#also opinions on the names? are they any good?

[libraryofgage]

so i wrote this yesterday and now it's become a whole thing

basically: Steve is actually smart but nobody realized it until he just fixes their various STEM related problems

anyway this is Eddie's very first experience with how smart Steve Harrington actually is

also please don't call me out if my physics explanations are wrong. just suspend your disbelief, i'm begging you lmao

also also, if you see any typos, no you didn't

---

"You're going to fail my class, Munson."

"Gee, no need to sugarcoat it," Eddie mutters, shoving his hands into his pockets and avoiding Miss Chester's gaze. His eyes land on one of the posters behind her desk, a cat hanging off a tree branch. Maybe it would like to trade places.

Miss Chester sighs, looking pointedly at the desk closest to hers. She waits until Eddie sits on it, legs hanging over the edge. "I'm serious," she says. "You're going to fail, Eddie. I don't want you to, but there's just some...disconnect happening here."

He appreciates that she's not totally blaming him. Most of Eddie's other teachers would've been berating him for his laziness by now. This, among other things, is why Eddie likes her class even if he can't wrap his head around physics at all. "I don't know, Miss. It just doesn't make sense."

"So I'm noticing." Miss Chester leans back in her chair, her finger tapping against her desk. Eddie immediately recognizes it as the drum beat from a KISS song. "You know you'll probably be held back if you fail, right?"

"Not the first time."

Miss Chester waves off his words, looking deep in thought. "What do you think about tutoring? I think you'll do better in a one-on-one setting. If you understand the concepts better, I can start grading you based on the work you do with the tutor."

"It wouldn't be you?" Eddie asks, frowning slightly. He's not sure he wants some random geek tutoring him. Not that he has anything against geeks, of course, but he's never known one to talk in a way he can understand. They get all...technical and Eddie's eyes glaze over whenever he overhears their conversations.

"No, I don't have the time. But don't worry," Miss Chester says, smiling reassuringly before pulling her roster close and looking down the list. "The student I have in mind probably knows more than me, if I'm being honest. He should be able to answer any question you have."

"What student?"

"His name is Steve."

Of course, Eddie immediately thinks of that Steve. King Steve. Steve "The Hair" Harrington with his blinding smile that's always looked a little strained in Eddie's opinion.

He then dismisses Steve Harrington as a possibility and reviews the other kids named Steve at Hawkins High. There's Steve Paulson, Steve Meyers, and Steve Barns. Maybe it's Barns? He's the only one that Eddie could imagine being somewhat good at physics.

"Are you open to tutoring?" Miss Chester asks. "For one session, at least?"

"Yeah, sure, one session. Won't help, though."

Miss Chester smiles like she knows something Eddie doesn't. Which, to be fair, she does. She knows a lot more than Eddie in terms of physics, at least. "I'll set it up. Just come by tomorrow after school."

--------

On his first day at Hawkins High, Steve realized two things.

One, his parents weren't kidding when they'd said public school would be vastly different from the private group tutoring he'd received up to that point.

Two, if he wanted to have a good high school experience, he needed to be cool. And being cool, it seemed, meant not being smart. He didn't need to be dumb, but he couldn't breeze through his classes, either.

He's done a good job of it so far. He's bored beyond reason in most of his classes, sure, but he's also popular. Nobody bothers him or tries to copy off of him, and it's great. He can even swallow down the weird surge of frustration and annoyance and guilt whenever his classmates assume he's too dumb to be a good project partner, or when his parents ask why he isn't enrolled in AP classes, or when his teachers give him confused looks after he aces tests for a unit he seemingly didn't pay attention to.

Anyway, he almost rejected Miss Chester's request to tutor a student from a different class period. He was just about to say he didn't have the time when she leveled him with a look so profoundly hopeful that he just couldn't. So, Steve said yes and now he's hesitating outside the physics classroom.

What if the student inside uses this against him? Steve thinks he could play it off, maybe convince his friends that the kid is lying, but he's not sure. Nothing dire would happen, but Steve would have to reorient himself to a new place on the social ladder, and that sounds exhausting.

"Just get it over with," he mumbles. Then, before he can chicken out and just leave the other student hanging, he opens the door and steps into the classroom.

Miss Chester isn't there. Steve knew she wouldn't be. She'd said something about a department meeting that would take her time but leave them with the classroom to themselves.

The only other person in the room is Eddie Munson, bent over a notebook and furiously scribbling on the page. He looks up when the door opens and freezes at the sight of Steve. They stare at each other for a few seconds before Eddie breaks the silence by asking, "What, get lost on your way to the locker room, Harrington?"

Steve blinks, frowns slightly, and takes a deep breath. Okay. Fine. Eddie Munson it is. "Nope. Miss Chester asked me to tutor you," he says, because that's the only reason another student would be in this room after school has let out.

Eddie laughs. He nearly falls out of his chair with how hard he laughs. He's wheezing and clutching the edges of the desk by the time Steve moves another desk to face him and sits down across from him. "Are you done, Munson?" he asks.

"Holy shit, you're serious," Eddie says, his voice slightly strained and his face red from laughing. "No fucking way Steve Harrington is here to tutor me in physics. You probably don't even know what two plus two is!"

"It's four. Do you know what 12 times 40 is?" Steve asks, watching as Eddie blinks.

"I'm not a fucking calculator, man."

"No, you're not. It's 480, by the way."

"You could've just memorized that."

Steve sighs and reaches into his bag, digging around some before pulling a calculator out. He places it on Eddie's desk and says, "Ask me something."

Eddie looks at him like he's grown a second head but still pulls the calculator closer. "1,239 plus 378."

"1,617."

He watches Eddie use the calculator, feeling smug when his face twists into confused disbelief. He then puts the calculator down and frowns at Steve. "So you can add, big whoop. Doesn't mean you can teach me shit about physics."

"Won't know until we try," Steve says, resting his elbow on the desk and propping his chin in his palm. "So, what don't you get?"

"...All of it. Just assume I don't know shit."

"You don't know Newton's laws?"

Eddie snorts, looking back down at his notebook. "There's that motion one and the reaction one," he says.

"Right. Newton's first law and his third. What about the second?"

"It's just...some equation or some shit."

Okay, Steve is starting to get an idea of where things stand. He thinks for a moment before asking, "What kind of stuff do you like?"

"What?"

"What do you like?"

Eddie looks so shocked by the question that he doesn't really think before answering, "Heavy metal. And, uh, D&D, too."

Steve knows heavy metal is music, and he could work with that but the D&D Eddie mentioned might be better. "What does it involve? The D&D?"

"It's a fantasy role playing game. Like, using your imagination to go on adventures with friends and stuff. Needs dice to work."

Oh. Perfect. "Do you have dice with you?" Steve asks. After another brief pause, Eddie nods and pulls one out of his pocket. He passes it over and watches as Steve turns it between his fingers. "Oh, an icosahedron. Cool."

"A what?"

"Icosahedron," Steve says, looking at Eddie. "It just means a twenty-sided polyhedron."

Eddie still looks confused, and Steve is about to explain it again when Eddie says, "Just call it a D20, dude."

"Oh. Sure. Anyway, let's use this," Steve says, rolling it between his fingers before letting it clatter to the desk. It bounces a few times before settling, a 17 facing up. "Do you know what made it stop moving?"

"The desk. I'm not an idiot, Harrington."

"I didn't say you were, Munson," Steve replies, leaning back slightly. "Just...yes, the desk stopped it. This is Newton's first law. If the desk wasn't there, it would have kept falling until it hit the floor. It stopped bouncing because it lost power each time it hit the desk. An object, the D20, will stay in motion, falling, unless acted upon by another force, the desk."

"That...kinda made sense," Eddie says, blinking a few times.

"Great!" Steve says, unable to help the bright smile at knowing Eddie understood him. "Okay, for the second law, the equation is mass times acceleration equals force. Basically, the movement of an object depends on how much it weighs and how much force you apply."

"Aaaand ya lost me," Eddie says.

"Okay, uh, you fight things in that game, right?"

"Yeah, kind of the whole point."

"Right, yeah, and the stuff you fight comes in different sizes, right?"

"Well, an orc isn't gonna be as big as a dragon, is it?"

Steve isn't really sure what an orc is, but he nods anyway. "Right. So if you want to move a dragon, you need to land a stronger hit than you would need for an orc."

