#also strangers too

[gumy-shark]

i wish all my mutuals who @ me in those tag games a very i swear i see it and i love being thought of even though i rarely if ever do them. i love you.

[asthedeathoflight]

I think an underrated angle on 2x05 is something that either Jacob or Assad said in some interview somewhere, which is that in that episode Louis is addicted to heroin. Thats why he has that whole stash of drugs that he gives to Daniel, that's why he gives Daniel the drugs even though he's already got him alone. He didn't just use those 128 boys for sex he was using them to get high. Bring them home, get them to shoot up, and then drain them to get that secondhand high.

It clarifies something that's always confused me about that scene, which is why Armand saves Daniel the first time. He wouldn't save Daniel as a person, he clearly knows Daniel needs to die, but he's not seeing Daniel as a person there. Daniel is just a substance. He rips him away from Louis to stop him from using.

And i think that adds a whole other layer to the fight he and Armand have to think that this is Louis on a bender, with Armand cleaning up after him because he's not stable enough to. Louis in the bed for a week isn't just healing from the burns, he's going through withdrawal. Him at the table with Daniel giving him the "bright young reporter" speech is probably the first time he's been sober in months.

It adds another layer to Armand's desperation, that Louis has been running from both Armand and himself in this way, and of course Armand wants to erase that memory. Of course he wants to pretend that that fight never happened. Not just to protect himself but in a way to protect Louis from having said those things. When he describes the fight to Louis afterwards, he says "you said the worst things you've ever said to me." And he doesn't really know how to forgive Louis for that so he just wants to bury this rock-bottom moment and move on like it never happened. After all, Louis was high, he didn't really mean it, but if he remembers then maybe he might think that he had a point. Better to wipe the whole experience away.

[munsons-mutiny]

One of my favorite trope for Steddie is Steve hunting down Eddie when the kids join Hellfire and giving him a long list of dos and donts.

At first Eddie thinks he’s just being a prick, and worried he’s going to turn the nerds into freaks like him. Especially when he says not to mention drugs in front of Dustin.

But then he starts pulling out lists of monsters that can’t be in campaigns. And like what??? Why can’t he use demagorgons? They were gonna be in the next combat! He’s tempted to ignore the warnings, in fact he’s all set to, but something about Steve’s face when he was laying it all out haunts him. Something so deadly serious about it. So first he decides to test the waters to see if he’s full of shit.

When the session starts, he makes a throwaway comment, “you’re acting like there’s a mindflayer around the corner.”

All the kids freeze but Wheeler especially looks like he’s going to be sick. He even grabs at the bracelet around his wrist. The one he always said his best friend made him before he moved.

Eddie curses himself for even trying to test it out after that, and immediately bullshits the whole session so he can scrap any hint of demogorgans from the campaign.

After that session he drives straight to Harringtons house and demands they go over all the things he can’t include again, in detail, while he takes notes.

He doesn’t know what’s going on with these freshmen, but he knows trauma when he sees it and well he’d gotten attached to the gremlins.

When he leaves that night, he thinks Steve is looking at him with approval. Like he trusts him with their well-being now.

[kennahjune]

Having thoughts of The Party being touchy as all fuck after everything.

Like you cannot enter nor leave any kind of hang out without a hug, high-five, pat, or anything from everyone you were hanging out with.

And then, suddenly, you aren’t able to leave without a kiss or hug of some kind from Steve.

It started after the bullshit that was the Starcourt Mall. The kids were leaving Steve’s house from a DnD session maybe 2 months before the Byers left for Cali.

Dustin was taking forever to pull his shoes on and get out the house to his moms car and everyone was complaining. It was one of those rare times where Steve wasn’t the one carting them all around— they all had their own rides.

Dustin got his shoes on and Steve handed him his bag and— without thinking— pressed a kiss to the top of his hat before waving him out the door.

The rest of the kids are silent until Mike speaks up bitchily “what about us, asshole?”

Steve has no idea what they mean until El points to her head with a grin. Steve deals out head and forehead kisses for everyone and waves them off to their respective rides.

And then it just— sticks. At first it’s with just the kids whenever he sees them. He’ll usually greet them with a hug or an exasperated sigh and then say goodbye with a kiss to their foreheads.

Not even Mike complains. This is the kind of shit he never got while growing up— might as well make the best of it.

And then it migrates to Robin as well, and the Nancy is joining in on the hugs (they’re still too awkward for the kisses but the hugs are enough for now).

And Steve never holds back, not even in public. Again, no one complains.

And that’s how Hellfire finds out about the kissing arrangement (that might be the title of this if I make it an actual fic). They watch as Steve presses a forehead kiss to Mike, Lucas, and Dustin before waving them off and then presses a kiss to Max’s head and giving her a tight hug.

