#also not like ALL the movies of the three khans have had such great love stories | Explore Tumblr posts and blogs

tsupertsundere · 1 year ago

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HELLOO. i see you reblog a lot of hindi cinema!! i would love to watch more of it, what are your top 10 favorites?

🤩😍🤩😍🤩😍🤩😍🤩😍🤩😍🤩😍🤩😍🤩😍

this might be my favorite thing I've received in my inbox.

wh I well I wh how could I possibly refuse hee hee hee hee

limiting this to hindi cinema helps!! or so I thought, before I went through several rounds of intense interrogation and several scribbled pages of notes and realized this just outs me as a baby shah rukh khan stan, which I am. I resisted every impulse to try to make the list broad and varied and kept only repeating 'what are your FAVORITES, what are your FAVORITES' and even then narrowing everything down was really painful... I feel like I've watched very many but then not very many at all.

There are another half-dozen more I had to cut with great anguish (Paheli, Ram-Jaane, the Don films) OMG EDITED TO FINISH MY FRIGGIN SENTENCE: BUT I PRESENT TO YOU AND TO ALL: VI TSUPERTSUNDERE'S TOP TEN:

Mohabbatein ("Love Stories", dir Aditya Chopra, 2000)

A young men's college ruled by a headmaster who disdains love--can one music teacher help three love stories grow, and let love tower above all? ✫ My first hindi film. Still can't think of a better introduction. Truly has it all. My favorite ghost story also!! ✧ Standout number: the three ingenues have an incredible dance sequence - it's the emotional climax of the film for me.

Kaho Naa... Pyaar Hai ("Say You Love Me", dir Rakesh Roshan, 2000)

When Rohit, an aspiring musician, meets Saxena, a rich bussinessman's daughter, his dreams of stardom glimmer right within his reach. Life has other plans. ✩ Hrithik Roshan's debut - and what a debut! My first introduction to a beloved facet of hindi cinema - double roles!! ✫ Standout number: The number that takes place in Cafe Indiana, Ek Pal Ka Jeena, accurately conveys how it felt like to go to a Rainforest Cafe when I was very young. Truly thrilling!

Muhjse Dosti Karoge! ("Will You Be My Friend!", dir Kunal Kohli, 2002)

Childhood friends Raj, Tina, and Pooja are caught in a classic love triangle - Pooja loves Raj, but he only has eyes for Tina. When he moves away, Pooja poses as Tina as they email back and forth and their friendship blossoms long-distance. A decision made in childhood brings problems to Pooja's doorstep - as they all graduate high school and become adults, Raj returns home... ✧ Rani Mukherjee and Kareena Kapoor are the real MVPs here - shining stars in every movie they're in. ✩ Standout Sequence: The medley, seen above, brought me to my fucking feet when we first watched it. The characters diagetically are singing these popular songs for each other at a wedding celebrations - each song's lyrics weave in and apply on multiple levels, depending on who knows what and what they mean, up to and including Hrithik Roshan reprising Kaho Naa Pyaar Hai! Genuinely one of my favorite sequences I've seen period on film, if I could ever put together anything half as layered I'd be patting myself on the back forever.

Kabhi Khushi Kabhie Gham... ("Through Smiles and Through Tears", dir Karan Johar, 2001)

The wealthy Raichand family splits in half when elder son Rahul falls in love with a lower-caste girl and marries her - younger son Rohit watches his beloved brother disappear to England and the light in his home wither away. When he becomes an adult, he's determined to find his brother and unite them all again. ✫ These three fuckers as a dad and two sons just make a fascinating family together, let alone the kind of heavy hitting talent you get from Jaya Bachchan (indeed married to Amitji) and of course Kajol my beloved Kajol most of all. 'It's All About Loving Your Parents' is a much much much... much harder sell than I'm prepared to give - at the very least, it's all the drama I can watch in. ✫ Standout Sequence: Bole Chudiyan above is so much fun, of course, but Say Shava Shava is also a really great 'here's how fun things are when things are GOOD' establishing song. When Amitji says 'EVERYBODY' he is not asking!!

Those four films are a truncated highlight reel of the 8 or so films I like watching around the holidays!! They work really well together and I associate them with each other a lot.

Darr ("Fear", dir Yash Chopra, 1993)

Kiran Awasthi has a freshly minted college degree, a bus ticket home, a beloved boyfriend in the Navy... and a stalker. A young woman is slowly driven mad by a ruthless specter who will stop at nothing to be by her side. As she and her boyfriend escalate... so does he. ✧ Truly breathtaking. A breakout role for SRK, another hit cementing Juhi Chawla my fucking beloved Juhi Chawla as the OG expression queen. My favorite horror film. Rahul Mehra deserves to be in Dead By Daylight so he can fight Leon in a twink off. Simply the bloodiest there is. My Halloween costume next year. ✩ Standout sequence: Any time Juhi Chawla is on screen and I'm not kidding.

Chaahat ("Desire", dir Mahesh Bhatt, 1996)

When the father of a father-and-son comedy duo gets sick, his son, Roop, would do anything to secure the money he needs to restore his father's health. So when he catches the eye of a wealthy club owner's sister, he can't say no, no matter how much her desire consumes... ✫ Diametric opposite of Darr, now Shah Rukh Khan is the target!! As a carnivore girl lover I can't not adore it. ✧ Standout sequence: Chaahat Na Hoti, pictured above. This was the frame that made me sit up and go 'oh I have to... I gotta watch this movie right now. Right now.' And I was so right.

Phir Bhi Dil Hai Hindustani ("Yet, I Have the Heart of an Indian", dir Aziz Mirza, 2000)

Ajay Bakshi is a hotheaded, loudmouthed reporter - a rival media network hires his counterpart and superior, Ria Bannerjee, to try to take him down. ✫ A gag-a-minute comedy with more gumflaps than brains, just like our lead. Juhi is heaven in this. I can only describe this as 'I think this is what the guy from American Psycho THOUGHT was going on.' Was a flop - came out right after Kaho Na... Pyaar Hai and couldn't compete - but it hits the zany button like nothing else. ✧ Standout sequence: The inventiveness of the sets in pretty much every song is my favorite. CONTENT WARNING: There is an awful anti-Chinese gag sequence at about the middle of the film. The two leads pose as Chinese reporters to get into somewhere, and it's just wall to wall racial caricatures. I hit that ff button through it myself, a truly unpleasant marring in an otherwise goofy-ass romp.

Chak de! India ("Let's go! India", dir Shimit Amin, 2007)

Can a disgraced former field hockey star turn 16 proud, contentious players from all over the country into one unified team as their coach? Can each young woman play her all on the field - for herself and for her team? ✩ A sports anime fit into one film, I wish it were several seasons long. Each girl is spectacular and is a joy to watch!! ✫ Standout Sequence: The character work is where this one shines. Bindiya Naik is my personal favorite (and not just because the instant I saw her performance I went 'omg, she's playing my OC almost exactly. I'd cast her in a heartbeat!)

Fan (dir Maneesh Sharma, 2016)

Aryan Khanna is the King of Bollywood. Gaurav Chandna is almost him, but not quite - knows everything about him by heart, uses him as the light in his life, and Gaurav even looks just enough like him to boot. All Gaurav wants is five minutes of his time. Just five minutes... ✩ Eminem's 'Stan' as a feature length thriller that literally no one else could make. I can only quote this letterboxd review, because it's right: "even if there was another celebrity who could pull off tearing himself open to splash his own imposter syndrome onscreen, they wouldn't dare try...happy birthday to the only actor good enough to make his fans sympathize with his own stalker". I was SO upset to learn that this flopped. ✫ Standout Sequences: the practical and special effects used to differentiate SRK's two roles bar none some of the best I've experienced - uncanny valley is real here, and half of the horror is the ALMOST. but not quite.

✫✧✩✫✧✩✫✫✧✩✫✧✩✫

While I followed a loose, non-ranking order for the preceding nine entries, I had to save the only possible film for number one:

Om Shanti Om (dir Farah Khan, 2007)

"30 years ago," irrepressible junior artist Om Prakash Makhija has only one dream grander than making it big in the film industry - to get a chance to act alongside his greatest inspiration, superstar Shanti. His wish comes true, but, well... some dreams, one lifetime is not enough... ✫ THE BEST MOVIE THAT EXISTS. THE BEST MOVIE THAT DOESN'T EXISTS. Don't believe me? Let these ladies convince you - when I learned that somehow The Coolest And Most Sparkling theater troupe on the face of the planet staged a production of this I literally got so lightheaded I couldn't see for a second. This movie came out when I was thirteen - if I had seen it then I think it would have made a huge difference. As it was, I saw it at the second most perfect time: when I was/am also a 30 year old irrepressible junior goofball, just like Om. Farah Khan is one of my favorite directors for certain. A film about the hindi film industry, I place it last also because the more faces you recognize, songs you can pick out, movie references you can catch, the better - and it's incredible even still. ✧ Standout sequence: I can't say the whole movie (... minus Deewangi Deewangi it's the Yakuza 4 of this movie) can I??? Let me just say - long story short, Farah Khan got the idea for this film when Andrew Lloyd Weber had her to choreography for his stage show, Bollywood Dreams. She thought the plot, a poor junior artist becoming a big Bollywood star, was eye-rollingly unrealistic. She could do better, she thought... and that idea eventually became Om Shanti Om. The climax is her proving she could do Phantom of the Opera better than him, too!!

✫✧✩✫✧✩✫✫✧✩✫✧✩✫

And, if you'll indulge me... in thanks for giving me a really fun thing to do today, I have one more film: one that I think you would like, based off of the vibes of the journal entries I got to read!

Veer-Zaara (dir Yash Chopra, 2004)

An Indian pilot and the daughter of a Pakistani politician fall in love, but are wrenched apart when the pilot is imprisoned on false charges. He languishes 22 years in prison, never saying a word, until a young Pakistani lawyer is assigned his case and she is determined to see him freed... ✧ Certified Mom Movie and is an absolute banger. When I thought 'who would be a character who I could see Estelle looking forward to meeting for lunch', Rani Mukherjee's lawyer was right at the top of the list. ✫ Standout Sequence: My personal favorite, Main Yahaan Hoon, is the song linked above. It drives me Insane absolutely Insane - this depicts 'they're not in the room but they're the only thing on your mind' in a way seldom more effective!

✫✧✩✫✧✩✫✫✧✩✫✧✩✫

omg NOW I'm done for eel. This was a terrific exercise in tilling the soil in my brain - I'm really inspired by the all visual direction, the colors and depths, the sensibilities in general exemplified by the movies here, and hope to one day reflect it in my own work! I have to make the Yash Raj reshade shaders I want to see in the world.

Please don't hesitate to drop me a line about anything you find interesting here, other movies you've seen, or anything else! Genuinely truly always love getting to see your work. Thank you for reading!

#thank you again again again again SO so much so so much. I literally let myself have so much fun with this. I had a ball!!#oh my GOD it was so hard to pick good representative screenshots for each film. except oso chaaha and k3g - those shots have been in my min #since I first saw them #the rest are shots I'm just finding really evocative... and really inspiring!! I hope to help you see why they're my favorites.#paper star jar #postbox

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random-xpressions · 9 months ago

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Career life is something one needs to take very seriously, as much as they would for other aspects, like their love life or their spiritual life etc. Perhaps in the earlier years one may actually not kick off with a promising note. But those are essential too. Call it coincidence or signs that universe is so clearly sending, in just this week I came across three stories which actually was very intellectually pleasing and also quite soul awakening. Here they are:

Story no 1: I happened to stumble upon an interview that was taken with the famous soccer star, Messi, in which he was asked - "what would you be doing if you were not playing football?" Sensing that the interviewer was perhaps under the impression that there was hell a lot of money that was being made in all his club contracts and advertisements etc, the legend simply answered: "I will still be playing football even if i made no money!"

