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norikuna · 29 days ago

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THAT'S SO TRUE — toji fushiguro

welcome to the christmas tour ! take a seat in section (e) and let the show begin !

prologue. → you vowed to yourself that you would rock toji fushiguro's world as a new year's resolution. but it's christmas eve already, and the year is almost over. by hook or by crook, you're gonna that gorgeous, buff older man in your bed tonight.

want to try sitting somewhere else ? take a look at the ticket chart again !

pairing. toji fushiguro x afab!reader (reader uses she/her pronouns)

warnings. reader has never been chill a day in her life, áge gáp, dílf!toji, big díck toji (ofc), voyeurísm (sorta implied), másturbátion (f), jealous sèx, reader watches toji through binoculars, they match each other's freak, creámpíe, reader gets called 'slutty' and 'doll', orál (m and f. receiving)

word count. 9.4k! song inspiration. that's so true — gracie abrams

a/n. incredible art by sakimichan 🍃 i had so much fun writing this 😁 reader is an adult!! i imagined toji to be 35-ish, and reader to be 22...? its christmas day for me so i'm a tad late 😩

mp3. bet you're thinking 'she's so cool' kicking back on your couch, making eyes from across the room. wait! i think i've been there too!

if your friends knew what you were up to right now, they'd skip the intervention and go straight to dragging you to the nearest police precinct.

forget a lecture, they would slap a pair of handcuffs on you first, citing charges of being horny to the first degree.

officer! she just can't keep it in her pants!

but did you care? not in the slightest.

you adjust the blinds, nudging them just enough to angle your binoculars a little lower. focus sharpened, lens zoomed in, and there he was. the object of your totally healthy, not-at-all unhinged plan.

the target in question? toji fushiguro.

your next-door neighbour, who also happened to look like he'd walked straight out of a naked biker calendar. leather jacket snug over his broad shoulders, a frame built for sin, and pectorals that were so sculpted, you often dreamed of bouncing walnuts off them. just to see if the nuts would crack.

months ago, you had made a new years resolution to yourself that you wouldn't end this year without bagging the man at least once.

yet here you were on christmas eve, a few days shy of the year's end, still plotting and scheming like a bond villain on how you could charm the socks right off toji fushiguro.

but you feared that tonight was beginning to deliver a cold, harsh slap of reality.

your heart suddenly gives an undignifed lurch as toji swings off his motorcycle in one fluid motion. but your smirk — yes, you had been smirking and you wouldn't deny that, vanished the moment your binoculars caught sight of her.

right behind him, a woman dismounted with all the grace and mature confidence that you wished you could summon on a good day.

you twist the focus knob, an unfamiliar figure sharpening into clarity. tall, polished, probably closer to toji's age rather than yours, and way too pretty for your scheming, heinous comfort.

she's hooking her arm through his like they did this all the time, and her cherry-sweet smile beams up at him like he'd hung the damn christmas lights himself.

and then, then! she leans in to press a kiss to his cheek, casual as a snowflake fluttering onto the concrete below.

your chest tightens oddly, though whether it was from jealousy or sheer mortification, you couldn't tell. and you didn't want to tell.

toji fushiguro, for his part, didn't seem fazed, at least, not outwardly. he turns his shaggy head away, smiling faintly with that gruff and polite expression he sometimes wore when someone cornered him into small talk.

not that it mattered. you couldn't stop the frown that tugged at your lips, watching the pair disappear out of view, the motorcycle keys still dangling from his thick fingers.

you sigh, setting the binoculars down with a little more force than necessary. tonight was supposed to be your night, the grand finale where you capped the year off with a big win in the shape of this six-foot-two man, with green eyes that could strike you dumb.

and you had even planned ahead! you'd been certain that there wouldn't be any pesky interruptions, particularly of the pint-sized variety.

not that you had anything against megumi fushiguro, he was a good kid — if a little unnerving with that brooding energy he carried around like a hefty backpack.

but still, you'd never really spoken to him much. call it morals or basic decency, but dragging a clueless kid into your schemes just felt a little wrong.

so when you had overheard toji casually mentioning that megumi was out for a sleepover with some friend, something about how nice it would be to have a night for himself, you had taken that as a sign from the universe. a green light.

fate herself waving you through the doors to make your move.

except now, traitorous fate had also thrown you a curveball in the form of the older, mystery woman who had been clinging to toji's back on the motorcyle. all expensive burgundy fur, and a darling blowout that was way out of a college student's pay cheque.

still, you're not the kind of woman who folds at the first sign of trouble. no, you think, squaring your shoulders. who would you be if you gave up now? perseverance is the backbone of triumph, or something like that.

the walls of this apartment are criminally thin, and you trust that the muffled thuds coming from next door are none other than toji fushiguro leading his...date up the stairs and down the hallway. the metallic jingle of keys confirms it, a sound that sends a pang of irritation prickling beneath your skin.

your gaze shifts to your desk, to the corkboard cluttered up with polaroids of your friends, random university flyers, and pinned up lecture schedules that you never follow. you press three fingers to your lips, in a respectful and solemn kiss, before tapping your photograph of aaron hotchner, in a promise for the near future.

"i won't give up, hotch," you murmur, the solemn, printed face of thomas gibson crossing his arms — gazing back at you, a beacon of motivational determination.

and with that, you grab a notepad and the first pen you can find, even though it's half-dried and it can barely write. you flip the pages open, and begin dotting down your back-up plan on how to score toji fushiguro tonight.

you're pretty sure it's been an hour since you started furiously scribbling on paper. five dried-out pens and a mountain of crumpled drafts later, each one titled with variations of how to get toji fushiguro in my bed, your notepad is starting to look like a pathetic manifesto.

you sip idly at your grape soda, the fizzy sweetness staining your tongue a violent purple. and listen, to be clear, you're absolutely a feminist. truly. you're not the type to believe in pitting women against each other. that's messy, unsophisticated, and frankly it's far beneath you.

but sadly, here's the other thing. desperate times call for desperate measures. and as much as you hate to admit it, toji fushiguro, your brooding and hulking neighbour with shoulders that eclipse the sun, has your resolve teetering right on the edge. the wanting and lusty human spirit is unbreakable, and the idea of losing is as appealing as licking sandpaper.

the sound of a low thud breaks through your plotting, as you drop the end of the pen out of your mouth. your ears perk up at the faint creak of a door opening. you recognise the gruff voice, muffled through the thin walls.

"damn heater's out again. 'm just gonna go check the switch downstairs."

uh-huh. that's what you thought. this was just act one of the stage play.

see, about forty five minutes ago, inspiration had struck. you'd realised you needed to get toji out of his apartment, and given his bear-like simplicity: eat, sleep, grumble, repeat, it wasn't exactly that easy.

but every man needed his rest, and no man could rest on christmas eve when the snow was sticking to the window pane from the cold.

so, you had snuck downstairs and flipped the heater's breaker to his apartment off, leaving the rest blissfully untouched. setting an ideal trap for the vast man.

you crack your door open, just enough to watch him lumber off towards the left staircase.

it's one of two routes down to the basement, and the fastest, if you hadn't intercepted fate. about twenty minutes into your plan, you had grabbed a handful of out of order signs (printed with comic sans, the true villain of typography) and plastered them halfway down the left flight of stairs.

you dart towards the right staircase, your knee-high socks skimming the concrete steps in a frantic descent. as you reach the halfway point, you hear the telltale grunt of a frustrated toji.

"damn management can't even warn people about closures," he's muttering to himself, heavy footsteps falling in line behind yours.

right on cue. by the time he reaches the basement, there you are, innocently peering at the big, clunky switchboard. like it wasn't you who had just broken into it to render toji's apartment a freezing chill.

your sweater's been strategically tugged off one shoulder, and you're pretending the icy air isn't slicing at your bare legs, left exposed by the shortest pair of shorts you own.

"what brings ya down here?" toji grunts, his voice low and rough like gravel underfoot.

you count it as a small victory when his eyes sweep over you, slow and deliberate, before the older man coughs and shifts his focus back to the switchboard. you sidle closer under the guise of curiosity, so close that the fabric of your sweater brushes his arm. the steel biceps flexing under the tight, black fabric of his tee.

"i don't know," you sigh, feigning innocence with a touch of melancholia, "it jus' got so cold of all a sudden." you cross your arms over your chest, pretending to shiver just enough to catch his attention without looking concerningly ill.

toji glances down at you briefly, his brow furrowing, "mhm. yeah," he mutters, before turning back to the labyrinth of switches, "can't believe how these clowns the place."

you watch as the man leans in, studying the panel like it's some kind of ancient artefact. his expression is set in that serious, furrowed way men always get when faced with the unfamiliar terrain of household maintenance.

cute. almost.

you, of course, had done your homework. a quick google search of the model number earlier had led you to the manual, and you already knew it was the purple switch on the top right. but why rush, eh? if toji fushiguro wanted to play handyman, who were you to deprive him? especially when you needed a little more time to set the mood, to give him some ideas.

every time his fingers hovered closer to the correct switch, you leaned in, cutting him off with casual chatter. enough to have the man's eyes drop over you once more, before flicking away before he could break the bounds of propriety.

"so, are you doing anything tonight?"

"what?" his gruff tone reverberates through the dim basement, bouncing off the concrete walls.

you flutter your lashes at him, meeting his sharp, verdant gaze, "i mean, it's christmas eve. got any fun plans?"

he straightens slightly, his hand falling from the panel as he looks right at you, "nah. just stayin' in." but toji tilts his head and throws the question back at you, "why aren't you?"

"why aren't i, what?" you tilt your head to mirror the man, feigning confusion, "staying inside? i was, but then i got cold. y'know, busted heater and all."

toji exhales through his nose, and you watch mesmerised as the scar twitches over his lip, "no, doll. i mean, doing something fun. you're young. got your whole life ahead of you to be old and boring."

the faintest flicker of a genuine smile tugs at the corner of your glossy lips. if only he knew. you clear your throat, "i guess," and you shrug, the movement subtle, but just enough to let your sweater slip a little further off your shoulder, "it's just not my...taste."

your gaze trails over him, deliberate but not obvious enough to tip the scales out of your hand. you hope that you're not wide-eyed taking in how his broad shoulders ripple, almost tense?

"ah." toji fushiguro, everybody. a man of great wit, and even greater vocabulary.

he's tapping a knuckle against the switchboard, frowning at the rows of colourful levers like they've personally insulted him. you take the moment to edge a little closer, peering up at him with a deliberate and doe-eyed expression.

"need help?" you ask, voice sweet enough to break through teeth.

toji snorts, "you? help me with this?" he glances at you sideways, one thin brow quirking up, "i've got this, doll," but he seems to sober up, remembering that he does not have this, "unless you even know what this thing does?"

"of course i do," you shrug, feigning nonchalance, "i'm pretty good at flicking the right switch."

and what a sweet, untainted victory when toji's movements still. he doesn't tear his gaze away from the switchboard, but his hands pause and you see his lips twitch, "uh-huh."

"you should probably head back upstairs," he says gruffly, his tone almost concerned, "basement's freezin' and you're gonna catch a cold in, uh," and toji's gesturing vaguely at your thin ensemble, clearly trying to be polite.

"i know, but i was just comfortable in this," you run your hands, pretending to tug at the hem of your shorts. ignoring how the goosebumps are practically beating your ass right now, and you're about an inch of a temperature drop away from hypothermia.

toji fushiguro mutters something under his breath, something about attitude and young people these days, but he doesn't move away when you sidle back closer to him again, the faint brush of your arm against his making the great man stiffen up again.

"so, no christmas eve plans at all?" you press again, cocking your head, "not even a little festive cheer? eggnog?"

"festive cheer?" toji scoffs, finally pulling the purple switch as the low hum of the heater continues to chug away. dusting his hands off like he's just solved a national crisis, like you couldn't have solved that ten minutes ago, "i'm not big on christmas."

"that's tragic," you sigh, "and i was gonna ask you to stand with me under the mistletoe." your tone is teasing, light enough to deflect any serious questions but you let your lips form a soft pout. just enough to teeter on the edge of innocence. the faint, almost-whine in your tone is carefully calibrated: harmless on the surface but laced with the kind of undercurrent that can plant ideas in a man's head.

"ya' got jokes tonight," toji's gaze lingers, a little longer than necessary. you don't miss the way his shoulders draw tighter together. how his jaw ticks, but the real prize for you is when his hand slides up to rub the back of his neck, fingers kneading at the thick muscle, like he's trying to shake something loose.

the corner of your mouth twitches again, oh. you've got him now.

"imagine going through life, so lonely on christmas. that's gotta do something to a person." you're so not seeing the pearly gates, but you've come to terms with that.

"yeah? like what?" toji huffs.

you tap a finger against your chin, pretending to think, "well. for starters, it probably makes you very grumpy."

"tch, 'm not grumpy," toji rasps, but his tone says otherwise, as he runs a hand through sleek strands of dark hair, "yer' something else, you know that?"

"i've been told."

tojo shakes his head again, and you don't miss the faint smile tugging at the corner of his thin mouth, "alright, kid. time to head back up before you freeze to death down here."

time's up on this charade. you puff out a breath, your coy bravado dimming just a little bit, "fine, fine. but i'm not a kid, y'know."

toji's green eyes flick to yours, like chips of sea-glass as he holds your gaze, before turning back towards the stairs, "yeah. i know."

you follow him up in silence, the soft patter of your socks suddenly too cold on the pavement. at the top of the steps, toji pauses, glancing back at you with an unreadable expression, "get some rest. and make sure no-one's messin' with the switches."

"why would they do that?" you say, a touch too quickly.

"no reason," toji says, just as abruptly, stepping back as though putting physical distance between you two would help, "but it's all fixed now. go on, back to your apartment."

you blink, momentarily thrown by the sudden shift, "what? no thanks for keeping you company."

"thanks," toji fushiguro says flatly, but his gaze isn't unkind.

"wow. don't get too sentimental on me now."

"goodnight," the man deadpans, swinging your door open for you, just for good measure. before turning on his heel, and heading for his own room.

back to the drawing board.

toji fushiguro is convinced that the universe has it out for him. some karmic retribution is surely circling overhead, just waiting to strike. because really, what other explanation is there for his constant predicaments?

his life had been fine, a little lonely, sure, but manageable. until you moved in next door, perhaps sometime last year. sweet, maddening, entirely too pretty for your own good.

what the hell was toji supposed to do with that?

he's still rubbing the back of his neck, pushing open the door to his apartment. his date, right, was still perched on the old couch, scrolling through her phone. she's looking up at him when he entered, arching a brow.

"hey, you were gone for a while," she lightly comments, tucking her phone away.

"yeah, uh, sorry 'bout that," he mutters, crossing to the kitchen, "this place has a habit of breaking down on me."

shui had set him up with this woman, insisting that toji needed to crawl out of his self-imposed hermit hole and start living a little.

"you're not getting any younger, fushiguro," shui had snarked, as if toji didn't already feel every year weighing on him. so, fine. he'd agreed, figuring one dinner with a woman way out of his tax bracket wouldn't kill him.

and to be fair, the date had been...fine. the woman was attractive, sharp-witted, and she didn't pester him with inane questions. the kind of woman that most people would be thrilled to spend an evening with. but toji just couldn't shake the strange emptiness that had settled in his chest.

still, he had told himself to quit overthinking. maybe he was just out of practice. or maybe shui oddly had a point, and he needed to stop letting life pass him by. so, he'd invited her back to his place, hoping another glass of wine and small talk would lead one things into another.

what he hadn't counted on was running into you in the basement. how your light voice would replay in his head, that teasing lilt burrowing under his thick skin and leaving him restless.

tojo shakes his head, reaching for a couple of glasses and the half-decent bottle of wine that he kept stashed away from megumi's prying hands. kid was at that age where he was too damn curious for his own good about everything. his brain, however, was still stuck in the basement, circling around you.

what the hell had you been doing there anyway? sidling up to him all close, sickeningly sweet perfume or some shit that made his jaw clench. batting long lashes at him, and teasing him about mistletoe kisses.

civility. decency. that was the bare minimum that he could give you, wasn't it?

