#also the art direction is so much worse SO MUCH WORSE like how could you fumble one of the most concept defining franchises of the 2010s

[party2000]

kung fu panda 4 is NOT GOOD!

[formulawolff]

the (not so subtle) art of a crush - t.w.

pairing: female driver!reader x toto wolff

word count: 777

warnings: toto being down bad, some teasing, sexual innuendos, one-sided yearning, yadayadayada

a/n: this was a request made by an anon (i believe!) this is also sort of a spin-off of fanboy behavior, which i absolutely adored writing. i think yearning (and well.. down bad) toto is my favorite toto to write! i hope y'all enjoy! <3

"and tell me," the driver's accent is crisp as he licks his lips, "why do you need help creating an instagram account again?"

"nothing major," a figure shrugs, fiddling with a loose thread in his wrinkled white polo, "i just want to stay in the loop. that's all."

"toto," a new voice chimes in, "you have never once mentioned wanting an instagram, or any social media really, until now. what is going on?"

"nothing major," toto wolff exhales, rolling his eyes, "you all have it, so why can't i?"

"because you're ancient?" lewis hamilton scoffs, arching a brow, "you're probably going to need a step-by-step tutorial on how to navigate the platform."

"i think i can figure that one out myself you know," toto hisses, jaw clenching as his drivers stare blankly, "if five year-olds can do it, i can do it."

"let me see your phone," george russell extends an arm, waving his fingers, "i'll get your account set up."

"i-i," the team principal stammers, heat billowing into his cheeks, "i-i don't know if i necessarily need help with that."

"are you blushing?" lewis purses his lips, a devious smirk forming as the dots connect, "mate, do you have something in there that you don't want us to see?"

only approximately one hundred and two screenshots of a certain williams driver. three or four videos. all of which were screen recordings from various interviews.

his cherished clips. ones he watched every night before he drifted off.

all of which were not tucked away into the hidden folder of his camera roll.

speaking of which, he may have to figure out how to do that. with three kids, an ex-wife, and two nosy drivers, his phone was an easy target. he probably needed to set up a passcode as well.

the lengths he was going to over a crush. a fucking crush.

well, was it a really a crush?

or more like an infatuation?

that was a question for another time. he had two drivers in his office at the moment, circling around him like vultures, eager to pick him apart.

"nothing of your interest," toto retorts, in a vain attempt to maintain his composure, "nothing, really."

"got someone's nudes in there?" lewis coos, tilting his head, "or even worse, a sex tape?"

"lewis," george brings a hand to his temple, "what on earth is wrong with you?"

"what, mate?" lewis throws his hands in the air, "i'm just giving him shit."

"shit he clearly does not want," george mutters, "toto, if you need help setting up an account, just facetime me. don't try to text me. it's much easier to explain over a call than written directions."

"or he can just go on wikihow," lewis offers, "they have guides on just about everything."

oh, really?

did they have a guide on how to navigate the unbearable weight of yearning for a woman thirty years your junior? a woman on a rival team? a crush so bad that it was beginning to snake its way into every aspect of your life? consume your every waking thought?

a crush so intense that you had already spoken to members of the williams crew?

his next target was james, whom he was planning on meeting and speaking with after the next press conference. that was in about a week's time, at third grand prix of the season.

fuck, this was embarrassing, really.

but he wanted more.

actually, he needed more.

he craved it.

he needed to gather all of the possible information and intel as he could. her likes and dislikes. her favorite foods and the ones that were so vile they made her throw up. what kept her up at night. what music she preferred to listen to on race day. what drinks she indulged in. what animals she loved. what made her so unbelievably pissed off she couldn't think straight.

he wanted to catch a glimpse inside of her mind.

all of the things that could possibly buzz around inside of that beautiful head.

really, he just wanted to learn what she was composed of.

her childhood memories, the ones she spoke of with that sweet fondness in her voice. the delicate aspects of her life that she cherished, beaming from ear to ear. the things she feared. how she expressed her love. the people she adored.

everything.

he wanted to know it all.

and following her instagram account, along with her various other socials would prove to be the first step in accessing that plethora of information.

at least it was a step in the right direction.

even if his drivers were giving him hell for it.

✩₊˚.⋆☾⋆⁺₊✧ taglist ✩₊˚.⋆☾⋆⁺₊✧

@noooway555 @s-awturn @thatgirlthatreadswattpad @lokideservesahug @fore45fore @eattothebeatt @statuewoman @sarah10r-blog @lavenderandlace @racecardilfs @bblouifford @irishmanwhore @jhobi18 @roseandtulips @simply-the-best23

[ariaste]

If you could sit the vampire polycule/diabolicule down in a row on a sofa to watch one (1) movie with the intent of causing the maximum amount of psychic damage and/or drama, what movie would you pick for them? I'll go first: Moulin Rouge. Hear me out.

Louis is upset because he's a pretentious snob (affectionate) when it comes to Art and he's complaining that it's just a ripoff of the opera La Traviata. He's correct but he doesn't need to say it, he is allergic to camp and he's harshing everyone's vibes with his barely-under-his-breath scoffing.

Daniel is ruefully identifying way too heavily with Ewan McGregor's character. Daniel is sitting here with his mouth firmly shut like, "Nobody call me out for being exactly Like That when I was 20, nobody look at me, nobody read my mind, nobody make eye contact with me, god this is cringe. Look, he's even got the drug use going on." (This is show!canon that we're talking about so thankfully Daniel doesn't have to also cope with the "AND he's embarrassingly into a hot redheaded theater nerd, god just kill me now, nobody Perceive me please" vector of embarrassment). Daniel is also not having a good time with the creepy older men skeeving on this theater nerd sex worker once he thinks the words "Hm, Marius vibes"

Daniel and Louis also feeling kind of mutually overstimulated from how their heightened vampire super-senses are reacting to all of the Colors and Flashing Lights and Whippy Camera Movements etc. They have matching headaches and are feeling slightly nauseated.

Everyone is feeling some degree of slightly triggered, emotionally, about either Paris In General (Daniel), or Niche-Theater Life In Paris (Armand, Louis, Lestat). Big mixed feelings also about tuberculosis, a disease that makes people cough up blood.

Armand and Lestat are profoundly NOT allergic to camp, unlike some people on this wretched sofa. Armand and Lestat cannot be overstimulated by Colors/Flashing Lights/Whippy Camera Movements/etc, bc their vampire neurodivergence goes in the opposite direction. They have not blinked or moved in 90 minutes except to breathlessly clutch each other's hands. Lestat is muttering feverishly under his breath like "armand. armand. armand. is it maybe time for us to found another theater together, do you think???? armand??? what if we just. are you doing anything after this. how much cash do you have on hand right now." his ADHD hyperfixation on a new-old hobby is going BUCK WILD. He has to recreate this except EVEN MORE. Armand is watching Satine Suddenly Die At The End, just like how in all of his silly little plays someone also Suddenly Dies At The End, and he is deciding that this is maybe god's perfect movie. This is the greatest film either of them has ever seen. They think this is Cinema.

Armand and Lestat will have never agreed with each other for so many consecutive minutes as they will when the credits roll and Louis starts monologuing about how much it sucks to the point of VAST OFFENSE AND HURT FEELINGS on Armand and Lestat's part

the whole mess devolves into a screaming fight between the three of them while Daniel both refuses to referee and also won't stop making bitchy comments once he twigs to the fact that nobody else seems to have noticed that he was Going Through Some Cringe Nostalgia. The night is ruined, no one is happy, Louis takes Lestat floating the idea of founding a new theater with Armand since "you clearly don't understand art, LOUIS" as one of Lestat's top five greatest betrayals. Armand is not giving a straight answer about whether he is on board with the theater idea or not, which upsets everyone equally, unlike if he had said yes or no clearly and at least gotten one ally locked down. Louis appeals to Daniel to oppose the theater idea; Daniel does a bad job of doing so because he chronically believes that maybe having some hobbies will Make Armand Worse, which is a thing he's into sexually. Everyone goes to bed mad. The passive-aggression for the next week could be cut with a knife.

[mayhemspreadingguy]

@magnusbae, not expecting I'd follow through, suggested to sketch Anakin but with cat fangs... Things got out of hand.

Also, look! Magnusbae gifted me with a most lovely fic inspired by my art (˶˃ ᵕ ˂˶) (fic under the cut, 3,800+ words).

That’s it. Anakin had resisted long enough. 

All through morning, noon and even dinner. He had done his Katas, had finished his chores, even went through his studies, all without so much as a single comment. He deserves to be commended personally by Master Yoda for being an exemplary Jedi. He deserves to be knighted right this moment seeing how he never even mentioned just how force karked awful his Master’s hair looked like for the past week. Sticking in all directions, it grows in uneven patches, the addition of a beard is somehow making his elegant Master look like a beggar from the streets and that, that is intolerable. 

Anakin growls quietly, muscles tense. He knows his Master most likely can feel him staring holes through him, and yet he simply continues reading his datapad, not asking nor looking, radiating calm in the force. Anakin wonders if he could tidy that mess with the power of thought alone. Would that be considered a frivolous use of the force? Even if done in the service of the republic? After all, his Master’s good looks are the cornerstone of the… 

Obi-Wan scratches at the back of his head, clearly bothered and Anakin can’t tolerate this anymore, cannot accept this anymore. His tongue is itching something fierce, his hands are sweating, he cannot sit still like there’s fire ants filling his pants and crawling up his spine. He cannot tolerate this. If not for himself, he must do this for his Master. If not for his Master, then for the order. If not for the order, then for the Galaxy. If not for the Galaxy, then for the Force itself. For he can swear by all that he holds dear that the Force itself is embarrassed by his Master being so unkempt, so ungroomed. 

Unacceptable. This is absolutely unacceptable. His Master has to always look neat and nice and put together, smelling fresh and looking proper. That’s the only right way for his Master to be. Anakin will not stand for it being any other way. He will not. He will make it right. 

His Master ignores the first lick. He often does that, pretends to not notice in the hopes of Anakin stopping after catching himself at his instincts. Oftentimes it works. Oftentimes it is an accident. But not this time. This time it’s very much on purpose and very much intended to continue until Anakin is satisfied with the results. All Anakin needs is for his Master to continue pretending to not notice long enough for him to fix this mess. 

Two more licks, lower neck up the scratchy beard and—

“Anakin—” his Master stops pretending so suddenly that Anakin’s tongue moves over his jawline and across the beard in a way that tickles funny. Anakin likes how it feels, rough and interesting, makes him curious about how it’ll feel like to lick across the jawline, where the beard is the thickest.

Knowing he does not have much time before his Master attempts to stop him altogether, Anakin leans in with renewed urgency, tongue ready, mouth starting to water— “Anakin, stop!” a strong hand pushes against his shoulder, moving him a distance away without being as rough as to push. 

“Mrrphh!” Anakin protests, pushing against the hand but not fighting it actively. His Master can be so bossy when he gets like this, so unreasonable. The only way to win is to use his words, otherwise his Master might just walk off and hide in his rooms instead. Or worse, go meditate in the halls, where everyone will see this shameful disaster.

“You need the grooming, Master!” Anakin starts with the foundation and heart of his objection. His Master always teaches that it’s important to be able to pinpoint the problem early on and address it quickly so as to not let it fester and become bigger than it must be. Granted his Master spoke of interpersonal disputes however it absolutely does apply here. His Master simply cannot deny this reasoning, ergo, will not be able to dispute it as untrue. “So just let me!” Anakin adds, before his Master could somehow find a way to object.

Can’t his Master see that Anakin is offering him a service? Out of the kindness of his heart, no less. Him enjoying the way his Master’s flavor sits on his tongue, the way it makes all the small hairs on his body stand on end, how it fills him with excitement— His Master’s scent, rich and spiced and safe— how he favors it above all else even when the exotic teas make him sneeze and sneeze— the way a single point of contact would narrow his senses into a single point of focus, clear his mind of all worries— the way his vision relaxes, the way his nostrils flare and he inhales and inhales and inhales— the way his heartbeat peaks and then slows, the way his mouth goes dry and he feels thirsty, hungry even— all that, all that has nothing to do with his altruistic motivations. He’s just looking out for his Master. Obviously, duh. 

“Master.” He can hear his own voice, can hear how it takes a whiny note his Master often teases him for. It’s hard to care when he has a goal bigger than his own ego. “Just let me.” He demands, he can hear it and he still doesn’t stop himself from reaching for his Master’s flowing robes, claws catching on the material and making him shudder. Maybe he does need trimming just like his Master insists each time they spar. Maybe Anakin will allow it, if his Master is good and allows him this. Maybe he’d even let his Master groom him too.

The bewilderment in the force clues Anakin on the fact that yes, maybe he did forget to shield, again. He huffs through his nose, wrinkling it. He really doesn’t know what the big deal with this is, doesn’t understand the obsession everyone and especially his Master, has with hiding every single urge and instinct and thought they have. It’s not like he thinks anything he wouldn’t also say out loud. Maybe if the Jedi used less of those shields, it would have been much easier to communicate with them, to bond with them, and maybe then he’d feel less like an outsider, like an odd bird out of its cage.

“Oh Anakin..” Obi-Wan sighs, the tension loosening from his hold against his shoulder, rather than scolding, there’s the hints of the sadness his Master expresses each time Anakin feels alienated in this place. It is not his fault no one understands him, it is not his fault he is different than everyone. 

“Master.” Anakin chirps back, rolling his eyes. His Master has the oddest of tendencies to get hung up on the most particular of topics. Anakin not having enough friends, per his Master’s opinion, is one such topic. Nevermind the fact that Anakin had never seen his Master ever share a true conversation with a single person. Other than himself. Of course. His Master does talk to him.