"Duh. You're not gonna fell a dragon with a basic cantrip."

"Not sure what that is, but yeah. For this example, moving, or defeating, an object, or a dragon that weighs more than an orc, relies on how much force you apply, which is the strength you use."

"Oh. So, because an orc weighs less, I don't need as much force to defeat it," Eddie says, grinning as he fidgets with his pencil. "This doesn't really sound like math, though."

Steve shrugs. "We'll get to the math part later. Right now is basics. You need to understand those to do more complicated stuff. So, the third law, this is the action-reaction law. Music might be better for it. What happens when you strum a guitar?"

"It...makes a sound. Because it's an instrument."

"Well, yeah, but do you understand how the sound is being made."

"By...strumming it?"

"Yeah, that's part of it. Sounds are vibrations in the air that we can understand. If you touch your throat while talking, you'll feel your voice box, your larynx, vibrate to make the sound of you talking."

He waits as Eddie does exactly that. While holding his fingers to his throat, Eddie says, "Didn't know it was called a larynx. Oh, fuck, yeah, there are vibrations."

Steve nods, waiting patiently as Eddie hums for a few minutes before looking back at him. "So, vibrations. Instruments make sound because playing them causes vibrations. When you strum a guitar, the strings rapidly move back and forth, and that movement is translated into notes."

"I can't believe I'm saying this, but yeah, I'm following you."

"So, the action of strumming a guitar creates the reaction of the strings vibrating. That action of the strings vibrating creates the reaction of air rippling, and those ripples create the reaction of audible noise. Did that make sense?"

"Yeah. It did," Eddie says, his voice soft as he stares at Steve like he's really seeing him for the first time.

Steve shifts uncomfortably, unused to this aspect of himself being known so well by someone at school. He's almost tempted to end things now and apologize to Miss Chester for walking out halfway through a tutoring session. Steve is practicing the apology in his head when Eddie says, "Hey, by the way, sorry for earlier."

"What?" Steve asks, trying to blink away his confusion and failing.

"You know, earlier, when I laughed at you? Pretty shitty of me to do. So, yeah, I'm sorry."

"Oh." Steve stares at Eddie for a few seconds before his shoulders relax. "It's fine. I'm not exactly known for being smart."

"Why not?"

"It's just...easier to let people think I'm dumb. Most of our classmates look at me and think I'm just, you know, a typical jock. They don't expect more from me than that, and I don't expect them to look any deeper."

"Does anyone else know, though?"

"My parents and the teachers. And you."

"Well, don't worry, big boy. Your secret's safe with me."

"Big boy?"

"Don't like it? Would you prefer Stevie?" Eddie asks, grinning as he leans in and exaggeratedly waggles his eyebrows at Steve.

Steve can't help snorting at the sight. "Whatever. Just call me what you want, Eddie," he says.

He tries to ignore the weird swooping in his stomach when Eddie's smile gets wider and he says, "You better not regret it, Stevie."

[willowed-wisp]

NSFW ALPHABET [ simon ‘ghost’ riley]

Just my opinion based on how Simon comes across in the games. It was quite fun to interpret it. Hope I didn’t do too bad of a job 🤞

A = Aftercare (what they’re like after sex)

Ghost would be more closed off to a one night stand, so it’s lucky if you even get his name let alone for him to stay after the sex.

As for in a relationship, he cares so deeply that if he’s jackhammered you he’ll find himself gently massaging your sore pussy- you did take him ‘so well’ after all (his words)

B = Body part (their favorite body part of theirs and also their partner’s)

He used to hate his arms, all the scars he had endured but he paid good, well earned money on his sleeve tattoos. And with encouragement from his partner- he likes them.

As for you, your face. He rarely gets to see all of his own, so seeing your face in any sense is a blessing. For intimacy it’s a luxury to see your brows screw up and lips parted. He knows you don’t have the same benefit of seeing his ALL the time.

C = Cum (anything to do with cum, basically)

He likes the idea of claiming you by coming inside but the idea of children in a world like this… it scares him. Even if you’re on birth control… too much of a risk.

Simon loves seeing you on your knees, lips pink and raw after finishing down your throat. And you better be swallowing- he doesn’t like tryna get stains out of the bedsheets.

D = Dirty secret (pretty self explanatory, a dirty secret of theirs)

Wants to fuck you in close quarters to the rest of 141, and use his balaclava as a gag to shut you up.

E = Experience (how experienced are they? do they know what they’re doing?)

Simon is said to be in his earlier to mid-30s and doesn’t have as much experience as the others but you’ve never complained about his skill before. He’s a quick learner.

F = Favorite position (this goes without saying)

ADVANCED MISSIONARY; As said before, he loves your face. So something front facing but spicier than missionary- legs on his shoulders… laid flat on the edge of the kitchen table with him stood ploughing into you.

AGAINST THE WALL: Simon loves knowing it’s all him giving you pleasure- you clung to him for dear life. Nails cutting into him and limp from the waist down, he’s not shy when it comes to pain… not that kind anyway.

DOGGY: The only exception to him not facing you is when you’ve been teasing him all day long. He loves the roughness and how much of you he can feel at that angle. Intoxicating.

G = Goofy (are they more serious in the moment? are they humorous? etc.)

Simon goes Ghost mode during sex. It’s a scale of kinda serious to don’t talk kind of serious. Depends on how long he’s gone without it. If he’s on leave and it’s on the couch during movie night and you clash teeth- he’s so serious about it but when you start laughing, his eyes go puppy dog and he joins you in hysterics.

He can be very goofy so he has that side when his guard is down.

H = Hair (how well groomed are they? does the carpet match the drapes? etc.)

He likes to keep in tidy down there, not completely shaven but nothing to stop you from giving him sloppy head.

He has light eyelashes but the hair is so short you can barely see the true colour - a blondish brown colour.

I = Intimacy (how are they during the moment? the romantic aspect)

Like most things with Simon, he truly depends on what mood you catch him in. He’s a chill guy, he’s the type to get you gifts without making a big deal about it.

He just wants your sole undivided attention, that’s romance in his eyes. Having a connection with you, spending time with you. So he’s kissing up your body, and eating you out like there’s no tomorrow without expecting you to return the favour.

Simon is all about eye contact, kissing and making you feel special in the moment. So I guess you could call him a pinch romantic.

J = Jack off (masturbation headcanon)

Being away from you is a death sentence, but the mission is work. That doesn’t mean LT doesn’t jack off, to images of you riding him or panting beneath him, when he’s in the shower.

Off duty he has you, he doesn’t need to jack off.

K = Kink (one or more of their kinks)

BONDAGE: Hands behind your back, tied with his belt. Or he doesn’t mind, he knows how to break out of ties anyway.

VOYEURISM: Loves watching you masturbate, revels in it because he knows he’ll have you coming on his cock in the next few minutes.

DOMINANCE: Not in an unhealthy way, he’s a BIG guy (and he uses it to his advantage). Caging you in and hitching you up at his waist, repeating the words, “Who do you belong to?” “Who makes you feel so good?”

And the answer every single time is ‘you, Si.’

L = Location (favorite places to do the do)

Nowhere public, there’s a reason he wears a mask in public let alone being caught with his dick out.

His favourite may be a wall, especially if Soap is staying in the guest room… because the master bedroom is beside it. Ghost is territorial like that, you’re his.

The bed is too comfortable for him when he’s initially back. Simon will hold your hips and watch you bounce on his dick while his back is on the fluffy carpet. Carpet burns were worth it.

M = Motivation (what turns them on, gets them going)

Kissing his tattoos- man this guy gets pent up when you do that. All the way up his arm, through to his chest. Do this and you will find his trousers tented and tight.

Ghost is very susceptible to touch, he spends so much time trying not to get hit by stray bullets or by fists that when he lets his guard down- he really gets turned on by crotch palming or kissing. Makeout sessions quickly become a night long sex fest.

N = No (something they wouldn’t do, turn offs)

Hates being blindfolded, absolutely despises it. Even when relaxed it’s difficult for Ghost to just be Simon. He likes being able to see you, his PTSD comes in play there.

