#also releasing this from my drafts

[tokutaiseichan]

[Ren voice] Senpai, you should kill them.

[fernsnailz]

some sketches/doodles of my dnd character, Gorb :] my stupid lizard boy with a -1 intelligence modifier

[asha-mage]

FFXVI really takes your hand and says 'come with me', then shows you a world that is broken and full of pain and heartache and selfishness and cruelty. It shows you the terrible things people are willing to do to each other for no good reason, it shows you how how leaders can be short sighed and foolish in their earnest desire to do the right thing for their people, and that causes no less pain then when they are corrupted and arrogant and vain monsters. It shows you how people's cruelty all to often is born of a world that beats them down that gives them no other choice but to be cruel if they want to survive.

And then it asks: is this worth saving? Is this worth protecting? Wouldn’t it be better if you just let it all go? Let it all be destroyed, and broken apart, and lost? Wouldn’t it be enough to just end the pain? Wouldn’t that be salvation?

And in the same breath it answers, no because salvation isn’t the point. Humanity is cruel, greedy, fractious and hateful and it always will be. Just as humanity is kind, generous, united and loving and always will be. Even as the world falls apart The Dame fights to keep Northreach together, even as monsters beat down her gates Martha takes in refugees and escaped slaves and refuses to stop, even as nations crumble and bandits flourish the Dragoons still battle for the sake of their people and country, while the Crusebreakers keep struggling to free the innocent and protect the weak. Even as Joshua is hacking up blood, even as his body is shutting down he keeps walking forward at Clive’s side inevitably, inexorably to the end, because he loves his brother and refuses to give him up to Ultima’s scheme.

FFXVI tells you that there are no promises, not guarantees, that the only people who can promise salvation are the ones who want to sell it. FFXVI says that no one is assured victory, or safety, or paradise. The point is not to save the world from it’s evils. The point is that we fight to try and reach the next dawn with the people we love. Humanity can never create a perfect world because we are imperfect creatures, but the battle to make a better world, a kinder world, a more free world, a more gentle more fair, more loving world is what defines us.

[ilonacho]

💚🥑💚

[waitineedaname]

"Amestris is an allegory for nazi Germany" you fool. Amestris is not an allegory for just nazi Germany -- it's an allegory for genocidal, fascist, militaristic governments as a whole. Yes, it has parallels to fascist Europe, but it also has parallels to xenophobic militaristic US and imperialist Japan. The point is not "look at this outlier of a country committing atrocities," the point is that the country committing atrocities might be your country and you might be complicit in it no matter how morally upstanding you might think you are. To act like only one government is capable of committing genocide blinds you to the potential that any other government might commit genocide too.

[ragsy]

[Shaking myself by the lapels] you have got to stop being harsh on your art for mistakes that you view as completely innocuous when other people do it!!! Why are you holding yourself up to a double standard like that!!! Look at this artist you look up to, they drew that leg really fucking weird, isn't that freeing? Look at this other person you respect, they can't draw anything from memory!! And this extremely famous artist? they don't know how to draw ears! And you were sitting there beating yourself up about how stiff your poses look or how out of proportion that face is. Yeesh!!!

[finalgirlsamwinchester]

David Simmons, “There’s a ton of lore on unicorns too”: Postmodernist Micro-Narratives and Supernatural in TV Goes to Hell: an Unofficial Roadmap of Supernatural

started writing this mostly as a reflection on the above chapter from TV Goes to Hell. the show from its initial outset is based around a particular formula. the brothers often rely on a postmodern patchwork of stories to 'solve' their monster-of-the-week. on this show, everything can be real all together, all at once: from alternate myths and histories, to movie monsters, to urban legends, cultural gods, and folk tales. this cultural melange gets 'tamed' through the frame of the show's monster-of-the-week format itself, where everything gets solved to fit a singular narrative: identify the monster, find a way to defeat it, and successfully eliminate it (there are rare exceptions to this formula: bugs is the standout)

there's a tension between the characters' research, drawing from unofficial sources, local legends and civilian accounts versus the show's format demanding, in a sense, that fear of the unknown (really a fear of difference) be conquered through the simplified logic of its formula. unofficial sources and beliefs become incorporated into an official narrative, so to speak. they gain legitimacy and authority through our heroes use of them, not the other way around. magic is evil when a witch uses it, but somehow the rituals and spellwork our heroes use to defeat them don't count. you feel me. and that same logic applies to what monsters count as real and what doesn't. on this show, everything becomes real when our protagonists are able to see it and kill it.