The guys try to make fun of the kids for it but none of them are embarrassed.

“It’s Steve, dude. He’s like a mom.”

“The kisses are actually really comforting.”

“It’s a Party thing.”

And then the fuckery of 1986 and Vecna happens and suddenly Eddie’s in on the hugs and pats and high-fives.

And then.

And then.

He’s in on the kisses.

Steve doles out the kisses like usual one night after Hellfire and gives one to everyone— including Eddie.

And Eddie panics and gives Steve one right back.

And then the kids are going feral about wanting to give Steve a kiss too.

And Eddie leaves during the chaos.

And then they don’t talk about it.

Until Steve and Eddie do it again.

And the kids accept is as the new normal; you have to give Steve a kiss back.

And then Steve and Eddie have an excuse to kiss each other on the foreheads and cheeks and noses.

One night they’re hanging out, just the two of them at the trailer after Wayne left for work.

Steve had greeted Eddie with a tight hug the moment he’d gotten in the trailer. Eddie had squeezed back just as tight if not tighter.

Steve was getting ready to leave, and on instinct leant in to kiss Eddie, but Eddie was also leaning in to kiss Steve. So they meet in the middle and accidentally kiss on the lips.

And then the new normal for Steve and Eddie is kissing on the lips goodbye.

Idk, just Steve being a very touchy feely person makes me so happy

[shushmal]

Eddie sits and watches Steve’s kitchen clock slowly count closer and closer to their movie time—closer, then past. It’s 30 minutes gone from showtime when he hears the bathroom door upstairs close and shut, and Steve’s bedroom door quietly doing the same.

Wincing, Eddie counts down slowly from 100, lets Steve wallow for a bit, before he gets down from his stool to head up.

“Hey,” Eddie murmurs, sitting beside the lump under Steve’s blankets. The lump does not reply. “Baby, you okay?”

“No,” it whines, and Eddie’s glad Steve has shoved his head under his pillow because Eddie can’t help cracking a smile. “I’m dying, and I’m a shitty boyfriend, and you’re going to dump me.”

Eddie scoffs. “The day I dump you is the day you send me to the funny farm,” he says, mock serious. “You do shit a lot though, babydoll.”

Steve whines louder. “It’s not fair! You eat expired hotdogs! Raw! Straight from the fridge!!”

“Guts of steel, Stevie! Your upper middle class suburban tummy would shrivel and die in the face of things I’ve eaten.”

“It’s shriveled and died already, thanks.”

Eddie laughs, and rubs his hand along Steve’s arm. He knows better than touching him anywhere else when Steve’s stomach is upset. But the fact that he’s in bed, under the covers, must mean the worst is over.

“You want me to get you anything?”

“New organs and a surgeon to put them in.”

“I was thinking more like water? Toast? Pepto?”

“A quick and painless death?”

“I’m afraid I can only offer you kisses and cuddles when you feel up for it. And the aforementioned consumable items.”

Steve’s head comes out from under the pillow and he squints at Eddie. His hair is standing up in wild spikes, and Eddie chews his lip to keep himself from laughing.

“Who the fuck says shit like aforementioned, you absolute dork.”

“You love me,” Eddie says, grinning.

Wrinkling his nose, Steve sighs, flopping back down on the bed. “I guess,” he admits, looking up at Eddie through his lashes with a little, miserable smile, and taking Eddie’s breath away. Even when he’s miserable and whiny, Steve remains the prettiest person Eddie’s ever had the luck to lay eyes on. “I guess I’ll take a water. And a kiss, if it’s not too much trouble.”

Eddie grins, leaning down. “Anything for you, princess.”

[paladinsbrainrot]

kids

full version + close ups !!

original version (since I updated this after i got a better look at their outfits)

[demaparbat-hp]

Oh, Aang, you're really in it now...

This is Zu—I mean, Jian Li and Katara's second meeting in the Kyoshi Warriors AU. The first proper one, anyway.

Once they get through a minor difference of opinion or two (“I can carry my own basket!” “Never said you—” “I'm not weak!” “I didn't—” “Just because I'm a girl doesn't mean—” “Would you listen for once, woman?!” ) they'll become nearly inseparable.

For now Jian Li will carry Katara's basket all the way to the Kyoshi Warriors' dojo and, once there, they'll mercilessly tease Sokka when they see him in uniform.

[mobius-m-mobius]

#happy anniversary to remembering this actually happened 😘✌️

Loki S2 Anniversary x Episode 5 - “Science/Fiction”

[fandomsandfeminism]

On Saturday, in New York, a group of friends pulled into a strangers driveway to turn their car around. The homeowner came outside, shot at them, and killed one of the 20 year old women in the car.

