#also the irony of an old guy saying this to me

[utilitycaster]

Inspired actually by me nonstop thinking about the Young Witch Solving The Disappearance Of Her Neighbor's Cat In The Alps tweet since last night and a number of other unrelated posts I have been thinking about the concept of maturity in media, because I think there's a lot of different dimensions to that. It's a series of spectra, rather than a binary, and if you use the terms "mature" or "immature" you can quickly realize that a lot of our societal metrics for what's adult-appropriate vs. child appropriate are very skewed in specific and in my opinion untrue and unhelpful directions. This could honestly be a 10 page essay and I may very well write that when I'm on break but just to give you my outline here:

Stimulation - is it grabbing your attention with bright lights and loud sounds and fast action, or do you have to actively focus? Action films can be just as "jangly keys" as children's animation despite being an "adult" work, whereas something like Mad Men can have vivid colors but would bore a child to tears in terms of pace and action. However, and this will be an ongoing theme, you can have a very choppy, fast-paced narrative that is complex and a very slow and dull one that is incredibly simple and childish.

"Ratings" Subject Matter: Sex/Violence/Profanity. This is the one I think is most misleading, because you can have an incredibly puerile R-rated film, and you can have an immensely complex narrative without any of the above. [note: I have zero patience for people who act like sex and violence are inherently unnecessary wastes of time; they are merely things within a narrative that can be executed well or poorly, but it is true that something can have a simple plot and constant bright lights and stimulation and essentially be big old jingling mobile for infants but there's a sex scene in it so it's Adult Now. Unfortunately a lot of people are like "and this is why YA is inherently better" which we shall see is not the case.]

Other Difficult Subject Matter (I don't have a good name for it, but to give examples, death, racism, genocide, abuse, serious or chronic illness, etc). This one is tricky because all of the above are topics present in works for quite young children, because they can experience all the above or have someone close to them experience them, and fiction is a powerful teaching tool. Obviously the nature of how this is presented varies, and later points will cover it, but while in my opinion the simple presence of these topics says nothing about the work's level of maturity on its own I'm including it because you do get people who think that children should be shielded from all the above and would consider the mere inclusion of those topics as inappropriate. They're wrong, but it's definitely an axis of judgement/categorization that exists.

Adult-level processing of information (probably a misnomer in that teens can do this but like, teens read adult books all the time, and as Tumblr has shown us, many adults cannot do this): does the narrative require you be able to pick up on subtext? Do you need to understand what is relevant to the story and what isn't? Do you need to be comfortable with or at least able to tolerate not knowing entirely what is going on right away? Do you need to have a sense of irony? Is there an unreliable narrator?

Adult-level processing of moral complexity (in my limited, not a parent or educator experience, I honestly think teens do better with the information processing than this, ie, this is one of the last things to develop; also Tumblr is even worse): does the narrative require you accept that sometimes things are unfair and will never be fair? Do you need to accept a story in which the Quote Unquote Bad Guys walk free without real consequence? Do you need to accept a story in which no one's actions are entirely defensible or in which no choices are easy and clean and harmless? Do you need to attempt to understand an alien perspective? Is there senseless tragedy? This incidentally is how you separate out the children's books from the adult books on topics like illness or catastrophic events; a lot of children's books end with a message of "it's hard and sad, but it will be okay eventually" and focus on very relatable POV characters which is understandable! But, to use an example as someone who went to a Jewish school with a robust Holocaust education, elementary schoolers read Number the Stars in which the (entirely fictional) Jewish family escapes to Sweden; middle schoolers read Night in which Wiesel's (real) father dies painfully in front of him.

None of this is to say that escapism/cozy fiction/whatever you want to call it is bad - I am not interested in a diet entirely made of thorny moral quandaries and no happy endings. I enjoy a stupid turn off your brain action movie, or a fluffy romantasy. But I do think that a demand that every ending be happy and that Justice Be Served in every story is no less immature than saying "ew, there's kissing in this???"

[wandering-alien]

I volunteer at my local library and, after finishing, I wanted to get some DVDs out because I have a DVD player at home and I was already there so it's easier to just rent the films than try to find them online.

So I go and take them out, and the guy who works there goes 'why are you bothering with those when you can just find them online?'.

My guy.

Your whole job. WHOLE. JOB. Survives because people want physical copies of things. What do you mean 'why are you bothering'??? WHAT DO YOU MEAN???

[goosessideblog]

once i predicted that if flatland ever developed a larger, more traditional fandom, people would wholly start shipping squaresphere. and lo and behold,

[marsixm]

i feel equally fascinated by older people and homes that arent like hoarders level but covered in a layer of dust and grime that feels like its existed since the dawn of time and also by brand new sparkling clean well maintained homes, though the latter with more of an air of confusion and alienation. like thats what the conceptual "normal world" thinks every house should look like but theres so much of the former going on that just isn't like ... acknowledged

[b-blushes]

i'm so excited because i've gotta go to the supermarket tomorrow to get a couple of missing items (we've had groceries delivered for as long as i can remember due to various family health issues and the fact that doing a weekly shop at a supermarket would knock me flat out for days/longer) and i was thinking about a little treat i could get myself to really get pumped for going and i remembered. the supermarket sells FLOWERS!!!!!!!!!!!!!

[bugflies00]

i have so many thoughts about the tommy song/video and theyre a jumbled mess. i wouldnt call this an analysis this is just. most of my thoughts surrounding the video and what it shows about tommy

one of the things that stuck out to me (outside of how depressing and just like. is this guy okay) is something that ive always respected tommy for because he's always stuck with it and its his like. fervent conviction in people doing things theyre passionate about. thats always been one of the things he talks about all the time!!!

when AI started appearing he was talking about death of creativity, with the internet he's always talking about how the real tragedy is the algorithm killing people's passion by driving them with views and money, and even when he talks about youtube itself, and nowadays standup, its so full of passion.

and i think thats really important because it would be extremely easy for someone like tommy, who's in the process of maturing his online image from a very loud, immature and PASSIONATE persona, to make fun of it. it would be so easy to do like so many other creators and laugh at how "cringe" it was and make a quick cash/attention grab with a funny clip of him laughing at himself. but he never has. well don't get me wrong he's laughed at himself or old videos but it's always just. good natured taking the piss out of himself, it's never this like. mocking your younger self who was so excited to do what they did only because now its "cringe".

not only is he constantly giving that advice to other people (its been years of him replying, to any kid in his chat or donations asking advice on how to be a creator etc, "just go and do it if you love it!!"), he's coherent with how he applies it to himself. he realised he was making cash grab tiktok react vids and hated it so much he just stopped uploading for a while.

i dont know i just think there's something admirable about being able to still be sincere in a time where everything especially online has to be processed through a layer of irony. and its even funnier because he's more sincere THROUGH the irony i mean he's literally going into standup.

letting yourself create something that "means" something is fucking hard especially when half the internet still sees you as a kid who screams around. except the thing is that kid DID make stuff that mattered and that meant something because he was, in his own words, having fun.

i think thats what the format of the video was about too. i mean i think it was pretty clearly not a song thats meant to be streamed, its not purely music, its also a video because tommy is also first and foremost an editor who went to film college. its also not a "comedy" song like he's made some before, because those were all intentionally created to land as many jokes and make a big buzz— which doesnt mean they were bad! im philza is a contemporary lyrical masterpiece. but they had a specific purpose and it was to make people laugh and i think this video was completely like. opposite of what peoples expectations are of tommy. the "wow hes not a child anymore hes being mature🤓" reactions are the most obvious aspect of this (which, like, its been a while, get with the program).

i think the point of this was to make something that genuinely meant something but that was also like. as unpalatable to the algorithm and to the TommyInnit Viewer as possible. even now that he's gone into making quieter, more reflective videos, we've never had the flashing texts and the projector images and just all of that. hes always talking about how he hates the way the "youtube formula" has dictated the course of content and stolen all creativity for youtubers. its not meant to be a YouTube Video tm. its just meant to mean something to someone, and obviously process some sort of personal emotions, and i just think thats. yeah. yeah

i mean he even says so outright. "this needless, self indulgent spiral of self gratification" is pretty damn explicit. its not meant to be funny content its really a cry for help or for just. anything at all really

it was also a lot about perception, yknow the "entertainer" dilemma, "its all attention porn"... theres a layer of this point thats universal, everyone struggles with how they're perceived and i think any "artist" or "entertainer" figure can see themselves in it, but there's also a layer thats completely impermeable to most of us because it touches upon the sheer absurdity of a "youtuber". especially one of tommy's popularity. especially one who blew up so so fast so young. i honestly think its IMPOSSIBLE to process that. its about the ethics of having millions of people's time so readily available to you if you just press the right buttons to make the algorithm happy and then you've got them. im like 75% sure i remember him saying this on stream once, something like "your time is valuable" and if a fan didnt value him as an entertainer they should drop him.

and even here^ thats the saddest "lmao" ive seen in my life SORRY LOL but its really just. yeah im not gonna repeat myself it speaks for itself. perception and internet expectations and all that

one of the other images that stuck out to me was also this:

"yeah i know its too much like bo burnham but it wont be in a year though. in a year it will be like tom simons. just let me figure out what that means, ok?"

a lot of the video is about. influences and inspirations. the bo burnham references are so obvious he's poking at them, but i think he's raising a good point about the creativity that he's constantly praising. its never something that springs up on its own, its all about looking at others work and making it your own and feeding yourself with all those experiences and slowly, surely building your own way of doing things (tommyinnit "minecraft talent show" and "a tribute to dream smp" serial quackity + schlatt impersonator would know all about that) ->

and its daunting! its fucking scary to move away from that! which is also the main vibe i got from the video which, outside of his own issues with how he's perceived online, was the sort of existential dread that comes with actually creating. its one thing to preach you need to be passionate and create, its another to sit down and create something thats BY you. its a part of growing up! and we're literally seeing him do it live (well the bits that he chooses to show obviously)! thats also part of why i think tommy's so relatable to so many people is that he's so like. honest and real about what it's like to grow up, simple as that, and growing into yourself.

"this was everything to me" and using the picture of his younger self... man. theres obviously so much sadness underlying the whole thing but i think the nostalgia and melancholy in mourning being someone who was only inspired/excited by your interests and role models is universal. and obviously for tommy a lot of those influences turned out. well i think it was pretty damn clear who/what he was referring to here. ->

i don't think i need to go too in detail about that, especially cause a lot of the video was clearly a way to process his own personal emotions. especially with those next few images. i just hope he's okay and that god doubles his pain and gives it to mr beast to quote my friend bronzetomatoes. man.

of course he had to end with a funny clip about a hot anime girl and i think that kinda. sums it all up in a way. if that makes sense. at the end of the day its about the fact that he has to use humour to make the thing work when its out in the open, even when he tries not to and to be actually honest, but theres also the fact that hes literally a comedian and creating something "honest" IS through humor. its kindof a double edged sword

right well that was my jumbled mess of psychoanalysing tommyinnit i hope he is alright and all that because well that was. something

[capslocked]

KINKVEMBER DAY: 9

[prompt: problematic relationships]

male reader x nana

10k words

"Do you have any idea how long I've thought about it?" Nana slips a finger between the buttons of your shirt. "You, me - us?"

And here, you actually, truthfully do not want to know.

So, go ahead, cue up the sound of a mental rolodex spinning out while you start to list the very real, very valid, very adult reasons you should never, ever put your hands on her. (1) She's too young for you, (2) you're kind of a community figure, or at least someone who has to appear to be one, and more pertinently (3) she was your student not long enough ago - in your ethics class, the irony of which is not lost on you - and that makes it the kind of dirty, low thing you'd feel guilty for even masturbating to. Let alone actually attempt to live through, no matter how insistent some parts of you might be to the contrary, a point emphasized by the pressure of her finger against the dip just below your sternum.

"These... oh, how should I call them." Nana hums softly just before easing a bit of distance between the two of you, head tilting like she's in a trailer for this summer's romcom, and not, you know, trying to drag you into hell. "Filthy little fantasies?"

-

You're a high school teacher, interdisciplinary. Sometimes history, other times philosophy, you've also taught math - and once, egregiously, home economics when the faculty member whose usual duties consisted of teaching the class was out on a very sudden and scandalous maternity leave. But it's your love of literature that finds you in a bookstore near enough to the high school to sell more used copies of intro textbooks than actual novels.