(1.01, 'Pilot')

so a common show critique i see tends to separate the more episodic plots of the early seasons (1-3) from the more serialised grand epic narratives of 4-5 onwards. well my argument is this - nah, that impulse was there from the start! the mystery of the show was always going to dissipate, because explaining away the mystery was always a part of its initial premise. the concept that - 'the monster under your bed is no longer scary when you can name what it is and learn how to kill it' - turns into -> a fear of death? heaven and hell and everything else in between are now real, tangible places! fear over external, powerful forces meddling in your lives? demons, angels, leviathans, god himself! now all real and tangible beings! the air of horror and mystery shrouding s1-2 was never gonna last. the murky horror was always a means to a defeatable end.

(5.19, 'Hammer of the Gods')

anyways. there's an obvious mythological hierarchy in this series and it's very funny to me. all gods and spirits and monsters, even the ones predating christian mythology, fall under its ruling (white, judeo-christian) narrative authority. the postmodern embrace of multiple narratives is a ruse. all incompatible things lead to a universal truth. the show doesn't dispell the existence of differences; rather everything is to be combined, united under a totalising front, despite the contradictory nature of that impulse. this narrative then, down to its bare bones formula, is a civilising mission. civilisation barreling in, banishing fear and uncertainty from the light. and in order to stay in that light, one must submit to its complete authority. by this show's logic, uniformity ultimately requires the subjugation of difference.

[that-ineffable-devil]

I don't know what it is about Neil Gaiman's stories and characters that bring up so many visceral emotions and realizations but Dead Boy Detectives has gripped me in it's skeletal claws.

I'll admit I haven't read the comics--one more thing on my neverending tbr pile--so I came into this show without any preconceptions or foreknowledge of the characters or their histories. And I didn't do any research on the show beforehand a) to avoid spoilers and b) it's Neil Fucking Gaiman what am I gonna do NOT watch!?

Basically, I had no idea what to expect from it. Except that it'd be queer (praise be).

And I gotta tell you, Charles is getting to me. In ways and at depths I never could have expected. And, fuck, it's making me confront some things I didn't realize were affecting me...and some that maybe I did...

Like the anger. Gods, the deep-rooted anger at the injustice and cruelty of the world and the hands you're dealt. The fury of feeling helpless and alone and terrified during the worst experiences of your life. And the self-loathing you feel as you bury that rage for fear of becoming the very monsters that tormented you--unable to express it in even a healthy manner because you can only associate anger with violence. So you bottle it and bury it and hope against hope you can keep it down, but you fear the day you run out of burial ground.

Like the compulsion to act like everything's fine. To mask any negative emotions with a smile and a kind word or a laugh. To never be the reason someone else is in pain. To try so hard to undo the pain done by others. To be the person you needed most who was never there. Maybe you're trying to convince yourself that you're not a monster. Living in constant fear that you really are that monster, and all your goodness and light is a smokescreen to trick truly good people into allowing you to walk amongst them--and that one very bad day they'll all see the truth and your worst fears will be confirmed in their eyes.

Like the almost desperate need to cling to anything or anyone good that comes into your life, because it has happened so rarely and so fleetingly. The fear of taking certain risks with those things and people because any change can be the one that results in losing them. Yet constantly taking risks with yourself and your life (death?), likely boiling down to "If I go first, I don't have to lose them." Because, deep down, you think they could never miss you as much as you'd miss them.

And even specific moments...

Like using the word "rough" to describe abuse, because how else do you reference decades...or in his case, likely at least a decade...of trauma and abuse without upsetting someone? Without letting them know it's still affecting you?

Like equal parts fear and fury welling inside you as you watch something truly horrific happen. Memories wrapping your senses so tightly as that man brutalized his family for no reason. Being both unable to stop it and unable to look away. Desperate to do something about it but completely helpless. Again.

And reliving his trauma, forced to by someone else? Feeling that pain and misery all over again. The heartbreak as friends choose to hurt you for reasons you don't understand. The anguish as your brain tries to protect itself while a parent who's supposed to love you makes you wonder why you exist at all. The terror of being hunted. Not knowing why. Not knowing what you've done to deserve it. Wondering if somehow you do.

And confessing his fear that he's a "bad guy." Wondering if you're really the villain in your story. Fearing that the reason people treated you so cruelly is because they saw the monster within, and thought they could keep it contained and afraid. Fearing that you won't be able to.

And not every day is like this. Not every day has you feeling like you're at the edge of a precipice. Some days are quite good actually, especially if you have even one good person around. But any day could turn out like this.

But you keep on with the smiles and the positive attitude because the monsters can't win. Your monster can't win. And frankly, you don't know how else to deal with it, because no one ever taught you how to. Or maybe you never had the chance to learn. All you know is that it's all you know.

