mom loves Carmen; I…struggle with it. Maybe it’s just my pro-comedy bias.

The music is very good, of course; the Habañera and Toreador song are some of the most recognizable music today for a reason. The Act 1 overture is great! Short and punchy! I think the opera might be growing on me musically as I listen to it more; I’ve found the group numbers initially overwhelming, but with a little more time i can better parse the music and find parts I really like.

But anyway, I liked most of this production! I thought the Carmen was compelling, and Don Jose was a good singer (I just hate his character a lot). The set deign (1930s Spain vibes) worked for me, which was a pleasant surprise.

Going to see La Boheme tonight! Wish me luck.

[ismellpestilence]

Things to watch if your favorite show is being affected by the WGA strike

This is everything that I have watched and enjoyed. They are by no means perfect shows. This includes complete series, cancelled series, and series that are still in progress. Feel free to add your own recommendations.

Only Murders in the Building (Hulu; currently on season 3)

Murder mystery dramedy set in a wealthy NYC apartment complex

Staring Steve Martin, Martin Short, and Selena Gomes as three residents who decide to make a podcast about the murder

The cast has great chemistry and the twists are compelling

Gravity Falls (Hulu/Disney; ended after 2 seasons in 2014)

An animated show about a pair of fraternal twins who spend the summer with their con-man great uncle in a weird, monster filled town

Absolutely iconic children's show.

Dead End: Paranormal Park (Netflix; cancelled after 2 seasons in 2023)

Animated YA show about two teens, an exiled demon, and a pug, that all work at a haunted theme park and are investigating the disappearances of some of the staff

Similar in style to Gravity Falls

Sadly cancelled by Netflix, but there's also the graphic novels to enjoy

Reservation Dogs (Hulu, ended after season 3 in 2023)

Coming of age dramedy about four Indigenous teens living on a reservation in Oklahoma as they mourn a friend who died and dream of running away to California together

Made by an all Indigenous writers, directors, and main cast

Scrubs (Hulu; ended after 8 seasons 2010)

Workplace comedy about staff at a California hospital

Praised as the one of most medically accurate medical show

Very much a 2000s comedy. Humor can be jarring/mean by today's standards

What We Do in the Shadows (Hulu, currently on season 5)

A mockumentary following 4 vampires and their familiar that live on Staten Island as they go about their boring, pathetic lives

Makes fun of the "cool, sexy, edgy" vampire trope

Based on a 2014 movie of the same name

Dead to Me (Netflix, ended after 3 seasons in 2022)

A traumedy (trauma comedy) following a woman who's husband was killed in a hit-and-run and the perpetrator who lost her own partner and secretly befriends her

It's funny about what happens but does deal with some heavy topics so definitely look into that before watching

The Owl House (Disney; ended after 3-ish seasons in 2023)

About a young girl who wanders into the Demon Realm and decides to stay there and become of witch instead of going to summer camp

Celebrates being the weirdo and being kind to people

Made by many of the same people who did Gravity Falls

The Office (Peacock; ended after 9 seasons in 2013)

Workplace mockumentary about some bizarre people who work in a boring office space

Features a lot of cringe/second-hand embarrassment based humor

Based on the British limited series of the same name

Very much a 2000s comedy that can at times be just plain mean. Season 1 is the worst season by far so if you can get through it the character become way more likeable

She-Ra and the Princesses of Power (Netflix, ended after 5 seasons in 2020)

An animated fantasy about a young soldier who simultaneously discovers that her side is the aggressor in the war and that the planet has chosen her to be it's legendary protector. This forces her to leave the only home she's known and her childhood friend to fight for the rebellion, who she thought were her enemies

A remake of the 1985 He-Man spinoff series

Very "defeat them with power of friendship and also this sword you found in the woods"

BoJack Horseman (Netflix, ended after 6 seasons in 2020)

An adult animated comedy about a self-centered, washed-up 90s sitcom actor (who is a horse) as he struggles to become famous again and break out of his destructive habits

Satirizes Hollywood, media culture, and American politics

One of those shows where you aren't supposed to admire the main characters

Big trigger warnings for this one. Seriously.