You're paging through a book you'd say you're considering buying - if any of the store staff were to push the question onto you - when she appears at the other end of the fiction aisle.

You catch the look first of her dyed hair, this perfect shade of chocolate, to the edges, the fade-to-brown, cascading over where a more formal shirt would ostensibly have shoulders.

She smiles; it's pretty.

Then, you make the mistake of glancing down and seeing the modest rise of her chest beneath a crisp-collared sleeveless top; all your typical college-age tells but for the red flannel, rolled back down around her waist. Her fingers, long and thin, dangle from where a uniform button-down would taper off around her wrist, thumb rubbing lazily at her forearm. The briefest glimpse of her nails, all done up in acrylic - perhaps the most potent way to show contempt for an old dress-code.

You have, admittedly, also noticed the length (appropriately, the lack thereof) of her pleated skirt and those frilly stockings that ride so far up the creamy curves of her thighs that it has your stomach rolling and tightening when she shuts closed the book in her hands and says -

"Isn't it weird how most of the novels in the romance section are written by women?”

- she speaks with a slow deliberateness, like she'd only ever hoped to find one of her old teachers alone and slightly vulnerable in a used bookstore -

“Like, how do you think a man would even go about writing those kinds of stories?" She grins, because maybe this isn't really a question at all - not one meant for you, certainly. And for one wild moment, the rush of relief (she's not actually talking to you), then panic (she's actually talking to you.) surges through you.

But then the girl pushes another couple books along the shelf and continues.

"Because I'll tell you what, Professor - all this stuff," a flip-flip-flip of her fingertips against a leathery dustjacket, "about just feeling it, not being able to control it. It's all women, always women." Another wave of her hand to set another row of spines a-shuddering. "Do you ever think maybe people will get tired of listening to girls talking about feelings when what they really need to see is what guys would do?"

There are so many reasons you should turn and run. 

So many little flags, flickering wildly in your mind. This is one of your students. Was it this fall? Maybe the last; she had sat front-center. Never slept in, was one of your best by several measures - not simply in regards to the simple repetition of classroom work, but by her insistence on getting in the kind of heated discussion where one might dig their fingers through the innards of your lectures. Not just good - fantastic.

"Nayeon," you end up saying, flat as your suddenly paper-dry mouth can make it - with just the tiniest hint of unease. "It's been a while, hasn't it?"

And almost as if she knows that you're trying not to let your eyes dip any lower than the collar of her shirt, her shoulders do that lilting little move (hiking up and away just so), the one that your girls tend to learn a long, long time before your boys ever manage to figure out. She laughs out this pleasant sound, adds: "not that long, sir."

"Well," you're clearing your throat, looking around the bookstore like it might contain a way out, and eventually landing somewhere on her skirt, "you know how fast it all goes."

"Nana, by the way."

“I’m sorry?”

“Nana,” She gently corrects you again with this mischievous slant to her smile, and you start remembering: all the gossip and rumors, how she was being courted by these talent-scouts and labels. A prodigy, or as close to it as anyone from this town could ever get.

Your eyes are starting to sting again when she, this perfect-fit model of your worst impulses, runs her hand through her hair, tugging at the roots a little bit, a silver wristwatch falling slightly down the perfect length of her forearm. It almost hurts not to reach out and steady her. And it definitely shouldn't, but it has you breathing a bit faster. The rationalization: you are a man, and there is a perfectly ordinary part of you that might be aroused by any amount of smooth, inviting skin. That's fine. You're fine.

"Just for the record," Nana starts, still looking like she wants to put a hand forward and hook one long fingernail into the buttons of your shirt. "You were, like, absolutely one of my favorite teachers."

"I guess it's nice to hear I'm not a complete lost cause," you say.

She snorts. "Oh, definitely not." And maybe because, after all of the years you have been teaching these soon-to-be lawyers, politicians, and doctors, you've come to not look down on them for saying the wrong things so much. Though you do envy their absolute ability to say the wrongest of things - just so - just on purpose.

"Are you," you nod at the thick stack of paperback novels that she is still holding, and with which, suddenly, she's bashful and flustered - this perfect shade of pink blossoming through her cheeks. "Actually here to buy those?"

The response: a demure little shrug. A drawl. "We all have our vices, professor."

"I'm not your teacher anymore," and remembering at the last moment, "Nana, you can drop the honorifics, please."

She holds a book out, cover turned toward you, and your mind stalls - even your fingers slip a little where they are resting on the spine of your own paperback purchase. The title is an affront to literacy, and the art on the cover seems to have been produced only with stock photos, gaudy.

"Have you heard of it?"

"Can't say that I have."

"Well," she laughs and has the courtesy not to lay it at your expense, "it is so good." Then, without missing a beat, she twists her lips together, and finds the book flush against your chest. "I'm sure it beats reading textbooks and essays about the merits of Locke and Hobbes' life-after-death stuff all day, anyway. An hour if you can spare the time? I'd love to hear your thoughts on it"

And - ah, there it is. The push.

-

There is a zero percent chance that, after any of this, things will end neatly for either of you. 

You still wonder, slightly, how long Nana will keep up the charade before breaking character - because there's no way in hell she doesn't see what she's doing: wrapping you around her pretty fingers, her shiny, manicured nails, twisting every chance you get to reject her into an excuse to linger that little bit longer.

But it's well over an hour spent at the cafe-end of the bookstore, where she orders an iced-coffee and fills you in on the details you don't really need to hear, what she's been up to these last couple semesters - playing twenty questions; questions about other faculty members, the school, if the school newspaper is still anything like it used to be (for the record: no), then coming back to if you've been seeing anyone lately. That last one slips in so naturally you can't stop yourself from taking a slow drag off of the straw in your drink and answering: "not recently."

Because no honest deed goes unpunished, or however the saying goes.

"Hey," her hands splay out over the tabletop, pushing the cold, condensing water of her glass, smudging where a finger drags a line through the pool.

Maybe she knows. How you're already caught, and there's no going back, which is to say you're perfectly free to watch, hungrily, where her throat moves, and then where her lips part.

"I’ve got the perfect thing for that," and for one unhinged, hysterical moment you picture it, Nana: lying back against a counter or maybe in the cushions of a sofa, panties thrown carelessly over her shoulder; heaving out this soft, heady gasp. You: pushing inside of her for the very first time, both of your legs bracing, the heel of her foot pressed into the small of your back - but before you can convince yourself that she can't be talking about that, and just barely before the air gets stuck in the back of your throat and you realize that you might be so thoroughly, tragically fucked -

"Read this." A snap back into the here and now. She is looking at you very pointedly, not naked - but beautiful and perfect as she leans a bit into the table and crosses those lovely, lovely legs of hers, and tilts the copy of that awful, awful filth at you.

"Nana, respectfully, this is drivel," you say, immediately and plainly, listening to Nana laugh out loud as you glean more than you need to know from the info on the inside cover. "They've crossed like five major genre boundaries for a hook-up. Why should anyone bother?"

"Come on." She waves it off with a careless gesture of her hands. "There's plenty of things to like. Maybe you should give it a chance - broaden your horizons, teach. Besides - the sex scenes?" She rolls her shoulders with the same shrug you remember watching so carefully all those times she made her way, out of the hallways and back into that front-and-center-seat she was always occupying whenever the bell rang. "So filthy. I can show you one of my favorites."

"Doesn't really seem like appropriate reading material for -"

"You said it yourself," her voice has a bright, saccharine tone, just on the right side of strained. And between sips of that straw stuck in the purse of her pert, little mouth, she draws that next sentence - the ice cracking, thinning under your feet -

"Not my teacher anymore."

Nana smiles; this brash, cock-sure thing that reminds you, as you try to clear your throat of the nerves making a bed there: you are actually so, so fucking gone on her. So far gone it hurts, when, with a flourish and a bounce and a complete, reckless lack of discretion, she starts paging through the first chapters.

"Who says you can't study these kinds of stories on an academic level? Think about it: sex sells. Whoever ends up writing, it's a whole lot easier and a hell of a lot cheaper than trying to do it all yourself." She looks up, this mischievous twinkle in her eyes, as she angles her fingertips down on the book and opens it - page after page of very obviously poorly-written sex. You look, not even consciously.

But of course, her fingertips drift lower and lower along the pages until it's evident: she doesn't have an exact page in mind, but only a particular passage -

"Here. Let me show you, just one."

"Alright, fine," you start - trying for an effect of exasperation, something to mitigate this god awful throbbing, "whatever - you get one, one sample paragraph and I'll, you know, whatever."

"Yeah, you'll definitely see. Just trust me. Just the one."

She drums her long, gorgeous nails against the table, then eases back with a finger highlighting the text.

You're screening and scanning the words as she tells you about the heroine in the story: a pretty girl who comes down with a bad case of infatuation for her teacher - unrequited, of course. And then, into a passionate affair, of course; all the most raucous, explicit details laid out over the table for everyone else to hear. She says it is about as nonchalantly as though she had been reading you the daily weather forecast and not an elaborate metaphor for - and here, you stop her.

"He cums on her desk?"

"Fucking hot, right?" She nearly snorts and gestures you onward, her eyebrows jumping - go on, go on.

So, you skim along: a heavy rush of nausea (alongside another) pulsing down around your gut at the thought of actually doing such a thing, your ears going hot and your legs crossing on instinct. There's not so much a breath of hesitation as Nana, cool, unfazed, and utterly unaware of the uncomfortable churning of your stomach and the simultaneous thrumming in your cock, takes another deep swig of coffee.

She hums, thoughtful. "Honestly? Kinda wished it happened to me like that. You were a good, good teacher, professor. I wouldn't have minded your hands all over me." You hear her laugh, and the entire universe collapses like the end-days. You are struck down with feverish conviction: this girl is the worst. 

"Anytime you wanted," she adds, so carelessly.

There's a clunking sound, of glass on wood; a half a second where you almost lose control over yourself.

“Nayeon,” you let slip, the old name - a mistake of an invitation she grasps like a weapon. All coming to a glint in her eye that says she knows how you see it, how you can still picture her sitting with her hands folded over the skirt of her uniform, chest rising and falling beneath her cotton shirt. Studious, taking notes, acting every bit the naive sweetheart everyone believed her to be.

You shudder out some pretense of composure and settle back a few inches as she continues to coax a reaction out of you, prodding: "how many girls did you make confess back then, hm? Did it ever do them any good?"

"Dial it back, Nana."

Her expression is all feigned, gentle surprise. "But sir," she looks at you so innocently, "you said I should drop the honorific."

You want to argue that, you also want to tell her off for being such a brat - to demand that, instead, she cut the shit, sit back, and remember who you both are, but when, with a wink and a smirk, she's getting up out of her seat, Nana sets a gentle, reassuring hand on your shoulder as she pushes her chair back beneath the table. You get onto your feet, and when the two of you are stood close together like this - she's really and truly that much smaller than you remember. Waist so tiny you think you could almost, almost wrap two hands all the way around her; skirt rising all too easily when she tosses her weight between her heels.

"I hope you know what you’re doing," you tell her, sternly - the voice of a teacher whose patience is running thin.

But no matter where you look, the consequences are dire and immediate: an abject fascination, a kind of debilitating greed; the absolute fucking loss of ability to look her directly in her eyes. Not like Nana isn't staring right through you. There's no doubt some part of her relishes the feeling.

"Hey, what do I know?" This sweet, demure-like chuckle follows. "It's just porn, right?”

-

Eventually, Nana says to call it a night because the sun's long set into the horizon and the chill starts getting at the both of you.

She tells you while you're packing up your belongings to come by again sometime, her voice teasing as she explains that you should pick out a new novel to read for your benefit.

Which is possibly the ideal outcome, all things considered, if it wasn't for the way she found herself in your hands just a few paces into the parking lot - no one around to catch you, where you're gripping fast onto her wrist and pressing the lines of her body into door of your car, looming and ready to give a piece of your mind.

You know what you ought to say - things like don't bother, you've enjoyed her company, she's fun and sweet, and in a dozen different ways: be a good girl, and go home. You had your fun, didn't you? But she's practically begging, those huge, wide doe eyes that stare straight up into your soul.