[chirpsythismorning]

I think what really puts into perspective the likelihood of ST5 premiering in 2025 (I’m gonna predict March 21st for fun), is that a year from now is just barely Summer 2024, and yet as of now, they have not even started filming.

Are fans really expecting them to have season 5 filmed, fully prepped with marketing and promo ready, with everything ready to be released within one year from now (roughly speaking, give or take a couple months)?

In all honesty it's very much the norm for Stranger Things' to have promo leading up to an upcoming season last for months. And I'm not talking like 3-5 months I'm talking a year+.

This isn't like s1 where they put out a trailer and a release date and some low budget marketing roll out on social media, which is something they do for every new Netflix show. This is a $35 million + budget per episode series and thats just to budget for the literal episodes... There are dozens of partnerships they have going on with merchandise and things like that which are discussed and planned for months/years. There are music rights negotiations which go on for months upon years. Shit, post-production has the capacity to take, at the very least half of the time it takes to film, and in some cases as much time or even more. This shit takes time!!!

The build up to a new season is so huge, that each month leading up to it, there are different things dropping, creating the hype that guarantees millions of fans engagement for a long time.

Like 1 year up to the 6 months before the release, promo starts heating up officially. The main accounts for the show will start posting stuff, initially it'll be cryptic using old footage to kind of recap the characters and get us refreshed on where we left off. This time could have some really awesome surprises, but it's mostly casual. If we're lucky we can count on Atlanta filming paparazzi bc those people are insufferable...

6 months up to the one month mark is when it starts to get more real. At this time we're likely to get an episode list announcement, along with sneak peeks and teasers that are quite short, being that they're still likely in the editing process when they are releasing these so it's very much in part them trying to tide us over and keep us interested.

The final 3 months leading up to it is when it gets REAL real. This is at the latest when we'll get a release date announcement, but that's a worst case scenario. I feel like it took so long for them to announce s4, and not until like Feb 2022 bc they wanted to be certain certain. And that could apply to s5 as well. The state of the world isn't like awesome I would say... Look what happened last time? Like it sucks to be the person to say that but I think also considering delays in general, for any reason are a possibility, is also what contributes to my open mindedness about an early 2025 release.

And so based on what we should be expecting for marketing, that means that assuming s5 would somehow premiere in summer 2024, means we are already close to the one year mark, which means promo should be ramping up right now, with literal content to share? And yet we have nothing filmed...?

A lot of people have this idea that s5 is going to take as much time to film as s1 took, which is just not the case. Not saying it will take as long as s4 took, however it's still going to take a while. One of the main factors for this is an in demand cast with conflicting schedules. In a perfect world, everyone would be available all the time throughout the entire production run. Instead what you have is certain actors not available at this time, and so you have to overlap those that need scenes together and schedule according to all of that. And so even if it wouldn't take more than 7 months to film literally, adding another 4+ months might be necessary to accommodate everyones schedules so that they can have these A/B list actors be able to film scenes together.

And then there’s editing and VFX to account for, happening during filming yes, but also with them needing months to focus on AFTER filming is complete. S5 is arguably going to have more VFX than any other season, as most of the season is expected to be surrounded by UD conditions and with the final battle being pretty epic with a 3 headed dragon potentially. Editing is more likely to be 7+ months post filming AT LEAST, vs. like the 4 or less, which is what I think everyone is imagining and telling themselves.

This is also the last season and so they obviously want to focus on the quality, not their ability to churn it out as fast as possible. Rushing for a quick release is just setting themselves up to flop.

The story is over forever after this (excluding spin-off prospects). It would make sense for them to give themselves the wiggle room to make it perfect (the stakes are so fucking high you guys), as opposed to rushing the entire time just to have it release as early as possible.

This also reminds me of what Noah said when asked about s5 premiering in 2024, where he basically just deflected and said that they want to focus on quality… essentially hinting at the fact that it’ll probably not be soon as we’re expecting, but we’re better off for it bc it gives them time to ensure it's the best that it can be and also is just realistic in terms of considering potential unplanned delays.

And then there are the strike implications. While I think the ST production is lucky in that they wouldn't be impacted as much as other productions, that doesn't mean the solidarity won't impact other parts of the production beyond just the writers. This is an industry where people are extremely overworked and underpaid, where a strike could be on the horizon at any moment. And we’re out here telling them hey i know the conditions are horse shit, but I'm gonna need you to step it up and experience even worse conditions bc I need s5 asap... which is just, it’s asking too much if I’m being honest.

Not trying to rain on anyone’s parade here. I know it sucks hearing that it could be another 1 year and 10 months. But lets be serious right now.