"you've got quite the collection of, uh, things up there," his date's voice pulls him back, gesturing to the open cabinet with a polite smile. toji glances at colourful boxes of cereal, and the little plastic bowls with cartoon animals splashed all over them. megumi's favourites.

"yeah," he says gruffly, pouring the wine, "got a kid. just the one."

she nods, taking the glass he hands her, "that's sweet. how old?"

"six. he's...not here tonight."

before his date can reply, catch the insinuation that he's thrown out, another sound filters through the paper-thin walls. a giggle, a sweet laugh followed by a voice he knows all too well.

"i know, right! he was like, totally into me!"

toji freezes, the wine bottle hovering mid-pour over his second glass. he sets the bottle down with a little more force than necessary, pretending not to notice the way his date glanced toward the wall, clearly having heard you too. fantastic. as if the universe hadn't done enough to torment him today.

his teeth ground together as your voice floated through again, a singsong lilt that made his chest thump, and irritation flare all at once. what were you even talking about? who the hell was 'totally' into you?

"uh-huh," you had been laughing, your voice carrying through the wall, "and then, he asked me out!"

toji's grip tightens on his glass, wondering who on earth managed to pull you into a date. wait, why did he even care?

his date seems oblivious to the internal war raging inside of him, taking a sip of her wine and smiling, "so, what's your son's name?"

"megumi," he mutters, absently, eyes flicking through the wall like he could see through it if he squinted hard enough. ugh, what an awful thing to think. what was wrong with him? acting like freak, not able to mind his own business.

his date's laugh is soft and polite, "that's cute."

cute, yeah.

you thought it was cute too, didn't you? he remembered the way your eyes lit up when megumi toddled after you once in the hallway, clutching one of his ridiculous animal-print bowls.

"oh, what did i say?" your voice drifts again through the walls, following by a light laugh, "look, he was cute and all, but he just wasn't my type."

toji rubs a hand down his face, resisting the urge to pinch the bridge of his noise. you're just his neighbour. you're entitled to have your fun, to live your own life. that doesn't mean he has to like hearing about it.

meanwhile, his date sits stiffly on the couch, politely pretending your voice isn't bleeding through the walls like a radio she can't turn off. she's doing a commendable job of feigning disinterest, but toji knows it's killing what little momentum the evening had.

he clears his throat, trying to salvage things, "so, uh, got any plans for tomorrow? something fun for christmas?" great, now he's stealing lines from you.

her smile tightens, polite but clearly wavering, "just lunch with my family. my sister's bringing her kids over."

toji nods, grasping at conversational straws, "that's nice. i've got, uh, a brother. and an annoying little cousin."

"right," and she's glancing up at the clock, her patience thinning faster than her smile.

"oh, come on," your voice pipes up again, clearer this time, "you know my type's never been those kinds of guys. i like the big, rough ones." there's a pause, and then you laugh, the sound both coy and infuriatingly knowing, "yeah, like a bit older. all muscles."

toji freezes, trying to pretend like his insides aren't doing the tango. his date, on the other hand, has clearly reached her limit. her lips purse into a tight smile as she stands, smoothing her dress, "look, you've been nice and all," she says, voice clipped, clearly cutting off the chances of a second date, "but i really should get going."

toji fushiguro doesn't argue. doesn't even try to stop her. just watches as her expensive-ass coat swings off his couch, her heels clicking toward the door and her figure vanishing down the hallway.

he slouches back on the couch, arms sprawled wide, feigning a calm that he doesn't definitely feel. in truth, he's seconds away from keeling over, his chest tight and his pulse betrays him.

"huh?" your voice filters through the paper-thin walls, questioning and laced with mirth. the sound sends a shiver down his spine, and down somewhere else, "oh, my neighbour? toji, yep, that's him!"

his head jerks up so fast he nearly gives himself whiplash, eyes boring into the wall like he can will it to dissolve. tch, he's being such a dog. his ears are straining, sharp and unreasonably hopeful.

"yeah, he's so perfectly my type. tsk! yes, of course, i wish he'd just...yeah. anyway. but," you sigh, a dramatic exhale, "but i just don' think he's into me."

toji freezes, as heat floods his face, creeping down his neck and into the collar of his shirt. there's a traitorous clench in his groin as his stomach flips in a way that's both exhilarating and completely unwelcome.

the truth — shameful and complicated as it is — is that he is very much into you. has been for months. and it's getting worse.

every time you lean into him with those wide, sparkling eyes, every time you tease him with some playful jab or brush your fingers against his arm like it’s nothing, it carves a little deeper into his self-control. you're sweet, bright, always full of questions and comments that manage to sound innocent and maddeningly suggestive all at once.

but there's a prickling shame that comes with it, too, a harsh voice in the back of his head that tells him to grow the hell up. he's a grown man, for crying out loud.

a grown man with a kid who needs him, who already has enough on his plate without the complication of a pretty little neighbour who could turn his world upside down without even trying.

what could he offer you, anyway? you, who barrels down the hall in the mornings with an oversized bag bouncing against your hip, always late for something important, always in motion.

your life is big and full and bursting with possibilities. his, by comparison, feels...worn. quiet. comfortable in a way that makes him feel ancient when he looks at you.

still, it doesn't stop toji from looking. or from thinking things he shouldn't, like how your laughter lights up even the dullest days. or sometimes, in the quiet hours of the night, pulling his hard cock out to tug on it, imagining your doe-eyes peering up at him.

toji rubs a hand over his face, groaning quietly into the crook of his elbow. what the fuck is he supposed to do with this?

you're starting to lose precious steam. for all your big talk about not giving up and winning toji over, the spark of confidence that got you this far is starting to sputter out. the lines that you'd carefully scribbled in blue ballpoint ink, a full script of fake laughter and coy quips begins to feel...a little tragic.

half an hour of pacing your apartment and pretending to be on the phone has left you feeling deflated, and painfully self-aware. your voice has grown too practiced, too rehearsed and you're starting to wonder if you even sound convincing anymore. and for all you know, toji fushiguro didn't even hear one word of it.

he's probably in there, sprawled on his couch, having a great time with his date. maybe laughing, maybe pouring wine, or maybe he's taken her to bed. fuck, your stomach lurches as your insides flip for no good, kind reason.

you glance at the cooling grape soda on your nightstand, still fizzing lazily in its can, and suddenly feeling quite awful. disgusted with yourself for the plotting, the dramatics, and the fact that it hasn't paid off in the slightest.

with a sigh that's more frustrated and resigned, you flop back onto your bed, ignoring the slight bounce of the mattress as you land. your apartment suddenly feels too hot, the air sticky and stifling.

you kick off the blanket that's bunched around your ankles, and you lie sprawled on top of the quilt. head tilted back against the pillows as you take in the dull hum of the light fixture and the occasional creak of the pipes.

with a despondent sigh, you find yourself half-heartedly parting your legs — maybe to entertain some false fantasy instead. you could have gone out, maybe really lived a little, just as toji had suggested.

you roll down the waistband of your shorts, pulling at the soft, elastic band. just tugging them down enough so you can trail your hands over the flesh of your thighs. yeah, you were that morose right now.

perhaps, you should have accepted the invites to all those christmas parties. you could have dolled up a little, grabbed a sweet drink or two on the house, fallen into the strong arms of a stranger?

you trail your hands over thin, soft skin. nails gently grazing over your mound, as you quickly run your middle finger through your slit, already dewy and moist. you muffle a small whine, because for all your showmanship earlier, you weren't above decency. and these walls were truly that thin.

but it's hard to not buck your hips up into your own touch, working your puffy cunt open with steady fingers. one finger, and then a second, fluttering at a gentle pace. how telling that the mysterious stranger in your fantasies is suddenly far older, with hazy green eyes and charcoal hair falling over his face.

you substitute the slap of your fingers for his, pretending its a rough thumb that pulls at your clit, gently pushing the throbbing hood up to run misshapen circles over the bundle of nerves.

"hah," you try to gnaw at your lower lip, keeping your mouth shut, as you're desparate for the creak of your bed frame to not carry over into the apartment next door, "t-toji, please."

there's a faint thud from next door, like someone has just hit their head. but you can hardly register it in your own mind. shuffling whines leaving your lips, as you use your fingers to stretch out your slick, sodden walls. getting faster, and faster with each piston-like gesture to curl the pads of your fingers up. searching, keening around for that rough spot that makes you squeal.

your eyes are fluttering shut, lashes falling against your cheek as your jaw tightens, heartbeat beginning to race as you heave for air, back arching up as you use your other hand to furiously flick over your clit, building up a steady ache in your wrist that you ignore, "ah, ah, toji, r-right there, fuck, 'm close."

each press of your finger against the walls of your entrance results in a large squelch echoing through your ears, getting closer and closer to that devastating peak, all the while as hallucination-toji snickers down at you and —

"hey!"

and just like that, your long-awaited orgasm, your beautiful climax, well. she disappears with nary a goodbye. your eyes snap open, heart hammering as you blink up at the dull ceiling. your hand is yanked away from your cunt, the cool air suddenly hitting the slick that's coating your fingers. your mind stutters, scrambling for clarity as an all-too-familiar voice cuts through the quiet.

"hey! c'mon, doll. don't have all day."

toji. toji fushiguro. oh, shit.

the panic rises quickly, what are your options? dive out the window and hope that you land on your feet? or fake an illness so convincing that you convince him that's contagious so he leaves? you consider it for a moment, but something else takes over. far more brave, or just reckless and lust-addled. you pull yourself upright, tugging your shorts back up. you shift your sheets, making sure that the dark, translucent patch is covered.

you pad towards the door with the air of a man marked for execution. when you swing it open, you're met with a red-faced toji. is he flushed?

you drop any cute pretense, and instead, lock your petulant gaze on his chest, straight up with the no eye-contact rule. it gives you a real, shameless good look at those heavenly sculpted pecs.

"what do you want?" you ask, voice as flat as you can possibly manage. but you're keenly aware of that mirror-gloss still coating your hands, and you wonder if its too obvious to scrunch your fingers in your sweatshirt. gross, someone get you out of here. the misery of your own making.

toji stands there, entirely dumbounded, and you notice the flush creeping up the peachy tan of his neck, a shade deeper than usual, "what do i want? what do you want?" he says, his voice rock-rasp.

you swallow thickly, ignoring the addled scent of leather, musk and something far more faintly addictive, "i have no idea what you mean."

toji huffs, obviously amused, before mimicking your voice with exaggerated sweetness, "oh, toji, please. right there, toji." he's mocking you, and your skin burns with the recent memory of that exact tone.

you consider for a split second if you can just hand him your lease tomorrow morning and call it quits. but then, toji continues, "y'know these walls are thin, right?"

you cross your arms, trying to steady yourself, ignoring how your poor cunt clenches with the faint memory of her ruined orgasm, "really? i had no idea."

toji mirrors your actions, his arms folding, but the effect only pushes his pecs up, and you try not to get distracted. but it's hard, very hard, "don't get all smart with me now. been hearing you giggle all evenin' and being all slutty."

"thought you had a date," you mutter, the act of playing pretend has long since passed and you're too far gone now to pretend. you scowl up at toji, meeting his gaze head-on, feeling your heart race as his eyes narrow and his pink lips part slightly. you can almost feel the urgent heat of his gaze dragging over your hand, your damp fingertips.

"how'd you know about my date? suddenly real concerned for me?" toji tilts his head, voice laced with infuriating amusement, and you fight the urge to lash out, to throw yourself into him and kiss him fuckin' stupid. instead, you dig in your heels, staying put.

"no, i'm not concerned," you stutter, floundering for a reason, "i'm just, well —"

"who asked you out?" toji cuts through your flickering thoughts, an undercurrent of something sharper in his tone.

"huh?"

"who was it? the one who isn't your type?" toji fushiguro says this all so casually, making your stomach flip. so he had been listening, he heard every word of you flouncing around your room.

you swallow hard, ignoring the sudden fluttering in your chest, "why? you jealous?" the words spill out before you can stop them, you raise an eyebrow, feeling a small victory in the way his priggish expression falters just slightly, "just go back to your date, fushiguro."

"gettin' real bold now," he murmurs, and you realise just how close the two of you are. how you can feel his body heart radiating off him. the tension between you is suffocating to say the last, and you can't decide if you want him to step back or push closer. he doesn't give you a chance to answer.

"thanks to your pretty antics, she sent herself packin', and now i'm all on my lonesome."

"how sad for you," and you suddenly curl your lip, "get a vibrator."

toji's maw drops open for a split second, before he shakes his head, "you first. don't know how you were doing all that without one," and he nods to your hand, "and because i wasn't hearin' much else."

something bold and red-hot comes over you, egged on by the damp sticking to your thighs, "want a visual demonstration?"

you barely have time to form a coherent thought before toji moves, a low growl rumbling in his barrel-like chest as he surges forward. his hands, large and calloused and warm, cup your face with surprising gentleness, though the intensity in his gaze leaves no room for doubt. then, his lips crash against yours, rough and unrelenting. the faint scrape of the scar cutting across his mouth sending a shiver through you.

it's not careful, it's testing and tasting. as if he's waiting for you to push him away. but oh, you're not going anywhere. not when his kiss is setting your nerves alight, and sending your heart into a dizzying free fall. merry christmas to you, indeed.

you respond in kind, just as desperate, your hands flying up to clutch at his shoulders. the solid, hefty weight of toji beneath your fingers grounds you, even as the world tilts on its axis.

"ohh, look at you," toji all but purrs, pawing his hands over your back, your waist, settling over your hips as he pushes you further into your apartment. a strong arm stretching out to slam the door closed, tugging you further in. it seems he's too needy to even reach the bed, and you whine as you're shoved with your back to the wall. his hand coming up to make sure you don't quite slam in with too much force.

toji's lips are practically meshed to your own, and he's already pulling at the waistband of your shorts again. just as you were doing earlier, and you shudder, feeling thick fingers run along your hips.

"s-shit," toji gasps, "if ya' don't want me to —"

you groan, "no, n-no. want you," your voice quivers suddenly as warm fingers press into your soaked cunt. finding home right among your weeping slit. you don't even see where your shorts have been thrown, instead focusing on toji's hazy eyes flickering when they see that you've been wearing nothing underneath. all damn evening.

you don't think you've ever seen the man so dishevelled, heaving for air, as he tries to come to terms with all this, "so when you were in that basement, jus' tryna tease me? is that what you wanted?"

you can't help but laugh, but it's quickly cut off when toji's pressing a hot kiss to the very tip of your clit, it's so feather light and oddly gentle for the gruff man, and it has you keening over.

"that's it, gon' have you all in my mouth. gonna drink ya' up, it's what you wanted, right?" he uses two fingers to press right up against your entrance, parting your oozing folds so he can narrow his eyes at how ready you are for him, "gonna put this all in a cup, and drink it."

"t-toji!" you whine out, feeling your head go all light, and weightless, watching toji play with your core. seeing the older man gape at how you're soaking divots into his fingers, seeing emerald eyes darken with a carnal need to taste you. right now.

"stay still, doll. yeah, just for a sec," toji's hands tighten around your thighs, smacking a fat glob of spit over your trembling core, letting his index finger run the fluid up and down your pussy, a ragged laugh running raw from his smart mouth, "had no idea you were like this, been burying your pretty fingers in your cunt for me before, right?"

you need to get a hit of your own in, before toji fushiguro turns your mind to mush, "you been fisting around your cock for me, then too? bet it super hard when — fuck!"

your words are cut off by the flat pads of his fingertips coming down to deliver a jolt to your throbbing clit, slapping wet arousal around as toji almost glares up at you, but it's softened by lazy fondness.

"watch ya' mouth, doll. 'm wanting to go easy on you tonight."

he's delving straight into your cunt, like a man starved and searching for salvation between your thighs. you feel your mind go blank, that ruined orgasm of the past hour practically gaining a life of her own and cheering once more, coming back to you in embarrassing, full force as it barely takes a few, quick munches of toji's tongue around your sweet pussy.

that's all you need before you're quickly seeing flashing stars, and doing your best to hide the tremble in your thighs. but toji's having none of that.

his laugh is low, mocking and so ruined, "tchh, i really did interrupt ya' didn't i? must have been so close on that bed," but he's not stopping, practically speaking into your stimulated cunt, punctuating his words with buttery kisses, "must have caught ya' on the very edge for her to so ready for me."