His Master will get fixated on him instead of thinking about himself and nag him to half death. ‘Anakin get more friends’ and ‘Anakin don’t spread the droid parts all across the quarters’ and ‘Anakin I’m a grown man I can groom myself.’ And while some of those things might be true, obviously, the last one is not. “You look like a mess.” Anakin says it to his face, because he and his Master are real friends.

“Thank you Padawan.” His Master answer, no longer sounding sad, instead his voice is dripping with sarcasm. Anakin doesn’t like it, but he supposes it’s better than sadness. “I do not recall asking for your no doubt impeccable sense of— Ahnakin—!” his ranting stops mid warming up when Anakin uses the opening to dart forward and lick him again, from the lowest exposed spot of his neck, up the smooth skin, his rough tongue making a satisfying ‘shh’ sound as it catches at the hair of the beard and smooths it up with his lick. The flavor is… is… 

Obi-Wan had used some sort of balm… some sort of synthetic musk that makes Anakin’s brain swim funny and eyes to close and mouth to water even more. He has to swallow down the saliva lest he drool like a hungry Tooka. It’s hard not to, when his Master is so, so, so karkin yummy. He slams his shields up with a clumsy thud in the force, but maybe just a moment too late to cover up that last thought.

“Anakin!” his Master sounds properly scandalized, voice raising to a tone that always makes Anakin’s ears ring uncomfortably and the following lecturing tone is no better. “Cease this nonsense immediately, you must not—" 

Anakin licks again. The side of his neck and up to the point where skin meets ear. “Master.” He says there, voice dropping into a purr that morphs into a warning growl he didn’t even think of making, there’s no aggression, only the frustrated warning to not stop him in the middle of something so damn important. Grooming, is important. More than Katas or studies or meditations. Maybe even more than sparring. And Anakin loves sparring. 

All Anakin wants is for his Master to sit quietly and let him take care of him. The way he ought to, the way he was meant to do. It’s his job, after all, is it not? He is Obi-Wan’s Padawan, it’s only natural he would tend to his Master, that he would care for him, that he would help him. That just makes sense. That rings true in the force and that’s all Anakin needs to know.

"I will.” He declares, it is no longer a request nor a plea, it is a declaration of intentions. A declaration of intent. He presses his nose at the soft skin under his Master’s ear and inhales, deeply, the scent making him Master-stupid so he says what’s on his mind with no filters, with no thought. “Unless you hate me.” His voice drops softer, he can’t breath, having inhaled too much of the strongest drug known to him. “Then I won’t” he trembles, he waits, if his Master rejects him, if he does hate him for his care, he will, he

“Anakin, this is hardly related, I do not think that—”

The force between them sparks and Obi-Wan’s mouth snaps closed with an audible click of the jaw. There’s a tension and a heating of an eruption that is halted with the calming breeze of spring air, Obi-Wan’s Force Signature covering his own, soothing, embracing, calming. “Very well, Padawan.” Obi-Wan speaks with a voice of a man who’s been worn in battle, sighing out in exhaustion.b “Since you cannot resist your nature, I’ll allow it.“ He pauses, sounding not a little doubtful as he adds the obligatory “Just this once, Anakin.” A final form of giving in, one Anakin is familiar with. 

There’s an ‘You should be old enough to know better’ goes unsaid and so Anakin ignores it. It wouldn’t have mattered even if Obi-Wan did say it. He had before, many times, and it never mattered. Anakin somehow doubts it’ll matter even when he grows taller than Obi-Wan. And he will, he just knows it. He will grow tall and strong, and he will always take care of his Master, and Obi-Wan would not be able to argue with that. Because it’ll all make sense. It always does. Everything about them does. 

If only his Master understood him better, he’d know that one doesn’t just grow out of wishing to groom those he cares and…loves. This is something that is forever and always. That is something that only grows and deepens, something to be shared and relished. Something he will always give to his Master freely, even if his Master maybe doesn’t…. Really share it in the same way as him. Which is fine. He had decided a long time ago. It is fine. 

It is enough that he gets to care for his Master. So he smiles instead and purrs out a sweet “Thank you, Master.” In that respectful manner he knows his Master enjoys hearing. He giggles when he feels his Master’s breath hitching, giggles more when nuzzling against the neck tickles his nose. “This is so horrible.” He complains, wanting his Master to know how strongly he objects to this change, and yet he cannot stop giggling. “Master!” he doesn’t even try to hide his joy from his voice, nevermind from the Force.

His Force Signature is a slow pulse of contentment, securely tucked beneath Obi-Wan’s still. When he licks small licks under Obi-Wan’s ear, he can feel his Master’s breath catching, can feel the way he stops breathing entirely and the soft gasp when Anakin licks at his ear directly, once, twice, a few more times just to test how committed his Master is to this session. Very, it seems. His Master doesn’t object even when Anakin grows bold and nibbles at his earlobe, tugging ever so gently. His Master is always so sensitive around this area, always so jumpy if Anakin stays too long at this spot. It always makes Anakin want to lick there until Obi-Wan loses his composure entirely.

He never does. 

At least not too much.

He does want to groom Obi-Wan after all, not only bully him into squirming because he is so damn ticklish there. That is not to say that he is above wanting to see his pristine Master squirming a little. So he licks there again, and when his tongue dips only a little into the ear, his Master finally jumps and moves away, breathing harshly and looking redder than his hair.

“Anakin I do believe that my hair is not located in that particular spot and—” his hands close on Anakin’s shoulders when he makes it to the ear again, wanting to nibble just one more time, just one last time… “Anakin.” His Master’s firm voice snaps him back into focus, tells him gently through the force to not overdo it. Fine, fine. He will not overdo it. This time.

"Just relax, Mastah.” Anakin pouts, the word slurring in the way his Master always corrects. Always, but not now. Anakin reaches for his Master’s wide shoulders and waits a moment until his Master’s grip loosens enough for him to actually move. It’s easy enough to shift to his Master’s lap. One knee over and sitting down in one smooth motion that has a practiced finesse to it. You either get to Obi-Wan’s lap swiftly, or you don’t at all. There is no room for hesitation for his Master will do enough hesitating for the both of them. So he sits down and nudges closer, right away. Inhaling, inhaling deeper.

Oh how he wants their scent to become one. They’re already nearly inseparable, living as closely as they do, using the same soaps, eating the same foods. Anakin wants more. Anakin wishes that they could smell and feel like one. United. Clearly bonded. Even more than they are through the force. He wants it so much that his fangs itch, itch, itch to bite and bite and bite. But no. No he is here to groom, to care. Not to bite, not to… mark. His cheeks are warm with it, knowing that he has, and is, constantly considering this. Wondering about this, curious about this. About marking his Master in a way that will be known, in a way that will be understood. He thinks about it, always. Luckily his Master has no clue. Luckily, Obi-Wan does not know. Or he wouldn’t let him sit here so carelessly, surely, he wouldn’t. 

“It’s part of it, duh.” Anakin says without truly knowing what he speaks of. The grooming, the licking, the biting, the sitting on the lap? He doesn’t know. He only knows of the happy, loud purr that fills his lungs when Obi-Wan doesn’t stop him from leaning back in, back to his neck, nuzzling, smelling, licking up that rough, funny tasting beard and to his hair, spiky and significantly softer than the beard. He giggles again, and purrs. It’s an odd combination of sounds he does try to stop but doesn’t manage. He is too preoccupied for dignity, or decorum, or class. He’s too karking pleased. 

When he licks at his Master’s neck again, the man tilts his head up and away, exposing his throat for him. Good. Good. Good, great, awesome.

His Master couldn’t have displayed his trust more plainly than this. No words could have conveyed the same level of commitment, of confidence and belief. Exposing one’s throat, Anakin thinks, is a universal sign. Even if his Master is less inclined to instincts as Anakin is, it still counts, it still matters a whole lot that he does it for him. His Master does it because he knows it matters to him and that— that matters more than all else.

His own purring is deafening, drumming in his eardrums and filling his chest with sound, he used to try to hide this in the past when he realized that most Padawans did not purr at every one of their Master’s compliments or gestures of kindness. He no longer bothers. He pulls and licks and purrs some more. He takes his time, licking small, measured licks, taking care to put that awful messy beard into something much neater, dignified.

“Maste-rrr.” He draws the ‘R’, nuzzling again under the ear and grinning when his Master shudders but doesn’t pull away, he always gives him a chance to be good. So he will be good. He does not nibble, instead he wraps his lips carefully around the bit of skin where no hair touches. Oh he wants to suck, to mark, to taste. Oh he does, so much. But he doesn’t. He will be good, because his Master believes him to be good, and proper, and nice. So he will be. 

His cheeks are fire hot when he thinks about what else he would have liked to be doing instead of the promised grooming. That is not something he should be thinking of, nor something his Master would ever permit, but…

Thinking is not illegal and he is not good at not thinking. 

So he imagines it. Imagines how his Master’s hands would feel on his hips, imagines his Master yanking him down to sit properly on his lap, Imagines his Master wanting him to lick elsewhere and—

“Ahnakin—” Obi-Wan protests, so strongly it rings in the force with his words. He feels and looks scandalized, even more so than before. He looks like he is considering all his choices and decisions. He looks like he’s about to call quits. He looks like he’d push Anakin away, he— places his hands on Anakin’s hips and pulls him down, to sit properly. 

The whine that escapes Anakin’s lips is nothing short of mortifying. It’s a needy, surprised thing, he feels like a proper youngling, confused and shy. He seeks the refuge of his Master’s neck and hides there, nuzzling while whining again, complaining, scandalized too by his Master’s audacity to follow his dreams up like this. He can’t mean it, he simply can’t! It is a mere coincidence, his Master would never follow his fantasies, he didn’t even hear it, his shields are up and proper, he’s sure of it, he’s sure of it, he’s… 

“Sorry…” Anakin murmurs out, because if he’s honest, he is not sure if his shields are worth anything with how excited he had gotten. Maybe his Master did hear, maybe his Master did feel something. Maybe he did push a little too hard. He doesn’t want to push too hard, he knows that sometimes his Master gets nervous because of his thoughts. Not angry, never angry.

He doesn’t want to make his Master nervous, he can feel the tell-tales of it in the force. Despite his Master’s secure hold on him, despite his Master’s unmoving frame. He can feel the building up hesitation. He does not want his Master to feel that way with him. 

“I’ll stop.” He promises his Master, assures him. He’ll try to, anyway. For his Master he’d try to go against his nature, even if his nature does tell him to think and do all sorts of things. Sometimes, in the quiet of the night when he can’t sleep and he thinks of his Master and every word they had ever passed, he does wonder about this. Is this truly his nature, his instincts that drive him to act as he does, or is it simply how he is with his Master? He suspects he knows the answer to that, but it’s easier for the both of them to call it instincts and be over with it, so he never disputes it. “Really.”

There’s a charged silence and then, blessedly, his Master says the two words Anakin loves more than anything else in the world, the two words for which he, not jokingly, thinks he might be willing to die for. 

“Good boy.”

The Coruscanti accent is thick and rolling, he sounds almost distracted, he sounds… 

Anakin shuts his eyes and bites his tongue, fangs digging into the soft flesh. He must not think of exactly how he imagines his Master sounding. He should not think about how his hands feel warm and human on his hips. He should not think about the lingering flavor on his tongue nor how his lungs are full of Obi-Wan, of his Master. He should not, is not allowed to. Promised not to. Instead he wraps his arms around his Master’s neck and hugs him, pulling the larger man to himself, having his head against his chest for a few long moments in which he is sure Obi-Wan hears just how fast his heart goes. He surely can feel it through the bond, it’s going crazy, ba-dum, ba-dum. 

He can feel a distant echo of his own heartbeat, almost imperceptible to his senses, and yet there. An answer. Thoomp-thoomp.

When he leans back, he moves his hands to cup his Master’s cheeks and makes him tilt his head up, to face him. “You look good now,” His fangs stretch at his lips as he grins wide enough to hurt. “Master!” he adds, cheekily.

His Master’s eyes are a bright blue, the deepest, calmest pond. He rolls them shortly, then looks directly into Anakin’s own eyes and smiles at him, sarcasm dripping with fondness as he says “Thank you. Ah-nah-kin.” With the most accented tone Anakin had ever heard. There’s so much black in his Master’s eyes, a beautiful, wondrous thing that makes him itch all over and want to see more of that soft darkness no one else gets to see. 

No one else, but him. 

[6ronze]

𝐌𝐎𝐃𝐄𝐋!𝐒𝐀𝐍𝐙𝐔 thoughts..

warning(s) : just smth short w sassy sanzu. you can imagine platinum/white or pink haired sanzu here it doesn’t matter. model!au so no deaths or wtvr. he’s a fucking jerk. model!fem!reader. nsfw. mdni. reader smokes. intoxicated pussy eating. clothed eating out. sanzu having a whole plan to fuck you sloppy so you keep coming back for more so maybe a bit toxic if you squint. wc is 1.5k

MODEL!SANZU who was a male model you were made to work with last minute. You couldn’t even refuse or take a second to at least search up his name to see if he was someone you could work with—your manager decided that for you instead.

On the night of the fashion show, you met with pink haired man backstage, briefly introduced to one another by his manager since yours was busy instructing the girls who had their makeup done to change into the clothes assigned to them.

Amidst the busy, cramped space you guys were in, it seemed like the world around seemed to stop when his uninterested eyes finally met yours, the pretty, unique scars on each corners of his lips curling up to an almost mocking smirk. You hated that look on his face, hated him right off the bat. And you also hated how easily his face gave you butterflies.