Last Thursday, in Kansas City, a 16 year old boy ended up at the wrong address by mistake trying to pick up his younger siblings. He rang the doorbell. The homeowner shot him in the head. He is, miraculously, alive and recovering.

Yesterday, in Texas, a group of high school cheerleaders stopped at a grocery store on their way home. One of them opened the door to the wrong car by mistake, realized her mistake, and quickly retreated and found her friends car nearby. The man in the car followed her and shot at the group. 2 were shot. One remains hospitalized.

In less than a week- 3 people, doing normal, nonmalicious, nonthreatening, everyday things. Turning around in a driveway, ringing the wrong doorbell, going up to the wrong car by mistake. And with no escalation, no warning, it turns to gun fire.

It's a terrible intersection of easy access to firearms and an entitlement to use violence against others. All 3 of these recent incidents were so unprovoked and unjustifiable, and the core thread remains the same.

A man who felt entitled to use violence and had the means to do so with a firearm.

I don't even know what to say.

[unkreativstermensch]

Corroded Coffin making it big after touring with Metallica, but at this point they’re basically immune to being starstruck ever again (because…well, they’ve toured with Metallica) so they’re pretty chill around famous people.

Fast forward to an award show a couple months later, Eddie brings Steve, Steve brings Robin and while Eddie just mostly stays at their table chatting away with Jeff and James, Steve and Robin get drunk and go absolutely ballistic.

Running around, stealing bread from all the other tables, and doing shots with everyone who’s willing to put up with their antics. At some point Steve comes up to Eddie, hands on his shoulders, excited and giddy and tells him, „Hey Eds, I just talked to Rick Astley! He’s such a nice guy. Robin told him he should release a negative version of his song and just sing ‘then im gonna give you up, then im gonna let you down’ and he actually seemed to consider it as an April Fool’s joke or something.”

And Eddie just looks at him, an amused, fond smile on his lips, says, “that’s great, baby, m’glad you’re having fun“ and presses a kiss to Steve’s neck, before turning around again, resuming his conversation with Kirk about about a song idea.

[nthflower]

I love art made with love so much I love people putting their heart to something I love seeing people exited about something like yeah be happy

[toktopus-art]

i drew something similar last year but this time Eddie's there :)

[plistommy]

Steve takes Eddie’s virginity by riding the older boy after a long session of smoking and drinking inside the metalheads cramped van.

He’d praise Eddie on how good he’s making him feel, how big his dick is and how he’s so pretty under him that it makes Eddie moan loudly, strong hands roaming and squeezing the fat of Steve’s ass as he begs to fuck Steve harder.

”I need to fuck you, Steve- please, sweetheart-”

Steve would kiss him, sloppy and wet as he whines into Eddie’s mouth when the dick inside him hits just right.

When he pulls back, breathless, he picks up the pace and finally lets Eddie buck up to meet his thrusts.

Eddie would just look up at Steve, brown eyes wide and realize he’s so in love with the gorgeous boy on top of him and he never wants to let go. Never.

[sp0o0kylights]

Part One / Part Two (You are Here) / Part Three 

A03

Hopper had undersold Harrington's condition. 

Wayne hadn't expected anything pretty, but the face that turned to them as they walked through the door almost had him freezing in place. 

Black eye, bruised chin, split lip. 

More and more bruises, some faded and some very new, trailing down the kids neck. 

 The rest was hidden by his preppy little polo shirt, but Wayne didn't doubt that there were more.

Harrington tried to stand when they entered the room and the way he moved--entirely unbalanced, clearly in a lot of pain--made Wayne think the only thing the kid really needed was a hospital. 

Because Steve Harrington hadn't just been beaten. 

He'd been tortured--and very recently strangled. 

(Abruptly, Wayne realized that Hopper had implied the boy had been in the mall fire--just as much as he implied the mall fire was anything but. 

He also hadn't stated how Harrington had escaped the Suites trying to break into his house.) 

"Sit down." Hopper commanded, and Wayne expected Harrington to do anything but listen. 

Say something cocky, or act the part of a demanding little shit maybe, despite the condition he was in.

Instead the kid just sighed in relief and dropped like a stone, right back into the chair. 

Hopper came around his desk, talking all the while. "Steve, this is Wayne. Wayne, Steve."

"Hello Sir." Steve croaked politely. His voice was wrecked, no doubt from the necklace of finger shaped bruises around his neck.

"You're going to stay with him for a while, and you're gonna pay him for the privilege." Hopper informed him, as he began digging around his desk. "Money, chores, whatever Wayne wants." 