Story no 2: Two great individuals who have hit the success in their industry almost with no match, a movie director - Yash Chopra - and King of Bollywood - Shah Rukh Khan. Now the kind of movies this amazing pair has gifted to the world is unforgettable. So just last night I came across an interview in which the Director was saying that in his entire career span of 50 years of which 20 years he had worked with the actor, not for once did Shah Rukh Khan ever speak about his RENUMERATION! All that Yash Chopra did was to call him and say a movie is being planned and Shah Rukh was there. What happens is that once everything is completed and a day or two before the movie release date, a cheque will be sent to the actor and everytime upon receiving it Shah Rukh would say: "this time its really such a huge pay!"

Story no 3: Dr Mohammed Hisham Naji, an anaesthesiologist, leading rather a comfortable life in Washington (Syrian-American), after recently seeing the plight of Palestinians and the heavy casualty especially when it came to that point where there were no qualified doctors to do anaesthesia and treatments were being made without giving anaesthesia, his conscience got so badly shaken that despite his old age and despite that Gaza is literally a battleground with zero security he volunteered to go all the way down to the epicenter of war to make his contribution!

Now all of these individuals in their own circle of profession - be that sports or theatricals or medical - one thing is common in all of them. They did what they did not because of money but something within them was giving them a greater call to answer it. Their craftsmanship was in their DNA, inseparable. They would do it even if they're not paid. They would do it because they really enjoyed it. They would do it even if it cost their lives.

Money is just a result and a natural consequence that follows the zeal, the enthusiasm, the passion. Now comes the big question which each one of you must ask yourself:

"Is what you're doing right now to earn your bread something which you would do even if your bread is denied?"

If the answer is NO, then that's not what you're made for. Your calling is elsewhere - go find it!!!

Random Xpressions

#career #beyond money

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themculibrary · 2 months ago

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30k-50k Masterlist 2

part one

all too well (ao3) - iam93percentstardust steve/tony M, 46k

Summary:

Cause there we are again when I loved you so Back before you lost the one real thing you’ve ever known It was rare, I was there I remember it all too well

“This is the young man I was telling you about,” Khan says, turning to someone behind him. Tony can’t quite make them out yet. “The new professor you’ll be working with on the 380 to 740 class. He’s just come to us from MIT, very good reviews, and Dr. Jarvis speaks very highly of him too, I’m sure you’ll both do marvelously.” The other person steps out from behind the dean, and Tony’s breath catches in his throat. “Tony, this is—”

“Steve,” Tony breathes.

Steve Rogers, bearded now and just as beautiful as he’d been the day he left, looks back at him with wide blue eyes.

a long winter (ao3) - dropdeaddream, WhatAreFears steve/bucky, steve/peggy M, 35k

Summary: In 1945, Steve Rogers jumps from a nosediving plane and swims through miles of Arctic Ocean to a frozen shore.

In 1947, Steve Rogers marries Peggy Carter.

In 1966, the New York Times finds the lost letters of Sergeant James Buchanan Barnes.

also, nightingale (ao3) - The_Cimmerians bucky/steve/sam E, 32k

Summary: Post Civil War: life in Wakanda is full of surprises. And eventually smut.

awake, aware (ao3) - Misaya steve/tony T, 36k

Summary: Before Steve Rogers disappeared off the face of the Earth, he agreed to an experimental procedure devised by Howard Stark that, if successful, would be used primarily for helping comatose patients wake up. It didn’t appear to work, and so Howard put the project and Steve out of his mind.

So when the technology did begin to work, only Tony Stark, barely able to string three words together, was there to see it.

a world without (ao3) - fundamentalBlue steve/tony T, 30k

Summary: Tony snaps—and then he wakes up.

bated breath (ao3) - karedeviltrash matt/karen M, 46k

Summary: A step forward is suddenly interrupted by an unfortunate event.

can’t help the way i melt around you (ao3) - adoctoraday, RiotFalling, WhiteIronWolf (adoctoraday) tony/bucky E, 46k

Summary: Tony and Bucky both know there’s no straight path when healing from trauma, but it can be an easier path to walk when you’ve got someone to rely on, to trust in, to care for.

chemistry (ao3) - deadto27 steve/bucky E, 49k

Summary: Bucky Barnes just wanted a good one-night stand. It didn’t even have to be great, though he’d had high hopes hot Steve would be fantastic.

He’s hugely disappointed.

And Steve seems to really like him, so now he’s stuck trying to let him down gently and hoping he never sees him again. Of course, the universe has other plans.

—–

But it’s okay, he thinks, trying to convince himself, as Steve plants a kiss to his cheek and tells him to sleep well, flicking off the lamp. It’s nice to be cuddled sometimes—Bucky basically never gets cuddled—and the bed’s pretty comfy. He’ll just leave in the morning. No big deal. They may have died a sexual death, but Steve’s a sweetheart regardless and Bucky can’t bring himself to be an asshole.

This is just more polite.

come over (we don’t need no reason why) (ao3) - anyorangeslices scott/hope E, 39k

Summary: ‘Hope van Dyne really hates dating apps, but she doesn’t let that stop her from using them.’

Hope matches with Scott on Tinder. They try - and fail - to keep things casual.

fairytale of new york (ao3) - iam93percentstardust bucky/steve/tony M, 40k

Summary: After a bad breakup on Christmas, Bucky Barnes swore off both relationships and Christmas for good. Years later, he’s now the world’s leading expert on how to survive being single in a world designed for couples (tax breaks, anyone?). He’s got a movie deal coming up for his bestselling book, Facebook Status: It’s Not That Complicated, and his own talk show where he offers advice to struggling singles.

He’s got exactly two problems in the world: Steve and Tony, his very attractive, very married neighbors who think that love is the greatest thing since sliced bread and Christmas is the world’s best holiday. But it’s fine because, for the most part, he can ignore them and they can ignore him.

And then a wrench gets thrown into his plans when his sister foists her two children, Kate and Harley, off on him for the holidays. Here’s the thing—it doesn’t matter if you don’t celebrate Christmas when the kids do.

So Bucky finds himself swallowing his pride and knocking on his neighbors’ door, asking for help with this whole Christmas thing. But in Steve and Tony’s cozy apartment, Bucky slowly starts finding himself enjoying Christmas again—and maybe even falling in love.

how to (try to) lose a guy in 10 days (ao3) - rohruh steve/bucky E, 39k

Summary: “I like it,” Carol snaps her fingers and points in Bucky’s direction. “Let’s give it a deadline. How long do you think you’ll need to get someone to break up with you, Barnes? 10 days?”

This actually sounds kind of fun. It’s been a while since Bucky has felt this kind of excitement towards any of his work assignments.

“How to lose a guy in 10 days,” he says with a bit of wonder.

“How to lose a guy in 10 days,” Carol agrees, sharing a wicked smile with him.

“I won’t need all 10, though,” he tells her with certainty. “I’m sure I can scare him off way sooner than that.”

i think i missed a step (‘cause i’m fallin’ for you) (ao3) - mokuyoubi peter/wade, steve/bucky E, 41k

Summary:

There’s a weird familiarity about the kid’s tone and posture, and it’s true that Wade is pretty far from home today but he’s also certain he’d remember that baby-face if he’d seen it before. On the other hand, he has spent the better part of the past few years feeling like he’s missed a step, so this conversation isn’t exactly anything new. [[A hot guy is willingly talking to us. Go with it.]] [Don’t make an ass of yourself.] “Shaddup,” Wade grumbles, though Yellow has a point… OR Peter thinks Wade knows his secret identity, and Wade is really confused by the hot coed who keeps popping up and hanging out with him.

just between us (did the love affair maim you too?) (ao3) - dharmainitiative sam/bucky E, 33k

Summary: “So, guess you’re headed back to Wakanda?”

“I might,” Bucky says. “Honestly, I was banking on going back to Brooklyn. Closest thing I’ve got to home, so, just made sense. But seeing as I’m a fugitive…” He glances over at Sam with a wry smile. “Why, what about you?”

“Rhodey found a spot,” Sam says. “Some safe house on the outskirts of the city. Hasn’t been used in a few years, so, gonna head there and stay low till the pardon is official. Or try to, anyway.”

Bucky is quiet for a minute before he turns to Sam and asks, “Want some company?”

lovestruck (ao3) - frogboyfrog steve/tony, peter/omc M, 38k

Summary: on the recovery from a traumatic past, peter stark-rogers was doing better than ever. his two loving, doting dads were his sole supports, but if anyone could hold a fourteen year old boy up, it was iron-man and captain america.

and then everything got worse again.

enter: high-school.

no more in darkness, no more in night (ao3) - OllieoftheBeholder steve/bucky, clint/phil T, 37k

Summary: He is the Asset.

He is the Winter Soldier.

He is a weapon, a blade honed to perfection and then kept in a sheath, a gun cleaned and loaded and then locked in a cabinet, an object to be used and put away until needed. He is a machine, a thing, an it.

He is a man without a country, without a past, without a face, without even a name.

He is running.

And someone is catching up…

publicity parent (ao3) - Bowtiez G, 36k

Summary: Tony’s losing his credit with the public. Pepper’s got a plan to fix it.

Enter Peter Parker, eight-year-old orphan from Queens, New York.

Tony has no idea how children work, so why is he so drawn to little Peter Parker?

thermotemporal equations (ao3) - Blinky the Tree Frog (blinkytreefrog) T, 48k

Summary: Bucky Barnes is used to strange happenings; his time with the Howling Commandos has guaranteed that. He’s therefore not totally thrown off balance when he wakes up in an extraordinary tower in a seemingly impossible year. He can’t help but be worried though, no matter how much reassurance he’s getting from Steve and his new team.

we always know (ao3) - bangyababy steve/bucky, bucky/thor M, 32k

Summary: Steve and Bucky were best friends until middle school when Steve overheard Bucky saying it was weird he didn’t talk. Soon after, Bucky moved away and they never spoke again. Almost fifteen years later, they’ve somehow managed to become roommates.

would’ve, could’ve, should’ve (ao3) - Shelios28 steve/bucky M, 31k

Summary: Or, when the Winter Soldier takes an injured Captain America with him after the events at the Triskelion.

wrapped up in clover (ao3) - FestiveFerret steve/tony, clint/phil T, 54k

Summary: It’s been seven years since Steve and Tony split up, and Steve’s sure he’ll never see Tony again. He’s finally managed to put their failed relationship behind him and move on, focusing on his friends and building his business. But then his best friends, Bucky and Clint, decide to get married, and their wedding week at a cabin resort in Vermont turns into a minefield of heartbreak for Steve.

#themculibrary #marvel #mcu #masterlists #30k-50k #30k-50k masterlist #30k #50k #30k masterlist #50k masterlist

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stereogeekspodcast · 1 year ago

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[Transcript] Season 3, Episode 2. The Marvels Review

The Stereo Geeks review The Marvels, and they really enjoyed it!

Listen to the episode on Spotify.

We are The Stereo Geeks Podcast, and we're back.

Well, hopefully for a longer time than last time.

It was a sort of impromptu goodbye last time, because life got in the way.

You know, we are doing this podcast for fun.

I'm Mon, I'm a pop culture writer.

I write for Women Write About Comics.

You can also find me on HuffPost and tor.com.

Hello, I'm Ron.

I'm a marketer by day, pop culture writer by night.

I am an editor and writer for Women Write About Comics.

We got to see The Marvels at a press screening, and I have to say, we enjoyed it.

We were looking forward to it, and we had a good time.

Exactly, exactly.

For all the people worrying about the Marvel phase five properties, well, this was a good one.

It hasn't really been a very good year for Marvel.

For Marvel, let's just say that.

Yeah.

But this last bit with Loki season two and with The Marvels, it's given me some hope.