“You better keep up. ‘m not slowing down if you fall off the runway,” his velvety voice laced with arrogant teasing reaching yours ears like nails on a chalk board, your perfectly touched up face contorting ever so slightly at him. But you didn’t turn to him, refusing to have any sort of connection with your one-night partner.

Lights dimmed, curtains slid open, music cued—you two opened the show. It was a quick-paced walk, not much pressure since you’ve been opening and closing fashion shows for a few years—but for some fucked up reason, you felt the nerves in your prickle your skin. He walked in sync with you, though it was more like he was leading the whole fucking walk with how inconsiderate he was being, walking like you didn’t even exist beside him.

Once you returned backstage, waiting for the rest of the models to walk the runway so you could join the closing walk, you felt awfully peeved. Trying to find out the cause, you turned your head to the first suspect, MODEL!SANZU.

He felt your glare on him but simply chose to ignore you, knowing it’ll probably piss you off more. A scoff left his lips when it was proven true with how you clicked your tongue at him.

“What? Not like it’s your first time walking with your tits out,” he snickered, standing still as a makeup artist touched up his face and dabbed the sweat from his pale skin. “Unless, I made you nervous,” he added after a short period of silence, mesmerising turquoise eyes glancing your way to meet your glare, brows raised with an amused sneer that told you he had no intentions to stop provoking you.

What made it all the worse for you, was that you were liking his attention, as condescending as he might be. Plus, everything about him made you want to stare at him for as long as you could. From his silky long hair, to his lean yet muscular build, and not to mention the scars on the edge of his lips. He was a work of art, ruined in the best way possible.

The night came to an end, finally. It was a few minutes past midnight after the show. While all the bigshots and guests were at the after-party of the event, you models were taking smoke breaks out the backdoor of the building with nothing but black robes or maybe a faux fur coat like the one you were wearing right now.

“Didn’t think you were a smoker. Such a big girl now, aren’t ya?” You heard a familiar voice call out to you from behind, yours lips pursing to a thin straight line with the light smudges of eyeshadow sharpening your already narrowed eyes that glanced at him.

Flick, “not gonna join the party? Some millionaire’s you could sleep with there,” he muttered with a cigarette between his lips as he directed the flame of his lighter below the edge of it.

“Money without good dick doesn’t turn me on,” you huffed, trail of smoke leaving your lips along with your sigh. You turned your head to look at him, expecting some kind of remark to your response—but all you saw was some shitty grin on his face, eyes looking you up and down without an ounce of subtly. Your hand moved to pull your coat tighter over your body as if you were already naked underneath, save for your panties and lace stockings.

“Oh, please. Trynna hide yourself as if I didn’t already see the shape of yours tits and ass. They were quite the view though, can’t lie,” he teased with an initial roll of his eyes, inhaling the cigarette then releasing the smoke.

MODEL!SANZU couldn’t help the twisted pleasure he felt from the sight of your stunning features contorting to a mask of disgust, or even a nasty glare. He liked it even better when you muttered some nasty comment telling him to fuck off, only to see you not lift a finger to make him really go away. You were feisty, knowing how to keep him on his toes while simultaneously pulling him close.

“Come over. Just for the night,” he blurted out, sounding more decisive than he truly was. He punched himself in his mind for suddenly inviting you over, annoyed at himself in fear of going too fast. But he kept a straight face on the outside—a skill he gained from his modelling work.

Your eyes flicked your eyes over to him again, removing the cigarette from your lips and keeping it held between your index and middle finger. It didn’t take you long to ponder for an answer. And he didn’t seem to question you much either. All that happened was a quick nod from you and a brief trip back inside to grab your bag before heading out again to get in his car.

In a blink of an eye, you were in his apartment—a messy space with essential furniture, his taste in colour and interior design something you almost admired. He didn’t bother opening the lights, letting the city lights from outside illuminate the room from the big windows.

Minutes passed in his apartment, red wine served to you in a glass and cigarettes shared and passed. The conversations between you two were somewhat heavy yet filled with banter, the atmosphere starting to get intoxicating the closer and bolder you leaned into him, legs over his lap, giving him a sight of your clothes pussy if he so wished to peek. And being the opportunist he was, he did. Stared at your figure appreciatively even.

Soon enough, hands began to wander and clothes were stripped. It didn’t take long for him to lift your legs of his lap and hang them over his shoulders instead, shifting on the couch to position himself between your legs, leaning down to give half-hearted swipes of his tongue over your dampening folds. His eyes seemed glazed over, as if he was intoxicated, which he was.

You leaned back against the armrest of the plush dark velvet couch, fur coat slipping off your body to reveal your tits, stomach lazily skimmed over by his hand. He felt you squirm from his licks and it almost made him chuckle, hand on your belly sliding over to grip your hip instead. He buried his face further into the apex of your legs, his tongue flicking up and down your clothed pussy with more effort than before, parting your thighs more so he could delve past your folds and reach your clit.

When he finally found your pulsing buds, you felt a subtle jolt wash over your body, a soft moan leaving your tired lips before sipping a hand down to his head, threading your fingers through his locks and tugging on them weakly at first, matching the rhythm of his tongue that soon picked up the pace.

He was getting greedier in seconds, moving his tongue faster up and down your clit, probing your aching slit that he could barely reach due to the fabric that stopped him. As much as the lace annoyed him, he didn’t want to let you have the full experience of his capabilities, yet. He wanted you needy and curious the next morning, he wanted you coming back for more—he didn’t want you to leave.

Your fingers tangled in his hair only tightened with every passing moment, your legs quivering as he brought closer and closer to that sweet release you craved. His saliva made it better, sloppier, wetter. The lewd suckled he made desperately on your bundle on nerves and on your puffy folds made you whine pathetically, eyes closed shut and head straining to brace yourself for the orgasm he gracefully gave you. You gathered a fistful of his hair, pulling onto him to shove him deeper, riding his mouth with every buck of your hips without care if he breathed or not. But you didn’t worry much about him either, since his hands that clawed the fat of your ass and thighs told you he probably enjoyed it as much as you did.

[tonythr]

The Watcher's telescope view is a social commentary and here's why

Ok so let's set some things right first. City of Tears is amazing.

(Yes, Pale Court is also an amazing mod)

I've played Hollow Knight many times, and City of Tears is probably the one location I never get tired of. The scenery, the lore, the room layout, the music, the atmosphere - it's all perfect. It's the culmination of Halllownest's beauty, the peak of the game's art style, and the narrative's most essential location. City of Tears is the heart of Hollow Knight.

This game is a story about a Kingdom and its death, a tragedy of a society that was built on dreams of light but ultimately was consumed by the light so much that darkness became its only hope. And City of Tears stands at the center of this story. So it's fitting that the themes of corrupted dreams, society flaws, and dark hopes are what shape the lore and atmosphere of this beautiful, gorgeous location.

Did you ever notice that the tears of this Kingdom are dark despite them originating in a glowing blue lake, and the waters that flood the streets are almost as dark as the void in the Abyss? Do you ever think about how the vibrant blue color of the City is basically a culmination of how the color blue is presented in other locations (Howling Cliffs, Forgotten Crossroads, and later Royal Waterways being more of a remix of it), and how it's tied to the very essence of Hallownest (and how Resting Grounds, the location that contains Blue Lake and also uses a bright blue color, represent the very foundation of Hallownest's history, that being Seer's story about the Moth Tribe's betrayal that started the war between Pale King and the Radiance)? Do you feel like Soul Master basically represents the thunder and the lightning in this never-ending rain? Do you get it????

Anyway yeah, there are many things that can be said about City of Tears, and this is hopefully not the last time I make a post about it. What I want to talk about here is the City's society.

Basically, Monomon said it better than anyone could:

It's a very complicated topic. The narrative basically explores the inner mechanisms of a free mind, how its primary need is finding a purpose, and how its purpose turns out to be a constant need of... something. Anything. As long as there is something to want, a free mind will want it. As long as there is something to yearn for, something to enjoy, something to dream about, our minds are going to move in its direction, never wanting to stop. Because a stasis is worse than death. Because a world without dreams is an empty world.

But then again, isn't constant yearning another instance of, well, constance? If dreams never end but also never evolve, doesn't that create another kind of stasis?

Like I said, it's very complicated. Let's go back to what I was getting at in the first place. What I actually wanted to say is this:

Theese guys fucking fucked up as a society.

It's classic dystopian shit (or maybe I'm using the wrong word, but you get the point). Rich people are living in luxury while the rest are suffering. They're making gold a fucking religion and are seeing it as the only beauty in the world. The corrupt upper class are using heavy gatekeeping on the lower class.

Literally.

What's interesting is that, at first, we barely see any lower class bugs in the City. There's suspiciously few regular husks in this location, compared to how many rich guys are on the eastern side. But then we get to Soul Sanctum and it all starts to make sense.

There are no red cloaks in those corpse piles. Only the poor were killed for those experiments. It can't be a coincidence. It's straight-up elitism-based genocide (again, I don't know if I'm using the right terms, correct me if there's a better way to say that, but the point is clear).

Also, see how many streets are flooded on the western side in comparison to the eastern side.

Point is, the bugs that ruined the kingdom by always wanting more (what Monomon wrote about) are most likely theese rich ones. It's a very fitting thing for this dystopian narrative: neverending greed that leads to the downfall of a civilization.

There's a note in the Hunter's Journal that describes it in the best way possible:

For every location in the game, there is a place that functions as the center of its essence, its narrative heart, the culmination of its themes. For Queen's Gardens it's the White Lady's cocoon, for Greenpath it's the Lake of Unn, and for City of Tears (or at least its eastern part, the one with the upper class) it's the Watcher's Spire. The tallest building of the great capital. The home of (evidently) the most rich and influential bug of the City's high society. Literally the top of this social hierarchy.

He is also arguably the most mysterious dreamer out of all three. I mean, why does he have only one eye? What type of bug is he? How did he get this much power? Does he really have some kind of connection with the Collector? Is he a motherfucking fluke? Why does he seem to have an obsession with serving the King?

That last question is kinda answered by the cut content though.

That last sentence is kinda confusing. Is it regret? Is it humility? Is it pride in his sacrifice? In any case, here we see that Lurien actually knew that the Pale King was literally a god, and desired to worship him, like any other bug yearns to worship some kind of deity. So while other bugs of Hallownest worshiped PK because he was a monarch, albeit a godlike one (for all they knew he could be just an extraordinary bug, but a bug nonetheless), Lurien worshiped him as an actual god. And the intricacies of worshiping a god are one of the central themes of the game. From the moth tribe's betrayal of Radiance leading to the birth of the Infection to the Godseeker's shenanigans leading to the birth of the Shade Lord - the game makes multiple statements about gods, religious devotion and the semantics of divine power. Just that one idea that a god takes its power from the ones that worship it deserves its own post - heck, it deserves its own book.

So yeah, Lurien's devotion to the King is an important part of the story. He sure is an important character in this narrative. He also got a cool house. Being able to observe the entirety of the Hallownest's capital is badass.

But there's one thing I find odd about all that, and it's the moment we get to actually look through his legendary telescope.

Is it just me, or does this feel kinda... Underwhelming? Almost disappointing? I mean, don't get me wrong, I love this view, it's beautiful, and I would certainly love to be able to see something like this with my own eyes irl, but, looking at this picture, I can't help but wonder...

Did he actually see anything from up there?

In cut dialogue, Lurien talks about how he loves the City's streets, and his hidden lore tablet contains words about his love for bugkind, but... I see neither any streets on this image, nor any bugs (that are not vengeflies). Only spiked rooftops and rainy fog, clouding the view of the actual City.

And sure, the Spire has many windows and even had multiple watchers who were helping Lurien with overseeing the capital...

But his own spot was always this one.

His telescope was sealed in one place, letting him see only a small portion of the City and its life. Almost like his own worldview was stuck in one perspective.

Notice the wording here. It's not "The Seals must remain". It's "Bonds must remain". He's not thinking just about the Seals containing the Infection. He's thinking about the whole Kingdom needing to stay unchanged. His dream is the stasis that the Knight (and also Monomon, Hornet and, in a sense, even Radiance) want to end. The stasis that the Pale King wanted to create in order for his Kingdom (and therefore himself) to be eternal. The stasis that would allow for both Pale King and Lurien's worship of him to remain forever.

But there is always a cost to ascending higher than others, and it's that you can no longer see what's going on below or who's suffering down there. I think Lurien, sitting atop the tallest tower, was actually detached from the struggles of regular bugs. He and his Spire are the culmination of the City's upper class' ignorance towards the ones who were below them on the social hierarchy. A dreamer who dreamt of watching over the very heart of the holy civilization lived so high up he could no longer see his beloved world in its complicated, detailed entirety – and the tears of the stasis created by those like him only blinded him more.

All those flooded streets, those broken buildings, those empty halls, those starving bugs, those sealed doors - even though he watched over them, he couldn't see them.

I'm pretty sure Lurien didn't even know about the Soul Master's experiments, despite the fact that the Soul Sanctum was located right next to his Spire.

Or maybe he knew but chose to turn a blind eye to it (pun intended).

But it's kind of poetic, isn't it? It's the beauty of the tragedy of this game's characters. A Beast who had to surrender everything to the opposing civilization. A Teacher who could no longer teach. A Watcher who couldn't see the truth.

And all that makes me wonder... How much suffering could the Pale King see, standing on that platform at the top of the Abyss, facing away from the pit where his children died?