Wayne held his gaze as Steve turned to appraise him. 

Would Harrington pitch a fit? 

Would he look at Wayne's work clothes, streaked with dirt and sweat, with the name of the warehouse embroidered in the corner and crinkle up his nose, just like his daddy did? 

Hopper didn't lie, but a part of Wayne wanted to see just how different this Harrington was. If the respectful demeanor was an act done for Hopper. 

Or perhaps, Hopper had mentioned Steve's father for a reason, instead of his mother. Did he adopt her ice-like approach to life? 

Micro managing and long-held grudges were Stella Harrington’s game, and she excelled at it. 

Steve however, did nothing of the sort, instead settling with the situation in a way that reminded Wayne far too strongly of the men and women who'd come home from war.

"Okay." The kid said simply, after a long moment of consideration. He turned back to Hopper. "But we need to tell the rest of the Par--" 

Here he cut a look back to Wayne, correcting himself. "the kids. I don't want them showing up at my house trying to find me and freaking out." 

"They wouldn't--" Jim paused, fingers freezing from the rummaging they'd been doing. "they absolutely would, goddammit." He muttered darkly.  

"I'll tell the kids. The only thing I want you doing right now is laying low. I need to get a hold of Owens, but it's gonna take time to do that, and more time to fix this, so as of right now, Harrington? You're on vacation." He pointed sternly, as if Steve might argue.

The kid looked too tired and messed up to bother trying. 

"I mean it. You're out of the country, where is anybody's guess. No one's seen you and no one better be seeing you, got it?" His voice held firm, and Wayne had to blink because the tone here wasn't one of a police chief warning a teenager--but of a father talking to his son.

He knew, because his own voice did that now. Took on a worried tone that masqueraded as something more like annoyance and seriousness. 

"Yes, Sir." Harrington said, remaining weirdly compliant. "Consider me gone." 

A hand came up to briefly press above one eye, and Wayne wondered if the kid had been looked over, or if they had just crammed him into Hopper's office without offering so much as a tissue box. 

How many painkillers did they have back at the house? Wayne usually kept a good bottle around, but Steve was going to need more than that…

He found himself once again cataloging Steve's wounds, this time comparing them to the medicine cabinet he had at home. 

"I expect you to be a damn good house guest, you hear me?" Hopper continued, trying to cut a menacing figure. He finally found what he was looking for; pulling out a large, padded envelope. 

He handed it over to Harrington, who took it without looking, shoving it into the duffle bag he'd had sitting at his feet. 

There was a smudge of red on the handle of said bag, that matched perfectly up to a shittily done wrap on Steve's right hand. 

Wayne mentally added 'buy more bandages' to his list. 

Steve nodded at Hopper again. "Yes, Sir."

Jim’s eyes narrowed. "Quite that, you know I hate that." 

The briefest glimmer of mischief crossed Harrington's face. "Sorry, Sir. Won't happen again, Sir."

'Ahh.' Wayne thought. 'So there's a teenager in there after all.'

Jim rolled his eyes. "Get out of my office."

"Thanks Hop." Harrington said, finally dropping that odd obedience, a hint of a smile on his battered face. 

He stood, and Wayne had to stop himself from offering an arm out as Steve reached for his bag and limped towards him. 

He paused right before he left Hopper's office, hand on the doorframe.

 "You'll check up on Robin too, right?"  He asked, and for the first time his tone took on something more alive--and filled with worry. "And Dustin? Erica?" 

"Dustin and his mom are finally taking me up on my suggestion to see their family in Florida for a while, and the Sinclairs are taking a sabbatical from Hawkins. I'm working on the Buckley's." Hopper drummed his fingers on the desk. "So far, no one else besides you and El have been targeted, and we're going to keep it that way."

Steve let out a breath, and while Wayne could tell the worry hadn't left him, he could almost physically see Steve force himself to put it away.

Another act that was far beyond the kid's years. 

A different officer popped up as they walked down the hall towards the exit, waving his hand madly. "Harrington! Chief says you forgot this!" He barked.

(Or tried to anyway. Callahan wasn’t the most aggressive of officers and frankly, never would be.)

A slim sports bag was held in his hands, and Steve nearly tripped over his own feet when he tried to turn and claim it.

"I'll get it." Wayne said, knowing his tone sounded gruff.

No use for it. He could either sound gruff or sound sad, and Wayne knew better than to start off the relationship with yet another hurt young man by acting sad.

Pity wasn't gonna win him any favors here. 

He took the bag, slinging it over his shoulder, uncaring of the wince on Harrington's face until something sharp poked at his shoulder. 