Good Omens (Amazon Prime, currently on season 2)

Follows the misadventures of a demon and an angel, a witch's descendent, two unskilled witch hunters, a sex-worker, and the antichrist and his friends as the antichrist grows into his power and brings about Armageddon, all set to Queen songs

Based on the 1990 book by Neil Gaiman and Sir Terry Pratchett

The fandom focuses a lot of the shipping side of the show but forget all of that if you plan to watch it

Season 2 wrecked me

Gentleman Jack (HBO Max & the BBC; cancelled after season 2 in 2022)

Based on the real diaries of Anne Lister, a wealthy lesbian in 1830s England who is looking for a wife and to expand her business enterprises

Sadly HBO pulled away and the BBC couldn't afford to make another season without them. What was made is still worth checking out.

Our Flag Means Death (HBO Max; currently on season 1)

A pirate workplace comedy/romcom that loosely follows the real life of Stede Bonnet, a wealthy landowner who ran away to become a pirate due to a mid-life crisis. He wants so badly to be a pirate captain but is far from qualified for the role.

"Traditionally, piracy is a culture of abuse...floggings, keelhaulings. And my thought is, "Why?" And also, what if it weren't like that?" really is the thesis of the show

(Edit) omg I cant believe I forgot:

Avatar: the Last Airbender (Netflix; ended after 3 seasons in 2008)

An animated children's fantasy series in which people can manipulate one of the four elements, and their peacekeeper, the Avatar, can manipulate all four. After being frozen in ice for 100 years, the 12 year old Avatar learns that the Fire Nation has begun a war that he must stop by next summer

Literally the blueprint for the modern animation that we enjoy today. IDK what else to say. It's iconic

Hilda (Netflix; ended after 2 seasons and 1 movie in 2021)

An animated children's fantasy series set in a world full of Nordic folk creatures

After spending much of her life living in the woods with her mom and her pet deerfox, Hilda is upset to learn that her mom now wants to move to Trolberg, a walled-off city where Hilda fears there is nothing interesting to do. She quickly discovers that there is just as much magic and wonder in the city as there is in the woods.

She's voiced by Bella Ramsay and the animation is beautiful. It's all all-around good vibes show.

Interview with the Vampire (AMC; currently on season 1)

After the first interview in the 70s that ended in disaster, Louis de Pointe du Lac reached out to Daniel Molloy and demanded a do-over. He goes back to his life as a black businessman in 1910s New Orleans and the complicated relationship between himself and Lestat de Lioncourt.

It's actually gay enough this time you guys.

I'd also like to add:

The Bear (FX/Hulu; currently on season 2)

A dramedy about a New York chef who inherits a failing sandwich shop after his older brother commits suicide.

Sometimes a found family isn't all sunshine and unicorns. Sometimes its a lot of screaming and resentment and cussing each other out.

It's a very stressful to watch so it's not for everyone, but if you're the type who finds that cathartic then you should give it a watch.

The Sandman (Netflix; currently on season 1)

Begins in 1916 with the capture of the god of dreams by a greedy sorcerer. After he escapes he must rebuild his realm and repair the damage done by his absence.

Trying to describe this show is really, really, difficult. It would be easier to describe what this show isn't.

Based on the DC comic of the same name by Neil Gaiman.

[catbountry]

It's been a year since the premiere of Trigun: Stampede. The series, despite the fears of the fans of the '98 anime, actually turned out really good; Yasuhiro Nightow is a big superhero comics nerd, and wanted to have this new anime adaption be an adaption similar to the adaptions of the MCU, back when those movies were consistently enjoyable, and I daresay a bunch of the people watched Trigun probably were either already anime fans, or they were nomad fans who may have been really into the MCU at one point.