"shut u-up."

"your wish? my command," toji snickers, letting your slick, running juices gather over his chin, "and you taste so good. she's a sweet thing, right," and you realise that he's not talking about you, but rather, about your weeping, glossy cunt that's shoved against his sharp nose. you've got the man practically pussydrunk already, and he's hardly gotten a good feel for it.

his hand comes to rest on your bare thigh, tapping it, "now 'm gonna need you to move that, yeah, that's right," you're slotting it over his broad shoulders, and it pulls him closer. and at this point, you don't even care for how you should be embarrassed, should be feeling some shame at having this rugged, older man salivating into your cunt. but there's a shocking glee instead, a quiet victory that's bubbling in your abdomen and already demanding an encore.

his tongue darts out again, this time he's prodding the muscle at your entrance, feeling for that slight resistance made weaker by your fingers earlier, all on your own. the very tip of his tongue in you has you whining again, slapping a hand over your lolling mouth.

"move that hand," toji grunts, punctuating each word with a flick to your clit.

"i c-can't," you gasp, hands finding a home in his clingy, dark strands, "people are gonna hear-ahhh," he's practically mouthing himself onto your pussy, slick strands separating from his lips each time he pulled away for air. the stimulation is making you so much more sensitive, tears springing to the corners of your eyes as the pleasure begins to sting so deliciously.

you pull fingers through ink-black hair, delicate threads that are soft to the touch and feather-light, "h-here, toji," you curl your fingers to angle him perfectly just so, and the burly man is letting you use him, letting you drag his mouth over your slippery folds. just so you can get him to flick his tongue over that spot that makes you cry out so perfectly.

and toji thinks he's never seen a greater sight. he feels a dizzy, heaving tightness in his jeans, that ache building in his groin like he's about to bust his load just from having you fall apart so prettily on his tongue. he ups the pace, making sure to nimbly etch patterns over your heated, swollen clit. he had you right where he wanted you, needed you, and he'd be damned before he'd left you high and dry.

"y'know, 'm thinking about to see this pretty pussy cum again," and toji sounds so proud, taking gratified in the fact that after only one taste, he's already attuned to the signs of your climax. the way your eyes roll back in your head, tears pricking at your eyes in a way that makes his cock ache even harder.

you're unabashed now, rolling your hips into him at a messy pace. letting spikes of white-hot and red-searing pleasure curl up in your abdomen, ready to burst. the entirety of his lower chin is coated in sweet slick, glistening his rough scar, with a clear drop just beading at his lip.

"i-i think 'm gonna, toji, toji - feels s-so —"

toji's mocking you, pitching his raspy voice up again to capture your tone, "oh yeah? 'm gonna, what? what are ya' gonna do? gonna cum, because that's what i'm here for, doll."

he's making a mess now, switching between a cool, short puff of air at your throbbing clit, and letting his tongue push into your gummy walls, unending pleasure until —

"aaand, cum. now, doll."

it bursts within you, swiftly and briskly. so intense that the edges of your visions become clouded with dark spots, a hazy vignette of sheer pleasure from toji's mouth running all over the filthy mess you've created. the gushing climax that must be soaking the scuffed, dark floorboards beneath toji's bent knees.

you don't even realise that you're still babbling his name, entirely lost in the daze of your second orgasm of the night. little cries of toji, like a prayer over and over, mantras that are making toji grin with his gleaming lips underneath you. all as he wraps his arms around your thighs, lifting you with brute strength. all the while not separating himself from your oversensitive cunt, petting soft kisses over your inner thighs, "gorgeous thing, aren'tcha? think ya' give me another one?"

you groggily lift your head as he sets you down on the bed, caging you beneath his considerable frame, "why? don't wanna, uh, stuff my stocking tonight?"

toji's green eyes flicker with mirth, amusement, only punctuated by him rolling them back in faux-disgust, "still runnin' that clever mouth, hah."

you squirm as he pushes his rough hands under your sweatshirt, letting both hands cup your breasts, pinching and twirling fingertips over your nipples, "are you a, mmph, a candy cane, toji?"

he doesn't break his concentration from where he's peeling your top off, "what nasty shit are ya' gonna say now?"

you giggle as he brushes past a particularly ticklish spot, "because i think you're s-sweet, and i wanna suck you."

"fuck."

in the blink of an eye, he's got you perched over on your knees, just as he hovers you. waistband pulled down enough to reveal black boxers, close enough that you could stick your chin out and press a soft kiss to the darkened patch of pre-cum that must be driving toji crazy.

and well, it's big. like it's jingle bells, jingle balls type of big. you drag your eyes from soft, curled black hair at the base of his groin and down an angry, thick red shaft that makes you clench your thighs.

"wan' me to slide over your chimney?"

that gifts you a barked, punched laugh out of the man — toji's got a large hand wrapped around his cock, "c'mon, doll. put that smart mouth to good use then," inching it closer to your lips in silent permission. you part your lips, anticipating the savoury pre that coats your tongue, the translucent fluid dripping from your mouth already.

he's thumbing down on your lower lip, easing the red mushroom tip into your waiting, eager mouth, "hah, think ya' were meant to take me. how's...how's this slutty mouth so perfect?" toji sounds ruined, all rock-salt rasp and his pink lips fall open, and a flush is painted over his tan skin.

you've never been one to give up, ready to angle your head lower, eager to take as much of him as possible into your mouth. but it's a hard stretch, as crystalline tears cling to your lashes, from the tight wrap of the back of your mouth around his throbbing cock.

toji's got his hand wrapped in your hair now, and you can tell that he's trying to be gentle with the strands as he angles your head lower, purring as you take him so well, "f-fuck, a perfect tease, yeah? fuckin' amazing," and you know he's telling the truth, for his cock is practically twitching with a life of its own in your mouth.

you've got this man hazy and drunk, just from sucking you off, and the realisation makes you whine all over again. reaching a hand down in between your thighs to rock up against your clit, all at the same steady pace.

and you know that toji is close, for those sculpted thighs of pure muscle tremble now, the powerful cords quivering as he bucks his hips, fucking your mouth in long, steady strokes. you also realise that you want him to cum, just like this, to have thick white fall from your lips to really seal and sweeten the deal.

but suddenly, you're left popping your lips shut, as toji groans, genuinely groans and shudders, pulling himself out of your mouth with a wet slop!

"don' give me that look, doll," toji chuckles, his chest heaving underneath the sculpted outline of his dark shirt, "can stuff ya' mouth with my cock later, if that's what you want. but 'm really gonna lose it if i'm not in her right now," and he's angling you back to give a loving, gentle pat to your glistening cunt.

rough, calloused hands slide across your bare back with an unexpected gentleness, against the soft curve of your spine as toji presses you into the mattress, so your head is finally resting back against the pillow.

toji's enjoying this, you know that, just from how he's taking your times to pull your thighs apart, sucking in a harsh breath at how your sleek entrance practically winks at him. tugging his hands roughly on his rock-hard cock, all so he can run the fat tip over your clit, making you mewl.

"don't t-tease, toji," you sniffle, feeling the searing tip push up against your clitoral hood, that nerves so stimulated that you're bucking up into him, wanting toji to just put the damn thing in already.

"fuck, doll," toji's taking a small mercy on you, pressing the first inch into your cunt, "i don't 'm the tease here, god knows how long you were jus' jacking off on the other side of the wall. hopin' that i'd come and stuff you like this?"

each inch that's bullying itself into making your head spin, making you wrap arms around his thick neck, just as he presses a soft kiss to the crook of your collarbone, "ya' good, doll? 's not too much for your, hnngh, tight lil' cunt, is it?"

you mewl as he bottoms out, and the stretch is unlike anything you've ever felt before. it's so deliciously big within you, scraping at the inside of your walls, "wan' be on top, toji."

"oh, yeah? lucky that i like ya' this much, givin' me orders and bossin' me around," toji huffs, using thick arms to pull you up instead, flipping you around so he's got you straddling his thighs, split apart so perfectly around his gliding cock.

"mmph, 's much deeper like this, toji," you chase after his lips, running your tongue over the taut, rigid scar that cuts over the right side of his mouth, all while he starts to set a maddening pace, bouncing you like a pretty toy over his cock, swabbing your insides with buttery wads of pre-cum, all sticky and loud in the silence of the night.

"lookin' good, doll," toji's grin can only be described as shark-like, and he's clearly pleased by the echoing squelches from the filthy mess that's dolloped between your groins, the smack of your ass against your thighs, tacky strands sticking to skin.

your chest is pressed against his shirt, and he's so enjoying the view. loves seeing how the swell bounces and hypnotises him, fuck, toji wonders how he's gonna go about the rest of his life away from you and your perfect pussy.

your eyes widen as you glance back, swivelling your head over your shoulder to watch the smacking movement of you against him, at how his thighs hold you up with a steady rhythm, "you're f-fuckin' me really well, toji," and god, he thinks he might just lose it all, then and there. the praise from your dewy lips is rushing straight into his cock, turning his mind to mush as he finds himself on some sort of autopilot.

he needs to cum in you, right now, needs to feel you milk him for all he can give. to stuff your syrupy cunt with mounds of weeping inches, and he's picking up the pace. smacking heavy, laden balls against your skin, so you whine and keen into him.

you're so caught up in the pleasure that you don't even realise toji had said something, words snapping around his teeth as he bounces you over and over, making sure that you ride him good, "w-what?"

"a date, doll," toji groans, smacking your hand away from your clit, just so he can toy with it, faster and faster, "lemme take ya' out properly, what'd ya' say to that, huh?"

"wanna take me o-out?" you all but weep over him, spearheaded on his tip, and raking sharp nails over iron abs, all underneath his tight top, "please, please, t-toji, wanna go out with you! and then," you hiss as he angles himself just right, curved sheath kissing that perfect g-spot deep within you, "and then i wanna do t-this all over again."

it makes toji's hips stutter, "yeah? pretty girl wants me to take her out, parade her around t-town, hah, i can do that. i can do all of that," he's gasping, feeling your tight heat snatch the life out of him. each girthy vein rubbing itself against your tacky cunt, "i can do all of that, and more. jus' lemme show ya', i'll spoil ya' for anyone else. those d-dumb college boys."

and you look at him with such gorgeous, pretty eyes that toji wonders how on earth he's gonna function now, with you so supplanted in his life. on his cock, even. he can taste something faintly sweet and artificial on your tongue, like tangy grape as he sucks on the muscle.

"never wanted a-any of them anyway, jus' you, toji. only you."

toji fushiguro loses his mind, he's cumming and his own orgasm is hitting him so hard that, in the back of his mind, he's concerned at how he's just filling you up. sloppy thrusts slowing down as thick, white translucent spurts paint your insides, right up to where he can see the divot of his tip through your abdomen. where you've taken in him so deep.

"s-shit," toji presses his mouth to yours again, harder, "look what ya' doin' to me, ruining me," and he also feels just a little bad for ruining your sheets, right as your own umpteenth climax for the night hits you, glossy and clear over the black tufts of hair. your pretty mouth pulled open in a wordless cry of his name, but toji doesn't let go. he lets you ride it out, that sticky mess becoming an afterthought for later.

in the hazy glow, toji's eyes wander over the mess of your room. but something else catches his attention, wads of paper flattened by an empty can of soda. he tilts his head, hair falling over his forehead, dampened by sweat. reaching for the paper with his curiosity piqued.

before he can fully read the words, you're suddenly pawing at his arm, practically leaping into him to get in the way, "wait, toji, don't! hey, that's private!" your voice is an odd mix of urgency and embarrassment, nothing like the angelic whimpers from a few minutes ago. you're swatting at his thick hand, trying to grasp at his fingers.

ignoring your protests and squirms, he crumples the paper open and reads the bold, hastily scrawled letters: how to get toji fushiguro in bed.

damn. so you had been responsible for that heater, the staircase, a fake phone call. he always did like them a bit cuckoo-bananas.

toji chuckles darkly, glancing up at you, barely able to suppress a grin. you're flushed, looking like you'd rather disappear into the floor, oddly shy despite the fact that you were so bold, and a minx riding him earlier to hell and back.

"look, i can explain. don't be mad, because i swear —"

toji groans, shifting you slightly in his lap, "mad? doll, 'm hard all over again. how'd you want it this time?"

#jujutsu kaisen x reader #jjk x reader #toji fushiguro #toji fushiguro smut #toji x reader #toji smut #toji fushiguro x reader #toji fushiguro x you #jujutsu kaisen smut #jjk smut #jjk x you #jjk x y/n #toji x you #jujutsu kaisen x you #daphworks

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inkinflux · 1 month ago

Text

Can't Keep a Secret

Viktor x gn!Reader | 3k | SFW Viktor notices you've been burnt out for a while, so organizes a short trip away to help you relax. A/n: I am so in love with this fictional man hnggggg also I based this off this song because it matched how sappy I felt :') 🚫 I DO NOT CONSENT TO MY WORK BEING USED TO TRAIN AI 🚫

Air pushed against your splayed fingers, the draft cool against your palm as you held it against the pressure. You dipped your nails down, the force causing your hand to swoop, the sensation pulling a smile on your face.

You didn’t travel often, and never before via airship. The novelty was neither lost on Viktor as he held onto the railing beside you, eyes wide as he watched the rolling hills of Valoran pass beneath. The airship’s shadow dove up and down the golden fields of wheat, until it reached the highest crest and the gold slowly dissolved into blue.

The wind whipped your face, its dominant presence the reason why the rest of the travellers remained inside during most of the duration of the ride. But the feeling wasn’t entirely unpleasant, in fact, it was refreshing.

After being holed up in your study for weeks, it felt nice to be given a stark reminder that you were, in fact, a living creature who needed sun and air and adventure to satiate your soul.

It had been Viktor’s idea to take a trip to the coastal city of Holdrum to pull you out of your rut. There was only so much staring at a blank piece of paper you could handle before it drove you insane. He knew that feeling of stagnation all too well, and also knew that pushing yourself past that point didn’t often yield the desired result.

The ship passed through a cloud, and you laughed as the condensation licked your skin, leaving you slightly damp. Viktor reached his arm out behind you, mimicking the way yours reached out into the clouds. He drunk in your joy and the fresh air, his tired lungs feeling lighter for once.

You opened your mouth as the next cloud passed, tasting it on your tongue.

The flight was thrilling, albeit brief, the airship docking a mere three hours after it had taken off from Piltover. The tickets had been cheap thanks to its avoidance of using the Hex Gates.

It was an irony that was not lost on you, that one of the creators of such an invention still couldn’t afford to use it the traditional way. Though you were sure an exception would’ve been made to let him fly for free, Viktor wasn’t the type to put up a fuss.

His hair was a fluffed mess from the wind when he shuffled along the gangplank back onto solid ground. You stuck close to him, slightly intimidated by the busyness of the station, wares and people being offloaded all around you.

Viktor tugged you along with a glint in his eye and a grin that shone brighter than the sun. Your briefcase was heavy with clothes and books, but you didn’t need to carry it for long as you reached a carriage that would take you to your weekend accommodation.

Your thigh bumped against Viktor’s as you peered out the window, making repetitive comments about how beautiful the view was. Viktor could barely concentrate as your hand rested on his knee, his eyes constantly drawn to your side profile as you watched the oceanside pass by.

His body objected as he clambered out, but his respite was so close, the seaside cottage standing at the end of the dirt path you’d been dropped off at. Peacefully isolated and surrounded by trees, with sand trailing through the cool shade of leaves, the sound of waves a hint at how to find the beach.

You took his bags, bright-eyed and excited to explore. Viktor tried not to drag his feet as he followed, lugging himself up the few steps of the porch. He subsequently crashed into the couch as you both entered the small wooden structure that had once been blue, but showed signs of age, driftwood peeking from beneath the paint.