Also, another no no, is you wearing a skull mask or himself wearing it in the bedroom. When he’s at home, he doesn’t even want to remember what happened in the field. Let alone bring it into the most vulnerable position he’s gonna be in. He may even draw the line at face coverings in general.

O = Oral (preference in giving or receiving, skill, etc.)

As said before, he couldn’t care less if he receives. Only that he makes you cum at least once.

Don’t mistake that for him not liking blowjobs, he loves it- again, a touch thing but he would rather watching you come undone.

P = Pace (are they fast and rough? slow and sensual? etc.)

Like a lot of things with Simon, it depends on his mood and it you can handle it at the time.

Simon is a kinda soft dom because he cares about his significant other and doesn’t want to hurt you but if you can take it… you’d better find something to hold onto. Legs and abdominal muscles galore- he is a tyrant if you wish it.

But he doesn’t need to do that ALL the time, he can do soft and gentle just as well. Deep, powerful thrusts… letting you adjust after a couple of rounds.

Q = Quickie (their opinions on quickies, how often, etc.)

If you’ve been teasing him, he will pull you into a restroom and have you drooling and seeing stars.

He prefers to have his time with you, to get you well adjusted for his size by fingering and then eating you out. Dragging out orgasm after orgasm to get you to relax.

R = Risk (are they game to experiment? do they take risks? etc.)

He doesn’t normally like fucking in public, but as said before- if you touch him in the right places and tell him how hot you are for him… let’s say he will find a dressing room or bathroom stall (within reason) to stop his hardness.

S = Stamina (how many rounds can they go for? how long do they last?)

Have you seen this man? 6’5” and muscles for days… Simon has a LOT of stamina.

The first week he gets home you’re lucky when he’s not inside of you. He can go multiple times a day for an average of two hour sessions. He likes to take his time with you.

Quickies wise about 6 rounds in a row.

T = Toys (do they own toys? do they use them? on a partner or themselves?)

Simon’s not a fan of toys. Doesn’t own any and doesn’t plan on buying. He’s sure in his abilities and when you a moaning mess impaled on his cock- he’d say you’re quite satisfied.

U = Unfair (how much they like to tease)

Edges you from time to time and make you beg for some release. But that’s only when he’s in one of his sarcastic moods- mostly after he’s hung out with Soap.

V = Volume (how loud they are, what sounds they make, etc.)

Not obnoxiously loud, but not quiet. His voices get a bit higher or goes lower when he says your name. Holding your hair while you’re on your knees, choking on his cock. It’s kind of addictive.

W = Wild card (a random headcanon for the character)

Your smell. Purposefully buries his nose in the crux of your shoulder in general. Especially when so close to his release- you’ve been squeezing his size continuously for the past five minutes and the scent of you, not your perfume or shampoo, can toss him off that cliff.

X = X-ray (let’s see what’s going on under those clothes)

Above average at about 7.5 inches, but thick. No wonder he indulges in extensive foreplay before fucking you. He’s the perfect size, nothing too extreme but hits the correct spots.

Y = Yearning (how high is their sex drive?)

He’s touch starved on missions and doesn’t fancy asking the boys for that, so he’s pretty horny. You don’t help dressing all pretty in white lingerie the day he gets back.

On a scale of 0-10, Simon is an 8-10.

Z = Zzz (how quickly they fall asleep afterwards)

Simon finds it difficult to sleep in general, only after a day’s fuck fest is he worn out enough to sleep soundly. Next to his partner.

[wheneverfeasible]

Wiggly Wednesday?

The brain worms are here again.

I honestly hate Christmas and avoid doing too much for it. However, an idea came to me suddenly and I can’t stop thinking about…

Secret Santa Steddie AU.

In one of Steve’s high school classes senior year, they’re assigned a Secret Santa project. They all put their names in a Santa hat and have to draw one out (returning it for another if it’s their own) and that’s the person they have to secretly give a gift to, either homemade or purchased, but there’s a cap of like…whatever the equivalent of $20 today is back then. Idk.

This is supposed to be a team building type of exercise, something to foster camaraderie, after say maybe a huge argument/fight broke out between Tommy and his group and the Freak, Eddie Munson, as well as some other nerds. Steve is exhausted and doesn’t care for Tommy’s bullshittery anymore, so he didn’t really get involved, though Eddie did throw a few digs his way. Which was hurtful but probably deserved.

Anyways, Steve draws out Eddie’s name.

For the next week or so the last fifteen minutes of class are devoted to questionnaires and such where the students answer questions about themselves directly or they fill in answers to widely asked questions, all used to let the Secret Santas learn about their recipients. Some people take it more seriously than others.

Steve gets to know more about Eddie, who is more blasé about it all, obviously not expecting anyone to give him something good (if they give him anything at all) since he has no friends in the class and most people don’t like him. So Steve, who has never paid Eddie any amount of attention before in the past but has been now and finds himself intrigued, starts observing Eddie outside of class.

Steve knows he could buy Eddie something music related. An easy cop-out gift. But the more he observes Eddie, the more he gets to see the tiny cracks in the Freak persona whenever he spies on him, sees the nerdy but also kind person beneath the leather jacket. And…okay…maybe he starts to develop a sort of crush without realizing that’s what happens.

Maybe he bribes other nerds about Hellfire Club and Eddie and makes certain they don’t squeal about him asking (he doesn’t realize he comes off as threatening, he just thinks he’s being urging), maybe he hears Eddie mention things and then he goes and asks Dustin what they mean, learning it’s from a book series about midgets and some jewelry or whatever, and so an idea forms.

While shuttling the kids about after school, Steve asks Will if he’d be willing to draw something for him, which Steve would pay him for. Will, obviously excited because it’s his first commission job and Steve pays him fairly, agrees.

(Steve may also purchase a patch at the record store they stop at—Will’s request as he wants to buy something for Jonathan—because it reminds him of Eddie, but that doesn’t matter.)

Yadda yadda ya, it’s time to exchange gifts. The teacher has allowed them to drop them off leading up to the Friday before winter vacation to keep the mystery alive.

When Eddie gets his, he’s expecting something more like a prank gift. Instead, he’s gifted a colored drawing (sadly not enough time for a painting) of Eddie dressed as someone named something like Spider or Arrow Gone or whatever, Steve doesn’t really know, but it’s him fighting off a horde of monster things with a flaming eyeball in the background and further back is an erupting volcano.

Steve doesn’t know what the hell is going on, not really able to absorb the massive info dump Dustin gave him, but Will assured Steve that the dude was cool and the battle depicted was awesome and important when he dropped off his old yearbook for model reference. Will’s opinion was enough for Steve of course. He just hoped Eddie liked it, and the patch that he rolled up with the picture.

Eddie is, of course, gobsmacked and trying his hardest not to show it. He scans the classroom to try to figure out who could have given him such an amazing gift, but no one even looks at him. There’s no way he would ever suspect the truth.

Steve ended up getting a can of Farrah Fawcett spray, which everyone laughed at and assumed was a joke gift for a jock, but Steve noticed a small twitch of a smile on Tommy’s face, the only one besides Dustin now who knows his secret.

Later, Eddie’s battle vest is adorned with the patch he received in his gift, a red and black Leviathan cross, but Steve doesn’t know what happened to the drawing. He hopes it didn’t get trashed.

It’s not until later, after everything with Vecna and recovering what was salvageable from the trailer, that he found the picture safely secured behind a glass frame hidden in Eddie’s room. It’s only then that Steve realizes that he might have been a little bit in love with Eddie “the Freak” Munson all this time.

~

Aaaaaaaah sorry this is a little bit of a nebulous ending here. Does this story follow canon and Eddie is dead, never knowing who his Secret Santa is? Or is Eddie recovering from his injuries, fated to recognize Will’s art style and thus learning the truth behind one of his most prized possessions? Who’s to say 🤷

I’m just gonna tag my perma list because I’m lazy. Anyone can be happy to consider this a tag for their own future brain worms tho!

Hostage Hotties:

@derythcorvinus @katyawriteswhump @honeii-puff @scoops-aboy86 @dotdot-wierdlife

@everywherenothere @bumblebeecuttlefishes

[dalishious]

Teia and Viago Master Post

It seems my overwhelming love for Teia Cantori and Viago de Riva has garnered a reputation that I’m worth asking questions about them. I’m honoured! But I think it would be easier to just make a master post about them that I can direct to, so that’s what this is.