"C'mon,” her voice lilts into a deeper, more purposeful register, “you wouldn't turn down a student on her way home, would you?

(This fucking girl.)

She speaks of propriety, like you aren't a man of your own principles - like you aren't reaching down to press a kiss to the swell of her lips like she undoubtedly deserves. To lick into her mouth and pull and kiss and bite until she's trembling, teeth caught in a delicate whimper. Or, that you aren't running your hands down her sides to find the backs of her knees and draw them upward, hooking your hips flush against hers.

She's all too breathless, watching you draw off her lips, fingers fast in your shirt, your hair - holding you close.

Then finally, a true, honest reflection of your heart. Nothing less than sheer and utter capitulation: "let me take you home."

Nana just nods before wrapping her arms around your neck and kissing you again.

-

It's definitely on you for expecting anything different, but Nana fucks like she talks.

Conceited. Brash. A little selfish.

The girl's sitting there on her kitchen counter with one leg hooked over your shoulder. She's stripped herself down to near nothing save for those fuck-off ridiculous panties: slick, shiny with a thick strip of satin between her lips, complete with white lace frills and all; the same ridiculous pattern as the thigh-high stockings clinging tight around the soft-gentle fat of her legs and the lace top of her garter. Her pussy - all tight and pink and soaked - has left this shimmering, shiny mess that's trailing down the insides of her thighs.

Your fingers are in the elastic of her panties, near bruising the curve in her waist where she's rocking, flushed and keening against your grip.

You tell her, "take these off."

"Off?" She repeats it back to you with the same little grin: playing dumb, the smart, charming ass she's been all night.

"I'd tell you what I really want to do to you," you start, pushing your fingers in a little harder, eliciting another pretty moan. "But I'm really, really sure you can fill in the blanks yourself.

"I hope you're not planning on being rough with me," she teases, running her hands all through your hair as she pulls herself against you - and of course, it's her audacity to insist, "no marks." She drops a chaste little kiss along the underside of your jaw. "At least, nothing that might show up on a camera."

Someone with a little less baggage might have done just that. Might have jerked her panties down a couple inches further - ripped the cloth, exposed her even more. You might have followed the waistline further along the perfect round of her ass, found those dips and dimples that, maybe, no one else has ever gotten to explore. You may have grasped at the ends of her hair and gotten your fingers in her pussy without ceremony - driven Nana to the very brink of her climax just before palming two greedy handfuls of that ass - shoving yourself right there between her lips and, lost to shame, put a fucking kid in her.

All the things she must be dying for you to do.

"Something the matter?" She pushes her mouth into yours for a kiss that has all the urgency of a lazy Sunday morning. Your tongue against hers, languid and gentle at first; wet-sloppy, kissing and sucking on her bottom lip. You can feel her smirking when she says, "don't tell me you've forgotten how."

It's a lot, the effort you're putting in not to crumble - to crack at her taunts, snap your restraint, the temptation. You just wanna grab her pretty tits in both hands, shake her, and say: "shut the fuck up." But no - even in your wildest fantasy, you want to hear her first - beg you to make a wreck of her. So you force the words between your lips, dry and cracking:

"Not a fucking chance."

A laugh. "Guess I'm in good hands, then. Have to admit," Nana slides her hands down to hook under your own, bringing them lower. She grinds your fingers in slow circles over that one, aching, perfect little bud - a shock that has her curling tight inward until she's whining, clutching at her waist. "Not the - not the situation I had in mind."

Nana shifts her weight a bit more on one hip, guiding you through rubbing along the entrance to her slit - sloppy with precum, silky and aching - and when you place just the lightest pressure over all that hot skin, she opens her mouth: 

"Ah."

Her eyes, her hair, her fucking mouth - you can’t look away - she’s so gorgeous it hurts.

Even the way she pants; the perfect furrow between her brows. And then, you dip a finger inside her, just to the first knuckle. It’s enough to make her whine, all shaky and high.

"Go on then, with how you’d pictured it," you press, already easing your digit in and out; slow, slick pumps that she is growing hotter, needier around. "I'm sure you've touched yourself to it more than a few times. The details and - stuff - must have been vivid."

"You haven't the slightest clue."

A brief kiss. You coax another shy sound from her, drawing a long sigh against her mouth -

"Try me, Nayeon."

"This is a lot closer to the truth than you’d think, professor." This time, no correction, she just smiles wide and tosses her head back, asking, sweetly, as if to absolve you of the responsibility. "Do you have any idea how long I've thought about it? You, me - us?" 

Nana slips a finger between the buttons of your shirt and starts to pull.

On that detail, you actually, truthfully do not want to know.

"These... oh, how should I even call them." She hums softly just before easing a bit of distance between the two of you, head tilting like she's in a trailer for this summer's romcom, and not, you know, trying to drag you into hell. "Filthy little fantasies?"

"You know," you start. And by this point, her cunt's that much tighter. You've managed two fingers now, but no further, and she's making these desperate, punched-out gasps. Her clit's a swollen pink nub, jutting out from its soft hood. "I really had you pegged all wrong."

"Not - not at all. You can fuck me just fine, trust me - ah. Please, you can fuck me anyway you want."

And here, you grab a little higher on her hips, pinching her on the outside of a thigh, and begin working your fingers fast. You've never cared much for teasing, not really, but something about the way she squirms in your grip, tries to lean up and grasp onto your shoulders with shaking hands, it gets you smiling. It gets you grinning, even, especially the way she makes these pretty noises: a long, desperate little, "ah," at each press and thrust, her breath going high and uneven. 

"Listen, Nana -" She squeals out loud when you push your fingers just a little deeper, a little bit harder. "I'm not going to talk about what a slut you've been today or how badly I want to spread you wide open," you can already tell it's affecting her: the sudden change, the subtle hitch in her breathing, the tremor where her thighs press together. "Tell me about you, about your little ideas. Let me help."

"Wouldn't be fair." Her pussy's getting tighter, urgent with want. And still:

"C'mon now. Humor me a little. There was probably-" you say, sliding down that ridiculous pair of underwear along her ass, tugging them over the curves of her legs - so slow and easy, all while you're not bothering with easing off. Nana moans again; voice pitched. "Lots. Lots and lots of dirty things - and, I'm willing to bet my career that they made you a hot, mess - an awful, soaking fucking wreck. Who could've guessed? You, of all people, with just the right kind of teacher's-pet-appeal, hm?"

And you meant it to be a joke, just some ribbing. But the question has her immediately tensing, looking at you very intently, no trace of shame as she snaps back -

"Your mouth." She rocks forward. "Your fucking mouth."

You shouldn't keep touching her, you shouldn't keep staring, you shouldn't push her flat on her back and shove your face right into her cunt, you should pull away before this goes too far - it shouldn't be your fingers drawing out sopping-wet gasps out of her pussy, nor should you press your tongue to her cunt, your mouth to all that delicate flesh and, at your first taste, shiver.

Nana laughs: shaky, nervous. Then, your fingers sink back into her pussy alongside your tongue, your lips, the way even your hot breath against her aching pussy has her all stunned, breathless - and -

"Please."

- right before she breaks off into a beautiful sound that catches her hard in the chest.

(A sound like you’re all she could ever want in this life, maybe the next; it’s this wordless plea.)

"Hah, I had - ah, had so much - hah - dirt on you, used to masturbate thinking - ah," and there, she arches her spine, forcing a sigh out, "thinking about how you might punish me." She laughs - nearly choking. "How you might break down all your veneer of being a good, moral man and fuck me raw and rough and - ah - fuck. Oh god, fuck."

You twist your fingertips up just so, right against this perfect spot in her, and all the sudden the entire line of her body seizes - stiffens up, the muscles in her thighs twitch as you both moan through the moment, the spasms reverberating in your own ears, loud and unashamed, right against her wet, wet clit. Your fingers are fucking and fucking and fucking away in her cunt, harder and faster and sloppier, every word, every groan, every gasped breath only making it easier to forget. To give in. And with every heavy slap and squelch of your fingertips digging in as deep as her body allows - you're sending her that much closer.

You pull back long enough to bite out: "cum whenever you want, Nana.”

She can’t, she can’t, she can’t, is what she’s trying to say, bracing against how your tongue moves around her clit, and she knows, there’s no use fighting it.

A kiss against her swollen mound and she writhes. “There you go sweetheart, cum for me.”

Nana comes undone. Gradually at first, then vaulting over that edge all at once. She lifts and lowers her hips - pushing your fingers into the smooth, velvety muscles of her cunt; rocking up and up again. It's a torturously slow kind of grinding, and her feet find purchase on either side of you as her toes curl, one heel digging into your shoulder. An assurance; a promise; a lifeline; that she might tremble and shake through it, moaning.

“Fuck,” and, “god,” and, “you’re gonna make me-” slip past her lips alongside all the assured gasped-out cries for relief - the orgasm sweeping through her, tearing her apart.

Back pitching, shoulders narrowing, face twisting, cinching tighter and tighter -

Until she collapses.

Until it’s over.

As she lays there, chest heaving, arm draped carelessly across her forehead and half over a kitchen cutting board - her thighs splayed open, fucked and spent - she's so, so beautiful.

And it’s in that sort of fucked-up-noodly-state where she just slides right into your arms - those long, slender legs wrapping tight around your middle. "Here's the deal," you say, grabbing hold of her hips and steadying her, as best as either of you can.

"Hm." This lazy, sated look, the way her tongue's dragged out - slow and slick - across the top of her teeth and bottom of her lips. "Go ahead, sir. I'm listening."

The lip service - that coy little appeal to authority that maybe you’re actually plenty fond of - it makes you stop for the barest of moments. This girl, she's unreal. How hard could you ever be asked to resist her?

She lifts a brow. "Professor."

So you continue:

"I'm going to get out of these clothes, and we are going to see what happens after that - if you have a preference for the bed or the sofa, now's your chance to pipe up. Or else -"

"Or else-" She repeats, shifting her weight around again. You can feel how she adjusts her heels to hang higher up your ribs, rocking her weight against your abdomen, against your cock - and the instinctual twitch that runs through your spine is turgid and rough. Like a shot. If it had a smell, it'd probably remind you of gasoline.

And then, maybe just to rile you up even more: "the dining room table makes a good impression of a teacher's desk, no?"

You slide your hand along the backs of her thighs until you have a good, tight, high hold on them and pick her up, leaving the panties, the stockings, all of it down where they can gather dust or whatever - she giggles, and tightens her hold around you like she doesn't need to worry about falling.

"I'd rather fuck you into a mattress to be perfectly candid."

Nana throws back her head and laughs - this real, honest-to-goodness peal of laughter, a hint of playfulness where there was usually just a practiced ease. "Oh. So forward."

(In all likelihood, you're both going to hell, and on the off chance you meet down there, you figure you'll fuck her then, too.

You've read the myths, the Greek tragedies, the ones that have these gods descending from the heavens on human women, for pleasure and nothing but, you've read those stories and plenty more - the details don't matter: it's always a bad, bad end for everybody involved.)

She takes you upstairs. And the two of you fall through the doorway to her bedroom, stumbling all the way.

Her apartment is simple and clean in the way all young adults try to emulate, all white countertops, but with pictures hanging in little, neat rows on the walls and the space void of anything with some sort of character or history.

You know because you're fumbling toward a dresser or desk or bookshelf in an attempt to orient yourselves, bumping and tussling, half-blind, on your path forward and all of a sudden there's a goddamn framed photo in your hand - not of her family, thank god. Though just about every other person in the picture is familiar to you, you remember every single one - but all you're capable of focusing on is Nana, Nayeon: not quite the same. The same glint in her eyes, the way her smile has a timeless kind of quality, the faint dimples in her cheeks. 

And some wicked part of you is all too willing to ignore the whole timeline of events that has led up to you, Nana, like this: you want to pull her hair. You want to shove her around like she doesn't matter - is in any way disposable or replaceable; the most selfish parts of you wishing you could keep her pinned down by her slender neck; pressing a palm, bruising, into her collarbone as you start to work at your belt buckle and slacks with your other hand.

It's hard, getting a grip on yourself as Nana, sliding onto her bed and rolling across the sheets, pulls her stockings down the length of her legs - only stopping herself long enough to meet your eyes. Her throat bobbing.