“This is incredible!” Your voice came muffled from the other room as you darted in and out of the different rooms.

Viktor wanted to join in your energetic outburst, but after having been on his feet for most of the day, he couldn’t muster more than a hum of acknowledgement.

You poked your head out of the bedroom, taking in the way his lanky limbs extended over the small couch, his face pressed into the cushions. He heard you approach by way of creaking floorboards.

“Thank you.”

He raised his face, laying his cheek flat as he looked at you. You were on your knees, curled forward with your chin resting close on the cushion.

“I know no one who works harder,” he told you, “and no one more deserving of a break.”

You pushed his wind-tousled hair from his face, the gesture enough to make his heart soar. Or maybe he’d left it in the clouds when you’d thanked him the first time, looking up at him with the same adoration as you did now.

“No one other than you, you mean,” you teased, pinching his cheek before you rose back to your feet.

Viktor turned, the couch the perfect balance of firm and soft to keep his strained back at ease. He watched as you approached a window, opening it to let the stream of natural sounds flood in. Distant waves and the whisper of leaves rustling in the breeze that was picking up with the promise of a summer storm.

He wanted to tell you that you looked beautiful. That you gave him the impression of a living piece of the world, clicking so perfectly into any scene. In the clouds, by the coast, at your desk, by his side.

It was a secret he kept, to no one’s benefit but his own, really. These words he guarded, belonging to only you. The thing was, he was terrible at keeping secrets.

He had blurted about the tickets the moment he’d seen you last week, when you had looked so colourless and crestfallen. He’d do anything to see you smile, even ruining the surprise.

Even now, he struggled against the word as it danced on the tip of his tongue.

“Beautiful,” he mused, “isn’t it?”

You nodded, taking a moment to tear your attention away from the relaxing ambiance. When your gaze settled on him again, it softened.

“There’s a storm rolling in,” you told him, taking a seat next to his reclined body. His shirt had rode up, exposing a section of his pale, lower stomach. You tugged at the hem of his shirt, pulling it down to cover him again, but not without brushing your fingers against him in what you hoped was an inconspicuous manner. Viktor bit down on the inside of his cheek, his entire body thrilling at your touch. “Perfect weather for a nap, don’t you think?”

Viktor smiled, the smell of rain filling the room as the first drops fell from the sky.

“You may choose whichever bedroom you prefer. I will remain here, for now.”

Your hand fondly stroked the cushion beside his head, too shy to risk another real touch. Viktor enjoyed having you so close that he could feel your warmth seep into him. You wanted to ask him to join you, your idea of the perfect nap to weather the storm being one where he held you in his arms, but sensibility won out in the end.

The room grew darker as you disappeared into one of the bedrooms, leaving the door open behind you as you collapsed onto the mattress.

The heavy rain lulled Viktor to sleep, his hand tucked under his cheek, unaware that you had curled onto your side in the same fashion, imagining the warmth of him around you.

When you awoke hours later, bare feet padding out of the dark and into the warm light of the kitchen, you found Viktor cooking dinner.

He had slipped into something more comfortable, a baggy t-shirt and pyjama pants that hung low on his hips. You admired the dimples of his lower back as he stretched up to grab two glasses from the cabinet. Once he placed them down, he propped his cane back under his arm, hovering close to the stove as something delicious-smelling bubbled away.

Your footfall was quiet, but he turned his face to the side, a small smile on his lips.

“Did you sleep well?”

You yawned as you approached him, dropping your head onto his shoulder. “Like a log. Is that curry?”

Viktor hummed a confirmation.

“The pantry is stocked, so I found something I thought you might like,” he stirred the pot lazily, still somewhat sleepy. “Though, the town has a market that sells imported fruits. I was hoping we might go there tomorrow.”

You nuzzled your head against the side of his arm and he chuckled.

“Will you stay awake long enough to eat with me?” He picked up the wooden spoon, blowing on it. “Here. Try.”

With his other hand hovering beneath, Viktor brought the spoon to your lips. The explosion of flavour melted into your tongue, and you hummed in delight.

“Good?”

“Good,” you agreed, eagerly moving to the table, sliding onto the bench.

A moment later, Viktor placed the food and assortment of cutlery before you, then slid in next to you, your thighs pressed flush against another.

You hooked your foot around his ankle, too tired to pretend you didn’t want to steal every sort of touch he’d allow you to get away with in your sleepy states. You found he made it quite easy.

Few words were shared during the dinner, the food so good Viktor had to warn you to slow down.

“Who taught you to cook like this?” You were surprised, because he had opted for quicker meals while at the Academy, too engrossed in his work to waste time on such necessities as a well-cooked meal.

“My mother,” he answered softly. “Years ago, I would return home each week from the Academy to tell her about my work with Professor Heimerdinger. She would always cook for me.” You looked at him as he reminisced, somewhat melancholy. “The smell reminds me of her. Vegetables and spice and stock.” He turned his gaze to you now, his eyes adoring amber. “She would have liked you.”

Your elbow knocked against his as you shied away from the kind words, swirling your food with your spoon.

“You think so?”

“I know so,” he said with certainty, “because you make me happy.” He then poked your thigh, aiming for a lighter tone. “Even if you are clingy. Like a kitten.”

“I’m not clingy,” you stated with defiance, despite the fact that you’d all put burrowed into him.

Viktor smiled. “Do not mistake my comment for complaint. I… quite like it.”

Your back straightened at his words, the grip on your spoon tightening. Viktor cursed himself internally for letting the secret of his affections slip. Always in moments where he wanted to reassure you, he couldn’t help himself from tipping his hand to show you his cards were all hearts.

“I’m not like this with everyone, you know.” It seemed you didn’t know how to keep a secret, either.

“I know.”

After dinner, you sat on the porch, watching the rainy night with Viktor. You laid against his chest, his square thumbs massaging the wrist and palm of your dominant hand, which ached from the repetitive motions of your work.

“It is too bad such devoted hands cannot be mended with oil and tightening screws.” Viktor’s breath tickled the shell of your ear as he spoke. “Flesh and tendon is so difficult to work with.”

You melted against him, nestling your face against the side of his neck. “Still feels nice.”

“I’m glad you think so,” he replied, a smile in his voice.

The post-dinner relaxation gave way to a familiar pull of sleep, but when it came time to return to bed, you lingered in the doorway, pleading eyes pulling Viktor up from where he had been preparing to read on the couch.

He curled a finger against the underside of your jaw, stroking up and down. You pressed your mouth into a line and tilted your head at the man.

“Does this sleepy kitty need company?”

You tugged at the drawstring of his pants in response, and he relented, snatching up his book and settling into bed beside you, reading glasses perched on the edge of his angular nose.

“The reading light won’t keep you awake?”

You made a small noise to suffice as a “No” before curling into him, your hand sliding under his shirt, coming to rest on the tuft of hair beneath his bellybutton.

Viktor reread the same sentence about a dozen times before he realized he wouldn’t be able to focus with you touching him like that. Still, he tried, until the sinking pillows pulled him into the same delightful dreams you dwelled in.

It seemed in his sleep, he had lost control of his limbs. Viktor awoke to an entanglement he couldn’t possibly hope to free himself from.

Your thigh was trapped between his, one of your arms pinned underneath him. Viktor’s nose brushed yours as he raised his head from the pillow, surveying the situation.

The movement caused you to curl into him further, a satisfied huff tumbling from your soft lips.

Viktor gave up any notion of getting out of bed, conceding to his fate.

The second time he woke, you were bending over him, placing a sweet kiss on his forehead. He shut his eyes quickly, pretending he was still asleep.

You were greedy and sought another stolen kiss, this time atop the beauty mark below his eye, your lips a fluttery feeling against his cheekbone.

Viktor waited patiently, silently urging you to give the same treatment to the mark above his top lip. He sucked in a breath as he felt your weight shift on the mattress, considering it as you hovered above him.

Then the springs creaked, his hopes dashed as you instead decided to get up.

You were eager to repay the favour of last night’s dinner with breakfast in bed, but before you could step away, a warm hand had shot out, curling around your forearm.

“Good morning,” you greeted, Viktor’s unfocused eyes drinking in your form.

“Where do you think you are going?” He asked, the rasp in his voice causing something within you to shudder.

You lowered you voice to a conspiratorial whisper. “It’s a secret.”

Viktor’s sleepy smile almost convinced you to stay. But you were determined to do something nice for him, after he’d organized the perfect getaway and treated you to such lovely cuddles all night.

“Stay here,” you told him, and reluctantly, his grip weakened, his hand falling empty as you walked away.

After five minutes of trying to be patient, he missed you too much, making his way to the kitchen.

“Vik,” you tutted as he came up behind you, hands sliding down your arms indulgently. You turned around, holding the spatula up threateningly.

“A fearsome weapon. Is it meant to scare me off?”

“Yes.”

Viktor wrapped his hand around yours, easily stealing it from you.

“Hey!” You complained, but there was a laugh in your voice. Viktor took over pancake flipping duty, if only out of guilt for ruining your plans to serve him in bed.

You gave up, pressing your forehead to his back. Your hands naturally found their way under the hem of his sleeping top, thumbs feeling out the bolts in his spine, tracing them with such fondness that Viktor struggled to remember how to breathe.

“How does your hand feel?” He asked, trying to maintain some semblance of composure.

“Like it needs more attention.”

Viktor smirked as you pushed your hand through the gap between his waist and arm, letting your arm dangle in his line of sight. He took hold of it and pushed circles into your palm with his thumb while he flipped the pancakes. It proved more difficult than he had anticipated.

Breakfast was eaten back in bed, as you had insisted, the entanglement now only limited to weaved legs. The dawning day beckoned, and as much as you both would’ve liked to remain underneath the covers, you both found the motivation to get dressed and ready to explore the town and beaches.

The dirt track that led you out of your blissful solitude was now dotted with puddles from last night’s storm. The sky still held a hint of grey, but luckily the clouds had mostly dissipated, giving way to a clearer day.

Your shoes squelched in the mud as you stepped out, turning back and waiting for Viktor as he locked the front door. When he turned to you, he froze at the look you were giving him.

“Do I have something on my face?”

He looked absolutely divine. Being outside of Piltover, outside of the Academy, seemed just as good for him as it was for you. The leather strap of his bag crossed over his chest, atop a teasingly sheer white button down. He’d pushed his reading glasses up into his hair, a stray strand falling against his forehead. You adored him.

“Oh,” he noticed your gaze and tapped his head, quickly taking the glasses off and pushing them into his bag.

He reached you before you could fathom a reply. “Let’s hope the rain does not catch us out,” he spoke, unaware of the way your enamoured heart had caused a short-circuit in your brain. He was amused at the stunned expression you wore, reaching up to tap on a large leaf above your head, causing cold droplets to fall upon your face.

You released a shocked laugh, giving him a light shove. He regained his balance, his walking stick tucked firmly under his arm.

The trees glistened with suspended water drops, and you curiously tapped against a few before you stuck your tongue out, eager to taste how fresh the water was. The remnants rolled over your lips as you turned back to Viktor.

“You should taste it. It’s exactly like the clouds.”

Viktor stepped forward, a large hand cupping your jaw as he dipped his head. His mouth was against yours in an instant, stealing your breath. He took advantage of your parted lips, his tongue delving into your mouth.

When he pulled back he was pink-cheeked and wearing a wobbly smile.

“Yes,” he stammered, unable to focus on either your eyes or lips, his gaze flitting between them, “It does.”

#writing #league of legends #viktor #arcane fanfiction #viktor x reader #viktor arcane x reader #viktor arcane #arcane viktor

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strawberryblue-blog · 8 months ago

Note

Hey, hope you’re good. For the Barcelona football player povs, could you maybe do one about the moment he realised he was in love with you, thanks :)

FALLING IN LOVE

—FC BARCELONA.

summary: How would boys react when they realize they are in love?

words: +1.5k

warnings: none. cute, soft.

song recommendation:

Pedri González.

You were probably one of his first loves. Maybe he once loved someone but not like he does you. He really wanted to take things slowly but after not being able to hide his feelings, he would accept that he is completely in love with you.

Although he still doesn't know whether to tell you, he trusts you and knows that you would never hurt him, but he will wait for you to tell him so as not to influence your decision.

But he is very in love and you will see how he begins to have different attitudes towards you, his hands look for yours all the time, his eyes do not stop looking at you, his voice changes when he talks to you.

Ferran Torres.

You just got out of a relationship and didn't think you could fall in love again so quickly. But Ferran will not hesitate to tell you that her feelings have changed and now he sees you differently.

He really loves you, like you are the right person for him, he likes you with all your strengths and weaknesses. The way you laugh, when you seek his warmth, when he embarrasses you at his compliments.

He really admires and is proud to be able to say that he loves you. Because for him you are an honest, loving and kind person. So how not to fall in love with you?

Joao Felix.

Like Ferran, Joao also just broke up from a somewhat complicated relationship and although he thought he would not fall in love again for a long time, you arrived to ruin his plans (in a good way).

It was inevitable for him to think that you were a great woman, with clear values, principles and objectives. A woman who knows she wants him and loves that.

Compared to his previous relationships, this time Joao feels that it is real. That you understand and complement each other, that you don't need to tell the world about yourself but that you love and support each other.

Pablo Gavi.

For Gavi, loving you is something new in his life. Maybe she has had the odd romance but none like yours. He is completely lost in you.

Like a youthful romance and one of those that will last a lifetime. Gavi admires you, supports you and loves you no matter what. Willing to learn from you and everything that loving you entails.

He's a gentleman, he likes to be affectionate with you, tell you cheesy things, take you to cute places. He will show you to the world, because he loves you and he wants everyone to know it.

Fermín Lopez.

You have known each other since you were little and how could you not fall in love with such a man? He is everything to you.

Fermín is the person that everyone wants by their side, affectionate, kind, careful and respectful. And he loves you unconditionally. He has loved you forever, since you used to play in the gardens of his house.

I always accepted his feelings for you and he was always direct because he knows what he wants and that's you. So he's an old romantic and will treat you like the queen you are.

Marc Guiu.

Maybe at first he tries to hide his feelings, we all know that he likes to seem like a tough man but deep down he is not.

He is completely in love with you and he won't be able to hide it for long. Because he loves it when you laugh, when you get close to him, when You are free and fun.

He likes it when you care about him and take care of him, it makes him want to love you more than he should. So he will confess and he won't let you go, he is determined to have you in his life and he knows that you want it too.

Héctor Fort.

You are the first girl he has liked since he can remember and it will be a little shy and embarrassing for Hector. He doesn't know how to tell you, act, or approach you.

He will probably feel a little insecure at first but he will gain confidence when you are the one who approaches him and shows him that you are also interested.

Everything will be like the first time with him, loving each other, understanding each other, taking care of each other, but it will be so magical because Héctor is simply in love with you in every way.

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onegirlatelier · 9 months ago

Text

April, 2024 | Shetland lace shawl

Hi there! It’s been a while. I’ve been kept busy by all my university work…and this shawl.

The shawl is knitted to celebrate the wedding of my friend (now friends, I should say). A wedding is really the perfect excuse for all the heritage crafts and heirloom projects that might seem too serious to gift in other occasions. I did ask the recipient beforehand if she would like it, though, and I was so, so honoured that I got an enthusiastic ‘yes’. I’m sure this sentiment is shared by many makers, whatever gift they are making.

Shetland fine openwork, a knitted lace, seems to have emerged with the beginning of the reign of Queen Victoria, who championed and popularised the craft. It was probably spread from the Isle of Unst to other parts of Shetland. What surprised me the most when I first read about it was that Shetland shawls and other lace pieces were largely exported as luxury items and rarely worn by islanders themselves. Women bought yarn from spinners and knitted mostly in their homes. They then took them to local merchants and exchange the finished objects for goods or (commonly after the 1880s) money to supplement the household income. The ‘supplement’ nature of this work probably means it was not compensated as much as a job outside the home would be for the same hours and skills. Besides, it was not always easy to spin an even 1-ply yarn at 1600 metres per 100 grams. For a piece of knitting with a large ‘plain’ area (i.e. only knit stitches), the unevenness was impossible to hide but could only be discovered after the area was worked. Then the maker had to either frog (unravel) the area or continue with the risk of the whole piece not being able to sell.