So let's just get into it.

So The Marvels, it takes off from the end of Miss Marvel, the TV show that came out last year.

The main character is Captain Marvel, Carol Danvers.

We last saw her properly in action in Avengers Endgame.

She's been name dropped ever since as well, and we did see her in What If, but that's a different version.

We find out what she's been up to when we're back in this film.

We also have Kamala Khan, Miss Marvel, whose escapades were seen during her TV show.

Her story takes place in New Jersey.

And then rounding it up is Captain Monica Rambeau, who we saw as a little girl in the first Captain Marvel movie.

And then we saw her as an adult in WandaVision.

So she has lived a life, an interesting life, especially post blip.

She's been really coming to terms with what happened to her, what happened to her life and her family.

So we do get all those touch points as well.

If you haven't seen all of these movies and properties and TV shows, everything is explained in this movie.

It's like they kinda assumed that a lot of people wouldn't have watched these TV shows and films, which is really sad, but in a way at least you have the context so you don't have to go through, I don't know, 15 years of Marvel stuff and even more reading up and research.

So I really like that about this film.

So the story kind of has three different settings.

We've got Jersey City with Ms. Marvel in it.

We've got Intergalactic Space with Captain Marvel, and we've got the SABER space station where Nick Fury is basically running the show and Captain Monica Rambeau is the person who takes care of everything.

And then we meet our antagonist, Durban, who is basically the leader of the Kree now.

Lots of things have happened since Captain Marvel took their evil AI down.

Darben has a score to settle.

Darben is played by Zawe Ashton.

This is her debut in the MCU.

And while she's on her mission, she doesn't realize that Captain Marvel, Captain Monica Rambeau and Kamala Khan all get sucked into her mission because of quantum entanglement.

I don't know what the actual term is.

I'm sure they mentioned it a few times, but quantum is the favorite word in the MCU.

So we're just going to use that anyway.

So suddenly these three find themselves in each other's lives.

Well, it's great for Ms.

Marvel, but for Monica and Carol, well, there's some history there.

So it's very interesting.

There's an emotional angle in there as well.

Not only do they have to deal with each other, they now have to deal with a new antagonist, the end of the world, the end of the galaxy, typical Marvel stuff.

Right, so what did we really like about this film?

It is really funny.

Exactly.

I did not expect to laugh that hard.

And like every scene, there is something really hilarious happening.

I love how whenever there is a comedic moment to take, this film just goes for it.

And they're like, you know what?

The actors have great chemistry.

They're really funny.

They're just riffing off each other.

Let's just let them do it.

I really quite enjoyed that.

I think Marvel has this habit of bringing in humor just to undercut really tense moments.

This film doesn't do that.

Yeah, I really like that because it just is funny.

For being funny's sake, it leans into that.

It leans into the weirder parts of it as well.

It's very sci-fi.

It's funny because like with Loki and The Marvels, I feel like they've really leaned into the sci-fi aspect of the storytelling and that's really worked for it.

We were just chatting one of the other day that almost all the properties this year for Marvel have really had very sci-fi heavy elements.

Marvel in general does have that aspect, but it's been more about action and adventure rather than sci-fi, but now it's really leaned into that, which is good.

But then with Ant-Man and The Wasp, Quantumania, as well as Guardians of the Galaxy Vol.3, I feel like they leaned into the wrong aspects of sci-fi.

I agree.

Quantumania was not good and Guardians of the Galaxy, I think tonally, it was so off for Marvel, it did not work.

I also think it didn't do the characters justice.

Obviously, there's a lot of concern going into the Marvels.

We have a new director and writing team, and I thought, oh no, maybe they won't understand these characters either.

Thankfully, they didn't do that.

And one of the things is that, yes, these characters can be funny, but they're not jokes.

And I really liked that they went with that.

What I really appreciated about this film, and I think you get a feeling of that from the very first scene, is that it leans into the vibe of what these characters have already been.

When Ms. Marvel is on screen, we get the essence of her show, which was very comic book-y and light and fun.

When Captain Marvel is on screen, then you have the very sci-fi elements.

And for Monica Rambeau, you get the more grounded, this is a person from Earth who is now in space kind of thing.

So it gets a lot of those aspects right, because it knows that the characters are the most important part of this film.

Yes, the story is interesting and it's fun.

And there are a couple of very fascinating sci-fi things that they do, which I was like, oh, okay, that was unexpected and also hilarious.

But the characters are why we came here.

We've seen these three women across the franchise.

Now we get to see them together.

It's the ultimate Marvel team up that fans have been waiting for, especially, let's just put it out there, female fans.

We haven't had very many female characters who get to lead the franchise, especially in Marvel, which has, what, 20 plus properties now.

It's taken a really long time.

The whole brouhaha around Captain Marvel's movie coming out was like they were doing something so out there.

I'm like, really?

A lady is leading a superhero film and that is a huge thing.

Exactly.

Now we have The Marvels, which has basically built on everything that Captain Marvel and WandaVision and Ms. Marvel has done before.

And Wakanda Forever.

Would have been fun if there was a Wakanda connection, but sadly, no.

But this film doesn't have all the burdens that comes with being the first woman led superhero movie in the Marvel franchise.

Just not like that.

It's just a movie with superheroes having fun.

Exactly.

I really like that it's not trying to break the mold because in a way, having so many female characters at the center is breaking the mold, which is ridiculous to say, but unfortunately we still live in that world.

It's just trying to have fun.

And I think I really like that.

This is escapist cinema.

And I think oftentimes superhero cinema forgets that.

So I like that about this film.

It doesn't have to be perfect.

And I think that it's really quite close to being perfect as a very simple Marvel story.

I don't know what people will be expecting from it.

I think it's just have fun.

That's it.

That is a good goal to have for a film.

Even the emotional beats, they work within the setting of the film itself and they don't like drag them on.

It has to be there because otherwise, why would we be invested in these characters?

It also doesn't tank the vibes.

Exactly.

When it's funny, it's funny. When it's emotional, it's emotional.

Got that balance right, which made it a lot more fun to watch.

And I think the other thing that I have mentioned in my review for WWAC is the editing was really crisp.

The pandemic has impacted the way people edit films.

There have been so many movies I've seen over the last couple of years that just feel like the scene dragged on too long or the cut was just too abrupt.

And I was just like, oh, we had this moment and you moved away.

I don't feel like the Marvels made those mistakes at all.

Yeah, I mean, there were probably three points which I think could have been re-edited a little bit tighter or a little bit more emphasis on the right places.

But again, those are tiny nitpicks for a film that is really tight, really crisp, really a brisk 105 minutes.

I feel like it's exactly the amount of time you need for the story, especially in a time when every movie has to be two hours long.

I honestly feel they could have added a few more minutes.

There is a significant incident in the past, which I really feel like they needed to flesh out a little bit more.

It doesn't mean that you don't actually understand what's happening in the film.

It just gets it across really quick.

I feel like this movie knows what's come before and that there's an audience who knows this universe quite well and understands the formula.

So when they do give us something that we may know what the outcome will be, maybe slightly predictable, they're like, there's no point belaboring that point.

We know what's gonna happen, but we want you to live with the characters in this moment.

Let's just let it play out.

And if it takes a long time, fine.

If it takes a shorter time, fine.

I honestly could have done with certain scenes being dragged out a little bit more.

The three actors have so much chemistry, like they could have ripped off each other for maybe five, 10 minutes more.

But the director, Nia DeCosta, was very clear about wanting this film to be under two hours. And that's what she made.

So fine.

Even if I wanted the moments to drag on, she did it.

That's the way we've got it.

That's fine with me.

Yeah, I'll also mention that we have read that Nia DeCosta may not have got her final vision in the end product.

I don't know what her vision would have been.

That being said, despite studio interference, this is a good film.

It does what it says on the tin, which is that it brings these amazing superhero characters to the fore.

It gives us a lot of story, gives us a lot of plot, action scenes.

The effects are much better than in quantumania, if you're worrying about that.

That's a low bar.

I thought the space scenes were really captivating.

I love space anyway, and on a big screen, it's gorgeous to look at, but there were a couple of shots where I was like, hmm, that looks very different from what we've seen before.

And that's saying something, considering the Guardians of the Galaxy trilogy and Infinity War and Endgame have a lot of scenes in space.

I feel like the Marvels really enjoyed the setting of space and putting these characters in space.

Of course, Captain Marvel is used to it.

Monica is an astronaut, but Ms.

Marvel's journeys in space are particularly fun to watch in this film.

Yeah, and let's not forget the supporting characters.

There's Nick Fury.

He's carrying the franchise at this moment.

Exactly, exactly.

That being said, I think he would be one of the aberrations with the characters.

Not to say Samuel L.

Jackson isn't brilliant.

He's so good.

I think this is one of his most fun, exciting performances in the MCU, simply because he seems to be enjoying himself.

He seems to be enjoying riffing off these different actors.

But where does this version of Nick Fury fit within the story of Nick Fury?

I have no idea.

We've just seen Secret Invasion.

The man we see in The Marvels is nothing like the man we see in Secret Invasion.

When did the story happen?

I have no idea.

It just doesn't make sense.

That was a very confusing part of the film for me.

So I felt when I was watching The Marvels that the Nick Fury we see in this film is supposed to be for audiences who haven't watched Secret Invasion.

I don't know if Marvel realized that Secret Invasion wasn't going to do as well as they hoped because people did not take to it at all.

There were a lot of things I really enjoyed about Secret Invasion.

I mean, Samuel L.

Jackson's acting is great, but Nick Fury, the character was all over the place.

There were so many dropped story beats.

There were things that were happening that just didn't make any sense.

It didn't flow from anything.

And what we kept hearing was, this is gonna lead directly into the Marvels, so you need to watch Secret Invasion.

But there is no connection at all.

This Nick Fury is super chill.

He has not gone through the events of Secret Invasion.

That's what I'm thinking.

Yeah, that's exactly how you feel.

And it's come to a point where maybe they've realized you don't have to watch and consume all of Marvel to enjoy any of the Marvels.

That being said, what's the point of having an expansive universe if they don't sort of tie into each other?

Well, that's the thing, because the Marvels does have a few cameos that directly link to other franchises within the MCU.

And that's great.

But at the same time, it does feel like it's aimed at audiences that don't want to watch the previous Marvel movies.

And I'm very confused about that particular aspect of it, because with Loki, with Ant-Man, with the Guardians of the Galaxy, there's a heavy emphasis on, you have to have seen everything that came before.

Is there a reason why the Marvels is not getting the same treatment?

It's an interesting point, and I don't know if this is a good thing or a bad thing.

In one way, that means a lot of people can go into the Marvels gold.

That means new audiences, audiences who've been kind of afraid of the vastness of the MCU, they can actually be introduced to these characters, enjoy these characters, which is especially important for a film that has, you know, a white female lead, a black female lead, a South Asian female lead.

You're getting those audiences, those communities in there.

That's great.

But very interestingly, The Marvels, which has these female leads, is the one film where Marvel goes in thinking, yeah, nobody's ever watched any of this other stuff before, so we might as well put in the context or just keep it completely separate, standalone from all the other properties.

I don't know the thinking behind that.

Is it good?

Is it bad?

We can only tell if this movie is a success, box office success, and also has a legacy.

That's the important part.

But we're already seeing people complain about some aspects of it, which again, you can enjoy this film, you can nitpick, you can have critiques about the story, the directing, the editing, et cetera.

So far, I haven't seen that much of the misogyny that came across with Captain Marvel, which is good.

Maybe they've learnt their lesson, but I do feel like there is still a kind of thinking for a lot of folks where it's like, if it's not perfect, it's bad, we should never do it again.

I agree.

I'm hoping that things get better.

Mostly I've seen very positive reviews.