“Of course,” she says, because your cock is hanging out by that point, straining and a little pent-up. "I fucking knew you would have a perfect cock."

"Flattery or sincerity?"

"Um, let's say both." She shifts around the pillow - that sweet little pout on her lips. Her gaze dropping from your mouth and running all along the length of your torso, lower and lower. Like her hands. And when her eyes flick up to meet yours, just when you're stroking at your cock, base and shaft, teasing yourself, well past the point of pretense, a devious smile spreads wide across her pretty, beautiful face. The implication: you aren't leaving here until you're cumming inside her.

And with a glimmer in her eyes, the sheer audacity, her fingertips ghost the underside of your cock as she draws up toward the head, "you're going to ruin me with this thing. You know that right?"

"A bit dramatic."

Nana moves to rest with the tops of her knees at the edge, her chin resting against the insides of her wrists, elbows propped up - poised, playful, everything she should be as the both of you regard each other a moment longer. "Can you blame me? It's not just that it's huge, I mean - I've barely even gotten a hold of it, and yet... god," she snorts. Her eyelids are heavy, mouth curved, almost a snarl as she drags her bottom lip through the grip of her teeth and sinks down onto the mattress.

"Say something filthy again," and this is a test, this is Nana testing you to see what exactly you'll get away with.

(Hint: it's a whole lot.)

She sighs. The image of indigence, innocence, everything pure and good you couldn't hope for. "Should I suck it or not? Or maybe, I don't know. Would you prefer me to beg for it first, ask if you'll put it in? Like, I think if you ordered me to put it in my mouth, right now, I wouldn't be able to say no."

"Really," the most sarcastic answer.

"Really," she continues. "For instance. If you came over here right now and guided me up and onto your dick and told me, specifically, that you were going to face-fuck me? I couldn't say no. No sir."

You could have her any damn way. You could have her, and you both know it.

"So tempting," you tease, mostly in earnest, "maybe another time, when my self-control isn't quite so lacking."

Nana hums a low, flippant sort of noise - like: whenever you're ready - and just how much trouble it gets you in, the mere suggestion, is what she is banking on.

"Hey," is her invitation, "I won't beg yet. You still want me to put my mouth all over it," and to emphasize, she slips her fingers between the plump pillows of her lips, smiling at how that makes you reach over the nightstand, accidentally pulling open a drawer, possibly reaching for the first aid kit, "or would you rather watch me stuff all these fingers in my wet, little hole."

A sharp inhale: it really would be fun, probably, but you can't take it.

"Nana," this voice, gravelly-ragged and harsh, "if you're planning to make me snap, you are, without question, on the right track."

"Then before that happens," she says, pulling you down into the bedsheets beside her. Your body flush against hers, the beat of her heart loud against your own; this gorgeous, pristine girl, so nakedly giving - this is an honor and a curse all rolled up together, no doubt.

And after a hot, wet kiss: "fuck me like I always thought you would."

(She was made to be like this; it's the only explanation.

Made for wanting. Made for fucking. Made to be loved and made to have her cunt fucked full - ruined by your fingers, your tongue, your cock. This absolutely perfect body, and all the delicious parts of her; this thing of desire, bashful and coy and that deserves all the world and, having none of the grace or courtesy to actually beg, orders, like she always knew she could:

"Like, right fucking now."

Or else.)

Then you're there - her hot mouth, her cunt, your fingers digging in bruising-tight all along the curve of her thighs where they meet her ass, hips, thighs, waist. She's pumping her soft palm and delicate fingers, slick with her spit and yours around the length of you and this isn't going to last long; not that there's any doubt you're going to leave her sore. But still, you drag the head of your cock across the swollen lips of her pussy, down through the plump swell of her clit until it rests where the ridge just begins and every slide, every pressure along every inch of your cock, the thought of being enveloped entirely in all that silky warmth is nearly the end of you.

A whimper, "professor."

You wrap your hands tighter around the smooth, firm muscles in her thighs; dragging your fingers back and forth across the supple skin there - just firm enough to elicit a reaction from the tension in her legs, until you have her flipped over on her stomach. Because if you're going to fuck her properly, it's going to be with her face buried deep into a pillowcase and you perched above her, holding her down against the sheets.

You watch her get her elbows underneath her, laying almost flat. Watch her trace the shape of her own jaw, her nose, her neck - the smooth expanse of her chest - as you straddle her thighs. With her ass pointed right up at you and the heel of her ankle gently grinding into the underside of your leg, you groan, placing both hands just above her ass. And once you're gripping the whole shape of her, you push your cock into her, just an inch, listening to the shift in her breathing.

She shudders, "don't tease - oh, please, sir-"

"Is this what you expected, Nana?" You grab onto her hair. Then again, when she tries to get her hands on herself. Her shoulders are high, tight. You just don't give her a chance; pushing yourself another inch, a couple. The pace, so gradual she starts making these soft, little breathless sounds as you stretch her tight pussy open. A few moments when she stops trying to bury her noises, her gasps - stops trying to angle her hips or squeeze or resist the thick shape of your cock where it is so, so hot and full inside of her - and there you stop. "What is it you had in mind, hm?"

"Ngh - oh."

Her cunt's clamping tight around just the first few inches of you. The tightness, the wet heat is staggering; how it pulls and begs with the words she seems reluctant to spill out.

So - you lift a hand, bringing it back down again onto the pale, rounded flesh of her ass with a smack, a gasp, and this wet sound from the sopping heat of her pussy, all aching and sobbing, "don't, fuck, stick it - fuck, put it - just. Just fucking get on top of me and pin me down - make it hard for me to breathe - do it, just. Like I, fuck, like I always wanted, sir, please-"

And you sink all the way in.

"Fuck." She bites into those consonants, a whole-body motion that pulls at the tension in her spine, the muscles in her legs. But her hips angle right up, and she presses her ass into the hollow of your abdomen and says, "thank you. Thank you. God."

"Don't get lazy on me," you say, grinding the tip of your cock in little circles; pulling it out and angling it down until it's prodding at all the right places to make her arch and shiver.

"Please," she says again, louder this time, almost a moan. "That. Fuck. Yes. It's."

"Yes, yes, I know. Nana, you-"

"Just use me. Whatever you like," she pants; then, once you've pulled yourself out to the tip, slowly filling her again, "use me like a fucktoy, alright. Because - fuck," Nana shivers, pushing her hips into yours. Her shoulders lower, as if by degrees, "please. Use me. Make it rough. Please, professor - use me however you want, I don't care - anything's fine with me - use me, as long and as much as you need, I. Please."

The real difference here, beyond anything else, is that this is no longer the game it was; the very instant she was sprawled across the mattress with a line of drool dripping into the sheets, all her bright, polished glory has vanished, leaving this bare edge of her exposed - the girl who lives solely to be fucked and used by your cock, her cunt leaking, begging for more. Reduced to the basics and nothing else.

"Your fucking cunt, Nana, the goddamn clench - you feel - it's-" (So fucking good, is what you can’t quite say, because she’s tight and wet and her tiny pussy is quivering like mad every time you bathe your cock in its scorching heat. Over and over.) It’s hard to think; you’re truly - truly - fucking her, but you can’t ignore the tautness in her spine either, bent below you. There are probably tears beading down her cheeks, but there's no helping the raw instinct screaming through the core of her being, pleading with you to pull yourself free, before sinking hilt-deep into her again, again, again - to a chorus of sloppy, loud, nasty, fucking whimpers and moans.

Like music. 

It's easy after all, how her pussy gives way to you. How she molds around you - sleeves onto you like a glove - like there was only one cunt in the world you should ever be fucking up and fucking apart. 

"It's incredible. Fuck. Just that perfect."

Nana, as best as she can, trying to stay steady, braced against her hands and knees, is raising her hips.

But it's clear with the way she's slipping all over, slicking the sweat off her palms and rocking her ass back into your thrusts, a cry falling out of her, unbidden, when she speaks and not.

"Please," she pants, through tears probably, this breathy-shivering. A renewed enthusiasm for your grip on her - where, in another place, you'd worry about leaving marks behind - for the feeling of your weight slamming down into her, driving the air from her lungs.

The sheets are a crumpled mess, pillows knocked from the mattress, where the two of you are shaking it apart.

You're pulling her apart, slowly, thrust by thrust into her sopping cunt, and in a promise of how you'll put her back together, you get your mouth on her shoulders, her neck, kisses in her hair, behind her ear - Nana just whimpers, curling her toes and ankles along the backs of your knees, her face against the pillow and gasping, "thank you - thank - thank-"

And when your palm smacks against the generous swell of her ass, again, she keens so perfectly for you.

It's a breathtaking sight, so good, so perfect: her flawless ass pitched high, round and flushed pink. The flutter of her eyelashes and the tears and drool. The outlines of her pale white cheeks sent into ripple after ripple, and then the way you can slide one hand forward between her shoulder blades and slip it into her hair, nails raking her scalp, grabbing a handful of hair in your fist and tilting her face - to the side, enough for her cheek against the pillow and the way her hips try to press against yours; try to chase the pleasure; this brash, gorgeous, slim-waisted, well-curved, exquisite young woman - like everything.

"Please," is all she says as you fit your chest up tight to her back and mouth at her neck - lick all along the sweat. "Please."

You can't take it anymore, can't keep watching this masterpiece, can't stand the molten heat wrapped around your cock every time the drag in and out of her pussy pulls sets every nerve on fire. Right in her ear: "I'm cumming, Nana, I'm cumming inside this tight, little pussy."

A short gasp, "yeah."

"Yeah. Inside, Nana. Cum inside, you -" You twist your fingers against her scalp and find purchase, an excuse - a means to yank her head around and lean into her, teeth against skin, that familiar coiling in your gut and the burning sensation that flows right alongside every slap and smack of her hips on your skin.

"Fuck me." You watch her bite down, swallow a sound, try to say: "fuck your load so deep inside me it’ll be all I think about for weeks, let me feel it, all that hot, all that sticky, fucking cum"

And you drag your hips, these final, punishing drags through her drenched cunt. Her fingers are white knuckled and fisting the sheets, until the very second you've pressed every ounce of your own body's worth into her own, when you're collapsing her spine and pushing her face into the bedspread, this wave rushes through your ears like the buzz and hum of insects and waves and things out of sync - the high, the peak -

And then:

Sobering, subjugating silence.

In fact, you're shuddering; You're cumming, spilling pools of thick cum deep inside of her. It's all in that warm, filthy sensation, a heady, hazy, desperate thrill when her own cunt seizes in its climax around you, trembling, throbbing, quivering, clenching; drawing everything out and taking your cock deeper - even while the whole of her is thrashing and bucking, all of this messy with her pleasure and her voice caught up, writhing and breathless.

"God-" is the last thing out of her mouth before you can kiss it quiet, tug on her lower lip and open her up like a present - messy and breathy, crying out, you're making this mess inside, this beautiful fucking mess - as the whisper you feel against your lips:

"Inside me, like that."

As you groan, deep and hot, "filthy fucking cumslut-"

Right on the verge, riding out every twitch of your cock and each flex of your hands at the skin around her ass, her waist, back and shoulder blades; even after you've caught your breath, you keep pumping more and more inside of her, you don't stop, won't, and even when you manage it, pulling out the head of your cock - you can feel every slick detail - just the slit and rim, resting the throbbing head of your cock at her swollen little mound, feeling the length of her fucked-out pussy spasm at the emptiness and trying to grasp around nothing - empty, tight and aching, sopping.

There's her hips, just this, right there; the line, the silhouette. Her thin waist and the curvy swell of her ass, jutting out straight - the cream-colored flesh dusted pink. The lithe, soft line of her stomach and the insides of her thighs a little farther along, sweaty and inviting.

She's so pliant in your grip, even though she's trying her best to curl herself backward - to angle your spent cock back into the ready, welcoming warmth of her slick, wet pussy - and once the afterglow has begun to wear away, that same greed and yearning takes its rightful place. A glimmer in her eyes. The unmistakable need and drive.

"One more," she says, wiggling her hips back into your stomach. "For me."

(The truth: you can't refuse her, not as she bites her lip and twists, all that soft hair splayed across her face, stuck to her tear-damp skin.

One more, because you both still want it. One more, because in the dim glow and evening air of her bedroom, everything that happens now matters just as much as anything that happened before.