TL;DR: Lurien's point of view was too high up to actually see what was truly going on down there, both literally and metaphorically. His desire to worship the Pale King made him ignorant of the struggles of regular bugs. Similarly, the extreme elitism of the high society of Hallownest lead to ignorance, discrimination and greed, which ultimately caused the sprawl of the Infection. This side of Lurien's story might also parallel the Pale King's with his ignorance towards the discarded vessels.

TL;DR²: Eat the rich

[genericpuff]

Rachel's art regression actually makes me so sad because yeah she always had problems with anatomy but at least her style used to have personality back then

It's actually so fascinating to look at her older art because on the one hand, to her credit, she was INCREDIBLY prolific, she made SO MUCH STUFF to the point that we're STILL finding new stuff all the time, it's actually really impressive; but on the other hand, she also clearly didn't really have a focused direction, she was kind of just trying different things waiting to see what would stick, and eventually LO was what won the lotto. But unlike previous works where she could pick them up and drop them at her own time, she was contractually obligated to LO and it forced her to meet crazy strict deadlines, so I think in a way (at least in my opinion from what I've been able to glean looking at her work from the past several years) she almost lost a lot of what she was capable of doing back then because she proceeded to spend all of her time for YEARS working on LO.

I do think she'd be fully capable of returning to that older art style, but the reality is that that style also, like LO, existed through inconsistency. She was always trying and doing different things and you can tell a lot of it was rooted in both trial and error + indecisiveness. As much as she's talked about "streamlining" the production process of LO in previous interviews, it's also very clear in its inconsistencies - as well as her older work which was also inconsistent, for better and for worse - that she never actually learned how to streamline. Unlike artists who you can at least look at and understand they have a "process" that they follow every single time, she just does not seem to have that.

And that's not necessarily a bad thing, I think it worked well for her when she was doing freelance and standalone illustrations / conceptual art. The "personality" in her work back then was her just messing around with things and doing whatever looked good, and it often paid off through beautiful illustrations and concept designs.

But that sort of approach doesn't work so well when you're trying to do a long-form comic with unique characters and a distinctive art style which is being worked on by multiple different people. Something like LO demands workflow consistency and a production pipeline with steps to follow and standards to practice, and that's not something that Rachel has ever really been good at, even before she started LO.

[rh3maji]

Lil rant abt Caine

Caine is just a lil guy, despite it all. From a design standpoint I thought I was gonna absolutely fucking hate looking at him because those chattering teeth toys make my skin crawl- but the art direction really helps make him look more appealing and whimsical than a disembodied pair of talking dentures sounds on paper.

The thing with Caine is I didn't initially like him that much after the pilot. While his interactions with Bubble were quite funny, that one episode left me feeling like he'd just end up being kinda one note or at the very least one note in a way that'd get on my nerves. Then everything changed when Pomni Wake Up Time to Go On an Adventure! attacked

The comedic timing throughout that announcement video was so fucking funny and thanks to his line deliveries and animation/model [?] upgrades- CAINE LOOKED AND SOUNDED SO ADORABLE!!

Legit it wasn't until this came out that I realized I actually could be on board with Caine as a character and it's been uphill from there. Episode 2 was better than the pilot not only comedically and visually but also in terms of showcasing just how actually unsettling Caine can be as an antagonist. Not because he's vengeful or malicious, but because he's so oblivious to how people work. His mind's always buzzing with terrible ideas and he's so so eager about these adventures, but at the end of the day he really really doesn't get the circus crew. Try as he might to include them, keep them engaged [ZOOBLE WAIT!], or even give them what they want [Exit doors] he doesn't realize how traumatic and distressing their current situation can be. The very nature of being trapped in a digital world is bad enough but it's especially rough here bc not only does its god have limited capabilities, you also are very well acquainted with him, and he can't fully understand your pain nor can he truly save you from it. He won't mourn your abstraction. He will not attend your funeral. He will not understand the distress of your arrival, nor the weight of your departure.

This isn't just sad from the pov of the circus gang, it's also very sad for Caine- not because i think he'll ever feel sad about it himself necessarily, but instead because the situation is sad. New members appear over and over, you craft adventures and games and distractions like [i'm assuming] they'd asked you to, but over and over, one by one, they abstract. They stop laughing at your jokes. They don't like you. They want you to leave them alone. It's confusing and maybe even inconvenient.

Where I'm hoping the series takes Caine is that this dissonance between Caine's intentions and the distress of the circus gang gets worse and worse and worse until something's got to give. I'm hoping that maybe at some point a character will try to sit down and talk with him and for it to either sorta get through to him but completely backfire in some form because he misinterprets what the others want from him OR i'd also be down for him to listen, but not understand any of it and proceed as tho nothing happened. I don't want Caine to come around really, it'd be interesting to see how Goose would go about having him come around to being a better host that empathizes more with humans, but personally I do prefer him to keep on keepin' on being this oblivious and eager antagonist.

My favorite Caine lines/line deliveries so far:

"You, my friend, stumbled into an incredible world of wonders, where anything can happen!��e-except for swearing."

"And here we have THE GROUNDS! Drown yourself in the digital lake, or engage in ridery at the digital carnival!"

"What do you think of XDDCC? You're right, terrible, LET'S TRY THAT AGAIN!"

"Kaufmo abstracted? Why didn't anybody tell me?"

"Bubble you can't say that"

"-ZOOBLE WAIT!"

"Why are you all just standing there?! The- The Canyon- C-Candy Canyon Kingdom needs you now!" [according to his VA, this was an actual line flub but hoo boy am i glad they use it bc it's hilarious]

"I know you guys love your NPCs, but if I start losing track of who's a human and who's an NPC, who knows...what. could. happen..."

That last line there specifically surprised me the most because up until he said that I was under the impression Caine was linked to every single NPC. I even thought he could see through their eyes if he so chose thanks to his "hundreds of all seeing eyes" line in the pilot. Him saying this here implies lots of things. Has Caine forgotten before? Is someone in the circus secretly an NPC ooooooooh~

"Who knows what could happen..."

Honestly, when Caine first said this I did immediately theorize Jax as being an NPC but now that it's been *checks calendar* three months since I watched episode 2, I don't think this is the case anymore. Jax being an NPC would be...something. Jax not knowing he's an NPC would be interesting [i like it when ppl's realities get shattered], but honestly I think this line was a way to telegraph to the audience that no Caine isn't actually all knowing. He didn't know Gummigoo was coming through that portal until he saw him with his own two eyes. My theory is that Caine is only able to teleport, create, censor, transform, and destroy the world around him, but isn't able to see all of it at once unless he tries to. I think Caine's default state is one where he only knows what he sees directly in front of him/what he himself has left waiting for someone else. And rather than implying someone in the gang is an NPC, I think that line in episode 2 was mainly implying Caine can be tricked, that it's possible to hide something from him, to surprise him even. Though I'm not opposed to an NPC we haven't met trying to join under the guise of being human, it'd potentially create some fun tension assuming the audience was given enough reason to care about them.

Jax is actually my favorite character in tadc, but i couldn't fill an entire post with things to say abt him. Caine seems to be- at least as of right now- the easiest of all the characters to try and wrap my head around. I'll probably have a lot more to say about Jax as he exists in canon as the episodes come out [EPISODE 6 MY BELOVED]

but uhhhh yeah, that's all the things i had to say abt Caine. Pls go watch/listen to the fansong Digital Land bye!

[gomzdrawfr]

Bear with me here I am going to word vomit of an AU I thought of (and I literally just woke up) Idk if I have the time to write, draw or even animate this bUT

A ghostprice au where Price goes blind

Here’s a scene I had in my head, imagine a blackout panel, with a typewriting sound effect in the back that reads:

Patient Information: Johnathan Price, birth date, weight, height, number, address (something along those lines which are meant to hint this is a beginning of a medical record)

and then white blurry speech bubbles appearing from left and right

“What?”

You voiced out, or rather, Price voiced out (you are in Price’s POV)

All the speech bubbles seized, and for a moment it’s just darkness and much quieter whispers

“…Laswell?”

“John, you’re up, easy now”

He hears her from his left, but still there’s total darkness, and he furrows his brows, hands slowly reaching up to pat his face, or scratch it— there’s nothing on his skin, so he’s not being blindfolded, and there’s no sac or bag covering his head— but there is layers of something covering his eyes that he tries to pull off, managing to peek through a bit, he thinks he’s opening his eyes but—

Still black

“…?”

And then we cut to a shot of Ghost’s face, eyes wide with realization that Price can’t see anymore.

The last panel reads:

“Diagnosis: Traumatic Optic Neuropathy” (aka vision loss”

- end of scene

More rambles:

Thinking about maybe from a mission an IED went off before anyone could react— well technically Price reacted first by pulling Ghost away, which resulted in direct exposure to the blast, followed by a concussion

Ghost immediately got on his feet and dragged Price away while also making sure all units were still available, he looks down and he sees laceration and red

Well okay I haven’t figure out the clinical part but Im thinking maybe some blood pools around the corner of Price’s eyes (if, say, the laceration cut across his eyelids), it wouldn’t be as dramatic to the point where there’s blood trickling down his eyes per see cuz Idk if I plan to make the shrapnel penetrate into the cornea (in this case it would be extremely severe cause of trauma, I shall have some mercy on him)

Maybe amongst the panic he saw how Price’s left eye slowly turned red (internal bleeding) and all his alarms went off and quickly get medical on it

Of course he was praying that it wasn’t as serious, maybe it was superficial and maybe his eyes were playing tricks on him cuz it was dark and the hallway had red lamp all over

Also i just realized this is prob quite inaccurately portrayed bcuz the bandages that covers the eyes are usually tightly sealed, and that his action of ripping them off is prrrobbaaably not good since infections and increasing the pressure around his eyes are just going to make this worse (like reopening sutures or whatnot) but i think it could work (shhh ✨fiction science✨)

But nope, Price is blind, and that automatically puts him unfit for service and Ghost knows that this isn’t going to go well for the man

We always joked around saying Price is old but imagine if he’s mid 30s, prime in his years and definitely still had a lot of kick in him— only to be forcefully ripped away from it

The devastation, the angst, the anger, the unfairness of it all, the never ending cycle of guilt from both Ghost and Price

DO U FEEL IT?!

Anyways *ah hem* if you’ve read this far and would be interested to develop this yourself whether with fic or art go ahead! I sure as hell won’t be able to bring out the sheer desperation and agony from this sort of au or story so yeah XD

[soulfulazrael]

Stolas and Stella. Shallow conflict that could be so much more. Conflict of two Hells and torment of the immortal.

So... another post that probably will be another long Yap fest of a weirdo who has only the brainpower to make threads on a cartoon. Eh. Could be worse. My drive to make this post was sparked by this one image (or well... two).

Great... Very subtle... Deserves a medal don't you think? Ah well. Today's subject as you can tell from the image presented here is RELATIONSHIPS! Or rather one set of relationships that has been bothering me and inspired me to do better in my own work based on this show. This disaster that is the Stella/Stolas/Octavia dynamic is one huge problem in my eyes and I will explain that below with some thoughts of mine and why this particular image sparked such vitriol in my peanut brain.

I think the biggest and most noticeable problem that can be seen straight away in this one picture and entire show that... it is just so damn simple. Way too simple and 1 dimensional which this show tries to parade as something meaningful and deep. I mean one look at it and you can see all of the problems. Stella is made into a laughing all evil bastard. Octavia FOR SOME REASON is just angry at Stolas and makes a mean face which makes no sense given how they interact. And Stolas is presented as some tragic, deeply hurt figure when he is in fact the architect of most of his own miseries, but the show seems to believe in that horseshait.

And at first one who only has this picture as any sort of context may say that "It's okay. The wife is obviously an evil capital B, but the daughter in this whole equation adds to the complexity and the feeling of that the dad also screwed up heavily".

Except to anyone who actually watched the show this makes no sense because Octavia has literally NO reason to ever side or ignore her mother's stupid and malicious behavior. It's one thing where you want to include a complex dynamic where the sides are more blurred and another where you make one side so obviously WORSE. Not to mention stupid and seemingly unable to hide any of their douchebaggery.

And it's another issue of the show as a whole where it just cannot for the life of it have complex antagonists and most of them are pretty much the same damn archetype. Both shows do that in fact. Because both HH and HB work in the same way. They all have the same kind of snickering abuser who loves to torment their victim and they are about as smart as average Twitter Blue buyer. I mean can you tell me ANY sort of difference between someone like Val, Stella, Crim or Mammon? Any of them? Besides their designs and people they abuse? You probably have to think it through and I think it goes to show how all of them are so damn similar to each other. To the point where they are all almost exactly the same boring character.

And funny thing is? It didn't have to be this way. And this second image feels like more of an insult for two reasons.

Still not perfect, but it's better somewhat And the reason for that is... it feels like actually a bit subtle. You have less cramming in of how terrible Stella is. Octavia being a more oblivious child and Stolas while caring for her being more absent minded. That creates an interesting dynamic and Stella has some air of mystery to her where she can be taken in many directions.

They just chose the absolute dumbest one. And that's why this image makes me mad. It shows they COULD do better, but choose not to and that this art serves no other purpose than just to say STELLA LE BAD. And they have no other agenda with it. No other way to interpret it because of that second stupid one. It narrows and destroys so much potential. Almost as much as that picture of baby Stella from Circus.

And I think another big issue I kind of mentioned before is this parade of complexity. It wants to put on facade of being complex and having something to say, but it really doesn't. It provides a very simple and dumbed down story with clear good and bad side where one side is cartoonishly evil to the point of being moronic while other one is paraded as a victim to end all victims and they put in a dress of sad crying scenes and the daughter being pissed for no reason at clearly good party because the idiotic plot demands it.