I feel like Marvel and Disney are relying heavily on word of mouth from press screenings and things because there hasn't been as much marketing for The Marvels.

It's been the usual, oh, we've got trailer, we've got a new trailer, we've got a new trailer.

Okay, what about other stuff?

It doesn't help that the WGA and SAG-AFTRA strikes had to be on all this while.

They fortunately have finally been resolved, yay.

That's happened just as we were recording, but here's hoping it stays that way and the strikes are resolved.

Right, the Saga After deal is tentative still, so I'm hoping that everything will be finalized soon.

But yes, maybe it would have made a huge difference if the actors were there to promote the film, but I don't see why that should be a problem.

I don't think so either.

I'm really excited that this film came out.

I'm really excited that it came out good and fun and enjoyable.

I do think it's a family film that everyone can enjoy.

Yes, you can enjoy it if you've never seen a Marvel film before, which is great, which is really important.

One of the most fun parts of this film, and I think which will appeal to a wider audience, an audience that has been left out a lot in superhero and genre fare, are the Khan family.

So Kamala Khan, she has her mom, her dad and her brother.

And surprisingly, they have a much larger role in this film than I expected.

I really thought they'd be like in one scene in the beginning and we'd never see them again.

But no, they are recurring throughout the story.

I really appreciated this film, just wanting the Khan family to experience all this absolute insanity.

And you know what?

At the end of the day, yes, Kamala has powers and Ms. Marvel is Jersey City's new hero, but her family are just like regular people who are just trying to live their lives.

And I like the comedy that comes from being the family of a superhero who is very young, very impressionable and a huge fan of somebody that she's actually meeting.

And the film just riffs on that.

It just has so much fun with their scenes.

And I was just very delighted to see them appear again and again in the movie.

And there was some really fun, relatable South Asian moments that happened in this film and I was just like, yes, this is exactly how South Asian family would act.

It was very, very amusing.

There was a South Asian person at the screening with us and she was really feeling it.

There were a few moments that, honestly, that's like pointing at the screen, hooting with laughter, slapping your knee kind of funny, because we've seen it happen before.

It's relatable.

It resonates.

It's good.

But also it doesn't demonize the family, even when they're being like overbearing and overconcerned.

It's okay.

That's understandable.

Kamala's a teen, you know?

Obviously her family is gonna worry about her.

It doesn't demonize them.

It doesn't make them a joke.

They're not just comic relief.

The thing is everybody is comic relief in this film.

So that's the good thing.

Everyone's funny.

Everybody has these moments.

So I really appreciated that, that they're a normal family.

They just do things which, when you're not Kamala Khan having to deal with it, is very funny.

Exactly, and what I really liked about the Khan family's involvement in the Marvels was that it harkens back to the comics.

After a while, Kamala's family does get involved in her adventures and not always because they want to, but some of their adventures, even the ones out in space, they do get involved in those and they're always very supportive and they understand why she has to do what she has to do.

That doesn't change the fact that they're very worried about their daughter or sister and this one really enjoyed that aspect of it.

There was a comic book that I had read, which was not written by a South Asian person and in that comic, not gonna name who it was.

This doesn't sound good.

It wasn't because I was reading it and this person had just completely misunderstood the relationship that Kamala has with her parents.

And yes, there's teenage angst and everything. Everybody goes through that, that's fine.

But there was such a very obviously racist element to, oh, her Muslim parents are being like this because they are Muslim.

And this film does not do that.

It doesn't do that.

It's just like, this is a family who loves their child and they're worried about her, but they also know why she has to go fight the universe.

So yeah, I mean, it's a small thing, but it's actually kind of big considering what's happening in the world right now.

And we need that kind of positivity.

If it's not obvious yet, we highly recommend this film.

You have to go watch it, enjoy it.

I'm not gonna say, go watch it on the biggest screen.

Honestly, it's up to you, but I would highly recommend watching it.

We want more films like this.

We want more films with inclusive, diverse representative cast.

We want the Marvel Cinematic Universe to be fun and good quality.

Exactly, like it used to be.

Phase five has been not great.

And there is hope now.

I'm really excited for what The Marvels is saying about what's gonna happen in the future of the MCU, what's gonna happen with these characters.

And you know what?

If you just want an hour and 45 minutes of laughter and joy, this is it.

This is your movie for the fall.

Go ahead and see it.

Thanks, and that's all from us for this episode.

And hopefully you will hear from us again very soon, unless life gets in the way.

Don't quote me on it.

The Stereo Geeks logo was created using Canva.

The music for our podcast comes courtesy Audio-Nautix.

#the marvels #stereo geeks #podcast #marvel #monica rambeau #carol danvers #ms marvel #captain marvel #kamala khan #nia dacosta #disney

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theoriginalmarke · 1 year ago

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SUNDAY SUMMATIONS

Hurricanes, fires, COVID nonsense, political nonsense... are we living through 2020 again? Maybe we've been stuck in 2020 all along, kind of like Bill Murray in Groundhog Day. We have to live it over and over until we get it right.

CM Punk was fired by AEW yesterday. He had been suspended after a backstage scuffle with Jack Perry last week. It turns out he also lunged at the owner, Tony Khan, during the scuffle. Dumbass. Good riddance.

I watched another Max movie yesterday, The Batman. My rating: It was long. Three hours long. Three hours of gothic brooding. Overall it was okay, just... long. And unrelentingly dark and brooding.

Trader Joe's has a Banana Pudding ice cream. It's good, but not as good as their birthday cake ice cream (they call it Celebration Cake).

I haven't had a good nanner puddin' in at least ten years. I reckon it's a southern thing.

I have some ground beef thawing. I'm thinking of trying some homemade dirty rice today. I've tossed a bunch of our old spices but I think I still have enough to give it a shot.

Now if you'll excuse me, I have to get moving.

I love you, baby. I hope you're feeling better today. MWAH!

Y'all have a great day.

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gospelaccordingtosuperheroes · 10 months ago

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The Marvels (PG-13) Review:

For those who missed it in theaters, The Marvels is now available to stream.

I give this movie a solid B rating. It was enjoyable and had a decent enough storyline. There’s enough to enjoy whether you are a fan of Captain Marvel, WandaVision, or Ms. Marvel, or even if you are a fan of all three. Without any spoilers, the post-credit scenes were amazing (and you can guess which one I was more excited about in the comments).

The film would have been better if it had been treated more like The Avengers. The Avengers had a lot of build up with other films before it. It’s not that The Marvels didn’t, it just felt like there was something missing leading up to this character crossover. It’s not that we could have known more about what Carol was doing before now. I think it fits really well that most of that work has been off camera. I do think we could have seen a lot more with Monica Rambeau and what she’s been doing post WandaVision. Either way, it seems like something could have, and should have, come before this.

On the Gospel side of things, there is a really great scene that gets at love and forgiveness. However, this scene wasn’t given the time it was due, especially as it helped tie the whole story together, which at other times could be disjointed. That diluted the message and its importance, unfortunately, to the point that I think the message was missed a little.

It’s great to see an all female superhero cast, especially one so diverse. It’s nice to see a group that is so focused on working together instead of dealing with one-upping each other. Also, while we still see Kamala Khan fangirling a ton, we also get to see the depths of her character in helping everyone move in the right direction, which feels very true to her comics origin.

Like I said, this was a solid B movie. It could have been better, but it was still enjoyable and sets up some interesting things to come in the MCU.

Review:

Overall: ⭐️⭐️⭐️.5/5

Gospel: ✝️✝️✝️.7/5

#the marvels

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sshbpodcast · 2 years ago

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That’s what I call brain freeze: Cryostasis in Star Trek

By Ames

We’re due for our coolest blog activity yet! That’s right, we’re talking cryofreezing this week, the easy way for writers to freeze time for characters, so long spans of time go by in a snap! We see it in pretty much everything, from Alien to Aliens. On Star Trek, going into stasis can allow for people from the past to make it to the future, pause the spread of whatever ails you while your doctor logs into WebMD, and make long-distance travel without warp something survivable for someone with a normal human lifespan.

A Star to Steer Her By is digging into the freezer for some frozen snacks, so make sure to check out everything we’ve got defrosting on the counter below and listen to this week’s podcast chatter (frosty discussion starts at 1:07:29).

I’ll say this up front as well: I wasn’t expecting to have to include a minor spoiler for season three Picard after literally the first episode, but here we are.

Cool off!

[Images © CBS/Paramount]

“Space Seed”

The villain Khan is just too much for Earth of the past, so he becomes the future’s problem when he flash freezes himself and his augmented followers. The episode in which we first see cryostasis in Trek also paved the way for one of the most popular movies in the franchise, so we’re glad that the plot device opened up the possibility of dragging people into the future. For now.

“The Neutral Zone”

...and I’ve already eaten those words. The three frozen folks from this episode are mainly here to make fish-out-of-water jokes. They don’t understand that stocks and bonds don’t exist in the future. Isn’t that funny? Sure, some of the scenes with an overwhelmed Clare Raymond are a little more intimate and thought-provoking, but this whole episode was just unfocused and tiresome.

“The Emissary”

We all loved K'Ehleyr so much (see how much here!) that it’s easy to forget the rest of the episode in which she was introduced. You’ll remember that a ship of Klingons, all in stasis, is about to get their wakeup call and someone needs to be on hand to make sure they don’t attack the Federation since they’re pretty behind on the news. And who better than our girl K’Ehleyr? Worf helped too, I guess.

“The Perfect Mate”

Sometimes, your mail-order bride comes in a well-preserved package. In the generally squicky “The Perfect Mate,” Kamala is being kept in her little cocoon in the cargo hold until pesky Ferengi accidentally break it open earlier than it’s supposed to be opened. Why did the cocoon need to float in the air where it could easily be knocked down? Hey shut up, the episode needed to move forward.

“Relics”

Do we count being stored in the transporter buffer as an equivalent to being in stasis? Well, “Relics” is on this list, so yes, yes we do. It’s actually a really ingenious plan to effectively freeze yourself using the transporter, even if it seems to only be effective 50% of the time, that we’re frequently flabbergasted that we don’t see it used more often in Trek. You’ll see it a couple more times on this list though.

“Face of the Enemy”

Like in “The Emissary,” it may be easy to forget that the driving force of “Face of the Enemy” is cryo-related, but we get too distracted by watching Marina Sirtis actually getting something really great to do for a change. But the main thrust of the episode is about transporting Romulan defectors out of Romulan space, and that’s achieved by putting them in cryo and moving them around like luggage. Go Troi!

“Vortex”

This mostly forgettable episode from early DS9 also had a mostly forgettable cryo scene. Croden’s daughter is being stored in stasis on some rock or other so that he can go pick her up when he’s escaped his shitty, shitty government. It’s a rather small inclusion, but as we’ve said before: when you’ve got this technology, you might as well use it!

“The Abandoned”

This one’s just a tiny little inclusion in an episode that veers hard in another direction once the sleeping pod element is done with. After Quark buys up a whole bunch of products and he’s started sorting through his wares, he discovers a small pod containing what turns out to be a Jem’Hadar baby. Why was he being transported in a cryochamber? The better question is: why not transport ALL babies in a cryochamber?

“Empok Nor”

We see a lot of “The Emissary” in this horror episode of DS9, especially in that “if someone wakes up, they might wreak some havoc on us” kind of way. In this case, it’s a couple of drugged-out Cardassians that have awakened from their slumber on the space station Empok Nor and the episode turns a little into Jason X: The One in Space. Which we should totally cover on the podcast one day.

“The 37s”

Boy, did we have a lot of shitty things to say about “The 37s” when we wrapped season two of Voyager, and so much of it is because of the very forced and highly unnecessary cryochamber plot. There was already too much going on in this episode, and adding unfreezing Amelia Freaking Earhart to the mix was not only convoluted, but just agonizingly bad as well. Let the poor thing rest in peace.