One more, because you need her again.)

-

When she wakes in the dark, you figure her bed will be empty.

Nana will realize that you're gone. Of course you’ll be - it was never going to go differently; the sex had to end at some point. After all, if you stayed, eventually she'd start saying something you'd find a fault in or your skin would be so sensitive she couldn't stand not running a finger up your spine and maybe kissing your hip.

The reasons to go always outnumbered the reasons to stay.

The world would catch up and someone would find out and that's the sort of gossip that might leave both of your careers in shambles. Or else, you'd do something you couldn't come back from, the moment the heat of the sex left your body and her cunt, god, her perfect little cunt was spent - slackening - and the moments-after-haze, her legs locked up and her arms a bit sore, would clear up. Then you'd look at her, or else the shame would win out - the guilt and you'd call it quits. She won’t blame you. She can't.

-

But then again,

Her heart won't fall completely to pieces, because:

You've stayed. And it isn't an easy position, even if she is easy.

Here she is, though: sleeping on her side with her wrists crossed in front of her face - peaceful and quiet, probably tired enough to sleep without dreams. The dark has long since settled across her bedroom, save the pinpricks of stars in the sky out her window and a sliver of moonlight. You can see her, or you could reach out and run your hands all along her calves and thighs, but you don't.

Nana's shoulders slump forward in the faintest of sighs, and there it is - the slow, gentle swell and fall of her chest.

-

Here's how you got here:

In this scandal-in-waiting of a relationship. Here's the stupidest possible path, where a bright-eyed student with a crush fucks her older professor just once, and somehow you both find yourselves coming back for more, like maybe your very, very bodies belong together - a maddening compulsion.

Even once you've managed to work through the idea of your cum all inside of her, a seedy, twisted corner of your mind murmurs how it makes the most sense. To stick your cock inside of her again.

Where she can show you the way it can look; the mess and the texture of the slick, white spill - dribbling out of her pussy in the afterglow, onto her palm, and down the crevice in her ass and lower.

It's the phone calls probably - and not just the phone sex - late-night talking, conversation and every once in awhile, the kind of hot, hard fucking that gets you in trouble, but also a reason to be with each other again. Not just the quick fucks but the nice ones - the days, the late nights and mornings and what have you: all the casual intimacy of it. All the sweet nothings exchanged.

The after-sex cuddling, with her straddling your lap;

The sensation of her thighs sliding into place around the tops of your legs, her arms tucked around your neck;

The kisses you don't take and kisses you'd be okay with, all the promises made to love you as many times as necessary, however necessary, wherever.

That's all here too.

Again:

She is young. But, who the fuck are you to say? Who the hell can tell you she doesn't deserve the least rotten, least painful, most promising love she can find in this particularly fucked-up world?

Who else is going to keep the both of you safe and hidden?

And who else, despite everything, seems to like having a secret that they're sure only you know; every glance or accidental touch with her eyes brimming, alive, and the whole of her bent like a bow-string - all held back and wound-up tight.

To the point her spine will shiver and shake; you know how it can be.

-

"Are you actually going to buy those?" Nana asks one day, dangling on her toes, chin rested comfortably in the sweep of your shoulder.

When she crowds the swell of her hip and her breasts and her entire body into your back and snakes her arms around your shoulders, you think there's nothing else in the world you need.

"You called them drivel," she adds, almost pouting - which is a look you're slowly trying to inoculate yourself against because the moment it comes up, you have a knee-jerk reaction to drop anything and everything and carry her off someplace else. To have a place where she could, could, could -

"Hah," you roll your eyes, not taking the bait. There's a shelf-full of campy, smutty romance novels in the dollar bin. "It is. The story was less than complicated, but I couldn't figure out what the hell two or three characters' plotlines had to do with one another, and sometimes you just want a little guilty pleasure, you know?"

"Ooh. So," Nana smiles, the devious sort. "I guess there is some honesty in you after all."

"Come on, this one at least has an original story," and it is a shameless attempt, "plus-"

"I know, I know. Fine. And if it is so terribly bad, well, I suppose I can use your chest as a pillow to take a nap," she says, before throwing this particular glance over her shoulder.

The cashier doesn't need to ask if the two of you want your copies of 'Wild West of the Heart' or whatever-the-fuck this one is titled, scanned separately.

All of that, those paperback-cover love stories and TV drama plots, these are the sorts of things you do just for Nana; as the two of you wait in long lines, get carried along, get bumped and pushed, like every other ordinary-person thing you've done for her ever since.

("Honestly, this isn't my kind of thing either," you tell her in the aisle of a grocery store once. The fluorescent lighting only accentuates the blush high on her cheeks. "don't make me fuss over something like this."

"Have a little sympathy," she insists, nudging the handle of the shopping cart against the inside of your shins. "A girl like me isn't good for much else.")

It's not romance, really, that's such a fucked up way to go about describing any of it, but then there's Nana, bouncing on her heels and prattling on, this girl in the spring of her life who is full to the brim and bursting with the most chaotic and eclectic sorts of thoughts and passions -

So, what.

"Really," she adds - another side, another angle on an issue the two of you had an hour ago while cooking breakfast. "Just, think about it. Would you honestly put all this effort into somebody who doesn't make you laugh at least as much as they irritate you? Because like, you would never tolerate some self-obsessed jerk long enough to eat their burnt, terrible pancakes every day of the week."

"Fine. Maybe." You sit across the table. "You're right."

Nana blinks and this look of wonder crosses her face as she grins. A moment of triumph for her and that was more than the honest truth. It's still strange, admitting defeat in any argument here or there, or that the two of you make an actual decent couple - together. The kinds of things that come naturally to other people.

"Any more caveats to all of this, professor?"

"You’re gonna end up bent over that counter again if you keep pushing it, kid."

The both of you break out laughing and then you finish your coffee, or she stabs the last few pieces of cantaloupe on her plate, or you kiss her neck, and just -

Everything.

[rootspiral]

Agatha All Along deep dive: episode 6 part 1

(Wandavision entries: [1][2][3])

(AAA entries: ep1 [1][2][3][4] ep2 [1][2][3][4] ep3 [1][2][3] ep4 [1][2][3][4][5][6][7][+1] ep5 [1][2][3][4][5] ep6 [1][2][3] ep7 [1][2][3][4][5][6] ep8 [1][2][3][4][5][6][7])

ooh the "magick" mitzvah? I've been puzzling about the connection between william and billy, that's an interesting detail. I'll elaborate in a minute

I've seen a lot of irony about joe locke clearly not being 13 here, but the thing is, sometimes boys do suddenly hit puberty and have an insane growth spurt! and then you get the hilarious visuals of some guy sitting in a tiny desk in a classroom full of children.

my point being, they should have had joe dancing with a bunch of actual 13 year olds, it would have been so fucking funny

I love mama and papa kaplan, and it really gets to me that they lost their boy and don't even know it. I was worried about billy's episode because I thought it would be just a bunch of marvel tie-ins with no heart. glad to report I was wrong

lilia who hates witch stereotypes performing those very stereotypes in order to not fucking starve

william's reflection is billy reversed

lilia foresees william's death and billy's takeover, and she is SO sorry for him. patti as usual conveys so much, you can tell her heart is breaking but she's being kind and lying in order to not scare this poor kid. and this is exactly why being a Seer has always been a burden to lilia, how do you form any relationships, how do you love someone when you've already seen the day you're going to lose them?

“The Tower Reversed.” disaster, destruction, sudden upheaval. but reversed, it means miraculous transformation.

and there is something about lilia choosing this moment as the most representative for billy, a moment that symbolize both billy and william. this is future!lilia embracing her own strength and reclaiming the coven and the community she denied herself her whole life. and not only she includes billy in it, but also william as a fundamental part of billy, a kid that she protected and cherished despite meeting him only briefly.

not only lilia goes above and beyond for william, hiding the truth from him, inviting him to enjoy the party she knows will be his last. she hides the sigil on him so she can protect billy too, because she knows that another little boy is about to wake up in a strange reality and be so lost. she tells william he's a good egg, but she is the goodest egg.

I love the little choices here. wanda's voice on the radio, pretending she's in an idyllic sitcom marriage. and a real life marriage where wanda's 1950s tropes are reversed, rebecca is the one who drives and grabs her husband's hand to reassure him.

another great detail: the dissolving Hex reflected in the car window.

the parallels are taking my breath away. two moms, agatha and rebecca, fiercely loving and protective. both would blame themselves for their sons dying.

but sometimes, boys die. and to quote jac shaeffer, that is tragedy enough to fill the universe.

you can hear william's heart slow down and stop. then, when billy takes over, it starts beating like crazy.

and here's alice, who's also never met william (or billy) before, but she will unquestionably do her utmost to help.

I miss you so much, alice

he's so scared. the way he shakes his head and doesn't know where to look.

imagine being born yesterday, and suddenly you are in a different body and your head is cracked and you're surrounded by strangers. and your brother is nowhere.

that is the worst omelet I've ever seen in my life by the way

(also I know billy is used to instant growth, but imagine switching from child to teenager just like that, it's like going through puberty in two seconds. kafkaesque nightmare fuel)

and it's just so realistic and so moving that the kaplans are presenting a united front even though they are crumbling underneath. and they won't say any of it out loud because they are good fucking parents and it's their job to protect and worry without their kid ever feeling guilty about it. (billy does end up reading their minds because they're not equipped to parent a superhero yet. not that they wouldn't RAISE TO THE FUCKING CHALLENGE. I love you rebecca and jeff kaplan)

william liked classic movies, board games and magic tricks. there were budding hints at a goth vibe too, with dario argento quotes and creepy victorian posters. it doesn't seem at all incompatible with the person billy will eventually grow up to be, I know he had to settle into william's life, but he didn't revolutionize any of it, he kind of followed in william tracks. I think that yes, william died just as wanda dissolved the hex and it was a wrong place and wrong time kind of situation, but he also had to be a compatible donor - as similar as billy as possible, I don't know if genetically or soul-wise or what. they even look a bit similar, same ears, same nose, same eyes, same chin, same triangular face.

these guys really like doing mirror shots, don't they

by the way I will keep calling him Boyf because it's so damn funny, but I do know his name is eddie and I'm really really happy for the representation. there won't be any particularly deep meta about these two because gay boys are so, so far from my realm of interest or expertise, I'm sorry if you were looking forward to it. if you want to add context or ideas about them please do!

another possibility is that billy's soul, while not having any of wiliam's memories, was still shaped and conditioned by his dna and brain chemistry and past experiences, so in a sense william is still in there. you put software in a different hardware, it's gonna affect its performance.

I'll say this about boyf, he's very sweet. billy gives him this crazy story and he doesn't flinch, he just tries to understand and be supportive.

*cough cough* nerd

but look, he's pulling a detective agnes! he really is an agatha mini me.

ah yes, the future coven looking after billy even before meeting him. lilia giving him the sigil, alice being first responder on the site of the accident, jen saving his dating life by teaching him good skincare (he's a teenager! he's got pimples!)

you guys, I hope you don't mind me dedicating some time to billy alone, but I do like this episode a lot.

and tomorrow: it's the return of butch agatha!

go to episode 6 part 2

[illusioncanthurtme--art]

im curious, why do you like fiddlestan?

i like them in theory (all the pain potential, jeez!) but i feel like i'm missing something very obvious

Oh boy, you’re about to open pandoras box with this one -

I’ve liked fiddlestan for a LONG time, almost a decade now, (EXHIBIT A!!!), and honestly, I’ll admit that the ship is mostly based on speculation. So maybe you’re not missing something obvious, maybe I’m just delusional. I can’t speak for everyone, all I can do is explain why I like it: because it’s deeply rooted in several layers of irony. 

It’s ironic because fiddleford spent the better part of a YEAR dealing with fords nonsense. (And I KNOW, it’s not all bad, but really, especially if you read journal 3, that poor man was put through a LOT. He was definitely taken advantage of, at LEAST a little.) And after grappling with the acceptance that your longtime friend and unrequited love will never return your feelings, having lost the man to some crazy otherworldly nightmare machine, who shows up?? But his TWIN BROTHER who’s HUMBLE and KIND and TEN TIMES MORE DOWN TO EARTH?? It’s ironic, because they don’t know each other, yet they both have years of history with the same person who’s wronged them, and, they can make out about it!! THEY CAN FUCK TO SPITE HIM!! Stan stole his brothers name (and committed multiple crimes under said name), stole his house, and stole his research partner!! And… it's ironic because it’s Grunkle Stan and old man Mcgucket. That needs no elaboration.