And other big issue... Is that this does not explore ANY interesting ideas. No interesting dynamics. No interesting implications or provides any sort of value to the world or explores anything in this world of HELL. Where you can make the world feel wild and interesting and the ways this world shaped those people. The ways those people are broken. The ways you can expand on this conflict beyond the surface level idiocy.

And I want here to present an example of a story rather similar... that did this right. So right it's almost comedic. I am talking about a story of Bloody Baron from Witcher 3 so for all people who did not play this almost 10 year old game (holy shit W3 came out almost 10 years ago... Can you slow down time?) then I must warn you. For the rest who did play or don't care. Enjoy.

Seems appropriate. Bloody Baron questline is probably one of the most impactful, complex and interesting conflicts I've seen in any game. A story of abuse, trauma and pain in a family of Bloody Baron, his wife Anna and daughter Tamara. amazing writing, great voice acting, great characters all that good stuff. But let me tell you why it's so good.

First off. The characters. They are all very well written and are very believable. Bloody Baron especially is a sad mess of a man. An ex veteran, drunkard and abuser who tries to find his wife and their daughter she took with her when she escaped from him after their recent fight. A fact Geralt is not aware of, one of many he and us by extension are not aware of.

This may already sound rather familiar and stay with me because it gets better. What works so well with character of Bloody Baron is that while he is at first a completely unlikeable person that gets worse over time as you discover more filth in his story, he is also extremely human. He is no caricature and you can tell why he became the way he is and you can tell he is full of great regrets and despite his actions still holds a lot of love for both his daughter and wife. He is someone who did terrible things to his family, someone very rash and very brutal, but he is not a total and complete monster. He watched his own other child die partially as a consequence of his own actions. Lost his family. He lost almost everything besides an army of men that couldn't give less of a shit about him and a home in a dreadful swamp full of monsters. His character greatly explores the mind of someone very broken, someone who lost himself to alcohol and ended up making a ton of terrible mistakes and now tries to atone for them. But we also see in flashbacks that he can be also a caring man as he helped Ciri and little girls she saved. He is no less of a terrible person because of it, but it adds humanity to him.

And other two characters in this do not fall far behind as well. Anna especially is also a very broken shell of a person. And despite what one may think she is also not innocent in all of this as she is someone who first cheated on the Baron after he went out to war. Leaving him for some other man as he was putting his life on the line for them (while also falling to alcoholism as well). And when she was confronted about it and when her lover got slaughtered by Baron she broke and started to try to kill him and herself which started the abuse from Baron who only found this to be a good way to calm her down and Anna herself was a clearly traumatized woman who was now in a cage with the Baron.

And in between all of that was a young, very scared child of both. Tamara who saw only the abuse her mother received and felt like it was all her father's fault for everything breaking apart around them and eventually devoting herself to group of Eternal Flame as a way of handling her situation. She still received lots of love from her father, but could never see him as anything less than a monster.

All of them in this scenario... probably feel oddly familiar. And it's funny because in many ways they ARE like Stolas and Stella and Octavia. But roles are somewhat moved and the conflicts feel far more real. Tamara is not for some reason seeing the abuser as lesser evil seemingly. She sees the abuse, but doesn't know a full story much like Geralt or anyone else. Baron in this case is in many ways like Stella. He is someone who abuses their partner and goes into violent rage when they leave them, but unlike Stella you can tell there is this lingering love for his family that further fuels this abuse and brings more pain to everyone while Anna is a broken mess of a woman who cheated on her husband and paid terrible price for it and kept paying as... she sold her upcoming child to terrible witches. Or rather she wished for it to die and for it sold her soul.

And this I think is what makes this story all the stronger. It's not just the tragedy or realism. It's how it ties into the world of Witcher as a whole where we are introduced to some of the most harrowing set pieces of the game and some of the most disturbing villains in the game who also simply act upon their nature as deal makers with Anna and simply know something about Geralt's own daughter Ciri (who they tried to eat). It expands the world and uses it in a meaningful way and pushes more interesting ideas like the side of Anna caring for children at the swamp that are meant to be devoured by witches. Another Hell that ends either with her complete breakdown or death, but also either suicide of the Baron or redemption as he tries to save her and no longer drink or abuse her. While Tamara no matter what has to also face her own consequences of having to forever be tied to Endless Flame, but also putting faith in her father in the good ending and possibly ending with their relationship beginning to heal.

And all of that feels natural. This kind of story definitely can be told anywhere, this kind of story doesn't need this setting, but it further enriches it. And I think another big part of this story I like is that it doesn't try to paint any side as being in the RIGHT. Because in this kind of situation NO PARTY is in the right... And as someone who did went through similar thing... I respect that. And that is why I cannot accept what HB does. In this situation there are no good guys or bad guys... Just people who keep making mistakes (and don't worry, family may be a bit broken, but I still love both my parents no matter how far one may be).

And it is funny because story of Bloody Baron in many ways is how the whole situation with Octavia and her family SHOULD look like. A very harrowing story where there is no place for good or bad sides. Where you have to choose FOR YOURSELF who is more at fault. And the game leaves that decision to you. It does not tell you what to think. It tells you to think. One of the writers who made that whole story said once "I do not like likeable characters. I like interesting characters". And I think that is also where the writing suffers. It tries to paint one side as "likeable", but because of that it removes so much complexity from the character by excusing all of their awful behavior or painting them as ultimate victim. And do not try to tell me also that because Stella is so easy to hate then they are well written. That's not true. Making hateable character is the easiest thing in the world. Just put everything bad in them and make them not like protagonist and oppose them. That's it. It's lazy.

And that also makes me so mad about HB because they were CLOSE to making something good. Not exactly the same as Bloody Baron, but something of it's own that could also be good.

I personally make a fic called "Song for the Quiet Bird". There I partially explore characters of Stolas and Stella and Octavia and I try to paint the entire situation in a more gray light where each side is not truly in the right. Where both of them are in their own ways broken people. And to do so I also try to use something I wish Viv used which is Immortality of Ars Goetia which could have been a thing, but Viv decided to make Stolas like 30 because then you have cute Stolas and Blitzo arts as kids.

In my version both have lived already for 800 years. They lived already for a long time and there is eternity waiting ahead and both cope in their own ways that were taught to them by the world of Hell to not lose themselves to eternity. Stolas is a selfish hedonist who cares the most about his own pleasures and even though he cares for Octavia it is very easy for him to lose himself in his own desires and pleasures as he mostly cares for himself the most and anything that is extension of him. Meanwhile Stella is a cold, distant and very duty focused character. Someone who while trains Octavia for the longest time does not involve herself too much with her own daughter, barely seeing her as one. Someone entirely focused on the prosperity of the family as a whole, someone who does not believe in value of individuality or personal joy and instead focuses on the good of everything else solely. This good being judged by her and her views that value subjugation and order compared to Stolas's love for chaos and selfish freedom.

In this case both sides are very broken. They both have to live through their own Hells made by their own choices that add to the fact they were born into the world of Hell. Neither one can really truly coexist with each other and both long ago abandoned any hope for true understanding. And in all of that the only real victim and good party you can find is Octavia. A person who suffers because of this clash of ideals and has to cope in her own way with suffering both she and her parents go through. All of them suffering.

That's at least how I write it. Something where you cannot pin to one side being terrible or evil. Just everyone being broken in a terrible world you have to fight with to make something better and both in a way... gave up. Until of course Moxxie comes along there for Stella and his presence helps her develop... but that's another thing.

I also have some quotes below from my fic to show my approach to both Stella and Stolas as characters. First one is Stolas and Octavia having a chat in the most recent chapter.

And here below is a scene between Stella and Moxxie where there is some discussion about theatre plays of Hell and difference between human and hellish ones delving into also her own view of the world (this IS a Stella/Moxxie crackship fic... just a big slowburn). From one of the earlier chapters.

Both I think probably show their own deep flaws and ways of coping with their own realities.

Now I don't say I want my ideas to be in the show, but more complex ones. Ones that are not just this... thing we've been fed for all of Season 2 and partially in Season 1 which could have been taken in a better direction, but it never was and just like one image here ruins another, here season 2 retroactively ruins the 1st one. Stella/Stolas/Octavia dynamic just has potential to be so much more than... whatever HB is now.

Well that was stupidly long and I can't imagine many people getting here, but hey. I wrote it and it's already too long to not post it. To whoever came this far I thank you and hope you will leave your opinion on this manifesto. Hope it was entertaining at least.

[idiopath-fic-smile]

more Singin' in the Rain ot3, now on the honeymoon boat

part one

part two

The ship was a grand one. Cosmo, whose nautical knowledge began and ended with that Douglas Fairbanks picture about pirates, could tell that much. There was a majestic dining room and a wide, clean promenade and state-of-the-art engines that would get them to Europe in just a few days. The dining room even featured a four-piece band, who were a little stiff but not half bad.

His room, his island of privacy away from Don and Kathy and their combined magnetic pull, was bigger than he expected, well-appointed. It went a little overboard embracing an Egyptian theme, although the decorators had tastefully stopped short of including an actual mummy in a giant stone sarcophagus. He was grateful for that. The piano, as promised, sat in the place of where a desk might normally be, keys gleaming invitingly.

There was just one problem.

“How,” said Cosmo, dropping onto the bed, “did you manage to accidentally book us two adjoining rooms?”

“I’m sorry,” said Don, crossing his arms. “There must’ve been a mix-up at the offices.”

“Maybe the travel agent heard wrong on the telephone,” said Kathy. She rubbed Don’s back consolingly. Don shot her a grateful look. It was all very sweet, probably.

“How?” said Cosmo again. “Nothing sounds like ‘adjoining.’ It doesn’t even have a rhyme.”

“Are you certain?” said Kathy.

Cosmo nodded; he’d already run through the alphabet, twice. “The closest I can get to is ‘disappointing.’” Don was leaning into Kathy’s back rub like a cat, but his face was full of uncatlike guilt. “Don,” said Cosmo, “look, pal, I appreciate the free ticket, but please tell me you’ll fix this.”

“I already talked to the cruise director and there aren’t other rooms,” said Don. “We’re out in the ocean, what do you want me to do, alert the coast guard?”

“Alert the coast guard,” said Cosmo, “flag down a passing mermaid, strike a bargain with Poseidon himself!” 

“Who?” said Don.

“The Greek god of the sea,” said Kathy, like that was the important part.

“I don’t speak any Greek,” Don replied, “do you?”

“I will swim to shore,” Cosmo said, to nobody in particular.

“We can swap over to a different ship when we get to port if we need to,” said Don, shoulders slumping uncharacteristically. He must’ve felt worse about his screw-up than he let on. “In the meantime, the door locks from both sides, so—”

“I’m not—worried that you’ll barge in at all hours pestering me for a cup of sugar,” Cosmo broke in.

Don blinked. Kathy went very still beside him.

Out loud, it sounded more suggestive than he’d meant. Why had he picked sugar, the sauciest ingredient of the baking world?

“Or flour,” he amended.

“Then what’s the trouble?”

“I.” Cosmo sighed. “Why am I the only person in this room who seems to know what a honeymoon is for?”

“Why,” said Don, wide-eyed, “what’s it for?”

“D’you think, if I jumped in the sea and started paddling now—” said Cosmo.

“Don’t worry,” said Kathy. “Don and I can be very quiet.”

And the trouble was, this was worse. The prospect of hearing them from the other side of a single thin door was one thing, and honestly it was plenty bad—Cosmo had played a role during several key moments of their courtship but at least he could say he didn’t know what they sounded like in the throes of passion—but for reasons that Cosmo did not feel like examining, the thought of them stifling themselves in the act, the thought of them naked in bed together, touching each other, biting down on a giggle or a moan, and whispering, ‘Shh, don’t wake Cosmo,’ made him feel like his whole stomach was a sore tooth.

“Don’t put yourselves out on my account,” he told them. Belatedly, he realized that was maybe the worst thing he could’ve said. He blushed, and then he stood, face still flaming—Damn his Irish complexion—nodded to them both, and fled to the promenade.

.

The ocean stretched in all directions as far as Cosmo could see. It was dizzying, and also strangely calming. He stared out at the waves and reminded himself, hardly for the first time, that it wasn’t Don’s fault how Cosmo felt about him. It wasn’t Don’s fault, and it wasn’t Kathy’s fault that she was maybe the most charming woman he’d ever met. You could certainly blame Don for booking the rooms, for not double-checking over the telephone, but there was no malice to it. They were both, at the end of the day, wonderful people who had decided to open this trip up to him for whatever reason, and besides, his bed was piled with any number of pillows he could jam over his head if they did make noise at night.

He stood there holding onto the railing for a long time. Eventually, he heard footsteps behind him. 

“Feeling better?” said Don quietly, almost lost under the roar of the water. Without really trying to, Cosmo turned to look at him. Under his coat, Don was wearing a nicer suit than before, and the color had returned to his face. He looked—well, he looked like a handsome movie star married to a gorgeous starlet. Don took a few steps and rested his hands next to Cosmo’s on the rail.

“It’s the salt air, I think,” said Cosmo, nodding. “Feels like I could do anything. Why, I might write another musical, wear my trousers baggy, become a pirate.”

“Your trousers are fine as is,” said Don.

Cosmo shrugged. “A little change can be good.”

“Sure, unless it isn’t.” Don sighed. It was an awfully sad sigh to be having about the fit of a guy’s pants, Cosmo thought, but then Don turned to him and added, “You know, we really have missed you.”

“Don,” said Cosmo patiently. “I was at your house this Thursday. I stayed for three hours. I drank all your gin.”