“The Thaw”

We talked more about this one when we discussed dreams the other week, but it has the added bonus of being a cryosleep episode as well! Like many gimmicks in which the idea is for the characters to get woken up from cryo at an appointed time, something goes terribly wrong for the sleepers and they get stuck in their worst nightmares: dreaming of clowns and not being able to wake up.

“Resolutions”

This is another brief scene, but we do get a moment at the very top when we’re dropped in in media res to see Chakotay and Janeway waking up in their pods on some paradisiacal planet. They were only in there briefly to be transported to the surface without dying of their incurable illness (score one more cross promotion to our diseases post), and then we never see the pods again.

“One”

One of our favorite Seven of Nine episodes so far has been “One” and there’s so much cryostasis that I’m feeling a little freezer burned just thinking about it. It’s such a good premise: the whole crew needs to go into cryo because they can’t survive a span of deadly nebula or other, so Seven has to pilot her sleeping crewmates to the other side without succumbing to cabin fever! Excellent!

“Counterpoint”

Well, we included “Relics” on this list because being stored in the transporter buffer is akin to being stored in a cryopod, so here we are doing it again with “Counterpoint.” Seriously, they really don’t use this technique often enough in Star Trek, but since the telepaths kept in the buffer start to suffer from cell degradation from constant use, maybe that’s a good enough reason.

“11:59”

One of the good things about this otherwise deplorable episode was the story we get from Harry Kim about his uncle Jack. The account goes that Jack was on a sleeper ship (we really don’t see enough of those!) back before space travel was quite so fast, awoke at their destination to find nothing there, so he turned the ship around and went home again. It’s quite a cute and funny little anecdote!

“Dragon’s Teeth”

The episode we covered on the podcast this week hit a lot of the same beats as previous instances from this list. A warlike race gets woken up from their slumber only to try to take over the ship, a la “Space Seed.” Their pods had been scheduled to wake them and failed like in “The Thaw.” And we had nearly no motivation to open the pods in the first place, as has happened a whole bunch!

“Precious Cargo”

An even more egregious retread comes in Enterprise when they basically try to redo the super cringe TNG episode “The Perfect Mate” that you just scrolled past, and somehow continue to be fairly cringe. Same deal: a gorgeous Kriosian woman is being transported while in stasis. Her pod gets damaged and she wakes up and eventually falls for the hunkiest guy in reach. We’ve done all this before.

Into Darkness

Since Into Darkness is just “Space Seed” / The Wrath of Khan but with more lens flare, the movie obviously has to use the cryostasis plot device since it would actually be more trouble NOT to include it and anger the fans [more]. But finding Khan’s crew in cryo inside torpedoes is at least a good touch, and the chilly resolution to the film is somehow kinder than stranding him on Ceti Alpha V.

Rukiya’s story arc

One last one that’s from the transporter buffer loophole that we’ve decided we’re using for this list, but it’s also a really good and quite sweet characterization for Doctor Mbenga to put his daughter into stasis to prolong her life. We ask every so often on the podcast why the medical staff doesn’t put patients in cryo all the time, and it took until Strange New Worlds to really make good use of it.

“Preludes”

Learning Jankom Pog’s backstory in this Prodigy episode really helped shed light on his character in a way that we didn’t realize we needed so badly. It’s a fascinating addition – especially for a kids show! – to have this Tellarite be a blast from the past who awoke accidentally from cryo to find he needed to maintain the ship. And it’s crushing to see him get no credit for it!

“The Next Generation”

Literally right after we recorded this week’s episode, the season three premiere of Picard came along to taunt me. It too contains a scene related to cryostasis. We don’t know much yet about what’s going to come about from this turn of events since, at the time I’m writing this, dear Doctor Crusher has just entered the deep freeze, so watch along with us to see what happens, I guess!

—

Let’s get you thawed out so you can enjoy more blogtivities! You should also be keeping up with our watch-through of Voyager on SoundCloud or whatever your podcast application of choice is, hanging out with us on Facebook and Twitter, and just generally chilling out.

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naughtygirl286 · 2 years ago

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We've been catching up on some TV recently 😄

Obi-Wan Knobie

I thought the series was excellent! and think they should do a Season 2. The only problem I had was with his interaction with Leia it kinda doesn't mesh with Episode 4 like when she is leaving the message for him in R2 it like she doesn't know who he is but she should know or remember who Obi-Wan Kenobi is becasue as a kid she spent quite a bit of time with him. that is pretty much my only gripe with the show a continuity error

She-Hulk

I wanted to see this being I'm a fan of the character and I was happy they were going with the funny/silly 4-wall breaking version which is the version of She-Hulk that I like. Now I actually the series was awesome! I enjoyed it alot! I laughed at parts and giggled at parts and did a few eye rolls here and there. Its all very fun I liked the references and the 4 wall breaks I thought Tatiana Maslany was perfect as Jennifer Walters the way they did She-Hulk was awesome I liked how they kept her origin somewhat close to the comics love the Cameos and thought Tim Roth is still killing it as Abomination. but like I said I enjoyed the series and as a comic reader I have to say that the show is very She-Hulk very similar to the comics.

Ms.Marvel

Now next we watched Ms.Marvel now I can't say I know alot about the Kamala Khan version of Ms.Marvel being I didn't and haven't been reading her series. the Ms.Marvel I grew up with was Carol Danvers Ms.Marvel before she became Captain Marvel. but like I said I know the basics about Kamala Khan from her team-ups and guest appearances in other books. the show is really good it has the fun almost silliness to it but at the same time a very seriousness as well similar to how Spider-Man: Homecoming was it had that same feel as that movie almost. there was some funny moments and some nice action and visuals and speaking of which I knew they changed her powers for live action and she is no longer "stretchy" with her shape shifting powers in the show she is now more like the MCU version of Green Lantern where she puts on a The bangle and it gives her the power to create Hardlight constructs similar to what a Lantern Ring does also there was one thing that bothered me the "Bad Guy" in this were suppose to be djinn but they didn't seem to have any type of magical powers? you would think they would? djinn are suppose to be magical creatures aren't they? also another thing the ending I remember ppl saying that the '97 X-Men animated theme is heard during a scene but I didn't hear anything I watched the scene like 3 times and couldn't hear anything. other then that I thought it was a good and fun show.

Moon Knight

and finally on the Marvel side of things we watched Moon Knight. I know a lil bit more about the character the Kamala Khan's Ms.Marvel. I thought the series was really great plenty of action and adventure and some funny moments I thought I thought the visuals for this were also really well done and kinda impressively cool at times. One thing tho I did feel at a few moments during the series it felt a bit disjointed but got back on track quickly it was like it hit a "speedbump" for a minute. I also think Oscar Isaac was great as Moon Knight and he pulled off the somewhat craziness that the character is know for perfectly! the duality that they do in this was excellent. but yeah I thought it was great and a good introduction for the character into the MCU

Now after watching all three Marvel shows I thought they were all really good and I enjoyed them all but I would have to say I enjoyed She-Hulk the most. I actually thought it was the best of the 3 I probably think that being that I am an actual fan of She-Hulk but also I thought it was witty and funny and full of all kinds of moments and things that I enjoy like comic references and Easter eggs and also I felt it was very close to the actual comics so I'd say I liked it the most.

Also I watched Werewolf by Night now that is something I thought I would never see in live action! but it was pretty great! I liked the whole B&W aesthetic where it looked like a 1950's monster movie that was great! and I loved how they did Man-Thing (aka "Ted") he was perfect! it was a great an somewhat funny introduction of the character into the MCU and I like how they had him use his acidic/burning touch thing too. but it was a good lil special I do wonder if this will have any connections to the upcoming Blade movie?

#star wars #obi wan series #obi wan star wars #obi wan kenobi #disney+#disney #she hulk #she hulk attorney at law #ms marvel #moon knight #marvel #mcu #marvel mcu #werewolf by night #man thing #naughtygirl286 #shannonj286

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stormcrow513 · 1 year ago

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These days I basically have the same critiques

Lighting, I miss half of what's fucking happening, I sometimes can't tell characters apart if their build and style is the same,

I recently watched a show that had like three guys the same height build and hair type, if they were all on screen it was a nightmare,

Volume, the music and effects are louder then the actors so I can't hardly hear them and trying to read while I'm watching something makes me sick also the volume should be where a person with decent hearing should be able to hear it I shouldn't have to have the subtitles on,

They really need to go back to more episodes it makes things play less like a show and more like a movie,

Like the Hawkeye 'show' for example I really love that I think it's the best thing the MCU ever produced,

It should have been a fucking movie, like me and ma have rewatched it a couple times and it's kinda annoying because you can like watch it in one sitting but you have to keep clicking to the next 'episode' and fast forward through the previously on shit,

Like I would have bought that on DVD as a movie, still would if they ever pulled their heads out of their collective circle jerk

Oh also the thing where everyone thinks they are being edgy trend setters by killing off the main characters, like sorry honey it's been done enough now that you're just climbing on the bandwagon

Also speaking of edgy

Gonna use the last Hellboy movie can't remember names or year and I'm on a roll so fuck it,

So all supernatural/horror ish things are inclined to move some gore or ew moment s

But some of these guys seem to think it needs to be done in every scene in a way that I find boring,

I'm not even joking I started getting so bored and annoyed watching that movie I've never watched it again,

Right from the beginning they seemed to do everything possible to I don't know gross out the audience I guess,

I remember that the opening had this raven/crow rip out a corpses eyeball, if I remember right it made a lot of scwletching noises, also I'm pretty sure it was partially decayed already the eyes would have already been pecked out come on,

I don't often not pick that kinda stuff, or I didn't used to but I'm getting irritated with this shit anymore,

So I was already like so Hellboy isn't allowed to fuck AND we're immediately into the lame gore, not looking good,

Also my ma is a bit squeamish, only a bit, she could watch the first Hellboy movies, she watched 15 seasons of Supernatural with me, she barely got through this movie, she was like this is just sick, like not an a ooo I'm scared this is to scary just this is gross

I'm of the beleif that media is good if it can give you some sorta mmmm, tension,

One of the best scary scenes I ever saw was in Star Trek Into Darkness it's this scene where Khan plups the Admirals head, and they don't show us the head popping, we hear a noise they show us his daughters hysterical scream, which I'm not sure the gal who played Carols name is but godamn well done hun, we see Khan's face as he's squeezing too,

It's just a fucking great scene like I find it horrifying every damn time and I've watched it a lot,

Gore up the ass doesn't make me feel like that, if they had shown his head pop it would have just looked stupid and made me roll my eyes,

Supernatural throwing fake blood at a wall in front of the camera while someone off screen screamed was scarier then the lastest Hellboy,

Also the medium chick have dead naked people goo out of her mouth was also stupid and not scary,

Its a better mind fuck to have the actress speak in the same manner as the spirit or to dub the other actors voice in so she's speaking with the deads voice, and have her staring kinda vacent,

Also can't go wrong with a bloody nose afterwards or during like there's a sense of drama to a scene where you're talking to a dead person you loved through this gal you care for knowing it's hurting her as she bleeds from the face and you're trying to say goodbye

That shits way fucking better I eat that up like a crow on dog food

Anyway speaking of dogs gotta go let mine pee so I'm just going to stop here

Reblog and put in the tags a genuine criticism you have about your favorite show(s)

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voteformightyclocks · 2 years ago

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Ms. Marvel - How They’ve Set Her Up For Failure

Ms. Marvel was a FANTASTIC show, and I’m really sad that it’s over...6 episodes was not enough and I can definitely feel the pain of her show being gone. However, it’s a show that definitely had major flaws. First, let’s talk about a couple of things I really, really appreciated about the show.