(these are all my personal takes/headcanons! Like I said, this ship is based solely on interpretation, so I’m sure a lot of fiddlestanners like fiddauthor too. There’s like a billion different ways to interpret this ship.)

Also -

Their personalities are surprisingly similar when you stop and think about it!! You put those two in the same room, and they’d come up with some highly devilish scams together. They both have moral codes that are a little… ambiguous. And… I can’t believe I’m gonna pull this out as *canon fiddlestan documentation* but these are the kind of crumbs we’re working with here: MABELS DREAM IN THE SOCK OPERA CREDITS!!!! Although it’s not something that actually happened, and it’s just a reference to statler and waldorf, they are IN CHARACTER!! I think this is how they would actually act together if they were friends!! Just two old dudes, hanging out together watching tv, making fun of whatever they’re watching. If you’re in the room, you might get roasted too. Just a couple of old farts. It makes me so happy to think about. 

No fiddlestan rundown post would be complete without the fandoms EXTREME STRAW GRASP at Old Goldie and the Flame Retardant Raccoon. Soos calls mcgucket a “prospector guy,” amongst the other obvious comparisons you can make between fiddleford and goldie. Goldie is something stan used to like a long time ago, but he’s all old and fucked up now, best to throw him away and forget about it. BUT, as it turns out, there’s still good in that old thing after all. SO LETS GET MARRIED IN VEGAS!!!! It’s an extreme stretch, but… It’s a fiddlestan trope that they, at some point, have a crazy night of fun+romance in vegas together.  And I personally like to think that they return when they’re older+happy and tie the knot for reals. The raccoon speaks for itself - it’s one of the ways you can compare stan to a raccoon. And of course, mcgucket's raccoon wife. 

This is where it starts to get a little angsty, and if you “get all the pain potential” then you may have already given this some thought - but why does stan treat fiddleford the way he does if they used to love each other? The whole “UGH, this guy” comment in land before swine, looking all uncomfortable around him in fight fighters, choosing the spot furthest from where mcgucket lotions himself at the pool, and the “possum breath” comment in the last episode (and fiddleford actually has the mental clarity to look perturbed after he says it). Stan is hurt!!! He’s upset!! If they used to be a Thing after the portal incident, something must have happened between them for fiddlefords mental illness to get the better of him, and for him to choose to erase both stan and ford from his memories. I, personally, think that it was deep rooted internal homophobia (being raised in the south, that runs deep), and being scared for getting too close to stan. They were getting too comfortable, and that scared him. What about his family? And tate? His son can never meet stan. He can never let his wife know. And all the paranormal fuckery incidents leading up to this that already weakened his mental state, the portal incident, already having zapped his brain a few times, would have sent him over the edge. So I’m thinking they would have gotten into a fight of some kind, and fiddleford would have stormed off. Thus leaving stan having to live in a town with the person he USED to love, who doesn’t remember him at all!!! What!!!!! That sucks!!!! Only upside to fiddlefords memory erasure is that it makes it easier for stan to pretend nothing ever happened. But it’s still not easy. Also, if word ever got out that old man mcgucket used to be his boyfriend, he would never be able to live it down. So he compensates by being an ass towards him. Fuck. 

But then!! If fiddleford has the chance to heal!!! (say… maybe… when the twins are on the stan o war II) then stan would come back to gravity falls and see fiddleford looking like the person he knew thirty years ago!!!! WHAT!?!?! CAN’T RUN FROM YOUR PAST FOREVER, CAN YOU!?!?! And you KNOW fiddleford would remember what happened with stan. How long can stan keep himself in denial?? And now we’re opening up the can of worms: how the FUCK does this information reach ford?? That your brother used to canoodle with your research partner and might STILL BE?? That has so much potential too. 

Ok I wasn’t expecting to write those last two paragraphs but it’s A BIG PART OF WHY I LOVE FIDDLESTAN!!! It’s a crazy fucking rollercoaster ride!!! This thing has so many angles!!! And that’s just MY fiddlestan interpretation - I’ve seen a lot of different takes on the sort of story that would transpire between these two. But no matter what you’re cooking, It’s always a LOT. 

There’s probably so so much I didn’t touch on here. If anyone else wants to throw in their two cents as to why they like fiddlestan, please, add something!!!

[strongheartneteyam]

Everyone wants him, that was my crime.

Pairing: Neteyam Sully x female!omatikaya!reader

cw: mostly angst, TRIGGER WARNING for Reader being bullied bad by some Omatikaya girls, the perks of dating a popular boy (irony alert), hurt/comfort, neteyam reassuring Reader, some fluff, a stab in the heart disguised as a fic basically

So, this is just an angsty Neteyam fic inspired by “Slut!” by Taylor to make you guys suffer with me, I guess.

na'vi words: tweng (loincloth), nantang (viperwolf), tanhì (star - term of endearment)

Not proofread.

ᝰ

Love thorns all over this rose

I'll pay the price, you won't

But if I'm all dressed up they might as well be looking at us

And if they call me a slut

You know, it might be worth it for once

“Slut!” (Taylor Swift)

ᝰ

You were dressed in your best tweng, one you had spent a long time making, wearing your best beaded long necklace to cover your breasts and even wearing some flowers to decorate your black, silky hair.

But none of that mattered. They laughed at you. The girls you thought were pretty and just so skilled and… popular. Something that you were never able to be, it didn't matter how hard you tried when you were a teenager. You were now a 22 year old girl, so, being popular did not matter to you anymore but it did not mean that having only one friend and having those girls look funny at you stopped hurting. The harassment did not stop there, it also included pushing you, putting their feet in front of you so you could trip and then pretending they hadn't done anything, saying something smelled bad whenever you were close to them and laughing inside their little group, making you smell your arms and your hair to try and see if you were the one who was smelly, just for the sadistic pleasure of messing with your head. You were a strong girl but stuff like that would bring down even the bravest na'vi female warrior.

“She thinks she's from the Tawkami clan, all dressed with flowers like this.” The girls would mock and laugh as you passed by

Your sad big amber eyes focused on the ground as shame and self doubt covered your body and beat you up from the inside.

Yes, you did love wearing flowers, sometimes wearing them in many different places in your body, on your hair and on necklaces over your breasts, but you never thought it was a bad thing until they pointed it out. It got to a point where you just couldn't take that many comments about your flowers anymore, the ones you used to pick up in the forest with a chest filled with joy. It used to be an incredibly wholesome, spiritual activity for you, but at those following days, you only felt rage and pain when you looked at your flowers. Poor them. It wasn't their fault. They were as pretty as ever. But you decided to tone it down and now you only wore a flower crown most days.

It was hard to relax. You could almost never be at ease when you were walking around the tribe, trying to focus on doing your chores as an Omatikaya, because you never knew when some girl would make a mean comment or just laugh at you, leaving you wondering if you looked weird or walked funny.

You tried to convince yourself that it was worth it, that you would get through it to be with the boy you loved, the one you were promised to and was soon to go through a mateship ritual with in front of the whole clan to bond you two together forevermore.

But it was insanely hard and sometimes it felt like you couldn't breathe.

Being Neteyam Suli's, the Omatikaya tribe heartthrob, mate to be was challenging to say the least. And yes, you knew that you were being bullied because he had chosen you. When it all started, you tried to convince yourself it was all in your head, that there must be another more rational reason for you to be bullied by those girls, that they couldn't be doing all this out of jealousy. It seemed too stupid, childish and… cruel, honestly. But even Neteyam pointed it out to you.

“Don't be sad because of those girls, tanhì. They are mad because you're mine and they wish they were in your place. But I chose you because I saw something in you that I didn't see in any of them. You're always honest, you have a childlike light in your eyes and a pure soul. They got nothing on you and that's why they treat you badly.”

He had told you those words one day when you were crying about being excluded from the girls’ friendship groups in the tribe. Neteyam's words reassured you of his love and made you feel better but the wounds still hurt.

Sometimes, the worst part of you told you to give up on him, that it was too difficult to bear, all those nantang like girls scorching you with their mean eyes every time they saw you walking around holding hands with Neteyam. But after a while, when you could think more rationally, you would think about how it would be unfair to him to do that. So what if those petty girls made you suffer? Making Neteyam suffer because you couldn't be brave enough to deal with that hardship would hurt you way more. Neteyam was worth it, he treated you like a princess, like you were the most beautiful, the most precious thing he had ever laid eyes upon. You'd be damned if you threw a love like that away because of other people's envy.

ᝰ

Taglist:

@luvv4j4ybe11

@criticallybella

@yeosxxx

[gutterfuuck]

Human!Mark with a Super-powered/Viltrumite!Reader

It’s cute he’s so possessive, as if we wouldn’t break him like a twig... 🙈

THISSSS this is incredible!! i am going crazy!!

i love this idea so much,, perhaps reader is an child of thragg. i am now putting my little headcanon in where i think that mark would have glasses and braces… real nerdy guy x girl that is only gentle with him… cute dynamic hehe!!

this is sfw since im writing a full fic currently, just some headcanons maybe to get the concept out there!! the fic will be called “the perfect girl”

cw: nothing really, as i have stated this is short, maybe a blurb? i am not sure haha,

the youngest viltrumite to be sent to conquer a planet. you’re sent to earth to take over another viltrumite’s mission that was supposedly cut short due to his untimely death. as soon as you burst onto the scene you’d had everyone’s attention; splattering kaijus like they were bugs, stopping criminals with your presence alone, saving those who were weaker, more susceptible to danger. you’re quick to rise as a favourite of the public, surpassing even the guardians in popularity.

mark meets you at a comic book signing at a con because of course he does. you’re there because you find humans interesting, that and you’d caught wind of a possible attack incoming at the event. you doubted they’d actually come along seeing as you’d made your presence known and you weren’t too kind with your beatdowns. you’d never admit it, but you found this type of media entertaining, the stories would interest you. even though you were a viltrumite, there wasn’t any law that said you couldn’t have a little bit of fun. (you also somewhat enjoyed the fame and the fanbases that had cultivated around you since you decided you didn’t need a superhero name, your name was good enough)

brown eyes stare at you through thick framed glasses, sparkling with interest and recognition, a goofy braced sideways smile forming on his face. you raised an eyebrow, arms crossed over your chest as you stared dead into his eyes. mark almost dropped the stacks of comic books he held in his arms, you were ethereal. he’d seen you on tv, you were all over the newsfeeds sometimes so you were hard to avoid. he thought you were beautiful before, thought you looked like an angel now. other people had gotten pictures with you earlier so he was sure there wouldn’t be a problem if he asked.

he got his picture but you had gotten his number, watched him walk away with pink cheeks, caught in a sort of daze. mark felt so comfortable to you, so… familiar..? maybe all humans weren’t so bad, mark was proof of that.

when you’d come over for dinner with his family one night, you’d finally worked out why. you’d never met nolan, but had heard stories about him growing up on viltrum. he’d been priming the planet for invasion but had been killed which put a cap on things until your arrival about two and a half years ago after you’d proved yourself worthy. you had the shock of your life when you sat at the table and squinted at your boyfriend’s father, heart dropping when you connected the dots. you and mark had been together for months now, you’d know if he was a viltrumite… had the great nolan faked his own death and fathered an offspring with no powers? you almost scoffed at the irony. what a tired and cowardly old man, the karma of having a child with no abilities must have been damning enough. you thought about you and mark’s potential future children and a warmth washed over you, the same warmth that made you feel all gooey and sickly sweet inside.