Appearances

Dragon Age: Deception (Teia and Viago appear as unnamed Crows. It is later confirmed in Tevinter Nights that it was them)

Dragon Age: Tevinter Nights; “Eight Little Talons”

Dragon Age: The Missing

Dragon Age: The Veilguard

Pre-DATV Events

9:44 – Teia and Viago are in Ventus when the Antaam attack.

Between 9:44 and 9:52 – The events of “Eight Little Talons” takes place. (Viago says they were “recently” in Ventus when the Qunari attacked, meaning it’s probably closer to 9:44.)

9:52 – Teia and Viago are in Vyrantium when the Antaam attack. They took a contract together to kill Lady Crysanthus, who was a member of the Venatori. They briefly run into Varric and Harding, who are following Solas’s trail.

Information on Teia

Teia’s full name is Andarateia Cantori. She is the head of House Cantori, which holds the seat of Seventh Talon. House Cantori’s territory is centred in Rialto.

Teia is 28 in “Eight Little Talons”. While we don’t know for sure when the story takes place, it is most likely around 9:45-9:46 based on context clues. If so, this would make Teia in her mid-30s during Dragon Age: The Veilguard.

Teia grew up on the streets of Antiva City with no family, surviving on thievery. She was taken by the Crows at age eight, and considers them her family now. (In “Eight Little Talons,” she reflects that she’s been a Crow for 20 years.)

Teia was the youngest Crow to gain the rank of Talon in history. She is also an outlier in that she does not come from a wealthy, prolific family background. This caused quite a controversy, where she was considered an “overreaching street rat;” while the Crows tell recruits that anyone can become a Talon, it very rarely happens.

Teia has her own set of rules to follow; for example, she refuses to kill servants unless absolutely necessary.

Teia’s best skill is being a master manipulator, with a level of astute observation in others that gives her an advantage in pretty much any conversation. She is very good at figuring out what to say and do in order to get the response she wants from someone.

Teia’s biggest flaw is, in my opinion, her naiveté. You could also say that the fact that she’s held onto strong morals and sensitivity to others is a strength, certainly. But the fact that she wants to see good in everyone, even people who arguably don’t give her any reason to, has gotten her into trouble.

Teia was in an abusive relationship in the past; Dante Balazar, who was Second Talon before his death in “Eight Little Talons”. Dante was addicted to lyrium, and would lash out at her verbally and physically. At some point Teia fought back and finally broke things off, while leaving a scar on his shoulder. Despite all this, Teia held sympathy for him.

Teia is afraid of dogs, after being chased by rabid ones on the streets as a little girl.

Teia has a tattoo marking her as a member of House Cantori on her back.

Teia’s horse is named Andoral (after the archdemon).

Teia has probably not been a Talon for very long; I would guess less than five years as of “Eight Little Talons.”

Information on Viago

Viago is the head of House de Riva, which holds the seat of Fifth Talon. House de Riva’s territory is centred in Salle.

We do not know Viago’s age for certain, but I would guess he’s in his mid-40s during Dragon Age: The Veilguard based on vibes and sensible timelines.

Viago is a master poisoner, and carries around plenty of it wherever he goes… as well as antidotes, because in addition to this, he is extremely paranoid about being poisoned himself. He does not eat or drink anything before testing it first, and he even takes a small dose of Adder’s Kiss every day to build up a resistance to it.

As one of many bastard children of the Antivan King, Viago was only given two choices in life: either live in luxurious exile, or join the Crows. He resents all his half-siblings who chose the first, and he resents the king himself. Viago may be more powerful than them all, even the king, but he is now stuck in this life. Had he not been, he thinks he could be a better ruler of Antiva.

Viago also holds resentment towards his mother, who it is hinted was an alcoholic to cope with the loss of interest from the King. Viago recalls her wine-stained “demon teeth” from when he was a child.

Viago does not give a shit if people like him or not; he only wants to be respected and feared. (Despite this, Teia tries to make the other Talons like him.) He is also used to having to constantly watch his back, and typically thinks the worst in people.

Viago tries to avoid emotional thinking, preferring hard facts and logic.

Viago has a pair of adder snakes he milks for venom. He also now has a third named Emil, choosing to keep the snake that bit and nearly killed him in “Eight Little Talons”.

Viago enjoys art collection.

My guess for how long Viago has been a Talon is somewhere around 10-15 years, based on vibes and timelines. I think he was fairly young himself when he succeeded his predecessor. I also think it’s entirely possible that the Antivan King arranged his rise to power, based on the comment in “Eight Little Talons” from Dante: “Your daddy will protect you.”

Dialogue

(I will add more as I hear it!)

Rook: The Cantori Diamond is your casino? The occupation hasn't closed your business?

Teia: Business may be down, but it isn't "my" casino to close.

Viago: An easy mistake to make. Isn't that right, Andarateia Cantori?

Teia: I am no landlord, and anyone who treats me as such shall be evicted.

-

Rook: Are there many Crows like Jacobus?

Viago: We have many fledglings, but he is something of a prodigy. They tend to do very well, or very badly.

Teia: Not all things end with clarity, as you and I both know.

Viago: Fine. Endings are fuzzy. Starts are shocking. Middles... middles are worth lingering.

-

Teia: Fighting back suits you. Your tone has much improved since we last argued.

Viago: Excuse me. I wasn't aware it was my tone that was at issue.

Teia: That's all right, I'm sure you'll pay closer attention from now on.

Viago: See, this is why we split. And got back together. And split.

-

Teia: Fighting back, making our voices heard... this is feeling like old times. The good ones.

Viago: Thank you for the clarification.

Teia: I meant it.

Viago: So did I.

-

Rook: So you two are both Talons. Doesn't that make you rivals?

Viago: Rank in one area is rarely applicable to others. Which is to say, only a fool would try to impose rank on Teia.

Teia: Wise words from a sometimes fool.

Viago: A history I would wish on no one, lest they take it from me.

-

Teia: Thank you for spurring this rebellion, Rook. It's good to see Viago energized.

Viago: When have I ever been not energized?

Teia: Certain mornings.

Viago: Only after certain evenings.

-

Rook: You two are confident we can take the Butcher when the time's right?

Viago: Ending one life is a punctuation. There is much more to be said first.

Teia: Let's not craft a treatise when a limerick can suffice.

Viago: And that is why your epitaphs are legendary.

-

Viago: Have you been home in the last week?

Teia: I won't let the fledglings see the Diamond empty.

-

Rook: The Cantori Diamond is your casino? The occupation hasn't closed your business?

Teia: Business may be down, but it isn't "my" casino to close.

Viago: An easy mistake to make. Isn't that right, Andarateia Cantori?

Teia: I am no landlord, and anyone who treats me as such shall be evicted.

-

Teia: I told her their bickering was amateurish, and that they'd need to work much harder to argue as well as we do.

Viago: That was altogether the wrong message to take away from that.

Teia: I thought you enjoyed our little squabbles?

Viago: Among—and possibly overshadowed by—other things.

-----

SOURCES:

Dragon Age: Deception

Dragon Age: Tevinter Nights

Dragon Age: The Missing

Dialogue between Teia and Viago (DATV)

Letter from Mistress Trella (DATV)

[bambi-kinos]

Thank you so much for replying to my ask! Sorry for the long reply back but I just love discussing these two.

Yes the rock and roll lifestyle and Paul’s infamous cheating before Linda has me very sceptical about him being 100% faithful to Linda too. That Jane Asher story is insane! The idea of Wings being a way to keep an eye on it is very interesting and not implausible at all. However in my opinion, Linda gives me the impression of someone with a strong sense of self, who would decide to walk instead of being disrespected in that way.

I also find it strange that decades and decades on, no one has said anything other than Paul being absolutely devoted to Linda. Not even anonymously, someone who doesn’t like Paul could seriously hurt his reputation spilling that information, not to mention the potential money, fame from it ect. This goes hand in hand with having a sexual relationship with John. I mean, surely they couldn’t have hidden it from everyone. Some people must of known, and not just an inner circle of loyal friends. Take tour managers or hotel staff for example.

So why do you think nothing has come out all these years later?