Several somethings, in fact. 

"What the hell do you got in this thing?" He asked once they hit the parking lot, voice low as he escorted Steve to his truck. 

"Just a baseball bat, sir." Steve said, in the exact same tone Eddie used every time he thought he was bein’ slick. 

Considering the thing in the bag could have passed for a baseball bat if not for the sharp pokey bits, it wasn’t a bad attempt. Steve just hadn’t accounted for the fact that Wayne lived with Eddie. 

An unfair advantage, really. 

‘Least there can’t be any baby racoons in the damn bag.’ Wayne thought idly. 

Went on to gently put the bat in the backseat, watching as the kid struggled to lift himself into the truck.

"You can drop that, I take too being called Sir about as well as Hop does." He said, keeping his tone nice and calm, hoping to ease into calling Steve out on his lie. 

Fussed with a few dials on the stereo, giving Steve an excuse to take his time before starting the engine and taking the long way home.

Wayne wanted to talk a little-- without the chance of Ed’s interrupting. 

"Son,” He started off. “I was born in the morning, but not this morning. I'm hoping to make the next few weeks as easy as I can for both of us, and I can't do that if you're starting off with a lie." 

Steve blinked, turning to face him in a matter that was too fast for his injuries. He didn't bother hiding the hurt it caused him, but his voice stayed even as he spoke.

 "What do you mean Si--Wayne." 

"Nice catch.”  Wayne said. “We’ll get you there yet.” 

It was a trick he'd learned with Eddie--little tidbits of praise went a long way when it came to gaining trust.

Especially with kids who hadn't ever been given much. 

Harrington seemed smart to it, or perhaps was just hesitant to speak in general because he remained quiet, not offering up any info. No further lies, but nothing towards the truth, neither. 

Which was fine. Wayne didn’t think a little pushing would hurt.

"That bat of yours was digging into my shoulder like a bee swarm." Wayne continued, when it became clear Steve wasn't talking. "I'm more a fan of football than baseball, but last I checked they hadn't changed the design of a bat." 

"What teams?" Steve asked, perking up a touch. "Of football. Which ones are yours?"

Wayne could ignore it of course, or demand Steve give him an answer to the question he asked. 

He did neither. "I’m liking the Colts since they got moved here. You?" 

"Green Bay Packers, though I like the Colts too--that trade in 84’ was crazy." Steve said. After a second he proved that answering instead of pushing was the right move because he added; "What did Hopper tell you? About…" He trailed off, making a gesture Wayne didn't bother trying to interpret. 

"He said some things. I've guessed a few others." Wayne admitted. Cut a little look out of the corner of his eye as he came to a stop sign. "I know the feds are real interested in you after Starcourt." 

Steve took that in, hands tightening on the handle. 

"It really is a baseball bat." He said, a little fast and with the tiniest hint of that challenge Wayne had been looking for. "It just also has nails hammered into one end." 

Wayne took that in with one nice, slow blink. 

"A bat with nails in it." He said, and it made a hell of a lot of sense compared to the sensation he'd felt carrying the case. "You use it against anyone?" 

"Some of the feds." Steve admitted, and even with his eyes on the road Wayne could tell he was being stared at.

Judged.

Not in the way one expected a rich kid to judge, but in the way Eddie had, those first few months he'd lived here. The times when  he'd push, just a little, to see what Wayne's reaction would be. 

Eddie hadn't done it in a damn long time, but Wayne recognized the behavior nonetheless. 

"Anybody else?" He asked. 

"Nobody human." Steve replied. 

"Alright." Wayne said, and made a mental note to drop all questions related to that. 

He didn't need to know, definitely didn't want to know, and had a feeling if he did know he'd find himself being watched by the same spooks after Steve.

"I've got a few deck boxes that lock on my porch. Think you'd be agreeable to leaving the bat in one?" 

Steve paused, hand clenching tighter around the strap of his duffel bag. "If you gave me a key so I could get it in an emergency,  I'd be happy to." 

He tried to sound calm, even a little charming in that sort of upper-class businessman sort of way, but the fear bled through. 

The kid wasn't happy separating from the bat, and given it sounded like it might have saved his life recently, Wayne understood the hesitation. 

With an internal apology to Eddie, he promptly threw his nephew under the proverbial bus.  "I've got my nephew at home and he'd be far too interested in it, is all. Blades and weapons and such tend to attract him, and I don't need to be rushing anyone to the ER." 

All of which were very true facts (one Wayne learned the time he'd allowed Eddie to bring a sword  home, only for him to nearly cut his own nose off winging the thing around) but he figured it might make Steve more amenable to separating from it. 