Whilst it is very reasonable to point out that Shetland ladies did not usually wear this type of lace (I’ve been to the Scottish Highlands once, in summer, and it was not fine lace weather), I imagine that at least for some, it wasn’t just about making money. Some sort of fulfilment must have been from the satisfaction of having a piece ‘properly done’ by continuing and adapting a traditional pattern, technique or material. I think this sort of satisfaction is also why many modern knitters are willing to spend hundreds of hours on lacework.

Intricate handknitted lace items can still be bought today (a quick search on Etsy would show many are form eastern European countries with a long and prominent craft tradition), but many are knitted for friends or family members. It always makes me so happy to see people share the gifts they have made, whether big or small, simple or complex. I joke with my online craft friends that no handmade fibre project can claim to be so unless they have a hair or two woven into it. It is the proof of existence for the maker, who tries to go against the irregular nature of handicrafts and, at the same time, accepts it. It is about wrapping up hours, weeks or months in one’s life, along with the songs they have listened to and the perfume they have worn and the memories they have made, and putting it squarely in someone else’s hands and saying: ‘All this, for you.’

A Wedding Shawl

I have not read anything about there being a standard form of ‘wedding shawl’ in the Shetland tradition. However, there is definitely a category of square shawls with similar sizes and a few construction methods. The samples I’ve seen mostly measure 1.5-2m on one side and have three parts: a central panel, four borders and a strip of edging. It is worked flat in garter lace from centre out.

Neither is there a standardised yarn weight. A widely available yarn is the Shetland Supreme Lace Weight 1-ply by Jamieson and Smith, which weighs at 400m/25g. The Queen Ring Shawl examined by Sharon Miller used a yarn at 700m/25g. From my experience, if you want the shawl to be a true ring shawl (i.e. you want to be able to pull the shawl through a ring) at the size of the Queen Ring Shawl (210cm on the side), go for 700m/25g or finer.

I chose a rectangular shawl because I had very limited time, but I did enlarge it because for me, an abundance of fabric does mean an abundance of cozy happiness.

Pattern

Shell Grid and Spider Webs Puzzle, pattern No.19 in the book Shetland Knitting Lace by Toshiyuki Shimada.

The names of the motifs are confusing. One motif (or two highly similar motifs) might just have two different names if they are produced in two different regions. Names do not mean everything, but I’ve had fun trying to match the motifs with names according to this article by Carol Christiansen at the Shetland Museum.

The double yarnovers (YO's) in the diamonds were called Cat's Eye, but perhaps the 'Spider Web' in the pattern name is referring to the three rows of double YO's in the centre panel. It has a really simple but effective edging.

Yarn

Mermaid Lace, in colourway #naturel, sold by Great British Wool in the Netherlands. This yarn is 75% merino and 25% sea algae silk. ‘Sea algae silk’ seems to be a semi-synthetic plant fibre like viscose, with algae involved as part of the raw material. (At this price point I don’t think it has anything to do with sea silk, which is fibre produced by actual shells.) The brand name for the most popular product of its type is probably Seacell.

I bought the yarn, because I had never worked with this fibre before and was curious. What I like: it was a little cheaper than a wool/silk blend and has blocked very well. The whole skein was continuous so I didn’t have to deal with a single yarn joint. What I do not like: it lacks the sheen and smoothness of real silk and doesn’t feel as strong, although it doesn’t shed. In conclusion, I’d rather use a traditional Shetland 1-ply or another natural fibre yarn.

It's also worth mentioning that whilst I prefer to support small businesses, it was disappointing to have received a 93-gram skein when I had ordered 100 grams. It was one of those days between Christmas and the New Year and I somehow did not contact the customer service, but I really should have.

Needle

2.5mm 80cm circular needles. See modification below.

Modification

This Japanese knitting book follows Japanese sizing for knitting needles. The suggested size was no. 1=2.4mm. I figured that I could use a 2.5mm since I knitted on the tighter side, and in any case it was probably okay to make the lacework a little more open by going up a needle size.

I am not going to give out the pattern, but it is probably necessary to explain the structure of this shawl. The centre is knitted first, and then an edging is knitted onto it by picking up either live stitches or the vertical edge of the centre as you go (see schematic below). The four ‘corners’ of the edging have short-row shaping to help it lay flat. I know that traditionally people can achieve this by other methods, but I haven’t tried any of those yet.

I enlarged the pattern by increasing both the width and the length. I casted on 133 stitches instead of 101 for the centre panel and knitted Part B 8.5 times instead of 5.5. The spider web pattern in Part B requires the stitch count to be (something dividable by four) plus two, so I made one central increase before the spider web to get 134 and a central decrease after it to get it back to 133. Due to the openness of the lace, the change of one stitch is not visible.

The enlargement meant I had to recalculate the edging as well, because the number of stitches available for pick-up changed. Originally, at each corner you do two repeats with four short-row shaping each. I did 1.5 repeats following the original placement of short-row shaping in order to make the total number of repeats fit the number of edge stitches on the centre panel.

The pattern says to Kitchener-stitch the last row of the edging to the provisional cast-on. It just didn’t make sense because that would be two rows too much (the Kitchener stitch row plus the provisional cast-on row). To make the number perfectly fit, I knitted only ten rows of the last repeat (there were usually twelve in each repeat). Then I Kitchener-stitched the end to the provisional cast-on, following the lace pattern. I am quite proud of this solution because it is completely invisible.

Somewhere in the pattern it said to purl (looking from the right side). It seemed strange because the rest of the lace was entirely garter. I knitted those stitches and so far I haven’t sensed a ‘mistake’.

The pattern originally calls for 45 grams of yarn. I estimated (based on the increase of stitches in the centre panel) to need about 80 grams. I ended up using 86 grams. Besides the inaccuracies in my estimation, it was probably also because I knitted much more loosely than expected as it was difficult to tension the yarn tightly at such a weight. Like I've point out in the Yarn section above, I was lucky not to have needed more than 93 grams.

The original finished size is 53*118cm. I ended up with approximately 70*170cm.

Conclusion

This shawl took about three months of my craft time i.e. one full day every week for three months and many mornings before I had to leave for university. Knitting outside my room just didn’t work because I was a) engaged in some other activities that made it difficult to steady my hands, and b) worried about putting a white shawl on any public surface.

The pattern itself is relatively straightforward. The first difficulty was, of course, to understand the instruction written in Japanese. Google translate was horrible so I had to rely on my knitting experience. Fortunately, much of the text description was also found in graphs and charts. Then I had to get my hands used to the tiny yarn. After that, it was only fiddly when I did the edging, because I had to turn about every twelve stitches, and by that time I was handling a giant cloud of stitches on my lap. It did give me a lot of time to go over my favourite documentaries and films, and the last bit of edging was surprisingly quick!

Traditionally, Shetland shawls could be sent back to the maker for maintenance. I think it only fair for me to offer that too because I don’t want a gift to become a trouble (same as how you do not use non-machine-washable yarn for baby knits).

In general, I am very pleased with this shawl. It does pass the ring test, despite not being a traditional wedding shawl size or thickness. I do have a whole lot of actual Shetland 1-ply in my stash, so I am really looking forward to taking my Queen Ring Shawl project out of hibernation in the near future.

Reference list for Introduction

Christiansen, Carol. Shetland fine lace knitting: Recreating patterns from the past. Marlborough: Crowood, 2024.

Mann, Joanna. 'Knitting the Archive: Shetland Lace and Ecologies of Skilled Practice'. Cultural Geographies 25, no. 1 (January 28, 2017): 91–106. https://doi.org/10.1177/1474474016688911.

#knitting #knitblr #shetland lace #lace knitting #gift-knitting #stories

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meraki-sunset · 14 days ago

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so your crow strider au gave me inspiration for my own au, but i've built up the idea in my brain so much that now im scared to try to put it to paper (oops) did you ever deal with this while making crow strider? (and if you did, how you got over it would be much appreciated thanks fhdjks) also your art is cool :]

Hi, sure, i encountered a few blocks when writing CSAU and other projects. I think my method comes down to a couple rules

You need to know how the story ends from the start, so everything in the story leads to the end. Things can change about the contents of the story as you write it and you change your mind about the events that will transpire in it, but you need an end goal you can build your story towards. Most importantly, this is what allows you to add foreshadowing for said ending and structure the narrative in a clear direction. Otherwise, you might come up with a cool ending too late and regret some choices from past chapters that now don’t help this new ending you want

On that same note (and i’ll proceed to copy and paste from an old post) You need to have a Word document with a rough timeline of the events from start to finish. You need to know how it ends from the beginning and how they get there. It can be really, really vague, but it has to be there. It can go like

. They start the game, the trolls bother them.

.both games go to hell

.scratch

.trip, develop relationships

.new set of kids/teen drama

.old kids they get there

.to hell again

.John retcons everything

.new timeline

.they win

And that's homestuck simplified, Those are your Acts. With them, you will know where you're going and if you need to change something earlier. Everything will be constantly up to change of course, but you will be going from point A to point Z more easily.

From there, you go to every point in that list and create a Word document for all of them. I have them in different folders to have every act separated and in order.

A folder for each Doc for every Act, Numbered, and in each one make more lists like that one telling what happens, for example

WordDoc1 - ACT 1 "They start the game, the trolls bother them"=

.John needs to get his game

.introduce Rose

.introduce the trolls on pester chats

. John gets the game

.introduce Dave

.etc

And those are your chapters. Now you can know the extent of what you want to do and if it makes any sense.

I addition to that, every Folder can contain not only the Word document for the Act but also relevant texts and art that are connected to the Act, so evey folder is all about that specific act and any inspiration for it.

Another piece of advice I can give you is to hint at anything important. That's a rule of comedy; actually, the comedian usually closes the show with something related to the first things they said.

That works for everything, and makes people go, "Oh the thing! The meaningless thing they said earlier, it was a clue all along!"

Interconnect it like a web, and that web will stop the story from falling

Homestuck is so ridiculously interconnected that you lose track of the stuff and objects that repeat that have no way to be where they got to be, songs and people and events that are too similar to not be connected but nobody addresses, things like that make it feel like you're dealing with a universe and not just a line of events.

3. Yet another thing, it's something I'm still trying to assimilate, and is that less is more, sometimes things don't need to be said, specialy not bluntly, and an expression, a gesture, a flinch can summarize them. Backgrounds can be reduced, and ideas can be conveyed.

one example is, In homestuck, it's never said that Dave was raised with lack of food. He never sais it, but it's shown in how happy he was to find a warm bottle of juice in his closet, how there is only weapons on the kitchen and no sign of food, how he later sais he never learned what the purpose of a fridge was until he saw it on tv. If someone is lacking something, don't have them say, "i grew up without X thing" show what filled that space in the absence of X thing.

Instead of some character saying, "My dad was never there for christmas" have them say how they thrited for presents at the local goodwill, payed with their lawn mowing money and put the presents under the tree themselves for their siblings and mom.

4. Something that I always have in mind when writing the dialogs and sketching the scenes, is

"I have an idea; what's the easiest way for someone to get the idea, to get the feelings i want to transmit from the idea?" I made the art something I could handle drawing hundreds of times, simplified the coloring, the aspect symbols, the way I draw backgrounds, the way I write dialogs, etc.

That will save you time and work and could prevent you from getting stuck with a project too big to handle

5. This is the most important one: The first draft’s only purpose is to exist.

Writing is like playing darts sometimes; you only get closer to hitting the center by missing it and learning what not to do. That’s an actual rule on animation and a motto on the Disney office. “Get it wrong as quick as you can,” because when you learn what you’re doing wrong is when you start learnign what doing it right means.

If it helps, title your first draft “the dumb version,” because that’s what it is—the version to get the idea out of your head, and then you built over it.

On the same note, once you write "the dumb version" don’t correct it. Rewrite it. It’s annoying, I know, i know, but fixing and fixing a text only carries the mistakes from the first draft, and everything looks kind of disconnected, because it ends up being a Frankenstein text of all the versions of the story mixed together.

This also applies to art; that’s how I handle both writing and drawing; if it’s not working, hold onto the core idea, new page, restart.

Rewriting it puts it in perspective; it feels like a text of its own, with a clear intent in mind.

I think that’s all I have. Making a story is mostly about managing your strengths and weaknesses, organizing and not being scared of it not being perfect.

Hope this helps.

#writing advice #csau extra

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trippinsorrows · 1 month ago

Text

midnight sun + two

authors note: really wasn't expecting the response and interest the first part received. thank you so much! 🥺 as previously stated, this is going to be heavy. please be mindful of your mental state before consuming this content.

words: 3.3k

warnings: angst, domestic violence, violence against women

song inspo: 'faithfully' by journey

one

It takes some digging.

Requires blowing off some dust and the occasional angrily tossed objects, but he eventually finds it almost an hour into searching. The amount of time that could easily be used for other things, but none strike him as important as this.

More dust has to be wiped off the box that he hasn’t seen or touched in over 15 years.

Roman sits on the edge of the bed, careful with his movements, recognizing the fragility of the worn thing. Opened, there’s a strange feeling that settles over him seeing the contents, all drawings and artwork. But, it’s namely the largest item that lies at the bottom that evokes such emotions. Smaller pieces partially obscuring the view, slowly, his fingers move underneath it, gingerly pulling it out as he sets the box to the side and focuses on the item in hand.

A different time. A different person almost. Seeing the drawing of himself from that time in his life also brings up more confusing feelings.

Especially pertaining to the artist who created it for him.

2003

Solitude has always been his companion, a preferred thing over most people in his life who don’t understand him. Who only mean him harm, pain, and betrayal.

That’s why one of the first things Roman did was confiscate and make the only loveseat in the common area his. A possession from day one that no one has seemed to question or challenge, largely because everyone knows why he’s here and subsequently don’t want to get on his bad side.

A smart decision.

It’s farther away from the rest of the seating options, another preferred thing that allows him to zone out with the help of the headphones over his ears. An escape. Isolation.

Solitude has been the only companion granted to him in this life.

That and Rosalia.

But, as she’s not an option anymore, so he settles for what remains.

Except, it’s short lived, because with expert peripheral vision, he’s witness to a scene unfolding. Roman doesn’t necessarily need to hit pause on his Walkman to see what’s going on, but he does it anyway.

“Give it back!” Her voice is far too sweet, way too innocent. It makes him scowl. “Please!”

Roman directs more of his attention to the young girl he’s noticed in passing since his admission, the faded bruises on her face along with her bandaged wrists some of the first things to catch his attention.

It doesn’t take much to see why she’s there.

She’s younger than him by almost four years at fourteen to his seventeen going on eighteen, but he also can’t ignore the fact that she looks older than what she is.

More developed than most girls her age.

And judging by the three pricks playing hot potato with her sketchbook, stupid looks on their equally stupid faces, he’d bet that’s why they’re messing with her. Sick enjoyment at the sight of her chest moving as she attempts to pry her book back.

“Please!” She begs, and it only makes his scowl deepen. Her voice is annoying, but what’s more annoying is the fact that the fucking useless staff here are doing nothing to intervene.

Not surprising though.

In Roman’s experience, adults don’t help out and protect children.

Just feed em’ to the wolves.

Or are the wolves themselves.

“You want it back?” One of them sneers, a haughty look on his pimpled face. “Show us your boobs.”

She freezes, terror rendering her still as she asks in a low voice, “w–what?”

“Yeah, show em!”

“I bet they’re—”

Whatever was going to be said will never be known, it’ll never be known due to Roman decking the son of a bitch in the neck. The other dumbasses only further cement their stupidity by turning their glares onto him.

“You really fucked up.”

One goes to hit him, an easy dodge as Roman uses his elbow and rams it into the back of his head. The third is the most unlucky, Roman tossing him to the ground and pummelling him, a sick thrill filling him as he imagines someone else.