What comes to mind is the phone call Paul had with a biographer very soon after John’s death (I’m sorry I’ve forgotten his exact name) where he secretly recorded all he said and later published it. (Ouch!) Paul’s completely baffled at Yoko’s statement that no one had hurt John more than Paul had. (Said by John himself)

If they had a sexual, emotionally intense relationship, wouldn’t Paul have known that it was this John was referring too? He comes across as very smart, surely he could have put the dots together? His bewilderment seems completely sincere, not a pr trick. What’s your opinion?

I honestly go back and forth on this because I can see a relationship between those two being way more than just platonic. On and off hook ups in the 70s amongst the angst could also explain John’s sporadic comments about Paul throughout this decade. One day praising him, the other cursing him. Both parties not being brave enough (and a whole host of other factors) to not commit or acknowledge what was going on fully would have been very confusing to say the least.

But I still can’t get my head around the points I made earlier that counter this argument. Would love to hear your take on things!

EXTREMELY based ask anon, your mind is very sharp and I love it!

okayyyy there's a lot here so let's take it bit by bit

However in my opinion, Linda gives me the impression of someone with a strong sense of self, who would decide to walk instead of being disrespected in that way.

If we're anywhere close to the ballpark then Linda nearly called off the wedding when Paul told her about him and John. But then after that, she would chaperone Paul when he went to see John and hang out with him like when they went to LA. It's hard to say what Linda would or wouldn't stand for IMO because she saw the real Paul, all of him, and stuck that out for over twenty years.

I don't think that Linda would be okay with Paul cheating on her necessarily but I wouldn't write off her pretending not to see when he was sneaking out under her nose. It's not the same thing as having an open relationship but she and Paul had agreed to try for Mary sometime in 1968 before she knew about him and John and witnessed the messy break up. She doesn't strike me as the vindictive type so I wonder if knowing she was pregnant and wanting her kid to know who her father was played any role in her decision. And Linda purportedly didn't like the idea of getting married again according to a quote floating around here -- Paul had to convince her it was a good idea, not the other way around. There's reason to believe that Linda may have been happy just being a common law couple or whatever the UK's equivalent is and that Paul insisted on getting married.

I'm not saying definitively one way or another, Linda is much more opaque than Paul. But I'm hesitant to say that she wouldn't tolerate cheating or she wouldn't look the other way on it, because why else did she let Paul visit John so much otherwise? She knew what was going on.

Just something to think about I guess.

I also find it strange that decades and decades on, no one has said anything other than Paul being absolutely devoted to Linda. Not even anonymously, someone who doesn’t like Paul could seriously hurt his reputation spilling that information, not to mention the potential money, fame from it ect. This goes hand in hand with having a sexual relationship with John. I mean, surely they couldn’t have hidden it from everyone. Some people must of known, and not just an inner circle of loyal friends. Take tour managers or hotel staff for example.

So why do you think nothing has come out all these years later?

The biggest reason is that The Beatles worked very hard as a unit to cover up their infidelities. Paul was two paternity accusations lodged against him, one was the German girl and the other was Liverpool girl. Blood tests proved that both of these paternity claims were false (and Anita later admitted that she had a second boyfriend concurrent to Paul at the time, she just didn't think he was actually the dad until her son spilled the beans that Paul's paternity test proved false.) Despite these two paternity suits being lodged against Paul, he still paid the girls hush money through Brian. There's another story of a paternity claim being lodged against John that Brian paid to go away. The hookers they engaged with in the hotels were also paid for their time and to not launch any paternity suits against The Beatles. And so on.

The most encompassing answer is simply that Paul and the other Beatles paid off their babymamas AND that they have lots of legal representation on their side to make offers that can't be refused. I have long thought that the sudden muzzling of Heather Mills was the result of a super injunction, a feature of British law where a person with enough money and influence can forcibly shut someone up. A super injunction is, to put it mildly, a massive pain in the ass to obtain yet Paul is well positioned to have used one to make her shut her mouth and stop libeling him in the press. If Paul is ruthless enough to use something like that against his ex wife and mother to his child then he is absolutely willing to turn it on lays from the 1960s and 1970s. Most of the time I would bet he does not have to; we all have a price and for a sufficient amount of money, I wouldn't bother Paul with a paternity suit either.

Then there's just love and personal loyalty. The Beatles inspire incredible loyalty in their fans and their hook ups. Peggy Lipton went completely insane for Paul after meeting him only a handful of times including showing up at his hotel in a swimsuit hoping to be taken on Paul's Dirty Weekend with Linda. Now imagine that loyalty in a 19 year old girl who hooked up with Paul during 1966. Why would she say shit to anyone about having sex with Paul or getting pregnant by him? She would absolutely feel inspired to protect him. I think this would be just as true in 1976, the loyalty that the boys inspired in their fans is remarkable.

And think about it: if you had slept with one of the Beatles, would you out him to anyone? Or would you keep it a secret? Think carefully about it. By outing him, you are also outing yourself. Especially if Paul was married at the time. Do you want to admit you're complicit in Paul McCartney's adultery? That sounds like a very unpleasant prospect to me and besides, you want to keep a little piece of him to yourself.

Tour managers and hotel staff likely suspected something but it was truly a whirlwind for them too and I think a lot of them just second guess what they know. Homosexual activity was completely unthinkable and virtually unknown in the 60s and 70s. The only people who would truly know is the housekeeping staff. They would see the telltale signs of who slept where and what they were doing; those room manifests don't tell us shit because we can be sure that the boys swapped beds and rooms all the time depending on what they wanted. For John and Paul especially, I imagine there was a lot of wandering in the night and seeking each other out.

Take that story of Ringo disappearing during the 1964 tour to go on a joyride with a police man with Paul waking up and alerting Mal and Neil that he was gone. Why was Paul awake in the night? Why didn't he just go ask John and George where Ringo was first thing? Surely if your third band member goes missing your first instinct would be to ask the other two if they've seen him but instead Paul, for some reason, seems to have known immediately that Ringo was not with John and George in their hotel room and promptly tattled to the roadies. This is despite the room set up which was supposed to be Paul/Ringo and George/John. Hm!

Only housekeeping would know the truth of the situation and those men and women are dead or lost in the crowd. However even then we don't have reason to think they had proof: John and Paul being intimate would only leave behind the remains of...sex. And the truth is that The Beatles liked having sex with girls while they were in the same room together, including switching. What reason was there to think that it was just two guys boning instead of two guys and two girls?

What I'm driving at is that tour managers and hotel staff and housekeeping servicewomen had a lot of circumstantial evidence but unless they caught John and Paul in the act, then they had no reason to understand what they were seeing. Anyone who did catch them would have been paid off with the brown paper bag money Brian picked up from the bootleg merch vendors that sold fanmerch outside their concerts. And if that failed then yes legal action would have been launched through Capitol's legal arm because Capitol had plenty of superstars before The Beatles that had to be managed. They knew the drill, they weren't angels. Managing sex addicts and homosexual activity was business as usual for a suit even in 1964. They wouldn't want to scuttle that secret either because if Paul throws a fit and buys out his song catalogue then it's good night Felicia.

So in between those three things -- personal loyalty, bribes, and the threat of legal action especially since Paul has rich boy privileges -- no one is saying shit. Not any of the groupies, none of the women Paul was probably hanging out with while married, no one who ever caught him with John. It's just not worth it.

What comes to mind is the phone call Paul had with a biographer very soon after John’s death (I’m sorry I’ve forgotten his exact name) where he secretly recorded all he said and later published it. (Ouch!) Paul’s completely baffled at Yoko’s statement that no one had hurt John more than Paul had. (Said by John himself)

If they had a sexual, emotionally intense relationship, wouldn’t Paul have known that it was this John was referring too? He comes across as very smart, surely he could have put the dots together? His bewilderment seems completely sincere, not a pr trick. What’s your opinion?

Hunter Davies. The phone call with Hunter Davies is very interesting because he was someone Paul knew...but otoh he's still a reporter. Paul knows that. Hearing more about the Lennon McCartney feud soon after John's death was a hot story so could Paul reasonably assume that Hunter would write up the story.

I posit that Paul, in an act of true cynicism and spite towards Yoko, deliberately leaked some of his issues with John in order to spit in Yoko's eye. Especially with that pointed line about how he knows things about John that Yoko never knew...and that he won't publish them until after she is dead. You want to talk about ouch?!