1. Ms. Marvel doesn’t really go anywhere. Why is this good? Because she had no reason to go anywhere. The entire story was centered around her place in this wide open world. Doe she side with Cladestines and restore her home dimension? Does she side with the civilians of Earth and protect them, even when Damage Control (part of the people she would be protecting) is out to get her? Does she stick close to her family and refuse to get involved in anything? Everything had a strong motive, and she had to go on a journey to learn what each side would mean for her and her future. This served the story well because it meant Ms. Marvel as a hero and a character is still naive and immature, and is still trying to figure out her powers...she’s still at Square One. But meanwhile, she gave us an awesome and compelling story that establishes what her goals for the future are. The implications for her future are therefore, at first glance, great.

2. There’s no central antagonist. At first the lack of a central antagonist bugged me...it put too much emphasis on the conflict against society, and that wasn’t really highlighted well. However, this, again, benefits Ms. Marvel as a character. She has yet to encounter anyone actually evil; she’s only fought people who are scared and doing what they can to protect themselves, their homes, and their people. People like, well, Kamala Khan herself. This preserves her as a pure-hearted character who couldn’t fathom what it’s like to just be evil. She’s empathetic to those in pain or in need and she’s willing to do anything for a total stranger. This means a betrayal-style plotline, or a plotline in which someone she loves dies (Peter Parker-like) would ravage her character and make for a compelling and heartbreaking story. Do I want that to happen to her? No. But also, I’m writing these articles from the perspective of a storyteller, and the storytelling value of her innocence is spectacular, especially since we kinda need a replacement for Peter Parker at the moment since his future is a bit uncertain.

That being said, it feels like Ms. Marvel’s future should be secured- set in stone. But there’s a major issue with that. And that, is The Marvels. All-in-all, it would be fine, but something many fail to consider is that Captain Marvel is a killer. A massive killer. It’s hard to say how many people were in the Kree battleships, but Captain Marvel can kill without batting an eye. Monica Rambeau, while not a killer herself, has certainly shown her willingness to fight against people she knows and cares about for the sake of protecting others. And Ms. Marvel? She’s purely defensive. Offense is always a last resort. Carol Danvers will be a toxic influence, and I can nearly promise you that Monica and Carol will disagree, and we will probably get a duel between them at some point. And how does Ms. Marvel fit into that? So, I have three reasons Ms. Marvel is set up for failure:

1. She’s too inexperienced/innocent to be crossing over into other projects, especially not one with Captain Marvel. She at least needs one more season of her own show before she’s ready.

2. She’s not a cosmic hero, she’s a local hero. Placing her in space so suddenly, again, undermines her as a character and a hero. She needs to stay in familiar territory (earth) until she establishes herself more as a hero.

3. MCU Phase 4 sucks, and The Marvels will not be an exception. As hyped as I am for The Marvels, now, I can’t deny that most of Phase 4 has been lackluster at best. No Way Home and Thor 4 were really fun movies to watch, but inconsistent with pacing and plot quality. WandaVision and Loki were standout shows, however WandaVision was removed from it’s sitcom origins and Loki didn’t handle the introduction of Sylvie well at all (gross, Loki, don’t fall for yourself...) Shang-Chi was a pleasant surprise, but the third act was all but an absolute failure. Phase 4 just doesn’t hold a candle to Phase 3, and I’m strongly positive that a Brie Larson-led film is not going to be the exception we all want/need.

So...yeah. I’m loving Ms. Marvel as a character and a hero, I absolutely love Season 1, I’m hyped for Season 2, I love the setup they’ve done for her, and I think all of this will come to a screeching halt.

Anyhow! Thanks for reading my Clock Talk!

#ms marvel #ms marvel spoilers #the marvels #captain marvel #monica rambeau #carol danvers #kamala khan #voteformightyclocks #marvel #mcu phase 4 #wandavision #loki #sylvie #shang-chi #phase 3

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asleepinawell · 3 years ago

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Book Recs

I was gonna do one of these at the end of the year, but I’ve somehow managed to read 26 books this year already (12 novellas, 14 novels), almost all featuring queer authors and/or characters so this is already a long list.

Note: There’s a few on here I was kind of meh about, but in most of those cases it was a ‘book might be good but it’s not for me so i’ll mention it to put it on people’s radar anyway’ type of thing. Insert the usual necessary tumblr disclaimer about all of this being only my opinion and your opinions are valid too etc etc.

In order of when I read them:

Princess Floralinda and the Forty-Flight Tower by Tamsyn Muir - Fantasy novella from the author of gideon the ninth that’s a twist on the classic princess trapped in a tower waiting for a prince story. Quite fun. (novella)

The Monster of Elendhaven by Jennifer Giesbrecht - Dark fantasy about revenge and magic. m/m couple but like I said it’s pretty dark and twisted all around so definitely not a happy queer romantic story. My opinion was interesting premise that could have been executed better and probably should have been a full novel to embellish on the world building potential. (novella)

A Memory Called Empire & A Desolation Called Peace - Arkady Martine - Probably tied with murderbot as the best things I read this year. Scifi, f/f couple, wonderfully done exploration of what it means to fall in love with a culture that is destroying your own. More of the many queer anti-imperialist books that have come out recently and certainly some of the best. The second one is a direct continuation of the first. (2 novels)

The Tyrant Baru Cormorant - Seth Dickinson - This is the third in the Baru Cormorant series (The Masquerade) and was my favorite so far. The second and third book were originally one book that got split I believe and the second book didn’t stand alone as well (though was still great), but the third book really made up for that. Dark fantasy world starring a queer woc whose country and culture is destroyed by the imperial forces of that world colonizing and assimilating them. She vows revenge and decides to work her way up within her enemy’s ranks to enact it from within and bring an empire to ruins. Really really fascinating study of so many different aspects of our own world and the systems which enable and allow bigotry and how bigoted and violent narratives are used to control minorities. This is definitely a darker series and I was particularly impressed with some of the commentary on the racism prevalent in non-intersectional feminism as depicted through a fantasy world. Can’t wait for the last one to come out! (3 novels, 1 forthcoming)

The Murderbot Diaries - Martha Wells - There’s six of them--5 novella and a novel--and the first is All Systems Red. Told from the point of view of a self-aware droid/android that is rented out by a corporation to provide protection in a dystopian capitalist hellhole future that isn’t that unlike our current capitalist dystopia but is in space. Muderbot hacked the chip that controlled it and instead of going rogue just wants to be left alone to watch its favorite tv shows. Murderbot is painfully relatable and the books are both funny and poignant. Highly recommended. (5 novellas and a novel).

Winter’s Orbit - Everina Maxwell - This was a m/m romance novel with a scifi backdrop of royal intrigue. Generally I’m more into scifi with a queer relationship in the background than vice versa, so it wasn’t my favorite, BUT I think it was still well written and someone looking for more of the romance angle would enjoy it. Has all your favorite romance tropes in it, especially the yearning. (novel)

The Divine Cities - Robert Jackson Bennett - Three book series. I’m very conflicted about this one. Set in a fantasy world where an enslaved nation overthrew the country enslaving them and now rules over them. It’s a story of what happens after the triumphant victory and within that it’s also a murder mystery tied into the dying magic of the conquered nation. It also has a six foot something naked oily viking man fist fight a cthulhu in a frozen river. The second book was by far my favorite, mostly due to the main character being brilliant. My conflict comes from the fact I don’t feel like the story treated its women and queer characters well. Like it had really great characters but it didn’t do great by them overall. That and the third book didn’t live up to the first two. But still definitely worth a read, can’t stress enough how cool some of the world building was. (3 novels)

Into the Drowning Deep - Mira Grant - This might be the only one on here I disliked. It’s got a doomed boat voyage and creepy underwater terror and monsters and a super diverse cast of characters, but I just didn’t enjoy the writing style. While having a diverse cast is great, there were a lot of moments where it felt like characters were pausing to explain things about themselves that felt like a tumblr post rather than a normal conversation you might have while actively being hunted by monsters. I also bounced off all the characters. But a lot of people seem to have liked it so if you’re into horror and want a book with a f/f main couple then maybe you’ll enjoy it. (novel)

Dead Djinn Universe - P. Djèlí Clark - Around the early 1900′s, a man in Egypt discovers a way to access another world and bring Djinn and mysterious clockwork beings called Angels through. As a result, Egypt tells the British to get fucked and Cairo becomes one of the most powerful cities in the world. So Egypt, magic, djinn, a steampunk-ish vibe, oh and the main character is a butch queer woman who enjoys wearing dapper suits and looking fabulous while she investigates supernatural events. Her girlfriend is also mysterious and badass. And she has a cat. There’s three novella (one of which technically might be considered a short story) and then the first novel. You should absolutely read the novellas first (A Dead Djinn in Cairo, The Angel of Khan el-Khalili, The Haunting of Tram Car 015). Super fun and imaginative series. (3 novellas and a novel, more forthcoming)

River of Teeth & Taste of Marrow - Sarah Gailey - From the book description

“In the early 20th Century, the United States government concocted a plan to import hippopotamuses into the marshlands of Louisiana to be bred and slaughtered as an alternative meat source. This is true. Other true things about hippos: they are savage, they are fast, and their jaws can snap a man in two. This was a terrible plan.”

Queer hippo riders!!!! Very much a western but with hippos. Main couple included a non-binary character. Loved the first one. The second one I was more meh about due to one of the characters I was supposed to like having obnoxious man pain that a woman had to take the brunt of the whole time. Also there were less hippos. But queer hippo riders! Definitely read the first one, and they’re both novellas so no reason not to read the second as well. (2 novellas)

A Psalm for the Wild-Built - Becky Chambers - I may be the only person who hasn’t read the long way to a small angry planet at this point, but I did grab her new novella and I loved it. It made me want to go sit out in the woods and feel peaceful. The world it’s set in feels like a peaceful post-apocalypse...or diverted apocalypse maybe. Humans built robots and robots gained sentience, but instead of rebelling they just up and left and went into the wilderness with a promise that the humans wouldn’t follow them.The remaining human society reshaped itself into something new and peaceful. It’s the story of a monk who leaves their habitual monking duties to go be a tea monk and then later wanders into the wilderness and becomes the first human in ages to meet a robot. Very sad there’s no fan art yet. (novella, more forthcoming)

The March North - Graydon Saunders - This was such a weird book that I’m not sure how to explain it. The prose style is hard to get used to and I suspect a lot of people will bounce off it in the first chapter. There’s no third person pronouns used at all and important events get mentioned once in passing and if you blink you’ll miss them. Set on a world where magic is extremely common to the point that rivers sometimes run with blood or fire and the local weeds are something out of a horror movie and most of the world is run by powerful sorcerer dictators, one country banded together (with the help of a few powerful sorcerers who were tired of all the bullshit) to form a free country where powerful sorcerers wouldn’t rule and the small magics of every day folks could be combined to work together. The story revolves around a Captain of the military force on the border who one day has three very powerful sorcerers sent to them by the main government with the hint that just maybe there’s about to be a big invasion (there is) with the implication of take these guys and go deal with this. The world building is extremely complex and very cool...when you can actually understand what the fuck is going on. There is also a murder sheep named Eustace who breathes fire and eats just about everything and is a Very Good Boy and belongs to the most terrifying sorcerer in the world who appears as a little old grandma with knitting. It had one of the most epic badass and wonderfully grotesque battles I’ve ever read. But yeah, it is not what I would call easy reading. Opinions may vary wildly. I did also read the second one (A Succession of Bad Days) in the series which was easier to follow and had a lot more details about the world, but overall I was more meh about it despite some cool aspects. The chapters and chapters of the extreme details of building a house that made up half the novel just weren’t my thing. (novels).