I have a lot of thoughts on an American perspective on Vash the Stampede as a character, with a lot of comparisons to American comic book superheroes. And while Trigun wasn't my first anime, I was hooked on it, as someone who grew up around Batman and Spawn's 90's popularity. During my first Otakon in 2001, I must have seen a dozen Vash's and Wolfwoods. I remember the year there was a Wolfwood cosplayer whose Punisher gun was shaped like the Star of David instead of a cross, making him a rabbi. That shit was amazing. The larger point is that I've loved this character for more than half of my entire time being alive, and I haven't seen a lot of discussion of Trigun viewed from a more political lens, and why it resonates so much with Americans (or at least me, who is an American) in particular

Buckle up, kids, this is gonna be long and rambly.

There was a period of time where I watched nearly every single new MCU movie in the theater. It was exciting seeing adaptions of comic books that would have probably never gotten a movie before the success of The Avengers. And I don't think it's a mistake that the most comic book-y of the movies are usually the best; Guardians of the Galaxy and its sequel remain as probably my favorite MCU movies. Nightow was working directly with the studio making a new Trigun anime and reportedly got the crew to watch a bunch of Marvel movies to set the tone for the anime as an adaption; it's why Vash got a completely new redesign that freaked all us old fans the fuck out. Though it appears that once again, Trigun tried and failed to get that massive Japanese audience that most successful anime have. But boy, oh boy, do us westerners fucking love Trigun, especially us Americans. Nightow's love of superhero comics bled into Trigun, and it just so happened that he was incredibly influenced by Spawn, Hellboy and Batman as much as he was influenced by Akira Toriyama and mechanical art. McFarlane Toys released a Vash figure that is McFarlane'd the fuck up. Nightow loves all superhero comics but especially the Blade trilogy.

Just look at this and imagine being 13 years old and seeing this on a screen for the first time with the instrumental hard rock opening.

Also, I wouldn't actually get around to reading Spawn until I was an adult, but you know what? It's pretty good. The writing is definitely weaker than the art, but holy shit, that art goes hard and I still think that shit's cool as fuck.

As stated before, around the early 2000's Trigun was considered peak anime, though it's been more overlooked in recent years in favor of Cowboy Bebop, an anime that has aged gracefully by comparison. But while Bebop has that sort of timeless cool and level of quality that drew the attention of filmmakers like the Wachoski sisters, Trigun has that very specific kind of adolescent sense of coolness that comic book fans get, especially back in the 90's before this sort of thing would be smothered to death by MCU's Joss Whedoning of superheroes. Spawn, Hellboy and Batman are still cool. And Trigun also has a shitton of guns, obviously, given that Vash being an incredibly OP gunslinger in a world where everybody has guns.

And America loves guns.

I think the contrast of Vash's pacifism while still wielding a gun is extremely interesting because it's not something you see very much (I bet if I watched more westerns, I'd have a better idea if this is a trope in them at all). Batman does not use guns and doesn't kill people, which is why there's still discourse around Tim Burton's Batman films to this day still; I don't think Kevin Smith has budged on this. Other more morally grey superheroes will use guns (by this definition I'm counting The Punisher even if he doesn't have any superpowers, unless you count severe PTSD as a superpower). And a lot of them had huge surges in popularity in the 90's around the time Nightow was making Trigun. Vash posed like Batman or Spider-Man looking brooding (like the gif above) happens a lot in the earlier issues even though that's not really his character.

Several years ago, there was an attempt by a conservative thinktank to discredit a bunch of Hollywood actors saying that gun violence in America is a serious issue and contrasted their statements scenes of them shooting guns in movies, but if we're being real here, gunplay in movies can be really fucking cool. Again I invoke The Matrix, or movies by Robert Rodriguez and John Woo. Look at video games, and compare the decline in violent crime that's been happening here since the 70's and 80's, as culture warriors bemoan movies and video games for becoming more violent. Remember when Wayne LaPierre, vice president of the NRA, brought up fucking Splatterhouse as a reason why Sandy Hook happened? Do you know what Splatterhouse looks like?