I think that Paul is being genuine when he's confused about how he could have hurt John which makes me think @menlove is right and that India may have been a nothingburger or didn't feature Paul getting cold feet about John.

There are a couple of candidates for "John said no one hurt him like Paul did." We'll probably never know what they are but these are my personal options:

John asked for a relationship with Paul in India; Paul did something John interpreted as a rejection especially in light of Paul self destructing and John going on a multi-day bender when he got home.

Paul suddenly bringing Linda into the limo during the New York City trip to promote Apple. John seems genuinely baffled and confused about this with the "and next thing I know she's married to him" line. It was completely out of left field and John was caught by surprise.

Paul getting the drop on John with regards to announcing the Beatles break up. John expressed bitterness about this (because it was a ploy to force Paul to stay with him, Paul wasn't actually supposed to follow through with it) because it humiliated him publicly.

John was still hung up on the Family Way score and was destroyed by that and by Paul going "fuck it we'll do it live" and recording so much stuff solo for the White Album.

You may have spotted a problem with this already: there are multiple instances where Paul could have profoundly hurt John that would linger in John's memory. How can you possibly choose just one?

What if it was all of these and that eventually the hurt and abandonment mounted and John couldn't take it anymore?

Ultimately though I think Paul is/was confused and angry because the narrative was all about how Paul hurt John, and nothing about how John hurt Paul, another thing Paul brought up with Hunter during the interview. If John was pissy about Paul announcing the break up first, then why was no attention paid to John announcing "I want a divorce"? Why is it so important to sweep John being a dickhead under the rug? I think that's what had Paul so confused and pissed off, to the point that he couldn't really pinpoint one single thing that could have hurt John. 'Are you serious, I hurt him when he's the one who abandoned me multiple times through out our relationship and never apologized for any of it?' That would piss me off monumentally if I were Paul, I'd deny all knowledge of hurting John too since he refused to own up to hurting Paul in the first place.

I honestly go back and forth on this because I can see a relationship between those two being way more than just platonic. On and off hook ups in the 70s amongst the angst could also explain John’s sporadic comments about Paul throughout this decade. One day praising him, the other cursing him. Both parties not being brave enough (and a whole host of other factors) to not commit or acknowledge what was going on fully would have been very confusing to say the least.

That's pretty much it. Keeping in mind that Yoko kept John hooked on drugs to keep him from making up with Paul as well.

I think the confusion and frustration Paul expressed/expresses is a byproduct of the fog of war. He's too close to the subject matter, he can't figure it out because he can't see the big picture.

[myersesque]

ok. so. viktor is my favourite character in arcane. i am also physically disabled and hate the Magical Miracle Eugenics Disability Cure trope with a fiery passion. naturally i have a lot of opinions about where his character is going, but for now, here's a relatively simple one:

internalised ableism has always been part of viktor's character. he describes himself as "a poor cripple from the undercity" (yes, quoting how other people speak about him, but still); he shies away from the spotlight even when jayce encourages him; as a child, he directly acknowledges his disability as the reason other children don't associate with him.

i watched a video essay recently ("how arcane writes men" by schnee) that identified viktor's tendency to just suck it up and push through his problems rather than dwelling on them as a stereotypically masculine trait, which he is written to both subvert and lean into. whilst i agree with that to some extent, i think for viktor specifically it's more of an insight into a very common mindset for disabled people to have; a lot of us do not want to be pitied, and understand that acknowledging our hardships will often unfortunately lead to being treated as attention seeking. he doesn't dwell on things because he can't, unless he wants to be looked down on more than he already is; he's already had to fight to even be acknowledged as more than somebody's assistant, or respected as a zaunite living and working in piltover. i can't imagine he's keen to show any further "weakness"; he only ever cries when he's alone. it makes sense that he'd want to save himself rather than relying on anybody else.

the dangerous thought process of "fixing" people with the hexcore begins with that desire to save himself. at first he's just trying to stop his illness from killing him, but then he progresses to carving runes into his leg, seemingly in the interest of fixing his limp - which works, albeit temporarily. he seems aware enough of the implications of what he's doing to be somewhat ashamed of it (or, at the very least, enough to hide it from jayce). i've seen a lot of (mostly able bodied) people interpret the scene of him running down the pier as victorious, but it always felt bittersweet and scary to me; the dark, painful fantasy of "fixing" the thing the world has always looked down on you for, and the unsettling knowledge that you were never supposed to exist that way. a man experiencing a moment of joy only when he has detached himself from a core aspect of his being; self hatred disguised as progress. he only seems to register the horror of what he's doing when it kills sky.

it's not a leap to say that, with the hexcore dulling his emotions and blurring the lines of his ethical code, he would turn this externally. self loathing so insidious that he mistakes it for kindness and mercy and points the blade of it at the people he swore he'd help. before merging with the hexcore, he was desperate to destroy it and rid himself of its influence, hindered only by his physical inability to do so; under its control, he's seemingly lost all those inhibitions, wiped clean of his understanding of its danger. no longer "clouded by emotion", no longer human enough to know better, no longer suspicious of the arcane.

what viktor becomes in season 2 is, i believe, a hellish mix of his own internalised ableism and the hexcore's desperation to spread and survive. his genuine desire to help people has been warped into stripping people of their individualism, forcing them into some predetermined ideal in the name of healing (very "the empty child" from doctor who). it's his own character flaws mixed with the inhuman apathy of the hexcore. the road to hell is paved with good intentions, and also dressed up so nicely that you don't even realise you're headed downwards.

this is not what viktor stood for, but rather a perversion of his own insecurities, with a fresh coat of hexcore paint to stop him (or his followers) from scrutinising it too closely. they took the guy who dedicated his life to bettering humanity, and warped him into something doomed to destroy it.

(or something like that. idk. i haven't slept.)

[maybe-a-dinosaur]

seijoh bus to and from away games or whatever they’re going somewhere what’s going on

iwaizumi hajime right side aisle seat earbuds in eyes closed straight back against the seat. dont let it fool you he looks asleep he is never asleep he is always vigilant. there’s yelling and throwing shit around him probably he never acknowledges Any of it still as a statue but the Second anyone tries to mess with him prank him draw a mustache or whatever he opens one eye and Glares. he has a sixth sense he just knows he’s burning a hole through whoever he’s looking at they’re far too scared to try anything now. he’s bumping music he’s getting his head in the game but he Never lets his guard down. mr cool calm and collected slash always on his villain origin story arc. this is his default state.

oikawa tooru next to him by the window. he wants the seat cuz he wants to look outside as they’re driving he dreams of a dramatic movie moment gazing out the window as it rains and wistful music plays in the background but he can’t just sit there for longer than a minute nono nonooo he’s a busy man. he spends maybe 1/4 of the ride looking out the window/checking his social media/maintaining his composure and the rest of the time he’s head over the back/front of the seat or laying across hajime (or stealing one of his earbuds) to join a conversation across the aisle. he Insists on window seat but just Has to interact with people throughout the entire bus he makes his inconvenient location everyone else’s problem it’s kinda great. announcement for the team he kneels on his seat bc standing is a little too unsafe he projects his voice a little louder than necessary tells everyone to drink water Right Now or everyone runs extra laps at practice tmr. getting off the bus before a game he closes his eyes takes 3 deep breaths makes sure he’s the last one off the bus no one is left behind he’s so ready.

hanamaki takahiro back of the bus next to issei usually aisle seat they mix it up sometimes but always back row. he can’t stay in a single position also tall mf his legs don’t fit in the seats catch him pretzel twisting. his default state is feet up on the back of the seat in front of him like slumped down feet planted knees at acute angles. when he’s in his own seat he also hits the feet propped up on the armrest of the seat across the aisle sometimes he’s criss cross sometimes his legs are on issei’s lap sometimes he manspreads or straight out legs crossed tripping people in the aisle he just can’t sit right. he stays in his seat for the Most part but also bounces around just generally causing trouble he often sings too loudly and finds ways to put shit in tooru’s hair. his earbuds are tangled in his bag if he wants to listen to music he steals issei’s or plays music out loud like hood on resting bitch face slouched in his seat phone balanced on his thigh paramore on aux. his name is signed somewhere on every single seat on the bus plus some other places good luck finding them all.

matsukawa issei perpetually next to takahiro. often window seat but that’s on hiro’s whim issei sits wherever hanamaki doesn’t. he spends a lot of time looking out the window spacing out he will give his opinion in bus-wide discussions or color commentate conversations going on around him (much to hiro’s enjoyment). he blinks lethargically when tooru’s head Appears over the seat to look down at him they chat for a while they’re discussing tomogatchi until hanamaki starts kicking the seat and oikawa complains and iwaizumi starts yelling. on really long trips issei will forgo the seat and sleep on the floor generally at least half of his body is in the aisle when circumstances become dire he uses his shoes as a pillow (socks stay on tgif). headphones always on his person always playing music not always in his ears he leans his head against the window bsbbshdnemmwlelfoejehnemmmrrpppp sits up breathes on the glass draws a penis. he is a simple man.