Don didn’t make a crack about the gin, which was probably a bad sign. “And before that?” 

Before that, it had been a while. Cosmo winced inwardly. “I’ve been busy,” he said, “you’ve been busy, Kathy’s been busy—”

“We invited you over, four different times,” Don interjected. “If I’ve done something, if we’ve done something, I wish you would just tell us.”

In front of them, the sea rolled and rolled. Cosmo thought about deflection, about twisting the moment into a joke, a sword duel where cold steel met only an outstretched rubber chicken: squeak.

He let out a long breath. “Why the Hell did you bring me along on your honeymoon?”

“We brought you along because we wanted you along,” said Don. “Whenever you’re not there, we wish you were. It doesn’t need to be any harder than that.”

“So it isn’t…” Cosmo started.

“What?” “You and Kathy aren’t having problems? Hoping for a buffer, or a distraction?” It was a very new theory on Cosmo’s part, and once the words had left his mouth, he realized how badly they fit the facts at hand.

Don smiled a private little smile. “Me and Kathy are doing just marvelously.”

“That’s splendid,” said Cosmo, because he had to say something, apparently. Marvelous didn’t bode well for Cosmo’s sanity at night, but it beat his friends being sad. “Lovely.” He let his cadences drift into a so-so British accent. “Capital show, old sport. Tip-top. Simpy spiffing.” Not his best work. 

Don lay a hand on Cosmo’s coat sleeve, at the elbow. “Do you want to come to dinner with us?” he said. “It’s meant to be a formal affair but you’ve still got time to change.”

Whenever you’re not here, we wish you were. Obviously, Don didn’t mean “whenever” in the strictest sense—Cosmo got the feeling he was not present in Don’s mind, say, when Don was in bed with his beautiful wife—but the thought now made him feel warmer than the gin had. It would be enough. It had to be.

“Sure,” said Cosmo, “why not,” and Don thumped him encouragingly on the back.

“Cosmo,” said Don as they headed back into the body of the boat, “piracy, really?” Cosmo grinned. “Don’t blame me, blame that salt air. Makes a man feel like anything’s possible.”

.

Kathy and Don looked enchanting at dinner, and Cosmo cleaned up alright too, if he didn’t say so himself.

The food was good—salmon with hollandaise sauce and French beans, braised duckling with apple sauce, some fancy beef thing, salad Dumas and ice cream for dessert—and the band had relaxed a smidge and was playing something from this century, which was nice.

Over dessert, Kathy told them about how, one night several months before meeting Don, she’d been at a speakeasy during what turned out to be a police raid.

“What were you doing in a speakeasy?” Cosmo asked before he could stop to think about it.

“Why, drinking milk and reading Austen, of course,” she replied, a picture of guilelessness. Don snickered, and she grinned.

“I walked full-speed into that one,” said Cosmo.

“Buddy, you ran,” said Don.

“I was drinking,” Kathy acknowledged, nodding, “but really that’s where the best dancing is. The best music, too.”

Cosmo, who lately only drank at parties or at home because it was easier and safer, nodded thoughtfully.

“Hot jazz?”

“The hottest, at least in Los Angeles. Once we’re back, we should all go!”

“I could always stand to take in more culture,” said Cosmo.

“Oh no,” said Don, “don’t let her pull you into her sordid past. Did you forget the end of the story is ‘and then the police came?’”

“That’s more the middle,” said Kathy. “Well, middle-end.”

“So how’d you escape the reaching arm of the law?” Cosmo asked.

Kathy swallowed her ice cream. “I saw the police were all rushing in through the front door, and I dashed to the back and through the performers’ dressing room. I’d done makeup for some of my school plays, so I fought my way up to the mirror, grabbed a grease pencil—a few lines here, a few lines there—borrowed an old coat of the back of a chair, ran maybe half a block, and pretended to be an old lady.”

“Really,” said Cosmo.

“It’s mostly in the walk and the posture,” she said. “And it helps that a few of the street lights were out.”

“And the cops were fooled?”

“One of them asked me if I’d seen any young people running that way,” said Kathy.

Cosmo clapped his hands together with glee. “Don, you married a criminal mastermind! Never make her angry.”

Don wrapped an arm around her shoulders and flashed her a besotted look. “I don’t intend to.”

Kathy nestled into the half-embrace. “Tell me more about—was it Coyoteville? With the ventriloquist.”

“Dead Man’s Fang,” said Cosmo. “And your wish is my command, but I don’t know what else there is to say. We came, we saw, we lost our sleeping arrangements to a puppet.”

“He tucked it in that night, remember?” said Don suddenly.

“He did!” said Cosmo, delighted.

Sometimes when Don started in on the official line about how they’d studied at the conservatory and the rest of that baloney, Cosmo worried that some part of Don believed it, that it was Cosmo’s job alone to remember how long they’d traveled that strange, bumpy, often farcical road together towards some measure of success and respectability in Hollywood. But Cosmo had completely forgotten that particular detail. He had burned it from his mind.

“After he fell asleep, one of you might have moved the dummy and claimed that bed,” Kathy pointed out.

“He left it with the head turned facing us, eyes open,” said Don. “Neither of us were touching that thing.”

“So instead, Cosmo had to put up with Don all night,” said Kathy solemnly.

“So instead, I had to put up with Don all night.”

He could still recall the potent mix of resignation, terror, and guilty excitement he’d felt, huddling up on that mattress together. Their act at the time had involved being in close quarters a lot—at one point, the choreography had Cosmo leap onto Don’s back and then immediately continue playing the fiddle—so it wasn’t like touching Don was a novelty, back then. But doing it offstage, out of costume, away from any onlookers except for Esther Quill the ventriloquist dummy, it had felt like an entirely different proposition. 

Don had been a real champ about it, though. When Cosmo had started shaking with withheld hilarity that this was his life, the punchline of all punchlines and nobody to share it with, not just Don’s best friend but his literal bedwarmer, Don had clearly assumed it was a simple case of the shivers, and so he’d bundled Cosmo close, tucked Cosmo’s head under his chin, and wrapped his arms around him, muttering warm in his ear about how if Cosmo dropped dead, Don was out a dance partner “and that whole routine wouldn’t work as a solo number, it’d go over like a brick.”

“Just imagine what barnyard animal they’d have you opening for then,” Cosmo had whispered back, because Oatmeal, Nebraska had already happened to them. “A pig who juggles. A cow acrobat. A chicken magician. Just a little sleight of wing, folks, nothing up my feathers.”

And Don had laughed, and held Cosmo tighter, and the ventriloquist had shushed them, which had made them both crack up again. It had been a long night, and not one Cosmo would forget in a hurry.

“Who runs hot as a Holland furnace, let me tell you,” he added now, in case his tone had shifted a few shades too close to dreamy.

“Oh, I know,” said Kathy, smiling.

Don raised an accusing finger at him. “Well, you were shaking like a leaf! You’re lucky I was there, especially when we didn’t have so much as a sheet of our own!”

“Wait, why didn’t you have any blankets?” asked Kathy.

“The blankets,” said Don airily, “were for the puppet.”

.

And so dinner had been a joy, and after that, Don and Kathy invited him back to their room for a drink or two, because they’d had the common sense to bring alcohol, which was of course not offered by the cruise. The three of them sat on Don and Kathy’s bed (much bigger than Cosmo’s—not that he was jealous, he didn’t need the space, but the sheer expanse of mattress really did rival a small country, and Cosmo was determined not to picture in any detail how the two newlyweds might make use of that) and passed a flask around and had some more laughs and when Cosmo next got a glimpse of his watch, it was three in the morning.

“I should go,” he said.

“You don’t have to,” said Kathy. She’d shucked off her heels at some point and now her stocking feet were in Cosmo’s lap. Don sat on her other side, head on her shoulder. He’d loosened his tie early on, and his suitcoat was draped over one of the bedposts. While they were drinking, it had all felt very natural. Looking at them now, Cosmo had the sense he was intruding on something private, something intimate.

Granted, they weren’t exactly trying to kick him out, but Kathy was drunk, or tired, or else she was both drunk and tired, and it was up to Cosmo not to outstay his welcome. They had a whole two weeks together, after all, and their rooms were barely a wall apart.

“My regrets, Cinderella,” said Cosmo, “but I can feel myself turning back into a pumpkin.” 

He made as if to stand, but her feet were in the way. Very gently, he picked up her ankles, lifted them off his legs, stood, turned her like they were doing some sort of a dance move, and deposited her feet in Don’s lap instead.

“There,” he said to no one. 

A long pause followed. Don and Kathy blinked up at him. He sorely regretted moving her. It had seemed like the most elegant solution. Probably he should’ve found one that didn’t involve taking hold of her legs, skin warm through the thin layer of nylon–

Kathy’s brow furrowed. “What makes you the carriage?” she said at last.

“What?” said Cosmo, who really did need to make an exit. 

“Cinderella,” said Don, apparently reading her mind, which was swell for them.

“Better that than the mouse footman,” Cosmo told her. “Or the lizard coachman. Or the horse.” Or—who else? There were a lot of characters in Cinderella, he realized.

“There’s a prince in that story, Cosmo,” said Kathy. “A human prince.”

“Yes,” said Cosmo, patiently, “and you’re married to him, your highness,” He sketched a little bow but Don and Kathy weren’t looking at him. They were having one of those silent couple conversations, with mostly their eyes and eyebrows. A career in movies before the advent of sound had probably given Don a real advantage in that department, Cosmo thought, although Kathy seemed to be holding her own.

“It’s a made-up fairytale,” Kathy said at last. “Why, it can go any way you want it to.”

“The lady’s got a point,” said Don.

Cosmo blinked. He knew how it sounded, knew that to the untrained ear, it certainly—there were overtones, or undertones, or just plain tones that vibrated with suggestion. Cosmo had grown up in Vaudeville and now he lived in Hollywood; these things happened every now and then. These things did not happen to Cosmo. He was good for a dance or a laugh, and nine times out of ten, that was enough for him, but he wasn’t exactly fending off amorous advances—not like Don, and probably not like Kathy, either.

Also, Don liked women. Don only liked women, as far as Cosmo knew, and they had lived out of each other’s pockets for years.

The fact that a late-night ménage à trois rendezvous was increasingly the only explanation that held water in his head—it said more about Cosmo’s fragile mental state than it did about Don and Kathy’s true motives, he decided.

Don and Kathy who were still sitting on the bed, waiting for some sort of response.

“I wouldn’t, uh,” Cosmo started, and then realized with a stab of panic that for once, he didn’t have a joke in the wings, waiting to go. “I wouldn’t know where to start,” he said.

“You said earlier today you might become a pirate,” Don offered. Kathy cuddled up close against his side, watching with bright, intent eyes. He wrapped an arm around her waist. “Enter pirate, stage left.”

“I said I was thinking about it,” said Cosmo, trying not to sound affected and missing by a mile. “A fella can think about all kinds of things he wouldn’t do.”

Case in point: Cosmo was not about to climb back into bed with them, no matter how cozy that bed was, no matter how warm and inviting and beautiful the two of them looked together.

His hands were starting to shake, he realized, and if Don saw that, and past experience was any judge, Cosmo might spend the night being cuddled for warmth again. What was Cosmo’s life? He didn’t go in for horoscopes, but maybe he should’ve, maybe that was the key to understanding the whole puzzle: Cosmo Brown, born under the one constellation that resembled clown shoes. He swallowed back a hysterical laugh and stuffed his hands in his pockets.

“Why not?” said Kathy quietly.

Because he didn’t want to ruin his oldest friendship and his most promising new one, all in a single go. Because he hated rejection, and the thought of two no’s that close together made his head spin unpleasantly. Because then there would be no more innocent touches and smiles and nightcaps in Don and Kathy’s room. 

That wasn’t what she’d asked, though. Mentally, he shook himself.

“If everyone who thought about being a pirate became one, the whole US of A would fall apart,” Cosmo informed them. “Nobody would work, or pay taxes, or go to see films. Not to mention the national parrot shortage—just try to get ahold of birdseed anymore! There’d be a run on eyepatches and tri-corner hats, and the price of a simple pirate earring would shoot through the roof, in fact—”

“It’d cost a buccaneer,” Don filled in. He sounded almost sad, which was a mystery because that bit was evergreen.

“That’s right,” said Cosmo. He rocked back onto his heels, at a loss for a moment. He’d really been counting on that joke to clear the air.

“Cosmo,” said Kathy. “Do you want to go, or do you want to want to go?”

Cosmo struggled to make sense of that. He struggled to parse it in a way that worked outside his own feverish imagination. His entire mind came up short. That was where it got you, going on the road with only an eighth grade education, he thought. His was a cautionary tale. 

Maybe ninth grade was where they taught you how not to twist a moment in your head to the point where it really did seem like maybe Cosmo could’ve kissed either of them, could’ve kissed both of them, and it would’ve been fine, or even more than fine. Maybe it was that, and Dickens, and Geography; Cosmo still could not locate Siam on a map. Or Paris. Come to think of it, ménage à trois and rendezvous were the only French he knew besides bonjour. This time, he did laugh. It was that or scream.

“I am both too drunk, and not drunk enough for this talk,” he said, turning for the door that led directly back to his room.

“If you’d rather stay—” said Don.

“Of course I’d rather stay, Don,” Cosmo snapped, sharper than he’d meant to. “But leave me enough dignity to fill half a shotglass, at least.” Don and Kathy said nothing. When he got to the door, he sighed. “Sorry, that was—I’m sorry. See you at breakfast.” “Goodnight,” said Kathy.