Imagines it’s his piece of shit, abusive father underneath his unrelenting fist. Imagines it’s his blood spilling all over again, life fading from his pathetic body.

A sick fill, indeed.

But, it’s short–lived, because security is yanking him off, yelling some shit at him that he doesn’t give two fucks about.

“Get the fuck off me!” Roman overpowers the guards, sending them both to the floor and he moves to walk away, unsurprised that no one comes after him. Their goal was simply to separate and break up the fight, not penalize him for said altercation.

They know fucking better than to try that shit with him of all people.

The heir to the Bloodline Empire. An empire that now technically is already his with the “death” of his pussy of a father.

A murder.

A murder done at his hands.

“Ummm.”

Roman has just sat back down on the sofa when he hears it again. That voice. Slightly less annoying but way too close. Because looking up, he sees she’s standing only a few feet away from him, hugging the sketchbook to her chest.

And just like that, the scowl returns, “what the fuck do you want?”

She opens and closes her mouth, temporarily looking down almost in embarrassment. “I just….I wanted to say….thank you.”

Roman’s sneer falters just a bit.

Thank you...

He can’t remember the last time someone other than his little sister uttered such words to him.

If ever.

Confused as to whatever the fuck is coming up in him, he easily dismisses it and her. “Good. You said it. Now leave me the fuck alone.”

A glance at her face reveals a small frown that’s followed with her leaving to walk away but not before she stops and turns around, a small, unsure smile replacing the frown. “I’m Solana, by the way.” He meets her gaze, warm locking with cold. “Solana Miller.”

And when she turns to walk away, it only makes sense he lets her do so. But, that’s not what happens.

“Roman,” he’s offering for reasons unknown, weirdly settled in a sense by the return of her small smile. “Roman Reigns.”

—----

Present

Walking back into the coffee shop, it’s only then that Roman becomes more aware of just how much this place really does scream Solana. Soft, pastel colors make up the color schemes. Random artwork with color palettes that match the painting and positive quotes that match her.

It’s exactly the kind of place he’d expect to be hers.

It’s when he walks over to the counter that he’s met with the one thing in here that is most definitely not Solana.

A young woman who looks like she either just walked out of a rave or satanic ceremony looks at him with icy blue eyes. Her black lips are curved into an almost mocking smile when she asks in an accented voice, “can I help you?”

Roman gives her a one over. She must be part of some damn work program. “Where’s Solana?”

The woman scoffs, crossing her surprisingly buff arms. It’s clear as day that she stays in the gym. “Why do you wanna know? I’m the manager. I can help you—”

“I don’t need you. I need Solana.”

He’s trying for the sake of not wanting to cause a scene at Solana’s place of business, but this Wednesday Adams looking bitch is really trying it.

“How do you know her?” She suddenly asks, partially taking him by surprise. “I saw you here the other day talking to her. You two seemed…..friendly.”

It’s the fact that Roman didn’t notice this bitch that day as well as the fact that she’s snooping that has him putting her in her palace. “That’s none of your damn business.”

But, she doesn't cower away, instead metaphorically puffing out her chest. “Look, I know exactly who you are, and I don’t give a damn. Solana is one of my best friends. She’s already got one piece of shit man in her life. She doesn’t need any more.”

“You know her fiancé?” He asks, now interested in whatever information she might have. “Cody, right?”

She nods, a bitter expression on her face. “Unfortunately.”

Her response is very telling. “You don’t like him.”

The follow up answer is filled with an equal amount of disdain. “I don’t like any man who gets off on beating the shit out of women.”

It’s one thing to suspect, even know for oneself. But, it’s another to have it confirmed. Roman's fist forming at his side accompanies his clarifying question. “He hits her?”

She says nothing, and it’s then he picks up on the extent of her discomfort. She’s obviously unsure with how much to share and how much to withhold, even if she’s already shared more than expected.

“Look, Solana and I….” He fucking hates talking to people in general, especially about his personal life, but this woman clearly has information he needs to know. And while he’s certainly not above torture, it’s not the preferred route in this situation. “We were friends when we were younger, but we….we lost contact years ago.” He adds, voice genuine. “I have no intentions on hurting her.”

Never has. Never will.

“Solana won’t leave him,” she finally relents after a few minutes of silence. “She gets….defensive when you ask too many questions or try to call her out on all the bullshit excuses she makes for all the bruises and black eyes.” She shakes her head, a sudden sadness in her eyes. “He’s broken two of her ribs before, broke her nose, her her wrist, put her in casts. And she mostly chalks it up to bad falls.” Crossing her arms, she says in a quiet voice. “He’s going to kill her one day. I just….I just know it.”

When hell freezes over.

Imagining all the cruel and vile ways he’s going to dismember this son of a bitch, Roman inquires. “‘How the hell did they even get together?”

“She went to some fancy ass business owner thing about a year ago. They met there, and he pursued the hell out of her. At the time, she thought it was sweet. Looking back now, it’s obvious he was preying on her.”

Roman says nothing, taking in all of the information, something about that meeting, the fact that it was a business thing along with the name Cody, prompting him to ask. “Wait. Is her fiancé Cody Rhodes?”

She scoffs. “That’s him.” Roman looks away, cursing quietly. “Why?”

He remains silent, partially confused as to what Solana could have ever seen in someone like Cody but also now recognizing that killing him won’t be as easy as he initially thought.

Because Roman knew the moment he saw Solana react with so much fear just at the mention of this Cody person, that he was going to kill him. Further cemented with how jumpy she was.

But, Cody Rhodes being the Cody in question massively fucking complicates things given the decades long truce between the Nightmare Factory and the Bloodline. The Factory doesn’t fuck with the Bloodline, and the Bloodline doesn’t fuck with Factory.

But, him killing Cody Rhodes, the fucking leader of the Nightmare Factory, will most definitely fuck with that truce. It’ll void it, thus starting a nasty, brutal war.

He can’t have that.

The Bloodline can’t have that.

But, Roman also can’t have that bleached bitch beating on Solana.

Or worse.

“I need to talk to her,” he announces, gaze on the woman who seems to be opening up more and more by the minute. “When is she scheduled to work again?”

Sighing, an answer is supplied that only pisses him off more. “She was supposed to come in today, but she called out sick.” Roman snarls. Sick, his ass. “She should be here tomorrow though. Works the evening shift.”

He nods, making a mental note to clear his schedule. “I’ll be here.”

She eyes him with skepticism. “Look, she’s got enough she’s dealing with. If you’re going to make things worse—”

“I’m not,” he interrupts, voice harsh, glare returning.

And, she doesn’t back down. Doesn’t deter from a glare that would have most people cowering. One thing for certain, while Solana may be engaged to a monster, the woman before him is a different kind of monster. A useful one to have on her side. “Then what the hell are you going to do?”

Roman notices the tip drawer on the counter and pulls out his wallet, sliding a crisp hundred dollar bill and placing it in the jar. Returning his wallet back to his back pocket, he leans over just enough so he can answer in the calmest, eeriest voice.

“I’m going to rip Cody Rhodes apart limb by limb.”

—-----

His heavy, sweaty body plops down beside her, face up, his gaze on the ceiling. The sound of his loud, uneven breathing further exacerbates her discomfort, disgust filling her at the feel of his seed spilling out of her.

Solana doesn’t hesitate to turn on her side, wanting nothing more than to get as far away from him as possible, to rush to the shower, to cleanse herself and scrub her body raw from the feel of him on her.

But, she knows how this goes. Knows that she has to wait for him to fall asleep before she can do that, has to ensure that he’s done.

And the minute she hears it, turns and sees that he’s in fact asleep, she peels the blanket off her naked body and makes her way to the bathroom.

Tempted to lock the door, it’s a declined decision knowing it will only wield a negative, painful outcome.

Turning the knob and stepping under the hot water, Solana allows it to rain down on her body, soothing the lingering aches and pains from the most recent beating. She also doesn’t hesitate to take the shower head, angling it up to her vagina, doing her best to wash away his sperm. An unnecessary thing given the fact that she’s on birth control and always consistent with it, it just helps her feel better.

As best as one can feel in this situation.

Standing under the comforting water until her body begins to prune up, Solana steps out, wraps a towel around herself and uses her hand to wipe the fogged mirror, providing a slightly cloudy view of herself. A view that immediately brings tears to her eyes.

The bruises. The cuts. The internal injuries. The pain no one can see and only she can feel.

Tears streaming down her face, it’s impossible for her to not think of her. To not think of how she’s become the very same person she swore she would never be.

Her mother.

“God.” Solana jumps at the sound of his voice, naturally moving her hand to the knot on her towel that keeps her wet body hidden. He stands in the doorway, leaning, dressed in only boxers. “Do you have any idea how beautiful you are?” Once a compliment that made her blush, it now only invokes nausea. “How much I love you?”

Another sickening thing, but not nearly as sickening as what she makes herself say next. “I—I love you, too.”

He makes a sound, walking over, Solana backing up when he tugs her to him, his hand gliding over her damp shoulder blade. “Say it again.”

A painful, tortuous thing. “I—I love you, Cody.” Delight fills his gaze, an infrequent but hopeful thing as she decides to take a risk, to shoot her shot in one of the few opportunities given. “B–baby?”

“Hmm?”

Her body naturally trembles as she powers through her fear and the terror that fills her being. “I was—I—I was wondering if…..if I could go visit my mom and sister.” He doesn’t say anything, but the movement of his finger ceases. “It’s just—I—I haven’t seen them in over a y—year, and she—my mom—I know she’s worried—”

“Solana, Solana, Solana.” And right then and there, she knows this was one of the worst things she could have ever done. “When will you learn?”

Before she can process what’s happening, before she can even fix her mouth to apologize, sheer pain courses through her body as he grabs her by her ear and slams the side of her face down on the bathroom counter.

Her body crumbles to the floor as she feels the blood suddenly spilling from the side of her head. Cody crouches down in front of her, face turned almost animalistic, “do you think I’m fucking stupid!”

Crying, she shakes her head and attempts to keep the towel together. “No, no, of course—”

Solana cries out when he grabs her by her hair, pulling her to her feet, yanking her head back, one hand wrapped around her throat, restricting her breathing. “Do you think you can fucking try to leave me?”

She’s gasping, small fingers prying at his hand. An answer is practically impossible with the strength of his grip.

“I own you! You understand me! You belong to me!” He shouts, once again slamming her face down on the counter. Solana is almost seeing stars, red liquid seeping down the middle of her face. “I fucking told you already. If you ever try to leave me, I’ll kill them. I’ll kill them fucking both!”

Another painful reminder that matches the pain multiplying through her body at his brutal, vicious assault. An evil smile crosses his face as he stares at her through the mirror. “Or, maybe I’ll just kill that bitch mother of yours, huh? Kill her and sell that pretty sister of yours to the highest bidder.”

Solana’s eyes widen, her fear extrapolating as she cries harder. “Please—please don’t—”

“Shut up,” he roars. A stinging punch to her side that would have her doubled over if not for his returned grip to her hair. “If I have to ever remind you of this shit again, I’ll slice you up and feed your body to the fucking dogs!”

A promise followed by him tossing her to the floor and a final kick to her side. “Sleep in here, you ungrateful bitch. I don’t want to see your fucking face tonight.”

Solana jumps when he slaps the light off and slams the door shut.

The silence and loneliness is welcomed, a rare safe space in her world that has in a matter of a year become anything but.

It was stupid, silly of her to even try to think that she could get away with such a thing. Even if she truly had no intentions of trying to escape. Never would. Not if it means the unspeakable horrors being done to her are extended to the two people she loves the most.

Or worse.

She just truly wanted to see her family.

Wants to see her family. Her home. The place that carries so many good memories, memories that fade with each day spent in hell.

The tears continue to cascade over, the hollowness in her chest and soul expanding by the minute.

Legs pulled to her chest, a long forgotten tune from such a different almost as painful time in her life returns to the forefront of her mind. Conjoined with the contact name still sitting unused in her phone.

Journey

Lyrics from a song shared with her from the most unlikely person spilling from her mind and out of her mouth.

“Just a small town girl….” Soft singing accompanies a heavy weight that nearly collapses her chest. “Livin' in a lonely world….” It’s the most she can get out before her sobs overwhelm her.

Left alone in darkness, it’s hard for her to tell where the rooms’ begins and hers ends.

#roman reigns fic #roman reigns fanfiction #roman reigns fanfic #arisnotebook

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fbfh · 2 years ago

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busy busy busy (but never too busy for you) - dad!tony + stark!reader

wc: 1.5k

pairing: dad!tony + (gn) stark!reader

genre: minor hurt/mostly comfort

warnings: needing to spend time with your parent, crying, emotional comfort, if you have daddy issues this one's gonna hurt lol

summary: after traveling with your dad on business, you find yourself missing spending time with him. Tony can't have that, of course.

song rec: walking the wire - imagine dragons

a/n: first fic finished post top surgery!!!!!!! the next few weeks posts will probs be shorter until I finish chapter 1 of the next multichapter fic lol. Also if I didn't say it recently I love you guys, thank you so much for all your love and support <333 PS if you need more personalized dad!tony.... character.ai works well for that lmao

tags @afidiofobia @lizziebitch33 @hopefullhearts @thatawkwardlittlefangirl @dustyinkpages @inthehoneymoonwithconnorrk800 @liberty-barnes @followingthefanfiction @youkissedareaderinthedark @girlfriendwhoseawitch @mrscarolscaramoucheplease

You climb into the car, settling into the plush leather seat as Happy closes the door next to you. You set down your bag and try to get your seatbelt buckled while your dad sits next to you, wrapping up a phone call.

“No, no. I don’t care. I said-” He stops, listening to someone on the other end for a moment. He’s clearly annoyed. He’s had to deal with people simultaneously trying to kiss his ass and tell him what to do all week, and you can tell he’s getting tired of it.

“Throw as many conferences as you want, they’ll all be Stark-less. Throw a whole party, while you’re at it- you know what? No, don’t do that. I might actually show up to that.” He mutters the last part, something that would normally make you laugh. He glances over at you, but you’re still fussing with your seatbelt.

“Alright, how about this. I’ll refer you to Stark Industries CEO, Pepper Potts.” The person on the other end is already objecting, but your dad couldn’t care less at this point. He’s said what he needed to say, and this idiot doesn’t want to listen. He continues to wrap up this disastrous phone call as the car pulls into the street, and starts driving you to the airport.

“She’ll help you get this sorted out.”

He hangs up without saying goodbye, then looks over at you. As soon as he does, he knows something’s wrong. You’re not yourself. You’re staring at the bottom of the seat in front of you instead of out the window, or going on your phone. Usually you can’t wait for him to finish business calls, sometimes texting him in the middle of them - texts he’s always happy to receive. You’ve rescued him from pointless conference calls with those texts more times than he can count. You always have something to tell him or update him on, whether that be the latest social media drama, friend group drama, the show you’re watching on Netflix, or even Avengers memes you find online. You always have something delightful you’re excited to share with him without even having to try, and it lights up his day each time. Except now, with you staring into space.

He hands you the coffee he got you, taking his out of the cardboard holder that had been resting on his lap until now. You look over briefly, accepting the drink.

“Thanks,” you say lightly, but there’s something in your tone that tips him off.

“You okay, kid?”

You pause sipping your drink, wondering how he figured you out so fast. He’s your dad, you suppose. That’s kind of his job. You thought you’d been doing an okay job at masking the hollow sadness that’s been eroding you from the inside out all weekend. It doesn’t happen too often, and you tried everything you could to distract yourself until it stopped working. Until now.

“Is it school? Boys? Girls?” He asks when you don’t answer right away. There’s a note of humor to his voice, but there’s also a sincerity, and you know that even if it was school or boys or girls that he would help you through it. “C’mon, you gotta keep your old man up to date on all the tea. The hot goss.”

You let out a weepy chuckle, tracing the lid of your drink. He’s always the first to know when your Starbucks order changes, and he always knows exactly the perfect drink to get you without even having to ask. It’s a little thing, but it makes you feel even worse. You’ve spent the whole weekend trying to ignore how much you’ve been missing your dad, missing spending one on one time with him that’s not in between meetings or over a late dinner. He works so hard, and he has so much on his plate, but he always makes time for you.