“tell me about your planet.” he’d say, resting his head on your shoulder as you watched the stars together, “ah, viltrum… haven’t you heard of it before?” you questioned, head tilted into his. you couldn’t wait to report back in a few years, couldn’t wait to tell everyone about how you’d found nolan and he hadn’t been killed… but mark would’ve been heartbroken. you couldn’t do that to him, not yet at least, it seemed cruel. plus, he had no idea what a viltrumite was, though your pride as a viltrumite felt attacked as you’d figured his father hadn’t even mentioned mark’s background to him.

you told tall tales about how you’d created the best civilisation, how your kind helped other planets and those less fortunate… you’d tell him the truth eventually, you’d have to seeing as you wanted to keep mark for as long as human lifespans allowed you to. he would open his mouth and his eyes would widen in awe, saying something about how you were like a character from his comic books which made you nod in turn, the conversation slowly changing to the subject of the comic book he’d been talking about. before you met mark, you would’ve probably never been able to experience life in such a human way. before it felt as if you had no sense of individuality, now it felt like you couldn’t stop being yourself even if it was a little alien to you.

[senblades]

Hi :)

I love your art and your writing, and you have such a great grasp of these characters that I was wondering if you have any fic recs? Rating doesn't matter ;)

boy do I! (and ty for the compliment <3 <3 <3)

[cracks knuckles] alrighty:

The Dissapearence of Goro Akechi by Kupowonders - Probably my favourite fic ever, honestly- it's like. derailing the plot of persona 5 post-medjed thanks to the persona 4 accomplice ending years prior. (So, spoilers for p4 in that, too) it's. very good.

Marigolds by Colbub - Akechi gets ng+'ed to right when he started working for Shido, and has to take a good look at the future to come and be like "Aight how the fuck do I fix this". Fun times!

Daredevil, You've hit the wall by ez_cookie. Essentially, p5 Strikers but Sumire and Goro get to be in on the fun, too. And, there's a direct sequel currently being updated that's a similar premise for p5 Tactica. very very good stuff

A Tale of Two Tricksters by Zoe2k8 - Murder boyfriends! ...sort of? Angst! Angst and murder boyfriends! An oversimplification, obviously, but I'm not kidding when I say this fic is amazing and is also over a million words holy shit-

Throw away your mask by MollyPollyKinz - Another ng+ situation for Akechi, but this time the poor guy gets thrown all the way to 2009. You can imagine how well that goes (For the audience, less so for Akechi himself.)

The Crow Cries at Midnight by Dorked. hehe this one is very fun. Basically, a series of coincedencs causes Akechi to get thrown into the plot of persona 4. No time travel here! Just a grumpy 12/13 year-old Akechi trying to solve a murder mystery

The entire Tales of Chaos series by Eternalmomentss (The first one is called Like sand between your fingers) Very very good stuff! Something of a character study, I would say, of Ren and Goro. Plus, all the funky plot stuff that comes from trickster-typical bad luck and poor descision making. I really love this series hehe

uhh this post is getting very long I need to make this less wordy- lightning round?

Hunger for a life by Leonawriter - do you like vampires? I sure do! Mix that and the p5 plot and you get shenanigins. [evil laughter] a lot of shenanigins

Fishbowl by KivaEmber - Akechi has a terrible time in Maruki's reality. And I mean a terrible time

You have a beautiful smile underneath that mask by Saposaki - Akechi has a crush on Akira and Joker has a crush on Crow. No one is aware of the other's secret identity. Dramatic irony and hilarity ensues.

MASTERMiND by StumblingBlock - No Metaverse au where Akira really doesn't want to follow in the footsteps of his crime family, and fails miserably

Rose and Rot by SixteenJuniper - Read this!! I'm serious!! "A fun fantasy adventure" don't listen to Juniper. You'll be in tears by chapter two. (/pos, of course) (Seriously this fic is incredible)

Redressing the Balance by Convocated - ...almost a ng+? Ng+, in the sense that shuake are getting funky visions that are very quickly derailing the standard plot of p5r. This causes problems of the "Someone get the popcorn and maybe the tissues" variety

She's got a heartbeat full of lead (And she's aiming straight for the head) by Dots - This fic haunts me, often. In the best way possible, of course; but seriously, read it

Cracked into by SydneyHorses - Ren makes bad descisions and it becomes Akechi's problem. 2/2 timeloop, perhaps most notably featuring HaruGoro friendship! Love love love this fic

Okay that wasn't as "less wordy" as I intended but it'll do

Aaaand that's a wrap! Sorry for the long post.. and this is by no means all of the fics that I've ever loved (nor are the ones here in any particular order) but I swear we'll be here all week if I keep going HAHA

ty for the ask (and again for the kind words), anon! Hope this was helpful and to your tastes! (I... hope you like Shuake HAHA it's present in most of these- I assume you do, since you came to me (points at literally everything shuake I've made) of all people, but uh. Some of these fics are gen if it's not to your liking?)

[moomine]

backwash IV | daisuke

author's note: finals season is over so you can safely expect more consistent updates B) if you want to be part of a taglist for future updates feel free to reply or dm me!! (cover image credit)

summary: (daisuke x f!reader) While reading the book Daisuke let you borrow, Jimmy interrupts your break with a message from Curly. You get a quick piloting lesson from Curly before catching up with Daisuke.

word count: 2,239

warnings: jimmy... all characters are 18+

now playing: Daft Punk - "Something About Us"

⋆⁺₊⋆ ☀︎ ⋆⁺₊⋆

EMPLOYEE STATEMENT 062—

There’s really nothing like the song the Tulpar sings. Jimmy said it sounded like she was taking a shit, but I couldn’t disagree more. She groans as she moves through space, like the kind of low rumble as you successfully lift something heavy. There’s pride in the sound that she makes. She’s old, she’s resilient. There’s something so inspiring about being onboard this tired girl. I don’t know how to put it, so I’m not going to waste your time trying, but I will say I’m starting to like it here.

DAY SIXTY-ONE—

Anya wrote furiously at her desk, her head hung low as she scribbled notes into a crisp, new journal. She hummed quietly to herself—a familiar song but one you couldn’t quite place. It was nice background noise regardless. Your feet dangled before you, swaying as you sprawled out on one of the cots along the far wall of the medical bay. The delicate pages of a well-worn book were soft beneath the pads of your fingertips. You brought your index finger and your thumb to your mouth and swiped them along your tongue, turning the page over to the next. The story was gripping, to say the least. You had barely moved since your break started ten minutes ago, and Anya found your reactions incredibly amusing each time she raised her head to take a glance at you.

Daisuke had lent you a book he had brought onboard. It was new, one his mom had gotten him so he’d have something other than his Gameboy to occupy him during his free time. Project Hail Mary. Weirdly fitting and slightly worrying considering his internship in space. There was a subtle irony about giving her son a sci-fi adventure to keep him company at night. You had just started, but you couldn’t stop reading. Maybe it was the story itself, or the new found desire to have something you could talk about with Daisuke, but whatever it was kept you reading during your spare time.

The medical bay door wheezed open, but you were too immersed and unbothered to check who it was. Anya shuffled in her seat, sitting up straight as she peered up questioningly at the new addition. They cleared their throat and ignored her entirely.

“Oi, [Name],” Jimmy’s grating voice sounded from the door. You barely lifted your head, earning an irritated noise from the man in question. “Curly needs you. Said he’s got something he wants you to take care of.”

Reluctantly, you closed the book and set it aside on the cot. Annoyance riddled your face as you slowly sat up, coming to your feet with a huff. “What kind of something?”

“The kind of something where you remember I’m also your superior, got it? Now, c’mon. We don’t have all day, it’s kind of urgent,” he replied as he turned on his heels and started walking away.

You rolled your eyes, giving Anya a look that said ‘Can you believe this guy?’, to which she giggled and shrugged her shoulders. Jimmy continued to walk away, presumably toward the cockpit as you scrambled to catch up with him. You followed him down the stairs, finally reaching his side. He barely turned to face you, doing what little he could to acknowledge your presence.

“How old are you again?” Jimmy asked, an uncomfortable smirk spreading across his thin lips.

You furrowed your brows. “Twenty. Why?”

“That’s a relief. I thought you were younger,” he started, still walking at a pace you found difficult to keep up with. “Guess you’re just a little immature for your age, huh?”

“Excuse me?” You stopped in your tracks in complete disbelief.

“Oh c’mon, babe. Y’know I don’t mean anything by it.” Jimmy finally turned to face you, shit-eating grin tugging his sharp features into a sickeningly satisfied expression. “We shouldn’t stall any longer. Curly’s waiting, remember?”

He kept walking, leaving you with no choice but to follow. It was of great interest to him to remind you exactly who was in charge on the Tulpar. After you reported to Curly, at the end of the day, you then also had to report to him. 

Jimmy opened the door to the cockpit entrance, motioning for you to take the lead now. Something made you uneasy about having him walk behind you, but you did as he suggested, walking toward the main room with a cautious step. As the door slid open, Curly greeted you with an enthusiastic smile. He sat leisurely in the co-pilot’s seat, legs spread with his elbows propped against his knees. His chin rested along his intertwined fingers as he leaned forward.

“Hey, [Name]! How was your break?” Curly asked, patting the captain’s chair for you to sit.

Jimmy opened his mouth to protest, but quickly closed it when the captain shot him a dismissive look. Instead, he took a seat in the extra chair in the back, grumbling something under his breath.

“Good. Not long enough,” you said with a timid smile of your own.

“They never are, are they?” Curly laughed. “This will be fun for you, I promise. I’ve got a test for you, if you’re up for it.”

Your interest piqued as you watched him wink, nodding toward the various monitors before the two of you. You followed his direction, gaze fixing on the green screens. The forest of tech was straining on the eyes, but you couldn’t look away when you noticed exactly what he was talking about. On the main rudimentary map, a small asteroid moved closer to the Tulpar, venturing slowly onto the grid. 

“I knew you’d catch on quick. It’s an easy fix, you know that. Just have to steer the ship out of the way. Simple, right?” the captain proposed, his tone encouraging and confident. “Normally we’ve got autopilot engaged, so we don’t have to worry about little guys like this, but the case is different when larger orbital bodies present themselves. Since this one is so small, I thought we could put your piloting skills to the test. If you’re going to be like me, you’ll need to have manual steering down. Think you can handle it?”

You looked back to Curly, practically beaming at the prospect of steering the ship all on your own. “Seriously? Yeah, I can handle it!”

“Curly,” Jimmy croaked, grabbing the attention of both of you. “You really think this is a good idea? She’s never done this before. One wrong move and we could all lose some credits.”

“It’s a matter of left or right, Jim. If you can do it, she can do it. Stop having such little faith in our apprentice,” Curly replied sternly.

You swallowed a lump in your throat, looking back to the screens as the ship steadily approached the asteroid. A warning flared on the screen, announcing the impending possibility of impact. The captain shifted in his seat as he faced you once again, placing a gentle hand on your shoulder.

“Don’t listen to him. Jimmy’s got a one track mind. We’ve both got faith in you.”

You nodded. Curly disengaged autopilot and ushered you to take hold of the steering controls. All you had to do was keep the ship steady as you passed the asteroid. Simple. Your fingers grazed the handles of the steering device with a nervous rumble in your chest.

An orbital body has been detected 20 AU ahead of the vessel.

Please make a manual correction 0.5° rightwards to avoid impact with unknown mass.

Carefully, you pushed the device to the right as instructed, approximately 0.5° as suggested by the console. The alerts dismissed themselves as your grip on the handles tightened. You kept hold of the ship, gently taking it past the orbital body.

“Nicely done! Smooth as butter,” Curly cheered, raising a hand for you to high-five him.

You quickly let go of the device, accidently knocking it to the left as you slapped your hand against his. The Tulpar rocked for a moment before the autopilot engaged once again and settled its position. You winced, causing the captain to laugh.

“That’s my fault. Don’t sweat it, nothing happened other than a little ‘turbulence’.” He raised his index and middle fingers, curling them as he gestured air quotes.

You grinned weakly, a touch of adrenaline making your leg bounce. Slowly, you stood up once more so Curly could have his chair back.

“I’d say you earned the rest of the day off. What do you think?” Curly suggested, relaxing in the captain’s seat as Jimmy took the co-pilot’s.

“But-” Jimmy started with his mouth agape.

“The day’s almost over, Jim. We don’t have enough work for three people either. Let the girl rest.”

“Thank you, Captain,” you replied.

“No need to thank me. Good work today,” The captain patted you on the back before he ushered you away, sending you off to relax.

“You’re too soft on her,” Jimmy mumbled as he turned to Curly, not even waiting for you to leave the room.