Alone in his room, Cosmo closed the door and ran his hands through his hair. Pirates in Cinderella, he thought. Offers to stay, with his room not 30 paces away, at three hours past midnight. Maybe it would all make sense in the morning.

[worstqueerbaittournament]

Submission message: howdy, would like to submit keith and lance from voltron (lmao)

Submission message: BBC Sherlock and Moriarty / BBC Sherlock and John Watson

Additional propaganda: Now Keith and Lance on the other hand was a whole fucking mess that they then shoehorned in an hetero romance to try and "fix it" but by lord it was bad, everything about voltron is so fucking bad

Anyway this is my Klance propaganda : They were actually bait

Klance's queer baiting by the team was the worst!! We had to deal with NETFLIX ALSO GETTING IN ON THE QUEER BAITING!! If you searched up Kkance during the times for season 6-8, the SHOW WOULD POP UP. The directors would make jokes about it being canon, even Lance's VA got in the joke!

Their queer baiting was the worst for anyone who was even looking for an ounce of queer rep in that show. The only queer rep we got was a man who died after not even 5 minutes on screen, and shoehorned in the credit scene of a gay wedding of a character that was neither Keith nor Lance.

I do not know Agatha and Sophie, so I can't argue that klance was bigger bait or not, I just know voltron was mean lmao. the creators said stuff like "lance will be someone's first choice!" (meaning NOT ending up in a relationship with allura bc she very much chose another guy over him) and heavily implying he would be Keith's 1st choice (or a guy in general bc of point number 2). point number 2: they also released official art showing how super cool and diverse the main cast was! race! gender! LGBT - they had shiro (who was......canon gay but that's a whole other can of worms) and lance hold the sign with LGBT on it and then did absolutely nothing with that w lance at all (he hit on allura, so obvi he's not gay, but at least bi or smt) (UNLESS you count the scenes where he's flirty with keith). I just remember going into the last few seasons being like "klance probably won't be happen be honest with yourself there's like no queer kids shows!! but damn like it so could tho!!! because of how much it's been teased both in the show and by showrunners like I can't have no hope with the way the producers talk about it!" lmao I should have had no hope, but i genuinkey believed there was a possibility it could happen. and actually I discovered after the fact that i think one of the writers for the show who was the main advocate for klance (they had a lot of diff writers for eps, which led to lots of character butchering but ANYWAY) left not terribly long into the show I believe bc he didn't like the direction it was moving in and didn't want to be tied to the show anymore. so it's not like fans just made klance up either - it was written into earlier episodes with the hope and plan to continue developing later, and then just nothing ever happened with it besides INTENSE teasing it to keep queer fans around. esp after shiro's relationship was literally only a flashback and then his fiance thing or whatever got blown up before we even got to watch him interact w shiro as we knew him in present time in s7, so I think they kept being like hmmm klance and the stuff about lance being a first choice before s8 to keep ppl around. also esp bc klancers made up such a big portion of the fan base. then they made a horrible szn and ended it w a flashforward to shiro marrying some random background character who maybe had 1 line? I just remember hitting the flashforward and being like uhhhh who is this dude??? but they did that to hit those diversity points wow first gay marriage in a cartoon or smt idk it doesn't count to me really. so anyway voltron in general is queerbait lol but klance is because it started out as a legit possibility and then they said sike! but only maybe sike bc u guys are mad at us burying our guys in s7 so maybe klance could still happen haha okay now we're serious no it's not happening. anyway I think klance is p bad queerbait and a vote for them is a valid vote, not just u liking the ship.

#im sorry but johnlock is a household name in ther queerbait trenches

I don't know much about blaze runner, but this website made me endure Johnlock FOR YEARS, that ship makes me so fucking angry, and it's so much bait, the whole fucking show is just 4 kinds of bait in a trenchcoat trying to pass as something good, and Tumblr(and the rest of the goddamn world) ate it up like a five course meal. So anyway that's why I'm voting Johnlock

[islandofsages]

Pomefiore boys with a friend (male reader), how is a hopeless romantic, where they help him (the reader) to win over his crush or comfort him when he is rejected.

characters: the pomefiore boys x male reader

tags: platonic, canon compliant, fluff, comfort, imagines format

warnings: mentions of beating people up LMAO, some physical contact in epel's

author's notes: ngl i was kinda debating writing this bc i was like hmmmm crush but yknow what? it's not romance with the main cast so i'll let it slide plus im excited to get a request after so long sorry if this isnt as good! pretty rusty from not writing imagines in so long ahaha

Vil Schoenheit

You went to the right person - who else has better rizz charm than Vil Schoenheit himself?

Of course, his first word of advice would be to just be yourself but just in case “yourself” isn’t enough, Vil has extended two generous offers to you: he will personally tutor you on how to steal your crush’s heart and if somehow they still reject you, he’ll have a uh… nice little talk with them. Totally. He has a reputation to hold up you know

Jokes aside, he truly believes you can catch your crush’s attention. He may be a little tough on you at times but he’s only trying to push you in the right direction

“Remember. If they do not give you the time of day, then they are not worth any of your precious time.”

If you get rejected, he’ll admit he feels a bit guilty - mostly disappointed in the crush (unless they have a good reason to reject), but still

Of course you insist that he doesn’t have to be sorry but he takes it upon himself to make up to you somehow

Whatever you need to recover from the rejection, he’ll try his best to fulfill your wishes

He’ll make time in his busy schedule to go out and treat you to something to cheer you up

In all the love in the world, maybe your crush isn’t yours to keep. But at least Vil’s is.

Epel Felmier

He may not have much experience with confessions or being a wingman but he’ll try his best for you!

He might search up how to impress a crush online and have you genuinely try the ideas he found and let’s just say that some of them are… interesting alright

You know he means well so you just follow along. At least the embarrassing times make for good memories to look back on and laugh over

“Maybe this’ll work…? How are we gonna find these though…”

He also offers to beat your crush up if they reject you but you quickly shut him down.

He’s there somewhere, hiding in a nearby bush (or whatever is nearby), when you confess to your crush, face scrunches up as if watching an intense Spelldrive match

If you get rejected, he’ll be a shoulder to cry on. Literally - he’ll sit beside you and offer to let you rest your head on his shoulder if you want

He may end up not saying much but he can listen to you for as long as you need him to

The tears of rejection may be salty, but the memories you made with your friend could sweeten any taste.

Rook Hunt

He’s delighted that you trust him enough to go to him for support

You think that you’d like to be more charming like him, what with his way of speaking and how he carries himself

Tears prick the corner of his eyes already; you have to ask him if he’s alright

“To think you saw me in such a light… it would stir any soul.”

He would even offer to teach you the delicate art of poetry if you so desire to win your crush’s heart through prose

If you get rejected, he’ll empathize with you, wearing a frown that you almost feel worse about than your actual rejection

He’ll let you say whatever you need to say or let out whatever’s weighing on you

When you’re done, he tells you that even such heartbreaking events could bloom into a beautiful flower one day - that you need not be concerned and see it as a learning experience

You laugh; how could you forget? There are many types of people out there. Just like how there could only be one copy of your crush, there could only be one of Rook.

[manikas-whims]

An Elusive Alliance

In which Rafayel and Xavier's first encounter leads up to a collection of more encounters, resulting in them forming a sort of alliance due to their love for you.

— a Rafayel & Xavier friendship mini fic with sprinkles of Rafayel x Reader and Xavier x Reader moments

next chapter ->

Encounter 1: the artist meets the hunter [AO3]

As the burst of light from your synchronized attack faded away and the Wanderer in front of you crumbled to dust, you slid your sword back in its sheath and breathed out in relief.

Like always, Xavier did a quick survey of the area before walking back to you.

“Do you want to go home together?” He asked.

“Sure.”

You had barely smiled at him when your phone began buzzing loudly.

It was quite unusual because most of the people in your life knew about your line of work and wouldn’t be disturbing you at this hour. “Most” being the keyword as you already had an inkling about who it could be. There were only a few people who’d bother you at odd hours, one of them being right there with you. And the other one was ringing you at the moment, as was confirmed by the caller ID flashing on your phone’s screen.

It was Linkon City’s one and only famed artist Rafayel. You answered the call. “Hey—”

“Miss Bodyguard! Come quickly! My life is in imminent danger!”

The words were yelled so loud that his voice could be heard outside the tiny speaker. And with the way that Xavier blinked curiously at you, you were sure even he heard it all.

“Rafayel calm down. Is it a wanderer?” You asked.

“It’s worse! Ugh! Just get here please!”

The call was disconnected from the other end, leaving your weary mind and body in an amalgamation of confusion and concern.

Xavier stepped nearer and leaned his face far closer to yours than anyone would deem appropriate between friends. “What is it?”

“It’s just..this friend of mine. He says he’s in danger but I’m not so sure..” You scratched your cheek in thought. “He says it’s worse than a wanderer.”

Xavier’s eyes narrowed momentarily before he took hold of your hand. “Let’s go.”

“Whaa– you’re coming too?” You asked, your eyes drifting towards his long fingers around your wrist.

“You said it yourself. It’s dangerous. Best we go together.”

“R-Right okay.” You mumble, even though you still weren’t entirely sure. After all, this wasn’t the first time that Rafayel had raised a false alarm on you. Regardless, you didn’t have the energy to explain to Xavier about how much Rafayel took delight in messing with you.

That, and you could be wrong too. For all you knew, a big wanderer could be chasing after Rafayel right now. The most reasonable option was to head to Whitesand Bay as soon as possible and check up on the situation.

Bursting through the doors of the art studio, you and Xavier immediately assumed a defensive stance. The living room was still intact, save for a few boxes cluttered in one corner, and the randomly scattered utensils around the kitchen counter.

“Rafayel, I’m here!” You called. “Where are you?”

“Shhhh!” The said artist popped up his head from behind the kitchen counter. “Over here.”

You took in the weary expression as well as the disheveled state his usually smooth purple locks were in. What could be stressing him out to such an extent?

“What is it?” You asked impatiently. You were still clad in your Hunter uniform and weren’t quite enjoying the outfit clinging to you due to the sweat. You also did not want to smell like sweat in the presence of two guys you were so close to.

Rafayel cautiously walked around from the sink and came to your side. “It’s this way.”

He pushed you in the direction of the cardboard boxes you’d seen earlier, his larger body firmly huddled behind your smaller frame. Xavier followed the two of you.

Your hand slowly reached for the trusted gun at your hip. You nudged one of the boxes with your boot and a snarl came from the pile.

Your eyes widened. The sight before you was neither horrendous nor dangerous like the Wanderers you were used to dealing with. The so-called threat Rafayel had been talking about were merely..kittens! A total of three and each no bigger than a can of soda. There was a bigger cat (presumably the mother) who had snarled at you when you had disturbed the box.

You rolled your eyes at Rafayel, then gave a small apologetic glance to Xavier who stood behind. For him to come all this way with you when he could've been showering and sleeping by now.

“This was your danger?” You folded your arms across your bosom and raised a brow at Rafayel.

“Hey! You know how awful they are! They’re demons! Always fooling you with their big sparkly eyes, only to pounce at you the next moment.” Rafayel spoke in his defense.

“They’re cats, Rafayel! Cats!” You emphasized.

“Oh please! Let’s not forget that time on Hat Island when an orange cat scratched my hand.”

As you two bickered, Xavier stepped closer to the cats who seemed to have made a home for themselves amidst the cluttered boxes. He slipped the glove off his right hand and to your surprise, rubbed the mama cat’s head. But even more surprising was the fact that the cat stroked her head affectionately into his palm, seemingly not afraid or untrusting of him at all.

“She must’ve crawled in through one of the open windows and found the boxes an ideal safe spot for her babies.” He explained without looking up.

“Who are you again?” Rafayel asked, rather suspicious of him.

Now that you thought about it, you realized how you were friends with so many cool boys but had never introduced them to each other. Hmm..Maybe you just didn’t find the right occasion to do so? Nevermind that.

“Rafayel, this is Xavier. He’s the best Deepspace Hunter I know, which is why I’m lucky to have him for my partner.” You said.

“I’m also lucky to have you as my partner.” Xavier smiled, then nodded in greeting towards Rafayel.

“And this is Rafayel. The young, renowned artist!” You introduced him excitedly.

“Um..hello.” Xavier scratched his cheek awkwardly. “Are you supposed to be famous or something?”

Uh oh..

You saw Rafayel’s eyes narrowing in annoyance even as he tried to mask it with a forced smile. “I am. Very famous in fact. The one and only of my kind.”

“Ahh..I see.” Xavier brought out a hand to shake it with that of Rafayel’s, his lips twitching as he too forced a smile on his face. “Nice..to meet you.”

Rafayel couldn’t believe you had the audacity to bring another guy to his house.

The said guy– Xavier– currently sat on the couch, his hunter jacket discarded and the buttons of his undershirt undone. His legs were sprawled casually as if he had already made himself home. And if that wasn’t the worst, the tiny kittens had followed him and were loitering around his legs, nipping and sucking on his combat boots. Meanwhile the mother sat snuggled in his lap.

“He once said he has no idea why but small animals tend to cozy up to him. Interesting right?” You told Rafayel whilst helping him with lunch preparations.

“Yeah..” He replied dryly. “But why is he here?”

“Well, we heard your voice on the phone and Xavier insisted on helping.” You informed him as if that was a plausible explanation.

Xavier insisted, huh?

Rafayel couldn’t put a finger to it but something was off about the guy.

In that very moment, the said platinum-blonde haired guy scratched his nape, as if he could sense the pinprick sensation of Rafayel’s gaze upon his back. Then he turned around, and flashed a close-eyed smile.