It looks like this.

You know how these guys constantly say the only way to counter a bad guy with a gun is a good guy with a gun? Usually, the inference is that if the "good guy" with a gun shoots, he's shooting to kill. Deadpool and the Punisher would shoot to kill. But Vash is constantly trying to avoid it. And I remember as a teenager finding that really cool? And the manga and anime don't shy away from how impractical Vash's pacifism is. It's a bit more realistic than Steven Universe's ending, but also Steven Universe was made for children.

I know Avatar: The Last Airbender is often invoked when criticizing Steven Universe's philosophy, but I haven't really seen Vash's similar philosophy criticized in the same way, and I think a lot of that has to do with the presence of Wolfwood, who is the "I think we're gonna have to kill this guy" guy. I'm honestly surprised I haven't seen art of this yet. I may have to get on that. I already drew Vash horrified at the Trolley Problem.

Vash is a character designed with maximum coolness in mind, but also an overpowered being who is capable of killing millions, and in the anime, he somehow destroys July City without killing anyone directly, but the destruction of the city led to a bunch of people dying. He's so deeply committed to not wanting to kill anyone that he's probably killed more people than he would have if he just shot Knives. The best Batman stories acknowledge that Batman's refusal to kill Joker has similarly results in the deaths of people Batman could have prevented if he killed one guy, and this could also apply to Vash's relationship with his brother Knives, who was kind of destined to be a mass murderer with a name like that, let's be real.

Online, we tend to joke about bringing out the guillotines, or justify not feeling an sympathy for billionaires who die in a sub trying to view the Titanic. But if you were given a gun and a real human person begging for their life, what would you actually do? Do you honestly think that you would be the ethical Death Note user?

Vash has guns but he chooses not to kill people; he prefers to not even use them unless he has to, instead opting to run away and look cool doing it somehow.

He really, really doesn't want to kill people. He doesn't become numb to people dying. It hurts him every single time he watches someone get killed. In reality, most of us that aren't sociopaths would be distressed at the thought of killing someone. The only reason armies in real life work is that they become inoculated to the idea of violence and dehumanize the enemy. Vash is no soldier. He is idealistic, he is empathetic, and he sees every human being as a person worthy of life. Batman refuses to use guns, as that's how his parents were killed in front of him. Vash has to use guns in order to protect people from getting killed. He has the ethics of Superman but the tools of a comic book antihero. He's the logical conclusion of an shonen anime protagonist in a world that chews up anyone with that kind of optimism and hope and spits them out. And yet... he still keeps going. He remains committed. He's still cheery, goofy, lovable Vash.

Batman used to kill people, in the earliest comics. With the Comics Code Authority, no superheroes could kill people. In the 80's, comics were getting darker and edgier, taken more seriously. While Alan Moore's Watchmen delved into the moral complexities in a world with superheroes that was similar to ours, Frank Miller was keeping Batman consistent, even as Gotham got darker and uglier.

Batman is a vigilante. The police can be helpful or they can fuck up everything, depending on what's needed for the story. In Batman Year One, there's a scene where Batman crashes a party attended by the elites of Gotham, politicians and mobsters mingling.

Seeing this during the Bush presidency blew my mind. I don't want to get into just how perfectly the members of his administration seemed to resemble a rogue's gallery of sorts with the shared goals of making a lot of money and bombing the shit out of Iraq and Afghanistan. I was extremely anti-war even before the 2000 election as a very opinionated 14 year-old watching, Jon Stewart on The Daily Show and feeling relieved that a grown-up was able to see through all the bullshit; it helps when the guy who's against the war and killing people is funny. I remember writing in my diary at 12 years old after Columbine happened that I wanted to take all of the guns and melt them down in a pot, similarly to that scene in Superman IV where he throws the entire world's nuclear arsenal into the sun. But also that same year I would fall in love with The Matrix... and not long after that, Trigun.