[2demondogs]

Hey! If you are still accepting requests, could you possibly do some Charles and Lenny friendship headcanons or one shot? An underrated duo

I am :D This was fun to write! A true "we are not enemies but I don't fw your vibes" to "excuse me Charles did not want pickles on his burger" arc.

Everyone does the LENNYYY joke but anytime I read his name I can only hear this one lyric I misheard as "KENNY!" from I Know You're Fucking Someone Else. (Worst discovery ever: it's "hickey.")

Their horses were friends first. Taima can chill with the best of them, and Maggie is much more reserved than her owner. They drift off now and then from the others to eat grass together. And ain't that darnedest thing? Charles thinks Taima is a decent judge of character, and that how well a man takes care of his horse says a lot about him. Otherwise, he'd probably not have entertained Lenny for very long.

It is a struggle to get to know one another. That first wall is always the toughest to tear a hole in with someone as reserved as Charles, so Lenny doesn't stop trying. He sees how the man gets along with Arthur and John, and he wants at least a hello out of him now and then, too. He also prefers to be on good terms with people, and he suspects Charles despises him for some reason he can't grasp. Unfortunately, he just kinda looks like he hates everyone. (Charles also isn't too fond of him, but that's besides the point.)

After the first genuine conversation, things get smoother. It was pure luck catching Charles on a chatty day — meaning he nodded a greeting instead of ignoring him — in which everything seemed to be going wrong within camp. Though he usually remains optimistic and lighthearted, Lenny's serious side is much more Charles' speed. They have a good talk about where things are going and where they've been, why exactly Miss Grimshaw is like that, why Swanson is like that, and where all the money in the world seems to go.

They're more like brothers than friends, and Lenny's age shows often, if you ask Charles. Every time they speak, he's shooting down some big idea or fighting for his life to understand a joke. It's tiring, but, well... it's Lenny. He isn't sure how or when he got to the point of dismissing things as that's just Lenny, but he's starting to feel a little protective of him. Worse, sometimes he feels proud to see him pulling off the stunts he does for the gang.

Lenny's youth does show, truthfully. Fresh off his teenage years, he's done believing that he has his head sorted out. Usually, he ends up talking to Hosea about worries like his future. Charles' general, on-the-surface apathy (read: fear) towards that big question is put in jeopardy any time the subject comes up, whether it's because something's happened or just an occasional nineteen-year-old crisis. After a few awkward trail offs, he finally admits he doesn't know what the Hell he's doing either, and Lenny feels infinitely better that he's not the only one. Without realizing it, he'd started looking up to Charles. Which, of course, he's going to balance out by poking him with a proverbial stick later. Or maybe a real one.

The first time Lenny goes hunting with Charles, the rest of their respect for one another falls into place. He pays attention and does it well, which shocks Charles a little despite his increasingly positive opinions of him. He's a fast learner, and he actually gives a damn about listening to him despite all the teasing he does day-to-day. Lenny finds himself enjoying getting more than a few sentences out of Charles, especially over a skill he takes pride in.

[colfy-wolfy]

So, update on that one post i made (that i did NOT expect to get so much attention) about wanting to write a fic about monk and survivor's parents and third sibling... yes I'm working on it!

It's taking a while though since I keep procrastinating and I want this first chapter to be as perfect as possible. But because I'm feeling nice, here's a little snip of the beginning of the first chapter, immediately after monk's intro!

The fic will be titled "The Residual Pup"

any constructive criticism is welcome, I don't have anyone to help me proofread rn.

More yapping about my fic below cut, if anyone's curious

Yes, the slugs will have dialogue, they have their own special language in my headcanon.

This fic will be primarily focused on family dynamics and might be a little.. "fierce" in terms of family relationships. This is a crumbling rat family and its not all cupcakes and rainbows... sorry, I like angst. I'm not 100% sure how harsh I wanna make this but just incase, if you find mildly abusive, controlling or broken families triggering, I would not recommend. this'll be mostly based off my own experience with my own family.

in my HC, Slugcats have a simple naming convention, similar to the way they're named in the campaigns, its usually names given by their family or peers based off their appearance or occupation/what they're known for.

The parents are named "Father Coral" for the pink slug and "Father Ivory" for the white slug. The third Sibling was simply called "the Blue One" before the incident where they were named "the Residual (pup)" after.

Most pups are named "the (Color) One" before they grow up and the slugs around them end up referring to them by what they're mostly known for. There is no official agreed name for each slugcat so usually some slugcats end up having multiple (nick)names.

Think that's all I want to say without spoiling the entire chapter... If you have questions, feel free to ask :D

[camellcat]

lose my mind every time the doctor takes rose's last name in fics. brilliant, amazing, splendid, absolutely perfect.

like, what do you MEAN she'd be the one to change her last name? he doesn't even HAVE a bloody name like us! plus, she's rose tyler. you think he's going to want that to be different? it's the doctor and rose tyler in the tardis (or I suppose whatever they do in pete's world, but that's still the doctor and rose tyler having their new adventure)!!

she's rose tyler and he is whatever-he-wants tyler. end of discussion. the whole pond diabolical should've been clue enough imo

[that-was-anticlimactic]

i will never understand how or why the httyd movies did the books such an injustice.

the movies aren't even an adaptation - they stole the name of the series, the name of some of the characters and places, and the general idea that there are dragons. honestly, i would be fine with the movies and maybe even like them if they didn't capitalize off of cressida cowell's incredible books that never get any credit.

the books are an amazing story about the cycle of violence and how vengeance and revenge is dangerous. hiccup says that the past is a ghost story, one we need to learn from to better ourselves. the books are about how everyone deserves freedom, how every creature, every being on the earth deserves to be free. we see that in the slavemark, with the dragons.

and like... hiccup is so different. they did him a severe injustice. he's scrawny and intelligent and learned to talk to dragons simply by observing them! he chooses kindness first above all else; instead of yelling at toothless to train him, he is kind. and in the end, that kindness is why toothless chose to save him. bc even toothless himself says that dragons are inherently selfish creatures who care only for their survival. hiccup is brave - his beliefs differ drastically from both the vikings and the world.

hiccup is a child who chose to do the right thing even at the expense of himself. he agreed to free the slaves on nobert's ship, and in return, they gave him the slavemark which is easy to give but cannot be removed. he was like twelve. and having the slavemark means he cannot be with his tribe or his family, it means he isn't considered a human being anymore. and he keeps it a secret for awhile until it's revealed and when it is everyone turns their backs on hiccup. his family, his tribe, his mentor, people he TRUSTED. everyone except fishlegs, and, once she got over the shock, camicazi. he was thirteen. and even when he lost his memories and was really injured, he persisted. he was told to go to tomorrow and to save the dragons and he did bc in his heart he knew it was right even though he didn't know who he was or how he got there.

and fishlegs,,, oh my god FISHLEGS!!! the did him SO DIRTY!!! fishlegs is hiccup's best friend, one of the main motivators for hiccup. he steals norbert's potato for the sake of fishlegs, he gives fishlegs his dragon and goes to retrieve another, he takes the blame for fishlegs. and fishlegs does the same for him. he takes the slavemark with pride. he refuses to turn. he gives hiccup his lobster claw necklace which is his most prized possession. he is brave for hiccup, he believes hiccup is alive. he fights for hiccup harder than anyone else ever has. he does not turn. his is loyal, has allergies, has asthma, has a squint and a limp, has glasses bc he's blind without them... and he's still a hero despite being a runt, despite everyone even the adults telling him he's hopeless, telling hiccup to leave him behind.