The Space Between Worlds - Micaiah Johnson - In this world parallels universes exist and we’ve discovered how to travel between them, but the catch is you can only go to worlds where the ‘you’ there is already dead. This turns into an uncomfortable look at who would be the people most likely to have died on many worlds and how things like class and race would fit into that and what we would actually use this ability for (if you guessed stealing resources and the stock market you’d be correct). The main character is a queer woc who travels between worlds with the assistance of her handler (another queer woc) who she has the hots for. She accidentally stumbles on a whole lot of mess and conspiracy and gets swept up in that. Really enjoyed it. (novel)

Witchmark - C.L. Polk - Fantasy world reminiscent of Victorian England (I think?) where a young man with magical gifts runs away from his powerful family to avoid being exploited by them. He joins the army and fights in a war and comes home to try and live a quiet life as a doctor, but a murder pulls him into a larger mystery that upturns his life. Also he’s extremely gay and there’s a prevalent m/m romance. This one was a fun-but-not-mind-blowing one for me. (novel, 2 more in the series I haven’t read)

The Priory of the Orange Tree - Samantha Shannon - This was one of those that everyone loved but I couldn’t get into for some reason. I tried twice and only got about halfway through the second time. It’s got dragons and queer ladies and fantasy world and all the things I like, but I wasn’t that invested in the main story (which included the f/f couple) and was more interested in the smaller story about a woman trying to become a dragon rider. There are few things that beat out a lady and her dragon friend story for me and that was the storyline that felt neglected and took a different turn right when we got to the part I’d been waiting for. But, I know a lot of people whose reading opinions I respect who loved it, and if you like epic fantasy with dragons and queens and treachery and pirates and queer characters then I’d say you should definitely give it a try. (novel)

Bonus: I didn’t read these series this year, but if you haven’t read them yet, you should.

Imperial Radch (Ancillary Justice) - Ann Leckie - Spaceship AI stuck in a human body out for revenge for their former captain, but that summary does not come close to doing it justice. Another one examining imperialism and also gender and race.(3 novels)

Kushiel's Legacy Series - Jacqueline Carey - This is two series, six books total, and starts with Kushiel's Dart. Alternate universe Renaissance-y Europe in a fantastical world where sex isn't shameful and sex workers are respected and prized. Lots of political intrigue and mystery. A lot of BDSM and kinky stuff too (the main character is a sexual masochist, oh and also bi!). I first read this series when I was fifteen or sixteen and it definitely made a big impression on me. Same author also wrote the Santa Olivia series which I’d also recommend. (6 novels)

The Locked Tomb (Gideon the Ninth) - Tamsyn Muir - I mean, if you follow me, you know. If you don’t follow me you still probably know. I’d have felt remiss to have left them off though. Lesbian Necormancers in Space. Memes! Skeletons! Biceps! Go read them. (2 novels, 2 forthcoming, 1 short story)

Books On My To Read List:

Fireheart Tiger - Aliette de Bodard

The Order of the Pure Moon Reflected in Water - Zen Cho

Black Sun - Rebecca Roanhorse

This Is How You Lose the TIme War - Amal El-Mohtar and Max Gladstone

Ninefox Gambit - Yoon Ha Lee

Also, if anyone has any recs for scifi/fantasy books starring queer men (not necessarily having to do with a queer relationship) and written by queer men I’d love them. There’s a lot written by women, and some of them are great, but I’d love to read a story about queer men from their own perspective.

#book recs #books #mp

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variousqueerthings · 3 years ago

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The Karate Kid/Cobra Kai Star Trek AU ideas...

@phantomcomet talked about a Star Trek AU and then I went too far in writing this post imagining some roles in Star Trek. I’ve stuck to the adults from TKK/CK and maaaainly envisioned characters through the lens of Starfleet (although not only).

Anyway, here’s some thots! Any Star Trek/CK fans add more!

First things first: I did not think of a name for the starship Miyagi’s captaining, so I’m just calling it Miyagi’s ship for now. (The Bonsai doesn’t seem like a ship name really. The Crane Kick not so much either... The Cobra totally works though... anyway, someone have some ideas?)

Miyagi: Captain of the ship (later an admiral and then retires to take care of his bonsais). Obviously has a soft spot for Daniel, whom he probably spotted doing some whiz-kid stuff on a shitty, broken down civilian ship and took onboard. You know, you probably don’t even have to mess with his backstory that much to make it fit, he grew up on a planet on the outskirts of the Federation and saw some shit and is doing good, a la similar to Kirk’s backstory. He’s experienced abandonment from the Federation, so he may work within the system, but he’s fucking with it at every turn he gets and does what he thinks is right (a la Sisko. If Kirk and Sisko had a baby? Strange thoughts, but tell me I’m wrong).

Daniel: Engineer. Low key kind of a prodigy with engines. Engineers aren’t as often officer-class (unlike science/medicine and command, which I believe always are), so I can see Daniel coming into that from a less privileged space – definitely not the Academy – and initially butting heads with Johnny (as well as a bunch of others). He’s not head of engineering, but he works for the Lead Propulsion Engineer. Also he talks to the warpcore. You know he does. All the time.

Johnny: Security Babey! Also backstory is maybe he was trying to get into a command situation onboard a different ship led by Captain Kreese and he was the golden boy, but things went South when he was pushed to doing something he didn’t feel right about, so he was demoted for something bad that he’d done on Kreese’s orders and then couldn’t let go of. And he brings that baggage aboard Miyagi’s ship.

At this point people joke about Miyagi taking on lost causes and strays…. (but never to his face).

Ali: Doctor, of course! Did everything by the book and sometimes dreams that she’d let go of her parents expectations and could go out and do something outside of Starfleet. I feel like she might’ve studied with Johnny at the Academy and for a short while been onboard Miyagi’s ship with him and Daniel, but gotten transferred into a more specialised field at some point (chasing the dream).

Kumiko: Okay there’s three different things I see for her

1. Presumably this is a galaxy-class/exploration ship (similar to the Enterprise) and so civilians are also onboard. If Kumiko isn’t with Starfleet, maybe she was using it as transport as an incredibly famous dancer and there’s a whirlwind romance that can’t last vibe.

2. if Starfleet, definitely in Command somewhere. I kind of love her for a first pilot/flight pilot.

3. Command. Even if she’s not in Starfleet I can see her having command of her own ship: Quietly competent, but steely in conviction and capability, that’s her!

Kreese: Used to be a Captain, but quietly was ousted from Starfleet during an internal investigation that showed up a lot of problems during his command and even before that. Star Trek has depicted war, and bigotry, and I think Kreese would probably have some dirty laundry there (some of which hasn’t been uncovered). Still bitter about losing his command and losing Johnny and has some personal business with Miyagi that he puts on Daniel, like in the movies.

The OG Cobras: They were all on Kreese’s ship originally, but dispersed after the incident with Johnny. I wonder if only Bobby stayed on, studying intergalactic faiths and assisting in various first communications and interchanges.

Someone help me out with Jimmy, Tommy, and Dutch. Continue on in Starfleet, yay or nay?

Yukie: I caaannot see her as Starfleet. She obviously grew up with Miyagi on that planet and I feel like she’s heavily involved in the rebuilding efforts and has been her whole life. She’s traveled to earth multiple times to petition for relief efforts, and is incredibly anti-war – there’s a whole department dedicated to her work – wait is Yukie basically some hotshot activist who condemns Federation Neo!Colonialism… I feel like… that’s poetic… also you know where Kumiko gets her calm competence from!

Sato: I mean he’s some big-shot admiral while Miyagi’s still Captain and they have History! I think Sato bought into the Federation a lot more and is consistently angry at Miyagi’s choices and wants to initially trip him up, but he just can’t. And eventually they find themselves back home and patch things up – it’s the intergenerational environmental Trauma babey. You need to go back to the source to begin to heal.

Chozen: Speaking of intergenerational trauma… I mean, he’s gone through the Academy, he’s wound up as a combat pilot/second pilot on a great ship, (in this Sato isn’t captaining a ship, he’s risen in the ranks, but he’s pulling strings), he’s going through it. Unsure of what actually would happen, but I like him for combat pilot as a counterpoint to Kumiko’s flight pilot. Poetic.

Terry: OOOOKaaaay, who the heckening is Terry Silver in this? In canon I already HC him as almost a ghost, so how does that translate here? He’s an intergalactic crime boss, he’s got 50 different stories told about him (he’s an augment like Khan, he’s worked with Borg, he’s got contacts throughout the Federation, he came from the Gamma Quadrant) – only Kreese marginally knows him and knows he used to be an ensign, but before that… even he’s not sure…

Barnes & Snake: They work for Terry… do you think he’d do a longterm con of getting his own people into Starfleet through the Academy? I feel like he would. Officer Class, except Snake probably wound up in lowgrade security, I cannot see him having the brains to move that far up the ladder. I’m inventing a whole conspiracy now…. or maybe Terry hired Barnes after he got kicked out of the Academy, hmmm...

Jessica: I want her to be Science Class, so that’s what she is. Research and Development. Social sciences and Xeno-archaeology. She makes and collects gifted pots.

Carmen: She’s a nurse. I feel like she also came through in an unconventional way, possibly studying nursing in a civilian capacity and worked on civilian ships for a few years, using it as payment for traveling with her mom and her kid. Then, eventually, ends up on the same Starship as Johnny and Daniel and Co. (and now I kinda want to see her training under Ali, but in my head Ali left before Carmen entered the picture).

Rosa: I feel like the Diaz family didn’t grow up on earth – I’m aware that this puts people of colour mainly off-earth, but I’m thinking about Star Trek’s earth-metaphor as “paradise” (DS9) while it lets all the nasty stuff happen outside, which is… very similar to “first world/third world country” rhetoric + how in Karate Kid and Cobra Kai first Miyagi and then the Diaz family are immigrants. I think Rosa Diaz would get on with Miyagi – like a type of Guinan and Picard situation, where she’s definitely a civilian, but constantly ends up on conversation with the Captain and he’s not quite sure what exactly her history is. Also I’m imagining a lil toddler-Miguel on a big starship.

Amanda: Similar to Kumiko I can see Amanda in a lot of places – administrative? Officer class? Intelligence officer/analyst? Bridge crew? Captain-in-training? What are we thinking here? Also I wonder about her past, but that’s something I do in canon as well. I kind of like the idea that she’s worked incredibly hard for what she has, putting herself through the Academy, presenting the front of someone who grew up with giving parents on the “Paradise” of earth, but actually she didn’t…

#the karate kid #ck #cobra kai #johnny lawrence #daniel larusso #nariyoshi miyagi #amanda larusso #carmen diaz #rosa diaz #john kreese #terry silver #OG cobras #jessica andrews #kumiko #chozen toguchi #sato toguchi #yukie #ali mills #any mistakes - chalk that up to this being written and not checked through

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kelpiemomma · 2 years ago

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✨️ 👻 💭 🎯 💌

✨️Out of the comments you’ve received on your fics, what are two or three of your favorites?

That's incredibly hard to say! Not only because I cannot currently look at my ao3 account since I'm not logged into it on my phone and I haven't attempted to turn my computer on for weeks now, but because I can't say i liked one over the others. My preference is towards the longer comments when people go into details about what they liked, quite specific parts of a fic, or just scream and tell me how excited it made them to read; but as I actually have pretty low self esteem I am always pleased that people comment on my fics in general.

👻What is your wildest headcanon?

Depends on the fandom I think? I don't think I have too many that are really 'wild', to the point I can't even think of any wild ones right now! Most of the time I have a headcanon they're typically flexible or used in certain situations. I will say my most recent headcanon is that Cogita is Ingo's ancestor, because of the hair swirlies. Maybe she's a great granny. Maybe she fucked Dreyden. I just think it'd be funny if they were distantly related.

💭What inspires you and your writing?

Mashing up things I love 😂 I love alternate universe and putting people in situations. I also love people's reactions and I do kind of write for others. I love bringing emotion to people, and I love putting characters I love in other fandoms I've loved. Hence all the legends arcues dad Ingo AUs....