Rafayel frowned.

Something was definitely off about this guy.

if you've reached this point, then THANK YOU SO MUCH FOR READING ♡

i apologize for any ooc moments or grammatical errors..i’ll be editing it later on..

please ✩⁠ like - reblog - comment ✩⁠ on what you think and if you'd like me to continue this silly lil fic (i actually have ½ of chapter 2 already written out lol)

next chapter ->

» NAVIGATION | MASTERLIST «

[yonpote]

more tit spoilers yap

i feel like if each tour was a movie in a movie series, then tatinof and ii are parts 1 and 2, wad is a spinoff, and tit is part 3. i think tit is a direct sequel to ii because of the meta nature of the show being amped up as well as the themes of "giving the ppl what they want" vs "taking back what was taken from us" obv being a parallel. and obv wad and tatinof are also Extremely Meta, but the specific ways in which ii and tit are meta in terms of being ABOUT the audience-creator relationship is more overarching, whereas tatinof's meta nature is in it being an explosion of self-referential bits that they know the audience already loves. and wad... honestly idk if i would even call wad meta? it's mostly just self-indulgent, WHICH IS A GOOD THING because it is directly about dan's particular struggles with coping through a world that seems to be getting worse and worse and figuring that you HAVE to keep going and see thru to the other side. which i guess is meta in that its about himself but thats like calling an autobiography meta lmao.

i could be misremembering bc it was such a whirlwind experience for me, but i dont think they ever clarify if they DO believe themselves to be bad influences or not. now i feel like this should be obvious, but just in case it isn't: dan and phil did not make you gay. they maybe influenced you to come out, or influenced your gay fashion choices, or maybe seeing them be openly queer or reading fics about them and seeing shippy art of them stirred something within you to realize that you've been gay the whole time (which is also a joke that they do a couple times where theyre like "no we were STRAIGHT and we BECAME GAY in 2019!")

id love to hear about what was confessed to sister daniel and father philip at other shows i'll be honest i cant remember the confessed sins because i was too busy staring at those thighs im sorry i am just a man i am no better than a man

i have so many thoughts on phil talking by himself. i have so many thoughts about how much love is in that mans heart, both for dan and for us, even if he doesnt wear it on his sleeve all the time.

the rave part of the song was good lmao. it was catchy and fun and the like EVERYBODY STAND UP part was goofy but i had a good time with it. im an internet is here supremacist i think in terms of like, actually liking the song LMAO, if i were to rank all the tour songs it would go:

the internet is here

everything's fine

terrible influence

phil diss track / interactive introverts (IM A HATER SORRY)

[writingbyshiloh]

Cautious yet Optimistic and Graceful Part 2

Part 1 & Part 3

CW: Morally gray reader, F!Reader, John Wick-type universe (ie, killing, the reader thinks about past injuries from fights. training not descriptive). Not smut but suggestive thinking from both Vincent and the reader, mutual pinning, and worldbuilding but no description of the reader. Smoking, a nonsexual cigarette burn on the reader, brief drinking. MAYBE OCs (Fictional staff for the fictional hotel). NO BETA

Summary: The Marquis de Gramont still annoys you. But he needs help from you(r hotel). Like a good manager, you help. 

AN: PART 2 everyone!!! Thank u for the likes/comments/reblogs! This takes place a few months after part 1. IDEK if this is ooc the man had like 30 minutes of screen time overall and I’ve been writing this for a week. I read it a few times for spelling but something got messed up copy and pasting and a para or 2 got dropped. Part 3 will be out ???? soon(ish)

Something about today had his words bouncing around in your head. Out of all the ways to describe someone, he narrowed it down to three (well technically he used six). 

Cautious. Sure, you can see that. Out of a love of being alive, you tried not to take any unnecessary risks in your fighting days. You also tried to avoid having a marker whenever you could. There was one in existence with your blood on it. A favour for someone you thought was a friend. You held up your end, the bloody fingerprint stored in the New York Continental as proof. 

Optimistic. That also makes sense. You actually enjoy what you do, loving being part of the criminal underworld before and now. You haven't been the manager for too long but would already die for this hotel. 

The part that was throwing you was graceful. You didn't think you were that graceful physically. You have scars to prove that you've taken a hit, slash, or burn many times. Did he mean gracefully with people? Camille did so much for the hotel, you just deal with regular hotel things (like getting Monument Historique status for a collection of French weapons, take that, Vincent). The other part was implanting rules from the high table. Maybe just being graceful and polite when you were resisting the urge to claw your eyes out. 

It could also be flirting. You felt he wasn't the type to hit on someone out of the blue. Sure he was smart and confident, but it seemed like too big a risk for him to take. Unless he is just a playboy, which is something you find yourself tempted to google twice a day. 

You would rather die than admit it, but you almost like when he called you Mademoiselle. Almost. It was like a nickname, plus it brought out his accent more. When you found yourself enjoying.

To make things worse Camielle caught on to your crush immediately. While embarrassing, it did show how clever she was and you were glad she was the concierge. Her knowing also gave you an excuse to just tell Vincent your direct number, so Camille would stop reminding you how frequently he called.

You love the bar in the hotel. It is beautiful, decorated in an Art Nouveau style, with large windows allowing for the sun to filter in during the day. You were almost pleased that Vincent asked to meet you there, allowing you to subtly show off your business. 

Finding him at the bar wasn’t hard, no one else was wearing a dark green three-piece suit, complete with a complexly tied tie and their coat of arms pin. He looks good but tense, one long leg crossed over the other. Plus, you could see Chidi and another guard in their gray suits keeping an eye. You were thankful that you took extra time this morning on your outfit. 

You slid into the chair next to him, after shaking a few hands with other big names down in the bar for a late-night drink. 

“I hear you have a problem.” You say, while not knowing the full details, just that he wanted to meet you in the bar and something was wrong. It kicked your heartbeat up, even if you only told yourself it was the stress of him being here. 

“Correct.”. 

“I’m sure you know because of your love of rules, but I can only help those who are using the hotel services.” 

You didn't care that much, and would absolutely bend the rules to do him a favour, but couldn't resist a chance to get a dig in.

The Marquis pulls out two gold coins and slides them across to the bartender. He orders a top-shelf spirit before his eyes cut to you. Now he's buying you a drink in your own hotel. You would want him to buy you a drink in a different situation but at least he didn't order for you. That may cause you to actually kill him.  

Clearing your throat you order your usual, quietly thanking the bartender when the drink was placed in front of you. 

The bar wasn't loud, but he dropped his head towards you so you could hear him better and to give the conversation some privacy. 

“You have a cartographer here, no?”

You nodded. The cartographer is excellent. He had blueprints for buildings past and present, as well as the catacombs. He also had knowledge and keys to abandoned buildings if something had to be desponded and not be found. 

“How soon do you need him?” While one of the best, he was away for his daughter's wedding

“Tonight.” 

You took a small sip of your drink. You could probably get the information he was looking but you wouldn't be as efficient. 

“While we do have a cartographer, he's gone to a family event. If your plans are that urgent I can try my best to fill in.” 

Content with your answers, Vincent leaned back into his seat taking a swig of his drink. You took the finishing sip of yours before pushing out of your chair. 

“I have spare keys in my office. I’ll meet you back here in five.” 

For how commanding and prideful he is, you never expected him to need the services from your hotel.

The maps room was fairly boring. Three out of the four walls were filled with lockboxes to various maps. Blueprints, and documents for France and even some other countries nearby. 

“Are these your beloved catacombs?” The Marquis asks, studying the paper taped to the wall. You asked the map maker for more information and for ideas on what you could do with them. 

You hum in agreement, deep down thrilled that he remembered such a small part of your conversation ages ago. 

Your eyes jump over the numbered lock boxes in front of you, trying to find the one he needs. 

You half expected him to help you pull out maps and building plans, a blend of chivalry, showing off his height, and getting under your skin. He didn’t, letting you struggle with the lock instead. 

Vincent knew he should help you, but the way your back was arched as you tried to open one of the lockboxes out of the dozens was more interesting. His gaze moved over your legs, before looking at your ass in your skirt. 

Feeling the lock give a turn to the side, you peek inside the box to make sure the plans were there. Hand sliding in, you pulled the thin tube out, double-checking the label on the front to make sure it is the one you need. Leaving the box unlocked you turn to face Vincent, a triumphant grin on your face.

Maybe your grin and pride in getting the correct documents were a bit unprofessional but he didn't care. Not since the small room amplified the smell of your perfume and how the spent the better part of the last five minutes checking out your legs. 

Uncapping the tube, you pulled out the blueprints and spread them on the backlist glass table in front of you.

“Here are your prints,” you state awkwardly. You're not sure why he needs them, and why he personally came here. Chidi is keeping guard outside the map room, despite you repeating the hotel policy of no business. 

The Marquis nods in response already focusing on the table. You flatten a small map from the tube in case he needs context on the area. Not likely since he already knows what to look for, proven by his notebook and the constant sound of his pen against the paper taking notes. 

Watching him study the map may have been alright at first, but three hours later you are tired. There are only so many times you can look at his hair and wonder if he would get mad if you run your hands through, or gently tug it. Or what his hands would feel like, especially with his signet ring. 

The grandfather clock tells you that it's only 2:36 am but you feel like it's later. Even Vincent looks slightly less than perfect, hair falling out of place from where he had gelled it that morning.

He is a guest of your hotel so you're going to keep helping him no matter how long he stays. Just with a bit less optimism. 

“Mademoiselle?” Your eyes snap to his face at the sound of his voice, pulling you from your thoughts. 

“You look tired. You should go to bed,” he comments. 

Wow. Thanks, you think. 

“I’m okay. I’m happy to stay here as long as you need,” you say while hoping he leaves soon. “How are the plans going? The cartographer can help you with the finer details when he gets back.” 

“That is not necessary. I have all I need here.” He slowly stretches and starts to stand. You never considered it but being hunched over the table must have been hell on his back given his above-average height. Finally seeing your chance to go to bed, you quickly make it over to the door, opening it for him. 

“Merci, again.” He thanks you as if this is not your job. 

“Do you want me to walk you to the main door?” You have all your floor plans memorized. 

“We are fine.” He replies. 

He looks at you and you can't read his expression. He's less tense, obviously getting what he needed from the plans. 

“The high table did a good job making you the manager.” 

You feel pride swell in your chest, despite the exhaustion you feel behind your eyes. 

“Bonne nuit, Mademoiselle” 

“Bonne nuit. Bon matin.” You quietly wish him as he leaves, wasting no time putting the plans away and locking the map room door. 

You let out another exhaust of bitter smoke, watching it curl away on the cool night air. You didn't start smoking in Paris, but dropped and picked the habit a few times.

“Fumes-tu, Mademoiselle?” a voice behind you makes you flinch. You didn’t tell anyone that you have a secret smoking place, let alone that you went out to smoke. 

You spin around before relaxing at the sight of the Marquis, clad in a dark suit, his signature pin on the lapel reflecting the light. 

You nod, before realizing he probably can't see you well under the lights in the alcove. He is by your side quickly, long legs carrying him the short distance. 

You tip your head to the small table, where your rolling papers, tobacco and other smoking paraphernalia sit in a silent offer. Vincent looks at the table before facing you again. Guess he's too fancy to smoke you assume while taking a drag.

You turn your head to blow out more smoke, careful not to blow it in this direction, a hard feat considering he was extremely close to you. The smell of his cologne drifted under the smell of smoke. 

You move your cigarette down and out to the side, fully ready to see why the Marquis interrupted you. Watching his face, his eyes dipped down to your lips and then back to your eyes almost a silent asking. The smooth and sophisticated era was still there but there was uncertainty under it. 

You slowly leaned closer, not wanting to make the first move, but you want this to happen. He hand-cupped your face, the cool metal of the ring nice as he shifted closer, leaving a small gap for you to make the final push to kiss him. Just a few more inches and then -

Pain. A sharp burning pain on your pinky finger. 

You jerk back, trying to examine what happened. Your cigarette slipped while you were distracted and the glowing embers of the end dropped only to land on your pinky. 

“Shit. Sorry,” you apologize, letting out a nervous huff of a laugh while holding up your burn. The Marquis was unreadable, hand withdrawn. Does he think you rejected him? 

He reaches for your wrist and you let him take it. Slowly he brings your hand up to the outdoor lamp to inspect your burn. The stinging has subsided but you are sure the flesh is a bit swollen. 

With his free hand, he takes the offending cigarette and brings it to his lips. You can't help but stare, cigarette burns long forgotten as you watch him take a deep inhale, before exhaling over your head, so no smoke blows in your face. Part of you regret not making the final push to kiss him, while another hopes he takes another puff. 

Vincent brings your cigarette down to examine it in better lighting before placing it back in your hand, still firmly in his grasp. 

“It is not a well-rolled cigarette. It is too tight.”

There it is you think. The classic Vincent snark. But you secretly hope he rolls one so you can watch his hands and watch him smoke it. 

“You don’t have to smoke it.” 

“I just wanted to give you this.” He reaches into his suitcoat pocket, retrieving a white envelope. His hands brush yours while you grab it. 

You know his handwriting from the time with him in the map room, and you could easily tell he wrote your name on the front. 

“Thank you?” you weren't sure what was inside but you were being all the things he described you as. 

“I will go, and let you read it.” 

You watch him leave, thoughts racing too fast to try and save the situation.

Do you call out after him? Does he think you rejected him? Maybe not because he still gave you the envelope. 

You ash your cigarette before collecting your things and going back to your office. Maybe things would make more sense there.

Taglist: @heartrot666