Sure enough, some of the tenseness bled out of Steve's shoulders. "Yeah that's fair." 

The truck hit a few potholes as they finally turned into the trailer park, and the kid hissed, a quiet sound. 

Judging by the uncomfortable wince, and hands clenched into his jeans something painwise was giving him trouble. 

"When was the last time you took a pain pill?" Wayne asked, doing his best to weave around the other holes that dotted the gravel roads.

Steve blinked. "Uh…" 

"You take any today son?" 

Steve his head. 

"Didn't have time to grab it." He said, offering a sad look to his pack. 

Course he hadn't. 

"Let's get you inside then and get you some." Wayne said with a sigh. Thankfully Eddie's van wasn't here--Wayne was fairly certain he had band practice today but knowing him it could be a million other things.

Just meant he had to acclimate Steve as fast as he could, to try and get the poor guy settled before Ed’s came in. 

He just hoped life and lady luck would work with him, for once. 

[psychotic-nonsense]

In October of 1967, Steve Harrington is born in Hawkins, Indiana.

He's raised there, forced to live under the strict expectations of his parents, Richard and Samantha. Barely escapes their clutches, freedom fueled by the kids and adults that take the role of guardian and family when the time is right. Keeps himself in check with the always impending apocalypses that arise beneath his feet.

In June of 1985 - when Steve Harrington is 18, while Richard and Samantha Harrington are visiting New York for an extended work trip - Veronica Harrington is born.

She was carried and raised in secret from their hometown. They take care of her between their business hours, dropping her in the hands of nannies and babysitters galore. They don't even think of Indiana during Veronica's early childhood, too focused on work and making sure their daughter starts up right.

In October of 1986 - when Steve Harrington is 19, aged further by ending the Vecna War, yet tamed by his newfound love in Eddie Munson - Richard and Samantha Harrington return to Hawkins.

They don't ask about what happened to their son. They don't ask about the town. They don't ask questions, just give responses to them. Sneering at Steve's friends, complaining about the state of the house, commenting at the disfunctional chaos their home has become.

In November of 1986, Richard and Samantha Harrington disown Steve.

They just let him go. They at least give him a folder of his legal documents, but otherwise just tell him to get out of their house and never use their name again. Claiming Steve doesn't need anything from the room because the Harrington's own everything in it. They don't call him son, they don't say goodbye, they don't acknowledge who's actually taken care of the house, they don't admit most of Steve's former room has changed with money Steve earned himself, they don't dare to give him any money or care where he goes. They just say they're sick of dealing with an unworthy mistake of a child, and force him out of their house.

In November of 1986, the Party's adults adopt Steve.

He runs to them first after everything happens. Held himself together at the start, but broke down the second the words were out. While everyone was trying to comfort Steve, Wayne Munson and Jim Hopper were the first to succeed. They know firsthand that this family would never be the same as blood, no matter how much that blood has boiled and burned before, but the love will be stronger and it will be here. When everyone seconds it, Steve finally accepts it. He becomes a child of the Party - he's everyone's son and everyone's brother, taking whatever surname he sees fit.

In November of 1986, Steve Henderson and Eddie Munson leave Hawkins.

Despite all this good, Steve can't bear to stay in this damned town a second longer, where everyone knows who he is and will soon know everything he isn't. And it's not like Eddie was looking forward to sticking around Hawkins either, especially without his Steve. The kids are the first to agree, surprisingly, and the adults promise to find a way for the boys to get out. Later that week, when Richard and Samantha leave the house to prepare for Veronica, Steve and Eddie break in to take everything that's rightfully theirs. While they're there, not sure what prompts him, Steve makes a bag of his clothes with shoes and his wallet tucked within it, shoving it into his closet. Dustin's mom uses an old favor to get the boys an apartment in Chicago, the Party has one last farewell, and the two boys are gone.

From 1986 onward, Veronica Harrington is raised in Hawkins, Indiana.

Richard and Samantha are adamant in their daughter coming out exactly how she should. They steadily convince the town to forget the Harringtons ever had a son and lock the room on the second floor next to the stairs without ever touching the inside. They raise her with formality and pride at the top of their expectations, wanting at least one child to come out right.

But Veronica is the spitting image of Steve's honesty and care. She puts on a facade when needed, but even at a young age, she wants nothing more than to be someone's light in the darkness. She plays with every lonely kid at school, and tries to make people laugh at the business parties she's dragged to. It's not received well by her parents, but Veronica is much too strong willed and stubborn to let it phase her.

In April of 1991 - when she's 6 and they're so much stronger around their hearts - Veronica Harrington meets Steve and Eddie Munson for the first time.

