#I’m trying to talk my mom into La Fanciulla Del West but she is skeptical

[aporeticelenchus]

While struck down by Covid (alas, alack, etc), I’ve been watching operas on my mom’s Met Opera account. So far we’ve gotten through:

Barber of Seville (2007, Peter Mattei and Joyce DiDonato):

Charming! A delight! I want to spend more time with the music later to get a better sense of individual movements. Largo Al Factotum looms large and is as good as promised. I enjoyed Peter Mattei as Figaro and Joyce DiDonato as Rosina a lot too! Bartolo’s patter songs are fun. Looking forward to hearing those again.

Marriage of Figaro (1998; Bryn Terfel and Cecilia Bartoli as Figaro and Susanna; Renee Fleming and Dwayne Croft as Countess and Count):

Finally watched a Figaro production after listening to it a million times! Also a delight! For some reason they switched out Susanna’s two solo arias, which threw me. I saw some reviewers thought Cecilia Bartoli did a little too much physical comedy, but I really liked her. Renee Fleming was a great countess; Porgi Amor is still a dead bore to me but that’s not her fault. Cherubino was adorable, but seemed to struggle a bit with Non So Piu.

This continues to be my favorite opera, and I enjoyed this as a production. I plan to watch the other two productions available on the Met on Demand later.

Don Giovanni (2000; Bryn Terfel, Renee Fleming, Solveig Kringelborn, Hei-Kyung Hong):

I’ve now spent enough time with Don Giovanni to have an opinion: it’s good, but I don’t like it nearly as much as Figaro. The plot flow and pacing frustrate me. There are some standout musical moments, but also some parts that drag (hi act 2 Donna Anna). I do love La Ci Darem and Hei-Kyung Hong’s Zerlina was charming. Finch’Han Dal Vino and Deh Vieni A La Finestra are songs I enjoy from Don G, and of course Lepprello’s little list is fun. Donna Elivra generally has good music behind her, as does Act 1 Donna Anna.

Does Don Ottavio need to be in this opera? I’m just…not sure he does….

Every time I hear the Statue sing “Don Giovaaaaaaaannnnniiii” at the end, my brain fills in “from thy dark exile thou art suuuuuuumoned”, and it took me a bit to realize I was pulling that from Iolanthe. I like to think it’s a deliberate musical homage by Sullivan.

I definitely want to watch some more stagings of Don Giovanni; overall I enjoy the opera and I can imagine it changing a lot with different directorial choices.

Die Fledermaus (1986, Kiri Te Kanawa, Judith Blegan, Tatiana Troyanos, and some men probably)

I love an operatta. I love a dumb musical comedy. I love a catchy waltz I can’t get out of my head. Two thumbs up; great use of my time listening, bad use of my time trying to follow the details of the plot because it did not really matter. Special shout out to the Overture for being a jam. It almost renders the rest of the operetta superfluous.

A+ joke having an opera singer character who won’t stop singing during the talky bits. Love that the prince is a trouser role; that helped me through some of the dumb gender stuff elsewhere.

Total blast. I plan to listen to some more recording, including two English-language adaptations. (The POP Opera project did their English-language adaptation set in 1920s Hollywood; that’s on my short list to watch) I think I like J Strauss II!

Carmen (2014; Anita Rachvelishvili and Aleksanders Antonenko)

I’ve seen Carmen before, but it’s been awhile. My mom loves Carmen; I…struggle with it. Maybe it’s just my pro-comedy bias.

The music is very good, of course; the Habañera and Toreador song are some of the most recognizable music today for a reason. The Act 1 overture is great! Short and punchy! I think the opera might be growing on me musically as I listen to it more; I’ve found the group numbers initially overwhelming, but with a little more time i can better parse the music and find parts I really like.

But anyway, I liked most of this production! I thought the Carmen was compelling, and Don Jose was a good singer (I just hate his character a lot). The set deign (1930s Spain vibes) worked for me, which was a pleasant surprise.

Going to see La Boheme tonight! Wish me luck.