🎯Do you have a writing milestone you’re working towards?

Honestly I just want to finish Jumping the Rail and Arms Outstretched right now! I bought myself a bluetooth keyboard that'll hopefully hook up to my phone so I can try to start writing again. I miss it. I also wanna write some zoroakari stories, and I've got a Beetlejuice au I wanna write, and a handful of others... I also want to write a playthrough of Akari's legends arceus run, as well as Khan's mhs2 run. But for now, finishing JtR and AO are my biggest goals.

💌 Is there a favorite trope you like to write?

Angst with a happy ending, hurt/comfort, and found family probably! I like gut wrenching feelings even though there'll be a happy ending. To write angst with a happy ending and hurt/comfort is very cathartic for me, because my life doesn't suck but I am frequently unhappy and so channeling my emotions into writing helps me out. And I love found family because every friend I've ever had offline (bar one that I met online; our schedules seldom mesh but we always do dinner and a movie when we can and I cannot express how dearly I love him just because he will work with me to schedule an outing when possible) has left me and doesn't speak to me because we no longer live near to each other, so I like to give the character I'm writing a stronger friendship/family group than I have. Wish fulfillment. I am surrounded by family (I live in a house with six other people) and I am so very alone lol

Questions from here https://at.tumblr.com/kelpiemomma/701848439094460416/vuhnejkkitxv

#Asked and answered #Crashstanding #Blessings upon you for asking 💚

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wellhalesbells · 4 years ago

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✨✨ TOP FIVES FOR 2020 ✨✨

2020 was, i think we can all agree, a massively chaotic year but i have never consumed as much media before in my life, so i thought others might benefit from my slothery uh, connoisseur.... ship? yes, that. below are the books, comics, shows, and movies that got me through!

B O O K S .

the starless sea, by erin morgenstern - i loooove this book because it loves me back. it says: ‘oh, you’re a reader, well i have just the thing for you.’ it luxuriates in language and story and riddles and fairy tales and it feels like an entire library in a single tome.

they never learn, by layne fargo - oh fuuuuuck, this was satisfying. i thought it might feel a little exploitative as it is very aware of the zeitgeist and likely would not exist without the #metoo movement but it never ever did. this was a fucking ROMP, period. reading about a woman getting away with murdering skeezy guy after rapey guy after shitty human just made me happier and happier.

moonflower murders, by anthony horowitz - this is the second in the susan ryeland series (and the first was hardcore good fun too) and really feels very classic mystery with the artful twist of catering to the literary community. mainly because: susan isn’t a detective, she’s an editor and she gets drafted in this time because the clue to what happened to a missing woman is in a book she edited, if she can find it. both of the books in this series have such an excellent coming together moment that is rare af to find.

the invisible life of addie larue, by v.e. schwab - the writing in this is just so good. it has that feel to me where i just want to drop the book and open up my own page and let my fingers fly. it’s that inspiring kind of writing that reminds you of all the things language can do.

crown of feathers/heart of flames, by nicki pau preto - aaahhh, this series is SO FREAKING GOOD! why is there not more of a fandom for it, why???? it is so many of my favorite tropes all resting perfectly together to the point where you almost forget they’re tropes because they just so naturally evolved there. ugh, it’s just.... it’s so heart-bursty good.

.... number 5, part 2? raybearer, by jordan ifueko - this was just so original and i was invested af. like, what a brilliant idea though and an even better execution?? i loved every character and am so looking forward to the next in the series so i can get to know them even better!!

honorable mentions (sh*t i still liked a whole heckuva lot): you/hidden bodies, by caroline kepnes // writers & lovers, by lily king // i’ll be gone in the dark, by michelle mcnamara // the faceless old woman who secretly lives in your home, by joseph fink & jeffrey cranor // girl, serpent, thorn, by melissa bashardoust // a little life, by hanya yanagihara // the guinevere deception, by kiersten white // obsidio (and the entire illuminae series), by amie kaufman & jay kristoff // the bone houses, by emily lloyd-jones // house of salt and sorrows, by erin a. craig // we hunt the flame, by hafsah faizal // savage legion, by matt wallace // blacktop wasteland, by s.a. cosby // crier’s war, by nina varela // the empress of salt and fortune/when the tiger came down the mountain, by nghi vo // upright women wanted, by sarah gailey // the monster of elendhaven, by jennifer giesbrecht // a deadly education, by naomi novik // you let me in, by camilla bruce // when you ask me where i’m going, by jasmin kaur // the lights go out in lychford/last stand in lychford (and the entire lychford series), by paul cornell // the devil and the dark water, by stuart turton // serpent & dove, by shelby mahurin // one by one, by ruth ware // ruthless gods (this was SUCH an upshot from the first book - it’s worth sticking with if you’re on the fence), by emily a. duncan // cemetery boys, by aiden thomas // the inheritance games, by jennifer lynn barnes // the fortunate ones (2021 release), by ed tarkington

C O M I C S .

cosmoknights, by hannah templer - the art was gorgeous, the gayness was glorious, and just.... hot HOOOOOOOOT lady knights in space?! a princess winning her own hand? find something not to love in there, i dare you.

don’t go without me, by rosemary valero-o’connell - wow. wow wow wow wow wow. the writing was stunning, so lyrical and atmospheric and deep, and rosemary has to be one of my favorite artists but even that managed to come as a beautiful surprise because it was just so freaking bold.

through the woods, by emily carroll - i loooove emily carroll, the convergence of spine-tingling horror and art that feeds into it, that is both visually and aesthetically pleasing, is hard to beat! p.s. i also read beneath the dead oak tree from her this year and it was also a BANGER.

the impending blindness of billie scott, by zoe thorogood - zoe is someone that i just want to follow. she’s just starting and i want to be there for every single step. i love her art style and her ability to tell a story with it.

above the clouds, by melissa pagluica - this was so unique, and such a baller concept, as nearly half the entire book is conveyed only through the art and yet you’re never once lost, never once confused as to what any character is thinking or feeling. it’s a story within a story and only one of those gets words though they both are chock full of emotion!

um.... number 5, part 2? crowded, by christopher sebela - everything about this series is fun af. crowd-funded assassination and a hirable bodyguard who’s rated like an uber driver??? and the chemistry between the two mains is so great and gay!!

honorable mentions: monster and the beast, by renji // long exposure, by kam ‘mars’ heyward // fence, by c.s. pacat // invisible kingdom, by g. willow wilson // ms. marvel, by g. willow wilson // heathen, by natasha alterici // not drunk enough, by tess stone // giant days, by john allison // die, by kieron gillen // be prepared, by vera brosgol // ascender (sequel to descender, which is also great), by jeff lemire // the unbeatable squirrel girl, by ryan north // bang! bang! boom!, by melanie schoen // gideon falls, by jeff lemire // life of melody, by mari costa // cry wolf girl, by ariel slamet ries // the tea dragon society, by katie o’neill // ptsd, by guillaume singelin // heartstopper, by alice oseman // solutions and other problems, by allie brosh // finding home, by hari conner // the magic fish, by trung le nguyen // something is killing the children, by james tynion iv // the weight of them, by noelle stevenson // spill zone, by scott westerfeld // skyward, by joe henderson // miles morales, by saladin ahmed

F I L M S.

parasite, dir. bong joon ho - oh it was satisfying, oh it was suspenseful, oh i had to watch some of it through my fingers but i loooooooved it. such a good story and so well made.

knives out, dir. rian johnson - okay, everything about this movie was amazing. every single character was fun as hell and i could’ve watched an entire movie about each of them. what a great fucking mystery!

blindspotting, dir. carlos lopez estrada - this made my heart hurt so damn much. what glorious writing, acting, and story!

portrait of a lady on fire, dir. celine sciamma - gooooorgeous cinematography, amazing chemistry, and such a soft, atmospheric film.

the farewell, dir. lulu wang - i cried and my heart felt so full and i love it so so much.

um.... number 5, part 2? someone great, dir. jennifer kaytin robinson - no part of me expected to love a netflix movie this much but it’s a love story that doesn’t get told that often?? the end of a relationship and the true love of friendship and i love these girls and i love jenny and nate’s broken relationship.

honorable mentions: eighth grade, dir. bo burnham // booksmart, dir. olivia wilde // midsommar, dir. ari aster // the curse of la llorona, dir. michael chaves // the secret life of pets 2, dirs. chris renaud & jonathan del val // jojo rabbit, dir. taika waititi // the invisible man, dir. leigh whannell // the favourite, dir. yorgos lanthimos // can you ever forgive me?, dir. marielle heller // troop zero, dirs. bert & bertie // ready or not, dirs. matt bettinelli-olpin & tyler gillett // brave, dirs. mark andrews & brenda chapman & steve purcell // the half of it, dir. alice wu // palm springs, dir. max barbakow // doctor sleep, dir. mike flanaghan // uncut gems, dirs. benny sadfie & josh sadfie // birds of prey, dir. cathy van // bloodshot, dir. dave wilson // the old guard, dir. gina prince-bythewood // enola holmes, dir. harry bradbeer // hocus pocus, dir. kenny ortega // always be my maybe, dir. nahnatchka khan // finding dory, dirs. andrew stanton & angus maclane // die hard, dir. john mctiernan

S H O W S .

black sails (2014) - this show, this shooooooooow. i cannot, it just makes me want to cry with how good it is. the characters, the EMOTIONS, the story, the plaaaaaan. like, the creators clearly had a plan for every single step of this show and it was a gOOD, GOOD PLAN.

the untamed (2019) - truly, cheesy good fun with one of the best gay romances ever. i love these characters and their relationships to each other and the way it glories in its own ridiculousness.

the righteous gemstones (2019) - one of the things that bothered me about my next choice (the ratio of female to male nudity) was so much more realistic in this one (i mean, we’ve all gotten five thousand dick pics and i know like three people? so the fact that there is so rarely male nudity in shows when there are tits everywhere..... no, how does that even make a tiny bit of sense?). this show was such great, wonderful, awful fun. they’re not great people and the show is under no delusion about that and it’s GLORIOUS!

the witcher (2019) - this was just hella fun, i loved the characters and the fantasy elements. i’m excited for the next season, it’s just entertaining swashbuckling through and through!

fargo (2014) - all of this was really very enjoyable with the through line being somebody fucks shit up and gets involved in something they really shouldn’t be involved in that’s going to swallow them whole. season one and season three were my stand-out favorites but they were all so violent, clever, and vicious!

um.... number 5, part 2? central park (2020) - um..... so many of the hamilton actors in a muscial cartoon drawn and written by the bob’s burgers team? WHAT ABOUT THAT DOESN’T SOUND AMAZING?! it was such a joy to hear daveed diggs and leslie odom jr.’s voices again!!

honorable mentions: schitt’s creek // the mandalorian // mr. robot // broadchurch // mindhunter // jack ryan // the good place // the end of the f***ing world // big little lies // elite // kidding // servant // letterkenny // curb your enthusiasm // i am not okay with this // ozark // buzzfeed unsolved: true crime/supernatural // you // runaways // dear white people // dickinson // brooklyn nine-nine // will & grace // 9-1-1 // dead to me // solar opposites // never have i ever // killing eve // what we do in the shadows // grace and frankie // avenue 5 // roswell, new mexico // the bold type // evil // tuca & bertie // impulse // the umbrella academy // watchmen // infinity train // corporate // search party // on becoming a god in central florida // a.p. bio // criminal: uk // the morning show // mythic quest // last week tonight // prodigal son // the great

#the starless sea #the invisible life of addie larue #the untamed #knives out #2020 favorites list!!#i tried to stick to shows i both started and finished in 2020 otherwise like schitt's creek and the good place would be in top five #same for comics #uh oh i've found the keyboard again

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