Again, we come back to the idea of someone using a gun, a weapon designed to kill people, and using it in pursuit of the exact opposite. That resonated with me. I myself was very idealistic, and the political climate of my teenage years seemed to do almost everything to stamp that out of me. Things feel just as fraught two decades later, but in slightly different ways. Pacifism is looked down upon, as indicated by the backlash to the ending of Steven Universe, and how one crazy lady called Rebecca Sugar, a Jewish person, a Nazi for writing it that way. But for Steven, things worked out. For Vash? Well, he still has hope somehow, despite everything. I think the fact that he strives to protect human life, even when someone is a complete monster, is admirable in that it cuts to the very basic desire to not see people hurt. But we're also selfish, and scared, and sometimes it's hard to conceive of a solution to a problem that doesn't involve violence. Seeing dead bodies on TV or the internet upsets us, but we're often paralyzed by feeling like we can't do anything, and even if we tried, we'd likely perish in the attempt. We desire revenge, punishment for those who transgress by inflicting violence, and we can rationalize using it against the right targets. Vash the Stampede would have a fucking breakdown dealing with the state-backed violence that's been a part of geopolitics pretty much as long as there have been states and geopolitics. Vash would try and solve the bombings of Gaza with an impassioned plea for both sides to stop fighting before he would somehow wind up making things worse and it would eat away at him inside, no matter how brave a face he puts on as he tries to find some kind of hope in a hopeless situation. And... you know what? I kind of wish more people would be like that. Maybe if there were enough people like that, these sorts of things wouldn't happen in the first place. I wish more people could look at human suffering and feel compelled to try and stop it, not discriminating against one side or the other, trying to understand why people are doing what they do. Seeing anti-war protestors in Tel Aviv brings back memories of protests against the start of the War on Terror, and how hated America was internationally during those years, even when most Americans approved of the war. Michael Moore was booed at the Oscars for condemning George W. Bush and the War on Terror. It's terrifying that those in power want us killing each other and have conditioned us to support it. I want so badly for human beings to come together to just stop the violence, but it feels impossible, like we're destined for failure, like we might somehow make things worse or become worse versions of ourselves full of hatred and ugliness. But we should want to try, even if it's hard or unprofitable or we have no idea how to even do it. Somebody actually dedicating themselves to trying to fight our violent impulses out of love is appealing, and if they're more powerful than use, and can do more... well, I want the biblically accurate angel with every mental illness willing to martyr himself over and over again. But it is more fun when he's Bugs Bunny about it.

[gen15gg]

okay SO! these r a bunch of creloise fic ideas i came up w on the train ride home from uni bc am i not jus a girl who overthinks? w all the time in the world?? on a train???

so fair warning this is a LOT, but at least ik the old man sittin next to me was fairly entertained so u win some u lose some i suppose lmao 😭

- i def wanna see more 2000s or 90s AUs cuz duhhh i would love a little line ab them havin specific ringtones for each otha on their silly little flip phones (id cry if i saw this)

- OR OR OR clubbing scenes, meeting on the UNDERGROUND OMG!!!

(the trains that go under ldn for the americans idk if u lot kno what it is sorry, it’s like NYC subway??😭)

.. anyways cressida could always notice eloise reading something and tries to talk to her by either reading the same book or one journey jus offering the book “emma” (LIKE IN THE SHOW GUYS?!?) as a good read before she gets off on her stop OMDS and/or eloise always noticing cressida’s fashionable-ness for a fùckin 9-5 (yes cressida would be giving office siren absolutely) and maybe if the tables are turned, cressida is reading and eloise notices this and suddenly sparks up conversation bc she simply cannot shut her mouth (and replaying all the times she’s seen cressida in new outfits like the montage scene of anne hathaway in the devil wears prada LMFAO) n every tube journey they encounter each otha on, they go back n forth on their opinions on which eva book they’re reading atm OMGGGG n maybe on valentines one of them gives the otha a rose or a book before they get off SOMEONE RESTRAIN ME MY BRAIN IS WORKING OVERTIME 😭

- would also love to see more modern AUs in general like yes i loooove seein this pairing in different time periods, adapting to the ideas and limitations of that era MWAH to everyone who has been writing these i love you - let me kiss u on yo fùckin cranium MWAH !