That’s why he started taking you along on business trips like this, because you both hated being away from each other. Usually it’s fine, usually you’re off exploring whatever city you’re in, going shopping, or generally finding somewhat entertaining ways to pass the time that you can tell him about next time you catch up. It’s usually really fun, too. It’s just when it gets busy like this, you think, when he has all these meetings and you have all your stuff that you’re juggling that you start to get like this.

“No, no,” you say softly, rubbing the bottom of your eyes when they start to get misty. “Nothing like that…”

Tony listens intently in the silence that follows, waiting to see if you have more to share with him. The smell of his cologne is paternal and comforting, a familiar reassurance that floats around him and feels like a hug.

“I just miss you, I guess…” you start, speaking your mind before you can even think. Your dad has that effect on you, it’s so easy to share how you feel and what you’re excited for or worried about that it feels automatic sometimes, like it’s impossible not to. Tony feels his heart break as he realizes what a toll all the recent traveling has taken on you, both of you. He pulls you in for a tight hug. You feel the tears you’ve been fighting start to spill, Tony rubs your back reassuringly and it finally feels safe enough to.

He tries not to dwell on the fact that you got to feel like this in the first place, tries not to let that voice tell him he should have noticed how you felt sooner, that he’s a terrible dad, because he knows inside that he’s not. He’s not his father, and he sure as hell won’t make those mistakes. He could let himself worry about how he’s doing with you, let it keep him up at night - hell, it still does some nights, even when he doesn’t want it to. It’s been that way with you since he became your dad. Instead of worrying about that, he does what he does best. He takes action.

“You are such a sweet kid.” He states, pressing a kiss on your forehead when you pull away. He brushes away the tears spilling down your cheeks. “Unfortunately, sometimes being a genius-billionaire-superhero-superdad requires some meetings and boring stuff. But don’t think I forgot about the most important part of that.”

The dad part. He doesn’t even have to say it, you both know that’s where he’s going with this. You nod along, sighing as your breathing starts to slow back down.

“But you’re right. It has gotten to be too much lately.”

He reaches into the small mini fridge sitting between the driver’s and passenger seats, crisply cold and stocked with both your favorite drinks. He grabs a water bottle, opening it and handing it to you.

“How about this? We’ll spend the whole plane ride back watching movies together - or that show you were telling me about, the one with- god, what’s his name…” He tries to remember the name of that actor you’ve been talking about the last few days, and you chuckle, supplying the answer. He snaps his fingers in recognition, repeating it back to you.

“Yes. That’s the one. We’ll watch all those movies, and you brainstorm what we’re going to do this weekend. Dream big, kid. I’ll have Pepper help you organize the whole thing.”

Your eyes widen in excitement, and you hug him tightly again.

“Thanks, dad.” You smile. You really are both long overdue for some quality time together, and Tony knows if he has to attend one more meeting, he’s going to lose his mind. The cave he built his first arc reactor in was more interesting than some of the people he’s spoken to recently.

“I love you, kid.”

He looks at you fondly for a moment, basking in pride at what a wonderful, amazing person you’ve become. It’s not time for him to get all sappy on you with the dad stuff, not quite yet, so before he can, he grabs a fluffy throw blanket and spreads it across you.

“Now, we’ve got a big weekend ahead of us, so get some shut eye. I’ll wake you when we get to the airport.”

Right before you start to doze off, you hear him on the phone with Pepper, filling her in on the plan.

“Alright, so they’ve got about 25 more minutes of Stark business time, then I’m off the grid till monday.” Pepper says something about how they’re not going to like that, and Tony laughs, glancing over at you sleeping peacefully. “They don’t have to.”

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psychelis-new · 1 year ago

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pick a pile: "Your love is..."

take a breath and choose the photo or number that calls you the most to read a short description of how you love others, not just romantically. the reading wants to focus on how you show affection, on your main love language and how you are seen by those receiving care from you.

don’t take the reading too seriously. only take what resonates with you and leave the rest. if you're not called by any pile, let this reading slid as it may not hold messages for you. if you're called by more than one pile, there may be messages in each of those piles. remember that is a general reading and some things may not resonate with you. energies can change and readings are based on present ones (as you read); you're always in charge of your life.

(photos found on unsplash)

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1 2 3 4

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pile 1

Your love is gentle and delicate, like a caress. You may love to touch people or hug them, your main love language may be physical touch. You like to make your presence be felt by others. I think your energy/vibe too is very easy to be felt when you're around. You may also have a healing presence/energy: you don't have to do much but just being near someone may help them being stronger and braver too. You are like this presence people may rely on when in doubt or go to when having troubles. Your love is sweet and tender, people may feel brightened and supported by you. Your smile, your warmth: these may be your main traits or charateristics people notice the most about you. You are also cute. You are able to love of unconditional love too, you may love to give love: it makes you feel better. I'm getting a young energy here, so you probably are either kinda young or you still are very in touch with your inner child and let them help you being this little ball of tenderness and affection with others. You may love to run into others' arms while showing affection, it may also make you feel safe in a way (for some).

For others, you are also the one protective with your love, the safe place for others: you probably like to care about those more in need or kids/animals in particular. You like to shelter them. There's also something magical about you and ofc it could be your healing energy but also something about the way you can help others through your kindness. It could be how you like to manifest good things for others as well. You probably are into magic or you heal yourself/others through herbs or such. You may be into natural healing and may have a strong connection with nature/the earth in general. Just try to not let others use and break you as at times you may tend to act a little naïve and let others not-so-nice behaviour get the best of you/control you. Protect yourself as well with your own love. Include yourself into this beautiful lovely shelter as well. You may also have lot of admirers and if you're in a relationship you may have your lover trying to protect/shelter you (you may be petite and/or younger or they just need to cause of your gentle sweet energy). You may not be aware of how many people really appreciate and like you and have self doubts, but I hope you will be more objective about yourself and your loving sweet nature and appreciate it more. Find likewise individuals/groups (dunno why but I have to say: especially if you feel lonely at times, ask for guidance to likewise people not just to animals and nature -you may attract animals easily btw or Guides may show love/guidance/signs through them, especially birds; birds may guide you to new people).

song: 7 ways | abs, eve

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pile 2

Your love is full, you give plentiful of love and affection. I'm suddenly smelling moss here and I think it's cause your love is very deep and sensual, but also so grounded and safe. Comfortable. You know, moss also hides lot of natural treasures like good roots and plants to eat not just for survival, and therefore I think your love too hides some nice gifts for those receiving care and attention from you. You probably also like to give gifts or encourage people through words of affirmations... actually, I think you are able to adapt your love language to the receiver, so to give them what they need the most: this is why I think you are able to really gift further treasures within your already loving attitude. Your love is safe but also gently surprising, something like that. You don't do big gestures as they may scare or embarass others (and maybe you too), but just little nice acts that are welcomed so gladly by everyone. Your love nurtures them, and makes them feel good about themselves too.

Some of you may have been deceived or have given to the wrong people, so now may have a wound when it comes to give but even more receive love, the type of love you really deserve to receive. Please, remember that you can still be this precious kind being and have boundaries to protect yourself: being kind doesn't mean not having boundaries or people pleasing. You don't have to stay around people that are bad for you or make you suffer. But you can act as a good reminder for them on how to behave in relationships. Some of these people who hurt you though, understood what they lost: when you leave a relationship (of any type), people notice your absence. They realize how important and special was your love in their life. Some of them may feel guilty about having made you go and may try to come back but please, do not fall into their trap unless you have proof that these people have changed and can give you back too now, and as much as you deserve. Relationships don't move on a one-way street (you give -> the other receives), or you'll just end up being emptied. I am kinda sure you know this by now, but I just wanted to remind you about it. You deserve love and respect too, do not stick with anything less, do not accept crumbs. You're so caring and special, keep your standards high. (I also hear you're kinda passionate too especially as a lover, and this side of yours can only be seen by special people. Keep it this way, your match is coming).

song: love of my life | queen

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pile 3

Your love is discreet. You're never overwhelming or too much, you tend to give the right amount at the right time/when it's needed. It's like you let others live their life and observe them and just come in as a further support. I feel like a motherly/parental type of love from you, a type of love that is there as an anchor for bad times. You probably rather use words of affirmations and quality time to express your love: you like to listen to others, to guide them. You're there, in the corner, waiting for them to come to you like a guide or a guru, when they are lost. And once they can walk again with their own legs, you keep watching them from afar. You are never too much or don't occupy too much of others' lives with your love. It's all very calibrated and precise. I said parental love but probably it's more like a grandparent-type of love. You may occasionally like to give gifts as well if they can be used as an help or guidance.

It's like you know others need to make it alone, they have to make their own experiences and you cannot interfere in their life too much: both good things and bad things are part of this life and even if it breaks you to see them suffer, you know you cannot prevent them from suffering. I feel a very wise energy from you, maybe you are an old soul. All I can focus on is this person sitting on an old elaborated chair, waiting for others to run to them with open arms and a loving nostalgic smile. Are you feeling a bit isolated and alone in your life atm? Maybe you don't have many friends and you don't like to really enter others' lives abruptly; or you've been isolating to heal something or had to focus on something else and it kinda made you feel alone. Know that your love is always very appreciated by others, even if you think you're not able to love as you'd like to. I think you're just grown unused to it, but good news: we can always re-learn stuff. Even how to love (and we can change our ways, as we change too through our life). Others can feel what you have inside of your heart, there's no need to block it. You can give more of it: if you think others have tried to hinder it and you in the past and didn't accept your love, it simply was not the right people ready to receive that from you. Why would so many people run to you, if your love wasn't this special for them? If you weren't as special for them? Please, love. Keep loving as you feel and want to. You'll get it back too. Let others give you back, it's not just wishful thinking, it can happen.

song: love to dream | doja cat

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pile 4

Your love is patient. Your love reminds others of good old times and feelings that they may fear they lost. It feels like time and space-travelling to ages and places that are too far away in our past. Your love is also difficult to explain, it feels like a mix of emotions and experiences that are so different and complex and hard to distinguish. Your love can mostly "be felt with the heart". It's a movie/fairytale type of love. And it's also very romantic. You may be pretty romantic. Your love is pure and gentle like a caress or a breath of fresh air. You may be practicing acts of service and express words of affirmations the most but your main love trait is indeed this peculiar character/trait you give to what you do and say that takes others aback and sends them to emotional places they thought now are unexistent. You focus so much on the object of your love/attention, that they can feel like the only human being alive in that moment in the whole world. You make others feel seen and heard like no one else, you really have the ability to listen to people and see people as nobody else. And this is really special cause at the end of the day, every person on earth mostly wants to be heard and seen.

You are really able to stand by the other person's side through thick and thin and you don't disappear when things get tough. As said, very romantic and ultimate us against the world type of energy. You really want others to succeed too. To see their best sides and traits especially if they tend to focus on the dark parts. Your love is very individual, it's crafted on each receiver much more than in the other piles. Your love is for the soul of others: you don't care about the looks, you see beyond that. You may also have a specific soul connection that you need to find in this life (you will ofc at the right time if you haven't already), so to bring more love around in the world. Maybe not just that but you have some type of mission you may need to accomplish with this other soul (or group of souls ofc, take as resonates: it could be romantic love, bring to life a child or a project/work.... it depends). There's a need to communicate something, maybe about this love inside of you (maybe you two) or this ability to see beyond and really see and hear others. If you have insecurities or troubles related your ability to bring support and care to others around you (maybe you have been silenced a lot in your past, even emotionally, or you were and are an highly sensitive person and had to deal with an emotionally complicated environment), let them go: you're important, you are able to bring support and you're more than enough to do whatever your soul is calling you to do. Don't let random occurrences hinder you. Do not silence yourself out of fear. Trust your inner vision.

song: we own the sky | m83

#pac #pick a pile #pick a card tarot #pick a photo #pick a picture #pick a card #divination #tarot readings #tarot readers #intuitive readings #clairs readings #psychic readings #tarotblr #tarotcommunity #pick a pile readings #pick a pile tarot

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loveemagicpeace · 1 year ago

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💿Some of life things in astrology💿

✨Venus in cancer - I usually see that these people always include parents in their daily life , in their love life , in their life in general. Also they always include their parents in their vlogs. They will always post their parents on social media or doing videos with them.

🎶People who have aquarius in 2nd house have the best taste in music. They have their own music that they listen to, but people always like it. They just put some song and people will love it.

🍸Mercury is how you express yourself and in which way and also shows how good you are in texting with people and how you are in contact with others.

🦭Mercury in capricorn- they are not such a good texter actually.I would say that they will texting you about: I don't know about time or place you two will meet or practical things. But they will not text you like 24/7 or something they are too busy. And also I feel like capricorn usually think they wasting their time texting someone things that don't usually have any meaning or are not practical.

🦋Mercury in scorpio- dig deep into things. Sometimes even too deep. In the sense that they go so deep into the things they want to find out ,that they hurt them at the end. One thing they have is, that they feel better when they find out things by themselves than when they find out from others. They are very deep thinkers and very deep in conversations they don't like small talks and they will always want to go deep with you in every conversation they will have. When you hurt them they will be harsh and very mean to you because when they speak they speak to their emotions.

❤️‍🔥Fire signs are confident, driven, lively and full of energy. They like to be mentally and physically active. They are also dreamers who measure their height. Fire signs are competitive.

🖤Earth signs are more in tune with nature and their bodies. They are reliable, tough, practical partners and friends. Earth signs take time to master a skill.

💕Air signs are mental and need a lot of communication. They like to remain objective. They often negotiate for justice. They value freedom and dislike conflict.

🩵Water signs are by nature creative, imaginative, dreamy and often very ignorant. Water is associated with emotions and the unconscious. They can be visionaries and have many ideas clairvoyant abilities. Water signs care about the environment and by nature feel with everyone and everything around them.

🌞God of Sun is Apollo. It is carved in the sanctuary of Apollo in Delphi the ancient saying "Know thyself". Because with the sun we ask ourselves "who am I?" and "why am I here?". Because with the sun we feel that our lives have meaning, that we were born with a mission that we must fulfill, and we want to know what it is supposed to be.

The sun represents its essence and indicates our goal in life. With the sun, we can discover qualities and find ways to use them in our lives. This can mean that we engage in a certain activity or wear colors with a connection to the sun. Just as Apollo rides in his fiery chariot across the sky, so the sun represents a heroic journey through life. Therefore, we can connect it to the work we do or should do performed in the world. The path of the sun is usually not very clear and, just like the heroic myths say, there are many pitfalls to overcome and lessons to be learned. It is these difficult tasks that test our limits, they confront us with loss and sacrifice and force us to become the best we can be. The Sun together with Saturn represent the father principle. The sign in which our sun is describes experiences with the father figure. In childhood, our first hero is the father.

🫧Nobody talks about how lonely you can feel with Uranus in the first house. Because it's the part of your personality and Uranus could make you feel that you don't belong somewhere or you feel some kind of distance in this house. When it's in in your first house you could feel that being around people make you lonely or doing some things alone for ex.: eating alone in the restaurant this could be the problem for you because you could feel very lonely when you do some things in the public alone or I don't know going to the coffee alone.

🌟Planets return show you things that you are not aware of it or you're not expressing them. For example Mercury return can show you the whole new perspective about things and could change your mindset for the better. Venus return can show you the new value about you or what you value about others. You are more aware now what u actually want. Where do you find real love. Mars return it can show you a new way to be brave, fearless and go outside your comfort zone. And where is your energy best expressed and through what. You can show your anger more during this time.

🍿It’s really hard to forget people with whom you share 4th House this is because they make you feel the most familiar and the most comfortable around them. It's like the family kind of vibe.It feels like coming home and being with them it's like being in the safe and secure environment. 4th house represents our home , the people that are closed to us , the space when you feel the most comfortable and people with whom you feel the most comfortable with.