It's the year Erica is set to graduate high school. Steve and Eddie have been making the drive for every holiday this year, ordered determined to give her the best senior year she could have. It's Easter Sunday, and Wayne somehow managed to drag his boys away to church - a Munson custom, as even Eddie insisted they go.

While at the snack table post sermon, a little girl comes up to Steve, mistaking him for her father. He and Eddie gently comfort the girl, introducing themselves and offering to help the girl find her parents. That's when Veronica introduces herself, striking Steve deep in his heart. Still, he keeps quiet, even gifting her a little origami crane made from napkins at the table. He calls her "chickpea" for the color of her dress, tells her to keep the crane secret and safe, "If ever you need to find your way back home, you hold that close, and it'll tell you."

Meanwhile, Wayne has come across Richard and Samantha in the crowd opposite the kids. Exchanging formalities, Wayne mentions his son and nephew are in town, news the Harrington's are surprised at, as Wayne didn't seem like the father type. However, trying to keep face, they remain civil and insist on introducing their daughter.

Cue Veronica running to her parents with Steve and Eddie in tow. Cue Steve calling Wayne dad right to Richard's face. Cue the Harrington's immediate leave from the church, Veronica waving behind her with a crane placed carefully in her pocket.

From then on, Veronica Harrington's life changes indefinitely.

Her parents' expectations grow tenfold. She finds out she's horribly allergic to chickpeas. All of her friends must be approved by her parents, and any that don't fit their image are ordered to leave her.

Veronica takes these changes in stride - is her class's top student, captain of the softball and volleyball teams in junior high, keeps the friends she wants in secret from her parents - but she can't help but keep the crane in a little box in her room. Gets a necklace with a little origami crane pendant, holds it whenever she needs to make a hard choice. Can't help but expand herself in secret, learn things her parents would never approve of - lock picking, other languages, sleight of hand, a clothing style that's nothing like the dark blues of her family, all warmth and light. She explores every room in her house, yet is unable to find her way into that room upstairs next to the steps.

In May of 1998, Veronica Harrington discovers the truth about her brother.

She's about to be a freshman. Her class was touring the high school in preparation, and while passing the athletics hall, her eyes hit the swimming trophies. Each row stuffed with trophies, and each one with a name that stabbed her right in the stomach: Steve Harrington.

After that, she couldn't bear all the secrecy anymore. Late that same night, she finally uses her lock picking skills to break into that room. And though it's devoid of life, it is a bedroom, so evidently lived in. It's frozen in time, twisted sheets covered in dust, old papers crinkled from being stepped on but not picked up, old clean clothes still sitting in the hamper. It's a boy's room, clearly, and Veronica is careful walking around this place of memories.

She does still explore, quietly clicking on lights around the room, too cautious to touch the overhead lights. She looks under the bed, finding a bat and a trash can lid, both embedded with rusty nails. A shirt that still smells like fresh laundry yet has a back stained permanently with long red lines down the shoulders. Dozens of stapled documents labeled NON-DISCLOSURE AGREEMENT, detailing horrific events that each have that same name signed at the bottom.

With shaking hands she checks the closet, and finds it mostly empty. All except for a deep green graduation robe and cap, a cream Hawkins High letterman, and a duffel bag hidden in the back corner. The cap has a 1985 tassel, and the letterman has Harrington branded on the back with basketball and swimming patches galore. And the bag, when she checks it, looks like a survivalist pack someone would make in an apocalypse. At the top sits a wallet, and inside is an ID for a Steve Harrington, who has the same face as the one in her origami memories.

And Veronica is done. She wakes up the next morning and throws Steve's jacket on the kitchen table, startling both her parents mid sip of coffee. She finds herself in a screaming match with her father, demanding them to quit lying to her, begging to know who her brother is.

In a fit of rage, Richard tells her. Tells her everything Richard and Samantha never saw in Steve, about Veronica's secret birth, the disownment, Steve's disappearance from the Harrington house and Hawkins. She's reminded of that one Easter Sunday, and is told how Richard and Samantha faked Veronica's allergy to keep her mind from being tainted by whatever curse befell their bloodline before. Orders her to never say that name again.

In a fit of rage, Veronica bites back. Calls her parents cruel and overly expectant. Comes clean about her secret freedom. Says she'd rather be nothing than ever carry the burden of the Harrington name ever again.

She hides away in her room after the fight. Cries in her closet with her origami box cradled tightly to her chest, begging it to take her home because this place isn't anymore, maybe never was. Cries for the brother she never even got to meet, who went through so many horrible things yet still got put through this same punishment. Cries for the future she won't get to have, losing her hope for a new beginning that will now never be.

At the start of June, 1998, Veronica runs away.

