#also not all are BLs

[bunnakit]

if you've ever wondered what my 'to watch' list looks like (it's a fucking mess but at least it's alphabetized!)

please feel free to suggest things to add! (my 'have watched' and 'currently watching' are in my pinned!)

🌸 Dangerous Romance

🌸 Home School

🌸 Only Friends

🌸 PS I Hate You

🌸 Revenge from the Past

🌸 Wednesday Club

🥐 Saneha Stories S4: Saiyai Saneha

609 Bedtime Story

A Tale of a Thousand Stars

Be Loved In The House: I Do

Bloodhounds

Cupid's Last Wish

Dark Blue Kiss

Double Mints

For Him

Ghost Host, Ghost House

He's Coming to Me

History 2: Right or Wrong

History 3: Make Our Days Count

History 4: Close to You

I Feel You Linger In the Air

La Pluie

Midnight Museum

My Personal Weatherman

My Tooth Your Love

Old Fashion Cupcake

One Room Angel

Our Dating Sim

Reset

Three Will Be Free

Vice Versa

War of Y

Warp Effect

What Did You Eat Yesterday

What Zabb Man!

UPCOMING ->

Jack & Joker - ?

Monster Next Door - ?

🥐 My Stand In - ?

Mystique in the Mirror - ? (apparently part of a larger universe of other shows, figure out other ones to watch first)

Past Love in the Future - ?

Spare Me Your Mercy - ?

🌸 = Papang Phromphiriya

🥐 = Poom Phuripan

[gunsatthaphan]

just bro banter 🤙🏻✌🏻

[divineandmajesticinone]

4 MINUTES (2024) I 1.04

The first time.

[pharawee]

"Do panthers like it when they do this?"

—CAGED AGAIN · Episode 05

[kenchann]

🎃⚡🎃 + bits of yuri (ﾉω〃) yeah

[asturlavi]

the dungeons of fear and hunger

[itsallaboutbl]

I was wondering if you were good at sex. It pisses me off.

[secriden]

Just going to cry again (see: my previous post about the parallels between the storage room scene and the abandoned factory scene) about parallels and juxtapositions in the store room scene vs the one in Styles bedroom:

Both these scenes have such a tone of desperation and are characterised by an overflowing of emotions, but in drastically opposite directions.

(Note, some of what I say in this post directly relates to concepts and themes I talked about here, so it may not wholly make sense without that context.)

The scene in the storeroom is filled with frustrated desire. Fadel kisses Style because he wants Style's body and also wants to take his frustrations at Style out on his body. He doesn't need to look Style in the eye (and in fact very intentionally only does so only in small snatches) because this isn't about a connection as much as it is about a release. Fadel's kisses come fast, hard, and are intended to bruise more than to adore.

But episode 5's scene is filled with much more quiet and tender sort of desire. Style is kissing Fadel so much more slowly and purposefully. He keeps looking back at Fadel, checking in to see how he feels and whether Fadel is enjoying it. Everything Style wanted in Episode 3, he now gives to Fadel here, pours the secrets of his knowing and choosing Fadel anyway into the way he presses his lips onto Fadel's skin. His kisses linger, they carry a weight but are not gentle, and contain meaning that Fadel's kisses couldn't in Episode 3 because in all honesty they were relative strangers back then.

There's also the way there's such a ferocity and carelessness in the way Fadel starts the encounter in episode 3 that is juxtaposed beautifully by the slow, tender, almost hesitant way Style slides his lips onto Fadel's. Both of them are in such different headspaces, between these episodes and its especially evident in the way they care so much more about the other person's comfort and how intentionally they showed that to the audience.

There's hunger present in both scenes but what this hunger is focused on is so drastically different. In the storeroom, they're both mainly focused on a physical release; its primal and visceral but lacked emotional resonance. Fadel gives Style what he knows Style wants (that hint of danger, with the hand on his neck), but its not because he really cares about what Style wants on anything more than a physical level. In Style's bedroom, however, Fadel is drunk (intentionally and by his own design) and desperate to open himself up to Style on an emotional level. Meanwhile, Style wants that desperately too, but knows that Fadel shouldn't because of his own terrible secret. So this kiss is what they both will allow themselves - an honesty and a hunger for this deeper connection they can only share in act but not in words.

In the storeroom, Style wants Fadel to want more than his body but knows (or thinks) he can't push for it yet, so he remains passive, lets Fadel do whatever he wants, lets him turn and shove and place Style how he wants because at this point, this is all Fadel will give him. Here, Style is passive in spite of what he wants. But in the bedroom, Fadel is passive because it's what he wants; he wants to let Style do whatever he desires to and with Fadel's body. He wants to lay himself as bare as he possibly can, which is only physical, and so he does.

And because the encounter in Episode 3 lacked that emotional connection, the focus is merely their respective releases. There's a sense of two people trying to find pleasure and 'finish' while remaining emotionally disconnected despite actively having sex with each other. Because in some ways, they didn't really need each other in that moment to get there (there's actually a lot of truth in what Fadel says about it being easier to just jerk off alone). In sharp contrast, the scene in Episode 5 isn't focused on the destination but on the journey. Style is taking his time and Fadel is letting him - Style is choosing to worship Fadel's body, with his fingers, with his lips, to respond to his vulnerability with gentleness and tenderness and adoration. The goal has stopped being about finding a release, it's about allowing both these men to revel in the giving and receiving of pleasure.

The point of these scenes is to show to us the ways in which Fadel and Style have grown to care for and, dare I say it, love each other in ways that are so purposefully portrayed by showing the nature of their physical connection. Because the ways in which these scenes are the same and yet so wholly different showcases how their touches are now no longer merely tied to their senses any longer, but also to their hearts as well.

[khaopybara]

i learned it from magic mike.

JOONG ARCHEN as FADEL episode 3 of THE HEART KILLERS

[usertoxicyaoi]

"There's something wrong with you ..."

Arata Misu In TAKUMI KUN 4: PURE (2010). Kijima Rio In THE NOVELIST (2018). Yoden Ryoji In SEI NO GEKIYAKU (2020). Kusakabe Ritsu In BOKURA NO MICRO NA SHUUMATSU (2023). Segasaki Mizuki In TAIKAN YOHOU (2023). Yamase Kazuma In 25 JI, AKASAKA DE (2024).

[my-rose-tinted-glasses]

They say a cold goes away if you pass it on to someone else.

MISEINEN | Our Youth Episode 4

[byemambo]

POND PONLAWIT AS HILL

Fourever You (2024) | 1.03

[gunsatthaphan]

their little jubi jubs 🥺🫶🏻💫

[babybison]

If you're gonna play, play to win.

[pharawee]

How to have sex carefully in tent. I'm ready. Can we do it?

—MONSTER NEXT DOOR · Episode 9

[lonndoodles]

I don't think I'll draw this out but 2 routes we can go for this Raeda ship.

Route 1: This will be Eda and Raine's first time meeting at their job. It's Eda's first day and Lilith offers to show her around the office. She sees Raine talking to someone during their lunch break. Either Raine has something on them that makes Eda go like "Hello? 👀 we have similar interests?" or "Oh?? U look cool. I wanna talk to you"

OR! flip the script, we're following Raine's pov and they have a BIG crush on Eda. Altho Raine is very put together, they're clumsy or freeze up when trying to chat w/ Eda.

Route 2: They have not seen one another since high school. It's been several decades since they last saw one another. I haven't thought too long on this but I'm curious abt this idea. Did one of them had a crush on the other during high school? Or both? Maybe they had a huge fight and now working together they see they've grown since those school days.