🧜🏼‍♀️ Venis trine Uranus- I find this aspect so unique because you actually fall in love with the person's uniqueness and differentness they have. You actually love them for it. You love that this person is different and is not the same that anyone else. For ex.: it could be you don't like face tattoos or you don't like someone who dress extra but when you meet this person you actually love this on them. This relationship can be unique and so different than the others.

🧚🏼‍♀️Uranus in 1st house in synastry- it's kind of the same vibe that with uranus conj venus but it's not because when you first meet this person you feel like this person is different than the others and that they have some unique energy that nobody else has. You feel like this person is special and so unique. That their personality could be so different than the others. It's like you can try to find someone else but you feel like nobody else could compare to this person.

🌙Personal planets appear faster in synastry and the first time you meet the person (especially: sun, moon, mercury). And, of course, rising sign :which indicates the energy of a person when you meet them. But here's the trick with rising sign that many times the true energy of a person can be hidden and only show up after a while when you get to know the person better. 💧The outer planets, however, manifest themselves over the years, when the persons already know each other very well and have a relationship.

🧸3rd house not only represents communication, mind,car ,electronics ,social media ,telephones and any of this stuff. It's also represents your early high school experience and also people who were with you in your high school. Your high school first love and how it feels like. Your high school best friend. So every person you have a 3rd house synastry with is usually a person you met at that time. A lot of people you share third house with or the sign you have in the third house is meant to be for you to meet them actually.

🎸The best time you will have with the person and the best things you will experience with the people are people u share 9th house. This house is ruled by Jupiter the luckiest Planet. This is the house of gifts. The girt from God, so when you meet the people you share this house with it's a gift that actually was brought into your life. All the things you will experience with these people will actually mean something to you. Because 9th house is meaningful house is where you find meaning, where u seek for meaning , when u actually find optimism. The person's u share this house with can actually inspire you the most or give you the most luckiest advice.

🧁I believe that it's not only 5th house that represents memories, but every house represents some memory you have from your early childhood. Every house is something special. The sign that you have in this house is the sign that reminds you most of this event of your life. So for ex.: aries in 3rd house -maybe this person were your best friend and remind you the most of your high school experience. Taurus in 4th house- this person maybe remind you the most of your home or your childhood, family life. Maybe you grew up with this person. Leo in 8th house-this person probably reminds you most of a dark/deep period of your life. Maybe you could spend the most intense times with this person and share the most secrets.

🎸For personal readings u can sign up here: https://snipfeed.co/bekylibra 🎸

-Rebekah💿🧚🏼‍♀️☁️

#astrology #energy #zodiac signs #planets #my notes #astrological houses #astrology observations

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dollcherray · 7 months ago

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may I request part 2 of the creepy doll reader? mainly with Jax and her starting to show him kindness... like head pats when he saves one of the cast members! :) this is something I thought of randomly: jax is minding his business while everyone is playing with digital flowers that came made for an experiment. then the reader walks up to him with something behind her back, Jax turns his head away and braces himself, scared, but instead of an axe he feels... something light on his head? he looks up and sees a flower crown on his head and he then looks at the reader with a confused look. there's a long pause but before Jax finally speaks she cuts him off with "equality bi(beep)h" "there she is" Jax says with sarcasm in his voice

๋࣭ ⭑ IRRITATING BUT LOVING ₊˚⊹

ᛝྀི JAX WITH CREEPY DOLL READER PT 2

₊˚⊹♡ Notes: Honey i am HORRIBLY sorry for the wait, i was on a long hiatus because of school but now im finally able to write for your request! (along with others) this post is somewhat of a part 2 from this post, the reader is fem in this, not proofread.

๋࣭ ⭑۶ৎ Type: Fluff, Platonic/romantic, Oneshot.

˚ ⋆ ⊹ Song: Playdate

Irritating.

It's all it was to him; blood boiling.

The people stuck here with him, the ambience, the circus, the fake names, the fake food, the stupid flowers.

And he still tried to keep his sanity together, even though it was getting more challenging for him every day he woke up in the same fake bed, in the same fake bedroom, but even if everything was overwhelming for him, he kept himself together.

But then you came along.

You made everything so much harder! scaring him off every time he tried to tease or prank you, threatening him mercilessly, why must you be like this?! why couldn't you just be like the others and get mad at him?!

Doesn't matter what he did, say or think, he was scared of you and it was also another thing that made him so irritated.

It was all he could think, not only now, but since the moment he realized your influence on him.

"Stupid doll girl, who the f@#& does she think she is" Jax angrily vented under his breath while he looked and fiddled with the flowers while crouched down the floor, his touches and eyes filled with disdain, his little way to inject his anger towards other things.

Unfortunately for him, he was so angry that he failed to check his surroundings and notice the source of his problems approaching him, with something she blocked from his view in her hands.

When Jax finally realized the doll girl was approaching, it was too late, she already was starting to raise her hands with the mysterious object.

The purple bunny only braced himself; preparing for whatever sharp object you had to meet his head, forcing his eyes shut and finally feeling-

...something light in his head..?

The bunny boy opened his eyes hesitantly, right eye first: checking if you don't have any other trick up your sleeve, once assured he fully opened his left eye, only to finally get a glimpse on your expression.

it was lovely...

A lovely and sweet smile plastered around your plastic face, eyes lifeless but somehow full of peace, what... did you put in his head?

A yellow gloved hand reached out for his own head, carefully landing his fingertips on whatever you placed on his head, gently brushing it to the sides, still cautious with the mysterious... hat? object? you putted above his head.

It was a flower crown?

Ok, sure, you were showing slight signs of you warming up to him, every time he did something cool or selfless you were there to "compensate" him for the kind action.

Yet he rarely did something nice, so to him it was just your little way to tease him, and it made him annoyed.

But... this was surprisingly nice, like you really meant to and it didn't make his digital blood boil.

There was a silent staring competition between you two after that "strange" interaction, but it didn't last long when Jax tried to open his mouth to talk only to be cut off by you.

"Equality, b#)$+@"

was all you said before turning around and moving to another place in the large set up garden, leaving Jax on the flowery ground, he couldn't help but smirk at your funny remark.

"There she is."

He said after the funny event.

the lovingly funny event.

#꒰͡ ͜ ı ͜ ͡꒱ REQUEST #tadc jax x reader #jax tadc #jax the amazing digital circus #the amazing digital circus x reader #fem reader #one shot #fluff #tadc jax #the amazing digital circus jax #jax x reader #jax #X reader #୨୧ cherry works

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blossomthepinkbunny · 8 months ago

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Hazbins bad character design

I feel like there is a definitive lack of varitey when it comes to the designs in HH as well as a problem of characters' designs not fitting them or what the show wants us to assume about them.

I've said it before and I'll say it again (like lots of other ppl already) but the designs in HH specifically mostly don't work. They're fine if you look at them disconnected from the show. Maybe as just random characters who don't really have to carry a show visually. But they don't work if you actually put them into context and into the background of Hazbin Hotel.

Obviously this stuff is very objective and if you do like the designs thats fine (which I shouldn't even have to say). Also I didn't study art or character design and I don't think you have to to be good at it/be able to form opinions on it and this is mostly just me compiling what I don't like while using some basic knowledge on how shapes, colours etc work.

(rant under the cut)

One problem I really have is, that as soon as you have a design there are immediate assumptions about the character. In the sense that if person A is very muscular and fights against person B, who is maybe slimmer or less buff, you would probably immediately assume that person A wins, atleast in physical combat. Whereas person B would probably be the assumed winner in a stretching or flexibility competition. Often characters are designed with these assumptions in mind. Muscle, height, weight, age, clothes etc. give way into assuming stuff about people, their condition, lifestyle or personality.

The expectations that are set up by the design choices are usually either picked to genuinely represent something about a character or to be subverted and shock/confuse the audience.

Like how a lot of fighting types in Pokémon will either be more muscular or have other details relating to certain fighting styles/sports and the fairy types are usually pinkish, fluffy and cutesy. Because these elements are something typically associated with these types and when we look at them we can pretty easily tell which type they're supposed to be.

Otherwise, Monster girl from Invincible is drawn as a twelve year old girl, so it subverts expectations when she turns into a big green monster and generally doesn't stray away from violence, because it's something you wouldn't have assumed about her from her appearance.

In Hazbin Hotel most of the time the character designs don't necessarily fit what they're supposed to be and they also don't use the other design choices as subversion (the one that would probably count here is Nifty with looking and acting very childlike usually but then also acting violent/crazy sometimes).

The first thing would probably be that characters don't look their age mostly.

Charlie and Valeria (Vaggie, but I really don't wanna keep calling her that so she gets a new name) look fine as they're supposed to be around 20. Rosie and Carmilla also look alright for what we can assume their ages are supposed to be. But Alastor is in his 30s or 40s (what it says on the fandom wiki) and he looks around 20 as well. The same thing goes for Lucifer. He looks so young that he could also count as just Charlies brother or friend rather than her dad, because he doesn't look like he could be the dad of a 20 year old. This makes the song "Hell's Greatest Dad" a bit awkward because these men are singing/competing about who is better as Charlies father but they don't look a day older than her. Husk also looks way too young for someone in his 60s-70s (again from the wiki).

The body types being all the same also doesn't help.

Mimzy and Adam are pretty much the only more relevant characters who aren't like all the others in terms of body shape. All the other relevant women in the show have a tiny waist and either big boobs/big hips or just a slimmer build in general. All the men have thin waists and then broader shoulders.

And for some characters it makes sense. Like Angel is really flexible and his more lanky body fits with being a spider. But why are Lucifer and Valentino like that? Other than the fact that Viv doesn't like drawing muscles there is really no reason for them too being build like every other skinny man there. Valentino is supposed to be intimidating not just by how he acts but physically too. He seemingly has a bit more muscle than others but his arms are still super thin and look like they could snap if I look at them wrong. I'm not trying to say that abusers all have to be buff, but simply from a design perspective the scenes with him would be a lot more effective if we saw him actually have a big physical advantage over Angel and others, even when he isn't necessarily threatening them. As soon as he comes on screen, we could see him as a much more intimidating presence, especially when all the other characters look like sticks. Or they could make it so, that he hides his muscles under his coat and when we get the reveal of him actually removing it, it's more shocking and immediately makes the situation more tense.

Lucifer could've had a more confident frame as well. He's the king of hell and the strongest being in hell, so just for the diversity I would give him some muscles too. Husk is also super skinny and for someone who only sits around and drinks alcohol all day, he should definitely have a beer belly (please I swear to god I wanna see more men with bellies, Mammon was great). Also for Valeria and Lute and pretty much all the Angels I don't get why they wouldn't be more buff either. Valeria is a fighter, she's Charlies bodyguard but she looks like all of the other women there. It's stated that Angels fight so wild because they don't know they could get hurt. And while I know that the Angels can really only get hurt by angelic weapons, having this whole reveal that they can be injured would've definitely suprised me more, if they actually looked like they couldn't be injured in the first place. But then again, Valeria looks like her arms would break as soon as a breeze hits them too hard. In some episodes her thighs look a bit more muscular, but not notably and she also doesn't fight using her legs (like Carmilla) so only her thighs being bigger sort of doesn't make sense. In general, she or Lute don't show any difference to the women who aren't physical fighters. And obviously just to have a more interesting show to look at, including different body types would do a great job at making these characters stand apart from eachother more.

While we're on the topic of diversity, another obvious thing that makes the characters redundant and borig (sometimes ugly too) is the reused colour pallette. Colour coding is probably one of the easiest things when talking about character designs and it's something atleast Helluva Boss understands.

What effect warm/cold tones have or what feelings we associate with different colours is a great way to bring stuff about characters across without being too on the nose. Obviously colour can also be used to either connect characters or to make them very distinct. Shape language also plays into that of course. In Inside Out the emotions are mostly characterized by their respective colour and by their distinct shapes.

Joy = yellow (bright colour often associated with the sun/light)

Sadness = blue (cold colour often associated with tears/rain)

Anger = red (very strong colour with aggressive association with fire or when someone turns red because of anger)

Fear = purple (light colour here, mix between red and blue as fear often falls into a more angry or sad feeling)

Disgust = green (colour of most dirt or puke or other stuff people usually see as gross)

Or in a show like Bluey, where different patterns, shapes and colours show the breed of the dog and also how characters might be related to eachother (same breed/mix of breed = usually related).

Or how colours can be used as lighting effects to create cool shots when the colour pallette changes all of a sudden. In JJBA these changes happen often when someone is in distress or unsure of themselves. Also in tense moments to make them seem more exciting and interesting.

Hazbin Hotel has very limited range when it comes to the colours of the main cast. All of them feature some form of red and that usually in combination with black or white (if they aren't just purely red like Alastor or Rosie). This makes them not stand out from eachother and creates very similar colour pallettes which get boring once you've seen them repeated over and over again. It also makes the visual connection between characters who are actually related (like Charlie and Lucifer) a lot less strong because so many characters share similarities already.

Also they just hurt to look at sometimes because the background is mostly red as well and with a lot of them being very overly detailed. People have also spoken before about the show being pretty inaccessible for colour blind/vision impared people due to these issues with the colour.

And now you might say that it's hell and therefore it makes sense for all of them and the background to be red. But firstly, I don't think that there is a definitive source which decides that hell is red and can only be shown/interpreted as red. And also there is another show, also set in hell which actually does a much better job at that and actually shows different colours in hell. Like in Helluva Boss the rings are all colour coded.

And I know, that HH plays in the pride ring fully, but imagine how cool it would've been to see sinners have colours similar to the sin(s) they committed. This could lead to them looking distinct from eachother and the background and would also lead to us being able to assume stuff about them, if we're familiar with the colour coding. In "Hell's Greatest Dad" they do a fun colour change with different light and it's really refreshing and I just wanted to see more variety like that (of course I kinda get that the colour changing isn't really part of the shows design but it was pretty cool to see in that song).

There also is the issue with characters that are supposed to be animal-like sinners not looking like the animal they apparently take inspiration from. The thing is that the animal/object parts don't necessarily have to be visible to understand a character. But in the show, how sinners look in hell is often influenced by their life on earth. Vox's head being a TV is because he was a Tv-show host when he was alive. Nifty also is supposedly a bug, which makes sense because she hates bugs and probably hated them in real life too. But that is where it would be great to actually have Nifty resemble a bug, instead she has no features of one and just looks like a regular humanoid sinner. The same thing happens with Alastor being a deer, Valeria a moth, Charlie goat-like and Angel a spider (also Mimzy is apparently based off of a chicken). Like I said, the animal inspiration isn't essential to the characters, but emphasizing these design elements could help the characters stand out instead of them all just looking like sort of human characters. Sir pentious and Husk work the best in terms of presenting their animal inspiration (though pretty much everything else about Husks design sucks ass).

And then there are complaints about the characters that are supposed to be people of colour not having any features that resemble their race. It's just a bit weird when a mostly humanoid sinner doesn't really seem to resemble how the person looked in real life. Black characters have really desaturated and sometimes just straight up grey skin in HH. Alastor is probably the most egregious in that regard, but also Emily has just light blueish gray skin and no textured hair or other black features like the nose or lips or palms. Velvette and Sera have darker skin but also no other features (except for when we see Velvette's natural hair texture in like one shot at the end of the season). I know there are other things wrong with how Voodoo is presented in HH or with Mimzy's design often being seen as a jewish caricature, but I don't wanna focus on that fully, because I feel like there are people better suited for talking about that (black people or jewish people ofc).

In general HH is a show with pretty bad designs (imo). That's actually a thing I prefer about Helluva Boss, because there the designs are mostly okay or actually sometimes pretty good. Striker is probably my favourite design in both shows (he reminds me of Dillon and that's cool).

I like Mammon, Asmodeus, Octavia and Loona as well. I would still probably change a bunch if I were to redesing the HB cast but they overall look more solid than the HH cast.

This was another post which pretty quickly became an excuse to talk about other media I enjoy. I might do that more often, because comparing elements of HH or HB to other stuff makes it kinda easier to articulate my feelings. Also just because I enjoy talking about other stuff too.

#hazbin hotel critical #vivzepop critical #hazbin hotel criticism #hazbin hotel critique #anti vivziepop #character design

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