She makes it through the rest of May in near silence. She writes notes for all of her friends at the end of the school year, and one for her parents to inevitably find. Finds 75 dollars in Steve's old wallet, stuffs the duffel bag the rest of the way with her belongings, and says goodbye to Hawkins.

She takes the first bus she can find out of town. Doesn't care that it's going to Chicago, doesn't really care where she's going now. She befriends an old homeless man riding the bus as well, becomes another interesting name in his "Book of Wanders (Pronounced as Wonders)." As Veronica's telling the story about unknowingly meeting her brother, she remembers the crane in her bag. She reaches in to retrieve the little box, then the crane, nearly crying seeing how disheveled and unfolded it is. Broken and doomed, just like her. But looking at it now after so long, she thinks she sees something written inside it. Despite it shattering her heart pieces, she carefully unfolds the little crane.

At its center, in old, bleeding blue text, reads, "Find the Swooping Bat if you've lost your way."

The old man laughs then, taking Veronica's hand and placing it onto her chest, over her heart. "It's fate," he whispers in the dark bus. "There's a place called that in Chicago."

Veronica uses her money to rent them both a hotel for the night, giving the old man a warm bath for the first time in weeks. She gifts him the clothes as well, saying it's, "an honorary thanks from my brother, for helping me get here." They bid each other farewell in the morning, the old man telling her to keep hold of fate.

She finds her way to the Swooping Bat easily, hand on her necklace guiding her way. It's a quaint little diner, popular enough to be comfortably warm when she walks in. A young lady in a wheelchair - Max, says her nametag, with pins saying things like, "Summer work blows" and "USC grad or bust!" resting on her collar - guides her to a booth next to the sunrise.

"Anything I can get you today?" Max asks when Veronica's seated.

Veronica's fully ready to order everything on the menu, what with how delicious this place smells, but then she remembers her funds. 5 bucks, if she's lucky. "Just a chocolate milk, for now. Biggest one you have, please." She somehow plays off Max's skeptical look, her eyes sweeping over Veronica's no doubt disheveled and no-food-in-36-hours appearance.

It somehow works out, and Max is wheeling away. Veronica allows herself a moment to collapse, stomach growling in pain and eyes burning with the realization she has no idea what she's going to do now. She just has this last bit of hope to hold onto, and without it, she'll be nothing but a husk.

She's not sure how long she sits there, staring at the sunrise and letting sound and AC whisk her mind away, but there's suddenly a little knock on her table. Her head snaps up, and there's Max again, setting down a giant glass of chocolate milk... alongside a loaded breakfast plate.

"It's on the house," Max rushes to explain, all fondness when Veronica scrambles to get her wallet. "Courtesy of the owner. And between you and me," she whispers with a wink, "just take the damn food, kid."

Veronica stumbles over herself for a moment, rendered near speechless, before she finally comes back. She begs Max to thank the owner profusely, before rushing to dig into the pancakes before her. She's halfway done dousing the stack in syrup by the time Max wheels away, when there's suddenly someone laughing.

"Of course," says a choked-up voice behind her. "Can't have any chickpeas starving in my booths."

Veronica nearly drops her fork. She turns so sharply she gets dizzy. Seven years can't change a person that much, surely, because though he's bigger in the torso and he has glasses on the bridge of his nose and his hair is cut so close, he still has the same softness in his voice and the same slouch in his stance and the same moles around his eyes and his smile is so bright despite the tears in his eyes, and though Veronica can barely see through tears herself, it's not like she needs them anyway to know it's-

"Steve!" she cries, scrambling out of the booth to meet her brother halfway. The relief of it all working out has the rest of her restraint collapsing, forcing harsh sobs out of her and into Steve's shoulder. The siblings hold each other in the middle of a restaurant, a voice in the background asking everyone to leave them be. Steve doesn't stop whispering, even as his chest heaves with broken gasps between tears, "You're save, Veronica, I got you, I got you, it's gonna be okay, you're safe here, it's okay, sis, it's okay..."

"That you, lil' chickpea?" whispers a different voice once they've calmed down. Veronica reluctantly pulls away and finds a man kneeling beside them, a hand on Steve's shoulder and similar tears in his eyes. His hair and tattoos remind her of the tamed wild from seven years ago, covered in black in the middle of church yet glowing brighter than the stained glass, the one that Steve looks at in past and present with a glowing love Veronica never saw between her parents.

"Yeah," she whispers, wiping her tears away before placing a hand atop her necklace. It catches Eddie and Steve's eyes and make them beam with pride and relief. "Yeah, it's... it's me...."

[lazylittledragon]

just realised i never posted any of the stuff i did for the alternative steddie dads au