and they cut camicazi! i'm sorry, but astr*d is nothing compared to camicazi. camicazi is a tiny, feral child who can easily best hiccup, fishlegs, and pretty much anyone in a sword fight. she can bring a grown man to tears with her rudery and smack talk. she is recklessly brave and craves adventure and follows hiccup blindly bc she trusts him that much. she isn't in love with hiccup - in fact she doesn't care about romance and love. she gives up everything to help hiccup bc she has a strong sense of justice. she is the motivator, the cheerleader, she finds a positive in everything. she never gives up. literally never gives up. and that's one of the most inspiring things about her: she always has hope.

and toothless! god!!! toothless is *thought to be* a common or garden dragon. he is horrifically tiny, he is literally toothless, and is the biggest brat in the world. he will cause problems on purpose. he has a stutter, he's the most selfless selfish dragon around. he and hiccup can talk to each other. he masks his fear with singing and being annoying. his growth is remarkable. he starts off refusing to obey hiccup, doing the opposite of what he says, making life harder for literally everyone around him, and he's still somewhat like that. but he's also braver, more caring, more willing to make sacrifices for the sake of others. he's clever, which he needs to be to make up for his size and aggression. he protects hiccup with everything he has, therefore, he protects what hiccup cares about just as hard. he was the only dragon that didn't abandon the vikings in the first book bc he cared about hiccup.

and snotlout,,, god,,, i will never forgive the movies for butchering snotlout. hiccup's cousin, the bully character, the one who is horrifically jealous that hiccup's dad was born before his. the one who desperately wants to prove himself, to be worthy, to make people proud. and you hate him, you despise him. he betrays everyone many times bc of the nothing promised to him by alvin and his mom. he loses himself, turns his back on himself, all bc he wants to prove himself. all bc he wants to be better than hiccup. and hiccup still forgives him and gives him chances, sometimes out of pity, but also bc snotlout is his cousin. he can't just turn his back on him no matter how miserable snotlout made his life. and in the end, snotlout sacrifices himself for hiccup. he gives up his life for hiccup in one last attempt to set things right. his death and the events preceding it are one of my absolute favorite moments in the book. gives me chills. makes me cry.

that's the thing with the books - they're so realistic. there is no inherently happy ending where everything works out. the first book begins with "there were dragons when i was a boy", implying that they're gone now. the books show there are consequences to our actions. they enslaved the dragons, they fought against them during the dragon rebellion all bc alvin and his mom said to, and now they're gone bc a simple apology doesn't fix hundreds of years of enslavement. and the only way for the world to move forward was for the dragons to leave and heal on their own. and now they have to learn to live without them. and yeah i've heard the third movie ends like that but. it doesn't have the build up. it doesn't have "there were dragons when i was a boy". it doesn't have eleven books of development to back it up, to make it feel meaningful.

i know that the movies are really special to a lot of people. i know that, on their own, they're genuinely good movies. i can acknowledge that the soundtrack is amazing and the animation is beautiful. i just can't see past the way they butchered the world that i love, the world that i grew up with. i can't see past the way people yelled at me for saying i liked the books better, the way that people gave me weird looks when i showed them a picture of the original toothless, when i tell them that nightfuries aren't even a type of dragon. cressida cowell created hundreds of different dragons, and the movies couldn't even pick from that. i can't forgive the way that barely anyone knows there are books bc the movie barely gives credit to them. i cannot forgive the way they capitalized off the books and then shoved them aside. i know cressida thinks they're good movies and i know a lot of httyd book fans also like them. but i just... i cannot get over how much they changed and how they missed so much and ignored the books. also they got rid of camicazi so hiccup could have a love interest and that is unforgivable to me.

if you disagree, that is a-okay. we're all entitled to our own opinions. i just ask that you, perhaps, try the books out. give them a chance. bc they're amazing works of art and also just like. don't yell at people who don't like the movies? whether it's bc they prefer the books or just aren't into that kind of movie. and just remember that dreamworks didn't come up with the story; cressida cowell did.

[autismswagsummit]

I submitted some fictionalised version of historical figures. Is this ok? Since they’re not accurate depictions of the people who share their name.

This is another vague area that in practice, I have to treat with some level of individual consideration for each nomination, however I checked which nomination is (most likely) yours and I will say firmly that your character will not be making it into the bracket. To avoid ambiguity and cut straight to the point, the real life version of this character was a slave owner, and I do not feel that (even in a parody/rewritten form) slave owners should have a place in this competition. I hope you will understand where I'm coming from with this

[necrotic-nephilim]

What do you think of alfred/bruce?

!!! good question, i love them so dearly.

shipping Bruce can get difficult when you want to put him in the position of submission. it's not impossible and there are characters you can make him submit (Clark and Diana are the obvious choices) but they're not characters who would any significant power over him, so for the fun of like, fucked up power play, unless you're doing something like an Injustice or Justice Lords AU, it's hard. so if you want to ship Bruce with someone who holds an implicit power over hi him and has the rare ability to tell him what to do, the answer is Alfred. which is just so fun.

because i personally really enjoy putting Bruce in a submissive role. it's a subversion of what you expect out of him, and subverts a lot of his key character traits. he's someone who *requires* control as a part of his personal regiment, part of his mission. he doesn't like to give it up, and he won't give it up to just anyone. when he does give it up, it's always conditional. the few times he gives someone like Dick control, he always takes it right back. Alfred is one of, if not the only person who has full control over Bruce. he can tell Bruce what to do, and Bruce will listen. it's still not perfect and Bruce will go against him, but largely, he can and will exert that control when he feels it's necessary. so that's so fun to play with romantically. especially with the aspect of him not only raising Bruce, but knowing Bruce practically his whole life. Alfred has just always Been There. he's a constant pillar.

and i had an interesting conversation with a mutual about how Alfred's life pretty much revolves around Bruce. Alfred will toss aside his own blood family (Julia) to prioritize Bruce. how Alfred behaves around the rest of the Batfam is defined by their relationship to Bruce and his love for them is often just an extension of his love for Bruce. it's complete devotion from Alfred, and if you make it romantic, it immediately borders on obsession. there's no. "healthy" version of this ship and that's the fun of it. especially if it's a Year One type era, where it's just the two of them. but it's also fun to introduce the rest of the Batfam and see their reactions to it. how long they take to notice, what they feel about it, etc.

these two are so intertwined in a very similar Batman/Robin way, in that most superhero spoofs have a butler for a reason- you just can't separate Bruce from Alfred unless you're willing to kill one of them off. we treat Alfred like this kindly old man who's just there to make tea and witty remarks, but in reality this man is a war vet who served in MI-5. he's rough around the edges in a way that if he and Bruce had met under any other circumstances, they likely wouldn't get along. Alfred has killed people in combat, he has no reason to believe in a no-kill rule and would see the flaws in it. but it's *Bruce*, a man he's been devoted to since the Waynes died. someone Alfred watched grow up.

if i were to personally write them together, i'd have them get together after Bruce leaves and trains for years. because who Bruce is when he leaves Gotham and who he is when he returns are two very different people. and Alfred still lives him wholly, but this isn't a traumatized boy anymore, this is a man who's systematically turned himself into a weapon. and so when Alfred agrees to help, it comes with a natural relationship that's complicated and has built-in fucked up power dynamics. Alfred is the one person who can get away with telling Bruce what to do, killing for Bruce, and taking care of him when he's emotionally vulnerable. there's a deep level of trust in all of that so i really love it and wish we had more of it. you can take it to the extreme dead dove end of things, or play with it in a more domestic sense and both. both are good.

[blastlight]

every so often i think about how if i ever make a post or something that blows up, i'll immediately be harassed en masse by people claiming i'm a zionist

[batemanofficial]

hello upper middle class northern usamerican tumblr user. i want to play a game. you will notice that you are in a super america convenience store in rural kentucky - you have three minutes to purchase a snack and drink of your choice and make normal small talk with the cashier. however, if you use the word "cryptid" or generally make reference to appalachia and its inhabitants as "wild", uncivilized, or lacking restraint around alcoholic beverages during your time here, i will personally tie you to the chassis of a four wheeler and tip it into the river. live or die. make your choice

[killjoy-prince]

If Misha ends up being the Watchmaker ill scream