- imagine a 1920s jazz girls creloise like idk who would be a jazz singer (maybe cressida??), havin them be in ‘flapper girl’ attire.. IDK id jus love to imagine them in that environment perhaps smoking from those thingies that held the cig itself

- not to stress this too much (i am) but i wanna see them as a 90s or def a 2000s famous pairing!! like both are singers!! i mean cmon cressida would hav an unbelievable stage presence w her amazing outfits we’ve seen in the show itself and eloise would be more punk-ish i suppose!!

or eloise remains a singer and cressida is a model?! but in both situations it’s like they despiseeee each otha or at least eloise does of cressida bc of her overall appearance and the message her looks send (i.e. similar to bridgerton era blah blah expectations etc)

but then they hav to date as a publicity stunt to push down rumours that they hate each otha or maybeeeee penelope is a news outlet they’re trying to get the jump on by going ‘noooo we don’t hate each otha we’re actually dating!’ (they do hate each otha but they fall in love obvs)

or penelope is one of their publicists and has set this up??.. or they’re forced to write a song together IDK this can go any which way but i was inspired by the song “maybe” by emma bunton as a song cressida would DEFINITELY sing OR “let me see” by Morcheeba

man idk Cressida jus gives me the vibe that in this AU she could be equivalent to kylie minogue or a brit pop icon of sorts regardless or Kate Moss if u went w the cressida as a model version AND MAYBE ELOISE AS A PHOTOGRAPHER??? IDK!!!!

- also NEED NEED. NEEEEED. a MR n MRS SMITH AU OF THEM!!!! like omdssss

(im referencing the original film w angelina jolie but go wild if one were to write this, which most like won’t happen but oh well 😭)

but omds the tension that would be between them both !!!! like eloise fits the playful goofy but intelligent character of mr smith, whilst i can most definitely see cressida in the role of mrs smith! trying her utmost best to keep things calculated and goin according to plan but (as u kno if you’ve watched the film) eloise will ruin this calculated streak she’s got 😭 OMDSSSS i can jus imagine their banter as they fight

- uhhh fuck me a surfer AU??? why not atp i’d love to see it where either teaches the otha to surf?? or it’s one where eloise is the one travelling around instead of colin (lmao #white girl goin on holiday to find herself) or w him as this would be a modern AU n she meets cressida somewhere in the mediterranean (bc cressida was sent away by her father) n yk sparks and whatnot ensue 🤭

or omds a rendition of that mermaid movie ‘aquamarine’ ??

- YES OMG A MERMAID AU GODDAMN WAITTTTT ELOISE ESCAPING PATRIARCHAL EXPECTATIONS BY PRETENTDING TO BE A PIRATE AND FALLING IN LOVE W MERMAID CRESSIDA OR THEYRE BOTH PIRATES??? LIKE ANNE BONNY AND MARY READ!!!

- jus had the biggest brain moment on this train ride me thinks… flowershop AU..

specifically an ‘imagine me & you’ AU. cressida had married some man ?? could be Debling to get her parents off her back but then falls in love at first sight of eloise the florist as she walks down the aisle to get married

omg i’m literally jus askin for creloise as ‘imagine me & you’ bc why not i think it’s adorable 😭

ANYWAYS!!! that’s ova but if anyone has any more ideas i’d love to hear them bc i hav serious brain rot from this pairing who will prolly not get togetha </3