You didn’t care to hear what else the co-pilot had to say, his words venomous and laced with envy. The door slid open and you stepped out into the entry hall to the cockpit.

“She’s a highly capable pilot, Jim. What are you suggesting?” You heard Curly retort as the door shut abruptly. A proud smirk twisted on your face. You, a capable pilot. It had a nice ring to it.

Once in the hallway, you gradually made your way back to the medical bay. You could picture the book resting on the cot, practically calling out to you as its nonexistent voice beckoned you back to the sanctuary of Anya’s office. As you passed Utility, you noticed Daisuke pacing back and forth in front of the closed door. His brown eyes landed on you in an instant, almost like he was waiting for you. One of his typical wide, lopsided smiles stretch wide across the entirety of his face—the small gap between his two front teeth dark in contrast to his pearly whites.

“There you are! I went to Anya’s but you weren’t there. She said you were doing somethin’ important in the cockpit,” he exclaimed as he approached you. “Did you feel that earlier? It was like the whole ship was totally shoved or something. Nearly knocked me on my ass on my way here.”

“That was the ‘something important’ I was doing. Get this, I got to steer the ship,” you responded, voice in a higher pitch due to your lingering excitement.

“That was you? If that’s how you fly a space freighter, I can’t imagine how you drive,” Daisuke teased, playfully nudging you with his shoulder.

You snickered as the two of you walked toward the medical bay together now—Daisuke making sure to walk at your pace. “You have no room to talk. You don’t know the first thing about piloting, do you?”

“Nope, and that’s exactly how I plan to keep it. I promise you nobody wants me behind the steering wheel of one of these things,” he joked, his eyes fixed on you as you two rounded the corner.

“It’s not quite a steering wheel,” you corrected.

“My point exactly.” Daisuke chuckled softly. “So, how are you liking the book so far?”

He was clearly antsy to talk to you about it. Swansea had been reprimanding him all day, trying to keep the poor guy’s focus on the task at hand. Not that that was a new struggle for the two; Daisuke had trouble keeping his attention on one thing at a time.

“It’s really good! I haven’t gotten too far though. Duty calls and all that.”

Daisuke basically jumped as you spoke. “Yeah? It’s, like, one of my favorite books now.”

“I can see why,” you said, amused by his excitement.

Before you knew it, the door to the medical bay stood right in front of you. Daisuke stopped walking, standing still at your side as both of you paused. It seemed like his smile wasn’t going to go anywhere anytime soon. You bet that his cheeks probably hurt with that goofy thing stuck on his full lips.

“I wish I could chill out with you guys, but Swansea only let me go for ten minutes.” That wasn’t entirely a lie. In reality, Daisuke told Swansea he had to go to the bathroom. Technically, he should have been back five or so minutes ago, but he was pretty confident he could push ten. “I’ll leave you to read. No rush, but hurry up so we can talk about it!”

“That sounds a lot like rushing,” you teased, reaching for the door handle.

Just as your fingers made contact with the cool plastic, Daisuke's hand brushed against yours as he attempted to get the door for you. The touch was brief, but the warmth of his skin against yours made your heart skip a beat. You looked up at him only to find his wide eyes were already trained on yours. Breathing a laugh out of your nose, you pulled the handle and opened the door. The two of you mumbled awkward apologies to one another as you stepped through the doorway.

“I’ll see you later,” he said with a swallow, smiling sheepishly before walking backwards down the hall again.

You held his eye contact with your own semi-flustered expression. “Yeah, you too!”

⋆⁺₊⋆ ☀︎ ⋆⁺₊⋆

pookies (taglist): @xcryptk33p3rx @freakyydaisukee @sanctuaryofsmartiess @st4rrysblog @academiq @c4t-n1pp @iiveraii @lunachuu @llamapie69 @pennydew @berryboo

[3liza]

I can't really tell where it's coming from but I'm getting extremely fed up with the seemingly performative pearl clutching about anything even slightly outré, subversive, confrontational, hostile or ironic. I'm watching this seemingly intelligent small YouTuber trying to analyze Funny Pizza Land and expressing (fake?) puzzlement about why the key bindings are so bad and why the creator's games generally aren't "fun". and it's like buddy if you didn't read Monster Killers while it was running I don't know if you are going to be able to figure out that, well you know, the medium is the message and everything. it kind of reminds me of pyrocynical's embarrassing (for him) interview footage with the Cruelty Squad creator (whom I think is actually younger, I. his twenties). where did you get your ideas?? why does everything suck so bad in your games??? my man it's because everything sucks irl and making this kind of sincere-irony ugliness is a way of exploring that fact/assumption/central thesis and I think having typed all this out that I've figured out that most people younger than 30 rn maybe have just grown up already with everything being such garbage that even noticing it or pointing it out seems alien to most of them. also it is a factor of pure age, you do gain additional levels of Irony Posting the older you get (if you're doing it right). and sincerity posting, it goes both ways.

I also hate to say it but I do think a certain amount of sitting in classical arts and writing classes makes you a lot better at skipping over all the performative shock and getting right into meeting the text directly where it originates and immediately engaging with what it's trying to show you. that's kind of what formal education is for, they teach you to do that. saying and thinking "this is so weird guys right like it's weird it's so weird and bizarre" is actually a waste of your time and your audience's, if you have one. it's a dead end. just get past it as quickly as possible and start your real reading. it's a form of struggling against actual coherency and it will just put you behind schedule and make you tired.

anyway I would like to watch or read or listen to analysis of Funny Pizza Land and Monster Killers and Cruelty Squad by people who aren't 20 years old and have actually read Helene Cixous and etc but no one has made a YouTube series yet where they Gamecenter CX Werner Herzog and Slavoj Zizek and then edit it into a 90 minute presentation on my personal computer so I take what I can get

[angelsdean]

All these thoughts also prompted me to think abt what John and Mary's fights were often about, especially the fight where John leaves and Dean then comforts Mary. And I think a big part of it was Mary keeping secrets and sneaking around with regard to hunting.

We know she was still hunting in 1980, when she saves Asa Fox. Dean would've been a year old and the hunt is not local, it's up in Canada. Mary says she's been tracking this werewolf for a long time and that they have history. I do think when she says "a long time" she means years and that she hasn't actively been tracking it but it's been something on the back-burner that she's kept an eye on all these years. But that still means she left for a number of days at the very least, and I wonder what she told John. What excuse did she come up with to justify suddenly taking off when they have a baby at home. And no, I don't think she needed to be there as "the mom" to take care of Dean or that she can't spend time away from the home or that fathers are incapable of taking care of their children or anything like that. But I think John would certainly wonder what's taking her away from them so suddenly. What could possibly be so important. And with a hunt like this, I don't think she could've exactly given him a set time-frame for her return.

Now, imagine that happening multiple times. Imagine that happening again when Sam is just a few months old. She says she has to go visit her uncle who's poorly (father of the Campbell cousins. The uncle that paid for her headstone when she died). And then she's gone for longer than she anticipated. And John is just suspicious. And when she comes back they argue about it. "I know you're lying! Just tell me the truth, Mary! What, are you seeing someone else?" And Mary holding firm to her lies because her family cannot know about the supernatural and hunting. Because she doesn't want her kids growing up like she did. Because John is her suburban fairytale. He can't know. And then John snaps. He's pissed. He thinks she's cheating while he's working to provide for the family AND watching the kids in her absence. So he flings a "Is Sam even mine?" at her in his rage and she slaps him and tells him "Don't you dare" and then John storms out in a huff but then calls later to talk about it more and Mary shuts him down. "No, John. … We’re not having this conversation again... Think about what? … You’ve two boys at home. …"

I can imagine a version of this phone call going something like this:

John calls. Maybe apologizes for what he said, but mostly just wants her to be honest with him.

John: Please, Mary, can we just talk about this.

Mary: No, John.

John: I just want you to tell me the truth! What are you hiding? What's going on that you can't tell me?

Mary: We're not having this conversation again.

John: Oh okay, 'we're not having this conversation again.' Well then can you blame me for where my mind is going? What would you think, huh?

Mary: Think about what?

John: You know how it looks, Mary. And I just, I can't keep doing this--

Mary: You have two boys at home. (and ohh the delicious irony of that in the context of her being the one leaving to continue hunting in secret)

John, probably, since the convo seems to continue: Oh that is rich coming from you right now, Mary.

Anyways, this is only one of many many scenarios I can imagine of their fights. And it's perhaps a little too sympathetic to John, but! I enjoy thinking of John complexly, especially considering how Young John is presented in SPN, and also John in the opening scene of the Pilot seems like the easy-going family man, who definitely had underlying issues prior to Mary's death (thank you SPNWIN for confirming that) but clearly those issues got worse after Mary's death, and for the most part he wasn't yet the guy we see him become after he is transformed by grief and anger. Also s12 Mary's rose-tinted recollections of John being such a good father, which starkly contrast to Dean's later memories of John, I think it's not a huge leap to say John pre-Mary's death was a good father, and I think seeing Mary leave them (likely repeatedly) under secretive circumstances for days at a time would have bothered John back then and been a continuous point of contention in their marriage.

And again, this is all simply one angle of interpretation, theorizing, and headcanoning and by no means the only possible scenario.

[meanbossart]

I appreciate how you write Astarion so, SO much. I feel like way too many fic writers infantilize him to a point where I honestly start wondering if I'm the one who misinterpreted him so badly.

I'd love to know more about what you think of his character and his arc. Personally I saw him and immediately went "oh god this guy is gonna be the irritating tumblr sexyman of the year🙄" and it took me until Araj basically to warm up to him. What were your initial thoughts and did they change much while playing the game?

OH thank you so much!!! That's a shame if it's the case, and a little surprising to me, to be honest! While he's definitely written be an aloof jerk a lot of the time, I always found him to be surprisingly mature and introspective whenever he's not dishing out witty remarks. He comes off to me as the kind of person who learned to benefit from seeming dumber than he actually is, overall.

HAHA I had a VERY similar experience, not just towards Astarion but all the characters, really (I really disliked Shadowheart at the beginning, too). I had only seen pictures of him and pretty much expected a vapid character that was being carried to stardom because of a talented VA - and because people go nuts for anne rice style vampires lol.

While I was definitely enjoying his voice lines from the start (Again kudos to Neil) I definitely wasn't expecting much else. He piqued my interest after so devastatingly turning my character down at the tiefling party without me even having inquired, and that's when I, the gamer, was like "well, alright, I GOTTA fuck this guy now" (this is also where DU drow's personality began to come out as you can probably guess)

Obviously, if you have two neurons to rub together you can gather pretty quickly that he's not trying to woo you because you're so interesting and wonderful, so I started getting curious! With that dynamic being so different from what you usually expect of romances in these types of games, plus the charming way in which he is written, I started being won over.

I think what really did it was how gradually his attitude changed when responding to new, mostly trivial dialogue options and doing his greetings as you earned his trust, and ESPECIALLY with how he responds to your tav when you express any kind of fear or insecurity during his romance - which was with a lot of sincerity and confidence in his resolve to support you, and in you as a person, a complete 180 from his usual front - Which, again, makes me all the more surprised to hear that he's often painted with such an immature brush.

And obviously he has a DEEPLY ugly side to him (if you've read ANE, hopefully it's clear that I know this, and that I like to explore it just as much as anything else lmao) but it's very interesting to me how it seem to always come in the form of outbursts, rather than a constant evil-streak, usually followed by a glimpse of self-awareness. It feels very much in line with someone who's actually making a great deal of effort to manage their RAMPANT emotions and going through a lot of internal conflict in the process.

GAH. Yeah if you can't tell by this friggin' thesis I just wrote, I love the way they wrote this character a lot and I was definitely proven PROFOUNDLY wrong in my first impression of him - which, if that's not irony at it's finest I don't know what is.

And as an aside! I also very much appreciate that he's a "queer" coded character who's effeminate (in the Old Homo kind of way, but I digress) and flamboyant, but taken Dead Fucking Seriously. With as much progress as we've made in LGBT rep in media, I still often feel like gay men will only get that kind of treatment for as long as they "Aren't That Gay" (I know Astarion doesn't have a set sexuality - But lets not mince words: stereotypes exist, and he fits into most of them) and as a thin-wristed gay guy who's a little too found of linen shirts, I can honestly say that experiencing a character like that helped me with my own confidence.