All the action that happens in the fandom, building up to the release is arguably just as exciting as the actual premiere and I think we overlook that. Again, once it premieres, it's over. So being so hellbent that it comes as soon as possible, is built on this idea that getting it is the only worthwhile part of this experience, which couldn't be further from the truth. Hiatus and all of the activity that happens during that time is what makes this experience so unique and without it, none of us would be here.

I think realistically, the timeline for s5 production is likely to look something like filming taking place from May 2023-Feb 2024 (giving them AT LEAST 10 months, but if you ask me srs i think it'll take 12...). We should get an announcement post from the official Netflix/ST social media accounts the very day filming starts.

As time passes and they're filming more and more, we will start to get teasers and sneak peaks from the little bit they have filmed from the earlier episodes in the season. Technically they can't spoil that later stuff too much in promotion, so it does work out for us in that sense.

But in all honesty, well planned out and detailed promo is likely to not start getting official until this fall when they’ll actually have at least (hopefully) over half of s5 filmed, and be planning ahead plenty in advance so all of the promo leading up to the release is well thought out.

I won’t rule out Fall 2024. But there are no Friday dates in fall 2024 that ring any bells to me as being the perfect day? Maybe Winter 2024? Or like January/Feb 2025?

The problem is Netflix loves ST for their summers... But summer 2024 is too soon and Summer 2025 is too late imo...

So what it will likely come down to is them trying to be realisitic about their options, and how to ideally get it to match with the setting of the show, which is something they have tried to do with s2-3, but couldn't in s4 (for obvious reasons), and so I definitely see them thinking ahead to try to bring back that approach for s5 if they are able to.

So filming, best case scenario, ends maybe Jan-Feb 2024. If we give them at least 7 months, which is still arguably rushing to me, that lands them in September 2024.

BUT if they were smart they would be realistic and just plan for late 2024/early 2025 so that they don't have to keep delaying... also why they haven't announced a date/year... if it was for certain going to be 2024, they would say it. But they aren't. That alone should tell us they are not willing to make that commitment bc it's not something that can be made when there are so many impromptu factors at play.

I imagine a scenario though honestly, where it takes them a year (12 months to film), so they won't be done until May 2024, which means that they would have until January 2025 to edit with 7 months for that strictly. And that just honestly feels realistic to me to look at instead of hoping that everything just is swift and fast as possible.

Not to mention ST5 2025 just fits.

However, I don't see anything wrong with hoping for late 2024, since as of now I think it is still possible.

But I also think, keeping all of the factors in mind, most notably a potential strike and also them ensuring quality over a speedy release, I think 2025 is something people should also be prepared for as a possibility.

The good news is that we'll know eventually as s5 starts filming and as time goes on.

If filming is complete in 2023 then we could definitely hope for a fall 2024 release. If filming isn't complete officially until early/mid 2024, then pack up your duffel bags bc we're going back to spring break...

[calamitydaze]

this is a thought i had ages ago but i feel like people often referred to/thought of ckarlnapity as the sugar sweet, simple one of quackity’s relationships (and used that to imply he needed something “deeper” and more complex) and imo that’s just a dead giveaway for not actually knowing or caring about their dynamic. like yeah karlnap were the only ones who treated quackity well without an agenda LMAO but that doesn’t mean they didn’t have their own problems and nuances— they were riddled with insecurity and communication issues! despite being separated longer than they were together their relationship echoed in all three individual stories for the entire rest of the dsmp!— you just think they were shallow because they didn’t hate each other

[95zintheirownworld]

the way vmin manage to have entire Conversations just by making eye contact from Across the room really gets me. and the fact that they do it So Often. just turn to find each other in the room and Communicate. 95z the only soulmates ever I think

[lacefuneral]

no one talks about fat transmasc bodies post-op. so i will.

i grew little boobs back

my nipples pretty much vanish in some positions

weird skin folds abound

my chest looks totally different if i purposefully contort my body. but it does NOT look like this most of the time

go forth and draw fat trans men that are more anatomically accurate

[humanimalgam]

i need pseudo clash: artifacts of chaos to release a cookbook. the only thing that could rival the horrors of mid 20th century american home-cooking is whatever the fuck hes got bubbling in that pot there

[marcsnuffy]

i had a dream abt the epinagi movie

[hua-fei-hua]

when i was in my second year of high school i sat next to this guy in history whom i didn’t rlly get along w/until i saw him writing love letters to his girlfriend and offered to fold them into hearts for him. i wonder what he’s up to.

[slimslamflimflam]

Just found out if I stop stressing about “good” writing the fic will actually get written 27,000 dead 572,027,728 injured